Selena Kesia Portfolio

Page 1

S E L E N A

K E S I A



This book is dedicated to my parents.


C O P Y R I G H T

@ 2 0 1 8

S E L E N A

K E S I A

All rights reserved. No part of this book may be used or reproduced inany manner without the written permission of Selena Kesia.

S E L E N A

K E S I A

PHONE / 1 415 702 7859 EMAIL / skesiaarch@yahoo.com WEB / www.selenakesia.com

A C A D E M Y

O F

A R T

U N I V E R S I T Y

79 New Montgomer y Street, San Francisco, CA 94105 DIRECTOR / Katchleen Valkuchak INSTRUCTOR / Leonarda Tamayo COURSE / Portfolio

TYPEFACE / Caviar Dreams, Beach Script, Ebrima SOFTWARE / Adobe Suite PHOTOGRAPHY / Google, Pinterest

PRINTER / Imagink 475 Sansome Street Suite 100N (Entrance on, Clay St), San Francisco, CA 94111


S E L E N A I N T E R I O R

K E S I A D E S I G N E R

An Interior Designer born and raised in Jakarta, Indonesia. Grew up in the middle of a family that is so involved with design had influenced her interest and passion in art and design since early age.

At the age of eighteen she decided to fly to United States to study what she loves the most and pursue her dream. She then got enrolled in Academy of Art University, majoring in Interior Architecture Design.

She believes that design is a life journey, it is never finished. It is something that keeps changing along while we grow. Another highest form of art not only exist and aesthetically pleasing to the eyes but also has a big purpose at the same time.


01

02

C O N T E N T S O F T A B L E

The Haven

Mariotto's Residence

C O M M E R C I A L

D E S I G N

(03-22)

P R O J E C T

R E S I D E N T I A L

D E S I G N

(23-48)

0 1

P R O J E C T

Nat Geog

C O M M E R C I A

(4


A L

D E S I G N

P R O J E C T

04

05

03

tional graphic

Fashion Class

Sketches

T E X T I L E

&

F A B R I C

(75-89)

P R O J E C T

M I S C E L L A N E O U S

P R O J E C T

(81-90)

49-74)

0 2


0 3 T H E

H A V E N

0 1 01


the haven C O M M E R C I A L

P R O J E C T

The Haven is a high end restaurant and marketplace specialized in organic and specialty food, located in the ground floor of Channel Apartment in Mission Bay San Francisco. The market is designed to accomodate local residents and visitors from across the country.

0 4


V I C I N I T Y

M A P

C H A N E L A PA R T M E N T 1104 4TH STREET, SAN FRANCISCO, CA, 94158 Mission Bay was once a marsh, and then a big redelopment of the area was taken place. Which casue the area to be transfered rapidly into a high-end neighborhood filled with apartments, condomniums, offices, biotech and research companies.

T H E

H A V E N

PARCEL : 8711/023

0 5

YEAR BUILT

: 22 APRIL 2011

BUILDING AREA

: 451.053 SQFT

PARCEL AREA

: 91.476 SQFT

USE TYPE

: APARTMENT & COMMERCIAL

PLANNING DISTRICT

: DISTRIC 9

ZONING DISTRICT

: MB-RA

NEIGHBOURHOOD AREA

: SOUTH OF MARKET


S I T E

M A P

0 6


C O N C E P T

S T A T E M E N T

Concept O A S I S

An oasis (/oʊ e s s/; plural: oases /oʊ e si z/) is an isolated area of vegetation in a desert, typically surrounding a spring or similar water source. It refers to a location,

word oasis can also translated into “dwelling place”, with a word dwell means shelter, a place to stay, and home to relax, rest, replenish.

T H E

H A V E N

a place, it can also be used to describe a peaceful area in our everyday lives. The

Goal The goal is to design the space to be a pleasant, peaceful area in the midst of a hectic city. A space that is not only aesthetically pleasing for the eyes, but also embodies beautiful meaning with a hope that the space will act as an oasis for people all ages to come, rest, and rejuvenate.

0 7


M O O D

B O A R D

&

S K E T C H E S

T H E H A V E N

0 8


L O G O

D E V E L O P M E N T

The word Haven is chosen with a symbolic meaning. In a hope that the name would describe the place where people feel safe, secure and happy, also a place where people seek

T H E

H A V E N

to find peace and sanctuary in their everyday lives.

For the logo, the shape resembles both succulent and lotus flower. Succulent is a desert native plants, beautiful, and strong. It is an amazing plant that continue to grow in such a hard place.

While lotus flower holds beautiful menaing. Lotus pick up religious and deep spiritual meaning because they rise from the dirt and only show their beauty to the others.

0 9


B R A N D I N G

T H E H A V E N

1 0


E X T E R I O R

1 1

E L E V A T I O N


E X T E R I O R

E L E V A T I O N

1 2


T H E

H A V E N

F L O O R P L A N

The space is consists of three main areas which are: restaurant, market, and demo kitchen. The restaurant located at the north of the space that is adjacent with the two main streets. The grocery market area is placed adjacent to both restaurant and the demo kitchen for circulation purpose, and demo kitchen at the north area which is the most private for noise purpose to have a condusive environtment for learning.

1 3


C E I L I N G

P L A N

T H E H A V E N

1 4


G R E E N

F L O O R P L A N

W A L L

E L E V A T I O N

V I E W

Green is placed into the space to bring a

T H E

H A V E N

piece of nature inside artificial structure.

1 5


C O F F E E

F L O O R P L A N

S H O P

E L E V A T I O N

V I E W

Earthy element paired with the organic movement effortlessly brings a personaity into the space.

T H E H A V E N

1 6


T H E

F L O O R P L A N

M A R K E T

E L E V A T I O N

V I E W

The wall paneling is inspired by the form of sand dunes that can be foundthroughout a desert, which formed naturally by

T H E

H A V E N

wind and create a beautiful nature print.

1 7


D E M O

F L O O R P L A N

K I T C H E N

E L E V A T I O N

V I E W

The simpleness of a working space is to balance the hectic work happening inside the space, natural material and color palletes are used to bring peace and calmness of nature.

T H E H A V E N

1 8


D E M O

P L A N

E N L A R G E D

C E I L I N G

T H E

H A V E N

E N L A R G E D

K I T C H E N

1 9

P L A N

E N L A R G E D


D E M O

K I T C H E N

E L E V A T I O N

T H E H A V E N

2 0


T H E

H A V E N

I N T E R I O R

2 1

R E N D E R I N G


2 2


2 3

M A R I O T T O ’ S

R E S I D E N C E

0 2 02


Mariotto's Residence R E S I D E N T I A L

D E S I G N

P R O J E C T

Residential project for Mariotto’s family house, located in the San Francisco’s beautiful neighborhood, Presidio Heights. It is a three strory building consisting of three separzate living units for different clients.

2 4


V I C I N I T Y

M A P

MARIOTTO’S RESIDENCE 13 WOOD STREET, SAN FRANCISCO, CA, 94118

The building is a three level condominium that has been owned by Mariotto’s family since 1955 and will be a home for three generation

M A R I O T T O ’ S

R E S I D E N C E

extended families that will live on each level.

2 5

PARCEL : 1069/041 PARCEL AREA

: 4.485 SQFT

ZONING DISTRICT

: RH-2

OCCUPANCY : R-2 USE TYPE : RESIDENTIAL PLANNING DISTRICT

: DISTRIC 1 RICHMOND

NEIGHBOURHOOD AREA

: PRESIDIO


S I T E

M A P

2 6


C O N C E P T

S T A T E M E N T

Concept W I L L O W

T R E E

meanings. It symbolizes nature, life, fertility, balance, growth, harmony, and strength. Marriotto’s Residence is a three level structures building, and will be a home for three families. The whole building will represent a Willow tree and each level will represents parts of the tree: the roots, trunk, and crown.

M A R I O T T O ’ S

R E S I D E N C E

Willow tree is commonly painted by Chinese painters because the tree has beautiful

Goal Willow tree will be an inspiration and also symbol for these families to be able to grow together, and be able to standing firm, and together withstanding the greatest challenges of life. This concept is chosen with a hope that every family that live in this house could feel the beauty of nature in their living space which is calming for the soul, also aesthetically pleasing to the eyes.

2 7


S K E T C H E S & B O A R D M O O D

M A R I O T T O ’ S

R E S I D E N C E

2 8


E X T E R I O R

2 9

E L E V A T I O N


E X T E R I O R

E L E V A T I O N

3 0


L E V E L

F L O O R P L A N

M A R I O T T O ’ S

R E S I D E N C E

F I R S T

The lowest level of the building is designed for a single occupant, and will be rented through San Francisco’s Section B and Rental Assistance Program for a Low Income Family, designed with ADA and universal design features in mind. The lowest level of the building is inspired by Willow tree’s roots and the goal here is to make the occupant of this level to feel the beauty of nature and a soothing atmosphere.

3 1


M O O D

B O A R D

&

M A T E R I A L S

Chrysanthenum F I R S T

L E V E L

M A R I O T T O ’ S R E S I D E N C E

3 2


E N L A R G E D

M A R I O T T O ’ S

R E S I D E N C E

E N L A R G E D

3 3

P L A N

K I T C H E N

P O W E R

P L A N


E N L A R G E D

E N L A R G E D

B A T H R O O M

P O W E R P L A N

P L A N

M A R I O T T O ’ S R E S I D E N C E

3 4


M A R I O T T O ’ S

R E S I D E N C E

I N T E R I O R

3 5

R E N D E R I N G


3 6


L E V E L

F L O O R P L A N

M A R I O T T O ’ S

R E S I D E N C E

S E C O N D

The second level will be occupied by a single parent family that consists of a ada, and two twin sisters. The space represents the land and the trunk of the tree. Trunk of tree is the the part that represent the strength and stability. I added tiger that also represents powerful energy. Further, tiger associates wealth, and the animal that gives protection assuring peace for people.

3 7


C O N C E P T

M O O D

B O A R D

Tiger S E C O N D

L E V E L

M A R I O T T O ’ S R E S I D E N C E

3 8


R E N D E R I N G

M A R I O T T O ’ S

R E S I D E N C E

I N T E R I O R

Color palettes for this home are kept earthy and neutral, along with the use of natural material such as: warm walnut wood tiles on one side of the room and a light gray wool carpet as the flooring. On the other side, there’s a custom build-in metal bookcase with illuminated white marble that brings a luxurious atmosphere into the clean simple space.

3 9


4 0


R E N D E R I N G

M A R I O T T O ’ S

R E S I D E N C E

I N T E R I O R

The space is designed very modern and minimal, adjusted to Jason’s simple lifestyle. Wavy wall panels at the back of the bed brings a subtle textures into the whole space, highlighted with a warm cove lighting. The use of animal touch as the decor is a personal preference of Jason him selves, as he does hunting for a hobby.

4 1


M O O D

B O A R D

&

S K E T C H E S

M A R I O T T O ’ S R E S I D E N C E

0 2 4 6


L E V E L

F L O O R P L A N

M A R I O T T O ’ S

R E S I D E N C E

T H I R D

The third level represents the sky and the crown of the tree, the highest part of the tree. Crane is the symbol of longevity, it is one of the most important bird in Chinese legends and Chinese art. The Crane is believed to be immortal and is the commonest of the many symbols meaning longevity. Neutral colors to represent nature and blue color to represent the sky. Inspied by the calming atmosphere from the sky, at the same time still radiate the classiness and gracefulness of a crane.

4 3


M O O D

B O A R D

&

M A T E R I A L S

Crane T H I R D

L E V E L

M A R I O T T O ’ S R E S I D E N C E

4 4


C E I L I N G P L A N

M A R I O T T O ’ S

R E S I D E N C E

F L O O R P L A N

4 5

V I E W

K I T C H E N


E N L A R G E D

F L O O R P L A N

P L A N

B A T H R O O M

V I E W

M A R I O T T O ’ S R E S I D E N C E

4 6


M A R I O T T O ’ S

R E S I D E N C E

I N T E R I O R

4 7

R E N D E R I N G


4 8


4 9 N A T I O N A L

G E O G R A P H I C

0 3 03


C O M M E R C I A L

P R O J E C T

Mixed use commercial project for National Geographic, located in San Francisco’s Presidio area. Thee project takes place in a two stories historical building that contains exhibition area, cafe, and office area.

G E O G R A P H I C

M I X E D

N A T I O N A L

National Geographic

5 0


V I C I N I T Y

M A P

NATIONAL GEOGRAPHIC HEADQUARTER 34 GRAHAM STREET, SAN FRANCISCO, CA, 94129

National Geographic’s new headquarter will take place in one of a historical building in Presidio, San Francisco. The building is a two stories building,

N A T I O N A L

G E O G R A P H I C

with a project scope that consists of: Exhibition, Office, Retail and Cafe.

5 1

OCCUPANCY GROUP

: B

BUILDING TYPE : VB TOTAL AREA

: 20.400 SQFT APPROX

OCCUPANCY LOAD

: 75

FORMER USAGE

: OFFICE

PROPOSE BUSINESS

: MEDIA

AUTO SPRINKLER

: NO

ACCESSIBLE PARKING

: YES

ELECTRICAL POWER

: 120V / 208V, 200


S I T E

M A P

5 2


C O N C E P T

S T A T E M E N T

Concept E N L I G H T

“The word Enlight means to give intellectual or spiritual light, impart knowledge to,

N A T I O N A L

G E O G R A P H I C

or shed a light upon.�

This concept is chosen to represents the way National Geographic has been around for years, educated people through their lenses and help them to see the world from different perspectives. The concept is a metaphor that represents the identity of the company itself as a light for the others.

Goal Contrast is the focus for this concept. Focusing on light and dark, and opposites that bring the best for each other. Yellow and blue are chosen for the two primary colors which represents both the National Geographic itself under the blue sky.

5 3


M O O D

B O A R D

&

S K E T C H E S

N A T I O N A L G E O G R A P H I C

5 4


N A T I O N A L

G E O G R A P H I C

B U B B L E

5 5

D I A G R A M


D I A G R A M S P A T I A L

N A T I O N A L

G E O G R A P H I C

5 6


R E N D E R E D

F L O O R P L A N

1. First level lobby 2. Seating waiting area 3. Exhibition area 4. Retail shop 5. Cafe area

A

6. Open kitchen 7. ADA bathroom

9. Janitor

UP

STAIR A

N A T I O N A L

G E O G R A P H I C

8. Loading dock

100

19' - 0"

101

1

5 7

1st Floor 1/4" = 1'-0"

A106

1


C O N S D O C

F L O O R P L A N

Retail, Exhibition, and Cafe space are interlocking with each other. The idea here is to merge this spaces and blend them with no clear border. The floorplan will be open to encourage visitors to roam around freely.

B

C

D

E

99' - 6"

1' - 5" SEATING AREA WITH STEPS

1

3' - 0"

2' - 10" 2' - 7"

102

BAR LONG TABLE

ROOM NAMES

A108

106

18' - 11"

RETAIL SHELVES

6' - 6"

TELECOM

ELEV

1

5' - 5"

23' - 7"

100 101 102 103 104 105 106 107 108

UP

4' - 6"

16' - 7"

2' R

A107

-6 "

2

4' - 1"

7' - 7"

1

27' - 3"

8' - 8"

5' - 3"

23' - 6"

7' - 8"

WOODEN DECK FOR SHOWCASE

105

R

2'

-6 "

4' - 2"

LOBBY WAITING/SEATING AREA RETAIL AREA EXHIBITION AREA LOADING DOCK ADA BATHROOM CAFE AREA KITCHEN JANITOR RM

G E O G R A P H I C

3' - 0"

107

N A T I O N A L

4' - 7" ELEC PANEL

No.

Description

Date

3' - 9" 103

3

8' - 6"

STAIR B

30' - 10"

UP

A107 2

21' - 6"

WOODEN DECK FOR SHOWCASE

32' - 2"

5' - 5"

NATIONAL GEOGRAPHIC HQ

13' - 6"

2' - 0"

104

108 FLOORPLAN 1ST LEVEL

4

Project number Date Drawn by Checked by

Project Numb Issue Da Auth Check

A109 Scale

5 8

1/4" = 1'


C E I L I N G P L A N

A

B

2

5' - 7"

E

WALL WASHER

OPN CLG @14'-0"

1 2

2

WALL WASHER

LEGEND

SUSPENDED LIGHT

P

RECESSED LIGHT

P

STRIP LED LIGHTS AROUND NAT GEO LO

---

100

WALL WASHER

N A T I O N A L

P PENDANT LIGHTS OVER THE RECEPTION

PENDANT LIGHT P

SUSP. LIGHT

GYP DROP CLG @12'-0"

OPN CLG @14'-0"

2

SPOTLIGHT

2

G E O G R A P H I C

CLG @12'-0"

GIMBLE TRACKLIGHT

2

3' - 5"

13' - 10"

TRACKLIGHT

100

SWITCH SINGLE

GYP BD @10'-0"

SUSPENDED TRACK LIGHTS

STRIP LED LI UND WOODE

2

SWITCH DOUBLE

GYP BD @10'-0"

No.

5 9

3

Description

GIMBLE TRACKLIGHT

Date

1

1st Floor 1/4" = 1'-0"

MOUNT


F I R S T

C

L E V E L

D

E

GYP DROP CLG @12'-0"

2' - 5"

1 OPN CLG @14'-0"

107

LEGEND

RECESSED LIGH

106

WALL WASHER

TRACK LIGHTS EQ

102

EQ

PENDANT LIGHT

N A T I O N A L

P

GYP DROP CLG @12'-0" 2

GYP DROP CLG @12'-0"

P

P

P

P

2

SUSP. LIGHT SPOTLIGHT

GIMBLE TRACKL

TRACKLIGHT

2

G E O G R A P H I C

OGO

GYP BD @10'-0" 105

103

2

GYP BD @10'-0"

SPOTLIGHTS STRIP LED LIGHTS UND WOODEN DECK

SWITCH SINGLE

2

No.

3

SWITCH DOUBL

Description

OPN CLG @14'-0"

2

GYP DROP CLG @12'-0"

IGHTS EN DECK

OPN CLG @14'-0"

4' - 3" SPOTLIGHTS

3' - 8"

NATIONAL GEOGRAPHIC H

104 108

RCP 1ST LEVEL

SUSPENDED LIGHT GYP BD CLG @14'-0"

4

Project N Issu

Project number Date Drawn by Checked by

A105

TED ON DROP CLG Scale

6 0

C

1/4


N A T I O N A L

G E O G R A P H I C

R E N D E R E D

6 1

E L E V A T I O N


R E C E P T I O N

F I R S T

F L O O R

Early conceptual sketch of the reception’s front view elevation. High open ceiling is taken advantage of to create a classic, simple but airy and pretentious look.

Two structural columns located at the entrance are corporated into the

simple metal yellow square that act as National Geographic’s infamous logo is enough for the whole space.

N A T I O N A L

design, finishing with wooden tiles to soften the space. Less is more, just a

G E O G R A P H I C

6 2


R E N D E R I N G

N A T I O N A L

G E O G R A P H I C

I N T E R I O R

Reception desk on the first floor. Color pallete is very neutral and warn lighting with National Geographic logo being corporated as part of the design and becomes the focal point.

6 3


6 4


I N T E R I O R

6 5

R E N D E R I N G


E X H I B I T I O N

A R E A

N A T I O N A L G E O G R A P H I C

Exhibition area on the first floor. The space is designed very open and located in the center of the floor. The purpose is to make the space to be the main foucs area. Every exhibit item placed on a custom wooden showcase, emphasized by warm spotlights. At the back of the space, there’s a large interactive screen that allows visitors to interact with. 6 6


S E C I N D

F L O O R P L A N

1. Seating waiting area 2. Reception 3. Kitchenette 4. Working stations 5. Small meeting room 6. Big conference room A

7. Print room 8. Senior Editor

10. ADA bathroom 11. Senior web editor 12. Art director 13. Senior editor 14. Marketing

UP

2' - 2"

STAIR A

N A T I O N A L

G E O G R A P H I C

9. Controller

7' - 2"

3' - 11"

1' - 11"

COAT CLOSET

6' - 0"

1

6 7

2nd Floor 1/4" = 1'-0"

2' - 1" 2' - 1"


C O N S D O C

F L O O R P L A N

For second floor, each spaces: Lobby, workspace, and private offices space are separated and have more privacy. Each spaces are grouped individually for privacy purpose and clear circulation.

B

C

D

E

ELEVATOR

211

212

210

14' - 2" 19' - 5"

19' - 1"

19' - 9" 209

13' - 5"

214

2

R

2'

-6 "

202

8' - 8"

21' - 2"

25' - 2"

5' - 7"

204

203

208

5' - 6"

5' - 0"

6' - 3"

7' - 9"

5' - 6"

5' - 1"

203 204 205 206 207 208 209 210 211 212 213 214

RECEPTION A KITCHENETT WAITING/SEA AREA MEETING RO CONFERENC PRINT ROOM SENIOR EDIT CONTROLLER ADA BATHRO SENIOR WEB ART DIRECTO SENIOR EDIT MARKETING WORKING AR JANITOR RM

R

2'

GLASS WALL

5' - 0"

200 201 202

-6 "

200

ROOM NAMES

G E O G R A P H I C

6' - 11"

1'-0" DEEP DOOR ENTRANCE

N A T I O N A L

1 ELEC TELECOM

No.

4' - 11"

Description

3

12' - 6"

1'-0" DEEP DOOR ENTRANCE

44' - 7"

DN

213

14' - 2"

9' - 1"

7' - 8"

STAIR B

9' - 4"

201

205

2' - 3"

5' - 4"

206

2' - 0"

NATIONAL GEOGRAPH

207

4' - 0" FLOORPLAN 2ND LEVEL

16' - 4"

4

Project number Date Drawn by Checked by

A110 Scale

6 8


S E C O N D

F L O O R

A

B

4' - 3"

5' - 10"

4' - 1"

P

1

LEGEND RECESSED LIGHT

GYP BD CLG @10'-0" UNDER CAB.LIGHT

UND. CAB LIGHT SUSPENDED LIGHT SUSP.LIGHTS

P

PENDANT LIGHT

SWITCH SINGLE

2

2

SWITCH DOUBLE

1

CLG @10'-0" CLG @10'-0"

6 9

2

GYP BD CLG @12'-0"

N A T I O N A L

G E O G R A P H I C

2

UNDER CAB.LIGHT

2nd Floor 1/4" = 1'-0"

PEND OVER


C E I L I N G

C

P L A N

D

E

GYP BD CLG @12'-0"

1

LEGEND

RECESSED L UNDER CAB.LIGHT

UNDER CAB.LIGHT

UNDER CAB.LIGHT

UND. CAB LI

C

SUSPENDED

LIGHTS INSIDE THE DOOR DEPTH

N A T I O N A L P

GYP BD CLG @8'-0"

2

2

DANT LIGHTS R CONF. TABLE

P

G E O G R A P H I C

P P

GYP BD CLG @10'-0" P

GYP BD CLG @10'-0"

P P P

P

No.

PENDANT LIGHTS OVER CONF. TABLE

GYP BD CLG @10'-0"

3

PENDANT LI

SWITCH SIN

SWITCH DO

Description

2

NATIONAL GEOGRAPHIC H UNDER CAB.LIGHT

RCP 2ND LEVE

UNDER CAB.LIGHT

4

Project number Date

Proje I

Drawn by

GYP BD CLG @12'-0"

Checked by

A106 Scale

7 0

1


F L O O R P L A N

N A T I O N A L

G E O G R A P H I C

R E N D E R E D

Open working station and conference room that are both located on the second floor of the building inside the office space. The space for the opwn working area is surrounded by floor to ceiling curtain wall which allows natural light coming in during the day. A small kitchenette is located near the working area for workers to grab some refreshements anytime during thwir work hours.

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N A T I O N A L

G E O G R A P H I C

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F L O O R P L A N

N A T I O N A L

G E O G R A P H I C

R E N D E R E D

The conference and meeting room that are located at the center of the floor is also designed open with glass wall around it. A unique light pendant over the conference table as a focal point. At the bacl theres a floor to ceiling glass white bard to support the meeting activity.

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F L O O R P L A N C O N S D O C

N A T I O N A L

G E O G R A P H I C

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7 5 F A S H I O N

C L A S S

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C O M M E R C I A L

P R O J E C T

C L A S S

M I X E D

F A S H I O N

Fashion Class Other interest, fabric and textile class.

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F A S H I O N

C L A S S

C O N C E P T U A L

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I M A G E S


C O N C E P T

Futurism Streetwear C O N C E P T

In the early 20th centur y Futurism was engineered in Italy and became a new artistic and social movement. The movement revolved around futuristic ideas of speed, technology and the industrial city. This interest in

architecture, graphic design, etc. Designers and artists believed that the body of the future would be different, and movement in clothing would be engineered in a completely different way.

combine this unique concept into a style that is ver y well known, pop-

C L A S S

By choosing Futurism as the main concept for this last project, I tried to

F A S H I O N

the future consumed all mediums in art, photography, sculpture, interior

ular, and worn by many people all age all aroud the world, which is casual streetwear.

T A R G E T

M A R K E T

Young people both sexes, age between 19 - 24. College educated, desires exclusivity, New trends lead to high demand in open market, Product price range: $75-$200, high quality clothing with affordable prices,

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C L A S S

P I E C E

F A S H I O N

O R I G A M I

T A N K

Inspired by the symmetrical clean and sleek element in architecture, this top features a long vertical folded seam on both sides and horizontal waist seam to create a silhouette, symmetric hem and an elegant back slit that reveals the white fabric. Team with tailored pieces for easy work sophistication.

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P I E C E

F A S H I O N C L A S S

P A N E L L E D

M I N I

D R E S S

This mid thigh-length dress, crafted from jet black stretchable tricot knit, features a high collar and two black lining on both left and righ sides. The streamlined cut keeps things understated, while minimal lines bring elegance into the piece.

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8 1 S K E T C H E S

05 5


M I S C E L L A N O U S

W O R K S

S K E T C H E S

Sketches

Other works, interior perpective sketches in pen medium on vellum paper.

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M I S C E L L A N E O U S

W O R K S

S K E T C H E S

Interior sketches on vellum with pen.

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S K E T C H E S

M I S C E L L A N E O U S W O R K S

Interior sketches on vellum with pen.

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M I S C E L L A N E O U S

W O R K S

S K E T C H E S

Interior sketches on vellum with pen.

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E N T O U R A G E

S K E T C H E S

M I S C E L L A N E O U S W O R K S

Entourage sketches on vellum with pen.

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M I S C E L L A N E O U S

W O R K S

S K E T C H E S

San Francisco’s City Hall exterior sketches with pen.

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C O L O R

R E N D E R I N G

M I S C E L L A N E O U S W O R K S

Tricolor cubes value studies with pencil and pencil colors.

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M I S C E L L A N E O U S

W O R K S

S K E T C H E S

Real life value sketches with marker.

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E N T O U R A G E

S K E T C H E S

M I S C E L L A N E O U S W O R K S

Value sketches with marker.

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thankyou I couldn’t be more grateful and happier to finally be able to finish this portfolio book, after a long journey being a design student. First of all, I would like to thank to God and my parents, Hendra Pramana and Lily Lukmin for their support, trust, faith and love they have been giving me endlessly until now.

Secondly my mentors and teachers, Mitchell Gibson, Michael Sammet, Kathleen Valkuchak, Mark Miller, Tom Collom, Ernest Mariotto, Olga Zhobreboff, Pamela Tang, Leonarda Tamayo, Tuan Louv, Stephanie Haenel, Kathleen Roche.

And third to all of my collegues and close friends who have been growing, learning and fighting together with me until the end, Jessica Rosyadi, Shelvie Verani, Veronica Hartono, Cynthia WIensanjaya, Ngoc Nguyen, Livia Geraldine, Minh Thao, Jessica Alvarez, Mengqiu Zhang, TianTian Dong, Qinjie Chu,

Thankyou ever yone, I have been ver y lucky to have you in my life. I wouldn’t be here without you guys, and this four years mean the world to me. Thank you for your love and support during my time as IAD student, I’m sending the best good luck for ever yone! love love love.

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