San Francisco Bay Guardian

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Struggle for Citizen Back to Hunters Point Will digital merger threaten local news? P9

Filmmaker Kevin Epps updates hit doc P15

We rate the yogis

‘California’s Best Large Weekly’ – California Newspaper Publishers Association

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the san francisco bay guardian | sfbg.com february 22 - 28, 2012 Vol. 46, No. 21 | Free

Which famous Bay Area yoga teacher is for you? Plus: a guide to local yoga gear, the hot Bikram kerfuffle, and more P18

guardian illutration by namita kapoor. for more information about the artist go to page 19.

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THERE’S NO WAY TO BUILD ENOUGH AFFORDABLE RENTAL HOUSING TO MEET THE DEMAND.

EDITORIALS

EDITOR’S NOTES

NEWS

TIM REDMOND

WHO GETS TO LIVE HERE?

tredmond@sfbg.com

Renewed debates about housing policy will shape what kind of city San Francisco becomes P6

OPINION I served as a Congressional page for Minority Leader Nancy Pelosi last summer, and witnessed the highly partisan and deadlocked environment that plagued the House of Representatives during the debtceiling fiasco. Among the biggest challenges I faced during my two months as a page was being in an openly homophobic environment. One page laughed at the thought of having a gay president, saying if one were ever elected he would be the first in line with a shotgun. As the son of gay parents, I was deeply hurt. For the first few weeks, whenever I heard a homophobic remark, I would stomp out, grumbling to myself about how backward these pages were. Then it dawned on me that these homophobic pages had

“San Francisco’s economy is moving in the right direction,” Mayor Ed Lee told the Examiner last week. “My economic development and job creation policies are setting San Francisco on a path toward economic recovery.” The normally modest mayor is making a rather sweeping statement there — the US economy is improving in general, and I don’t think the mayor can take credit for all of it. But he’s absolutely correct that he’s promoted policies that are aimed at bringing more tech companies in to San Francisco, and over the next few years, they will no doubt create a lot of high-paid jobs for people with specific skills that require a high degree of training and education. Is that “the right direction” for the city? I lived here the last time that San Francisco was part of a tech boom, and I’m not so sure. See, bringing all sorts of new wealth into town sounds good on the surface, and for some people — particularly real-estate speculators, landlords and purveyors of high-end services — it is. But in a city that has limited space and nearly unlimited demand for housing, lots of new rich people and lots of high-paid people looking for places to live puts pressure on the existing residents, particularly the poor and the working class. It screws the middle class, too — if you’re a teacher or a nurse and you want to buy a house in San Francisco during a boom, you’re S.O.L. You can barely afford to rent — and if you’re already renting, you’re constantly at risk of losing your home, and your ability to live in this city, because your landlord can make more money kicking you out and selling the place as a tenancy in common to someone with more money. There’s no way to build enough new affordable rental housing, or housing that middle-class families can buy, to keep up with the demand. It’s impossible. Developers won’t do that — there’s too much money to be made in high-end housing for anyone in the private marketplace to waste time on anything else.

CONTINUES ON PAGE 4 >>

CONTINUES ON PAGE 4 >>

ALERTS P8 COMPRESSING THE PRESS What would a Bay Citizen merger with Center for Investigative Reporting mean for local journalism? P9

HERBWISE P10 FOOD + DRINK

APPETITE P11 CHEAP EATS P12 PICKS

GUARDIAN PICKS P13 ARTS + CULTURE

BACK TO THE POINT Kevin Epps updates his 2001 hit with Straight Outta Hunters Point 2 P15

WHITHER BAY INDIE? Tracing sound from Overwhelming Colorfast to Young Prisms P16

PLAYLIST What we’re listening to right now P17

DOWN DOG BREAK DOWN Pretzeling up with the Bay’s best-known yogis P18

BUY LOCAL: YOGA EDITION Drop that Lululemon and kit yourself up with these nearby retailers P20

HEATED DEBATE Is hot yoga for all? P21

MAIN MAN P22 ALIVE AND KICKING New works by Minna Harri and Christine Bonansea at the Garage P24

THE WAR AT HOME A veteran filmmaker returns with the Oscar-nominated In Darkness P25

SUPER EGO P26 MUSIC LISTINGS 27 / STAGE LISTINGS 30 ON THE CHEAP 31 / FILM LISTINGS 32 CLASSIFIEDS 37 EDITORIALS

NEWS

FOOD + DRINK

THE GUARDIAN EDITORIAL

GASCON AND MAYORAL CORRUPTION EDITORIAL The indictments of two executives of an airport shuttle company on charges of laundering campaign money are, in themselves, a rarity and something to celebrate: the district attorney of San Francisco is actually attempting to enforce the laws against political corruption. That’s unusual in this city, and worthy of note. But at this point, the entire sum total of prosecutions involving the scandal-ridden campaign of Mayor Ed Lee amounts to a pair of cases against people who made what appear to be illegal contributions. As of today, the message that’s being sent is that nobody in the Lee campaign did anything wrong. And that seems a little bit curious. Lee’s late entry into the race — after he’d promised for months not to run — and his refusal to abide by the rules of public financing forced his supporters to raise a large amount of money very quickly. There were so-called independent PICKS

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expenditure committees collecting donations and running parallel campaigns that, by law, should have been entirely distinct from Lee and his official effort. We’ve always been dubious about the supposed lack of coordination. Then there were the welldocumented instances of irregularities serious enough that every other candidate in the race asked for state and federal monitors to watch the election. Several eyewitnesses told local reporters that they saw volunteers for one of the supposedly independent groups filling out absentee ballots for voters, using a special template that ensured the votes would go for Lee. Some said they saw ballots being collected at a makeshift voting booth. In a video provided by the campaign of State Sen. Leland Yee, it appears that volunteers were both filling out ballots and placing them in bags — both clear violations of law. CONTINUES ON PAGE 4 >>

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ON THE CHEAP

FIGHTING PREJUDICE, ONE STUDENT AT A TIME BY ELIJAH JATOVSKY

FILM LISTINGS

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FEBRUARY 22 - 28, 2012 / SFBG.COM 3

editorials gascon and mayoral corruption

fighting prejudice

CONT>>

CONT>>

Gascon’s announced investigations of all the allegations — but more than three months later, nothing has come of it. His office won’t confirm or deny whether investigations are ongoing or whether any further indictments may be forthcoming. But at the Chinese New Year Parade, Chinatown powerbroker and Lee ally Rose Pak announced that she had heard Gascon was investigating her. There’s been plenty of time to collect evidence, and Gascon has a responsibility to let the public know, as quickly as possible, what’s happened to the rest of the allegations. If everyone in the Lee campaign is really innocent, and none of the independent groups supporting the mayor did anything wrong, he should say that, and present the evidence. It doesn’t help Lee, the city, or the integrity of the voting process to have these cases drag out. Gascon needs to conclude them, expeditiously. 2

probably never knowingly met a gay person or someone related to one. I concluded that if I wanted to change their opinions about gay people I would have to appeal to their emotional side through personalization. One night in a conversation with two of my homophobic page friends, I posed the question, “Should gay people be denied the right to marry?” They responded yes because gay people have the “choice” of being gay. I then asked, “If being gay was a choice, what are the children of gay people like?” They responded that the children probably led similarly immoral lifestyles, and that they were probably gay too. Then I posed my final question, “What if I told you I had gay parents?” Despite my liberal worldview, these pages had come to perceive me as approachable and respectable. So when I came out as the son of gay parents, it challenged their preconceived notions. On the last day of the program, the

pages wrote notes to one another to remember our experiences. One of them wrote in my book, “You changed my views of San Francisco... It’s full of liberals, but they’re okay peeps.” I believe my fellow pages and I exhibited something that was absent in the House of Representatives this past summer: communication and respect. We were able to put our vast differences aside, and truly listen to one another. We held conversations that were not marred by fiery rhetoric, but rather educated one another about our core beliefs and why we held those opinions. This type of dialogue is what a society needs to function — and that’s why I started a program called National Connect. NatCon provides high school students the opportunity to communicate with people who have different upbringings and values. Schools provide background information ranging from student body size to religious affiliation through the NatCon website, and NatCon pairs very different schools. For

example, the Jewish Community High School of the Bay in San Francisco is paired with Beulah High School in the rural town of Valley, Alabama. Students are assigned individual “buddies” from their paired school. They begin online correspondences answering different prompts. The prompts are given in stages, initially asking students to describe their lives in general. After a connection is established, NatCon provides another set of prompts, more personal and potentially controversial, such as asking students to discuss stereotypes they hold. Finally, participants are asked to discuss their core beliefs about provocative issues such as abortion, gay marriage, and the environment. Students are asked to state their position, and explain the values that inform their beliefs. The purpose is to educate and inform each otherænot to convince anyone of a particular point of view. In the first month since NatCon’s launch, there are more than 50 high school students participating from nine schools and

six states. Maybe there’s hope. 2 Elijah Jatovsky, founder of NatCon, lives in San Francisco and attends Jewish Community High School of the Bay. For more information and to read the NatCon Blog please visit: www.nationalconnect.org or email: nationalconnect2012@gmail.com editor’s notes CONT>>

The only way to preserve the middle class in the upcoming boom that Lee is promoting is to aggressively protect existing rental housing stock — which means preventing condo conversions and TICs and the stuff that gets promoted as “middle-class housing.” The only way to prevent massive displacement of people and existing businesses is to regulate space in the city more tightly than anyone has ever done — which will, by its nature, make it harder for the newcomers and new millionaires to find places to live. That’s the tradeoff. That’s the fact that Lee and his allies don’t seem to want to grasp. 2

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THE SAN FRANCISCO BAY GUARDIAN | SFBG.COM An independent, locally owned and edited newspaper “IT IS A NEWSPAPER’S DUTY TO PRINT THE NEWS AND RAISE HELL.” Wilbur Storey, statement of the aims of the Chicago Times, 1861

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3FOFXFE EFCBUFT BCPVU IPVTJOH QPMJDZ XJMM TIBQF XIBU LJOE PG DJUZ 4BO 'SBODJTDP CFDPNFT By yael Chanoff yael@sfbg.com Housing policy — which determines who will be able to live in San Francisco — has been a hot topic at City Hall these days. At a Board of Supervisors Land Use and Economic Development Committee meeting on Feb. 13, representatives from the Mayors Office of Housing (MOH) reported on the state of middle-income housing in San Francisco, at the request of Sup. Scott Wiener. “Middle class” people make up 28 percent of the city’s population, a 10 percent decrease in the past two decades, and to reverse that decline would cost about $4.3 billion in housing subsidies, or more than half the city’s annual budget. Wiener, who insists that “middle income and low income housing are not mutually exclusive,” said he’s raising the issue because the needs of the shrinking middle class are not being addressed. But during the public comment period, a long procession of low-income residents say city housing policies have kept them on the brink of homelessness. The takeaway message was: don’t embark on new housing efforts until you can enforce the ones that are already in place. Also underscoring the desperate state of many San Francisco residents, Assessor-Recorder Phil Ting released a report Feb. 16 that contains shocking statistics about invalid foreclosures and illegal evictions in San Francisco. Ting found that 99 percent of all foreclosure proceedings in San Francisco in the past four years have contained paperwork irregularities, and in 84 percent of cases, banks or lenders have committed fraud or broke other laws.

With the loss of the redevelopment agencies, Mayor Ed Lee’s proposal for a housing trust fund, renewed calls for more condo conversions, and a new focus on middle income housing incentives, the conversation on housing in San Francisco is heating up.

Moving towards rental San Francisco’s housing market is 64 percent rentals and 36 percent ownership, according to MOH. So despite the focus of politicians and developers on homeownership, housing policy in San Francisco mostly involves renters, many of whom face myriad threats. Rents can be so steep that market-rate rental housing is becoming increasingly accessible only for parts of the middle class and the highest income brackets in the city. People in San Francisco tend to pay a huge chunk of their income towards rent. The federal Housing and Urban Development Agency considers it reasonable for a households to pay 30 percent of their income towards rent; but for the city’s very low income households, rent is typically nearly 60 percent of income. For middle income households, the average percent paid toward rent has increased since 1990, but remains below 30 percent. Those people fall mainly into the middle-income bracket, those earning 80-120 percent of Area Median Income (AMI.) Planning Director John Rahaim said that for the very low-income population (0-50 percent AMI) all rental housing is “virtually off-limits.” So, for the middle class, renting a place in San Francisco is tough. For the low and very-low income, it’s next to impossible. And that reality threatens the

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news city’s diversity. “The highest rent burden still falls on lower income residents, many of whom pay 70 percent of their income as rent,” Sup. Eric Mar, who also sits on the Land Use Committee, said at the hearing. “In my district, people have whole families living in their living room or extra bedroom.” But things may be looking up for renters. MOH’ Brian Cheu said developers believe that the market trends are heading towards construction of new rental housing after being almost exclusively owner-occupied units for many years. Cheu said there are 725 rental units in the pipeline for the next five to ten years, more than twice the new housing units meant for ownership slated for that time period. Most of this will be market rate housing, and thus still unaffordable for a good deal of the population. But for those making around 100 percent of AMI — the middle class that Wiener hopes to serve — there are more rental units on the way. “Any increase in supply of rental housing would help,” said San Francisco Tenants Rights head Ted Gullickson, “because there’s been virtually no new rental housing built in San Francisco is last 20 years.” Even as Wiener promised to continue to prioritize the needs low-income residents, the foreclosure crisis was barely acknowledged at the Feb. 13 hearing. Many low-income residents say they are not sure they can trust the city’s claim that “this is not a matter of us vs. them.” At public comment, many community members spoke of the housing troubles that they were already facing. Yue Hua Yu, who spoke at the Feb. 13 hearing, lives with her family of four in a single residency occupancy hotel room (SRO), units intended for single occupants. “We would support a policy that protects the city’s affordable housing stock,” said a statement from Wing Hoo Leumg, president

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“In my dIstrIct, people have whole famIlIes lIvIng In theIr lIvIng room or extra bedroom.” - sup. erIc mar

of the Chinatown Community Tenants Association. Renting may be the realistic choice for most San Franciscans, but homeownership remains an important goal and achievement for many families, and the main obsession of many politicians. Part of the middle class exodus is unmistakably due to better homeownership rates in Oakland, Daly City, Marin, and other surrounding areas. But there are neighborhoods with higher rates of homeownership than others, including BayviewHunters Point. BHP has long been a prime spot for low-income homeowners, but it’s slated for extensive new housing construction in the coming decades that could compromise its affordability. It is also an area hit hard by the foreclosure crisis: there have been 2,000 foreclosures in Bayview in the past four years, according to Ed Donaldson, housing counseling director at the San Francisco Housing Development Corporation. Rising prices and the foreclosure crisis have played a large part in the large-scale African American out-migration that has devastated San Francisco communities in recent decades. CONTINUES ON PAGE >>

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FEBRUARY 22 - 28, 2012 / SFBG.com

neWs Who gets to live here? CONT>>

ApArtments or condos? One of the biggest points of controversy in the homeownership debate has been the issue of condo conversion, which was brought up again this past week at the Feb. 14 Board of Supervisors meeting, when Sup. Mark Farrell asked Lee if he would support legislation to let 2400 tenancy-in-common (TIC) owners bypass legal limits and fastrack towards condo conversion. Farrell framed this as “a vehicle to allow residents of our city to realize their goal of homeownership.� On Jan. 16, the city held its annual condo conversion lottery, in which 200 lucky TIC owners win the chance to convert their units into condos, thereby legally becoming homeowners. TICs and condo conversion have long been fraught with controversy in San Francisco, where there is never enough housing for everyone who wants it. Condo conversion proponents say that turning a TIC — usually a building that used to be rental housing that has been purchased by a group of people that own it in common — into condos is a cheap way to become a homeowner in a city as expensive as San Francisco. But tenants rights advocates have long opposed this process on the basis that it depletes the city of its rental housing stock. “When you have more condo conversions, you have more evictions, and it’s harmful to low-income residents� Gullicksen said. This controversy, and the struggle to maintain a bal-

ance between opportunities for homeownership and reasonable rents has raged in San Francisco for years. In 1982, the Board of Supervisors passed a limit of 200 condo conversions per year as a compromise. There are no regulations, however, on converting rental housing to TICs. “This has come up almost every single year for years and years about this time,� said Peter Cohen, organizer with the Council of Community Housing Organizations. This year, however, proponents are not simply reiterating a request to bypass the condo conversion lottery. Plan C, a coalition of San Francisco moderates,

“When you have more condo conversions, you have more evictions� - ted gullicksen

is pushing for adding a fee to condo conversion, ranging from $10,000 to $25,000, which would go towards an affordable housing fund. Mayor Lee said that he is open to considering a change in condo conversion policy, “providing it balances our need for revenue for affordable housing, the value that responsible homeownership brings to the city, and the rights of tenants who could be affected by a change in policy.�

Whose trust fund? This comes at a time when the city is facing a loss of millions per year for affordable housing with the dissolution of the redevelopment agency (see “Transfer of power, Jan. 31). That dissolution led to Mayor Lee’s plan for an affordable housing trust fund, to be voted on as a ballot measure this November. The kick-off for that plan also began recently, with a press conference and big-tent meeting to discuss what it might look like. On the day after the Land Use Committee meeting, where he started the conversation on “middle class� housing, Wiener posed a question to Lee at a Board of Supervisors meeting, asking how the mayor plans to “ensure that the housing trust fund that comes out of the process you have convened will meaningfully address the need for moderate/middle income housing.� Some are concerned that too much of the trust fund could be allocated outside low-income demographics. “There’s a limited size pie of resources,� Cohen said. “Just in a matter of the last months, we lost the redevelopment agency. The city is madly scrambling to try to replace that through housing trust fund, and working to get us back to somewhere close to where we were... Is that pie, that has dramatically shrunk, going to be stretched further for another income band?� That question will be important when the proposal goes to vote in November. According to Donaldson, many low-income homeowners will not vote for the measure unless it addresses their needs. The specifics of the measure calling for the trust fund are still being worked out. But, it will likely be funded by an increase of

the transfer tax paid when homes change ownership. Yet that proposal was the subject of an unusual political broadside from the San Francisco Association of Realtors, which last week sent out election-style mailers attacking the idea. “Brace yourself for an unexpected visit from the city’s tax collector,� the mailer warns, showing the hand of government bursting through the wall of a home, urging people to contact Lee’s office. The measure may also see opposition from low-income communities, especially if, as Wiener has urged in the past week, it allocates a chunk of funds towards middle-income housing. “It’s hard to find people who will support it. They’re saying, ‘what’s in it for me? Why would I vote for a transfer tax that I’m going to have to pay to help finance the building of affordable housing or middle-income housing. Why support programs that will support middle income people, who make more money than existing homewoners?� explained Donaldson. To agree on a way forward for housing in San Francisco, policymakers will need to reconcile a range of interests. In the worst-case scenario, the profit interests of realtors and developers will overtake the interests of San Francisco families struggling to continue to live in the city they love. But housing advocates are willing to work together to come to a solution. “Let’s put everything on the table, and let’s figure it out. In the spirit of cooperation, and with the understanding that each respective constituent group is not going to get everything that they want, but let’s put all the cards of the table,� said Donaldson. 2

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“i don’t know that i’m the best person to take it over.� - phil bronstein

for more news content visit sfbg.com/politics

CompreSSing the preSS 8IBU XPVME B #BZ $JUJ[FO NFSHFS XJUI $FOUFS GPS *OWFTUJHBUJWF 3FQPSUJOH NFBO GPS MPDBM KPVSOBMJTN By Steven t. JoneS steve@sfbg.com Journalism in the Bay Area has been in decline for many years, with corporate consolidations, shrinking newsrooms, declining print readership, and struggles with how to pay full-time reporters when content is offered free-of-charge on the Internet. And with its waning institutional strength, the Fourth Estate has lost some of its ability to watchdog the powerful, creating a dangerous situation in a country founded on the belief that a free press is an essential safeguard of liberty and fairness. One countervailing trend during this time was the creation of robust nonprofit newsrooms, with the two largest ones in the Bay Area being the Berkeley-based Center for Investigative Reporting (CIR) and the Bay Citizen in San Francisco. But now those two entities have announced that they’re in merger talks — and that the combined newsrooms would be led by Phil Bronstein, who presided over the decline of San Francisco’s two major daily newspapers. Whether this merger bodes well or ill for a journalistic resurgence remains unclear. Both entities have their strengths and flaws, and both of their boards are in the middle of a 30day review period to determine whether the merger makes sense and what the combined operations would look like. As the exclusive Bay Area content provider for The New York Times, Bay Citizen made a big splash when it was launched with $5 million in seed money from billionaire financier Warren Hellman in late 2009. As Hellman (who died in December) told me at the time, he was seeking to create an independent, local, public interest alternative to the San Francisco Chronicle, which was being gutted by its New Yorkbased owners, Hearst Corp., and even threatened with closure if its unions hindered the downsizing. Many were skeptical that a newsroom funded and overseen by Hellman and other uber-wealthy San Franciscans would deliver the kind of public interest journalism that the city needed, but under the leadership of veteran Editor Jonathan Weber, it produced many strong stories, starting on launch day with an investigation of how the richest home owners in the city avoid paying property taxes the city once relied on. And last year, Bay Citizen broke some important stories and created valuable databases on campaign contributions and danger spots for bicyclists, for which it recently won a Society of Professional Journalists award for computer-assisted reporting. Acting CEO Brian Kelley told us the Bay Citizen has succeeded in creating a strong “three-legged stool� balancing solid journalism, a sustainable business model, and technological innovation. After raising about $17 million in three years, ranging from small donations to the $6 million Hellman contribut-

ed, “we’re in a very healthy state from a financial standpoint.� But sources say the operation has had some tough internal divisions, some of it propagated by an out-of-touch board and an overpaid CEO, Lisa Frazier, who took a reported $457,000 salary to run an operation that she had served as Hellman’s consultant in launching. They say Frazier clashed with Weber and the reporting staff, particularly after it voted to unionize last year, and then with Weber’s successor, Steve Fainaru. Both Weber and Fainaru resigned in the last month, creating a leadership vacuum that was one of the factors that triggered the merger talks. Meanwhile, CIR has experienced the most dynamic growth period in its 30-year history since 2008, when veteran editor Robert Rosenthal took over as executive director after leaving the Chronicle, where he served directly under Bronstein, who also later left the Chronicle and now serves as president of CIR’s board. CIR has traditionally had a small staff working on a shoestring budget to produce a handful of big investigative journalism projects per year, including award-winning broadcast segments for “Frontline� and “60 Minutes.� But Rosenthal focused on securing millions of dollars in foundation funding and creating collaborations with media outlets around the state (such as KQED), launching California Watch to beef up coverage of statewide issues, as he describes in his 24-page essay “Reinventing Journalism: An unexpected journey from journalist to publisher� (www.californiawatch.org/project/reinventingjournalism). “I was deeply frustrated by a lack of vision, ambition, and passion on the business side that was throttling creativity and undermining the crucial role that journalism, and especially investigative reporting, play in our democracy,� Rosenthal wrote in the report that was requested by the John S. and James L. Knight Foundation, one of three foundations that provided more than $1.2 million each to launch California Watch (the others are Irvine and Hewlett foundations). The Guardian has long raised questions about the trend of foundations increasingly stepping in to fill journalism’s funding voids, arguing that it can compromise journalistic independence and allow wealthy interests to determine what issues get investigative scrutiny (see “Buying the news: How private foundations are quietly underwriting — and shaping — local news coverage of major issues,� 10/8/97). But in an era when most California newspapers are clinging to life, Rosenthal had used the funding to augment CIR’s investigative reporting staff and get impactful, award-winning stories to run simultaneously in outlets around the state, challenging old journalistic norms about competition and exclusivity. Rosenthal admits the model has its shortcomings, including the unreliability and often-narrow focus of foundation funding and how CIR’s successes have done little to backfill the loss

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of local beat reporting (such as covering City Hall or keeping the cops and local power brokers in check), but he thinks the merger might help in those areas. “It’s exciting for us to be able to address what has been a vacuum in San Francisco for a long time,� Rosenthal told us about reviving local coverage. And on the funding model, he said, “If we can do this right, it’s about creating a local base of people who believe in accountability journalism to give small donations.� Bronstein told us that many of the shortcomings at his old newspapers were the result of business decisions Hearst made and general trends in the industry. But he acknowledged people’s concerns about whether someone with such a long local history is the best person to turn things around: “I don’t know that I’m the best person to take it over. That’s something other people should determine, not me.� Both admit that the Chronicle under their tenure could have better covered the consolidation of wealth and power and other economic justice issues, long a Guardian focus and one that the Occupy movement helped highlight. “The Bay Area media could have been a lot more effective on those issues,� Rosenthal said. But Bronstein said he’s committed to supporting more accountability journalism in the Bay Area, supporting the work of the Bay Citizen, and supplementing work done at papers like the Guardian: “The weeklies do a fine job of writing some indepth stories and we need more of that, providing context.� Both said that even if the merger takes place, Bay Citizen would continue to provide local coverage under the brand and model it’s developed, although the New York Times has not yet determined whether it would continue to run its content if it’s not exclusive. The two newsrooms wouldn’t initially be merged, although Bronstein has said that achieving savings of up to $1.9 million is one of his goals, something he’d try to accomplish without reducing journalistic content or quality. The two entities have slightly different cultures and areas of focus, so the question now is whether they’re compatible. Bay Citizen’s Kelley said he thinks they are: “I personally feel they are very complimentary.� 2

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herBWiSe Cannabis patients are mad. Across the country, even here in San Francisco, federal agencies like the IRS, Department of Justice, and the DEA have been making moves to shut down marijuana dispensaries (as reported in last week’s Herbwise column, “A taxing situation”). On Feb. 16, patient advocacy group Americans for Safe Access (www.safeaccessnow.org) organized a rally at SF’s downtown Huntington Park. We recorded the thoughts of some of the activists present.

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“I used to be the director of the San Francisco Patient’s Cooperative at 350 Divisadero until it was closed in 2008. We were more than a dispensary. We had activities, we had peer counseling, social services, we worked with the city on housing and feeding people, and other activities — open mics, classes all throughout the week, everyday for the patients to go to. We never kicked them out. We were a prototype. We opened in 1999 and were shut down by the feds in 2008.”

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Jeremy WAlkWitz, pAtient I started using medical cannabis this back in 1995 right before the passage of [Propostion] 215. I was a caretaker for an AIDS patient who couldn’t hardly get up, his medication was making him waste away to nothing, and that was the first I ever learned of medical cannabis. At Dennis Peron’s club I learned what other uses it was good for. I learned what it was good for me, for my ADD, when I was 14. They wanted to give me Ritalin. I threw it away. I had to hide smoking pot from my parents, ha ha. They thought it was the Ritalin that was making my grades better. 2 music listings

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do The jerk: ice creaM Bar Brings Back soda FounTain Bliss. guardian photo by virginia miller

FounTain oF Paradise By Virginia Miller virginia@sfbg.com aPPeTiTe I was born of another time. As much as I wouldn’t trade the rights and access of today, I hunger for the romance, artistry, and intellectual pace of eras gone by. As a child, I grew up on classic films and whitebread shows like Father Knows Best, where youth hung out at soda fountains listening to the jukebox. Naturally, I was delighted upon hearing a retro-inspired soda fountain was opening near my home. Cole Valley’s new Ice Cream Bar Soda Fountain is no 1950s milkshake time capsule. Blonde wood ceiling, restored 30s bar (which owner Juliet Pries found in Michigan), illuminated art deco signs, all evoke a glowing past. Soda fountains filled a communal void in the wake of Prohibition and thus were popular in the ‘20s and ‘30s. But they date back to the 1800s when, similar to pharmacies where signature bitters like Peychaud’s were created, effervescent mineral waters were considered to have healing properties. Soda fountain revivals and techniques are popping up around the US: however, I have yet to see this level of detail and historicity anywhere. Bartender Darcy O’Neil’s editorials

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book Fix the Pumps (Art of Drink, 2010) is responsible in part for the inspiration behind Ice Cream Bar. Bartender Russell Davis of Rickhouse, www.rickhousesf.com, developed the soda fountain program, sourcing data not only from O’Neil’s book, but from 1894’s Saxe’s New Guide or, Hints to Soda Water Dispensers by D.W. Saxe. Classically inspired recipes line the menu: frappes, floats, crushes, phosphates (soda with phosphoric acid), malts, lactarts (natural lactic acid, commonly found in buttermilk, yogurt and Lambic beers). Davis created more than 75 house syrups, tinctures, and extracts, using forced cavitation, a culinary extraction technique that maintains the flavor intensity of the original source. In keeping with history, bar staff are referred to as soda jerks, deftly operating vintage soda fountains. After trying most of the menu over multiple visits, I can’t help but gravitate to the wild cherry phosphate ($7) time and again. Rather than saccharin cherry flavor, it tastes of fresh, wild cherries, in a house syrup and cherry bark tincture, fizzy with acid phosphate and soda water. Another highlight is Ode to Mr. O’Neil ($8), a tribute to Darcy. Like an elevated Brooklyn egg cream, it’s a lactart made with picks

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lush Scharffen Berger chocolate syrup and double-charged soda imparting a piquant effervescence. Oh, that many a day could start with the robust New Orleans Hangover ($8). It’s better than a coffee milkshake with chicory coffee syrup, housemade sweet cream ice cream, golden eagle tincture (sarsaparilla), and soda. Root beer floats are herbal and creamy, using Russell’s sassafras root beer (an 1890s recipe — learn about this root beer in my interview with Russell Davis on the SFBG Pixel Vision blog). I wished to taste more pink peppercorn in the pineapple-based My Girlfriend’s Girlfriend ($7) and more tobacco in the chai-dominant Passion Project ($7.50), both lactarts. Yet all-in-all, each visit yields very few disappointments. Splurge on the decadent pistachio milkshake for two ($16), or go earthy-sweet with Touch of Grey ($10), a candy cap mushroom phosphate. Though it’s about to launch a casual menu of soups, grilled cheese sandwiches, egg and chicken salads, and the like, plus baked goods, house brittles, toffee, and hard candies, there’s currently more than the soda fountain to draw you out. The ice cream is of unexpectedly high quality, overseen by Ray Lai, who worked at Bi-Rite (www.biritecreamery.com) and Fenton’s (www.fentonscreamery.com). Cherry also shines in a tart sour cherry ice cream. Sicilian pistachio is rich and nutty. I’ve likewise been pleased with the ice cream sandwiches, particularly roasted pineapple ice cream layered in ginger cookies. The jerks are a delightful team assembled from various bars, offering earnest, knowledgeable service. Tell them a flavor you’d like from the house tinctures and syrups (grapefruit to dill weed), and they’ll make you a custom drink. Sipping a custom mint egg cream at the soda fountain while listening to big band tunes is a respite I relish whether midday escape or evening dessert. Crowds of Cole Valley strollers and families abruptly bring me back to today, but, then, it’s fair to say there is something appealing for everyone, child to adult, at this already widely embraced neighborhood hangout. 2

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KiCKy KiTTy By L.E. LEonE le.chicken.farmer@gmail.com CHEAP EATS There was a soccer game on TV. There was a cat on the pitch. It was running around, stopping, staring, licking, looking not-at-all confused and very much in every way like a cat. Except that millions of people were watching it, tens of thousands of them right there: laughing, clapping, and carrying on. And who were all these sweaty men in striped shirts and high socks? None of the players tried to help with the corralling of the cat. They appreciated the chance to catch their breath, I guess, while stadium officials and trained catcorralling professionals did their bit. Or tried to. Let the record show: in its own sweet time, the cat trotted off the field the same way it had trotted on: of its own volition. And play resumed. The stadium was not in our country. The television was. It was in my new favorite restaurant, Haltun, which is on 21st and Treat, just around the corner from the Mission Rec Center, where Hedgehog and me play our racquetball. I love cats. I love soccer. I am a drooling idiot in the glow of any television set no matter what’s on, no matter how far away. Thus, I found it hard to undividedly pay attention to my dining companions, but did manage to catch a conversation between Coach and Hedgehog in which it was posited (by Coach) that I was the least queer person in the world (because I move in mostlystraight circles) and counter-posited (by Hedgehog) that I was the most queer person in the world (because I move in straight circles, and queer ones, and have slept with every kind of person there is including both flavors of trans ones, including gay men and now straight ones, and straight women and now gay ones). “Bisexual isn’t less queer than homosexual,� argued my homosexual girlfriend. “It’s arguably queerer.� “Yeah, but declaring yourself bisexual plays into the binary. What about genderqueers?� “Oh, I’ve slept with them too,� I interjected, without looking away from the TV because someone (a human being, not a cat) was making a beautiful run. And: “Goaaaaalllll!!!!� music listings

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Here’s my rant: You can’t even watch TV with just an antenna anymore! TV antennas are exactly as obsolete as black-and-white. But did you know that every program used to broadcast separate signals for black-and-white and color TVs? As I understand it. They had to do a color “Get Smart� and a black-and-white “Get Smart,� and sling them both out over the treetops, I guess, or twist them both through one cable at the same exact time — and that all ended just two, three years ago, so I could as easily have said “Cheers,� or “Friends,� or, I don’t know, “Arrested Development.� By the way. Probably I have this wrong. But there are seven colors in a rainbow flag. My skirt has more colors than that! And, though there are a gazillion shades of gray, there is also black, and there is white. No doubt, gender — even genitalia — is a spectrum. Yet: There would appear to be penises. And vaginas! And, as hormonally altered trans people (not-alwayswilling poster children for inbetweenitude) can attest without even opening our mouths, testosterone and estrogen are two different things. If you can, without saying a word, both refute and support the exact same argument ... I’m not saying it’s queerer or less queer. The word I would use is bacon. It’s bacon. Now, cochinita pibil is pork — just pork! — in a greasy red broth, with a flap of banana leaf hanging over it. What the hell am I supposed to do with that? Well, it came with tortillas, which the server took great care to point out were “hand made� — and I’m sure they were, but they didn’t taste very special. Hedgehog had something with turkey meat and a disk of pork meatloaf afloat, with an egg, in a nice broth. Simple, and exotic. At the same time! Coach had a sampler plate of all things vegetarian. Come to think of it, her meal did have the most variety and color to it, so ... There’s that. 2 Haltun Daily 10 a.m.-10 p.m. 2948 21st St., SF. (415) 643-6411 MC/V Beer & Wine

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the slacker king of the nonchalant guitar solo. photograph of the ocean). Eaves, who’s said he views the world as “one dark joke after another,” makes line and pattern narratives that delve into the occult, religion, and the psychedelic. He also focuses on illustrating human duality and the uncertainty of relationships. (Mia Sullivan)

monster jam see saturday/25

for more visit sfbg.com

(415) 386-7275

Getz, Thelonious Monk and Chick Corea. When Holland was coming into his own as a musician in the 1970s, the rest of the Overtone Quartet were just entering into the world. But saxophonist Chris Potter (a frequent Holland collaborator), drummer Eric Harland (a SFJazz Collective performer) and pianist Jason Moran (a MacArthur Fellowship “Genius”) have established themselves as potent forces in their own right. (Lee)

www.parklifestore.com

8 p.m., $25–$65

Friday 2/24

3301 Lyon, SF

Image Comic Expo

www.sfjazz.org

7 p.m. opening reception, free Park Life 220 Clement, SF

Palace of Fine Arts

which includes Penelope Houston, Carletta Sue Kay, Jennifer Maerz, and more — will extract tales of Olympic-level drug use, epic bands fights, and rock star trials and tribulations, giving the audience just a taste of that wild ride to infamy. (Emily Savage)

Mahsa Zargaran and Amy Wood for the live show. (Kevin Lee) With New Diplomat, Aaron Axelsen & Nako 9 p.m., $10–$12 Rickshaw Stop 155 Fell, SF (415) 861-2011 www.rickshawstop.com

7 p.m., $15 Make-Out Room 3225 22nd St., SF

Fri/24, 3-8 p.m.; Sat/25, 10 a.m.-6 p.m.; Sun/26, 10 a.m.-5 p.m., $20–$150

(415) 647-2888

Wednesday 2/22 Way Behind the Music Famous rockers may have a way with riffs, but their grammar and syntax can often prove cringeworthy. And yet, their inflated egos and turmoil-filled musings within literary efforts provide insight into worlds otherwise unknown. This, my friends, is the perfect set-up for an evening of music obsessed over-sharing. At the return of Litquake and Noise Pop’s collaborative event, Way Behind the Music, a collection of esteemed local musicians and writers will read from the autobiographies of Ozzy Osbourne, Sammy Hagar, Jewel, Slash, Ted Nugent, Marianne Faithfull, Angela Bowie, Jim Hutton (boyfriend of Freddie Mercury), and Christopher Ciccone (brother of Madonna). The group on stage — editorials

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With San Francisco’s WonderCon moving to Anaheim while Moscone Center South undergoes renovation, Image Comic Expo in Oakland is the primary destination for Bay Area comic book nerdery this season. Instead of focusing on Marvel and DC — the comics industry’s “Big Two” — the Expo bills itself as a “celebration of creator-owned comics.” Exhibitors include a number of independent publishers besides Berkeley-based Image Comics. Guests include Image luminaries Rob Liefeld, Todd McFarlane, and Robert Kirkman (The Walking Dead), plus fan favorites Jonathan Hickman (FF, Pax Romana), Joe Casey (Gødland), Brian K. Vaughan (Y: The Last Man, ABC’s Lost) and Blair Butler. (Sam Stander)

www.makeoutroom.com

Oakland Convention Center 550 10th St., Oakl.

Thursday 2/23

www.imagecomicexpo.com

Big Black Delta Big Black Delta is the solo project of Los Angeles maestro Jonathan Bates, lead singer of lo-fi rock band Mellowdrone. Legend has it Bates launched BBD after buying a used laptop off frequent Nine Inch Nails collaborator Alessandro Cortini and using it to create electronic soundscapes. Good thing too, because BBDLP1 is a crafty compilation made up of equal parts power and panache. “Huggin & Kissin” sounds so aggressive, it’s as if Depeche Mode’s synths decided to take steroids and beat up little kids. On the flip side, “Dreary Moon” with Morgan Kibby (the Romanovs, M83) has all the ethereal, vocal playfulness of an Air track. Bates brings in dueling drummers picks

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(415) 567-6642

Friday 2/24 “Oracle and Enigma” For a while, thanks to a series of festivals organized by producer Brechin Flournoy, San Francisco was the place in the country to see Butoh. The excitement and puzzlement surrounding the art has died down as it has simply become another form of international dance. So it should be good to again see one of its original practitioners, the Kyoto-born Katsura Kan who in 1997 moved to Thailand and has since become one of those peripatetic choreographerdancers who takes inspiration from wherever he alights. As part of his winter residency at CounterPULSE, Kan and Shoshana Green will present “Oracle and Enigma” which they describe as “a journey towards the celestial horizon”. Sounds like Butoh . (Rita Felciano) Fri/24-Sat/25, 8 p.m., $18–$20 CounterPULSE

Friday 2/24

1310 Mission, SF

“More Light” If you’re up for a dose of reifying pessimism, check out “More Light” —a joint exhibition featuring new works by Francesco Deiana and Lafe Harley Eaves. In an effort to explore how society diverts humans from primordial joys, Deiana creates ballpoint pen drawings and images on photographic paper that juxtapose society’s adulterating tendencies with natural beauty (e.g. a drawing of an impenetrable brick wall flushed with a

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Friday 2/24 Dave Holland Overtone Quartet English bassist Dave Holland came to the United States at the request of the legendary Miles Davis and became part of music lore as part of the quartet that birthed jazz fusion and its opus, Bitches Brew (Columbia). Holland has since worked with a number of jazz masters including Herbie Hancock, Stan film listings

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(800) 350-8850 www.counterpulse.org

Saturday 2/25 Monster Jam A stampede of horsepower comes thundering into the Bay Area today with the Monster Jam series of monster truck races and events, featuring 16 ground-shaking custom creations such as the long-running fan favorite “Grave Digger,” which is celebrating its 30th anniversary CONTINUES ON PAGE 14 >>

february 22 - 28, 2012 / SFBG.com

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this year. Fans can get up close and personal with the burly behemoths during the afternoon “Party In The Pits” before the night’s main events, where the 10,000 pound muscle machines will fly through the air at distances up to 130 feet, reach heights up to 35 feet in the air, and of course, gloriously smash a series a puny regular cars. (Sean McCourt) 3-6 p.m. pit party, 7 p.m. main event; $12.50–$32, $125 for total access pass O.co Coliseum 7000 Coliseum Way, Oakl. (800) 745-3000 www.monsterjam.com

Grave Digger photo for monster jam Courtesy of Feld Entertainment; “More Light” photo by Francesco Deiana; “Oracle and Enigma” photo by Boaz Zippor; “Cum and Glitter” photo by Courtney Trouble; dodos photo by Matt Kennedy; Stephen Malkmus and the jicks photo courtesy of matador

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giving a blind ref the business (2006 flashback: “Crash? Are you fucking kidding me? Brokeback Mountain forever!”) This year’s ceremony will no doubt evoke its own array of passionate responses to awkward presenters and awkward gowns, omissions from the Tribute to the Dead, faux-surprised winners who unfurl prescripted lists of people to thank (“My agent! My masseuse!”), etc. The Roxie’s annual “Up the Oscars!” bash is aimed squarely at those who enjoy cheering and jeering the gold man in equal measure. D.I.Y. drinking games optional. (Cheryl Eddy)

— which gave fans of the ‘90s alternative rockers a chance to see the group live for the first or last time (as well as reportedly giving some of the members funds to pay off some financial debts) — leader Stephen Malkmus returned to the studio with his band the Jicks to record an album with Beck on board as producer. The result, Mirror Traffic, carries over the tour’s energy, and is the closest thing to a Terror Twilight followup to date. And as showcased by the Jicks’s all-too-short performance at the last Treasure Island Music Festival, Malkmus remains the slacker king of the nonchalant guitar solo. (Prendiville)

3:45 p.m., $15 Roxie Theater 3117 16th St., SF www.roxie.com

Saturday 2/25 “Cum and Glitter: A Live Sex Show” Perhaps you’re one of those people — that yes, do exist — left nonplussed by your standard strip club experience. Let’s face it, fried chicken buffets and atrocious choreography amplified by glitter platform heels don’t do it for us all. For you, then, queer pornographer Maxine Holloway’s new monthly sex show. Holloway, a vintage-loving local coquette, has bolstered her sex industry chops heading Madison Young’s women’s only POV website and used her connections to line up a crack cast for Cum and Glitter’s opening night: Kitty Stryker, Courtney Trouble, and Annika Amour among other superlative sex workers. Live cello music. Specialty cocktails named after the performers. Class. (Caitlin Donohue)

8 p.m., $13 Rickshaw Stop

With Nurses

(415) 861-2011

8 p.m., $20

155 Fell, SF www.rickshawstop.com

7 p.m., $20

www.slimspresents.com 2

Great American Music Hall

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e‑mail (paste press release into e‑mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Monday 2/27

Stardust Sunday Cover band? Try cover cult. The First Church of the Sacred Silversexual takes all the Christ allusions David Bowie made with The Rise and Fall of Ziggy Stardust and the Spiders from Mars and The Man Who Fell to Earth, exorcising one little bit — Jesus. The resulting mass is a blasphemous celebration of the 65-year-young rock God’s music. With as many members as Bowie has personas, all fully embracing their deity’s love of costume, the Church’s service has the campy theatricality of The Rocky Horror Picture Show and all the sparkle of a Ken Russell movie. (Ryan Prendiville)

333 11th St., SF (415) 255-0333

www.gamh.com

Sunday 2/26

Slim’s

With Au, Cannons and Clouds, Here Here

(415) 885-0750

Leslie and the LY’s Long known for her 1980s-esque minimal dance-pop numbers encased in stretchy gold lame (referred to in “Gold Pants”), and even longer for her extensive bejeweled sweater collection (ahem, “Gem Sweater”), Leslie of Leslie and the LY’s boasts a newish additional talent to add to the mix: wedding officiant. The Ames, IA-

Tuesday 2/28 Stephen Malkmus and the Jicks Following 2010’s high profile Pavement reunion tour

With Space Cowboys DJs Mancub and 8Ball 8 p.m., $5 Public Works

RSVP for location

(415) 932-0955

www.cumandglitter.com

www.publicsf.com

Sunday 2/26

Sunday 2/26

“Up the Oscars!”

The Dodos

14 SAN FRANCISCO BAY GUARDIAN

With Pennyhawk, Ramona & the Swimsuits

859 O’Farrell, SF

9 p.m., $30–$55 individuals, $50 couples

For a particular breed of movie fiend, the Academy Awards are more like a sporting event than a glamorous celebration of Hollywood. You know the type: catcalling the screen like they’re

who’s been known to play a drum kit sans bass and to tape a tambourine to his foot, creates catchy rhythms that compel you to dance frenetically (really, it’s unavoidable), while lead vocalist Meric Long finger-picks an acoustic guitar and traverses the octaves with deep, introspective lyrics you can’t help Googling. This San Francisco-based indie folk duo most recently released fourth album, No Color (Frenchkiss) last year, and is closing out Noise Pop this year with what will likely be a memorable performance. (Sullivan)

based confetti-puke performance artist began officiating weddings when Iowa voted yes on gay marriage in 2009. The weddings she oversees are said to twinkle with her typical megawatt star quality — there’s even a documentary about one affair called Married in Spandex — and Mother Gem performs a personalized dance number for each lucky couple. While she may not be hosting any impromptu weddings during her appearance at Rickshaw this week, the world just feels more glamorous knowing that she could (for this, we listen to “Power Cuddle”). (Savage)

161 Erie, SF

Listening to the Dodos kind of makes you feel like you’re part of a drum march that’s heading down a sunny country road via Brooklyn. Logan Kroeber, editorials

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artS + culture: film

“It’s Been an InCredIBle experIenCe For Me,” epps says oF hIs FIlM Career. “I love tellIng CoMpellIng storIes In My own way.” | StraigHt Outta HunterS POint 2 stills courtesy of the roxie

get tickets at

yoshis.com

Student discounts of 50% off are back! Check yoshis.com/discounts for available shows!

san francisco 1 3 3 0 f i l l m o r e s t. 4 1 5 - 6 5 5 - 5 6 0 0

YOSHI’S LOCAL TALENT SERIES

Free Music in the Lounge every night 6:30pm-11pm Weekly Jazz Jam Wed 9:30-11pm .....................................................

Wed, Feb 22

keith Sweat Thurs, Feb 23 8:00pm

SOL- Latin SOuL band ...................................................

Thurs, Feb 23 10:30pm

the mOtet: funk is dead!

the musiC of the grateful dead gets funkified ...................................................

Fri, Feb 24

hubert LawS ...................................................

Sat, Feb 25 former en Vogue vocalist

rhOna bennett aka miss r&b

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Sun, Feb 26

Leah tySSe

BaCk to the poInt

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Mon, Feb 27

the CLaudia Quintet feat. theO

,FWJO &QQT VQEBUFT IJT IJU XJUI Straight Outta Hunters Point 2 By Cheryl eddy cheryl@sfbg.com FIlM “It’s highly probable that no one but Kevin Epps could have made a film like Straight Outta Hunters Point,” begins Erik K. Arnold’s 2001 Guardian article. Epps, then a 33-year-old first-time filmmaker, had just released his bold documentary; it investigated a neighborhood that most San Francisco residents never actually visited, but knew about thanks to news coverage of its prodigious gang violence. “That world wouldn’t open up to an outsider,” Epps, who grew up there before studying film at San Francisco State University and the now-defunct Film Arts Foundation, told Arnold. Cut to 2012, and Epps is no longer an emerging talent — he’s a full-time independent filmmaker with multiple credits (including The Black Rock, a documentary about Alcatraz’s African American inmates, and hip-hop film Rap Dreams), collaborations (with Current TV and others), and an artist fellowship at the de Young Museum under his belt. For his newest project, he returns to the scene of his first work. He no longer resides in Bayview-Hunters Point, but he still lives close by, and he’s never lost touch with the editorials

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community that inspired the first film and encouraged him to make its follow-up. “Straight Outta Hunters Point opened up a lot of opportunities up for me, in terms of traveling abroad and being exposed to experiences that I would never have had [otherwise],” Epps explains. “But I was always mindful of, you know, this is my passport: telling the [community’s] stories, that’s my passport to the world. So though my life has changed a little bit, I’ve never been too far away from what’s going on in the community. I decided to keep shooting certain things that I thought had significance, and more importantly interviewing people in the community who could give insight into its current state.” Despite its title, and its similar use of handheld camera, SOHP 2 is not a straightforward sequel to part one. “I wanted to talk to people who really live in the community [to find out] what’s going on every day — Straight Outta Hunters Point eight, nine, ten years later. Have things changed for the better or gotten worse?” Epps says of his new film. “It’s not really a sequel — it’s a continuation of that conversation, and looking at where things are now, compared to how picks

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they were then. Obviously there’s some redevelopment that’s been happening. That’s apparent in the film, when the Hunters View housing development slowly gets torn down.” Epps built his film around themes that arose from his interviews with Hunters Point residents, including the disconnect between generations — older folks with activist backgrounds, and youths who face “a lot of distractions” as they approach adulthood — and pressures, both internal and external, that have shaped the neighborhood. “These are the predominant topics that come up, if you go to the barber shop or if you’re hanging out at the gym, and you get into an informal conversation. Redevelopment. Violence, which has a history that’s still being dealt with. [Discussing] these reoccurring themes is a way to see if there’s been any progress. Being a filmmaker, I was trying to put them into a creative context, more like an edu-tainment sort of piece,” he says. “My first documentary was really for the community, when I was living there, to have a conversation with ourselves. [SOHP 2] is less of a personal story. It’s [investigating], did we break some of the cycles? And how do things look in the present day?”

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bLeCkmann

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Tues, Feb 28

Going back to that earlier point about Epps’ unique access to the neighborhood: while he admits that not every person he approached was eager to be filmed (“When you go into these communities that have other activities going on, where people have other ways of survival because there are no jobs, you’re gonna always get opposition to cameras”), he does understand that in many ways, he has the exclusive on this particular story. “Do people know me, and does that carry weight, because of the first film? Yes. It does help me get access to some things that a lot of people have had their cameras taken from them trying to do,” he says. “There were some German filmmakers out here for three years trying to shoot a film. They had funding and everything. They could talk and kick it on the block, but once they took out the cameras — they shut ‘em down.” 2 Straight Outta hunterS POint 2 Kevin Epps in person at Fri/24-Sat/25 evening shows Feb. 24-March 1, 7 and 8:45 p.m. (also Sat/25-Sun/25, 3:15 and 5 p.m.), $6.50–$10 Roxie Theater 3117 16th St., SF

raStreLLi Quartet ...................................................

Wed, Feb 29

daZZ band oakland 510 embarcadero west, 510-238-9200

Wed, Feb 22

mimi fOx & biLL dOugLaSS duO ..................................................

Thurs, Feb 23

daVeLL CrawfOrd Fri-Sat, Feb 24-25

dee dee bridgewater

tO biLLie with LOVe Sun, Feb 26

natiVe Vibe ..................................................

Tues, Feb 28

tim berne: SnakeOiL Wed-Thurs, feb 29-mar 1

aLLen tOuSSaint Fri-Sat, Mar 2-3

jOhn SantOS Sextet Caribe/braZiL Sun, Mar 4

LiZ StOry .................................................. Tues, Mar 6

steW & the negro problem ..................................................

Sat, Mar 10 a grateful dead tribute

ameriCan beauty proJeCt All shows are all ages. Dinner Reservations Recommended.

(415) 863-1087 www.roxie.com

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FEBRUARY 22 - 28, 2012 / SFBG.com

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ARTS + CULTURE: MUSIC

PICTURE THIS: THE NEWER ACT TO POP, YOUNG PRISMS. | PHOTO BY NATALIE TSUI

WHITHER BAY INDIE? 5SBDJOH TPVOE GSPN 0WFSXIFMNJOH $PMPSGBTU UP :PVOH 1SJTNT BY KIMBERLY CHUN arts@sfbg.com MUSIC How does one trace the warp and woof of Bay Area indie rock’s silky, sick, multihued tapestry — with ticket stubs to long-ago shows, holey concert T’s, or grainy snapshots of sweat-swathed guitar players, red eyes gleaming in a haze of smoke machine emissions? Perhaps one way is to chart SF indie’s course from the first Noise Pop to the latest 20th anniversary edition, teasing out the tenuous connections between the first fest’s headliner Overwhelming Colorfast, reunited this year, and newish local poobah Young Prisms. The pinging, ringing unifier might be found in the cascades of distortion, the buzzsaw guitars, used to drastically different ends. Fighting it out, too, beneath Overwhelming Colorfast’s fleet-footed crunch and Young Prisms’ smoggy overhang of echo-chamber shoegaze are clearly discernible, sensitive hearts, pulsing through the dulcet vocal lines and delivered with perfectly imperfect, threadbare falsettos. You can hear the ties that bind the two bands in the tide of romanticism and even sentimentality running under OC’s onslaught, YP’s haze. Back in their 1991 to ‘96 day, I confess I lost track of Overwhelming Colorfast: I don’t think I even saw them during their brief lifetime, although the music-snob friends respectfully granted that OC were kind of OK. So it feels thoroughly weird to play catch up with the most praised recording, Moonlight and Castanets (Headhunter/Cargo, 1996), by Antioch’s finest. Just as Overwhelming Colorfast was breaking up (only to reassemble, in time, as Oranger), Moonlight came along. Sprawling and ambitious with a bit of everything, it evokes the exploding mind of a particularly imaginative punk/rock fan, stuck in the suburbs and succored on chickenfried ‘70s and ‘80s FM rock and moshpit-ready Amerindie hardcore bands that could be your life. 16 SAN FRANCISCO BAY GUARDIAN

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Of course, much like Young Prisms, accusations of derivativeness dogged Overwhelming Colorfast, whose inspiration and albatross was Hüsker Dü. Founding vocalist-guitarist Bob Reed couldn’t help it— he had clearly ingested far too much SST, with a very special emphasis on 1984’s Zen Arcade and Double Nickels on a Dime and 1985’s I Don’t Want to Grow Up. But listening to Moonlight now —particularly its forward-thrust first side — those snap dismissals and facile comparisons seem unfair. The side starts “Starcrunch” with its heavy-outta-the-gate

guitars that match Bob Mould and J. Mascis lick for lick, moves through “Mickey’s Lament,” which goes Weezer one better with its smart-kid, enjambed vocal delivery, rhythm guitar chug, and Stooges-y impaired piano drone, and closes the tender, breathy “Last Song” with a back-and-forth guitar line that captures the indecision as Reed sings, “Got a stupid note here / It’s from me to you. It’s all I could do / Thought I might just toss it / But it took so long. Tell me if it’s wrong.” Eventually a waytoo-exuberant fusillade of guitars busts in, attempting to obliterate uncertainty: it’s as if Reed peered into the overwhelming darkness— wondering whether he should hold this awkward note and whether Colorfast could last—then decided, “Fuck it.” music listings

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The precarious, ground-shifting nature of SF indie — so often fielding copy-cat accusations, so far from the so-called music industry centers — also touches Young Prisms, also reared in SF’s bedroom communities yet looking to influences further afield, across the Atlantic, in the form of My Bloody Valentine and the Jesus and Mary Chain. Like Colorfast, the outfit has also coped with its share of membership switcheroos: the title of debut Friends For Now might have foretold the departure of guitarist Jason Hendardy and the arrival of vocalist-guitarist Ashley Thomas, whose vocals along with vocalist-keyboardist Stephanie Hodapp’s, pushes Prisms further toward the vaguely feminized, sonically diffuse space of the Cocteau Twins. Songs like “Gone,” off YP’s upcoming second LP, In Between (Kanine), hinge on nursery rhymelike vocal lines and a fluid wall of rhythm guitars against which a singular New Order-like guitar line dances. Guitars are used as pretty, pointillistic devices, seamlessly incorporated with washes of synth. People come and go, but here, sonic elements coexist in a more generalized, less personalized harmony, where lyrics are obscured and vocals are used as effects, rejecting the jolts — and listen-to-me force — of Reed’s more intimate, ungainly urgency. Do the Prisms reflect a kind of indie progressiveness — an evolution from the punky and individualistic to the ambient and collective? For answers, revisit In Between in 15 years. 2 YOUNG PRISMS With Melted Toys, Tambo Rays, Preteen Wed/22, 7 p.m., $14 Cafe Du Nord 2170 Market, SF (415) 861-5016 2012.noisepop.com OVERWHELMING COLORFAST With Oranger, Slouching Stars, Peppercorn Sat/25, 8 p.m., $12 Bottom of the Hill 1233 17th St., SF (415) 621-4455 2012.noisepop.com

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PLAYLIST 8IBU XFµSF MJTUFOJOH UP SJHIU OPX

YOUNG MAGIC MELT $BSQBSL

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yOGA For a sizeable sector of our population, yoga is as much a part of the culture as burritos and biking to work. With more than 50 studios in San Francisco’s 49 square miles alone — and even a brand-new yoga room in SFO, which claims to be an airport first — the Bay Area isn’t short on options for a Saturday morning sweat sesh or Sunday night candlelight. But which teacher is best for you? For three exhaustive weeks I pretzeled it up from Berkeley to Bernal, sampling classes with some of our most famous and intriguing yogis. Below are my experiences with each, along with a “sweat factor� intensity rating. Hopefully, this will help you choose the right teacher to help you lighten up, ground down, or just plain bliss out. (Perhaps you might be inspired to follow one of our dozens of other local yogis’ paths.) Me? I’ll be soaking in a hot bath. Can you hand me that ice pack?

BeyoncĂŠ — let alone House of Pain — don’t belong in the yoga studio, then Pete’s Friday night Happy Hour Yoga at Yoga Tree on Valencia (www. yogatreesf.com) isn’t for you. Guinosso breaks it down, both musically and with frequent stops to explain a new inversion or variation on an arm balance. With plenty of “play timeâ€? to work at your own pace, plus friendly gossip and occasionally flirty energy in the femaleheavy room, the class can sometimes feel more like a very sweaty cocktail party. But it’s a great way to stay loose, learn new tricks, and cultivate what Pete calls the “inner teacher.â€? The smiley, Forrest-trained yogi also guides more traditional vinyasa and candlelight flow classes — no Top 40 here — but his liberating sense of humor remains.

swEAt fActOr: thE tAkEAwAy: 'VO BOE GVOLZ CVU QSPCBCMZ OPU CFTU JG WFSTFT GSPN ²"GUFSOPPO %FMJHIU³ BSFO¾U BNPOH ZPVS GBWPSFE NBOUSBT www.petegyoga.com

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wooden stairs: that’s what Les was like, bouncing around during Saturday morning vinyasa while his students were still waking up. But that’s all right. As my neighbor one mat over put it, Les is “really good at letting you know that where you are is fine, while at the same time pushing you to move forward.� Leventhal’s quirky style, coupled with live beats by Sactown sacred sound messenger Nate Spross (Les has also brought the likes of Buddha Bar’s Daniel Masson from Paris to spin), kept class sparkling; even when he got down among the mats to demonstrate a Foot-Behind-Head pose which morphed into a series of arm balances that had students’ eyes bulging, his sense of humor soothed the spirits of those of us who were in pain just watching — let alone trying to replicate the seamless flow. “Why do we let our heads tell us what’s good enough?� he asked, putting a hand at neck level to show a separation between head and body. “Even if you’re in the simplest expression of this pose, it feels good from here down!�

swEAt fActOr: thE tAkEAwAy: %PXO UP FBSUI EFTQJUF DIBOUJOH JO B SFWFSCFSBUJOH CBSJUPOF UIBU CSJOHT NF TIVEEFSJOH CBDL UP UIF SBCCJT PG NZ )FCSFX TDIPPM EBZT www.yogawithles.com

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JAnEt stOnE: fAst And unfEttErEd With barely two inches between mats on a Saturday morning, it’s easy to see that Janet is a Bay Area favorite. She’s no slave to the simple Sun Salutation, though, and while her fast flows kept class interesting, all the unfamiliar iterations seemed a bit frantic — and made the class more about momentum (and not getting lost) than about muscle and alignment. But of course, that’s the yoga. And though her students may love her because they come to learn her style, she might say the real work is in getting better at not knowing what’s next. Or, in Janet’s wording: “In this practice we pause and disarm our myriad of defenses, and experience the pure luminous light that is there.�

swEAt fActOr: thE tAkEAwAy: (PPE JG ZPV MJLF TQPOUBOFPVT )BSF ,SJTIOB UIFNFE EBODF GFWFST BOE -VMV DMBE TUVEFOUT FBHFS UP TIPX PGG UIFJS IBOETUBOET Âą FWFO XIFO UIBU NFBOT UPQQMJOH POUP PUIFSTÂľ NBUT www.janetstoneyoga.com

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Rusty Wells: devoted and undone Only a few years after beginning his journey as a yogi in early 1990s Atlanta, Rusty started to sense something missing. “A teacher of mine told me after class one day, ‘it looks like you’re praying when you practice,’� Rusty says, “and my reply was, ‘What, am I not supposed to be?’� Now he knows that something is bhakti, Sanskrit for “devotion to the wonder of life,� and it’s for sale (well, actually, for donation) at Rusty’s vinyasa-inspired studio near the Mission, Urban Flow (www. urbanflowyoga.com). Taking class with Rusty is a bit like having your own personal cheerleader, albeit an extremely calm one, urging you to “undo a lifetime of doing.� His classes reflect the intention to be a beginner each time you return to the mat. But despite a slightly slower pace and emphasis on fundamentals, Bhakti Flow is by no means a soft option. In fact, everyone I saw there (including a smattering of other Bay Area teachers) was pretty much a hardbody. Not that I should have noticed, my teacher told me. “When I first started practicing,� Rusty said, “I used to look around and admire the people who were really strong, really stretchy.� “After a while, I learned to look around and admire the people who were finding great joy in their practice. And a while after that,� the yogi concluded “I learned to just stop looking.�

sWeat FactoR: the takeaWay: -JLF $IJDLFO 4PVQ GPS UIF "TT BOB 1BSU XPSLPVU QBSU UIFSBQZ www.rustywells.com

steph snydeR: comFy and unassuming I was a little intimidated, walking into the crowd assembled for Steph’s class on Super Bowl Sunday — my first with her, and her first upon returning to teaching after having a healthy baby boy. Excitement was as thick as the steam wafting through the air, streaking the windows with condensation. Friends squealed and greeted each other, mats moved over and over editorials

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again to make more space, and shouts that had nothing to do with pigskin could be heard all around. But once we started, it was like slipping into a favorite pair of old jeans. Her flows have great rhythm and plenty of variety. Plus something intuitive, as though my body knew what to do even before her cue. She’s humble, and you can tell that she honestly loves what she’s doing. Part of her appeal is her belief in the practice, one she says has gotten her through dark times, and her commitment to making the same hold true for others. “Whatever you need, the practice is there for you. If you need to be saved, it will literally save you,� she promises. Add to that a great workout, beautiful chanting, and some awesome harmonium playing (Steph says she accompanies herself every day) and you can’t go wrong.

sWeat FactoR: the takeaWay: %FMJDJPVT JO FWFSZ XBZ www.stephaniesnyder.com

pRadeep teoti: songFul and bold Born in a small village outside of New Delhi, Pradeep brings with him an international yoga certification in the Sivananda tradition, a deep personal practice that stretches way beyond asana, and an amazing unique voice that pitches and rolls all throughout class with nary an audible breath, making him sound something like a spiritual auctioneer trying to sell peace of mind and sixpack abs; the only pause in singsong accompaniment raising warrior ones to warrior twos is his distinctive intonation of exhaaayle, inhaaayle. Pradeep’s classes, including this one at Oakland’s Flying Yoga Shala (www.flyingyogashala.com) are fast and packed with plenty of push-ups and core work, definitely best when you’re feeling bold. But his compassion is also undeniable. “Yoga is not saying you put your leg behind your head,� he told me when I was feeling sick in class. “Yoga is just putting yourself in the moment, paying attention to right now. Maybe someone wants to come to my class and just do child pose for one whole hour. Then my job is to create that space for them.�

sWeat FactoR: the takeaWay: 5IPVHI IF TBJE * UBVHIU him ZPHB UIBU EBZ JUÂľT CFUUFS UP MFBWF UIF JOTUSVD UJPO VQ UP 1SBEFFQ IFÂľT POF PG UIF CFTU www.pradeepyoga.com

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intensity and calm focus that make them rewarding and accessible for all levels.

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daRRen main: spiRitual and sinceRe Though he’s definitely made a student or two sweat, Darren truly shines when teaching restorative sessions — especially his donationbased Tuesday night practices in the cavernous Grace Cathedral, coupled with live music like Sam Jackson’s exquisite chorus of a dozen Tibetan singing bowls. The temptation may be not to take Darren seriously: sometimes he slips into that same ethereal quality of voice he uses to introduce his “Inquire Within� podcasts, and the flowing blond hair and bright blue eyes staring out from the back of his most popular book, Yoga and the Path of the Urban Mystic, are a bit Cherubcum-movie-star, come to that. But his teachings — in the studio and as an author, essayist, and international speaker on spirituality — come from a sincere place: a struggle with issues of sexuality, religion, and identity. Who couldn’t use a teacher with that kind of experience on their quest for personal growth? Plus, his hair’s short now.

sWeat FactoR: the takeaWay: 6OJRVF SFTUPSBUJWF DMBTTFT XJUI B EPTF PG NZTUJDJTN Âą BOE TPNFUJNFT IPU TUPOFT www.darrenmain.com

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Jane austin: candid and eaRthy In classes filled with as much laughter and candid advice as yoga, Jane prepares new moms and moms-to-be for the best and worst of mothering. And she does it as much through understanding and open conversation as through asana (poses to strengthen the arms for holding a newborn, to rotate wee ones while they’re still inside, and to stretch, err, whatever might need stretching in preparation for delivery). A midwife, doula, and mother of two, Jane is funny and warm, and able to come up with plenty for pregnant or healing women to do other than “go sit against the wall and squat.� Plus, for ladies looking to speed things up, her classes have a history of hastening delivery — as in, right then and there. Pssst, the “water breaking spot� is just one mat to the right of the door at Yoga Tree on Valencia.

sWeat FactoR: the takeaWay: #F QSFQBSFE UP EJT DVTT FWFSZUIJOH GSPN UIF OJQQMFT PO EPXO "OE JNBHJOF ZPVS DFSWJY NFMUJOH MJLF CVUUFS

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maRk moRFoRd: calm and Focused Straight up: I have to respect a guy who starts class, no apologies, with core work. Mark is that guy. His classes are serious and to-thepoint, but without the rush and ego I sometimes associate with other hardcore workout-focused yogis. Of course, he does teach, rather noticeably, with his shirt off. But we’ll give him the benefit of the doubt and chalk that up to inspiration. Perhaps because his classes don’t tend toward the super-crowded, they feel both peaceful and purposeful. And — unlike his columns for the Chronicle, which are all over the place and over-the-top funny — his yoga, both the asana and the anecdotes, have a simple, quiet

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yOGa Walking into Bay Area yoga studios can sometimes feel like being subsumed into a cult of Lululemon, Yogitoes, and Gaiam. Yoga means big bucks these days, and most everyone seems to be sporting the same few brands while getting their warrior on. Yogic ideology espouses nonmaterialism and self-acceptance, yet it’s hard not want to fit in. Fortunately, there are lots of options that can get you out of big brand conformity and into stylie yoga gear that supports local vendors and designers. Follow these tips and in no time flat your yogarelated footprint won’t extend much farther than the four corners of your mat!

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Inspired by a homemade canoe that once sat on the shores of Humboldt County’s Benbow Lake, Blue Canoe’s name highlights its dedication to homegrown, yet stylish organic clothing. All its clothes are made in San Francisco and most use organic cotton in comfy blends. The company has been in business for more that 16 years and is known for its decidedly “un-granola” pieces that make as much sense in a yoga class as they do on Valencia Street. Hot item: boot cut pant www.bluecanoe.com

LeOM DesiGNs Born of designer Margaret Leom’s own need for good yoga and dance wear, Leom Designs has been operating out of Santa Cruz for six years. The clothes have a uniquely organic feel to them, taking inspiration from the environment and employing a deliberative creative process. Though initially Leom just made clothes for herself, she was always asked where she got her outfits. So she jumped at the chance to create designs in her vision and hasn’t looked back. Hot item: elfarrow men’s yoga top www.leomdesigns.com

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yOGa PrOPs Operating out of a warehouse in the Mission District, Yoga Props has been in business for 32 years. It sells a very wide range of items including blocks fashioned in the Props woodshop and locally made bolsters. In addition to online orders, Yoga Props welcomes walk-in customers who call ahead to its Mission HQ. Hot item: cylindrical bolster www.yogaprops.net

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BUy LOCaL: yOGa eDiTiON %SPQ UIBU -VMVMFNPO BOE LJU ZPVSTFMG VQ XJUI UIFTF OFBSCZ SFUBJMFST sWirL sPaCe Since 2000 Swirl Space has been producing movement friendly, hempbased clothes in San Francisco. As a business that’s committed to fair local labor, sustainable business practices, and educating the public about the benefits of Hemp, Swirl Space’s lofty ideals are an integral part of its goods. Hot item: hemp hottie short www.swirlspace.com

ZOBHa Headquartered in Mill Valley, Zobha produces dreamy, high-end yoga wear that rivals Lululemon in fit and durability — yet the two companies’ trajectories couldn’t be more different. While Vancouverbased Lululemon seems to court controversy at every turn, Zobha directly supports Bay Area comfood + Drink

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munity initiatives like Headstand, which teaches yoga to at-risk youth. Bottom line, Zobha makes your butt look good while hitting the sweet spot between transcendent and trendy. Hot item: Paige tank www.zobha.com

KLeaN KaNTeeN Hydration is key while practicing yoga, but not every water bottle is created equal. It goes without saying that conscious yogis should eschew disposable plastic bottles in favor of refillables, and since 2004 Chico-based music listings

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Yoga Mats is another SF-based prop purveyor that’s been in town for decades, nearly three to be exact. While it participates in occasional Dogpatch neighborhood trunk sales, the bulk of Yoga Mats’ business is done online. Hot item: kapok-filled zafu crescent www.yogamats.com

TaDasaNa fesTiVaL No need to fly to remote shiva spots like rea Tulum or Bali to get your OM on en masse. Lake Tahoe’s popular Wanderlust Festival is relocating to Colorado this year; its absence leaves room for Cali devotees to find a new destination. Enter the Tadasana Festival. Taking place on the beach in Santa Monica, Tadasana will pair classes by master teachers like Seane Corne and Elena Brower with performances by global music luminaries like Karsh Kale, Cheb i Sabbah, and Vieux Farka Touré. No passport necessary, just gather your yogi posse and carpool to LaLa Land come late-April. Can’t miss: Mandala vinyasa with Shiva Rea and the Touré-Raichel Collective www.tadasanafestival.com 2

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Arts + culturE: yogA

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HEATED DEBATE *T IPU ZPHB GPS BMM by Emily AppElbAum culture@sfbg.com YOGA Open source is all the rage these days, from platforms to beverages to biotech. And when it comes to yoga, the East’s oldest standby for health and wellbeing, open source has been the way for thousands of years. But all changed when yoga won over the capitalistic West, and the West Coast became a hotbed for many of today’s popular yoga trends. But for Bay Area yogis who can’t afford $92 pants to enhance their assets or $18 drop-in classes, there’s Yoga to the People (www.yogatothepeople.com): the East Coast invention of Greg Gumucio, which operates on a donation-based model. Besides studios in New York and Seattle, YTTP has spaces on both sides of the Bay — in Berkeley and the Mission — and it has plans to open a hot studio in Berkeley as well. There, 90-minute classes will feature a familiar series of 26 poses in a sweltering 105-degree room. But it’s not Bikram Yoga, the “hot yoga” that’s won its Indian founder a worldwide following. Instead, it’s what YTTP calls “traditional hot yoga.” It’s editorials

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already on the docket at four of the group’s five New York studios, and late last year, it landed them in hot water with Bikram Choudhury, who sued YTTP for infringing on his intellectual property. While the class is similar to what Bikram-ites have come to expect when they walk into any one of the modern guru’s more than 900 studios worldwide, “traditional hot yoga” doesn’t rely on Bikram certified teachers or Bikram’s copyrighted class dialogue, and Bikram receives no money. Which makes the whole issue a little sticky: if YTTP were billing the classes as Bikram Yoga, they’d have to play by Bikram’s rules: from teacher trainings and re-certifications to registering and paying studio dues — in fact, right down to the Bikram-required carpet on the floor. But as Gumucio and his lawyers pointed out in an answer to Bikram’s suit, they’re not. Furthermore, the response argues, copyright protection is limited to original works of authorship, from which the copyright statute expressly excludes “procedures, systems and methods of operation” — such as exercise systems. picks

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In a December letter to YTTP’s lawyers, the copyright office concurred, writing that the selection and ordering of exercises in the public domain (which Bikram’s poses, having been taught by his teacher’s teachers for generations, clearly are) “do not constitute the subject matter that Congress intended to protect.” Of course, there remains the slight problem of the office already having issued the copyright, a fact that Bikram’s lawers have not failed to notice. After a slew of articles hit New York presses, Yoga to the People has decided that they will no longer comment on the case, but Gumucio is taking the letter as the decisive answer to the question he posed on his website, Yogatruth. org: “Can yoga be owned?” “Copyright office makes it official,” he wrote in exuberant red print. “Yoga belongs to all people!” It’s easy to see the saga as a David and Goliath story — Yoga to the People, proclaiming,” There will be no proper payment; there will be no right answers; no glorified teachers; no ego no script no pedestals,” versus the Rolls Royce-collecting, sequined Speedo-wearing, wealthy, and self-promoting Beverly Hills-based Choudhury, purveyor of what many call “McYoga.” But Juicy Sanchez, who owns and teaches at the Bikram-certified studio Mission Yoga (www. missionyoga.com) with her husband Steve, points out that some of the hype surrounding Bikram’s larger-than-life personality and shady business practices are overblown. For instance: claims that studios are required to pay monthly dues and franchising fees of more than $10,000, in addition to the cost of teacher trainings, which are required every three years. “First, we’re not a franchise,” she says. “We’re a loose affiliation.” “And it’s just like any profession — doctor, lawyer, massage therapist — you’re required to get re-certified periodically,” she says. As for as the franchising fee, she says that because she and her husband bought an existing studio, they were not required to pay anything beyond their teacher training to open their business. Though that may soon change. In April, Bikram will require stuCONTINUES ON PAGE 22 >>

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21

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dios to pay $300 a monthy for the right to use his name, which has people “freaking out.� “I suppose some people are always going to feel exploited,� she says, “But personally, I think it’s a bargain. How else do you buy into a brand?� Of course, Bikram wasn’t always considered a brand. Sanchez explains that when he arrived in the U.S. in the 1970s, he slept on the floor of his studio. He taught for free until the actress Shirley MacLaine, a student of his, took him aside and told him that if he didn’t charge money, no one would value what he did. But if yoga is truly about a practice, not a product, why continue to replicate this one man’s 26 poses? Brian Monnier, of the California Yoga Company (www. calyogacompany.com), says of Gumucio, “I support his right to fight for this, but if your teacher doesn’t want you teaching what he taught, why not grow and change the practice?� Monnier points to his teacher Tony Sanchez, who learned directly from Bikram, but wasn’t certified by Bikram’s Yoga College of India. Instead, Sanchez returned to Bikram’s own guru, Bishnu Gosh, in Calcutta. It was from him that Sanchez drew his practice, creating a new style of hot yoga altogether. Even Bikram has said that the power should lie with the practitioner — not the teacher. The very idea for Yoga to the People came when Bikram asked Gumucio, then a student of his, to review another teacher. Gumucio gave a negative review, and Bikram chastised him, saying “You are your own teacher. You are responsible for your own experience.� How that plays out in the Bay Area remains to be seen. Katite Gumucio, Greg’s sister and owner of Hot Yoga Ocean Ave., (www. hotyogaoceanave.com) believes that yoga isn’t so different from many other types of big business with the opportunity to change paths. “Yoga can segue into a new way of doing business. YTTP is clear that you’re the center of it all; you don’t need to realize through anyone else. People can lead us, they can grow and do great work, but when they reach the point where they can only lead by force, it’s time to redistribute the power instead of trying to hold on.� 2

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arts + culture: theater

MinnA HARRi in DEaD/alivE. Photo by robbie sweeny

Alive And kicking /FX XPSLT CZ .JOOB )BSSJ BOE $ISJTUJOF #POBOTFB BU UIF (BSBHF By RoBeRt AvilA arts@sfbg.com tHeAteR Art is a life and death matter at the Garage this weekend, with the premieres of Dead/Alive and No Exit, two new contemporary danceperformance works from Minna Harri Experience Set and Christine Bonansea, respectively. These intriguing pieces — instigated as part of an eight-month co-mentorship program between the Garage and ODC — have been developing separately for months. But in their flirtations with the sublime, they stand to be as complimentary as they will doubtlessly be distinct and strange. (Both works transfer to ODC this summer as part of the co-mentoring arrangement, a bridge-building initiative dreamed up by the Garage’s Joe Landini.) Bonansea, who relocated to the Bay Area from her native France four years ago, is probably better known locally as a dancer — most recently for her wry, nimble performance in Catherine Galasso’s Bring on the Lumiere at ODC. A quick and spirited personality, Bonansea had just returned from Lumiere’s New York premiere when I met with her to talk about No Exit. Bonansea studied modern literature at the Sorbonne; she took her title from Sartre, whose No Exit she revisited early on in the process. She is careful not to equate her work with the famous play, however, stressing that it is only a starting point or one element in a larger mix of perspectives around a central idea — in this case, the illusory nature of self measured against certain physical and temporal absolutes. Moreover, she tends to think in terms of visuals and sound as much as in terms of movement. 24 SAN FRANCISCO BAY GUARDIAN

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“I like working with different media,” she explains. “There is a conversation; the perspectives are different. It’s totally a part of the process. It’s not that I do mixed media, but if I talk about something, I see that there are so many different ways to talk about it. When you work with different artists you just bounce off each other. It can be insane!” she says, explaining that for her, “insane” is a very positive word. Sure enough, Bonansea has gathered an insanely impressive group of collaborators. Dancers Marina Fukushima, Jorge Rodolfo de Hoyos, and Rosemary Hannon will perform the piece. Graphic artist Olivia Ting provides visuals. Costumes (including an 18-yard wig) come courtesy of noted hair designer-sculpture Lauren Klein. The result is an absorbing anti-narrative inhabited by anti-characters, exploring transience and stasis while confronting irresolvable tensions in the human condition. Similarly for Minna Harri, a Finnish-born dancer-choreographer now based in San Francisco, work often begins with a philosophical question or idea. Her last outing at the Garage was the eerily exquisite A Silent Fairground (3 Things). The delicately macabre beauty and darkly coiled humor of the piece suffused the black box with the sense of haunted memories and dreamlike intimations from the unconscious. But just whose memory, or whose unconscious, is hard to say. “I don’t usually make work out of my own life,” Harri says. “Maybe it’s more things that bother me or won’t let me go.” She admits that Dead/Alive, a multivalent rumination on mortality and dying that features three music listings

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performers and some voluntary audience interaction, is a little different. “I bring my own thoughts and experiments, vulnerabilities and fears about that. Death as a subject in this culture is very weird, and it maybe should be talked about more,” she suggests. Joining Harri onstage, and in her process, are performance artist and provocateur Philip Huang and, via video, dancer Ronja Ver (who figured stunningly in Silent Fairground). Harri also brought on two colleagues as dramaturges — Tessa Wills and Jesse Hewit — at distinct points in the process. “I enjoy very much a deep and thorough and informed discussion in the process of making a piece,” she explains. Dead/Alive’s origins reach back to an idea she first had three or four years ago. “Maybe it’s more an aesthetic nostalgia that has been the thing for me,” says Harri, considering the matter. “I think an important part of what has influenced me is nature, the Finnish seasons. There, all four seasons are very stark. You live for the summer, which is a few months, and every fall is like dying. The birds fly away, and you know it’s going to be eight, nine months before they come back. The winter is dark. And when the spring comes, it’s wonderful because the sun comes out — but then the light is so harsh that you see every dog shit that comes out of the melting snow, and every speck of dust inside. The most suicides happen in April.” 2 No ExiT And DEaD/alivE Fri/24-Sat/25, 8 p.m., $15 Garage 975 Howard, SF www.975howard.com

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a veteran filmmaker returns with the oscar-nominated In Darkness

arts@sfbg.com FiLM Agnieszka Holland is that kind of filmmaker who can become a well known, respectable veteran without anyone being quite sure what those decades have added up to. Her mentor was Andrzej Wadja, the last half-century’s leading Polish director (among those who never left). He helped shape a penchant for heavy historical drama and a sometimes clunky style not far from his own. Since the late 1970s the result has been numerous great or at least weighty themes tackled head-on, with variable success. Following some well-received works at home, she commenced her international career with 1985’s Angry Harvest, about the amorous relationship between a Polish man and the Austrian, a Jewish woman, he hides during Nazi occupation. Very seldom inhabiting the present in her films, she’s approached classic children’s lit (1993’s The Secret Garden) and Henry James (1997’s Washington Square) with the same slightly ham-fisted competence. She’s bolstered the notion of artistic genius being irascible via Ed Harris going Pollock on the ivories in 2006’s Copying Beethoven, and of Rimbaud and Verlaine shocking the bourgeoisie in 1995’s Total Eclipse. To Kill a Priest (1988) and The Third Miracle (1999) dealt with the uneasy relationship between faith, politics, and the Catholic Church in Poland. Less conspicuously, Holland has worked for hire editorials

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on TV movies (one about murderer Gary Gilmore, another about murder victim Gwen Araujo) and series episodes (The Wire, Treme) that must rate among her least personal projects — as well as her finest. Her one indispensable feature is 1990’s Europa, Europa, an ideal vehicle for her favored mix of the grotesque, sober, and factual — following a Jewish boy who passed as Aryan German, to the point of joining the Hitler Youth. The new In Darkness is her best since then, and it can’t be chance that this too dramatizes a notably bizarre case of real-life peril and survival under the Nazis. Its protagonist is Leopold Socha (Robert Wieckiewicz), an ordinary family man in Lvov (Poland then, Ukraine now) who’s not above exploiting the disarray of occupation and war to make ends meet. A sewer inspector, he uses his knowledge of underground tunnels to hide Jews who can pay enough when even the fenced-off ghetto is no longer safe. It’s late in the war; all avenues of flight are closed. The dozen or so citizens Socha secretes in the city’s bowels — freezing amidst vermin and waste — run a gamut despite shared panic. They include a professor, a junkie, a philanderer and mistress, and children. Extreme adversity doesn’t ennoble them — even in this dank entrapment there occur betrayals, fights, a bastard pregnancy. It is typical of Holland that when copulation and masturbation occur, the acts are at once furtively shameful and barnyard-frank. picks

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Though both sides risk all, the “Polacks� openly disdain the “Yids,� and vice versa. In any other circumstance they’d happily snub one another. Only the flat brutality of the Nazis, gloating and laughing as they kill, can impose a thin allegiance. Yet as grueling months go by under constant threat of capture, something more than sheer dependency develops. Reluctantly, Socha finds himself unable to abandon “his� Jews even when they can no longer pay, and discovery would cost his life as well as theirs. Holland will never be a cinematic poet. Her blunt, sometimes graceless approach to any story can leach its emotional subtleties as well as (more usefully) potential forced bathos and uplift. In Darkness has a few sequences poorly shaped enough to seem pointless. It takes us longer than it should to sort out all the major characters, and the sense of time passing is murky at best. But for such a long, oppressive, and literally dark film, this one passes quickly, maintaining tension as well as a palpable physical discomfort that doubtlessly suggests just a fraction what the refugees actually suffered. On rare instances when Socha or others venture outdoors, sunlight feels as harsh and exposing as bleach. In Darkness isn’t quite a great movie, but it’s a powerful experience. At the end it’s impossible to be unmoved, not least because the director’s resistance toward Spielbergian exaltation insists on the banal and everyday, even in human triumph. 2

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FEBRUARY 22 - 28, 2012 / SFBG.com

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rOller diScO 0I NBO %BWJE .JMFT +S PVS QBUSPO TBJOU PG TLBUF ± ²5IF (PEGBUIFS PG 4LBUF ³ BDUVBMMZ XIP GPVOEFE UIF FTTFOUJBM #MBDL 3PDL 3PMMFS %JTDP BOE LFFQT QFFQT SPMMJOµ GSPN UIF &NCBSDBEFSP UP (PMEFO (BUF 1BSL ± MPTU FWFSZUIJOH JO B USBHJD GJSF )F BOE IJT GBNJMZ BSF 0, CVU IFSFµT B HSFBU FWFOU UP IFMQ HFU UIFN CBDL PO UIFJS XIFFMFE GFFU 4LBUF SFOUBM BWBJMBCMF -PUT PG HPPE %+T Thu/23, 9 p.m., donations at the door. Mighty, 119 Utah, SF. www.mighty119.com

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Fri/24, 9 p.m.-4 a.m., $5 before 10 p.m., $10 after. Icon, 1192 Folsom, SF. www.forestgreen.org

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Thu/23, 7:30 p.m., $12–$15, all ages. Slim’s, 333 11th St., www.slimspresents.com

26 SAN FRANCISCO BAY GUARDIAN

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Fri/24, 10 p.m., free 222 Hyde, SF. www.222hyde.com

dJ krUSh -FUµT KVTU BENJU UIBU GVUVSF CBTT XBT UIF USJQ IPQ SFWJWBM 0, "OE XIJMF 'MZJOH -PUVT FU BM UPPL UIF TPVOE UP VOGBUIPNBCMF OFX IJHIT MPXT BOE PME IBOET MJLF "NPO 5PCJO TJ[[MFE SFUJOBF XJUI IJT *4". TUBHF TIPX DPNFCBDL UIFSFµT TPNFUJNFT OP CFBUJOH UIF PSJHJOBMT "GUFS ZFBST 5PLZPJUF DIJMM XJ[BSE %+ ,SVTI DBO TUJMM HFOUMZ SJEF UIPTF JOUFMMJ TUPOFE XBWFT JOUP UIF TUSBUPTQIFSF B UISFF IPVS TFU TIPVME EP ZPV RVJUF TPMJE Sat/25, 9 p.m., $17.50 advance. Mezzanine, 444 Jessie, SF. www.blasthaus.com 2

on the cheap

film listings

classifieds

music listings

for more music content visit sfBg.com/noise Tropicana .BESPOF "SU #BS QN GSFF 4BMTB DVNCJB SFHHBFUPO BOE NPSF XJUI %+T %PO #VTUBNBOUF "QPDPMZQUP 4S 4BFO 4BOUFSP BOE .S &

mat keaRney plays the waRfield wed/22. | Photo by Pamela littky .VTJD MJTUJOHT BSF DPNQJMFE CZ &NJMZ 4BWBHF 4JODF DMVC MJGF JT VOQSFEJDUBCMF JUÂľT B HPPE JEFB UP DBMM BIFBE PS DIFDL UIF WFOVFÂľT XFCTJUF UP DPO GJSN CPPLJOHT BOE IPVST 1SJDFT BSF MJTUFE XIFO QSPWJEFE UP VT 4VCNJU JUFNT GPS UIF MJTUJOHT BU MJTUJOHT!TGCH DPN 'PS GVSUIFS JOGPSNBUJPO PO IPX UP TVCNJU JUFNT GPS UIF MJTUJOHT TFF 1JDLT

wednesday 22 Rock /Blues/hip-hop

Autumn Electric, Johnny Unicorn $PGGFF "EWFOUVSFT $PMVNCVT 4' NZTQBDF DPN DPGGFFBEWFOUVSFT BN QN GSFF Body Swap, Meridians, Metacomet )FNMPDL 5BWFSO QN Cursive, Ume, Virgin Islands, Taxes (SFBU "NFSJDBO .VTJD )BMM QN Fresh & Onlys, Disappears, Talkdemonic, Churches #PUUPN PG UIF )JMM QN Matt Kearney, Robert Francis 8BSGJFME QN Papercuts, Sonny and the Sunsets, Princeton, Tortured Genies *OEFQFOEFOU QN JC Rockit vs. Nathan Temby +PIOOZ 'PMFZÂľT %VFMJOH 1JBOPT QN Terry Savastano +PIOOZ 'PMFZÂľT QN GSFF Soft Swells #FOEFSÂľT 4PVUI 7BO /FTT 4' XXX CFOEFSTCBS DPN QN GSFF Tomorrows Bad Seeds, Pacific Dub #SJDL BOE .PSUBS .VTJD )BMM QN Victor & Penny .BESPOF "SU #BS QN Mitch Woods #JTDVJUT BOE #MVFT BOE QN Young Prisms, Melted Toys, Tambo Rays $BGF %V /PSE QN

jazz/new music

Cat’s Corner with Nathan Dias 4BWBOOB +B[[ QN Chris Amberger Trio & Jazz Jam :PTIJ¾T -PVOHF QN GSFF Cosmo AlleyCats -F $PMPOJBM $PTNP 1MBDF 4' XXX MFDPMPOJBMTG DPN QN Dink Dink Dink, Gaucho, Michael Abraham "NOFTJB QN GSFF Greg Gotelli Quartet .FEKPPM .JTTJPO 4' XXX NFEKPPMTG DPN QN GSFF Ricardo Scales 5PQ PG UIF .BSL $BMJGPSOJB 4' XXX UPQPGUIFNBSL DPN QN Keith Sweat :PTIJ¾T BOE QN Zapp Band & Shirley Murdock 3SB[[ 3PPN QN

dance cluBs

Booty Call 2 #BS $BTUSP 4' XXX CPPUZ DBMMXFEOFTEBZT DPN QN +VBOJUB .03& BOE +PTIVB + IPTU UIJT EBODF QBSUZ Coo-Yah! 4PN UI 4U 4' QN GSFF %+T %BOFFLBI BOE (SFFO # TQJO SFHHBF BOE EBODFIBMM XJUI XFFLMZ HVFTUT Club Shutter &MCP 3PPN QN 8JUI %+T /BLP 0NBS BOE +VTUJO Full-Step! 5VOOFM 5PQ QN GSFF )JQ IPQ SFHHBF TPVM BOE GVOL XJUI %+T ,VOH 'V $ISJT BOE #J[[J 8POEB Mary Go Round -PPLPVU UI 4U 4' XXX MPPLPVUTG DPN QN %SBH XJUI 4VQQPTJUPSJ 4QFMMJOH .FSDFEF[ .VOSP BOE (JOHFS 4OBQ Megatallica 'JEEMFSÂľT (SFFO $PMVNCVT 4' XXX NFHBUBMMJDB DPN QN GSFF )FBWZ NFUBM IBOHPVU

editorials

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food + Drink

Vespa Beat #MJTT #BS UI 4U 4' XXX CMJTTCBSTG DPN QN GSFF .4, GN TQJOT SBSF HSPPWFT FMFDUSPTXJOH BOE CPPHJF

thuRsday 23 Rock /Blues/hip-hop

Big Black Delta, New Diplomat, popscene DJs 3JDLTIBX 4UPQ QN Budos Band, Allah-Las, Pickwick, Big Tree *OEFQFOEFOU QN Dirty Ghosts, Bare Wires, Chapter 24 #SJDL BOE .PSUBS .VTJD )BMM QN Dirty Names, Emma Hill "NOFTJB QN John Lawton Trio +PIOOZ 'PMFZÂľT QN GSFF Mac McCaughan, Sun Foot 4XFEJTI "NFSJDBO )BMM QN Moonlight Orchestra, Talky Tina 5IFF 1BSLTJEF QN Motet: Funk is Dead :PTIJÂľT QN Myonics, Ape Machine, Tiger Honey Pot .JML #BS QN Red Baraat 4MJNÂľT QN Soft Pack, Shannon & the Clams, Fidlar $BGF %V /PSE QN Nathan Temby vs. Rags Tuttle +PIOOZ 'PMFZÂľT %VFMJOH 1JBOPT QN Thao, John Vanderslice, Garrett Pierce #PUUPN PG UIF )JMM QN Justin Vivian Bond, Whoa Nellies (SFBU "NFSJDBO .VTJD )BMM QN Junior Watson #JTDVJUT BOE #MVFT BOE QN

jazz/new music

Blues organ party 3PZBM $VDLPP .JTTJPO 4' XXX SPZBMDVDLPP DPN QN GSFF Stompy Jones 5PQ PG UIF .BSL $BMJGPSOJB 4' XXX UPQPGUIFNBSL DPN QN Tom Lander & Friends .FEKPPM .JTTJPO 4' XXX NFEKPPMTG DPN QN GSFF. Savanna Jazz Jam with Nora Maki 4BWBOOB +B[[ QN Sophisticated Ladies :PTIJÂľT -PVOHF QN GSFF Zapp Band & Shirley Murdock 3SB[[ 3PPN QN

folk / woRld/countRy

Twang! Honky Tonk 'JEEMFSÂľT (SFFO $PMVNCVT 4' XXX UXBOHIPOLZUPOL DPN QN -JWF DPVOUSZ NVTJD EBODJOH BOE HJWF BXBZT

dance cluBs

Afrolicious &MCP 3PPN QN 8JUI %+ IPTU 4OPS 0[ TQJOOJOH "GSPCFBU 5SPQJDgMJB FMFDUSP TBNCB BOE GVOL QMVT %+ #BCCJEHF BOE "GSPMJDJPVT %SVNT BASE: EDX (On the Edge) 7FTTFM $BNQUPO 4' XXX WFTTFMTG DPN QN )PVTF UFDIOP Get Low 4PN UI 4U 4' QN GSFF +FSSZ /JDF BOE "OU TQJO )JQ )PQ ÂľT BOE 4PVM XJUI XFFLMZ HVFTUT KUSF In Exile )FNMPDL 5BWFSO QN 8JUI %+ $BSPMZO Thursdays at the Cat Club $BU $MVC QN GSFF CFGPSF QN 5XP EBODF GMPPST CVNQJOÂľ XJUI UIF CFTU PG T NBJOTUSFBN BOE VOEFS HSPVOE XJUI %+ÂľT %BNPO 4UFWF 8BTIJOHUPO %BOHFSPVT %BO BOE HVFTUT

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arts + culture

DAVE “The BestE VComedy E R Y T UClub E S D Ain Y The 2 FUSA!� O R 1 –W I TCHAPPELLE H THIS AD EVERY SUNDAY! S F COMEDY S HOWCASE

SF COMEDY SHOWCASE - EVERY SUNDAY! O=<F=K<9Q *'** % K9LMJ<9Q *'*From The hangover 1 & 2 and mad Tv!

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fRiday 24

LM=K<9Q *'*0

Rock /Blues/hip-hop

kellen erskine, david sTudeBaker, sam davidoFF & more

Phil hanley, marcella arguello

Baxtalo Drum "NOFTJB QN Boombox 5FNQMF 4' )PXBSE 4' XXX UFNQMFTG DPN QN Bootcuts, Heel Draggers, Slow Motion Cowboys, Creak (SFBU "NFSJDBO .VTJD )BMM QN Bronze, Dangerous Boys &M 3JP QN GSFF Concrete Blonde, Jim Bianco #JNCP¾T QN Matthew Dear 1VCMJD 8PSLT QN Death Angel, Hammers of Misfortune, Anvil Chorus Midnight Chaser 4MJN¾T QN G. Love & Special Sauce, Scott H. Biram 'JMMNPSF QN Growlers 4BO 'SBODJTDP 4UBUF 6OJWFSTJUZ )PMMPXBZ 4' $ GBDFCPPL DPN UIFEFQPUTG QN GSFF Hairy Apes BMX $POOFDUJDVU :BOLFF $POOFDUJDVU 4' XXX UIFZBOLFF DPN QN Paula Harris #JTDVJUT BOE #MVFT BOE QN Jolie Holland, Will Sprott of the Mumlers, Dreams, Emily Jane White $BGF %V /PSE QN Malone Brothers, Buxter Hoot’n, Cryin’ Shame #SJDL BOE .PSUBS .VTJD )BMM QN Jason Marion, Randy, Nathan Temby +PIOOZ 'PMFZ¾T %VFMJOH 1JBOPT QN Bob Mould, Fake Your Own Death, Distortion+ #PUUPN PG UIF )JMM QN Jonas Reinhart, Magic Touch, Three Leafs )FNMPDL 5BWFSO QN Vonda Shepard 3SB[[ 3PPN QN Unknown Mortal Orchestra $MJGU )PUFM (FBSZ 4' QN GSFF XJUI 3471 UP NPSHBOTIP UFMHSPVQ DPN STWQ DMJGU TFTTJPOT IUNM Veronica Falls, Bleached, Brilliant Colors, Lilac 3JDLTIBX 4UPQ QN X-Static +PIOOZ 'PMFZ¾T QN GSFF Z-man & Fist Fam, Grand Invincible, RecLeague, Foul Mouth Jerk &MCP 3PPN QN

happy hour t-f 5-8pm $3 well/draft $5 bloody mary & fry bread w/ rocky tree m/w/f/sat

K=D>%=KL==E D=KK! ;GE=<Q O=<F=K<9Q *'*1 % K9LMJ<9Q +'+ From leTTerman and conan!

BAE K@GJL

maTT Fulchiron, naTasha muse O=<F=K<9Q +'/ % K9LMJ<9Q +')( From FX’s The league!

KL=N= J9FF9RRAKA

Joe BarTnick, Janine BriTo HMF;@DAF=;GE=<Q;DM:&;GE >9;=:GGC&;GE'HMF;@DAF=K> LOALL=J&;GE'HMF;@DAF=K>

444 BATTERY STREET • 18 & OVER • 2 DRINK MINIMUM • ALL SHOWS ARE LIVE AND SUBJECT TO CHANGE • 415-397-7573

A-):; 7. ;<)6, =8 +75-,A

??? +7**;+75-,A +75 .7447? =; 76 <?1<<-: )6, .)+-*773

K/(- ,- "/ + K 7 - 9]ĂŠ ,1 ,9ĂŠĂ“Ă“ 7pm red hots burlesque 8pm omG! karaoke /0 '30/5 300.

9pm

, 9]ĂŠ ,1 ,9ĂŠĂ“{

5:30pm free oysters on the half shell 6pm dJ’s carmen & miranda at the el rio fruit stand '6/, %*4$0 101 /0 7:30pm red hots burlesque $5-10 9pm old school JamZ 0-% 4$)00- '6/, 9pm

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-YVT *VTLKPHUZ VM *VTLK` HUK :HYHO :PS]LYTHU 7YVNYHT ALL SHOWS: Cover charge plus two beverage minimum • 18 & older with valid ID 915 COLUMBUS AVENUE (@ LOMBARD), SAN FRANCISCO • SHOW INFO: 415-928-4320 Validated Parking @ Anchorage Garage, 500 Beach St.

WWW.COBBSCOMEDY.COM

Call the box office for no service charges! Limit 8 tickets per person. All dates, acts and ticket prices are subject to change without notice. All tickets are subject to applicable service charges.

)*1 )01 0-%*&4 3 # /0

danGerous boys club 1%9 bronZe %"3, 8"7& /0

- /1, 9]ĂŠ ,1 ,9ĂŠĂ“x

9pm +-4-*:)<16/ 7=: <0 )661>-:;):A .7: )44 7.

addie liechty and the subtrax, the fireflies '0-, 30$,

sexpistolwhip

%+ +".&4 (*("/503 41*/4 16/, /&8 8"7& */%*& (05) 30-- /0 $07&3 '30/5 300. -1 9]ĂŠ ,1 ,9ĂŠĂ“Ăˆ

2pm

capoeira iJexa fun-raiser

" 9]Ê ,1 ,9ÊÓÇ 1#3 8&-- %0--"3 %": "-- %":

7pm 9pm

the JauntinG martyrs,

elena beth alderman, the Good sams 463' '3&&%0. 30$, radical Vinyl %+Âľ4 41*/

'6/, )*1)01 0-%*&4 16/, /0 /1 - 9]ĂŠ ,1 ,9ĂŠĂ“n

5pm 7pm

$4 marGaritas all niGht! appetite, aan, coast Jumper

7pm

&91&3*.&/5"- 1045 30$,

9pm

/0 '30/5 300.

catharsis for cathedral, dusty orGan #-"$, $)63$) "35 30$, color humano - dJ aaron lindell -"5*/ 406- "'30 14:$) '3&&

&@JJ@FE ,KI<<K , www.elriosf.com ~ 415-282-3325

jazz/new music

Audium #VTI 4' XXX BVEJVN PSH QN 5IFBUFS PG TPVOE TDVMQUVSFE TQBDF Black Market Jazz Orchestra 5PQ PG UIF .BSL $BMJGPSOJB 4' XXX UPQPGUIFNBSL DPN QN Dave Holland Overtone Quartet 1BMBDF PG 'JOF "SUT 5IFBUSF -ZPO 4' XXX TGKB[[ DPN 1N Hubert Laws :PTIJÂľT QN QN Carol Luckenbach 4BWBOOB +B[[ QN Ways & Means Committee :PTIJÂľT -PVOHF QN GSFF

WED Feb 22 BODY SWAP (members of Mi Ami) 9pm, $6 Meridians Metacomet THU Feb 23 Club Chuckles presents 9pm, $8 ROB CANTRELL W. Kamau Bell John Hoogasian Caitlin Gill FRI Feb 24 JONAS REINHART 9:30pm, $8 Magic Touch (w/Damon from Mi Ami) Three Leafs

folk / woRld/countRy

Zej & Calen, Lea Grant %PMPSFT 1BSL $BGF %PMPSFT 4' XXX EPMPSFTQBSLDBGF DPN QN GSFF

SAT Feb 25 Alcoholocaust Presents 9:30pm, $7 GREEN & WOOD (members of Saviours) Hazzard’s Cure Wild Hunt

dance cluBs

SUN Feb 26 HELENE RENAUT EARLY Karina Denike 6pm, $5 Carletta Sue Kay

Blow Up: Plastic Plates %/" -PVOHF QN 8JUI MJWF QFSGPSNBODFT CZ 1MBTUJD 1MBUFT &SJD 4IBSQ 5SPQJDPPM BOE %+ +FGGSFZ 1BSBEJTF DJ Spinna & DJ Shortkut .JHIUZ QN Juno What? #PPN #PPN 3PPN QN 4PVM EJTDP FMFDUSP BOE GVOL XJUI %+ , 0T Old School JAMZ &M 3JP QN 'SVJU 4UBOE %+T TQJOOJOH PME TDIPPM GVOL IJQ IPQ BOE 3 # Paris to Dakar -JUUMF #BPCBC UI 4U 4' QN "GSP BOE XPSME NVTJD XJUI SPUBUJOH %+T JODMVEJOH 4UFQXJTF 4UFWF $MBVEF 4BOUFSP BOE &MFNCF Pledge: Fraternal -PPLPVU QN #FOFGJUJOH -(#5 BOE OPOQSPGJU PSHBOJ[BUJPOT #PUUPNMFTT LFHHFS DVQT BOE QBEEMJOH CPPUI XJUI %+ $ISJTUPQIFS # BOE %+ #SJBO .BJFS

MON Feb 27 7pm, $5

PORCHLIGHT OPEN DOOR KEVIN SECONDS

TUE Feb 28 9pm, $7 Micah Schnabel (Two Cow Garage, Columbus) WED Feb 29 Letha Melchior-Rodman benefit show with 9pm, HANK IV $sliding Bill Orcutt scale Musk (ex-Killer’s Kiss) donation THU Mar 1 THEY ARE ALL DEAD Monogamy Party (Seattle) 9pm, $6 Dead Man

satuRday 25

FRI Mar 2 9:30pm, $7

STARLIGHT GIRLS (Brooklyn) Stages of Sleep Gorgeous Byrdmen

UPCOMING: MJ’s Brass Boppers, Hungry Hungry

Rock /Blues/hip-hop

Ghost, Pets With Pets, Lecherous Gaze, The Shrine, Swahili, Tortured Genies, The Curious Mystery, The Crazies Will Destroy You, Grave Babies, Permanent Collection, Disastroid, Feedtime

ALO, Nicki Bluhm & the Gramblers 'JMMNPSF QN CoNtiNUeS oN PaGe 28 >>

music listings

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FEBRUARY 22 - 28, 2012 / SFBG.com

27

music listings SATURDAY/25 CONT>>

Archers of Loaf, Big Sleep, Hospitality, Built Like Alaska (SFBU "NFSJDBO .VTJD )BMM QN Bats in the Belfree, Hate Crime 5IFF 1BSLTJEF QN GSFF Big Freedia 1VCMJD 8PSLT QN Brass Menazeri "NOFTJB QN Christie Front Drive, Jonah Matranga, Young Mammals, Great Apes $BGF %V /PSE QN DJ Audio1 40. QN Green & Wood, Hazzard’s Cure, Wild Hunt )FNMPDL 5BWFSO QN Imperial Teen "NPFCB .VTJD )BJHIU 4' XXX BNPFCB DPN QN GSFF

Overwhelming Colorfast, Oranger, Slouching Stars, Peppercorn #PUUPN PG UIF )JMM QN Randy, Nathan Temby, Jason Marion +PIOOZ 'PMFZÂľT %VFMJOH 1JBOPT QN Vonda Shepard 3SB[[ 3PPN QN Sic Alps, Asabov Sobelo, No Boss, Patrick Mullins #SJDL BOE .PSUBS .VTJD )BMM QN Earl Thomas & the Blues Ambassadors #JTDVJUT BOE #MVFT BOE QN Ticket to Ride +PIOOZ 'PMFZÂľT QN GSFF Laura Veirs & the Hall of Flames, Foxtails Brigade, Carlos Forster, Tyler Lyle 4XFEJTI "NFSJDBO )BMM QN Laura Veirs & the Tumble Bees 4XFEJTI "NFSJDBO .VTJD )BMM QN

jazz/new music

Audium #VTI 4' XXX BVEJVN PSH QN 5IFBUFS PG TPVOE TDVMQUVSFE TQBDF

“Back to the Roots of Jazzâ€? 4BWBOOB +B[[ QN 8JUI TQFDJBM HVFTUT BOE "GSJDBO EBODFST John Cavellini with Tom Shaw Trio .BSUVOJÂľT 7BMFODJB 4' QN Bill Kwan :PTIJÂľT -PVOHF QN GSFF

folk / world/country

Saturday Night Salsa 3BNQ 'SBODPJT 4' XXX GBDFCPPL DPN UIFSBNQTG QN

dance clubs

Blowoff: Hosted and DJ’d by Bob Mould 4MJN¾T QN Bootie SF: Katy Perry Night %/" -PVOHF QN 8JUI SFTJEFOU %+T "ESJBO BOE .ZTUFSJPVT % 4NBTI 6Q %FSCZ %BEB $PPLJF %PVHI BOE NPSF Debaser &MCP 3PPN QN 'PVS ZFBS BOOJ WFSTBSZ QBSUZ XJUI %+T +BNJF +BNT &NEFF BOE

4UBC .BTUFS "STPO TQJOOJOH DMBTTJD T BMUFSOB UJWF BOE IJQ IPQ 'SBOLJF ,OVDLMFT .JHIUZ QN Go Bang! %FDP -PVOHF -BSLJO 4' XXX EFDPTG DPN QN GSFF CFGPSF QN "UPNJD EBODGMPPS EJTDP BDUJPO XJUI .JDIBFM 4FSBGJOJ "MMFO $SBJH 4UFWF 'BCVT BOE 4FSHJP 'FEBT[ Juno What? #PPN #PPN 3PPN QN 4PVM EJTDP FMFDUSP BOE GVOL XJUI %+ , 0T Night Moves .POBSDI 4JYUI 4' XXX NPOBSDITG DPN QN 8JUI SFTJEFOUT + #PPHJF BOE %+ 5IFPSZ BOE HVFTUT +JNNZ &EHBS BOE # #SBWP Paris to Dakar -JUUMF #BPCBC UI 4U 4' QN "GSP BOE XPSME NVTJD XJUI SPUBUJOH %+T JODMVEJOH 4UFQXJTF 4UFWF $MBVEF 4BOUFSP BOE &MFNCF Rocket 3JDLTIBX 4UPQ QN %FFQ TQBDF EBODJOH XJUI UIF 3PDLFU $PMMFDUJWF SFTJEFOU %+T 5SFWPS 4JHMFS %BWJE 4UFSOFTLZ BOE NPSF

sunday 26 rock /blues/hip-hop

Antechamber, Deep Dimension, Buttons #SJDL BOE .PSUBS .VTJD )BMM QN Dodos, AU, Cannons & Clouds, Here Here (SFBU "NFSJDBO .VTJD )BMM QN Drone Church, Jozef van Wissem, Chuck Johnson, Diego Gonzalez &QJTDPQBM $IVSDI PG 4U +PIO UIF &WBOHFMJTU UI 4' 4' XXX TBJOUKPIOTG PSH QN Carletta Sue Kay, Helene Renaut, Karina Denike )FNMPDL 5BWFSO QN

jazz/new music

Dima and Grant Levin #MJTT #BS 4U 4' XXX CMJTTCBS DPN QN “Harriet Tubman and Jazz� #BZWJFX 0QFSB

!

GVMM!CBS!8!EBZT!ÂŚ!Ibqqz!Ipvs!N.G-!3.9qn PQFO!FWFSZ!EBZ!BU!3QN LJUDIFO!PQFO!EBJMZ

Wed 2/22 TomorrowS Bad SeedS

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fri 2/24 THe malone BroTHerS

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saT 2/25 Sic alPS

UIF!NVEEZ!SPTFT UIF!XPVOEFE!NFO

TVOEBZ!3038!!9QN!GSFF

Mon 2/27 faTliP

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(aKa doodleBug of digaBle PlaneTS)

XFEOFTEBZ!303:!!9QN!%240%26

UIF!CVTJOFTT

Tue 2/28 funny SHiTS

UIF!EPXOUPXO!TUSVUT TZEOFZ!EVDLT

VQDPNJOH!TIPXT

403!!!!.!!!CPCC!TBHHFUI-!QSJ[FIPH-!IFMM!TIJQ 404!!!!.!!!UIF!NFBU!TMVUT-!HJSMT!XJUI!HVOT-!! !!!!!!!!!!!!!!!JOGFSOP!PG!KPZ 408!!!!!.!!!NFBO!KFBOT-!HVBOUBOBNP!CBZXBUDI-!! QSJNJUJWF!IFBSUT-!UIF!XSPOH!XPSET! 4021!!.!!IPU!MVODI-!HMJUUFS!XJ[BSE-! !!!!!!!!!!!!!!!MFDIFSPVT!HB[F-!LOJGFZ!TQPPOZ 4026!!.!!!KFOOJ!BOE!UIF!KFSLT-!XIPB!OFMMJFT 4027!!.!!!FE!TDISBEFSĂ–T!NVTJD!CFBU-! !!!!!!!!!!!!!!!!UIF!SF.WPMUT 4028!!.!!!TXJOHJOĂ–!VUUFST-!UIF!TUSVUT-!! !!!!!!!!!!!!!!!!TIBSQ!PCKFDUT 4033!!.!!QFUFS!BOE!UIF!UFTUVCF!CBCJFT-! !!!!!!!!!!!!!!!!UIF!HFOFSBUPST-!TZEOFZ!EVDLT-! !!!!!!!!!!!!!!!!UIF!HVJUBS!HBOHTUFST 4034.36!!!CVSHFS!CPPHBMPP!X0!LJOH!UVGG-!! TUSBOHF!CPZT-!LJOH!MPMMJQPQ-! HVBOUBOBNP!CBZXBUDI-!TJS!MPSE!WPO! SBWFO-!SBOUPVMT-!NPN-!BVEBDJUZ-!! DPTNPOBVUT-!XIJUF!NZTUFSZ-! DPBUIBOHFST-!UPVHI!TIJUT-!HSBWZT! ESPQ-!QBOHFB-!DZDMPQT! 4038!!.!!!NS/!HOPNF-!FMFDUSJD!TIFQIFSE!'!PVUMBX 4039!!.!!!UIF!EJSUZ!IBOE!GBNJMZ!CBOE-! !!!!!!!!!!!!!!!!WJWB!MF!WPY-!SBDIFM!CSPPLF-! !!!!!!!!!!!!!!!!UIF!TMPX!QPJTPOFS

Thursday 2/23 Jolie Holland saTurday 2/25 THe PeoPle ParTy sunday 2/26 THe Sumner BroTHerS fri 3/2 fliPPer saT 3/3 J Boog

xxx/uiffqbsltjef/dpn

HEDCHDG:9 7N

2711!28ui!Tusffu!ÂŚ!526.363.2441

HDJI=:GC 8DB;DGI 28 SAN FRANCISCO BAY GUARDIAN

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Typhoon Cold War Kids Motopony Ravenna Woods

Superhumanoids

WK 6W LQ 6) ‡

advance tickets:

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CONTINUES ON PAGE 28 >>

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Music listings )PVTF 3VUI 8JMMJBNT .FNPSJBM 5IFBUFS 5IJSE 4' XXX VSCBONVTJDQSFTFOUT DPN QN 8JUI .BSDVT 4IFMCZ 2VBSUFU GFBUVSJOH 'BZF $BSPM Justin & Matthias :PTIJÂľT -PVOHF QN GSFF John Pizzarelli 'BJSNPOU 7FOFUJBO 3PPN .BTPO 4' XXX CBZBSFBDBCBSFU PSH BOE QN Savanna Jazz Jam 4BWBOOB +B[[ QN Leah Tyrese :PTIJÂľT QN

folk / world/country

Sunday Night Salsa 3BNQ 'SBODPJT 4' XXX GBDFCPPL DPN UIFSBNQTG QN KC Turner 4U -VLFÂľT &QJTDPQBM $IVSDI 7BO /FTT 4' QN GSFF Twang Sundays 5IFF 1BSLTJEF QN GSFF 8JUI .VEEZ 3PTFT 8PVOEFE .FO

dance clubs

Batcave $MVC UI 4U 4' QN %FBUI SPDL HPUI BOE QPTU QVOL XJUI 4UFFQMFSPU 9$ISJT5 /FDSPNPT BOE D@EFBUI Dub Mission &MCP 3PPN QN %VC EVC TUFQ SPPUT BOE EBODFIBMM XJUI %+ 4FQ .BOFFTI UIF 5XJTUFS BOE 7JOOJF &TQBS[B Jock -PPLPVU UI 4U 4' XXX MPPLPVUTG DPN QN 3BJTF NPOFZ GPS -(#5 TQPSUT UFBNT XIJMF FOKPZJOH %+T BOE ESJOL TQFDJBMT La Pachanga #MVF .BDBX .JTTJPO 4' XXX UIFCMVFNBDBXTG DPN QN 4BMTB EBODF QBSUZ XJUI MJWF "GSP $VCBO TBMTB CBOET

Monday 27 rock /blues/hip-hop

Elephant Listening Project &MCP 3PPN QN GSFF

Fatlip, Cee Knowledge #SJDL BOE .PSUBS .VTJD )BMM QN Jealous Sound, Books On Tape, Please Do Not Fight #PUUPN PG UIF )JMM QN Leslie & the Ly’s, Pennyhawk, Ramona & the Swimsuits 3JDLTIBX 4UPQ QN

jazz/new Music

Bossa Nova 5VOOFM 5PQ #VTI 4' QN GSFF -JWF BDPVTUJD #PTTB /PWB Claudia Quintet feat. Theo Bleckmann :PTIJÂľT QN Hermann Lara and His Jazz Nexus :PTIJÂľT -PVOHF QN GSFF

dance clubs

Death Guild %/" -PVOHF QN (PUIJD JOEVTUSJBM BOE TZOUIQPQ XJUI +PF 3BEJP %FDBZ BOE .FMUJOH (JSM

Krazy Mondays #FBVUZ #BS .JTTJPO 4' XXX UIFCFBVUZCBS DPN QN GSFF )JQ IPQ BOE PUIFS TUVGG M.O.M. .BESPOF "SU #BS QN GSFF %+T 5JNPUFP (JHBOUF (PSEP $BCF[B BOE $ISJT 1IMFL QMBZJOH BMM .PUPXO FWFSZ .POEBZ Sausage Party 3PTBNVOEF 4BVTBHF (SJMM .JTTJPO 4' QN GSFF %+ %BOEZ %JYPO TQJOT WJOUBHF SPDL 3 # HMPCBM CFBUT GVOL BOE EJTDP BU UIJT IBQQZ IPVS TBVTBHF TIBDL HJH

rock /blues/hip-hop

Alvon #JTDVJUT BOE #MVFT BOE QN John Lawton Trio +PIOOZ 'PMFZÂľT QN GSFF Neurovoltaic Orchestra #PPN #PPN 3PPN

Nellie McKay: I Want to Live! 3SB[[ 3PPN 1N Rastrelli Quartet :PTIJÂľT QN Raquel :PTIJÂľT -PVOHF QN GSFF Eclectic Company 4LZMBSL QN GSFF %+T 5POFT BOE +BZCFF TQJO PME TDIPPM IJQ IPQ CBTT EVC HMJUDI BOE FMFDUSP Post-Dubstep Tuesdays 4PN UI 4U 4' QN GSFF %+T %OBF #FBUT &QDPU 'PPUXFSLT TQJO 6, 'VOLZ #BTT .VTJD 2

7<F6BI8E A8J @HF<6

CLUb ShUTTEr

THU

jazz/new Music

dance clubs

tuesday 28

wED ELbo room prESENTS 2/22 10pm wITh DJS $5 NAKo,

QN 4PVM EJTDP FMFDUSP BOE GVOL XJUI %+ , 0T Two Cow Garage )FNMPDL 5BWFSO QN Jenny Owen Youngs, Little Hurricane, Terese Taylor #PUUPN PG UIF )JMM QN

omAr, AND JUSTIN

Afro-TropI-ELECTrIC-SAmbA-fUNK

AfroLICIoUS SENor oz

AfroLICIoUS DrUmS FRI

2/24 9pm $10

SAT

Wed 2/22 7pm $12Adv/$15door LiTQUAKe! WAy Behind The mUSiC:

ELbo room prESENTS

z-mAN & fIST fAm DoUbLE rECorD rELEASE

From ozzy To JeWeL

hiLArioUSLy odd mUSiC memoirS BroUghT To LiFe onSTAge! 9:30pm Free

AND LIVE pErformANCES pLUS

grAND INVINCIbLE, rEC-LEAgUE, foUL moUTh JErK AND DJ mACoN bEATS

FriSCo diSCo!

SoUL, FUnK, CLASSiC diSCo

EArLy Show: LUCIfEr’S hAmmEr prESENTS

The hoUSe oF WindSor

bELL wITCh

pSyChedeLiC, KrAUT-roCK, ShoegAze

brUXErS, LArVAE

9pm no Cover!

10 pm 4 yEAr ANNIVErSAry pArTy $5

DEbASEr wITh DJS

WeB oF SoUnd! W/dJ JACKie SUgArLUmpS

(frEE wITh fLANNEL bEforE 11 pm)

Lime CoLony • The mATineeS

JAmIE JAmS, EmDEE AND STAb mASTEr ArSoN SUN

MON 2/27 9pm frEE

wED 2/29 9pm $10

DUb mISSIoN prESENTS ThE bEST IN DUb, DUbSTEp, rooTS & DANCEhALL wITh

DJ SEp, VINNIE ESpArzA AND mANEESh ThE TwISTEr ELbo room prESENTS

ELEphANT LISTENINg proJECT

(EX-mofESSIoNALS, moNTroSE, ThE CoUp)(2 SETS)

Fri 2/24 7:30-9:30pm $8

=6GJB H86GJB

8adh^c\ GZXZei^dc ;:7#'' + " &%EB

bAyoNICS prESENT

Dc Y^heaVn i]gdj\] ;ZW# '*

LEApSToCK! AN EVENINg wITh

bAyoNICS

(SET of NEw mATErIAL)

;ZVijg^c\/ 9Vk^Y 7Vaa! ?ZhhZ 7VabZg @Vi]Zg^cZ 7gVccdX`

ALSo ShowCASINg bAND mEmbErS IN SoLo proJECTS:

hoT poCKET ShAmILAh IVory

roJA & ELIVE fog CITy mAVErICKS ANALog STArShIp (frITE NITE) bATUCI broS AND DJS b. brAVo & TEEKo UpComINg ThU 3/1 frI 3/2 SAT 3/3 SUN 3/4

SAT 2/25 7:30-9:30 $8

odd oWL

KATherine dAy every SATUrdAy nighT! 10pm $5

eL SUperriTmo!

roger mAS y eL KooL KyLe

CUmBiA, dAnCehALL, SALSA, hip-hop

SUn 2/26 7:30pm $8

SenTimenTAL SUndAyS

The SenTimenTALS • SKySTone • Lee BoB WATSon mon 2/27 6pm Free!

FLy me To The moon!

Brewis builds upon their modular, fragmented style, shot through the surreal abstractions of 20th-Century film music, and the off-beam funk and pristine synth-rock of their earlier work. LP: $15.98.

Get a free live studio session mini-album download card with purchase, while supplies last!

together a group of highly skilled musicians and producers to interpret this classic electronic album. 3-LP Set: $23.98.

Buy the CD and get a very limited 5� orange vinyl single with two exclusive tracks, while supplies last!

4_Ćž F[bjf 4eX 9ƤĆ—X 4_Ćž ĹšZXf

FTgheWĆ“l — 9XĆ”ehTƤl %( — É‚ c` <@C8EĆ 4? GĹ˝8A GhXfWTl — 9XĆ”ehTƤl %+ — ) c` :8BĹżE4C;8ĆŠ GhXfWTl — @TeV[ ) — Ɇ c` 68EĹ˝@BAL

4?JĹšLF 9E8Ĺ˝ F;<CĆˆĆ A: BƆ @HF<6 @BI<8F

AB @<Ć†Ć Ć…H@ E8DH<ĆŠĹ˝7 5HL Ć‘BĆ?EF8Ć„9 4 FGĹš6> BÂś J4K ĹšA7 <G F;Ć CĆ‹ 9E8Ĺ˝ ÉŒ

9:30pm no Cover!

TUe 2/28 9:30pm no Cover!

&&& B^ccV <VaaZgn &&& B^ccV HigZZi 5 'cY Hi &&&B^ccV<VaaZgn#Xdb )&*#.,)#&,&. ™DkZg '& dcan#

www.browNpApErTICKETS.Com ELbo room IS LoCATED AT 647 VALENCIA NEAr 17Th

food + Drink

W/ dJS Tom ThUmp, dAmon BeLL & CenTipede rAre groove/FUnK/SoUL/hip-hop & more!

dJ pUrpLe KArAoKe

AfroLICIoUS 120 mINUTES: whITE rINg SAT NITE SoUL pArTy DUb mISSIoN: DJ SEp

news

LooSe JoinTS!

# The 4th album from Peter & David

W/dJ dJ & BryAn dUrAn!

ADVANCE TICKETS

editorials

every FridAy 10pm $5

! " $ Black Sands Remixed gathers

ThU 2/23 6pm no Cover!

2/25 (SEATTLE) 4-7pm (mEmbErS of SAmoThrACE & SoD hAULEr) $5

2/26 9pm $6

MeMphis industries

pLUS DJ bAbbIDgE AND

ninja tune

2/23 9:30pm wITh DJ/hoST: $5

picks

arts + culture

music listings

LoST & FoUnd

deep & SWeeT 60S SoUL 45S

dJS LUCKy & primo & FriendS 3225 22nd ST. ! miSSion SF CA 94110 415-647-2888 • www.makeoutroom.com stage listings

on the cheap

$+(É… ;4<:Ć€G FĆŒE8Ĺ˝ĆŒ — F4A 9EŚƆ6<FŝƇ — ĹŻ'$(Ĺ° +&$ É %#É€ %'(É… GĹ˝?8:E4C; ĹšI8AHĹ˝ — 5Ĺ˝E>8Ć„Ĺ˝L — ĹŻ($#Ĺ° É…', $É %(

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9E88 F;<CC<A: film listings

classifieds

FEBRUARY 22 - 28, 2012 / SFBG.com

29

sTAgE lisTings

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THEATER opEning

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ongoing

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little Brother (PVHI 4USFFU 1MBZIPVTF (PVHI 4' XXX DVTUPNNBEF PSH 5IVST 4BU QN $VTUPN .BEF 5IFBUSF $P QFSGPSNT +PTI $PTUFMMPµT BEBQUBUJPO PG $PSZ %PDUPSPXµT 4BO 'SBODJTDP TFU UISJMMFS not getting Any younger .BSTI 4BO 'SBODJTDP 4UVEJP 5IFBUFS 7BMFODJB 4' XXX UIFNBSTI PSH &YUFOEFE SVO 'SJ QN 4BU BOE QN .BSHB (PNF[ JT CBDL BU UIF .BSTI B DPVQMF PG UPP CSJFG EFDBEFT BGUFS JOBVHVSBUJOH UIF UIFBUFSµT OFX TUBHF XJUI IFS GJSTU TPMP TIPX ± BO BQU TFUUJOH JO PUIFS XPSET GPS UIF XSJUFS QFSGPSNFSµT MBUFTU NPOPMPHVF B SFGMFDUJPO PO UIF JOFWJUBCMF QSPDFTT PG BHJOH GPS B -BUJOB MFTCJBO DPNFEJBO BOE BSUJTU XIP TUJMM IBOHT BU 4UBSCVDLT BOE DBOµU CF USVTUFE XJUI UIF EFUBJMT PG IFS PXO 8JLJQFEJB FOUSZ *G UIF UIPVHIU PG TPNFPOF BT QFSFOOJBMMZ JSSFWFSFOU JOTPVDJBOU BOE BQQFBM JOHMZ JNNBUVSF BT (PNF[ NBLFT ZPV EFQSFTTFE UIF TIPX JT TUSBOHFMZ FOPVHI UIF CFTU BOUJEPUF "WJMB

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30 SAN FRANCISCO BAY GUARDIAN

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PunkS HAvE SAlES too: SwAP MEEt At SPEAkEASy AlES AnD lAGErS SAt/25. PHOTO COURTESY OF MITCHELL LOPEZ

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WEDNESDAY 22

SUNDAY 26

“An Edward Gorey Birthday Party” $BSUPPO "SU .VTFVN .JTTJPO 4' XXX DBSUPPOBSU PSH Q N Q N GSFF &EXBSE (PSFZ B DPPM HVZ XIP OPU POMZ NBEF QPQ VQ NBUDICPY TJ[FE CPPLT CZ IBOE CVU BMTP SFEFGJOFE UIF NBDBCSF OPOTFOTF UIBU NBLFT VQ DIJMESFOµT MJUFSBUVSF $PNF DFMFCSBUF UIF XPSME SFOPXOFE BVUIPSµT CJSUIEBZ XJUI BO FWFOJOH PG SFBEJOHT JOUFSQSFUBUJPOT BOE DBLF

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“Path to Prison reform: Freeing Jails from racism Berkeley-East Baby Gray Panthers” /PSUI #FSLFMFZ 4FOJPS $FOUFS )FBSTU #FSL CFSLFMFZHSBZQBUIFST NZTJUF DPN Q N GSFF 1MFOUZ PG UIJOHT HP EPXO JO KBJMT UIBU BSF OFJUIFS EPDVNFOUFE OPS SFTPMWFE +PJO "$-6 NFNCFST BOE GPSNFS QSJTPOFST JO B EJTDVTTJPO PG IPX SBDJTN NBZ CF UIF DVMQSJU CFIJOE QSJTPO CSVUBMJUZ

THURSDAY 23 “A Mnemosyne Slumber Party” .FDIBOJDµT *OTUJUVUF 1PTU 4' XXX NJMJMJCSBSZ PSH Q N .OFNPTZOF JT B GSFF POMJOF KPVSOBM UIBU GFBUVSFT BSU GJDUJPO BOE OPO GJDUJPO XPSL EFEJDBUFE UP UIF TDJFODF PG NFNPSZ BOE UIF NJOE $PNF UP UIF QSFNJFSF PG UIFJS OFX FTU ²4MFFQ BOE %SFBNT³ JTTVF TUBZ GPS B OJHIU PG MJWF SFBEJOHT BOE BSUJTU BQQFBSBODFT

FRIDAY 24 “Diversity and Evolution of Hummingbirds” $JUZ $PMMFHF PG 4BO 'SBODJTDP 0DFBO $BNQVT 1IFMBO 4' DDTG FEV VQDPNJOHFWFOUT /PPO Q N GSFF )JUDIDPDL SVJOFE CJSET GPS TPNF PG VT CVU GPS UIPTF XIP TUJMM GJOE UIFTF GMZJOH GFBUIFSFE DSFBUVSFT OPO UFSSJGZ JOH UIJT JT B DIBODF UP KPJO PSOJUIPMPHZ JOTUSVDUPS +PF .PSMBO BT IF EJTDVTTFT UIF NBOZ CJSET IF TBX JO IJT BEWFOUVSFT JO $BMJGPSOJB "SJ[POB

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#FMJ[F $PTUB 3JDB 5SJOJEBE BOE &DVBEPS

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oakland Food not Bombs benefit show 3FWPMVUJPO $BGF 4FWFOUI 4U 0BLM XXX SFWDBGFPBL DPN Q N 'PPE /PU #PNCT JT BMM BCPVU OPO WJPMFODF DPOTFOTVT EFDJTJPO NBLJOH BOE UBTUZ WFHFUBS JBO NFBMT EJTUSJCVUFE GPS GSFF UP UIF DPNNVOJUZ 8IBUµT OPU UP MPWF 4VQQPSU UIF HSPVQµT FGGPSUT UIJT XFFLFOE JO B CFOFGJU TIPX GFBUVSJOH MPDBM CBOET /BUF 1PSUFS BOE 8BHPO #PBU

SATURDAY 25 “noise Pop Culture Club” 1VCMJD 8PSLT &SJF 4' XXX QVCMJDTG DPN B N Q N /PJTF 1PQ XPVME OPU CF QPT TJCMF XJUIPVU UIF WJTJPOBSZ BSUJTUT JO UIF NVTJD GJMN BSU EFTJHO UFDIOPMPHZ BOE GPPE DPNNVOJUJFT 5IJT FWFOU GFBUVSFT B EJTDVTTJPO CZ +PIOOZ +FXFM PG (MBTT $BOEZ BSUXPSL CZ (SJNFT BO "CMFUPO -JWF XPSLTIPQ XJUI 5IBWJVT #FDL B UBML PO BOJNBUJPO CZ "BSPO 3PTF BOE 4ZE (BSPO ° QMVT B CPVODF MFTTPO UBVHIU CZ /FX 0SMFBOT CPVODF CFMMF #JH 'SFFEJB Punk Swap Meet 4QFBLFBTZ "MFT BOE -BHFST &WBOT 4' XXX HPPECFFS DPN Q N Q N GSFF *G ZPV UIPVHIU GMFB NBS LFUT XFSF KVTU GPS PME LOJUUJOH MBEJFT ZPV IBWF OFWFS CFFO NPSF XSPOH 1VOL 4XBQ .FFU IBT UBCMFT TFMM

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JOH SFDPSET [JOFT UBQFT %*: DSBGUT DMPUIJOH BOE JT PQFO UP BMM BHFT 5IFSF XJMM CF GPPE CZ &BHMF %PH XJUI WFHFUBSJBO BOE WFHBO PQUJPOT BWBJMBCMF BOE CSFX PO UBQ GPS San Francisco Crystal Fair 'PSU .BTPO $FOUFS #VJMEJOH " .BSJOB 4' XXX DSZTUBMGBJS DPN B N Q N BMTP 4VO B N Q N GPS UXP EBZ BENJTTJPO *T ZPVS DIBLSB PVU PG TZOD /PU UP XPSSZ 1BDJGJD $SZTUBM (VJME JT DPNJOH XJUI PWFS FYIJCJUPST DBSSZJOH DSZTUBMT GSPN /FQBM #BMJ "GHIBOJTUBO BOE $IJOB SF Flea )FSCTU 1BWJMJPO BU 'PSU .BTPO $FOUFS 0OF #VDIBOBO 4' XXX TG GMFB DPN 4BU BN Q N BMTP 4VO B N Q N 4' 'MFB JT B NPEFSO QVCMJD NBSLFU UIBU CSJOHT UPHFUIFS MPDBM EFTJHO TUZMF GPPE BSU BOE FOUFSUBJONFOU

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Miss and Mister oakland Punk rock Pageant &BTU #BZ 3BUT $MVC )PVTF 4BO 1BCMP 0BLM XXX FBTUCBZSBUT DPN Q N GSFF GPS DPOUFTUBOUT 8IP TBZT ZPV IBWF UP CF B TJY ZFBS PME GSPN (FPSHJB PS QSPDMBJN XPSME QFBDF JO B CJLJOJ UP CF JO B QBHFBOU )BWF ZPVS MPOH BXBJUFE UJBSB NPNFOU CZ TIPXDBTJOH IPX TXJGUMZ ZPV DBO PQFO B CFFS CPUUMF XJUI ZPVS UFFUI BU 0BLMBOEµT WFSZ PXO QVOL SPDL QBHFBOU Stories of Old San Francisco Chinatown reading &BTUXJOE #PPLT PG #FSLFMFZ 6OJWFSTJUZ

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San Francisco Bookstore and Chocolate Crawl .FFU BU (SFFO "QQMF #PPLT $MFNFOU 4' XXX HSFFOBQQMFCPPLT DPN /PPO Q N GSFF (P PO B XBMLJOH UPVS PG TPNF PG 4BO 'SBODJTDPµT GJOFTU CPPLTUPSFT CVZ TPNF CPPLT BOE FBU B MPU PG DIPDPMBUF The Fairy Dogfather signing #PPLT *OD $BMJGPSOJB 4' CPPLTJOD OFU 4'-BVSFM Q N GSFF *O "MFYBOESB %BZµT OFX CPPL B EZTMFYJD CPZ BTLT GPS B GBJSZ EPHGBUIFS JOTUFBE PG B GBJSZ HPEGBUIFS "OE XFµSF TP HMBE IF EJE CFDBVTF UIF DPNCJOBUJPO PG B GFEPSB XFBSJOH EPH GSJFOE BOE B DPOGVTFE DIJME NBLFT GPS POF BEPSBCMF QJDUVSF CPPL

MoNDAY 27 Guitar Zero: The New Musician and the Science of Learning reading #PPLTNJUI )BJHIU 4' XXX CPPLTNJUI DPN Q N GSFF *T JU SFBMMZ USVF UIBU BO PME EPH DBO OFWFS MFBSO B OFX USJDL *O IJT CPPL (VJUBS ;FSP /:6 QSPGFTTPS (BSZ .BSDVT DISPO JDMFT IJT PXO FYQFSJFODF MFBSOJOH UP QMBZ UIF HVJUBS BU BHF BOE GJOET UIBU UIFSF JTOµU OFDFT TBSJMZ B DVU PGG BHF GPS NBTUFSJOH B OFX TLJMM

TUESDAY 28 “Pritzker Family lecture” with Claude lanzmann and regina longo +FXJTI $PNNVOJUZ $FOUFS PG 4BO 'SBODJTDP $BMJGPSOJB 4' XXX KDDTG PSH Q N GSFF XJUI SFTFSWBUJPO -BO[NBOO OPU POMZ MJWFE UISPVHI UIF (FSNBO PDDVQBUJPO PG 'SBODF BOE GPVHIU XJUI UIF 'SFODI 3FTJTUBODF CVU IFMQFE EPDVNFOU UIF XIPMF UIJOH BT UIF FEJUPS PG -FT 5FNQT .PEFSOFT +FBO 1BVM 4BSUSFµT QPMJUJ DBM MJUFSBSZ KPVSOBM $PNF QJDL IJT CSBJO BT IF EJTDVTTFT IJT OFX NFNPJS 5IF 1BUBHPOJBO )BSF BOE IJT GJMN 4IPBI 2

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FEBRUARY 22 - 28, 2012 / SFBG.com

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film listinGs 'JMN MJTUJOHT BSF FEJUFE CZ $IFSZM &EEZ 3FWJFXFST BSF ,JNCFSMZ $IVO .BY (PMECFSH %FOOJT )BSWFZ -ZOO 3BQPQPSU BOE .BUU 4VTTNBO 'PS SFQ IPVTF TIPXUJNFT TFF 3FQ $MPDL %VF UP UIF 1SFTJEFOUTµ %BZ IPMJ EBZ UIFBUFS JOGPSNBUJPO XBT JODPNQMFUF BU QSFTTUJNF

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OpeninG THe SAGA Of RuSSIAn POLITICAL PRISOneR MIKHAIL KHODORKOVSKy IS TOLD In KhodorKovsKy, OuT fRI/24. | photo courtesy of kino lorber

Act of Valor "DUJPO NPWJF TUBSSJOH SFBM MJGF BDUJWF EVUZ /BWZ 4&"-T

Dizzy Heights: Silent Cinema and Life in the Air 5IF GJMN NFEJVNµT GJSTU TPVOE

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FEBRUARY 22 - 28, 2012 / SFBG.com

33

film listings first run venues

RON ELDARD AND BOBBY CANNAVALE STAR iN Roadie, OPENiNG FRi/24 AT SF FiLM SOCiETY CiNEMA. | Courtesy of Magnolia PiCtures

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34 SAN FRANCISCO BAY GUARDIAN

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FEBRUARY 22 - 28, 2012 / SFBG.com

35

SPRING NIGHTLIFE GUIDE

from techno throwdowns to hip-hop hurrahs: the – 40 parties you should be going to this spring Win free booze! To enter, like us on facebook and write the names of your favorite bartenders, DJs, and others who make Sf nightlife so special. five winners will receive two free drink tokens to Thee Parkside and will appear in the feb 29 issue of the Guardian! 36 SAN FRANCISCO BAY GUARDIAN

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to place an ad call 415-255-7600 classifieds or email us at classifieds@sfbg.com psychic dream astrology Feb. 22-28 DONATE YOUR CAR, TRUCK OR BOAT TO HERITAGE FOR THE BLIND. Free 3 Day Vacation, Tax Deductible, Free Towing, All Paperwork Taken Care Of. 888-902-6851. (Cal-SCAN)

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FICTITIOUS BUSINESS NAME STATEMENT FILED NO. A-0341272-00 The following person is doing business as 1. Mini Mays 2. Nayos 161 Majestic Ave San Francisco, CA 94112. This business is conducted by an individual. Registrant commenced business under the abovelisted fictitious business name on the date February 1, 2012. Signed by Karen Hastie. This statement was filed by Elsa Campos, Deputy County Clerk on February 13, 2012. L#113529, February 22, 29, March 7 and 14, 2012 FICTITIOUS BUSINESS NAME STATEMENT FILED NO. A-0341308-00 The following person is doing business as Got2Move? 447 A Visitacion Ave San Francisco, CA 94134. This business is conducted by an individual. Registrant commenced business under the abovelisted fictitious business name on the date January 1, 2012. Signed by David Holsan. This statement was filed by Alex Liang, Deputy County Clerk on February 14, 2012. L#113530, February 22, 29, March 7 and 14, 2012 NOTICE OF APPLICATION TO SELL ALCOHOLIC BEVERAGES Date of Filing Application: January 25, 2012. To Whom It May Concern: The name of the applicant is: ALFREDO BELLO . The applicant listed above is applying to The Department of Alcoholic Beverage Control to sell alcoholic beverages at: 2052 MISSION STREET, SAN FRANCISCO, CA 94110-1218. Type of License Applied for: 41 - ON-SALE BEER AND WINE- EATING PLACE . Publication dates: February 8, 15 and 22, 2012. L#113523 ORDER TO SHOW CAUSE FOR CHANGE OF NAME CASE NUMBER: CNC-12548402. SUPERIOR COURT, 400 McAllister St. San Francisco, CA 94102. PETITION of Michelle Nora Estrada for change of name. TO ALL INTERESTED PERSONS: Petitioner Yulia Jong filed a petition with this court for a decree changing names as follows: Present Name Yulia Jong. Proposed Name: Lera Alexa deJong . THE COURT ORDERS that all persons interested in this matter shall appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. NOTICE OF HEARING Date: April 10, 2012. Time: 9:00 AM room - 514. Signed by Tomar Mason, Presiding Judge on February 7, 2012. Endorsed Filed San Francisco County Superior Court on September 17, 2011 by The Deputy Clerk. Publication dates February 15, 22, 29 and March 7, 2012. L#113528 STATEMENT OF WITHDRAWAL FROM THE PARTNERSHIP OPERATING UNDER USE OF FICTITIOUS BUSINESS NAME The registrant listed below have withdrawn as general partner from the partnership operating under the following fictitious business name Philan Aural-Visual Enterprise (dba Philan Enterprises) 915 Fulton Street, San Francisco, CA 94117. The fictitious business name was filed in the County of San Francisco under File# A0329632-00 on: 8/11/2010. NAME AND ADDRESS OF REGISTRANTS (as shown on previous statement): Mark B. Anstendia 915 Fulton St. San Francisco, CA 94117. This business was conducted by a general parnership. Signed Mark B. Anstendia. Dated: January 23, 2012 by Melissa Ortiz, Deputy County Clerk. #113531 February 22, 29, March 7 and 14, 2012

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psychic dream astrology Feb. 22-28 aries

liBra

March 21-April 19

Sept. 23-Oct. 22

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scorpio

April 20-May 20

Oct. 23-Nov. 21

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May 21-June 21

Nov. 22-Dec. 21

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cancer

capricorn

June 22-July 22

Dec. 22-Jan. 19

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aQUariUs

July 23-Aug. 22

Jan. 20-Feb. 18

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Virgo

pisces

Aug. 23-Sept. 22

Feb. 19-March 20

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february 22 - 28, 2012 / SFBG.com 39

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