San Francisco Bay Guardian

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‘Gunpowder’ explosion Queer (party) action! You know best Super-strong heroin causing rash of ODs P14

Our guide to the coolest Pride events P24

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celebrating 45 years

the san francisco bay guardian | sfbg.com june 20 - 26, 2012 | Vol. 46, No. 38 | Free

A special report P8 Plus: OccuPride’s rebirth of queer radicalism

guardian photo of (clockwise from top): dennis, huitzi, brian, and angel by keeney and law

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June 20 - 26, 2012 / SFBG.com

“THEY CAN TURN IN THEIR BADGES.” – ADVOCATE CLARISSA MCFAYE ON HOW COPS CAN HELP SEX WORKERS

IF I RAN THE SHOW WHAT IF FRONT-LINE ACTIVISTS WERE RUNNING SAN FRANCISCO?

GUARDIAN

INTELLIGENCE What you need to know

BY MESHA MONGE-IRIZARRY “If I were (gah...) the San Francisco police chief, I’d make sure my department serves & protects ALL residents; the people would finally define and implement community policing instead of me spearheading the deal myself; I would ensure, from my end, that illegal racially biased policing would be a part of the shameful past of SF forever. There would be no unwarranted surveillance of Muslims or intimidation of undocumented migrantes; I wouldn’t wait more than a decade to fire brutal cops like Jessie Serna; I’d turn over the SFPD mental health budget to Mobil Assistance Patrol and dispatch psych techs as first time responders instead of my officers. Mesha Monge-Irizarry is a member of the city’s Marijuana Offenses Overview Committee and the Idriss Stelley, killed by San Francisco cops at the Metreon on June 12, 2001.

GAY MEN CAN JUMP (AND DRINK) ... ... and LBTs can, too, when the new gay Hi Tops sports bar opens in the old Lime space in the Castro in October. Give all those hot lacrosse daddies our number, please.

PIZZA POWER You don’t have to have a shell and bandanna with strategically-located eyeholes to dig on Bay pie news. Berkeley’s Red Tomato Pizza House (2017 University, Berk. (510) 845-6666, www.redtomatopizzahouse. com) is offering vegan stuffed crust with ooeygooey Daiya cheese. The joint was a Round Table franchise until recently, but liberated itself to expand the menu — you can also score a gluten-free ‘za there. But if its sheer, shell-busting pig-out you’re looking for, head to Goat Hill (300 Connecticut, SF. (415) 641-1440, www.goathill.com). The Potrero Hill family spot offers all you can eat pies on Mondays for $11.95 from 4 to 9:45pm. Cowabunga, etc.

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THIS WEEK’S REASON THAT THE WORLD IS COMING TO AN END The Huffington Post just added an entire section devoted to “sideboobs.” (www.huffingtonpost.com/news/ sideboob)

PANHANDLING AND PAYCHECKS Bevan Dufty, the mayor’s homeless director, went to the Interfaith Council the other day to talk about his policy proposals and put it on the line: “Every time I hear about people not giving money to panhandlers because it might go for drugs and alcohol, well, there are people in this room who generate money for drugs and alcohol. What if that principle applied to your paycheck?”

GET DRUNK AND STUFF YOUR FACE (SUMMER EDITION): 1. Tee Off Bar 2. Souley Vegan-Beer Revolution 3. El Rio 4. Thee Parkside 5. Clare’s Deli-500 Club

SHOW SOME GRATITUDE, SF — CORPORATIONS ARE COMMUNITY BENEFITS Hundreds of opponents and supporters of CPMC’s proposal to build a massive hospital on Cathedral Hill and rebuild a smaller version of St. Luke’s Hospital packed a City Hall hearing (and overflow room) June 15, the first of at least five that the Board of Supervisors and its Land Use Committee are holding on the controversial proposal (see “Hospital standoff,” 6/13). Labor and community groups and many supervisors have criticized CPMC for not providing nearly enough money for community benefits and to offset the project’s impacts on the city’s transportation system and housing market, particularly considering how lucrative the project will be for the health care giant. But when CPMC CEO Warren Browner testified, he made it clear that we should all just be grateful that the company is willing to selflessly build us these new hospitals. As he put it, “The project itself is a community benefit for all San Franciscans.” EDITORIALS

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MOVIE OF THE WEEK WED/20-THU/21 Austin, Tex. comedian and author Owen Egerton (The Book of Harold, the Illegitimate Son of God) visits the Balboa Theatre for two nights of talks illustrated by clips culled from religious and educational films, cult classics, music videos, and just plain bizarro fragments of media history. Wed/20 is “The Best of God,” boasting such delights as faith healers, Bible-quoting rappers, and erstwhile Tiger Beat centerfold Kirk Cameron’s hellzapoppin’ visions of the apocalypse. Thurs/21 takes the edge off, bro, with “The Best of Drugs,” which can only mean one thing: hilarious scare films galore. Sinner, heal thyself! But, srsly, stay away from the bath salts. www.balboamovies.com ARTS + CULTURE

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“WE ARE LOSING TRUE DIVERSE, LOCAL, CULTURAL PROGRAMMING THAT REALLY REFLECTS THE VIBRANCY OF OUR CITY. THIS IS ABOUT THE COMMODIFICATION OF THE NONCOMMERCIAL SIDE OF THE DIAL.” – FORMER KUSF MUSIC DIRECTOR, AND CURRENT SAVE KUSF SPOKESPERSON IRWIN SWIRNOFF

POLITICAL ALERTS WEDNESDAY 20

Notes from a revolution, Booksmith, 1644 Haight, SF; www.booksmith. com. 6:30pm, free. In the Haight’s heyday, the Diggers were a cultural and political force to be reckoned with. The “community anarchist” collective served food in the Panhandle, ran free medical clinics, and generally cared for the large numbers of people who flocked to the neighborhood in the 1960s. They set up free stores and crash pads, and were known for absurd theater that made you think. Now their broadsides have become a new book, Notes from a Revolution. Some of those involved in this recent San Francisco history will speak at the Booksmith for the books release, and there might even be some Diggers-style people-feeding afoot.

MONDAY 25

The sky did not fall, Commonwealth Club, 595 Market, SF; www.commonwealthclub.org. 5:30pm, $7-20. Don’t Ask, Don’t Tell was finally repealed last July. That hasn’t stopped people from arguing for its reinstatement for reasons like “they’re in close quarters, they live with people, they obviously shower with people” (Rick Santorum in October.) Get the real story at this Commonwealth Club event, where soldiers will speak on the historic repeal’s effect on their lives. At least for these soldiers, the changes weren’t shower-related, but instead related to not fearing dishonorable discharge and hiding who they love while risking their lives in the military.

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June 20 - 26, 2012 / SFBG.com

editorials

Fixing SF’s sunshine problems

in this issue news P6 food and drink P16 picks P18 arts and culture P20 MUSIC listings 32 / STAGE listings 39 FILM listings 40

this week at sfbg.com Follow us on Twitter: www.twitter.com/sfbg

on the blogs Politics Stay up on the Mirakarimi hearings – the Ethics Commission starts taking testimony on the matter this week Are conservative counties overcrowding our prisons?

Noise Hard-rocking Alternative Tentacles band Pins of Light answer the Localized Appreesh questionnaire We chat with the legendary Philip Glass prior to his Henry Miller Library benefit show with Joanna Newsom Stunning shots of the Extra Action Marching Band in Denmark on its European tour

Pixel Vision La Peña Cultural Center’s historic mural is being redesigned, giving birth to a conversation between two generations of street artists April Short tries out Grouper, the new three-on-three dating website

SEX SF Kelly Lovemonster attends the OpenSF polyamory conference, finds the plurality in poly Is it Pride yet? Our guide to the weeks’ sexiest events – plus a latex fashion shoot to inspire the fetish fashionista in you SAN FRANCISCO BAY GUARDIAN

LGBT Pride: the good, the bad and the ugly by Tommi Avicolli Mecca OPINION No doubt about it, LGBT Pride is a mixed bag. Long gone are the days when Gay Freedom Day, later Gay Pride, was a one-day affair, a protest march, and celebration to commemorate the Stonewall Riots in New York City in June, 1969. These days, it’s a month-long, corporate-sponsored, $1.8 milliondollar, glitzy affair with events at fancy hotels and a “parade” (not a march) that remains totally out of touch with the radical, grassroots activism that first created it. Not only are contingents charged to participate, but curbside barricades make it impossible for onlookers to jump in, and participants are asked to “donate” to enter the festival after the parade. Even if the pride committee waives the fee for small groups, why does anyone have to pay to be part of pride? Especially given that it has corporate sponsors with very deep pockets. Some of those sponsors are strange — and ugly — bedfellows indeed. They include Wells Fargo editorials

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and B of A, two banking institutions that have been foreclosing queer and other people out of their homes. Their motto might well be, “We take Pride in evicting you.” What does it say about our community that we allow these institutions to use our events to buy good PR? Banks don’t deserve good PR, especially when the government is not holding them accountable in any real way for what they continue to do to us. Fortunately, there are pride events that remain true to the fiery, uncompromising spirit that was demonstrated by those queens who refused to go quietly into the paddy wagons 43 years ago. They include the Faetopia “pop-up queer arts, ecology, theater and community center” at the old Tower Records space at Market and Noe, with lots of great events continuing through June 22 (www.faetopia.com); and the Vito Russo documentary, Vito, at the Frameline Film Festival last week. Vito’s life of gay and AIDS activism is a reminder of why Pride month exists. It’s just a shame that Wells Fargo is a sponsor of the festival.

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You won’t find banks sponsoring the Trans and the Dyke marches (Friday, June 22 and Saturday, 23 respectively). Nothing in pride month comes closer to being like the 1970s gay pride marches (that I miss so much) than these two grassroots efforts. Finally, a coalition calling itself OccuPride plans to protest the “increasingly commercialized” pride parade that caters “only to those of us with money to spend.” According to a press statement, it will also “honor our radical roots for full liberation for women, people of color, immigrants, the disabled, all the oppressed and marginalized.” Sounds like a Gay Liberation Front manifesto I helped write 42 years ago. Join up with OccuPride on June 24 at 10am at Mission and Main, or at Taylor and Turk at 2:30pm for a rally on the site of the former Compton’s Cafeteria where, three years before Stonewall, drag queens rioted. Like Vito, a reminder of where we came from. 2 A longtime queer and tenants rights activist, Tommi Avicolli Mecca was involved with organizing Philly’s first pride march in 1972. He is editor of Smash the Church, Smash the State: the Early Years of Gay Liberation (City Lights). music listings

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EDITORIAL Open-government advocates are circulating a series of amendments to the city’s landmark Sunshine Ordinance, and a lot of them make perfect sense. In general, the changes bring the law up to date — and deal with the ongoing and increasing frustration over the lack of enforcement that has rendered nearly toothless one of the most progressive open-government laws in the nation. The advocates are trying to find four supervisors to place the measure on the November ballot. It won’t be easy: Already, the City Attorney’s Office has circulated a memo arguing that some of the amendments conflict with state law or the City Charter. And in the background, Sup. Scott Wiener is looking to take another approach to open-government, asking city departments to examine the costs of complying with the existing law — which could easily become an argument for loosening the rules. The new disclosure rules are relatively modest. A policy body would have to release all documents relevant to a decision 48 hours in advance of a meeting. Documents that include metadata — tracked changes and other digital information — would have to be released in full. Regulations on closed meetings around pending legal issues would be tightened. But the bulk of the changes have to do with enforcing the law — and that’s where the battle lines are going to be drawn. The measure would create a powerful supervisor of public records, appointed by the city attorney, who would be directed to review all denials of public records — and who, by law, would be ordered to “not consider as authority any position taken by the city attorney.” That seeks to address a key shortfall in existing law — the City Attorney’s Office, which (like most law firms) is often driven by privacy and confidentiality, advises city agencies on what records can be withheld, and city officials who refuse to release documents simply say they were following the advice of their attorney. The proposal would turn the Sunshine Task Force into an inde-

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editorials pendent commission, some of whose appointments wouldn’t be subject to any official review. The commission would have extensive new authority to levy fines on city employees who it finds in violation of the sunshine law and to force the Ethics Commission — which routinely ignores sunshine violations — to take action against offenders. The idea, of course, is to mandate consequences for violating the Sunshine Ordinance, which is flouted on a regular basis by public officials who pay no penalty and

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the bulk of the changes have to do with enforcing the law — and that’s where the battle lines are going to be drawn. thus have no real reason to comply. But increasing the scope and certainty of punishment is one side of the coin — and if there were better ways to ensure compliance, none of that would be necessary. In Connecticut, a state Freedom of Information Commission has the statutory authority to require any government agency to release a document or open a meeting. The panel doesn’t punish people; it obviates that whole process. And it would be much, much easier to get beyond the penalties and simply create a legal process that allowed the Sunshine Commission full authority to order public agencies to comply with its rulings. The commission rules that a meeting was illegally closed? Tapes of that meeting must be released, at once. Documents improperly withheld? Cough them up, now. The only appeal city officials would have: go to court and seek a secrecy order. If the supervisors and other city officials think the proposed rules go too far, they’re ignoring the clear and obvious problems. And there’s an easy solution: Give the Sunshine Commission the same power as the FOI panel in Connecticut, which has operated just fine for more than 30 years. 2 editorials

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June 20 - 26, 2012 / SFBG.com

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Lolo (left) and Ose found a place to be themselves at LYRIC.

for more news content visit sfbg.com/politics

Guardian photo by Mirissa Neff

Make it better now

The queer youth of LYRIC build community and fight discrimination without waiting for the adults

By Yael Chanoff yael@sfbg.com Noted queer writer and speaker Dan Savage sent a hopeful message to LGBT youth with his 2010 YouTube video, “It Gets Better.” But many queer youth in the Bay Area say they aren’t willing to wait. “If my adult self could talk to my 14 year old self and tell him anything, I would tell him to really believe the lyrics from “Somewhere,” from West Side Story. There really is a place for us. There really is a place for you. And that one day you will have friends that love and support you, you will find love, you will find a community. And that life gets better,” Savage said. Savage and his partner Terry Miller’s message went viral. It inspired hundreds of similar videos and eventually led to the creation of the It Gets Better Project, headquartered in Los Angeles. The videos were a response to a tragic cluster of suicides by children bullied for seeming gay, a trend that was only unusual in that the media picked up on it. And for SAN FRANCISCO BAY GUARDIAN

many teens across the country, the “It Gets Better” videos provided crucial hope and support. But last week, I was talking to Stephanie, Lolo, Ose, and Mia Tu Mutch, four Bay Area teens, about what its like to be a queer youth today. We were talking at the Lavender Youth Recreation and Information Center (LYRIC), a center for queer youth in the heart of the Castro. When I asked about the “It Gets Better” videos, they all had the same reaction: “Ugh. I don’t like those videos. I don’t like those at all.” “Those videos are depressing,” Lolo said. “Yeah. ‘Just wait ‘til you’re an adult?’ ” Stephanie asked. “Just wait ‘til you’re an adult, and your problems will go away,” Mia said, shaking her head. “And it’s celebrities, too,” Ose noted. “ ‘I got thousands of dollars, and it gets better!’ ” The four of them are facilitators at LYRIC, leading weekly community-building workshops that deal with issues queer kids face. Between 17 and 21 years old, these youth are not waiting for it editorials

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to get better. They’re doing it for themselves.

LYRIC’s siren song LYRIC definitely promotes pride and empowerment. Founded in 1988, LYRIC organizers worked to secure funding for a physical space a few years later. Since then, this purple house on Collingwood has functioned as a crucial center for Bay Area queer youth. It offers counseling, food, clothing, community building workshops that kids teach, and a safe place to hang out. But LYRIC, like many nonprofits, has felt the impact of the severe government cuts to health and human services. As a result, its budget has suffered steady declines from approximately $1.2 million in 2008 to $954,000 this, year primarily due to shrinking government funding. But LYRIC refuses to give up offering paid internships, a rarity in the nonprofit world. “The City has made it clear that they no longer intend to invest significant funding into subsidized employment model programs — they want to serve greater numbers of youth at a

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much lower unit cost — even if we all understand that some of the most marginalized youth will no longer be getting the intensive level of support they need to make it to a successful adulthood” LYRIC’s Executive Director Jodi Schwartz told me, explaining that the organization is now growing support by more grassroots funding networks. “We used to hire 60-70 young people per year, now it’s more like 20,” Schwartz says. The organization still serves about 400 young people per year. “I would guess we have 6,000 queer youth living in the city,” Schwartz said. “So we’re not reaching everyone. Not to say that all those 6,000 queer youth need a LYRIC, but they need community. We all need community.” Youth from across the country come to San Francisco seeking that community. Often they have escaped intolerant, abusive, or dangerous situations in their families or hometowns. But when they arrive in this storied city, these youth are often disappointed. “I was that kid who left a small town in Texas and who music listings

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got to San Francisco as fast as I could,” Mia told me. “And I was like, you know, I’ll figure it out, I’ll find a job, and I’ll do this and that. And it was really hard.” “ I think that the difference is that there are more LGBT specific languages and policies, and organizations that are affirming. All of that is the best in the US, probably,” Mia said. “And there are all these cultural groups and all of that. But queerphobia and transphobia exist here just like it exists everywhere else.” “So my big thing is how we have all these systems in place that make us a little more queer friendly,” she said. “But how do we actually get the public to stop hating people, to stop doing hate crimes, to stop bullying?” Ose, who now lives in the Bayview, grew up closer to the city. But coming from a religious family in Modesto, he says, “I had heard things about the Castro itself. I always thought the Castro was the devil...I was a church boy.” He remembers fear that someone he knew would recognize him in the forbidden neighborhood, that “my mom would find out and be like, what are you doing in the Castro? So I was scared to death my parents would find out I was coming to the Castro.” That was two years ago. Now, Ose works in the Castro, and he was dressed in cut-off shorts and a slicked back Mohawk, long painted nails clicking on the table. “I’m hella gayed out,” he happily reports. When Mia made it to San Francisco, she initially settled into the Tenderloin, rather than the gentrifying Castro. “As a trans person, a lot of trans history is in the Tenderloin and there’s a lot of trans women who live in the Tenderloin and who work in the Tenderloin,” she explained. “So I feel more at home there. Even though it isn’t technically the gay neighborhood, it’s always been the queer ghetto and that’s where the low income and queer people of color live a lot.” The Tenderloin is also the site of many of the services that queer youth use. Mia made some of her first local connections at Trans: Thrive, a program of the Asian Pacific Islander Center. And many of the kids at LYRIC, as well as the city’s other queer teens, benefit from Larkin Street Youth Services. CONTINUES ON PAGE 10 >>

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The homeless shelter oversees the only beds reserved for queer youth in the city, all 22 of them, a number Schwartz believes in inadequate. A report from Larkin Street in 2010 found that 30 percent of the homeless youth they serve identify as LGBTQQ (lesbian, gay, bisexual, transgender, queer, or questioning). LYRIC is part of the Community Partnership for LGBTQQ Youth and the Dimensions Clinic Collaborative, which includes service organizations like the queer-specific health clinic Dimensions, the nearby LGBT Center, the Bay Area Young Positives HIV health and support nonprofit, and the city’s Department of Public Health. But LYRIC is one of only a few organizations that focuses on fun, informative community-building workshops.

AcceptAnce now Savage promised queer kids that, in the distant future, they would “have friends that love and support you, you will find love, you will find a community.” But LYRIC’s workshops, largely envisioned and run by the youth themselves, show kids that they don’t need to wait: they can create those supportive networks for themselves, in the here and now. Another such communitybuilding effort was on display at the LGBT Center on June 15: Youth Speaks’ queer poetry slam Queeriosity. The show, which was preceded by five weeks of free poetry workshops for and by queer youth, brought together young queer people from across the Bay Area, and one could feel the love and support in the air. “Queeriosity is important because, in the poetry scene, we have so many people with so many different backgrounds,” Milani Pelley, one of the show’s hosts and a poet who works with youth in the workshops, told me. “A lot of times people who get identified in the LGBT category, they don’t have that space where they’re front and center and it’s a space for them. It’s very important that we celebrate everyone.” Pelley, 24, has been working with Youth Speaks since she was 16. She said the message of the It Gets Better videos might be too simple. “Thinking about being an adult versus a teenager, adults go 10 SAN FRANCISCO BAY GUARDIAN

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through the same things,” she said. “The only difference is it’s not encouraged to speak out about it, you’re supposed to act like you have it together and it’s okay.” Mia said youthful teasing and bullying are precursors to hate crimes: “Bullying and hate crimes are related because it’s all about people not accepting you, and then violently reacting to who are. So either throwing insults or beating you up.” On April 29, Brandy Martell, an African American trans woman, was murdered in Oakland in a likely hate crime. CeCe McDonald’s recent case has also exhibited the dangers and injustice trans women of color face. The young Chicago woman defended herself against a bigoted attacker who she ended up killing, only to spend time in solitary confinement while awaiting trial, get convicted on manslaughter, and, last week, be placed in a men’s prison to serve her sentence. I asked the four LYRIC teachers about the campaigns of national organizations like the Human Rights Committee — such as marriage equity or LGBT soldiers — and they all shook their heads. “There’s a huge disconnect between the national platforms of the major gay organizations and the actual realities of queer youth,” Mia said. “Like they don’t even have queer youth in the majority of their meetings, but then they act like they’re the ones fighting for our rights, you know.” For example, she said “marriage equality wouldn’t affect me at all. Yeah, it would be okay, it would be better if it was equal across the board. But when you have people dying because of hate crimes, and dying because of bullying, and dying because they don’t have a place to stay and they’re on the streets, it’s like, I just feel like those are a lot more pressing than getting a piece of paper from the government.”

Setting the AgendA Mia serves on the city’s Youth Commission, where she’s designing training programs for service providers to work with LGBT youth. Ose is working with Schwartz to create programming for LGBTQ youth who don’t want to take the common path of rejecting religion and spirituality as they come to terms with other parts of their identity. music listings

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“I go to church a lot,” Ose explained. “I grew up as a Christian. And I wanted to touch base on that because a lot of times, the youth that I come across, the majority of them are being silenced...I’m still going through some issues with my own church, especially with my pastor because just recently I’ve heard that he dislikes me over the fact of the way I dress, the way I act, my feminine gestures.” Stephanie sighed and said, “I wish there were more LYRICS around the city. One in Bayview, one in every district. And Oakland too.” “People who provide counseling, food, clothes, water if you need it,” Lola added. “A safe space to go to, a place where you can make friends, and make connections. There need to be more places like that specifically for queer youth.” Even in San Francisco, harassment is a reality in youth programs and schools. In 2009, the SFUSD studied Youth Risk Behavior in San Francisco’s elementary through high school public schools, and found that more than 80 percent of students reported hearing anti-gay remarks at school, and more than 40 percent said they had never heard school staff stop others from making those remarks. The survey also found that students who identified as LGBT were significantly more likely than their peers to report skipping school out of concern for their safety. Queer youth will never stop finding informal networks of support. But structured settings like LYRIC can be vital. At places like LYRIC, youth find the community, the love, and the friends that Savage promised would appear with time — before they turn 18. “It’s easier to build relationships and to build community when its structured, when it has a little bit of structure like, hey, this is a queer specified setting, we’re going to talk to each other, we’re going to hang out, we’re gonna do this, and then you kind of build community off of that. And because it’s based on identity, you feel more comfortable to talk about that,” Mia explained. “You have to change your reality. And you have to be the one to change it for yourself. Because ain’t nobody gonna make it better for you.” 2

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“First of all, the parade wouldn’t have barricades, because that immediately creates an us versus them divide, and then you see the parade as just the groups and companies that can afford the fee, which is more than $450. Anyone who wanted to march could march, regardless of what the sheriff or Fire Department says. There would be tents for connections to services that people desperately need. I’m not opposed to having companies there, but they shouldn’t be the be-all, end-all of Pride. And there should be more about the history, because people don’t know it. In the Holocaust, anywhere from 10,000 to 100,000 gays were worked to death in Dachau and other work camps. That’s where the pink triangle comes from. But people think Harvey Milk pulled it out of his ass or something.� That’s what Scott Rossi, one of the organizers of San Francisco’s OccuPride march, told me when I asked him what his ideal SF Pride Parade would look like. The protest’s rallying cry is Community Not Commodity, and the group hopes to bring some rebellious spirit to the parade, which they say has become too watered down with corporate sponsors and assimiliation-lovin’ politics. Some of the action’s organizers are from Occupy San Francisco and Occupy Oakland, but the majority are a coalition of radical queer groups like HAVOQ, Pride at Work, Act Up, and QUIT (Queers Undermining Israeli Terrorism). Honestly, it would be weird if there wasn’t a group with an anticapitalist critique of the parade disrupting Pride this year. It’s been a tradition since 1992 when Act Up members joined the parade and music listings

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staged intermittent Die-Ins, collapsing every seven minutes, the frequency that people were dying from AIDS that year. Act Up and related groups staged similar demonstrations practically every year. A decade later, two Gay Shame protesters were arrested when they attempted to enter the parade. That year’s parade was sponsored by Budweiser, and Gay Shame had created a seven-foot-tall cardboard Budweiser can that read “Vomit Out Budweiser Pride and the Selling of Queer Identities,� and other props to confront “the consumerism, blind patriotism and assimilationist agenda of the Pride Parade.� And radical queers show no sign of stopping. Veteran gay rights warrior Tommi Mecca was at basically all of these disruptions, and he won’t be missing out on this year’s events. Mecca was 21 when he helped organize the first Pride March in Philadelphia in 1972. “Pride used to be a protest,� Mecca recalls. “It was very free. There were no barricades on the street, there were very few rules. We didn’t have contingents, people just gathered, and at some point there were speeches, usually by activists... I don’t know when it started getting corporate sponsors.� But the glitz! The glamour! The music enhanced by electricity! Today, Pride is a giant, televised affair — this year, sponsored by Wells Fargo. “Don’t people in Pride realize how much we’re being used by Wells Fargo?� Mecca said. “It just reeks.� So if you go to the parade, smell the sweet smell of protesters promoting “pride not profit, a movement not a market, and community not commodity.� After all, if it wasn’t for queer radicals in the ‘70s, there wouldn’t be a Pride at all. 2

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They call iT Gunpowder &YUSB TUSPOH IFSPJO JT TBJE UP CF DBVTJOH B SBTI PG PWFSEPTFT CVU 4BO 'SBODJTDP PGGJDJBMT BSF JO UIF EBSL By Brian rinker news@sfbg.com At needle exchange sites around San Francisco, fliers are handed out to intravenous drug users warning them about a new and very potent form of heroin thought to be responsible for a dramatic increase in recent overdoses. “Gunpowder heroin,” as it’s often called on the street, began infiltrating the city’s illegal drug market back around February, according to widespread reports from various needle exchange participants. Yet public officials appear to be in the dark about the epidemic, partly because budget cuts have created long backlogs for toxicology tests and partly due to indifference about the safety of drug users. The reports were gathered by the Drug Overdose Prevention and Education Project from their network of needle exchange programs and analyzed by Project

14 SAN FRANCISCO BAY GUARDIAN

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A scAry type of heroin is “All over the plAce.”

Manager Eliza Wheeler. She noticed the trend in April, and a flood of reports followed through May. It soon became clear that she was witnessing a potentially deadly spike in heroin-related overdoses. “The whole city is reporting strong stuff,” Wheeler told us. “People are overdosing left and right.” From January through May, 99 heroin-related overdoses were reported. The largest number of overdoses occurred in May with a staggering 40 reports. Wheeler says that an average month has 12 overdoses. While those directly involved with San Francisco’s drug-using population seem to know all about the increase in overdoses, city and hospital officials seem to know nothing about it. After checking with local police precincts in drug zones such as the Mission and Tenderloin, SFPD spokesman Sgt. Michael Andraychak told us officers haven’t

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come in contact with a strong batch of heroin and they are unfamiliar with the term “gunpowder heroin.” According to Tenderloin Police Captain John Garrity, undercover and street officers only test controlled substances for positive or negative results. They do not test the drugs’ potency or chemical make-up. Garrity told us that the cops haven’t dealt much with opiate-related overdoses since the widespread availability of naxolone, an opiate overdose antidote commonly known by its brand name Narcan. “We don’t see the overdoses anymore,” Garrity told us, “not for the last 20 years, not since Narcan came out.” SF General, St. Mary’s, and St. Francis hospitals all say their emergency rooms haven’t seen an increase in heroin overdoses either and are also unfamiliar with the term “gunpowder heroin.” It seems the city is content with letting nonprofit needle exchanges and programs like the DOPE Project deal with its opiate-using population. Although the DPH does fund and collaborate with many service providers, it rests the bulk of the responsibility on the drug users themselves. While needle exchange programs combat blood borne diseases like hepatitis C and HIV, which can be contracted through sharing needles and other paraphernalia, DOPE attempts to educate users and prevent fatal opiate overdoses. The DOPE Project, funded through DPH, works with needle exchange programs to provide opiate users with a take-home prescription of naloxone, which can be administered from a nasal spray or injected from a vial. At the exchange, if a returning drug user is re-supplying naxolone, he or she is asked “Did you lose it or use it?” If it was used, a report is made. All the reports gathered by the DOPE Project are of overdose reversals, none of the reports are fatal, thanks to widespread availability of naxolone and the drug using population who use it. That doesn’t mean people haven’t died. In fact, a rash of fatal overdoses is rumored to have occurred. The suspected culprit: gunpowder heroin. “There’s a new batch of heroin in town—people are dying,” says Johnny Lorenz, community activist and member of San Francisco Drug Users Union, a members-based organization advocating drug-friendly policies and giving a voice to drug users, who say they are often marginalized and seen as not caring about their community.

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Lorenz, a former heroin addict, says a friend recently died from heroin-related causes. Whether it was gunpowder heroin that actually caused his death is unknown. Wheeler and Lorenz say many people have died from the extrastrength heroin, yet no official records have turned up. The Medical Examiner’s Office hasn’t noticed an increase in heroin-related deaths, but Administrator Bill Ahern admits it was 90 days backlogged on toxicology reports. The police and medical examiner’s lack of knowledge doesn’t surprise Mary Howe, executive director at Homeless Youth Alliance. She says heroin-related overdoses are indeed a real problem, and she personally knows heroin users who have recently died from overdose, but “unless you actually care about helping drug users you wouldn’t know.” And to receive a toxicology report from the medical examiner’s office takes a couple months, adds Howe. Wheeler and others are currently waiting on toxicology reports to find out what exactly is in the heroin making it so strong. Without a toxicology report there is no way to be certain about the cause of death or the makeup of the drug. According to SF Medical Examiner’s 2009-2010 annual report, nine out of the 141 people that died from narcotic analgesics related deaths were found with traces of heroin, down from previous years. However, finding out if heroin is the cause of death can be tricky. According to the report, the unique metabolite that identifies heroin, 6-monoacetamorphine, is very short lived and can metabolize in the body while the person is dying—leaving only traces of morphine or codeine. Worse, a drug user buying heroin off the street will never know what exactly he or she is shooting. “No one ever knows what’s in the heroin,” says Lorenz, adding that the label “gunpowder” has become a loose term for a stronger heroin. Lorenz, who spent the majority of his 20s doing heroin, remembers that gunpowder heroin at one time used to be a specific reference to a higher grade heroin from Columbia, off-white or grayish in color and crystal-like—resembling gunpowder. Others say gunpowder heroin is black tar heroin mixed with fentanyl, a synthetic opiate that can be up to 100 times stronger than morphine. Some disagree entirely and say the overdoses aren’t specific music listings

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to any one type of heroin. “Whatever people are calling it—it is strong,” says Wheeler adding that people rarely overdose from of a bad batch of heroin; they overdose from a good, strong batch. “In a world where the drug supplies are unregulated, this is what happens.” If it is black tar heroin mixed with fentanyl, that could explain why hospitals aren’t reporting an increase in overdoses, says Jan Gurely, doctor at a local homeless clinic. She suggests that the people aren’t making it to the ER’s—they are only making it to the morgues. “Gunpowder is very dangerous,” says Dr. Gurely. “It takes a phenomenal amount of antidote vials to reverse the overdose.” Naxolone unbinds every molecule of heroin from receptors in the brain, reversing an overdose. The problem with naxolone is when too much is administered the overdose victim goes into withdrawal and comes to sick and vomiting. With a normal heroin overdose only half a vial is needed, but multiple vials are needed when dealing with gunpowder she adds. “A person could die on you with a vial in your hand,” Dr. Gurely said. “Most people don’t walk around with six or seven vials of Narcan.” Pauli Gray believes the type of heroin causing a rash of overdoses and deaths is indeed heroin mixed with fentanyl. However, he doesn’t think it is a pure form of the prescription narcotic, but a homebrewed batch. Gray works for the Syringe Access Services program at the San Francisco AIDS Foundation and also works directly with Eliza Wheeler and the DOPE Program. “It’s called gunpowder and it’s all over the place,” Gray said, adding that heroin users are now actively seeking the extra-strength street drug. “When they hear dealers yelling ‘gunpowder’ they run and buy it,” he said. The street value has skyrocketed. Normally, a gram of heroin sells for $30, gunpowder is selling for $80 a bag, says Gray, and the bag can weigh as little as a quarter of a gram. Gray says users have learned to shoot up very small amounts of the drug, although rumors of fatal overdoses are rampant. The other day he saw the drug for the first time. It smelled like vitamins and when cooked up it has small black flecks floating around, he says. “People are selling it everywhere,” Gray said. “It’s really scary. We’re in overdrive.” 2

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Dale Sky JoneS aDDReSSeS a pRoCannaBiS Rally at City hall.

PHOTO COURTESY OAKSTERDAM UNIVERSITY

Herbwise

afteR the RaiD By Caitlin Donohue caitlin@sfbg.com heRBWiSe It is exceedingly difficult to get Oaksterdam University founder Richard Lee to talk about himself. I have him — the person who drove the Proposition 19 legalization campaign, whose house and cannabis trade school were raided by federal agents in April, who through his businesses’ success has helped revitalize and make safe a previously gloomy stretch of downtown Oakland — on the phone to talk about the lifetime achievement award he will be receiving from High Times at this week’s Cannabis Cup (Sat/23-Sun/24). I want him to share his emotional journey since government agents poured into his home, what’s it’s like to be the public face of the flashpoint between California and national government over marijuana. High Times editorial director Malcolm MacKinnon calls Lee a “fearless trailblazer,� perhaps he’d like to make grand predictions about the future of pot? At least describe exactly what’s happening with Oaksterdam, post-raid. But Lee prefers to stress the latest poll numbers on legalization. “All the national polls and the Colorado polls are going our way,� he says. “If you could get the word out about that, that’d be great.� FYI, on June 6 Rasmussen Reports found that 61 percent of Coloradoans support regulating cannabis like alcohol and cigarettes. Lee has retired from university administration — he’s referred to as a professor emeritus, although he is still teaching classes in cannabis policy, history, and advocacy. In his “big Converse All-Stars� (as she calls them) now stands Dale Sky Jones. She once developed Oaksterdam’s curriculum and now joins a short list of female leaders in the marijuana industry as the university’s president. editorials

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“When the federal government came in, they took the curriculum, the computers — everything else that was the blood and breathe, heart and soul of the school short of the tables and chairs and teachers,� Jones says in a phone interview. Under her watch, the finances of “top-heavy� Oaksterdam’s gift shop, dispensary, and university have split and are now under separate ownership. Staff is attempting to rebuild curriculum from email records. 45 employees have lost their job because of the disruption in business affairs. “This was a violation on so many levels for the staff of Oaksterdam,� Jones says, sadly. But life goes on. Lee says his “students are great, they have lots of energy and enthusiasm.� And the cultural contributions that the school and its founder have hardly been negated by federal intervention. “[Lee] brought the debate about marijuana policy reform to the kitchen table,� says Jones. “Before Prop. 19, the only time parents and kids had conversations around marijuana it was ‘where the hell did you find it? who are your jackass friends?’ It was always a negative discussion. This was the first time that families were able to discuss marijuana as a policy issue.� This weekend’s Cannabis Cup will bring the pot world’s focus back here, as some of NorCal’s [author’s note: and hence, the world’s] best strains compete for the title of best indica, sativa, edibles, etc. Lee’s lifetime achievement award (presented at 7pm on Sun/24) will just confirm what we all already knew: even when it comes to activists, we grow things better out here. 2

HigH Times Cannabis Cup Sat/23 noon-10pm, Sun/24 noon9:30pm; one-day pass $40, two-day pass $65 advance, $80 at door Craneway Pavilion 1414 Harbour Way, Richmond www.medcancup.com

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Salvadorian/Mexican Latin Food & Seafood Comida Latina y Mariscos Great Table Service!

m Pupusas m Yuca m Plaintain m Tamales m Soups m Fried Chicken m Hamburgers 2721 Mission @ 23 415-285-7796 Open 7 Days a Week 8:30am-9:30pm rd

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A resource guide for your vegetarian restaurant and shopping needs!

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True coMforT: The new original Joe’s sTays classy, essenTial | guardian photo by virginia miller

ThaT’s aMore By Virginia Miller virginia@sfbg.com aPPeTiTe After moving from Southern California to New Jersey at age 14, I learned what a true city was when I discovered New York City. Whenever in that New York state of mind, I miss its boundless energy, frank people, eclectic neighborhoods, and, yes, East Coast-style Italian. I reminisce about family dinners filling up on mountains of cheese, doughy pasta, and impeccable red sauce — which, to achieve perfection, should exhibit both sweet and savory notes. In both NYC and NJ, it was often perfect. (I miss you, Cafe L’Amore). It can be challenging getting my red sauce Italian fix here. I crave old school, heartwarming places, whether drinking a Manhattan in the brilliant time capsule of Joe’s of Westlake, dining on Gaspare’s “real deal� lasagna, Mozzeria’s oozing, baked mozzarella, or a plate of my

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2092 Mission St. @ 17th (415) 621-6971

370 Golden Gate Ave. @ Larkin (415) 292-7233

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beloved guanciale (pig jowl bacon) and garlic-heavy spaghetti alla matriciana at Ristorante Marcello. Enter Original Joe’s, a reborn San Francisco classic appealing to a blessedly broad demographic, satisfying East Coast cravings. You couldn’t be blamed for initially assuming the sizable Original Joe’s off North Beach’s idyllic Washington Square Park is a tourist destination or primarily for older clientele. There is a more mature set dining here, a factor I welcome and at times seek out intentionally. But families, couples, residents, and tourists alike mingle in this new home for a restaurant founded here in 1937, yet closed since a 2007 fire at its Tenderloin location. Though impossible to replicate the original locale’s dive-y 1970s charm, the new space feels more old school NYC than modern-day tourist trap. Roomy red leather booths and a tuxedoed waitstaff immediately comfort. The food surprises with an amped-up dose of quality compared to the old days on Taylor. A market price crab cocktail is expensive at $25 but the crab is clean and plentiful. A daily special of fresh burrata and Spring pea salad could have come from any current SF restaurant. Joe’s Italian chopped salad ($15.95) ends up being one of the quickest transports East. Ordering it to share, it arrives split, a half portion plenty for one. Chopped romaine is doused in Italian dressing, with garbanzo beans, olives, cherry tomatoes, silvers of salami, provolone, fennel, and the necessary pepperoncini. It’s brighter — and almost as satisfying — than music listings

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heavier, loaded versions I used to fill up on back in Jersey. As in the old Joe’s, there’s plenty of tender, juicy beef, from flat iron steak ($24) to a porterhouse (25 oz. at $44) and prime rib on Saturdays. But when in such an setting, I crave red sauce. It doesn’t get much comfier than spaghetti with meat sauce ($13.95) or meatballs ($16.95). Even if Joe’s is not the superlative version, it hits the spot, as does classic ravioli ($16.95), although I tend to prefer Jackson Fillmore’s housemade ravioli over the years. Another way to my East Coast Italian heart is parmigiana, whether chicken, veal, or eggplant. Here I’m drawn to the eggplant ($16.95), not too smoky, layered in cheese, breading, and, of course, red sauce. I was tickled to find that $6 cocktails, including simple but revered favorites like a whiskey sour or negroni, are actually well-made — completely unexpected and at this price, one of the best drink values in town for solid classics. Another unexpected pleasure is impeccable spumoni for dessert ($5 for a few generous scoops). Often in spumoni, unnatural cherry, chocolate and pistachio ice cream flavors are cluttered with nuts and candied fruits in what feels like a dated flavor that should be relegated to the past. Joe’s version delivers authentic, rich flavor with smattering of crumbled pistachios on top, demanding me to rethink, and once again enjoy, this classic ice cream rumored to have Neapolitan roots. Joe’s isn’t revolutionary gourmet or cutting edge cuisine, but what it does, it does well. Its clientele reminds me of the history and sense of place San Francisco possesses that makes it one of the truly great cities in the world, now ideally situated in a neighborhood that fiercely maintains reverence for and ties to that history. Amid SF’s influx of tech-attracted newbies, Joe’s attracts that breed we often forget is here: the San Francisco native. Feeling like a family/group restaurant first and foremost, it’s a place I’d bring visiting family and Sicilian relatives with hefty portions and friendly service. But I’ve also had a cozy date night with my husband here, transported to decades past... but with fresher ingredients. 2 ORIGINAL JOE’S 601 Union, SF. 415-775-4877 www.originaljoessf.com

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ArE wE rEAL? By L.E. LEonE le.chicken.farmer@gmail.com CHEAP EATS I took a cab from the airport to the football game and changed in the back seat without (I don’t think) leaving anything behind, not even the big bag of smaller bags of airline pretzels. Which came in handy because it was a 6:30 kickoff — an awkward time, whether you’re coming from work, like my teammates, or across the country. How I came to come by said bag of bags of airline pretzels for entirely free is a restaurant review unto itself, starring a five-year-old girl named Shaya. She got on the plane in Los Angeles with a big bald doll named Jacob, a small Dora the Explorer backpack, and a clipped-on ticket. “Are you my babysitter?� she said to the stewardessperson, who, as it happens, was standing right next to me while I waited to use the bathroom. Seatwise, I’d just leapfrogged to an aisle seat in the front of

the plane, which you can do on Southwest when it stops to re-passenger. While I was in the bathroom, the stewardessperson ushered little Shaya to the window seat of my row. When I came out, she apologized. As if!!! “I hope you weren’t planning on having a quiet flight,� she said. What she couldn’t have known: that I had just said goodbye to two of the many little loves of my life, age 4 and 5, and wasn’t going to see them for one more month, if ever, because — as you know — I have a horrible fear of flying. Every time I step in an airplane I have to assume I am climbing into my tomb. What neurotic nutcases like me need most in life is a sense of purpose, and here was mine, the moment I’d been waiting for, my “is there a babysitter on board� moment. “No worries,� I said to the stewardessperson. “I’m a pro.� And I moved my stuff from the aisle seat to the middle one, right next to

the girl and her doll so that no one could possibly come between us. “Is this his first time flying?� I asked, indicating the doll. “This is my little brother. His name is Jacob. I didn’t have him

and told her how old they were, and she told me how old she was: Five, like I said. Almost six. We were hitting it off. Then she got very thoughtful. “I feel awkward,� she said.

i got a little thoughtful myself. Was i encouraging unhealthy behavior in a five-going-on-six-year-old? last time, but mama got him for me. His eyes close when he lays down,� she said. “See?� I did, and said so. She leaned toward me conspiratorially and whispered over his head: “He’s not real.� I whispered back: “Are we?� She laughed and we introduced ourselves. She was on her way to her dad’s for the summer. Her dad had a new house. She was going to go swimming. I showed her pictures of the Chunks de la Cooter

“Why?� “I like you, but my mom told me not to talk to strangers.� I got a little thoughtful myself. I thought: uh-oh. Was I encouraging unhealthy behavior in a fivegoing-on-six-year-old? “Your mom is right,� I said. “You shouldn’t talk to strangers. But the person sitting next to you on an airplane, for as long as you are on that plane, is not a stranger. She is your airplane-only friend.� This seemed to set Shaya’s

mind at ease. In any case, she offered me a Chicken McNugget. “No thanks,� I said. “I’m still full from last night.� (Comal, the trendy new downtown Berkeley joint with the fancy noise-reduction sound system and way overpriced, way underimpressive food, immediately after which I needed a snack at Phil’s next door: a completely awesome bacon cheeseburger slider with homemade tater tots and my favorite cookie ever, which was essentially a homemade Oreo. Ohmigod, new favorite restaurant ever!) “What did you eat?� my airplane-only friend Shaya asked. “Long story,� I said. After we landed she looked up at me and said, out of the blue: “I was brave.� “Me too,� I said. “Thank you.� And the stewardessperson gave me pretzels. 2 Phil’s sliders Sun-Wed 11am-9pm; Thu-Sat 11am-midnight 2024 Shattuck, Berk. (510) 845-5060 www.philssliders.com AE,D,MC,V Beer and wine

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June 20 - 26, 2012 / SFBG.com

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The T.rex is coming!

Thursday 6/21

tent. So this is her chance to make them shine in a more intimate but no less rollicking environment. (Rita Felciano)

SF Symphony Presents: Duke Bluebeard’s Castle

Through June 30; Fri-Sat, 8pm, Sun, 7pm, $17 Dance Mission Theater

This’ll be dark and delicious. Young British filmmaker Nick Hillel’s innovative, sculptural projections have appeared in videos for the Beastie Boys, Baaba Maal, Cirque du Soleil, and Matthew Herbert. He’s set to direct and design the SF

Symphony’s semi-staged performance of composer Bela Bartok’s wickedly gorgeous 1911 miniopera setting of the Bluebeard legend: a young bride wanders through her older husband’s nightmarish castle, discovering seven rooms that include a torture chamber, a gleaming treasure, a lake of tears, and, finally, her own horrible fate. Somehow this is not a downer! Probably because the music’s so entrancing — here voiced by mezzo-soprano Michelle DeYoung and bass-baritone Alan Held — and the tale so engrossing. Plus you get awesome pianist Jeremy Denk performing Franz Liszt’s Piano Concerto #1 and a clubby afterparty on Fri/22 with John Vanderslice and Magik*Magik Orchestra. No lake of tears here. (Marke B.) Thu/21-Sat/23, 8pm, $35–$145 Davies Symphony Hall

3316 24th St. SF (415) 826-4441 www.dancemission.com

Friday 6/22 Royal Headache Musical debates can give you a...total migraine. With the US release of the self-titled album from Australia’s Royal Headache earlier this year, finding out about the band now is like coming into an argument halfway. Having built up a reputation through its live performances, the band — whose members are named Law, Joe, Shorty, and Shogun — is at the center of Sydney’s burgeoning garage rock scene, combining additional powerpop and R&B. The key element, though, is the naturally soulful voice of singer Shogun, alternately hailed as either a rock’n’roll messiah or the unwelcome return of Rod Stewart. (Ryan Prendiville) 7pm, $8

Friday 6/22 “David Shrigley: Brain Activity” Glasgow-based artist David Shrigley’s signature cartoons are hilariously deadpan: crude drawings and doodles; short stories filled with crossed-out corrections; a “Lost Pet” poster, taped to a tree, seeing a certain pigeon (“Normal size. A bit mangy looking.”) He’s also an animator, spoken-word performer, photographer, music-video director, occasional DJ, and taxidermist — wit18 SAN FRANCISCO BAY GUARDIAN

(415) 625-8880 www.mezzaninesf.com

Friday 6/22

SaturdaY 6/23

Death to All

Through Sept. 23 Opening tonight with performance by Blasted Canyons, 8-10pm, $12–$15 Artist lecture Sat/23, 2pm, free with gallery admission ($8–$10) Yerba Buena Center for the Arts 701 Mission, SF www.ybca.org

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“Mission in the Mix” Talk to anybody who has ever sat through an evening of hip-hop, you are likely to hear: “It was so much fun.” Talk to somebody dancing in a hip-hop group, same thing: “so much fun.” In some ways the yearly “Mission in the Mix” is a kind of preview of the big hip-hop fiesta in November, to which dancers fly in from who knows where. But, Micaya, the soul force behind that event, has always stressed her love for the local dancers who might not necessarily be ready yet for the big

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important disco club night in the world” the collective shares Honey’s expansive take on the genre, releasing borderless mixes as likely to feature edits of Talking Heads and Mungolian Jetset as Sylvester. The night also features the return of DIY synth wiz Gavin Russom, not in a DJ set, but with his live ensemble, the Crystal Ark.(Prendiville)

444 Jessie, SF

www.1234gorecords.com

Friday 6/22

Honey Soundsystem has good reason to be proud. Its parties — focused more on quality music than marketing to a stereotype — have been an energizing force for and beyond the SF gay community. Now Honey is starting off a packed Pride weekend by bringing out London’s Horse Meat Disco. Boldly called “without a doubt the most

Mezzanine

423 40th St., Oakl.

ness the “I’m Dead” image, featuring a stiffly obedient Jack Russell, being used to promote “Brain Activity” at the Yerba Buena Center for the Arts (“Is this the sickest art show ever?” tut-tutted the Daily Mail). This is the only stateside stop for “Brain Activity,” so don’t miss the chance to witness, and chuckle at, the work of this offbeat art star. (Cheryl Eddy)

Horse Meat Disco

9pm Doors, $17 Advance

1-2-3-4 GO! Records

“DAVID SHRIGLEY: BRAIN ACTIVITY” see FRIDAY 6/22

Friday 6/22

With Poolside (live), Honey Soundsystem DJs

With Yi, Synthetic ID

201 Van Ness, SF www.sfsymphony.org

for more visit sfbg.com

Seven members of the pioneering death metal band Death are uniting to embark on a seven-stop tour beginning in San Francisco. The band’s first album Scream Bloody Gore, released 25 years ago, is widely considered to be the first true death metal album. This tour comes 11 years after the death of founding member Chuck Schuldiner due to brain cancer, and is intended to celebrate his life as well as to raise awareness and money for Sweet Relief, a nonprofit organization that helps foot medical bills for musicians. Never before has shredding, headbanging brutality been so morally sound. (Haley Zaremba)

Bicycle Music Festival Though LovEvolution may have be out-Darwined by the War on Fun, we (gosh darn) still have Bicycle Music Festival providing ambulatory audio in our city streets. The fest, split between two free outdoor locations, is completely pedalpowered — attendees morph into volunteers when they grab saddles and lend their quad muscles to the generator cause. This year, festival co-founder Shake Your Peace! makes its triumphal return, attendance may hit 1,000, and Birds & Batteries, Rupa and the April

With Gorguts 9pm, $32 Regency Ballroom 1300 Van Ness, SF (415) 673-5716 www.theregencyballroom.com

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David Shrigley, I’m Dead, 2010, Collection Hamilton Corporate Finance LimiteD photo By Alexander Newtown; Bicycle Music Festival photo courtesy of rock the bike; “mission in the mix” photo by David Desilva; mark gardener photo by Andrew Ogilvy; “Jurassic Live” photo by Nathan Jones.

for more visit sfbg.com overpowering vibrato but instead to lush vocal stylings that add a warm depth to their dance-friendly tracks. Keyboardist and programmer Jason Friedman brings his art school education to the band’s online publication THITH ZINE, which highlights their favorite music, art, and design. The zine’s DIY foundation compliments the raw feel of the duo’s catchy homemade beats. Named after the Lakota Nation term for a battle resulting in the slaying of 100 members of the opposing army, the Hundred in the Hands promise to deliver a powerful, take-no-prisoners performance. (Zaremba)

“mission artist tktk in the mix” see day/date friday 6/22

With Silver Swans, Teenage Sweater 8pm, $12 Rickshaw Stop 155 Fell, SF (415) 861-2011 www.rickshawstop.com

Tuesday 6/26 KWJAZ Fishes, and Major Powers and the Lo-Fi Symphony will be among those taking the stage. Catch the thrilling cross-city processional at 5pm to see members of Jazz Mafia roll through intersections without missing a beat. (Caitlin Donohue) Noon-5pm: Log Cabin Meadow, Golden Gate Park, SF

honor the 20th anniversary of its sophomore effort, Going Blank Again: an album equally indebted to the Stone Roses’ jangly pop, and Kevin Shields’ shapeshifting production dynamics. Those of you jonesing for another My Bloody Valentine reunion appearance, take note: this is the show of the weekend to seize upon. (Taylor Kaplan)

6-11pm: Showplace Triangle, Irwin and 8th St., SF

With Sky Parade, Silent Pictures, DJ Dennis the Menace

www.bicyclemusicfestival.com

9:30pm, $15

Noon-11pm, free

Cafe du Nord

Saturday 6/23

2170 Market, SF

Mark Gardener

www.cafedunord.com

(415) 861-5016

A mainstay of Britain’s legendary early-’90s shoegaze scene, Ride

Monday 6/25

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1233 17th, SF

8:30pm, $20

Hemlock

(415) 621-4455

Children’s Fairyland Theatre

1131 Polk, SF

www.bottomofthehill.com

699 Bellevue, Oakl.

(415) 923-0923

www.oldmurderhousetheatre.com

www.hemlocktavern.com

9pm, $12

Friends will be friends. But only the best of them will house your ass after a bedbug infestation — or so the story of Bushwick, Brooklyn’s dynamo five-piece, Friends, goes. Frontperson Samantha Urbani opened her

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Theatre. This venue usually excludes grown-ups without kids in tow, but this interpretation of 1993’s Jurassic Park is “intended for mature audiences,” which I hope means plenty of stage blood during the “clever girl” scene. Also in store: cardboard-and-duct-tape reptiles, DIY contraband-toting devices disguised as shaving-cream cans, a bewigged dude playing Laura Dern, and more. Eat your heart out, Spielberg! (Eddy)

With Splash!, Young Digerati

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embraced the Beatles-on-drugs songbook, turned its guitars up to 11, and filtered the result through a viscous, Phil Spectorian cloud of pink noise. Now, 15 years after Ride’s disbandment, the band’s vocalist and guitarist Mark Gardener is coming stateside to

home to future bandmates Lesley Hann (bassist) and Oliver Duncan (drummer) after the two were hit with a bout of the six-legged bloodsuckers, and jamming ensued. Tapping Matthew Molnar and Nikki Shapiro to round out the lineup, Urbani and friends instantly honed in on a funky, tropical, soul-tinged, and totally danceable kind of pop music. Friends — formerly known as Perpetual Crush — hit the ground flying in 2011, releasing much buzzed about singles “Friend Crush” and “I’m His Girl.” Debut full-length album Manifest! is out now — just in time to have a summah. (Julia B. Chan)

Tuesday 6/26 “Jurassic Live: Dino Action Show” The T.rex is coming! The velociraptors are here! All the way from Austin, Tex., Old Murder House Theatre — producers of Aliens on Ice ... I highly recommend YouTubing it — brings its latest blockbuster homage to the Children’s Fairyland

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Often associated with the “hypnagogic pop” movement that’s put the blogosphere into overdrive (think chillwave, but artier/ weirder/more “washed out”) SF’s own KWJAZ has taken the cassette-fetishist subculture by storm. Churning out a gloriously hazy brand of jam-based pop, mastermind Peter Berends specializes in a more drawn-out approach than most of his peers; KWJAZ’s self-titled debut, released this year on the hipper-than-thou Not Not Fun Records, consists solely of two extended tracks, jazzily oozing from one murky, spliffed-out groove to the next. Pink Floyd for Hype Williams fans? Ariel Pink for the Soft Machine crowd? Bear witness, and decide for yourself. (Kaplan)

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Tuesday 6/26 The Hundred in the Hands This glammed-out electro duo from Brooklyn produces dreamy pop songs with a shimmery disco tinge. Vocalist Eleanore Everdell is classically trained, her background in opera leading not to film listings

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With Aloonaluna, Aja 9pm, $5

2

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, 71 Stevenson Street, Second Floor, SF, CA 94105 or email (paste press release into email body — no attachments, please) to listings@ sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

JUNE 20 - 26, 2012 / SFBG.com

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photo by David allen

Emotional Creature cast members (from left) Sade Namei, Joaquina Kalukango, Olivia Oguma, Emily S. Grosland, Molly Carden, and Ashley Bryant; Madeline H.D. Brown (left) and Marilee Talkington in Salomania. photo courtesy of kevinberne.com

arts + culture: theater

Female trouble

By Nicole Gluckstern arts@sfbg.com THEATER We’ve come a long way, baby, but why does it feel like women’s equality is a legal concept that still troubles the status quo? This past year has proven that the erosion of women’s rights remains a powerful political agenda across the country, with state bans on certain forms of abortion, the redefinition of rape, and the blocking of the Paycheck Fairness Act. Two very different shows opening this week in Berkeley (previews began last week for both) are poised to provide timely additions to the ever-evolving discourse on female power and its reverberations on society at large. Mark Jackson’s Salomania, at the Aurora Theatre, and Eve Ensler’s Emotional Creature, at the Berkeley Rep, take on themes of gender parity and its embattled vanguard with a historical drama set in the early 1900s based on the life of one notorious woman, and an ensemble work exploring the challenges of girlhood in the present day. Salomania, commissioned by Aurora, has been percolating on Jackson’s burner since 2006, when he directed Oscar Wilde’s Salome, also at the Aurora. While researching the production history of the play, he discovered a mostly forgotten scandal involving Maud Allan, a San Francisco dancer who achieved stardom with a provocative interpretation of “The Dance of the Seven Veils.” But it wasn’t her dancing that cemented her notoriety, but rather a high-profile media controversy in which she 20 SAN FRANCISCO BAY GUARDIAN

In Berkeley, ‘Salomania’ and ‘Emotional Creature’ take on the war on women sued British M.P. Noel Pemberton Billing for libel after he accused her of being a lesbian (she was), a sadist (she wasn’t), and a German sympathizer (she wasn’t that either) after starring in a private performance of Wilde’s thenbanned play. Like all the best media scandals, her 1918 trial had all the necessary elements for a juicy celebrity circus — the personal vs. the political, beauty vs. bigotry, a titillating flush of sexual impropriety — and temporarily displaced the more austere wartime headlines of the era. There are several themes at work in Jackson’s biographical drama, gleaned in part from courtroom transcripts and letters from Allan to her family, but the one that seems to best tie Allan together with her biblical muse is the emergence of the “independent” woman in popular culture, and the fearfulness they’ve inspired in their detractors throughout history. And just as New Testament figure Salome has been almost unanimously vilified by both church and secular society for her coerced display of her physical sensuality (almost more so than for her adolescent act of brutal vengeance), so was Allan maligned for her empathic recreation of same. Both Jackson and Allan’s attitudes towards Salome accentuate the positive lurking within her oft-maligned reputation. Jackson editorials

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posits that she’s “the only honest person in the room,” the one with the greatest potential for breaking free of the venal, decadent atmosphere of Herod’s palace. Allan found in her a kindred beautyseeker, whose attraction to John the Baptist was formed partially from a sense of wonder at his purity and capacity for selflessness. “She was not an uncouth child,” she protested at her libel trial. “She was a woman who valued beauty.” Their mutual reverence for beauty aside, another tie that binds Salome and Allan is a shared reputation for willfulness. “She was kind of a force of nature in her personality,” Jackson says of Allan. “[And] without apology said, ‘This is what I do, and this is who I am’.” This unyielding attitude contributed to Allan’s reputation as “difficult,” even “arrogant,” a complexity of character that attracted Jackson’s interest as a playwright as much as it repelled her critics. “Any woman with a forward personality who has pushed her boundaries is going to be characterized that way by her culture,” he muses, a sentiment that could be applied equally to Salome as well as to Allan, as well as to almost any controversial female celebrity today: our Madonnas and our Hillary Clintons.

Girls, Girls, girls “Part of why I wanted to write this is to say there’s this amaz-

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ing resilience here, and power, and resistance, and energy and vitality in girls that we haven’t even begun to unleash,” says Eve Ensler, who has also been compared to a force of nature (by Berkeley Rep artistic director Tony Taccone). Best-known for The Vagina Monologues, Ensler’s latest play, Emotional Creature, is having its world premiere at Berkeley Rep. Global girlhood is its focus. Based on her book I Am an Emotional Creature: The Secret Life of Girls Around the World, the subject matter includes stories from Congolese rape victims, Eastern European sex workers, young factory workers, and Western anorexics, all struggling to move forward from their circumstances. Despite the often violent circumstances Ensler’s protagonists find themselves in, it’s their vitality that she hopes will come across, onstage and off. Quick to emphasize that Creature is fictional, Ensler’s encounters with young women around the world — Democratic Republic of Congo, South Africa, Sarajevo, Haiti, Afghanistan — have nonetheless heavily informed the characters of her piece. And of course, she has her own experiences in girlhood to draw from. “When I was younger, I was constantly told I was being too alive or too intense or too dramatic, and I chose to learn how to mute myself,” she says. An music listings

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outspoken and prolific anti-violence advocate, Ensler does seem to have overcome that mute button in adulthood, but she’s quick to point out that its existence can make girlhood a bewildering, disempowering time in life. The creation of the piece began in Johannesburg, with a staged workshop at the Market Theatre in July 2011, and another in Paris in September. Director Jo Bonney likens the shape of the play to that of an event being put on by the girls themselves: a variety show of monologues, ensemble pieces, even song and dance numbers, with music written by South African composer Charl-Johan Lingenfelder. Navigating the stormy seas of modern-day adolescence and young adulthood, Ensler’s “girls” may still be facing a whole spectrum of obstacles while tapping into their personal power. But thanks to precedents set by strong women such as Maud Allan, and even Salome, the fact that they should want to at all no longer seems unusual or unfortunate — no matter how often American right-wingers might have us otherwise believe. 2 Emotional Creature Through July 15, $14.50-$73 Berkeley Repertory Theatre Roda Theatre, 2025 Addison, Berk. www.berkeleyrep.org Salomania Through July 22, $30-$55 Aurora Theatre 2081 Addison, Berk. www.auroratheatre.org

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June 20 - 26, 2012 / SFBG.com

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arts + culture: queer issue “i grew up in texas. by coming out here i’m coming into a new world where it’s ok being gay, it’s ok being who you are, it’s ok me loving angel, and it’s ok flaunting it. no one is going to say anything about that. i think the bay area is where i was meant to be.” - brian, age 21 recent sf transplant

22 SAN FRANCISCO BAY GUARDIAN

to hear angel, brian, dennis, and huitzi’s full-length interviews go to sfbg.com/pixel_vision

youth of today Fresh perspectives on life, love, and Pride photos by keeney and law

“I’m really excited for pride! i’ve never been... this is going to be my first time, so i’m extremely excited...”

“what inspires me is adversity, because it’s something that enrages me and something that fuels me to overcome.”

- angel, age 19 intern, sf lgbt community center

- dennis, 20 poet, musician, queer youth educator

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“what inspires me? seeing other people display their strength. especially if they want to help people that are going through the same things they did. seeing people take a stand for what they believe in... i love that.” - huitzi, 18 poet

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Precision automotive repair AAA APROVED Gay owned and operated

We’ve got the right tool for the job! 1023 Mission Street (between 6th & 7th) San Francisco 415-777-2697 • www.jgauto.com

porn coUple mAggIe And ned mAyhem teAch mUltIgenerAtIonAl polyAmory. | PHOTO COURTESY MAGGIE MAYHEM

A poly pUsh?

0QFO4' DPOGFSFODF DPVME CF TJHO PG FYQBOTJPO JO UIF QPMZBNPSPVT DPNNVOJUZ By Kelly lovemonster culture@sfbg.com QUeer IssUe Is San Francisco’s polyamorous community experiencing a renaissance? Pepper Mint, organizer of the recent sex education conference OpenSF (www.open-sf.org), suspects the non-monogamous in the Bay Area have finally reached a critical mass. His proof? Over the weekend of June 8, OpenSF was attended by over 500 of the polycurious and practicing. It might be, however, that they’ve finally found something to relate to. Sonya Brewer, a somatic psychotherapist, OpenSF lecture facilitator, and queer woman of color, has been a practicing polyamorist for 15 years. Brewer pegged the high attendance numbers on Mint’s efforts to diversify the conference and include sexual minorities and other oppressed groups on its planning committee. Those values were reflected in the conference’s keynote address, delivered by trans-identified sex educator Ignacio Rivera and transgender health educator and social justice activist YoseĂąio V. Lewis. The two hosted a lecture entitled “Kink, Race, and Class,â€? which sought to inspire dialogue about how social forces play into the world of kink. It was one of the many unique talks over the weekend that both celebrated and critiqued the diversity and spread of the polyamorous community. Looking over the list of lectures for the weekend — “Sex Work and Non-Monogamy,â€? “Fat Sluts, Hungry Virgins,â€? and “Trans Queering Your Sex,â€? to name a few — it was hard to decide which talks to attend. I settled on two: Kathy Labriola’s “Unmasking the Green-Eyed editorials

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Monster: Managing Jealousy in Open Relationships� and the Maggie Mayhem-led “Second Generation Poly.� Labriola’s hour-long talk examined jealousy from an anthropological perspective, highlighting it as a universal experience that manifests itself depending on one’s cultural upbringing. The bad news? Jealousy is unavoidable. The good news? It’s a learned behavior, and you can learn to manage it. Labriola provided us with a handy checklist to use in determining whether insecurities are based in fact or freak-out. “Identify a situation that makes you jealous and ask the questions,� Labriola advised. “One, [do] I have a resource I value very much and I’m fearful of losing? Two, [does] another person wants that resource.? Three, [do] you believe you are in direct competition for something you want? Four, [do] you believe if push comes to shove you will lose out?� Unless you answered yes to all four, she counseled, your jealousy can be worked through. Mayhem, dressed in a fluorescent orange space suit (a representation of her “out-of-this-world� situation, she said) sat on a panel with her partner in life and in porn Ned (www.meetthemayhems.com) and his polyamorous family: his father, and his father’s second partner — a non-hierarchical term, Maggie was quick to clarify. Maggie and her family discussed negotiating boundaries at sex parties, raising children with more than two parents, and the stigma parents of sex-positive offspring can encounter. Given the general focus of OpenSF, Maggie’s key advice had resonance: “Be the author to your own happily ever after,� she told us. 2 picks

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4FSWJOH CSFBLGBTU MVODI EJOOFS EBJMZ " UI 453&&5

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June 20 - 26, 2012 / SFBG.com

23

ARTS + cUlTURE: qUEER iSSUE

lADY TRAgik pERFORmS AT qUEERlY bElOvED, SUn/24

QIPUPCPPUI EFTJHOFE FBDI XFFL CZ B EJGGFSFOU EFTFSWJOH 4' DSFBUJWF UZQF (FU USBTIFE EBODF DSB[Z CVU TUBZ QSFUUZ GPS UIF DBNFSB BOE IPTUFTT +VBOJUB .PSF

Stay Gold 1VCMJD 8PSLT &SJF 4' XXX QVC MJDTG DPN QN BN CFGPSF QN BGUFS 4VHHFTUFE BQQBSFM GPS UIF 1SJEF FEJUJPO PG UIF NPOUIMZ RVFFS IJQ IPQ CBOHFS WJOZM GMPXFS QSJOU CPEZTVJU XJOHFE TOFBLFST BTT

THURSDAY 21

hot pink aCtion 0VS BOOVBM HVJEF UP UIF BDUVBMMZ DPPMFTU 1SJEF FWFOUT Compiled by Caitlin donohue, april m. Short, and marke b.

OngOing Faetopia 5PXFS 3FDPSET CVJMEJOH .BSLFU 4' XXX GBFUPQJB DPN 5ISPVHI 'SJ OPPO NJEOJHIU FWFOU UJNFT WBSZ TVHHFTUFE EPOB UJPO 8IBUµT B SBEJDBM RVFFS UP EP JO UIF TFBTPO PG DPNNFSDJBMJ[FE TFYVBMJUZ 4FJ[F BO FNQUZ SFDPSET TUPSF BOE GJMM XJUI CMJUIF GBHHPUSZ 5IF DSFX CFIJOE 'BFUPQJB JT PSHBOJ[JOH OJHIUT PG RVFFS DJOFNB IJQ IPQ BOE FDPMPHZ DMBTTFT ESBH NVTJDBMT TLJMMTIBSFT BOE NVDI NPSF ± ESPQ JO Frameline Film Festival 7BSJPVT UJNFT BOE WFO VFT 4' 5ISPVHI 4VO XXX GSBNFMJOF PSH 5IF UI ZFBS PG UIJT JOUFSOBUJPOBM HBZ BOE MFTCJBO GJMN GFTU IBT UBLFO PWFS 4' ± GSPN B EPDVNFOUBSZ PO B GFNBMF 0MZNQJBO XFJHIUMJGUFS UP TXFFU UBMFT PG MPWF UP HPPGZ OJHIUT PG TIPSU GMJDLT national Queer arts Festival 7BSJPVT UJNFT BOE WFOVFT 4' XXX RVFFSDVMUVSBMDFOUFS PSH 5IF GFTU IBT CFFO SBHJOH TJODF UIF TUBSU PG UIF NPOUI CVU UIJT XFFL ZPV DBO DBUDI .BSHB (PNF[ BU UIF -(#5 $FOUFS 'SJ EBSLMZ IVNPSFE EBODF QJFDFT BU 5IF (BSBHF 4BU BOE "MJ -JFCFHPUUµT ²'BHHPU %JOPTBVS³ BSU FYIJCJU BU "MMFZ $BU #PPLT “Searching for Queertopia” (BMFSJB EF MB 3B[B UI 4U 4' XXX HBMFSJBEFMBSB[B PSH 5ISPVHI +VOF QN GSFF "O FYIJCJUJPO EPDVNFOUJOH -BT *OUSnQJEBT B USBEJUJPOBM DFMFCSB UJPO PG muxe RVFFS DVMUVSF JO UIF 0BYBDBO UPXO PG +VDIJUgO EF ;BSBHP[B

WEDnESDAY 20 the Guardian’s 8 th annual pullin’ pork for pride 1JMTOFS *OO $IVSDI 4' XXX TGCH DPN QN GSFF 4RVFF 0VS BOOVBM NFBU USFBU GSFF QVMMFE QPSL TBOEPT GPS BMM XJMM CF TPVOEUSBDLFE CZ )BSE 'SFODI IFBSUUISPCT %+T #SPXO "NZ BOE $BSOJUB Gay pride Comedy Show %FDP -PVOHF -BSLJO 4' XXX EFDPTG DPN QN $BNQ PVU BU UIJT MJOFVQ PG TUBOE VQ RVFFST DPNQJMFE CZ IPNFUPXO DPNFEJBO $IBSMJF #BMMBSE JO PSEFS UP DIBMMFOHF UIF DPNNPO QFSDFQ UJPO PG XIBU B HBZ QFSTPO JT bi-bQ bisexual pride potluck and promenade %PMPSFT 1BSL $BGn %PMPSFT 4' XXX TGQSJEF PSH QN GSFF 5IF QSF QBSUZ GPS 'SBNFMJOF 'JMN 'FTUJWBMµT TIPXJOH PG Bi-Candy GFBUVSFT B QPUMVDL CBSCFRVF %PMPSFT $BGF QFSGPS NBODFT BOE B QSPNFOBEF FO NBTTF UP 7JDUPSJB 5IFBUSF booty Call 2#BS $BTUSP 4' XXX CPPUZ DBMMXFEOFTEBZT DPN QN BN 5IF UIJOH BCPVU #PPUZ $BMM ± CFTJEFT JUT RVJDLMZ TIJSUMFTT CFWZ PG $BTUSP CBCFT ± XPVME CF JUT FYUSBWBHBOU

24 SAN FRANCISCO BAY GUARDIAN

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dude magazine launch party &SPT .BSLFU 4' XXX FSPTTG DPN QN GSFF "VTUSBMJBO USBOTNBTDVMJOJUZ [JOF JT QMBOUJOH B GMBH JO PVS TPJM BOE DFMFCSBUJOH XJUI UIJT SFDFQUJPO BU BMM NBMF TFY DMVC &SPT. “Fabulous” $SFBUJWJUZ &YQMPSFE UI 4U 4' XXX DSFBUJWJUZFYQMPSFE PSH 5ISPVHI "VH 0QFOJOH SFDFQUJPO QN QN GSFF "SUJTU 4BSB 0µ4VMMJWBO DVSBUFT UIJT DPMMFDUJPO PG HFOEFS CFOE JOH BOE RVFFS DVMUVSF BU $&µT HBMMFSZ GPS EFWFMPQ NFOUBMMZ EJTBCMFE DSFBUJWF QFPQMF *OTQJSFE CZ 0µ4VMMJWBOT MPWF PG ESBH RVFFOT UIF TIPX GFBUVSFT B MJGF TJ[F IPU QJOL DBSECPBSE ESVN TFU occupride planning meeting 'BFUPQJB .BSLFU 4' XXX GBFUPQJB DPN 1FSIBQT ZPVµSF POF PG UIPTF SBEJDBM RVFFST MPPLJOH GPS TPNF PVUMFU GPS ZPVS HFOFSBM BOHTU SFHBSEJOH DBQJUBMJTN BOE UIF PWFS DPNNFSDJBMJ[BUJPO PG FWFO PVS NPTU IVNBO EFTJSFT )JF UIFF UP UIJT HFU UPHFUIFS PG MJLF NJOEFE TPVMT XIP XJMM CF QMBOOJOH BO BDUJPO UP UBLF 1SJEF CBDL UP JUT BMUFSOBUJWF SPPUT pride nightlife $BMJGPSOJB "DBEFNZ PG 4DJFODFT .VTJD $PODPVSTF (PMEFO (BUF 1BSL 4' XXX DBMBDBEFNZ PSH QN 4FYPMPHJTU $BSPM 2VFFO ESBH GBVOB +VBOJUB .PSF BOE )FLMJOB EBSMJOH RVFFS %+T BOE PUIFS FYPUJD GBVOB KPJO $MBVEF UIF BMCJOP BMMJHBUPS BU UIF "DBEFNZµT XFFLMZ QBSUZ OJHIU 4UBS³HBZ³[F JO UIF QMBOFUBSJVN BOE MFBSO BCPVU UIF TBNF TFY QSFEJMFDUJPOT PG ZPVS GBWF DPOTUFMMBUJPOT Wrestle mania pride kick-off party -FYJOHUPO $MVC UI 4U 4' XXX MFYJOHUPODMVC DPN QN GSFF %P CBCFT XJUI CJDFQT HFU ZPV CFOU $SVJTF UP UIF -FY GPS JUT MF[[JF BSN XSFTUMJOH QBSUZ ± XIFSF ZPV XPOµU OFFE UP TUSPOH BSN BOZPOF UP HFU UIFN NPWJOH UP %+T .T +BDLTPO BOE $IJOB (

FRiDAY 22 bearracuda 1VCMJD 8PSLT &SJF 4' XXX QVCMJDTG DPN QN BN ° 'MVGG ZPVS GVS GPS UIJT CFBS CBTI ± %PD 4MFFQ 5FE &JFM EBCFDZ GSPN &MFDUSPOJD .VTJD #FBST BOE 3PCFSU +FGGSFZ PG %JBM 6Q HJWF ZPV TPNFUIJOH UP TUFQ UP bibi 4PN #BS UI 4U 4' XXX TPN CBS DPN QN BN BEWBODF UJDLFUT 5IJT JT UIF POMZ 1SJEF QBSUZ GFBUVSJOH OPO NFUBQIPSJD TXPSE BDSPCBUJDT 5IF RVFFS .JEEMF &BTUFSO /PSUI "GSJDBO DPNNVOJUZ XJMM DPOWFSHF GPS UIF GJGUI BOOJWFSTBSZ PG JUT GBWPSJUF VOEVMBUJOH EBODF QBSUZ #FMMZ EBODF BOE BGPSFNFOUJPOFE TXPSE QMBZ GJHVSFT BMPOHTJEF %+T &NBODJQBUJPO BOE /BEFS bustin’ out! official trans march after-party &M 3JP .JTTJPO 4' XXX FMSJPTG DPN QN ° %+T 0NF +JMMJP BOE #PCCZ PG 5PSUJMMBT 1JDBOUFT XJMM TQJO BU UIF CF QBUJPFE DPNNVOJUZ PSJFOUFE .JTTJPO CBS 5IF HFU EPXO JT B CFOFGJU GPS 5(* +VTUJDF B OFUXPSL PG USBOTQFPQMF JO BOE PVU PG KBJM XIP BSF TFU PO EFGFBUJOH UIF VOKVTU QSJTPO JOEVTUSZ horse meat disco .F[[BOJOF +FTTJF 4' XXX NF[[BOJOFTG DPN QN " IVHF NJYFE QBSUZ BMTP JODMVEJOH BXFTPNF MPDBM TVOOZ FMFD USPOJD EVP 1PPMTJEF UIF KVCJMBOU TPVOET PG $SZTUBM "SL BOE UIF )POFZ 4PVOETZTUFN %+T XJMM GFBUVSF UIF CFMPWFE )PSTF .FBU CPZT GSPN -POEPO XIP EJE NVDI UP TUPLF UIF MBTU EFDBEFµT PCTFTTJPO XJUI SBSF EJTDP BOE DMBTTJD IPVTF USFBUT marga and the babes queer comedy -(#5 $FOUFS .BSLFU 4' XXX RVFFSDVMUVSBM DFOUFS PSH .BSHB (PNF[ EPFT B NFBO %FTJ "SOB[ JNQFSTPOBUJPO BNPOH IFS PUIFS UBMFOUT +PJO UIF #BZ GBWPSJUF ZVDLTUFS BOE BEPSBCMF RVFFS DPNJDT /BUBTIB .VTF BOE +VTUJO -VDBT UPOJHIU mr. .POBSDI 4JYUI 4U 4' XXX DMVCNPO BSDI OFU QN BN *UµT UIF MBTU UXJSM GPS UIJT GBCVMPVT BOOVBM EBODF BSPVOE IPP IBX 4MBNNJOµ SFBM IPVTF %+T %BWJE )BSOFTT &MMFO 'FSSBUP BOE 3PMP TQJO TPNF BNB[JOH UVOFT UP IFMQ ZPV GJOE B GJOF GFMMPX XIJTLFS XIJTQFSFS PS KVTU B RVJDL SJEF #PSSPX B NVTUBDIF UIJTµMM CF B HPPE POF neon Vinyl 5IF "NCBTTBEPS (FBSZ 4' XXX BNCBTTBEPS DPN QN GSFF %+T &OTP ,PPM ,BSMP BOE *MZB CSJOH GVUVSF SFUSP 1SJEF CFBUT BOE EFDBEFT PG EBODF USBDLT QPVSFE UISPVHI B IPVTF GJMUFS old French hole 5IF ,OPDLPVU .JTTJPO 4' XXX UIFLOPDLPVUTG DPN QN BN

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"TTFNCMF ZPVS GBWPSJUF PME UJNFZ EBODF QBSUJFST GSPN VQ BOE EPXO UIF 8FTU $PBTU UIF )BSE 'SFODI LJEEPT %+ 1SJNP GSPN UIF ,OPDLPVUµT BDFT 0MEJFT /JHIU %+ #FZPOEBEPVCU GSPN 1PSUMBOEµT )PMF JO .Z 4PVM QVNQ UIFN GVMM PG 1SJEF GVM QMFBTVSF BOE DBMM JU B SFBMMZ TUVQJE BNBMHBNBUJPO PG UIFJS QBSUZ OBNFT 5XJTU BOE TIBLF radical Queer Vegan anti-Social .PEFSO 5JNFT #PPLTUPSF UI 4U 4' XXX HBZTIBNFTG PSH QN GSFF #VU XIBU PG UIF TPCFS RVFFS PS UIF RVFFS UIBU DBSFT NPSF GPS TVTUBJOBCMF GPPE TZTUFNT UIBO "CTPMVU DPDLUBJM TQFDJBMT 5IJT 1SJEF UJNF FEJ UJPO PG UIF NPOUIMZ (BZ 4IBNF QPUMVDL SPVOEUBCMF NJHIU CF GMVTI XJUI GSFTI GBDFE WFHBO PVU PG UPXO FST TP TUBSU TPBLJOH UIPTF DBTIFXT OPX San Francisco lesbian/Gay Freedom band pride concert 4' $POTFSWBUPSZ PG .VTJD 0BL 4' XXX TGDN FEV QN BOE QN ° +BDL $VSUJT %PCPXTLZµT ²)BSWFZ .JML " $BOUBUB³ XJMM CF GFBUVSFE BU UIJT NVTJDBM DFMFCSBUJPO XJUI 4' DPNNVOJUZ DIPSBM HSPVQT $PNF FBSMZ ± QN ± UP IFBS %PCPXTLZ UBML BCPVU UIF DSFBUJPO PG IJT QJFDF XIJDI GFBUVSFT VOQVCMJTIFE UFYUT CZ .JML IJNTFMG Steam 1PXFSIPVTF 'PMTPN 4' XXX QPXFSIPVTF TG DPN QN BN "T GBS BT QBSUZJOH JO B UPXFM HPFT UIJT QBSUZ JT UIF VMUJNBUF %PXO DIFBQ UFRVJMB JO POF PG 4P.BµT FWPMWJOH TFY DMVCT DSVJTF UIF NBO NFBU HFU B CVDL B NJOVUF NBTTBHF BOE EJUDI UIF UFSSZDMPUI GPS B TQJO JO UIF GBNFE 1PXFSTIPXFS the Super Queer open mic Show $FOUFS GPS 4FY BOE $VMUVSF .JTTJPO 4' XXX TFYBOEDVM UVSF PSH QN ° &JHIU ZFBST PG RVFFST HSBCCJOH UIF NJDSPQIPOF BSF DFMFCSBUFE BU UIJT ZFBSµT 1SJEF FEJUJPO PG UIF SFBEJOH TFSJFT 5SBOT BSU JTU "NZ %FOUBUB BOE HFOEFSRVFFS IVNPSJTU %BOB .PSSJHBO TUBS BT GFBUVSFE HVFTUT trans march %PMPSFT 1BSL (VFSSFSP BOE UI 4U 4' XXX USBOTNBSDI PSH QN QBSL HBUIFSJOH QN NBSDI UP 6/ 1MB[B GSFF $PVME UIJT CF PVS GBWPSJUF QBSBEF PG 1SJEF *UµT IBSE UP QJDL TJEFT CVU UIJT BMM BHFT HBUIFSJOH PG UIF USBOTHFOEFSFE DPNNVOJUZ NBLFT B HPPE DBTF GPS JUTFMG " 'JSTU 1FPQMFTµ XFMDPNJOH BOE CMFTTJOH XJUI 0IMPOFT BOE UXP TQJSJU GPMLT JT POF IJHIMJHIU PG UIJT GFFM HPPE NBOJGFTUBUJPO unofficial: the third annual original plumbing trans pride dance party &MCP 3PPN 7BMFODJB 4' XXX FMCP DPN BN QN CFGPSF QN BGUFS 5IF BMM BSPVOE DVUFTU USBOTHVZ [JOF PVU UIFSF JT UISPXJOH EPXO UIF XFMDPNF NBU GPS ZPVS QPTU NBSDI EBODFGFTU (FU TOBQQFE CZ QIPUPH "NPT .BD BOE HFU JU EPOF PO UIF EBODFGMPPS UP %+ 3BQJEGJSF PG 4UBZ (PME BOE /:$µT %+ "WFSBHF +P ,FMMZ -PWFNPOTUFS HP HPT We’re here, We’re Queer, We’re Some thing 5IF 4UVE /JOUI 4U 4' XXX UIFTUVETG DPN QN MBUF *O IPOPS PG UIF TXJTI TFBTPO 4'µT XFFLMZ BMU ESBH EBODF QBSUZ GBOUBTZ JT TUBZJOH VQ MBUF $BTU PG DIBSBDUFST JODMVEFT (MBNBNPSF "NCSPTJB 4BMBE BOE /:$µT )PVTF PG 4UBOL )PTU 7JWWZBOOF 'PSFWFSNPSF QSPNJTFT TVSQSJTFT PS SBUIFS ²CJH HBZ TVSQSJTFT ³

SATURDAY 23 a Coupla old Crackpot Crones 5IF (BSBHF #SZBOU 4' XXX DSBDLQPUDSPOFT DPN QN 0OF UJNF (SFFO 1BSUZ NBZPSBM DBOEJEBUF BOE QMBZ XSJHIU 5FSSZ #BVN BOE DPNFEJBO $BSPMZO .ZFST QVMM UPHFUIFS B WBSJFUZ TIPX UP CFOFGJU UIF 1BU #POE NFNPSJBM 0ME %ZLF "XBSE .PN DPNJOH PVU #BVNµT TVSQSJTF FMFDUJPO BQQFBSBODF BOE &MFBOPS 3PPTFWFMUµT MBEZ MPWF BMM GJHVSF JO TLFUDIFT bondage a Go-Go $BU $MVC 'PMTPN 4' XXX TGDBUDMVC DPN BN 8FBS ZPVS QJOL BOE CMBDL UP UIJT MVTUGVM CFOFGJU GPS XPSLFS PXOFE TUSJQDMVC 5IF -VTUZ -BEZ %BODFST GSPN UIF -VTUZ XJMM IPTU B TQBOL B UIPO BOE PGGFS MBQ EBODFT JO FYDIBOHF GPS DPOUSJCVUJPOT UPXBSET UIF GVUVSF PG PVS GBWPSJUF TFY QPTJUJWF UJUUZ CBS Country pride Sundance pre-party 4VOEBODF 4BMPPO #BSOFWFME 4' QN NJEOJHIU 5IFSFµT BMXBZT RVJUF B MJOFVQ PG IPU IPPGFST BU UIJT SFHVMBS DPVOUSZ MJOF EBODF IPPUFOBOOZ ± CVU UIF QSF 1SJEF CPOBO[B XJMM CF GVMM PG OFX GBDFT BOE TQJGGZ CPPUT BOE TBEEMFT dark room 5IF )PU 4QPU .BSLFU 4' %BSL FMFDUSP XJUDIZ HPUI BOE DVUUJOH FEHF TQPPL IPVTF EBSLFO UIF EPPS PG UIJT $JWJD $FOUFS EJWF BT UIF ESBH BOE MBTFS TUVEEFE NPOUIMZ GSFBLGFTU SBJTFT NPOFZ GPS -ZPO .BSUJO )FBMUI 4FSWJDFT QFSDFOU PG EPPS QSPDFFET XJMM CFOFGJU SFQSP EVDUJWF IFBMUI JO 4'

dyke march dolores park, 20 th St. and Guerrero, SF. www.thedykemarch.org. %+T OPPO QN NBSDI BU QN GSFF 4JU QSFUUZ JO %PMP TXJHHJOH B IPNFNBEF XBUFSNFMPO NBSHBSJUB NBEF CZ ZPVS JOEVTUSJPVT OFJHICPS BU UIJT DFOUFSQJFDF UP MBEZMPWF 1SJEF TFBTPO 8IFO ZPV IFBS UIF SFWWJOH

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PG %ZLFT PO #JLFT ZPVµMM LOPX JUµT UJNF UP SFMPDBUF UP UIF QBSBEF SPVUF Go Bang! Go Pride! %FDP -PVOHF -BSLJO 4' XXX EFDPTG DPN QN BN GSFF CFGPSF QN BGUFS 5IF DJUZµT MPWFMJFTU VOEFSHSPVOE EJTDP USJCVUF HJWFT UIF 4UVEJP USFBUNFBOU HSJUUZ 5FOEFSMPJO WFSTJPO UP 1SJEF XJUI %+T 3FEVY .BSDVT +FSBSE 4UFWF 'BCVT IBQQZ CJSUIEBZ BOE 4FSHJP Good Vibrations Pink Pleasure Party (PPE 7JCSBUJPOT 7BMFODJB 4' XXX HPPEWJCFT DPN QN GSFF (PPE 7JCFT QVMMT JO %+T #FDLZ ,OPY BOE %BMMF GPS JUT ZFBSMZ %ZLF .BSDI IBOH PVU 4OBH ZPV B TUSBQ PO GSPN 4'µT NPTU GBNPVT TFY TIPQ BOE HFU GFTUJWBUJOH It Gets Indie teen benefit concert (SFBU "NFSJDBO .VTJD )BMM 0µ'BSSFMM 4' 'BDFCPPL JU HFUT JOEJF QN 1SJODFUPO BOE -PDBM )FSP UPQ UIF CJMM BU UIF TIPX UP CFOFGJU UIF ²*U (FUT #FUUFS³ DBNQBJHO Lexington Club Dyke March after-party -FYJOHUPO $MVC UI 4U 4' XXX MFYJOHUPO DMVC DPN QN BN GSFF %+ .T 1PQ QSFTJEFT PWFS UIF IFBWJOH IPU NBTTFT BU UIJT OP DPWFS MPX BUUJUVEF EBODF CBOHFS (SJOE XJUI ZPVS ²MPWF³ JO UIF QPTU .BSDI FOEPSQIJO SVTI No Way Back and Honey Soundsystem 4PVOETZTUFN .POBSDI 4JYUI 4U 4' XXX DMVCNPOBSDI OFU QN BN /P 8BZ )POFZ 5XP PG PVS GBWPSJUF JOUFMMJHFOU IPVTF BOE UFDIOP DSFXT KPJO GPSDFT GPS UXP MFWFMT PG TUSBUPTQIFSJD CMJTT )PU IPU IPU EBODJOH BOE WFSZ TNBSU EBODFST Pink Triangle installation and commemoration 5XJO 1FBLT 7JTUB 0WFSMPPL 4' XXX UIFQJOLUSJBO HMF DPN BN JOTUBMMBUJPO BN DFSFNPOZ GSFF 7PMVOUFFST OFFEFE GPS UIJT BXFTPNF USBEJ UJPO QVUUJOH UIBU IVHF BTT QJOL USJBOHMF VQ PO 5XJO 1FBLT (FU TPNF FMFWBUJPO BOE MFOE B IBOE Pride Festival $JWJD $FOUFS 4' XXX TGQSJEF DPN /PPO QN "MTP 4VO EPOBUJPO 'PS B HMJNQTF BU UIF DPNNFSDJBM QVMM PG UIF -(#5 DPNNVOJUZ DIFDL PVU UIF WFOEPS TUBMMT BU UIJT NFHB NBTT (BZ EPHHJF TXFBUFST HBMPSF #VU JUµT OPU BMM DPNNFSDJBM ± #4%. BOE SBEJDBM GBFSJF BSFBT HJWF XBOEFSJOH BUUFOEFFT UIF DIBODF UP MFBSO NPSF BCPVU BMUFSOBUJWF TFYVBMJUJFT GSPN UIPTF XIP QSBDUJDF UIFN JO SFBM MJGF (p)RIDE Party 1VCMJD 8PSLT &SJF 4' XXX QVCMJDTG DPN QN BN ° " DBOµU NJTT DPNCJOBUJPO GPS UIPTF MPPLJOH UP QPQ BTT BMM OJHIU UIF 4UBZ (PME %+T BSF UFBNJOH VQ XJUI UIFJS GSJFOET GSPN 4IJQT JO UIF /JHIU 1BSUZ )PMF BOE 2VFFS 2VNCJB )JQ IPQ TFSWFE BMM OJHIU MPOH XJUI B TJEF PG WPHVF

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June 20 - 26, 2012 / SFBG.com

25

arts + culture: queer issue

PrancIng at the revolUtIon 8IZ "SF 'BHHPUT TP "GSBJE PG 'BHHPUT RVFTUJPOT RVFFS BTTJNJMBUJPOJTN

By Marke B. marke@sfbg.com QUeer ISSUe “Right now it seems we have more in common with the Christian Right than the gay liberation movement. We’ve become so focused on marriage as the end-all and be-all of gay rights that it’s completely within the realm of possibility that the next leader of Focus on the Family could be a gay man. We all have to get married now for tax breaks, health care, or to stay in this country? Are you kidding me?” Mattilda Sycamore Bernstein spilled some truth into my hot pink Princess phone. “I don’t know how we got to this position where we’re either agitating for more tax breaks for the rich via marriage, or we’re treating people like disposable objects on hookup sites because they don’t conform to certain standards. It’s really sickening. How does any of this further any agenda at all besides becoming what we’re supposed to be fighting against? I don’t get it.” Sycamore Bernstein, who often writes for the Guardian, was speaking about the impetus behind her latest book, Why are Faggots So Afraid of Faggots? Flaming Challenges to Masculinity, Objectification, and the Desire to Conform (AK Press), an invigorating collection of essays from a vast variety of queer people that “challenges the assimilationist norms of a corporate-cozy lifestyle.” (Let’s just say that President Obama’s limp “evolution” on same-sex marriage was not going to be a topic of conversation.) From envisioning a more faggoty Internet and reclaiming perversity as a proud, queer norm to honestly exploring the complex cultural confusions that Western-origi26 SAN FRANCISCO BAY GUARDIAN

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nating political expressions of gayness can wreak on immigrant and native homos, Faggots goes there with inspiring directness. “I wanted to put out something that captured the spectrum of radical queer thinking that’s been going on while it seems everyone else was in line to get married. There are so many topics that affect our lives that have just been completely bulldozed by the ‘gay rights’ corporate lobbying groups’ crazed marriagemania. “For example, Chris Bartlett, in his contribution ‘Gravity and Levity’ talks about how the idea of ‘risk’ in the gay community has been so associated with AIDS that it may have pushed any aspiration towards risk — emotionally, politically, socially — right out of gay consciousness. Yet being gay used to be all about taking risks. It’s what got us so far in the first place! “I think exploring how the medicalization of AIDS terminology may have numbed us from each other — or how race still defines us in the ‘community,’ or how every dollar sucked into the corporate marriage machine means less for those in need of actual life or death help, or how hate crimes legislation ridiculously puts more power and resources into the hands of the very system oppressing us — is something we desperately need right now. We’re raising an entire generation to think that marriage is the only fight. Meanwhile, we’re discriminating against ourselves in so many other ways.” Faggots is no mere spitting into the wind, either. Although Sycamore Bernstein has been sounding the assimilationist alarm for years, the prolific author and activist, now living in Seattle, has been surprised by the tome’s positive reception. (“It’s quite shocking!” she says with a lilting laugh.) Edmund White, Samuel R. Delaney, and Mx Justin Vivian Bond offered blurbs, and younger readers and the press have been grabbing onto Faggots’ incendiary yet sophisticated tone. Could the recent wave of AIDS activist nostalgia and a Occupy-like disillusionment with big money Pride sponsorships (embodied locally, especially, by a Wells Fargo advertisement covering the entire front page of Bay Area Reporter’s Pride Issue and a Stoli-sponsored GLAAD Pride float) be buoying the book’s popularity? “I think the re-emergence of interest in things like ACT-UP is very interesting. When I came to San Francisco I was part of ACT-UP, and — with everybody dying from drugs, suicide, and AIDS — there was a real drive to come together to confront this massive structural neglect and recognize how brutalities align themselves to bring about our annihilation. But nostalgia can be dangerous without recognizing the reality. There was a very real, very dangerous moment in the 1990s when activism suddenly became about discrimination in the military, of all things. “It turned from trying to guarantee health care for all to being about whether or not we could go die faster in wars. Whose decision was that?” Marke B. is the author of Queer: The Ultimate LGBT Gude for Youth (Zest)

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4 # 8=5> / 5A02C0;8I454BC8E0; 2>< <0;;014;<DB82 2>< 74;;450=C4 2><

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27

arts + culture: theater

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28 SAN FRANCISCO BAY GUARDIAN

tHe finAl fRontieR: Space//Space BlAsts off in BRooklyn. | photo by ryan jensen

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#BOBOB #BH #PEJDF MBVODI TQFDUBDVMBS ´4QBDF 4QBDFÂľ GSPN #SPPLMZO GJOBM EFTUJOBUJPO VOLOPXO By RoBeRt AvilA arts@sfbg.com tHeAteR On a warm evening last week in Williamsburg, Brooklyn, Jason Craig and Jessica Jelliffe were milling around the sidewalk outside the Collapsable Hole, a small warehouse performance venue one subway stop from Manhattan, dressed in dark blue one-piece suits, skull caps, heavy-rimmed glasses, and long beards. “You wanna see a show?â€? asks Jelliffe, looking a little like a Hassid at the public pool. It’s a physical fact that passersby can’t always pass by fast enough to escape the sideshow gravity of a woman in a beard, and sure enough one or two wanderers fall in with the rest of the crowd arriving already determined to see Space//Space, the much anticipated new show from the bicoastal company that most recently brought Bay Area audiences (with co-producers the Shotgun Players) Beardo and Beowulf: A Thousand Years of Baggage. The audience comes through the front door and slips passed a silvery space ship set snuggly inside the painted brick garage, a combination that carries the vague threat of an aluminum container shoved in the microwave, only you’re inside with it. Some airy, oxygenated house music thrumming the room like a zither adds nicely to this anticipatory pre-show mood. Soon the lights go down leaving only a clip lamp on a sidewall illuminating the figure of some rambling madman-scientist-grease monkey (Peter Blomquist) who introduces a half-comprehensible “experiment.â€?

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And with that, the stunning space pod — a self-contained octagon with milky translucent glass walls, an old-school turntable for a control console, and a series of small bare speakers clinging magnetically to its aluminum framework — comes to life, rumbling and flickering like a miniature nightclub, a plush DJ booth, or an industrial-sized hi-fi egg chair. Its passengers, wearing furry suits with ear hoodies, are the bearded pair of brothers seen outside a few minutes earlier. Penryn (Jelliffee) is waking up confused from a deep sleep. Lumus (Craig) cautiously explains to his addled brother that he’s been asleep for the better part of three years. In that time their mission has been going forward: they’re still bound for some unknown destination as representatives of earth civilization, a madcap message in a half-corked bottle recording their words and deeds for some future audience. But like a latter-day Gregor Samsa, Penryn has awakened to find himself metamorphosed, still hairy as a Harry but sporting the “girl bits� of a Henrietta. This change will propel the mission in an unanticipated direction. Penryn reborn is full of questions and challenges for his/her brother and their gender blender of a mission inside this increasingly stuffy intergalactic studio apartment. Meanwhile, it seems Lumus, when not studying his brother’s transmogrifying bod, has spent the last few years working out a comedy routine, bits of which wend their way through the narrative as an alternately hilarious and eerie music listings

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metanarrative of sorts, inviting a Henny Youngman–grade hermeneutics of the patriarchal social construct left back on earth. “I’m dying up here,� Lumus likes to say in an increasingly ominous showbiz metaphor, hitting a button for canned laughter as his inept struggle with off-color bar jokes and Rat Pack–era machismo gives way to a darker prophesy of his own demise. Too much more plot will spoil the surprises in store for venturers to Brooklyn or those awaiting the production’s hoped-for (but not yet scheduled) future landing in the Bay Area. But let’s just say this oeuvre Lumus is making — a summation of a life, the echo of a civilization now reduced to two — is up for grabs, and Penryn may be the person to grab it. The outcome of their space//space odyssey contains the seed of a new world and an old one, both slouching toward Alpha Centauri to be born. Composer and BB&B regular Dave Malloy’s wonderfully vital music-sound scape brings a deep, dark, low creep under this or that moment, as the exquisitely Dadaesque space program and its thornier implications come to light in playwright Craig’s inimitably arch dialogue, and Craig and Jelliffe’s masterfully subtle performances. Directed with cool precision by Mallory Catlett, Space//Space features another incredible BB&B low-or-no–budget set (conceived by Craig and Jelliffe with choice video, lighting, and sound designs by Zbigniew Bzymek, Miranda k Hardy, and Brandon Wolcott, respectively). While less epic than recent shows past, this cosmic two-hander is also more romantic, thematically complex and moodily resonant in its half-haunted, halfblissful reflection on the intimate universe between one human being and another. 2 bananabagandbodice.org

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BOX OFFICE: 415-863-9834 | Wed-Fri, 12-6pm | editorials

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June 20 - 26, 2012 / SFBG.com

29

50 KicK Ass Beers on DrAught

arts + culture: dance

A Beer Drinker’s PArADise!

new works by nicole Klaymoon’s embodiment Project and Joe Goode Performance Group explore the intricacies of living spaces

since 1987

By Rita Felciano arts@sfbg.com

hAPPY hour every Day until 6:00 pm hours: Daily 11:30 am to 2:00 am

)"*()5 45 ! '*--.03& XXX UPSPOBEP DPN

Dance Anyone who watches dance — and perhaps any of the other arts — over a period of time will experience the excitement of discovery for one of two primary reasons. Proven choreographers may come up with fresh perspectives on who they are and what drives them. The voice may be familiar, but the intonation is new. Or you can have a first encounter with an artist who pushes you right to the edge of your seat — the work’s ingredients are good, but

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HomeBoDies

over 100 different bottles, specializing in Belgians

for future event info looK @ toronADo.com

leGGy: When We Fall apart

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it’s the way they interlock or bounce off each other that makes you look forward to what else this person will come up with in the future. Such was the case with Nicole Klaymoon, who founded her Embodiment Project company in 2009. For her latest project, House of Matter (performed at Dance Mission Theater June 8-10), she collaborated with jazz singer Valerie Troutt and her vocal ensemble, also founded in 2009. The result was one of the most rocking, joyous dance theater pieces that have hit the town in a long time. Jamie Tracey’s multi-level panels, perhaps inspired by calligraphy, however, were not up to par; the set design was a weak link. Klaymoon is a writer, social activist, poet, performer, and dancer who grounds her choreography in modern and “urban� (read: hip-hop) styles. Troutt, who created House’s musical universe, calls what she does house music, though to my ears it sounded more jazz and soul-influenced. Dance-y, however, it is. “The body as our home� is one of those post-structuralist tropes that academia has bequeathed on us. In her opening spoken and danced monologue about “wanting to let you in� but not daring to do so, Klaymoon didn’t push it. The image of the house did set the tone — not for a series of narratives, but stories nonetheless. Jennifer “JenAy� Anolin and Rama Mahesh Hall longingly yanked and confronted each and yet separated. Ndubuisi Madu, rooted in place, popped so violently it seemed his limbs might fall off. When during Solas B. Lalgee’s ecstatic vocal solo he embraced Assad Conley, the moment was both grand and intimate. I can’t pretend to have followed the details of Troutt’s song cycle, which started with “Make Me Ovah� and ended with “Peace Lives Here,� but House’s trajectory from tension to reconciliation flowed seamlessly. music listings

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The finale looked a bit too protracted and flirted with sentimentality. But there was something so grand and operatic about this house that became a home that I couldn’t help but feeling pulled in.

GooDe But not GReat Joe Goode has used the image of the body as a home — the only one we have — in many of his dances. In his latest, the house literally collapses on top of him. It’s a rickety, unstable lattice structure that is the visual focal point of the hourlong When We Fall Apart. Putting a libretto together from inquiries among acquaintances, Goode paints a multi-hued portrait of the dashed hopes and failed expectations that come with living. Looking around the audience, with just about every seat having a nametag on it, I couldn’t help but think but how many patrons could identify with those voices. Goode’s ability to shed skins with but a few props kept me gasping and laughing at the same time. His splendily versatile dancers, with choreography in which they reached and stretched towards each other and some invisible goals on the ground and above, amplified the sense of life as inherently unstable. At one point they surrounded Goode as characters from his dreams. The scene looked like a merry-go-round. These days, performers Melecio Estrella and Damara Vita Ganley also shine vocally. Still, with all its charm, wit and theatrical skill, Fall struck me as ultimately facile; its plaintive tune didn’t ring as true as others I have heard from Goode. 2 ‘When We Fall apart’ Through June 30 Wed.-Sat., 7pm (also Fri.-Sat., 9pm), $25-$35 Z Space 450 Florida, SF www.joegoode.org

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arts + culture: film

DĂŠjĂ vu: sTeve careLL in Seeking a Friend For the end oF the World. | Photo by Darren Michaels

4HE

,USTY ,ADY

apOcaLypse MeH

5(œU $'56 #.6'40#6+8' #FWNV 'PVGTVCKPOGPV 6JG 9QTNFœU 10.; 7PKQPK\GF 9QTMGT 1YPGF 2GGRUJQY Æ(TK 5CV .CR &CPEG 2CTV[ Æ2TKXCVG 2NGCUWTGU (CPVCU[ $QQVJU Æ'ZRNKEKV 8+2 5JQYU -GCTP[ 5V " $TQCFYC[ *QVNKPG YYY NWUV[NCF[UH EQO 0Q %QXGT

4UFWF $BSFMMÂľT ZFU BOPUIFS CMBOE OJDF HVZ JO ´4FFLJOH B 'SJFOE GPS UIF &OE PG UIF 8PSMEÂľ By Dennis Harvey arts@sfbg.com FiLM Being a movie star is a precarious business. It seemed very good news when The 40 Year Old Virgin (2005) made Steve Carell one after years of very good work as a sketch comedian and supporting player (and with years of The Office to come). He was smart, funny, personable, and versatile. But Little Miss Sunshine (2006) and the animated Despicable Me (2010) aside, movies have been trying to pound his round peg into a square hole ever since. Evan Almighty (2007), Dan in Real Life (2007), Get Smart (2008), Date Night (2010), Dinner for Schmucks (2010), Crazy, Stupid, Love (2011) — there are worse lists (see: Eddie Murphy, Adam Sandler), but each failed him and its audience in some way. At this point he seems just a few more flops away from re-entering the network sitcom world. Seeking a Friend for the End of the World won’t help. A first directorial feature for Lorene Scafaria, who’d previously written Nick and Norah’s Infinite Playlist (2008) — another movie dubiously convinced that sharing its Desert Island Discs equals soulfulness — it’s an earnest stab at something different that isn’t different enough. Specifically, it’s a little too similar in premise to the 1998 Canadian Last Night (which wasn’t all that hot, either). But the problem is more that Scafaria’s film isn’t anything enough — funny, pointed, insightful, surprising, whatever. Lars von Trier’s Melancholia (2011), for all its faults, ended the world with a bang. This is the whimper version. An asteroid is heading smack toward Earth; we are fucked. News of this certainty prompts the wife of insurance company rep Dodge Peterson (Carell) to walk out — suggesting that with just days left in our collective existence, she would rather spend that time with somebody, anybody, else. A born self-defeatist, he accepts this rejection as proof of total failure in life. So while the multitudes go nuts with apocalyptic fervor — partying, fucking, weeping, etc. — he anticipates quietly crawling toward the hereafter on a business-as-usual schedule. Public hysteria turns from giddy to violent, however, and rioting vandals force Dodge to flee his apartment building. By now, however, he has acquired two strays: A mutt he names Sorry (after the terse note its owner left in surrendering custody) and professedly “flaky, irresponsibleâ€? neighbor Penny (Keira Knightley), editorials

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who’s just broken up with her useless boyfriend (Adam Brody) and missed the last available planes to England, where her family lives. She decides she must reunite Dodge with the long-ago love of his life — an event that could have happened months ago, had the mail carrier not delivered that woman’s flame-rekindling letter by mistake to Penny’s mailbox, and if she hadn’t simply forgotten to slip it under his door. Thus ensues a tepid road-trip dramedy of episodic encounters with interesting actors — William Petersen, Martin Sheen — primed to shine in better material than they get. (One fresh if hardly slamdunk sequence has comedian T.J. Miller as the host at Friendly’s, a chain restaurant where “everyone’s your friend,� perhaps because its orgiastically inclined staff seems to be “rolling pretty hard� on Ecstasy.) Needless to say, however, Carell and Knightley’s odd couple connects en route. Except they don’t, in the chemistry terms that this halfway adventurous, halfway flatlined film ultimately, completely depends upon. Carell’s usual nuanced underplaying has no context to play within — Dodge is a loser because he’s ... what? Too nice? Too passive? Has obnoxious friends (played early on by, in ascending order of humiliation, Rob Corddry, Patton Oswalt, Connie Britton, and Melanie Lynskey)? His character’s angst attributable to almost nothing, Carell has little to play here but the same putupon nice guy he’s already done and done again. So he surrenders the movie to Knightley, who exercises rote “quirky girl� mannerisms to an obsessive-compulsive degree, her eyes alone overacting so hard it’s like they’re doing hot yoga on amphetamines. It’s the kind of role, conceived to be dithering-helpless-eccentric-charming, that too often plays instead as annoying. Knightley makes it really annoying. She’s certainly been capable before — and might yet be in Joe Wright’s forthcoming Anna Karenina, scripted by Tom Stoppard. Here she’s so forcedly over-agitated she sucks life from scenes in which she never seems to be acting with fellow cast-members, but rather with line-feeders or a video monitor. It’s an empty, showy performance whose neurotically artificial character one can only imagine a naturally reserved man like Dodge would flee from. That we’re supposed to believe otherwise stunts Scafaria’s parting exhale of pure girly romanticism — admirable for its wishfulfillment sweetness, lamentable for the extent that good actors in twodimensional roles can’t turn passionate language into emotion we believe in. 2

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seeKinG a FrienD FOr THe enD OF THe WOrLD opens Fri/22 in Bay Area theaters.

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31

music listings

oakland music complex get tickets at

yoshis.com

Student discounts of 50% off are back! Check yoshis.com/discounts for available shows!

Monthly Music Rehearsal Studios

san francisco 1 3 3 0 f i l l m o r e s t. 4 1 5 - 6 5 5 - 5 6 0 0

Wed, June 20 - A Tribute To Journey

STONE IN LOVE

............................................... Thu, June 21 - ‘70s soul/funk - Car Wash! .....................................................

ROSE ROYCE

...............................................

Fri, June 22 - ‘80s R&B/Pop a la Prince & Michael Jackson

RAHSAAN PATTERSON

1255 21St St. Oakland, Ca (510) 406-9697 OaklandMusicComplex.com

oaklandmusiccomplex@gmail.com

...............................................

Sat, June 23 - Vintage jazz

PAT MARTINO ORGAN TRIO ............................................... Sun, June 24 - Blues-rock project

J. GEILS & FRIENdS w/ SuRPRISE GuEST!

Mon-Tue, June 25-26

Recreating Miles Davis’ Kind of Blue

JIMMY COBB’S SO WHAT BAND Wed, June 27 - Former Cubanismo! leader Cuban jazz piano master

NACHITO HERRERA TRIO

...............................................

Thu, June 28 - Cuban piano ace

CHuCHITO VALdES LATIN JAZZ BANd Fri-Sat, June 29-30 - Soul, gospel, blues. The only official Blues Brothers show

The Blues BRoTheRs Revue

oakland 510 embarcadero west, 510-238-9200

Wed-Thu, June 20-21

THE COOkERS

suGAr snAp!

djs jZA & speciAl Guests

motoWn, soul, disco 9pm free! chub-e-freeZ! All hip-hop, All VinYl!

W/ dj biG nAte

fridAY 6/22 7:30 $12

Fri, June 22 Pride Weekend Salsa Dance Party

sAturdAY 6/23 6pm free!

eVerY fridAY 10pm

loose joints!

djs tom thump/dAmon bell & centipede breAks/hip hop/lAtin/AfrobeAt/more!

the belieVer & tumblr present A mixer for the AGes!

Sat & Sun, June 23-24

sheilA heti, mills bAker, melissA GrAeber, joshuA heinemAn, isAAc fitZGerAld

Electric Retrospective II, feat. GEORGE BROOkS

el superritmo!

10pm $5

...............................................

el kool kYle Y dj roGer mĂĄs cumbiA,dAncehAll, sAlsA, hip hop

GET THE BLESSING ...............................................

sundAY 6/24 2pm free mAtinee!

Mon, June 25 Portishead Bassist’s Jazz Quartet

Tues, June 26 - Ray Charles songbook

JuNIuS COuRTNEY feat. dENISE PERRIER BIG BANd ............................................... Wed, June 27 - Latin-Rock Inc. presents

streets full of tAlent • hinjjd • bAY AreA Girls 7:30pm $8

sentimentAl sundAYs

fuckeroos (feAt sonnY smith) the sentimentAls

THIRd SOL ...............................................

flY me to the moon!

LAWRENCE BEAMEN

dj purple kArAoke

Thur, June 28 - from America’s Got Talent

sings BARRY WHITE

Fri-Sun, June 29-July 1

MARILYN McCOO & BILLY dAVIS JR. All shows are all ages. Dinner Reservations Recommended.

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80s dAnce pArtY dj 2shy-shY & dj melt With u thursdAY 6/21 6-9pm free!

the husbAnds • midniGht snAxxx

LARRY CORYELL

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9pm free

burn doWn the disco!

BILLY HARPER, GEORGE CABLES EddIE HENdERSON dAVId WEISS, CRAIG HANdY CECIL MCBEE & BILLY HART

AZuCAR CON ACHĂŠ ...............................................

32 SAN FRANCISCO BAY GUARDIAN

Wed 6/20 6pm free

ZYZZYVA And GrAntA pub quiZ

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mondAY 6/25 6pm free! 9:30pm no coVer!

tuesdAY 6/26 7pm $5

insidestorYtime: trAcks

Will boAst • dAWn oberG • dAVid berkeleY • eric d. GoodmAn • sArAh YounG • mc rAnsom stephens

9:30 pm free!

lost & found

deep& sWeet 60s soul 45s djs luckY & primo & friends 3225 22nd st. ! mission sf cA 94110 415-647-2888 • www.makeoutroom.com music listings

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LISA MARIE PRESLEY PLAYS SLIM’S SuN/24. .VTJD MJTUJOHT BSF DPNQJMFE CZ &NJMZ 4BWBHF 4JODF DMVC MJGF JT VOQSFEJDUBCMF JU¾T B HPPE JEFB UP DBMM BIFBE PS DIFDL UIF WFOVF¾T XFCTJUF UP DPOGJSN CPPLJOHT BOE IPVST 1SJDFT BSF MJTUFE XIFO QSPWJEFE UP VT 7JTJU XXX TGCH DPN WFOVF HVJEF GPS WFOVF JOGPSNBUJPO 4VCNJU JUFNT GPS UIF MJTUJOHT BU MJTUJOHT!TGCH DPN 'PS GVSUIFS JOGPSNBUJPO PO IPX UP TVCNJU JUFNT GPS UIF MJTUJOHT TFF 1JDLT

wednesday 20 Rock /Blues/hip-hop

Brian Bergeron +PIOOZ 'PMFZ¾T QN GSFF Jonathan Coulton, John Roderick (SFBU "NFSJDBO .VTJD )BMM QN Dot Punto, Major Powers and the Lo-Fi Syphony, Greening, Tall Sheep &MCP 3PPN QN Samantha Fish #JTDVJUT BOE #MVFT BOE QN Graffiti6, Yuna $BGF %V /PSE QN Indigo Girls, Shadowboxers 4MJN¾T QN Jeff vs. JC Rockit +PIOOZ 'PMFZ¾T %VFMJOH 1JBOPT QN Amy La Vere )PUFM 6UBI QN Parlotones, Ryan Star, Silent Comedy *OEFQFOEFOU QN Pins of Light, Hot Victory, Lozen )FNMPDL 5BWFSO QN HÊlène Renaut, Bramble and Briar -PTU $IVSDI $BQQ 4' XXX UIFMPTUDIVSDI DPN QN Matt Skiba & the Sekrets, Case in Theory #PUUPN PG UIF )JMM QN Stone in Love: A Tribute to Journey :PTIJ¾T 4' QN Tu Fawning #SJDL BOE .PSUBS .VTJD )BMM QN Vardensphere, W.A.S.T.E., E.S.A., End: The DJ %/" -PVOHF QN

jazz/new music

Cat’s Corner with Nathan Dias 4BWBOOB +B[[ QN Cosmo AlleyCats -F $PMPOJBM $PTNP 1MBDF 4' XXX MFDPMPOJBMTG DPN QN Dink Dink Dink, Gaucho, Michael Abraham CONTINUES ON PAGE 34 >>

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FT. MASON HERBST PAVILLION

One Day. Three Beers.Six Chefs. JOIN US IN CELEBRATING THE BEST OF BELGIUM’S BEER, FOOD, MUSIC AND GAMES. BELGIAN BEER MARKET | MUSSELS THROWDOWN COMPETITION | BEER SCHOOL BOULES COURTS | ,)6% -53)# s ./ !$-)33)/. Always Enjoy Responsibly.

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June 20 - 26, 2012 / SFBG.com

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muSic liStingS CONT>>

"NOFTJB QN GSFF Ricardo Scales 5PQ PG UIF .BSL $BMJGPSOJB 4' XXX UPQPGUIFNBSL DPN QN

folk / world/country

Carlos Aldama with Umi Vaughan $JUZ -JHIUT #PPLTUPSF $PMVNCVT 4' XXX DJUZMJHIUT DPN QN Amy LaVere )PUFM 6UBI

dance cluBS

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XXX MPPLPVUTG DPN QN %SBH XJUI 4VQQPTJUPSJ 4QFMMJOH .FSDFEF[ .VOSP BOE (JOHFS 4OBQ Megatallica 'JEEMFSÂľT (SFFO $PMVNCVT 4' XXX NFHBUBMMJDB DPN QN GSFF )FBWZ NFUBM IBOHPVU

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Childress, Grace Cooper )FNMPDL 5BWFSO QN Gunshy +PIOOZ 'PMFZ¾T QN GSFF Lisa Hannigan, Joe Henry (SFBU "NFSJDBO .VTJD )BMM QN HowellDevine, Aaron Leese & the Panhandlers $BGF %V /PSE QN Radio Noise, H is 4 Hector, Insecurities (SBOU (SFFO QN GSFF Randy vs. Jeff +PIOOZ 'PMFZ¾T %VFMJOH 1JBOPT QN Rose Royce :PTIJ¾T 4' QN QN Scene of Action, Pavement Sea, Gold Medalists #PUUPN PG UIF )JMM QN Spider Heart .BTPO 4PDJBM )PVTF 4' XXX NBTPOTPDJBMIPVTF DPN QN GSFF Van Hunt, Ren the Vinyl Archaeologist *OEFQFOEFOU QN Younger Lovers, School Knights, Grandma’s Boyfriend 5IFF 1BSLTJEF QN

jazz/new muSic

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folk / world/country

“Summer Solstice Soiree with Musica Deliraâ€? #JTTBQ 4U 4' QN Twang! Honky Tonk 'JEEMFSÂľT (SFFO $PMVNCVT 4' XXX UXBOHIPOLZUPOL DPN QN -JWF DPVOUSZ NVTJD EBODJOH BOE HJWF BXBZT

dance cluBS

Afrolicious &MCP 3PPN QN 8JUI %+ IPTU 1MFBTVSFNBLFS TQJOT "GSPCFBU

5SPQJDgMJB FMFDUSP TBNCB BOE GVOL Base: Lee Burridge 7FTTFM $BNQUPO 4' XXX WFTTFMTG DPN SF Riot Grrrl “Mineâ€? ,OPDLPVU QN #FOFGJU GPS -ZPO .BSUJO Arcade -PPLPVU QN GSFF *OEJF EBODF QBSUZ Get Low 4PN UI 4U 4' QN GSFF +FSSZ /JDF BOE "OU TQJO )JQ )PQ ´ T BOE 4PVM XJUI XFFLMZ HVFTUT SkisM %/" -PVOHF QN Thursdays at the Cat Club $BU $MVC QN GSFF CFGPSF QN 5XP EBODF GMPPST CVNQJOÂľ XJUI UIF CFTU PG T NBJOTUSFBN BOE VOEFS HSPVOE XJUI %+ÂľT %BNPO 4UFWF 8BTIJOHUPO %BOHFSPVT %BO BOE HVFTUT Tropicana .BESPOF "SU #BS QN GSFF 4BMTB DVNCJB SFHHBFUPO BOE NPSF XJUI %+T %PO #VTUBNBOUF "QPDPMZQUP 4S 4BFO 4BOUFSP BOE .S & CONTINUES ON PAGE 36 >>

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34 SAN FRANCISCO BAY GUARDIAN

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music listings CONT>>

friday 22 rock /Blues/hip-hop

Cool Ghouls, Cigarette Burns, Courtney and the Crushers, Glitz )FNMPDL 5BWFSO QN Death to All, Gorguts 3FHFODZ #BMMSPPN QN Jenni & the Jerks .BTPO 4PDJBM )PVTF 4' XXX NBTPOTPDJBMIPVTF DPN QN Joe Krown/Walter Wolfman/Russell Batiste Trio #SJDL BOE .PSUBS .VTJD )BMM QN Last Ambassadors, Cash Pony, 3 Ring Simian $BGF %V /PSE QN Larry McCray #JTDVJUT BOE #MVFT BOE QN

Rahsaan Patterson :PTIJÂľT 4' QN QN Retroz, Funkery, Raya Zion Collective 4MJNÂľT QN Sister Crayon, Sea of Bees, Jhameel #PUUPN PG UIF )JMM QN Sole +PIOOZ 'PMFZÂľT QN GSFF Spyrals, Poor Sons, Wild Wild Wets, Arabs 5IFF 1BSLTJEF QN THEESatisfaction *OEFQFOEFOU QN Rags Tuttle, Jeff, Jason Marion +PIOOZ 'PMFZÂľT %VFMJOH 1JBOPT QN

jazz/new music

Audium #VTI 4' XXX BVEJVN PSH QN 5IFBUFS PG TPVOE TDVMQUVSFE TQBDF Black Market Jazz Orchestra 5PQ PG UIF .BSL $BMJGPSOJB 4' XXX UPQPGUIFNBSL DPN QN

Terry Disely #PUUMF $BQ 1PXFMM 4' XXX CPUUMFDBQTG DPN QN GSFF

folk / world/country

David Berkeley 4'0 "JSQPSU 5FSNJOBM 5ISFF BN QN GSFF Ozark Mountain Music Show 1MPVHI BOE 4UBST QN 8JUI $IBQNBOT Taste Fridays *OEJBOB 4' XXX UBTUFGSJ EBZT DPN QN 4BMTB BOE CBDIBUB EBODF MFTTPOT MJWF NVTJD

dance cluBs

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Old School JAMZ &M 3JP QN 'SVJU 4UBOE %+T TQJOOJOH PME TDIPPM GVOL IJQ IPQ BOE 3 # Original Plumbing &MCP 3PPN QN 5SBOT .BSDI BGUFS QBSUZ XJUI %+T 3BQJE 'JSF BOE "WFSBHF +P Paris to Dakar -JUUMF #BPCBC UI 4U 4' QN "GSP BOE XPSME NVTJD XJUI SPUBUJOH %+T JODMVEJOH 4UFQXJTF 4UFWF $MBVEF 4BOUFSP BOE &MFNCF Pledge: Fraternal -PPLPVU QN #FOFGJUJOH -(#5 BOE OPOQSPGJU PSHBOJ[BUJPOT #PUUPNMFTT LFHHFS DVQT BOE QBEEMJOH CPPUI XJUI %+ $ISJTUPQIFS # BOE %+ #SJBO .BJFS

saturday 23 rock /Blues/hip-hop

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36 SAN SAn FRANCISCO FRAnCISCO BAY BAY GUARDIAN GuARDIAn 36

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CLASSIFIEDS classifieds

music listings .VTJD )BMM QN New Position, American Professionals 5IFF 1BSLTJEF QN GSFF Otis Heat, Quick & Easy Boys, Caldecott #PUUPN PG UIF )JMM QN Lavay Smith & Her Red Hot Skillet Lickers #JTDVJUT BOE #MVFT BOE QN “Vans Warped Tour� .D$PWFZ $PWF BU "5 5 1BSL 4' XBSQFEUPVSTG FWFOUCSJUF DPN /PPO 8JUI 5BLJOH #BDL 4VOEBZ "MM 5JNF -PX 6TFE /FX 'PVOE (MPSZ BOE NPSF Whirr, Lorelie, Moonbeams, Half String )FNMPDL 5BWFSO QN

jazz/new music

Audium #VTI 4' XXX BVEJVN PSH QN 5IFBUFS PG TPVOE TDVMQUVSFE TQBDF Citizen’s Jazz 3FE 1PQQZ "SU )PVTF QN May’n :PTIJ¾T 4' QN Pat Martino Organ Trio :PTIJ¾T 4' QN QN

folk / world/country

“Fete de la musique� "MMJBODF 'SBODBJTF #VTI 4' XXX BGTG DPN QN 8JUI 5PE )BNJMUPO BOE +FSSZ ,JFSOBO ;V ;FE 4BGF 6OEFS UIF 5SFF )FMFOF 3FOBVU )PU 4JY BOE NPSF Craig Ventresco & Meredith Axelrod "UMBT $BGF UI 4U 4' XXX BUMBTDBGF OFU QN GSFF

dance clubs

Black Glitter .BTPO 4PDJBM )PVTF 4' XXX NBTPOTPDJBMIPVTF DPN QN Bootie SF: Lady Gaga vs Madonna DJ %/" -PVOHF QN 3FTJEFOU %+T " 1MVT % 4NBTI 6Q %FSCZ XJUI -JOETBZ 4MPXIBOET .+ 1BVM BOE -B 'FNNF Cockblock’s Dyke March After-Party 3JDLTIBX 4UPQ QN 8JUI %+T /BUBMJF /VYY $IFMTFB 4UBSS BOE ,JEE 4ZTLP J Rocc, Shortkut, Beat Junkie Sound, Triple Threat DJs .JHIUZ QN Paris to Dakar -JUUMF #BPCBC UI 4U 4' QN "GSP BOE XPSME NVTJD XJUI SPUBUJOH %+T JODMVEJOH 4UFQXJTF 4UFWF $MBVEF 4BOUFSP BOE &MFNCF

WED June 20 PINS OF LIGHT 9pm $7 Hot Victory Lozen THU June 21 ((Folk Yeah)) presents 8pm $10 THE FUCKAROOS (w/Sonny Smith) Pillars and Tongues (Chicago) Joseph Childress Grace Sings Sludge (of The Sandwitches) FRI June 22 COOL GHOULS 9pm $7 Cigarette Bums Courtney and the Crushers Glitz SAT June 23 WHIRR (Tee Pee) 8pm $8 Lorelei (Slumberland) Moonbeams Half String SUN June 24 FUTURE TWIN (7� release) 8PM $7 Religious Girls Modrag (Austin) Cruel Summer MON June 25 PORCHLIGHT OPEN DOOR 7pm $5 TUE June 26 KWJAZ 9pm $6 Aloonaluna Aja WED June 27 SYMBOLICK JEWS 9pm $6 Konichiwa Baby The Impersonations THU June 28 FAKE YOUR OWN DEATH 8:30pm $6 Glass Trains Le Panique FRI June 29 MOGGS 9:30pm $7 Sons of Huns Porch Upcoming: Blisses B, Glitter Wizard, The Shrine (LA), Apparitions, Rat Columns, Libyans (Boston), Cocktails, Preteen, Lucabrazzi, Cool Ghouls, L.A. Witch, Schande, Pataha Hiss, The Babies (w/ Cassie of Vivian Girls), Simon Joyner (Team Love), Icky Boyfriends, Wounded Lion, Monoshock, Lamps

Dinner ‘til 11PM

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WeDNeSDAY JuNe 20th 8:30PM $15 (iNDie) SOLD Out

GRAFFiti6

R@9F?KL=J

YuNA

thuRSDAY JuNe 21St 8:30PM $10/$12 (BLueS/FOLk)

DeLtA GROOVeS DANce PARtY FeAtuRiNG:

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AARON LeeSe & the PANhANDLeRS FRiDAY JuNe 22ND 9:30PM $10 (ROck)

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cASh PONY • 3 RiNG SiMiAN

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SAtuRDAY JuNe 23RD 9:30PM $12/$15 (ROck)

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SuNDAY JuNe 24th 8:30PM $10 (ROck/AMeRicANA)

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MONDAY, tueSDAY & WeDNeSDAY JuNe 25th, 26th & 27th 7:30PM (ROck) ALL AGeS

BLue BeAR SchOOL OF MuSic BAND ShOWcASeS

WeDNeSDAY & thuRSDAY (SOLD Out) JuNe 27th & 28th 8PM $25 (iNDie) ALL AGeS

uPStAiRS At the SWeDiSh AMeRicAN hALL: the MOuNtAiN GOAtS (SOLO)

DuStiN WONG

thuRSDAY JuNe 28th 8PM $10 (iNDie) ALL AGeS

hARPeR BLYNN (ALBuM ReLeASe) MADi DiAz

FRiDAY JuNe 29th 9PM $10/$12 (ROck)

A-tOWN AGeNcY & Mitch PReSeNt:

tRuckiN' At Du NORD

W/ chRiS SPRAGue & hiS 18 WheeLeRS

SAtuRDAY JuNe 30th 9:30PM $10 (iNDie)

Happy HouR

he'S MY BROtheR She'S MY SiSteR

dance clubs

Aesthetic Perfect, X-RX, BlakOpz %/" -PVOHF QN Dub Mission &MCP 3PPN QN %VC SPPUT BOE DMBTTJD EBODFIBMM XJUI %+ 4FQ 7JOOJF &TQBS[B Jock -PPLPVU UI 4U 4' XXX MPPL PVUTG DPN QN 3BJTF NPOFZ GPS -(#5 TQPSUT UFBNT XIJMF FOKPZJOH %+T BOE ESJOL TQFDJBMT La Pachanga #MVF .BDBX .JTTJPO 4' XXX UIFCMVFNBDBXTG DPN QN 4BMTB EBODF QBSUZ XJUI MJWF "GSP $VCBO TBMTB CBOET

tHu 6/21 wed 6/20 FRi 6/22 sat 6/23

DiA • SteeRiNG FOR the StARS

1. Red Hots BuRlesque $5-10 1. oMG! KaRaoKe /0 '30/5 300.

MONDAY JuLY 2ND 8PM $10 (ROck/POP) ALL AGeS

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1. electRic sHepHeRd, planet tRiBe,

tueSDAY JuLY 3RD 8PM $10 (iNDie) ALL AGeS

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tHe down diRty sHaKe

WeDNeSDAY JuLY 4th 6PM $11/$13 (ALt-BLueGRASS)

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cOLONeL JiMMY & the BLAckFiSh thuRSDAY JuLY 5th 7PM $10 (iNDie)

tRansMaRcH aFteRpaRty

1. sF dyKes on BiKesÂŽ wMc 36tH annual pRe-pRide paRade paRty

teRRAPLANe SuN

RY cuMiNG • FAMiLY WAGON FRiDAY JuLY 6th 9PM $12/$15 (ROck/POP)

SMiLe! PReSeNtS:

keLLeY StOLtz ShANA FALANA

1. we will Be closed till 8p

the She'S • B AND NOt B DJ NeiL MARtiNSON (SMiLe!)

ManGo pM!! tHe post-dyKe MaRcH paRty!! 1. queeRly Beloved 2012 1.

sun 6/24

Kata-vento Brazilian Ensemble 3FE 1PQQZ "SU )PVTF QN Twang Sunday 5IFF 1BSLTJEF QN GSFF 8JUI 'BNPVT

SOuL BiNGO! FeAtuRiNG: cON BRiO

/(- ,- "/ + "'

Mon 6/25

folk / world/country

SuNDAY JuLY 1St 9PM $10 (ROck/SOuL)

SF MeLtiNG POt PReSeNtS:

tue 6/26

Linda Zulaica, Brad Buethe, Chris Amberger #MJTT #BS 4U 4' XXX CMJTTCBS DPN QN

ASSeMBLe heAD iN SuNBuRSt SOuND StRANGe ViNe

$3 well/dRaFt $5 Bloody MaRy

jazz/new music

SAtuRDAY JuLY 7th 9PM $15/$18 (WORLD)

LA GeNte / cOLM O'RiAiN SuNDAY JuLY 8th 8PM $16 (cOMeDY)

couRtney tRouBle and el Rio BRinG you pRide!

ScOtt cAPuRRO: iSLAMAhOMOPhOBiA

1. 1#3 8&-- %0--"3 %": "-- %": 1. aRi cHeRsKy, o-naMi, alienslanG +";; 30$, &-&$530 1. Radical vinyl- %+Âľ4 41*/ '6/, )*1)01 0-%*&4 16/, /0 1. ."3("3*5"4 "-- /*()5

thuRSDAY JuLY 12th 9PM $10 (FOLk/cOuNtRY)

eMiLY BONN & the ViVANtS the hARkeNBAckS • the JuNcOS FRiDAY JuLY 13th 9PM $12 (ROck)

1. GalleRy ciRcus, BanteR BanteR, tHe

StRANGeLOVe

BRancas */%*& 1. coloR HuMano- dj aaRon lindell

(DePeche MODe tRiBute)

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CONTINUES ON PAGE 38 >>

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FeAt. AMBeR FOxx Mitch POLzAk AND 10-4 kit & the BRANDeD MeN DJ tANOA "SAMOA BOY"

sunday 24 Amaral *OEFQFOEFOU QN Anita Baker, Family Stone, Glide Ensemble 4UFSO (SPWF 'FTUJWBM 4UFSO (SPWF 4' XXX TUFSOHSPWF PSH QN GSFF Future Twin, Modrag, Cruel Summer )FNMPDL 5BWFSO QN J. Geils & Friends :PTIJÂľT 4' QN QN John Lawton Trio +PIOOZ 'PMFZÂľT QN GSFF Men, Wax Idols, Burnt Ones #PUUPN PG UIF )JMM QN Lisa Marie Presley 4MJNÂľT QN Shady Maples, Blind Willies $BGF %V /PSE QN Viola Booth Group, Mike Bloom, Alan Semerdjian "NOFTJB QN

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Music listings CONT>>

Monday 25 Rock /blues/hip-hop

“An Evening with Philip Glass and Joanna Newsom and Tim Fainâ€? 8BSGJFME QN #FOFGJU GPS #JH 4VSÂľT )FOSZ .JMMFS .FNPSJBM -JCSBSZ “Blue Bear School of Music Showcasesâ€? $BGF %V /PSE QN Jimmy Cobb’s So What Band :PTIJÂľT 4' QN QN Damir +PIOOZ 'PMFZÂľT QN GSFF Friends, Splash!, Young Digerati #PUUPN PG UIF )JMM QN Scott Lucas & the Married Men #SJDL BOE

.PSUBS .VTJD )BMM QN 2:54, Widowspeak *OEFQFOEFOU QN

jazz/new Music

Bossa Nova 5VOOFM 5PQ #VTI 4' QN GSFF -JWF BDPVTUJD #PTTB /PWB

folk / woRld/countRy

tuesday 26

Earl Brothers "NOFTJB QN Anna Fermin 0TUFSJB 4BDSBNFOUP 4' XXX PTUFSJBTG DPN QN

dance clubs

XXX UIFCFBVUZCBS DPN QN GSFF )JQ IPQ BOE PUIFS TUVGG M.O.M. .BESPOF "SU #BS QN GSFF %+T 5JNPUFP (JHBOUF (PSEP $BCF[B BOE $ISJT 1IMFL QMBZJOH BMM .PUPXO FWFSZ .POEBZ Vibes’N’Stuff &M "NJHP #BS .JTTJPO 4' QN GSFF $POTDJPVT KB[[ BOE IJQ IPQ GSPN T FBSMZ ´ T XJUI %+T -VDF -VDZ 7JOOJF &TQBS[B BOE NPSF

Rock /blues/hip-hop

Death Guild %/" -PVOHF QN (PUIJD JOEVTUSJBM BOE TZOUIQPQ XJUI +PF 3BEJP %FDBZ BOE .FMUJOH (JSM Krazy Mondays #FBVUZ #BS .JTTJPO 4'

Arcadio Residency: Dedications, Brendan Thomas "NOFTJB QN “Blue Bear School of Music Showcases� $BGF %V /PSE QN Daniel Castro #JTDVJUT BOE #MVFT BOE QN

Jimmy Cobb’s So What Band :PTIJ¾T 4' QN QN Hundred in the Hands, Silver Swans, Teenage Sweater 3JDLTIBX 4UPQ QN K-Holes, Dirty Ghosts, Blasted Canyons #SJDL BOE .PSUBS .VTJD )BMM QN KWJAZ, Aloonaluna, Aja )FNMPDL 5BWFSO QN Queen Extravaganza 3FHFODZ #BMMSPPN QN Stan Erhart Band +PIOOZ 'PMFZ¾T QN GSFF

jazz/new Music

Trini Lopez “Mr. La Bamba� 3SB[[ 3PPN QN

Thu 6/21 claMhawK ManoR Fri 6/22 joe KRown/ walTeR wolfMan/ Russell baTisTe TRio saT 6/23 locos PoR juana banG daTa

Mon 6/25 scoTT lucas & The MaRRied Men

dance clubs

Gumbo Lab -JUUMF #BPCBC 4U 4' QN GSFF )JQ IPQ SFH HBF BOE JNQSPW PQFO NJD IPTUFE CZ .4, '. BOE $ISJT # Eclectic Company 4LZMBSL QN GSFF %+T 5POFT BOE +BZCFF TQJO PME TDIPPM IJQ IPQ CBTT EVC HMJUDI BOE FMFDUSP Post-Dubstep Tuesdays 4PN UI 4U 4' QN GSFF %+T %OBF #FBUT &QDPU 'PPUXFSLT TQJO 6, 'VOLZ #BTT .VTJD San FraNOLA 1VCMJD 8PSLT QN GSFF 8JUI %+ #SJDF /JDF -BHOJBQQF #SBTT #BOE BOE $PPL .F 4PNFUIJO .JTUFS KBNCBMBZB Study Hall +PIO $PMJOT -PVOHF .JOOB 4' XXX KPIODPMJOT DPN QN )JQ IPQ EBODFIBMM BOE #BZ TMBQT XJUI %+ -FGU -BOF 2

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UIF!ZPVOHFS!MPWFST

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UIF!OFX!QPTJUJPO UIF!BNFSJDBO!QSPGFTTJPOBMT

Tue 6/26 K-holes

:QN!%9

diRTy GhosTs

BMDPIPMPDBVTU!QSFTFOUT;

LJDLFS

blasTed canyons

saT 6/30 PaRish GRouP PResenTs

new Monsoon wiTh sPecial GuesT

Q/S/P/C/M/F/N/T/! NPEFSO!QFUT! SPDL!CPUUPN TVOEBZ!7035!!5QN!GSFF UXBOH!TVOEBZ

TiM caRbone

UIF!GBNPVT

fRoM RailRoad eaRTh

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SPZBM!IFBEBDIF XJME!NPUI OBPNJ!QVOL BOOF TIPQ!UBML

VQDPNJOH!TIPXT

Wednesday 6/20 Kid inK nio Tha GifT K-i-d T-Ran fResh Music

Thursday 6/21 chico TRujillo la Misa neGRa

saTurday 6/23 The PeoPle PaRTy Tuesday 6/26 johnny osbouRne bushMan

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xxx/uiffqbsltjef/dpn 2711!28ui!Tusffu!ÂŚ!526.363.2441

sPawnbReezie

38 SAN FRANCISCO BAY GUARDIAN

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sTAgE lisTings

CLIFToN DuNCAN IN The ScoTTSboro boyS AT AMERICAN CoNSERVAToRY ThEATER. photo by henry Dirocco

4UBHF MJTUJOHT BSF DPNQJMFE CZ (VBSEJBO TUBGG 1FSGPSNBODF UJNFT NBZ DIBOHF DBMM WFOVFT UP DPOGJSN 3FWJFXFST BSF 3PCFSU "WJMB 3JUB 'FMDJBOP BOE /JDPMF (MVDLTUFSO 4VCNJU JUFNT GPS UIF MJTUJOHT BU MJTUJOHT!TGCH DPN 'PS GVSUIFS JOGPSNBUJPO PO IPX UP TVCNJU JUFNT GPS UIF MJTU JOHT TFF 1JDLT

THEATER opEning

The Scottsboro Boys "NFSJDBO $POTFSWBUPSZ 5IFBUFS (FBSZ 4' XXX BDU TG PSH 1SFWJFXT 5IV 4BU BOE 5VFT QN BMTP 4BU QN 4VO QN 0QFOT +VOF QN 3VOT 5VF 4BU QN +VMZ QFS GPSNBODF BU QN BMTP 8FE BOE 4BU QN OP NBUJOFF +VMZ +VMZ BOE QN 5ISPVHI +VMZ "NFSJDBO $POTFSWBUPSZ 5IFBUFS QSFTFOUT UIF ,BOEFS BOE &CC NVTJDBM BCPVU OJOF "GSJDBO "NFSJDBO NFO GBMTFMZ BDDVTFE PG B DSJNF UIFZ EJEOµU DPNNJU JO UIF QSF DJWJM SJHIUT NPWFNFOU 4PVUI

ongoing

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5 Lesbians Eating a Quiche 1IPFOJY 5IFBUSF .BTPO 4' XXX UJEFTUIFBUSF PSH 5IV 4BU QN BMTP 4BU QN 5ISPVHI +VMZ 5JEFT 5IFBUSF QFSGPSNT &WBO -JOEFS BOE "OESFX )PCHPPEµT DPNFEZ BCPVU GJWF XPNFO GPSDFE JOUP B CPNC TIFMUFS EVSJOH B NJE CSFBL GBTU OVLF BUUBDL The Full Monty &VSFLB 5IFBUSF +BDLTPO 4' XXX SPMUIFBUSF DPN 5IV 4BU QN BMTP 4BU QN 4VO QN 5ISPVHI +VOF *O EFTQFSBUF UJNFT IPX GBS XPVME ZPV HP UP UVSO B CVDL 5IF DFOUSBM QSFNJTF PG UIF NPWJF BOE JUT OBNFTBLF NVTJDBM DPNFEZ The Full Monty UIF BOTXFS UP UIJT RVFTUJPO JT SJHIU JO UIF UJUMF XIJDI MJNJUT UIF TVTQFOTF CVU BNQT VQ UIF FYQFDUBUJPOT 4FU OPU JO 4IFGGJFME &OHMBOE BT JO UIF NPWJF CVU UIF TJNJMBSMZ FDP OPNJDBMMZ DIBMMFOHFE DMJNBUF PG #VGGBMP /FX :PSL DJSDB UIF MBUF OJOFUJFT UIF DPNJDBM SPNQ GPMMPXT B HSPVQ PG VOFNQMPZFE TUFFM XPSLFST XIP EFDJEF SBUIFS PQUJNJTUJDBMMZ UIBU TQFOEJOH POF OJHIU BT FYPUJD EBODFST XJMM TPMWF UIFJS JNNFEJBUF GJOBODJBM XPFT 0O PQFOJOH OJHIU 3BZ PG -JHIUµT QSPEVDUJPO SBO BCPVU NJOVUFT MPOH BGUFS B MBUF TUBSU BOE UIF UFNQP TFFNFE TMVHHJTI JO QBSUT CVU PODF JU IJUT JUT TUSJEF The Full Monty TIPVME QSPWJEF B XFMDPNF BOUJEPUF UP UIF POHP JOH XFµSF TUJMM JO B SFDFTTJPO CMVFT SFE MFBUIFS H TUSJOHT BOE BMM (MVDLTUFSO

Fwd: Life Gone Viral .BSTI 4BO 'SBODJTDP 7BMFODJB 4' XXX UIFNBSTI PSH 4BU QN 4VO QN 4VO TIPX BU QN +VMZ TIPX BU QN &YUFOEFE UISPVHI +VMZ 5IF JOUFSOFU CFDPNFT DPNJD GPEEFS GPS DSFBUPS QFS GPSNFST $IBSMJF 7BSPO BOE +FSJ -ZOO $PIFO BOE DSFBUPS EJSFDUPS %BWJE 'PSE Lips Together, Teeth Apart /FX $POTFSWBUPSZ 5IFBUSF $FOUFS 7BO /FTT 4' XXX ODUDTG PSH 8FE 4BU QN 4VO QN 5ISPVHI +VMZ /FX $POTFSWBUPSZ 5IFBUSF $FOUFS QFSGPSNT 5FSSFODF .D/BMMZµT QMBZ BCPVU UXP TUSBJHIU DPVQMFT TQFOEJOH +VMZ BNJE 'JSF *TMBOEµT HBZ DPNNVOJUZ 100 Saints You Should Know 5IJDL )PVTF UI 4U 4' XXX UIFSIJOP PSH 'SJ 4BU QN 4VO QN &YUFOEFE UISPVHI +VMZ )PNFTQVO TDFOJD EFTJHO OPUXJUITUBOEJOH 5IFBUSF 3IJOPDFSPT BOE BSUJTUJD EJSFDUPS +PIO 'JTIFS PGGFS B GJOF FOHSPTTJOH QSPEVDUJPO PG UIJT QMBZ CZ ,BUF 'PEPS (Hannah and Martin, RX) B TUVSEZ DPNFEZ ESBNB BCPVU

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Reunion 4' 1MBZIPVTF 4UBHF 5XP 4VUUFS 4' XXX TGQMBZIPVTF PSH 8FE 5IV QN 'SJ 4BU QN 5ISPVHI +VOF 4' 1MBZIPVTF QSFTFOUT B XPSME QSF NJFSF ESBNB CZ MPDBM QMBZXSJHIU ,FOO 3BCJO “Risk Is This...The Cutting Ball New Experimental Plays Festival” &YJU PO 5BZMPS 5BZMPS 4' XXX DVU UJOHCBMM DPN 'SFF EPOBUJPO GPS SFTFSWFE TFBUJOH EPOBUJPO GPS GJWF QMBZ SFTFSWFE TFBUJOH QBTT 'SJ 4BU QN 5ISPVHI +VMZ $VUUJOH #BMMµT BOOVBM GFTU PG FYQFSJNFOUBM QMBZT GFBUVSFT UXP OFX XPSLT BOE GJWF OFX USBOTMBUJPOT JO TUBHFE SFBEJOHT Slipping /FX $POTFSWBUPSZ 5IFBUSF $FOUFS 7BO /FTT 4' XXX ODUDTG PSH 8FE 4BU QN 4VO QN 5ISPVHI +VMZ /FX $POTFSWBUPSZ 5IFBUSF $FOUFS QFSGPSNT %BOJFM 5BMCPUUµT ESBNB BCPVU B HBZ UFFO XIP GJOET OFX IPQF BGUFS B USBVNBUJD CSFBLVQ

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Tenderloin &YJU PO 5BZMPS 5BZMPS 4' XXX DVUUJOHCBMM DPN &YUFOEFE SVO 5IV QN 'SJ 4BU QN BMTP 4BU QN 4VO QN "OOJF &MJBT BOE $VUUJOH #BMM 5IFBUFS BSUJTUT QSFTFOU B XPSME QSFNJFSF ²EPDVNFOUBSZ UIFBUFS³ QJFDF MPPLJOH BU UIF QFPQMF BOE QMBDFT JO UIF $VUUJOH #BMM 5IFBUFSµT PXO ´IPPE Vital Signs .BSTI 4BO 'SBODJTDP 7BMFODJB 4' XXX UIFNBSTI PSH 'SJ QN 4BU QN 5ISPVHI +VMZ 5IF .BSTI 4BO 'SBODJTDP QSFT FOUT "MJTPO 8IJUUBLFSµT CFIJOE UIF TDFOFT MPPL BU OVSTJOH JO "NFSJDB The Waiting Period .BJO4UBHF .BSTI 4BO 'SBODJTDP 7BMFODJB 4' XXX UIFNBSTI PSH 'SJ QN 4BU QN &YUFOEFE UISPVHI +VMZ #SJBO $PQFMBOE DPNFEJBO 57 BOE SBEJP QFSTPOBMJUZ BOE DSF BUPS QFSGPSNFS PG UIF MPOH SVOOJOH TPMP QMBZ Not a Genuine Black Man SFUVSOT UP UIF .BSTI XJUI B OFX TPMP UIJT POF CBTFE PO NPSF SFDFOU BOE NFTTJFS FWFOUT JO $PQFMBOEµT MJGF *UµT B XPS UIZ BJN CVU POMZ B GJUGVMMZ FOHBHJOH QJFDF TJODF BT ESBNB JU SFNBJOT UIJO TUBOEJOH BU QFSIBQT UPP SFTQFDUGVM B EJTUBODF GSPN UIF DPOWPMVUFE UPS NFOU BOE BMJFOBUJPO BU JUT DFOUFS "WJMB 2

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June 20 - 26, 2012 / SFBG.com

39

film listings

for more arts content visit sfbg.cOm/pixel_visiOn 'JMN MJTUJOHT BSF FEJUFE CZ $IFSZM &EEZ 3FWJFXFST BSF ,JNCFSMZ $IVO .BY (PMECFSH %FOOJT )BSWFZ BOE -ZOO 3BQPQPSU 'PS SFQ IPVTF TIPXUJNFT TFF 3FQ $MPDL

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Opening

A SCOTTISH prINCESS BATTLES AN ArrANGEd MArrIAGE IN pIxAr’S LATEST, Brave, OUT FrI/22. | courtesy of disney/pixar

Abraham Lincoln: Vampire Hunter "NFSJDBµT UI QSFTJEFOU KVNQT BCPBSE UIF CMPPETVDLFS CBOEXBHPO Presidio. Brave ,FMMZ .BDEPOBME &NNB 5IPNQTPO BOE #JMMZ $POOPMMZ TUBS JO 1JYBSµT GBOUBTZ BCPVU B TUSPOH XJMMFE HJSM XIP CSJOHT UVSNPJM VQPO IFS 4DPUUJTI LJOHEPN XIFO TIF EFGJFT B MPOH IFME USBEJUJPO Balboa, Presidio, Shattuck. 5 Broken Cameras 1BMFTUJOJBO &NBE #VSOBU CPVHIU IJT GJSTU DBNDPSEFS JO XJUI UIF JOUFOUJPO PG CPUUMJOH GBNJMZ NFNPSJFT CVU XIFO *TSBFMJ GPSDFT CFHBO UIF DPOTUSVDUJPO PG TFUUMF NFOUT JO #JMµJO IJT IPNF WJMMBHF JO UIF 8FTU #BOL #VSOBU TUVNCMFE JOUP BDUJWJTU GJMNNBLFS UFSSJUPSZ *O EPDVNFOUJOH IJT DPNNVOJUZµT OPOWJPMFOU SFTJTUBODF UP UIF *TSBFMJ PDDVQB

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BENJSBCMF MJUUMF NPWJF JOUP TPNFUIJOH DPODFQUV BMMZ TVSQSJTJOH SFDLMFTT BOE SBUIFS FYIJMBSBUJOH Metreon, Shattuck. )BSWFZ

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John Belushi dan Aykroyd

Friday June 29, 8pm (Doors open 7pm)

An epic, musically charged comedy starring John Belushi and Dan Aykroyd who raise money for the orphanage where they were raised while avoiding the police. High speed car chases, spectacular crashes and great music! 4EVEQSYRX 1SZMI 'PEWWMGW MRGPYHI PMZI ;YVPMX^IV SVKER WIVIREHI (IG 3 ;MR VEJ¾I newsreel, cartoon and previews. Admission oNlY $5 ticketmaster.com or 800-745-3000

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Honest Abe (benjAmin WAlker) slAugHters tHe undeAd in AbrAhAm LincoLn: VAmpire hunter, out Fri/22. | Photo by stePhen vaughan

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FICTITIOUS BUSINESS NAME STATEMENT FILED NO. A-0343603-00 The following person is doing business as PL Wholesale Distribution 1257 Avenidas DONATE YOUR CAR, TRUCK OR BOAT TO Las Brisas San Jose, CA 95131. This HERITAGE FOR THE BLIND. Free 3 Day business is conducted by limited an Vacation, Tax Deductible, Free Towing, All individual. Registrant commenced busiZJFMET UIF CFTU SFTVMUT $BQ Paperwork aries Taken Care Of. 888-902-6851. ness under the above-listed fictitious (Cal-SCAN) business name on the date N/A. Signed aQUariUs March 21-April 19 by Patrick Luong. This statement was filed by Mariedyne L. Argente, Deputy County *U JT UIF XBZ UIBU ZPV SFTQPOE UP Jan. on20-Feb. 18 L#100001, June Clerk May 22, 2012. 2008 Toyota FJ Cruiser Trail Teams 6, 13, 20, and 27, 2012 UIJOHT UIBU DPVOUT OPX "SJFT #F PQFO UP DIBOHF CPUI UIF edition, 14800 miles, white, 4X4, navigaFICTITIOUS BUSINESS NAME STATEtion, excellent condition, $9800, bacb@ 8IFO ZPV GFFM UISFBUFOFE PS LJOE UIBU ZPV OFFE UP DSFBUF BOE MENT FILED NO. A-0343628-00 The netscape.com following person is doing business as UIF TUVGG UIBU IBQQFOT PVU PG IPWFSXIFMNFE JUÂľT FBTZ UP BDU BUY ANY JUNK CAR - $300 Flat Rate Twin Peaks Auto Service 598 Portola *Includes Pick-Up. 1-888-889-5670. EFGFOTJWFMZ BOE FOHBHF JO PS Drive, San Francisco, CA 94131. This ZPVS DPOUSPM *G ZPV DBO CF ZPVS (Cal-SCAN) business is conducted by a general partTUBSU TUVQJE GJHIUT /P NBUUFS XIFO ZPV TIBSF XJUI PUIFST *G PXO BODIPS ZPV EPOÂľU OFFE UP SELL Your CAR, TRUCK or SUV Today! nership. Registrant commenced business All 50 states, fast pick-up and payment. IPX QBTTJPOBUFMZ ZPV GFFM FOUJ ZPV GPSHFU UP JODMVEF PUIFST JO under the above-listed fictitious business EFGJOF ZPVS TFDVSJUZ PS IBQQJ Any condition, make or model. Call now name on the date N/A. Signed by Johnny UMFE UP ZPVS GFFMJOHT TMPX EPXO UIF HPPE PG ZPVS MJGF JU IBT B XBZ 1-877-818-8848. www.MyCarforCash.net OFTT UISPVHI PVUTJEF DPOEJ G. Cheng. This statement was filed by AIRLINE CAREERS BEGIN Here - Become (Cal-SCAN) Michael Jaldon, Deputy County Clerk on an Aviation Maintenance Tech. FAA BOE DPOTJEFS UIF DPOTFRVFODFT PG FDMJQTJOH ZPVS BCVOEBODF TP UJPOT #SJOH UIF CFTU ZPVÂľWF HPU May 23, 2012. L#113612 May 30, June approved training. Financial aid if qualiCFGPSF ZPV BDU QVU ZPVSTFMG PVU UIFSF 6, 13 and 20, 2012 fied - Housing available. Job placement UP UIF JOFWJUBCMF JO ZPVS MJGF UIJT assistance. CALL Aviation Institute of FICTITIOUS BUSINESS NAME STATEXFFL FILED NO. A-0343681-00 The taUrUs liBra Maintenance (888) 242-3382. (Cal-SCAN) Feeling older? Men lose the ability to MENT produce testosterone as they age. Call following person is doing business as ATTEND COLLEGE ONLINE. *Medical, pisces 888-904-2372 for a20 FREE trial of ProgeneBay City Designs 817 Carolina Street, *Business, *Criminal Justice. Job placeApril 20-May Sept. 23-Oct. 22 All Natural Testosterone Supplement. San Francisco, CA 94107. This business ment assistance. Computer available. ,FFQ ZPVS FZFT PO UIF QSJ[F :PV :PVÂľSF MPPLJOH GPS MPWF JO BMM UIF (Cal-SCAN) is conducted by limited an individual. Feb. 19-March 20 Financial Aid if qualified. SCHEV certified. Registrant commenced business under Call 888-210-5162 www.CenturaOnline. BSF NFBOU UP UISJWF BOE UIJT XSPOH QMBDFT BHBJO -JCSB 6OUJM 3FNBJO USVF UP ZPVS JEFBMT FWFO the above-listed fictitious business com (Cal-SCAN) name on the date N/A. Signed by Patrick XFFL ZPV OFFE UP TUBZ GPDVTFE ZPV TUBSU XJUI ZPVSTFMG ZPV BSF XIFO ZPVS NPPET USZ UP UFBS ZPV OĂ­Donogue. This statement was filed by HIGH SCHOOL DIPLOMA! Attention Joint & Muscle Pain Sufferers: PO ZPVS HPBMT TP UIBU ZPV DBO EP VOMJLFMZ UP HFU PGG UIJT DBSPVTFM Maribel Jaldon, Deputy County Clerk on BXBZ GSPN UIFN 8IFO ZPVÂľSF Graduate in 4 weeks! FREE Brochure. Clinically proven all-natural supplement May 25, 2012. L#113614 May 30, June Call NOW! 1-866-562-3650 ext. 60 www. helps reduce pain and enhance mobility. KVTU UIBU 3FBDI PVU UP PUIFST 6OQMVH FWFSZUIJOH BOE DBODFM GSFBLJOH PVU JUÂľT FBTZ UP DPOWJODF 6, 13 and 20, 2012 SouthEasternHS.com (Cal-SCAN) Call 877-217-7698 to try Hydraflexin GPS IFMQ BOE MFBSO UIF WBMVF PG QMBOT 2VJU JU XJUI UIF EJTUSBD FICTITIOUS BUSINESS NAME STATERISK-FREE for 90 days. (Cal-SCAN) ZPVSTFMG UIBU ZPV EFTFSWF UP EP MENT FILED NO. A-0343928-00 The DPMMBCPSBUJOH XJUIPVU EJMVUJOH UJPOT VOUJM ZPV HFU SJHIU XJUI XIBUFWFS ZPV XBOU CVU JU JTOÂľU following person is doing business as M. Toich & Son 1100 Potrero Avenue ZPVS WJTJPO PS XJMM 'MFYJCJMJUZ BOE ZPVSTFMG 0OMZ UIFO XJMM ZPV CF TP 3JTF UP UIF PDDBTJPO BOE BDU San Francisco, CA 94110. This business WJUBMJUZ XJMM DBSSZ ZPV UISPVHI BCMF UP UBLF DBSF PG UIJOHT JO B is conducted by limited an individual. XJUI JOUFHSJUZ UIJT XFFL FTQF Registrant commenced business under XBZ UIBU NBLFT UIJOHT HPPE ADVERTISE Your Truck DRIVER JOBS in DJBMMZ XIFO UIF HPJOH HFUT SPVHI REACH CALIFORNIANS WITH A CLASthe above-listed fictitious business name gemini 240 California newspapers for one low on the date June 6, 2012. Signed by SIFIED IN ALMOST EVERY COUNTY! cost of $600. Your 25 word classified ad scorpio Scott Martinez. This statement was filed Experience the power of classifieds! May 21-June Daily 21 and Weekly reaches over 6 million+ Californians. Free Jessica has been by MichaelLanyadoo Jaldon, Deputy County Clerk on Combo~California brochure call Elizabeth (916)288-6010. June 6, 2012. L#100003, June 13, 20, Networks. One order. One payment. Free 5IJT XFFL DMFBS VOFRVJWPDBM Oct. 23-Nov. 21 a Psychic for 17 (Cal-SCAN) 27 and July 4,Dreamer 2012 Brochures. maria@cnpa.com or (916)288DPNNVOJDBUJPO XJMM CSJOH ZPVS 8IFO UIJOHT HFU TUVDL ZPV DBO 6010. (Cal-SCAN) ATTENTION: DRIVERS! Drive 4 Us. Top Pay FICTITIOUS BUSINESS NAMEwebsite STATEyears. Check out her & CSA Friendly Equipment. 401K & Great MENT FILED NO. A-0343931-00 The HBNF UP UIF OFYU MFWFM (FNJOJ USZ UP VOTUJDL ´FN CVU XIBU EP at www.lovelanyadoo.com Insurance. 2 Months CDL Class A Driving following person is doing business asor #F EJSFDU BOE DPNQBTTJPOBUF ZPV EP XIFO UIBU JTOÂľU XPSLJOH Bay Area People Solutions 565 SauExperience. 877-258-8782 (Cal-SCAN) contact her for an astrology or salito Blvd., Sausalito, CA 94965. This DRIVERS - GREAT PAY, quarterly safety BT ZPV BTTFSU ZPVS OFFET PS 5IFSF OFFET UP CF B QPJOU XIFO business is conducted individual. intuitive reading by atan(415) 336bonus. Hometime choices. Steady freight, Registrant commenced business under SFTQPOE UP UIF OFFET PG UIPTF ZPV BDDFQU UIF MJNJUBUJPOT PG full or part-time. Safe, clean, modern MY COMPUTER WORKS. Computer prob8354 or dreamyastrology@ the above-listed fictitious business name trucks. CDL-A, 3 months current OTR lems? Viruses, spyware, email, printer BSPVOE ZPV .BLF UIF LJOE PG ZPVS TJUVBUJPO 4DPSQJP 4UPQ on the date 6/6/12. Signed by Cherie Larissues, bad internet connections - FIX IT gmail.com experience. 800-414-9569. www.drivekson. This statement was filed by Michael NOW! Professional, U.S.-based techniEFFQ DIBOHFT UIBU ZPV OFFE USZJOH UP HFU ZPVS TRVBSF QFH night.com (Cal-SCAN) Jaldon, Deputy County Clerk on June 6, cians. $25 off service. Call for immediate 2012. L#001123 June 13, 20, 27 and DRIVERS CO & O/OP’s. Regional Home JO ZPVS SFMBUJPOTIJQT CZ HFOUMZ JOUP UIBU SPVOE IPMF BOE QVU help. 1-888-865-0271 (Cal-SCAN) July 4, 2012 weekly. Teams 7-14 days. Class A CDL 1 SAVE on Cable TV-Internet-Digital Phone. BTTFSUJOH ZPVS USVF XJTIFT XJUI ZPVS FOFSHZ XIFSF JU DBO UISJWF year experience in last 3. Call 1-800-695NOTICE OF APPLICATION FOR CHANGE Packages start at $89.99/mo (for 12 9643. (Cal-SCAN) IN OWNERSHIP OF ALCOHOLIC BEVERPUIFST Options from ALL major service JOTUFBE .PWF POXBSET BOE months.) AGE LICENSE Date of Filing Application: Help Wanted!!! Make money Mailing providers. Call Acceller today to learn VQXBSET QBM brochures from home! FREE Supplies! JUNE 6, 2012. To Whom It May Concern: cancer more! CALL 1-888-897-7650. (Cal-SCAN) Helping Home-Workers since 2001! GenuThe name of the applicant is: WAY OUT ine Opportunity! CAFE . The applicant listed above is apsagittariUs No experience required. Start ImmediJune 22-July 22 plying to The Department of Alcoholic Bevately! www.theworkhub.net (AAN CAN) erage Control to sell alcoholic beverages :PVS HVU GFFMJOHT XJMM HVJEF ZPV Nov. 22-Dec. 21 at: 3188 MISSION ST., SAN FRANCISCO, INTERNATIONAL CULTURAL EXCHANGE CA 94110-4504. Type of License Applied UP XIFSF ZPV OFFE UP HP JG ZPV MFU Representative: 8IFSF ZPV GPDVT ZPVS FOFSHJFT Earn supplemental for: 41 Ăą ON-SALE BEER AND WINE Ever Consider a Reverse Mortgage? At income placing and supervising high UIFN .PPODIJME :PVS JOTUJODUT UIFZ NVMUJQMZ 4P TJNQMF CVU ĂąEATING PLACE . PUBLICATION DATES: least 62 years old? Stay in your home & school exchange students. Volunteer JUNE 13, 20, and 27 2012. L#100004 increase cash flow! Safe & Effective! Call families also needed. Promote world MJWF JO B QMBDF UIBU SFRVJSFT TPNF host FBTZ UP GPSHFU 5IJT XFFL ZPVS ORDER TO SHOW CAUSE FOR CHANGE Now for your FREE DVD! Call Now 888peace! www.afice.org/reps (Cal-SCAN) TUJMMOFTT UP HFU UP "MPOF UJNF DIBMMFOHF JT UP CF SFBM XJUI ZPVS OF NAME CASE NUMBER: CNC-12698-3165. (Cal-SCAN) NEW TO TRUCKING? Your new career 548728. SUPERIOR COURT, 400 SOCIAL SECURITY DISABILITY BENEFITS. starts now! *$0 Tuition Cost, *No Credit NBZ GFFM DPVOUFS JOUVJUJWF UIJT TFMG BCPVU ZPVS DPODFSOT XIJMF McAllister St. San Francisco, CA 94102. Win or Pay Nothing! Start your Application Check, *Great Pay & Benefits. Short PETITION of SCARLETT ISABELLA WOLFE XFFL CVU ZPV OFFE UP TQFOE OPU MFUUJOH UIFN CMPTTPN JOUP In Under 60 Seconds. Call Today! Contact employment commitment required. Call: for change of name. TO ALL INTERDisability Group, Inc. Licensed Attorneys 1-866-275-3249. www.JoinCRST.com TPNF UJNF JO B TXFFU MJUUMF QMBDF NBKPS GFBST *G ZPV EPOÂľU LOPX ESTED PERSONS: Petitioner SCARLETT & BBB Accredited. Call 877-490-6596. (Cal-SCAN) ISABELLA WOLFE filed a petition with (Cal-SCAN) DBMMFE .F .JOJNJ[F BDUJWJUZ BOE XIBU XJMM IBQQFO OFYU USZ JNBH this court for a decree changing names NBYJNJ[F ZPVS SFDFQUJWJUZ JOJOH UIJOHT UVSOJOH B DPSOFS BOE as follows: Present Name SCARLETT ISABELLA WOLFE. Proposed Name: JNQSPWJOH 4BH SCARLETT CORLISS WOLFE. THE COURT leo ADVERTISE YOUR AUCTION in 240 CaliforORDERS that all persons interested in nia newspapers for one low cost of $600. this matter shall appear before this court capricorn Your word classified at the hearing indicated below to show July2523-Aug. 22 ad reaches over ADVERTISE a display BUSINESS CARD 6 million+ Californians. Free brochure call cause, if any, why the petition for change sized ad in 140 California newspapers 8IFO ZPV GFFM CBE JUÂľT IBSE UP Dec. 22-Jan. 19 Elizabeth (916)288-6010. (Cal-SCAN) of name should not be granted. NOTICE for one low cost of $1,550. Your display OF HEARING Date: AUGUST 14, 2012. ad reaches over 3 million+ CFMJFWF UIBU ZPV IBWF BOZ DIPJDF 3.75x2ĂŽ :PV BSF FOHBHFE JO B QSPDFTT Time: 9:00 AM room – 514. Signed by Californians. Free brochure call Ekizabeth Donald Sullivan, Presiding Judge on JUNE JO UIF NBUUFS )FBSUBDIF BOE JO XIJDI ZPV DBO CFUUFS HFU UP (916)288-6010. (Cal-SCAN) 24, 2012. Endorsed Filed San Francisco EJTBQQPJOUNFOUT DBO CF MJLF B LOPX ZPVSTFMG BOE FWFO MFU PUI County Superior Court on JUNE 14, 2012, by Deborah Steppe, Deputy Clerk. PUBLITJFWF GPS ZPVS HPPE WJCFT CVU FST HFU DMPTFS UP ZPV UPP #F ATTENTION DIABETICS with Medicare. Get CATION DATES: JUNE 20, 27 JULY 4, 11, aZPV TIPVME SFNFNCFS UIBU ZPV FREE Talking Meter and diabetic testing 2012. L#100005 QBUJFOU UIJT XFFL :PV DBO NPTU FICTITIOUS BUSINESS NAME STATEsupplies at No Cost, plus FREE home FICTITIOUS BUSINESS NAME STATEIBWF PQUJPOT -PPL GPS QPTTJCJM DFSUBJOMZ NPWF UISPVHI UIJOHT MENT FILED NO. A-0343527-00 The delivery! Best of all, this meter eliminates MENT FILED NO. A-0344018-00 The painful finger pricking! Call 888-781-9376. following person is doing business JUZ JO FWFO UIF DSBQQJFTU PG ZPVS RVJDLMZ OPX CVU JG ZPV EP UIBU following person is doing business as (Cal-SCAN) as HAKKASAN SAN FRANCISCO One TENANTS BUYING REAL ESTATE 870 Kearny Street, San Francisco, CA 94108. DJSDVNTUBODFT BOE DIPPTF UP ZPV BSF VOMJLFMZ UP TUBZ FNPUJPO Attention SLEEP APNEA SUFFERERS with MARKET ST. SAN FRANCISCO, CA 94102. This business is conducted by limited Medicare. Get FREE CPAP Replacement This business is conducted by limited QVU ZPVS FOFSHJFT JOUP UIBU -FP BMMZ QSFTFOU 4MPX BOE TUFBEZ liability company. Registrant commenced Supplies at No Cost, plus FREE home an individual. Registrant commenced business under the above-listed fictitious delivery! Best of all, prevent red skin business under the above-listed fictitious business name on the date N/A. Signed sores and bacterial infection! Call 888business name on the date JUNE 11, 379-7871. (Cal-SCAN) by Richard Miyashiro, Operation Director. 2012. Signed by RICHARD HURLBURT. By Jessica lanyadoo This statement was filed by Jennifer This statement was filed by Maribel CASH FOR CARS: Any Car/Truck. Running Wong, Deputy County Clerk on May 18, County Clerk on JUNE 11, or Not! Top Dollar Paid. Come You! dreamer for 16 years. Check out her WebJaldon, Jessica Lanyadoo hasWebeen a To psychic site atDeputy www.lovelanyadoo.com or 2012. L#113613 May 30, June 6, 13 2012. L#100005, June 20, 27 and July Call For Instant Offer: 1-888-420-3808 20, 2012 4, 11 2012 contact her for an astrology or intuitiveand reading at (415) 336-8354 or dreamyastrology@gmail.com. www.cash4car.com (AAN CAN) MANTIS Deluxe Tiller. NEW! FastStart engine. Ships FREE. One-Year Money-Back Guarantee when you buy DIRECT. Call for the DVD and FREE Good Soil book! 888815-5176. (Cal-SCAN) SELL YOUR UNWANTED GOLD JEWELRY Virgo and Get Cash! Ranked #1 on NBC`s Today Show - SellYourGold. Call to Request a Free 1- 888-650-1019. (CalAug.Appraisal 23-Sept. 22 SCAN) &GGPSU IBSE XPSL BOE QBUJFODF THRILL DAD with 100 percent guaranteed, deliveredĂąto-the-door Omaha Steaks! XJMM CSJOH ZPV UP UIF QPU PG HPME BU SAVE 69 percent - PLUS 2 FREE GIFTS -UIF FOE PG UIF SBJOCPX 5IF LJOE THRILL THE GRILL ONLY $49.99. ORDER Today 1-888-525-4620 or www. PG TVDDFTT UIBU BXBJUT ZPV UIJT OmahaSteaks.com/family16 use code XFFL JT NPTU HSBDFGVMMZ BDIJFWFE 45069TVH. (Cal-SCAN)

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FICTITIOUS BUSINESS NAME STATEMENT FILED NO. A-0344097-00 The following person is doing business as BLACK HUMAN RIGHTS LEADERSHIP COUNCIL OF SAN FRANCISCO 4909 3RD ST. SAN FRANCISCO, CA 94124. This business is conducted by limited an individual. Registrant commenced business under the above-listed fictitious business name on the date JUNE 15, 2012. Signed by FRANCISCO DA COSTA This statement was filed by Mariedyne L. Argente, Deputy County Clerk on JUNE 15, 2012. L#100004, June 20, 27 and July 4, 11 2012 ORDER TO SHOW CAUSE FOR CHANGE OF NAME CASE NUMBER: CNC-1212-548668. SUPERIOR COURT, 400 McAllister St. San Francisco, CA 94102. PETITION of Toader Vornicu for change of name. TO ALL INTERESTED PERSONS: Petitioner Toader Vornicu filed a petition with this court for a decree changing names as follows: Present Name Toader Vornicu. Proposed Name: Theodore Vornicu . THE COURT ORDERS that all persons interested in this matter shall appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. NOTICE OF HEARING Date: July 24, 2012. Time: 9:00 AM room Ăą 514. Signed by Donald Sullivan, Presiding Judge on May 21, 2012. Endorsed Filed San Francisco County Superior Court on May 21, 2012, by Elias Butt, Deputy Clerk. Publication May 30, June 6, 13 and 20, 2012. L#113615 ORDER TO SHOW CAUSE FOR CHANGE OF NAME CASE NUMBER: CNC-1212-548671. SUPERIOR COURT, 400 McAllister St. San Francisco, CA 94102. PETITION OF Frederick Wayne Lender for change of name. TO ALL INTERESTED PERSONS: Petitioner Frederick Wayne Lender filed a petition with this court for a decree changing names as follows: Present Name: Frederick Wayne Lender . Proposed Name: Phred Lender. THE COURT ORDERS that all persons interested in this matter shall appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. NOTICE OF HEARING Date: 7/24/2012. Time: 9:00 AM, Room 514. Signed by Donald Sullivan, Presiding Judge on May 22, 2012. Endorsed Filed, San Francisco County Superior Court on May 22, 2012 by Deborah Steppe, Deputy Clerk. Publication dates: June 6, 13, 20, 27, 2012. L#100002

PUBLIC NOTICE OF MEETING

SAN FRANCISCO AIDS FOUNDATION BOARD OF DIRECTORS FULL REGULAR MEETING 1035 MARKET STREET, SUITE 400 SAN FRANCISCO, CA 94103 JUNE 20, 2012 6:00-9:00 PM Notice is hereby given that a full regular meeting of the San Francisco AIDS Foundation Board of Directors will be held at 6:00 pm on Wednesday, June 20, 2012 in the 3rd floor swing space room at San Francisco AIDS Foundation located at 1035 Market Street in San Francisco, CA. STATEMENT OF ABANDONMENT OF USE OF FICTITIOUS BUSINESS NAME The registrant listed below have abandoned the use of the fictitious business name Salle Muical Arts 1632 C Market Street, San Francisco, CA 94102. The fictitious business name was filed in the County of San Francisco under File# 0342282-00 on: 3/27/12. NAME AND ADDRESS OF REGISTRANTS (as shown on previous statement): Elizabeth Ann Lowell 719 Jackson Street, Albany CA 94706. This business was conducted by a general partnership. Signed Elizabeth Lowell. Dated: May 7, 2012 by Mariedyne L. Argente, Deputy County Clerk. #113611 May 30, June 6, 13 and 20, 2012

ADVERTISE Your VACATION PROPERTY in 240 California newspapers for one low cost of $600. Your 25 word classified ad reaches over 6 million+ Californians. Free brochure call Elizabeth (916)288-6019. (Cal-SCAN)

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Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: http:// www.Roommates.com. (AAN CAN)

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psychic dream astrology JuNe 20-26, 2012 aries

liBra

March 21-April 19

Sept. 23-Oct. 22

*U JT UIF XBZ UIBU ZPV SFTQPOE UP UIJOHT UIBU DPVOUT OPX "SJFT 8IFO ZPV GFFM UISFBUFOFE PS PWFSXIFMNFE JUÂľT FBTZ UP BDU EFGFOTJWFMZ BOE FOHBHF JO PS TUBSU TUVQJE GJHIUT /P NBUUFS IPX QBTTJPOBUFMZ ZPV GFFM FOUJUMFE UP ZPVS GFFMJOHT TMPX EPXO BOE DPOTJEFS UIF DPOTFRVFODFT CFGPSF ZPV BDU

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taUrUs April 20-May 20 ,FFQ ZPVS FZFT PO UIF QSJ[F :PV BSF NFBOU UP UISJWF BOE UIJT XFFL ZPV OFFE UP TUBZ GPDVTFE PO ZPVS HPBMT TP UIBU ZPV DBO EP KVTU UIBU 3FBDI PVU UP PUIFST GPS IFMQ BOE MFBSO UIF WBMVF PG DPMMBCPSBUJOH XJUIPVU EJMVUJOH ZPVS WJTJPO PS XJMM 'MFYJCJMJUZ BOE WJUBMJUZ XJMM DBSSZ ZPV UISPVHI

gemini May 21-June 21 5IJT XFFL DMFBS VOFRVJWPDBM DPN NVOJDBUJPO XJMM CSJOH ZPVS HBNF UP UIF OFYU MFWFM (FNJOJ #F EJSFDU BOE DPNQBTTJPOBUF BT ZPV BTTFSU ZPVS OFFET PS SFTQPOE UP UIF OFFET PG UIPTF BSPVOE ZPV .BLF UIF LJOE PG EFFQ DIBOHFT UIBU ZPV OFFE JO ZPVS SFMBUJPOTIJQT CZ HFOUMZ BTTFSUJOH ZPVS USVF XJTIFT XJUI PUIFST

cancer June 22-July 22 :PVS HVU GFFMJOHT XJMM HVJEF ZPV UP XIFSF ZPV OFFE UP HP JG ZPV MFU UIFN .PPODIJME :PVS JOTUJODUT MJWF JO B QMBDF UIBU SFRVJSFT TPNF TUJMMOFTT UP HFU UP "MPOF UJNF NBZ GFFM DPVOUFS JOUVJUJWF UIJT XFFL CVU ZPV OFFE UP TQFOE TPNF UJNF JO B TXFFU MJUUMF QMBDF DBMMFE .F .JOJNJ[F BDUJWJUZ BOE NBYJNJ[F ZPVS SFDFQUJWJUZ

leo July 23-Aug. 22 8IFO ZPV GFFM CBE JUÂľT IBSE UP CFMJFWF UIBU ZPV IBWF BOZ DIPJDF JO UIF NBU UFS )FBSUBDIF BOE EJTBQQPJOUNFOUT DBO CF MJLF B TJFWF GPS ZPVS HPPE WJCFT CVU ZPV TIPVME SFNFNCFS UIBU ZPV IBWF PQUJPOT -PPL GPS QPTTJCJMJUZ JO FWFO UIF DSBQQJFTU PG ZPVS DJSDVN TUBODFT BOE DIPPTF UP QVU ZPVS FOFS HJFT JOUP UIBU -FP

scorpio Oct. 23-Nov. 21 8IFO UIJOHT HFU TUVDL ZPV DBO USZ UP VOTUJDL ´FN CVU XIBU EP ZPV EP XIFO UIBU JTO¾U XPSLJOH 5IFSF OFFET UP CF B QPJOU XIFO ZPV BDDFQU UIF MJNJUBUJPOT PG ZPVS TJUVBUJPO 4DPSQJP 4UPQ USZJOH UP HFU ZPVS TRVBSF QFH JOUP UIBU SPVOE IPMF BOE QVU ZPVS FOFSHZ XIFSF JU DBO UISJWF JOTUFBE .PWF POXBSET BOE VQXBSET QBM

sagittariUs Nov. 22-Dec. 21 8IFSF ZPV GPDVT ZPVS FOFSHJFT UIFZ NVMUJQMZ 4P TJNQMF CVU FBTZ UP GPS HFU 5IJT XFFL ZPVS DIBMMFOHF JT UP CF SFBM XJUI ZPVSTFMG BCPVU ZPVS DPODFSOT XIJMF OPU MFUUJOH UIFN CMPTTPN JOUP NBKPS GFBST *G ZPV EPOÂľU LOPX XIBU XJMM IBQQFO OFYU USZ JNBHJOJOH UIJOHT UVSOJOH B DPSOFS BOE JNQSPWJOH 4BH

capricorn Dec. 22-Jan. 19 :PV BSF FOHBHFE JO B QSPDFTT JO XIJDI ZPV DBO CFUUFS HFU UP LOPX ZPVSTFMG BOE FWFO MFU PUIFST HFU DMPTFS UP ZPV UPP #F QBUJFOU UIJT XFFL :PV DBO NPTU DFSUBJOMZ NPWF UISPVHI UIJOHT RVJDLMZ OPX CVU JG ZPV EP UIBU ZPV BSF VOMJLFMZ UP TUBZ FNPUJPOBMMZ QSFT FOU 4MPX BOE TUFBEZ ZJFMET UIF CFTU SFTVMUT $BQ

aQUariUs Jan. 20-Feb. 18 #F PQFO UP DIBOHF CPUI UIF LJOE UIBU ZPV OFFE UP DSFBUF BOE UIF TUVGG UIBU IBQQFOT PVU PG ZPVS DPOUSPM *G ZPV DBO CF ZPVS PXO BODIPS ZPV EPOÂľU OFFE UP EFGJOF ZPVS TFDVSJUZ PS IBQ QJOFTT UISPVHI PVUTJEF DPOEJUJPOT #SJOH UIF CFTU ZPVÂľWF HPU UP UIF JOFWJ UBCMF JO ZPVS MJGF UIJT XFFL

Virgo

pisces

Aug. 23-Sept. 22

Feb. 19-March 20

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june 20 - 26, 2012 / SFBG.com

45

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JUNE 20 - 26, 2012 / SFBG.COM 47

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