Under The Influence Kurt Rohde copyright 2003
Restless, but not heavy
= 84/
= 168
Bs. Cl.
IV
IV
Vln. I fp
fp
fp IV
Vln. II fp
fp
IV
Vla.
strum pizz.
arco
pizz.
arco
pizz.
Cello
3
(ord.)
Bs. Cl. I arco
pizz./strum
Vln. I play as if all harmonics are the highest overtone partial produced above written bass
II
Vln. II play as if a harmonics are the highest overtone partial produced above written bass
crushed to ord.
ord. tr. to 1/4 tr.
1/4 tr.
arco/s.p.
Vla.
arco
arco/s.p. pizz.
Cello
1
7 Bs. Cl. fp
fp II
Vln. I
Vln. II fp ord.
ord.
s.p.
Vla.
pizz. ord.
Cello
10 Bs. Cl. fp
ffp
II
Vln. I
arco I
pizz.
Vln. II
Vla.
arco
Cello
2
13 Bs. Cl.
I
Vln. I arco I
snap pizz.
Vln. II
IV
Vla.
Cello
16 Bs. Cl. fp Vl. I voice predominates
s.p.
Vln. I
ord.
(ord.)
s.p.
Vln. II Vl. II voice is an ‘overtone’ of Vl. I voice
pizz. arco/s.p.
to ord.
ord.
s.p.
Vla.
s.p.
s.p. to ord.
Cello
3
ord.
20 Bs. Cl.
Vln. I
Vln. II
to ord.
ord.
Vla.
ord.
to ord.
pizz.
Cello
23 Bs. Cl.
fp
ord.
Vln. I
Vln. II
Vla.
arco
arco
pizz.
Cello
4
arco pizz.
25 Bs. Cl.
Vln. I
Vln. II
blurry! II, III, IV
Vla.
pizz.
blurry! III, II, I arco
Cello
27 Bs. Cl.
Vln. I fp
Vln. II fp II, III, IV
Vla.
I, II, III
snap pizz. arco
Cello
5
30 Bs. Cl.
III, II, I
Vln. I msfz II, III, IV
Vln. II msfz ord.
s.p.
Vla.
snap pizz.
arco
Cello
sim.
33 Bs. Cl.
harm. gliss. s.p./IV
ord.
harm. gliss. s.p./IV
Vln. I
crushed
crushed
ord.
Vln. II
sim.
Vla.
arco
pizz.
Cello
6
pizz.
36 Bs. Cl. ffp s.p.
ord.
Vln. I
ord.
crushed
Vln. II
Vla.
snap
snap pizz.
arco
ord. ord.
Cello
39 Bs. Cl.
ord.
Vln. I
ord.
Vln. II
Vla.
snap
arco
Cello
7
42 Bs. Cl.
Vln. I
Vln. II
Vla.
arco
snap pizz.
snap pizz.
Cello
45 Bs. Cl.
Vln. I
Vln. II
Vla.
arco
snap pizz.
arco
Cello
8
marc.
48 Bs. Cl.
Vln. I
Vln. II
Vla.
Cello fp 50 Bs. Cl.
III
Vln. I
crushed
Vln. II
Vla.
pizz.
Cello fp
9
marc.
53 Bs. Cl.
Vln. I
ord.
Vln. II
III
III
Vla.
to wide vib.
ord. pizz.
Cello
57 Bs. Cl.
Vln. I
Vln. II
IV
Vla.
II
arco
Cello
10
60
marc.
Bs. Cl. I
Vln. I
Vln. II
Vla.
arco
I
pizz.
Cello
62 Bs. Cl. highest possible note arco
Vln. I
Vln. II
Vla.
pizz. behind bdg./ I
highest possible
Cello
11
64 Bs. Cl.
Vln. I
highest possible note
Vln. II
highest possible note
Vla.
arco
snap pizz.
arco
Cello
68 Bs. Cl. ffp III
Vln. I I ord.
s.p.
Vln. II ord. arco s.p.
Vla.
Cello ffp
12
snap pizz.
71 Bs. Cl.
ord.
s.p.
Vln. I
ord. s.p.
Vln. II
Vla.
pizz.
III arco
II
Cello
74 Bs. Cl.
Vln. I
Vln. II
poco espress.
Vla.
pizz. sim.
Cello
13
77 Bs. Cl.
IV
Vln. I fp
Vln. II fp
Vla.
crushed arco
ord.
Cello
80
abrupt!
Bs. Cl.
Vln. I
Vln. II
IV
Vla.
I
Cello
14
84 Bs. Cl.
sim.
Vln. I
sim.
Vln. II
sim.
Vla.
Cello
88 Bs. Cl.
Vln. I
Vln. II
Vla.
pizz.
Cello
15
91 Bs. Cl.
IV
Vln. I
pizz.
Vln. II
wide tr. vib. to ord. tr. ord. tr. to 1/4 tr.
Vla. 1/4 tr. to non tr.
snap
arco
Cello
96 Bs. Cl.
IV
Vln. I
arco
IV
Vln. II
wide tr. vib. to ord. tr. ord. tr. to 1/4 tr.
non vib.
Vla.
pizz.
snap
Cello
16
ord. pizz.
1/4 tr. to non tr. non tr. to non vib.
100 Bs. Cl.
use fast, full bow
Vln. I
use fast, full bow
Vln. II
non vib. III
Vla.
arco
pizz.
Cello
105 Bs. Cl.
ord.
Vln. I
ord.
pizz.
Vln. II
to 1/4 tone tr.
Vla.
arco 1/4 tone tr.
ord. snap pizz.
Cello
17
to wide tr.
108 Bs. Cl.
Vln. I
arco
crushed
s.p.
II
s.p.
Vln. II
Vla.
pizz.
Cello
111 Bs. Cl.
Vln. I ord. crushed
Vln. II
ord.
Vla.
arco
pizz.
Cello
18
heavy!
allow upper line in cl. to get louder as lower line gets softer
115 Bs. Cl.
molto s.p.
pizz.
ord.
to molto s.p.
Vln. I
snap pizz.
arco/II, III
Vln. II cresc. to molto s.p.
molto s.p.
ord.
Vla.
snap arco
Cello cresc.
Feb. 24, 2003 American Academy in Berlin Berlin, Germany
19