Shady Abou Al- Hassan Portfolio

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Shady Abou AL- Hassan Portfolio


IAm a Graphic Designer from Lebanon, I worked for many clients inside and outside Lebanon. I studied Graphic Design and I work as a media relations.

This Portfolio contains my work and projects I have done till today.


Contents

Logos Corporate Posters Visual Prints Drawings & Paintings Characters Packaging Calligraphy Photography

5-7 9-10 12-14 16-19 21-22 24-25 27-28 29-30 32-34


Logos


Sosumi logo Client: Japanese restaurant

Main logo

Black Printings and stamps

Black Printings and stamps

Gray scale

Gray scale

Inverse, negative use (black background)

Inverse, negative use (black background) Main logo

Salataste logo Client: Lebanese restaurant

5


Petopia logo Client: Flower shop

Black Printings and stamps

Black Printings and stamps

Gray scale

Gray scale

Inverse, negative use (black background)

Inverse, negative use (black background)

Frost bite logo Client: Cupcake shop

6


Vitamin waw logo Client: Concept

Nabed el liqaa logo Client: Nabed el liqaa, Lebanese Magazine Canada

7


Corporate


Envelope

Business card

Letterhead

Letterhead

Vitamin waw corporate identity Client: Concept

9


Envelope

Business card Continuous Sheet

Letterhead Frost bite corporate identity Client: Cupcake shop

10


Posters


The

E YE

of the

...

A drop of water may seem worthless yet it may prevent hundreds of tear drops

The

E YE

of the

A drop of water may seem worthless yet it may prevent hundreds of tear drops

The

E YE

of the

...

A drop of water may seem worthless yet it may prevent hundreds of tear drops

Poster, The eye of the witness Client: Amnesty International

12


Poster

Poster & Billboard, lebanese army Client: Lebanese army

Billboard 14x4

13


en

Se‫ﻋﻠ‬

t ‫ﻰ ﻛﻮ‬ s a ‫عا‬

L ‫ﻟﻤﺼﻴﻠﺢ‬

n e Se‫ﻋﻠ‬

t ‫ﻰ ﻃﺮ‬ s a ‫ﻳ‬

L ‫ﻖ اﻟﺪور‬ ‫ه‬

Poster, Awarness campaign Client: Yasa

14


Visual Prints


Traditional Illustration techniques include watercolor, pen and ink There are no formal qualifications needed to become an illustrator. However, many established illustrators attended an art school or college of some sort and were trained in different painting and drawing techniques. Universities and art schools offer specific courses in illustration (for example in the UK, a BA (Hons) Degree) so this has become a new avenue into the profession. Many illustrators are freelance, commissioned by publishers (of newspapers, books or magazines) or advertising agencies. Most of the scientific illustrations and technical illustrations are also known as information graphics. Among the information graphics specialists are medical illustrators who illustrate human anatomy, often requiring many years of artistic training. A particularly popular medium with illustrators of the 1950s and 1960s was casein, as was egg tempera. The immediacy and durability of these media suited illustration's demands well. The artwork in both types of paint withstood the rigors of travel to clients and printers without damage.

Ke art eping im ist Ba his id a on ges nksy enti e his of h stenc has ty a cl “Pa is m ille ma de osely d les a g ti ost aro Ba nian impre und nam uard wh on nksy Job”. ssiv the s e for ed se dam ich I a e w tre him cre h the n art perso Isra -425 as m t, s ork ets s in of L elf w the g say barr istic nally con el fr mile anag my ond ith p raffit into s the ier are and find side om th -long ed to re hu on. H rovo i lib b pri the wall ma era rave d ill e Pa Wes pain mb son w le owev cativ orl “ess de ex ting. , cou egal lestin t Ban t gra opin er e . d’s b ff ra k B e p ion larg ntially licit anks geo y the ian te barr iti bit is u in ie y rr U s est s ’s r, n it tu ope rns a sta feelin and ju ited orie sep and p Na s, w ara ie Pale tem n s g sti ent s ab t so tions hich ting ces ne wh out , is ich

Ba n and ksy, his the a Bri poli graff stree tish A wh tical iti an ts of rtist for o Ba activ d pa Brita that n info so m ksy ist, a inting in; is has to mu rma any is, he nd th s, m an a uch Ba ch y tion a years has e be ostly rtist ed th e s n ins ksy t eit bout that man t pa on h infam e wo rt is a no ists o is th her. T him only ged y is vie ous rld a t him sell n ke t he he o but th clos to se , no o ws a for be self photo eping was nly th ey h e frie al his ne k s a e , str n kn how s of his born ing k aven nds c iden now pro eet a own ever stree identi in 19 now ’t un an g tity of blem rt on to att art a t gra ty an 74, a n abo veile ive th u n u ff o lo e o c d t d n Bti e w f it ca mp tio iti ti d ym sin gra tains innin s rem on a t to s neers irec ous ce h tl in ffity are s g bid oval nd le ell h hav y , he d e P e oe wa ales art s how der a in th ave this s and ll betwtine a treet en Ba nd th e han e ds for free ee t the and nksy e peo fre n fa b now ple dom ith ig .

which I personally find brave, courageous and just so damn artistic and liberating. Banksy’s feelings about the barrier are made explicit in a statement which says that the wall essentially turns Palestine into the world’s largest prison.

1

l

HOW MAGAZINE

HOW MAGAZINE

l

2

Magazine, Banksy illustration Client: How Magazine

16


Storyboard, illustration Client: Children story

17


Japanese Culture, Book Cover Client: Concept

18


Brochure, House of circus Client: Concept, Piacere E Dolore

19


Drawings Paintings &


Drawings Midea: Charcol, Pencil, Ink

21


Paintings Midea: Acrylic

22


Characters


‫ﺷﺎﺩﻱ ﺃﺑﻮ ﺍﻟﺤﺴﻦ‬

... ‫ﺗﻔﺎﻫﺎ‬

Character from lines Client: Concept, Tafaha

24


Maskini Family Lebanese Characters

25


Packaging


Coffee bean package

Package Client: Horse head tea

Oat Package Client: Naturalia

27


Clothes Package Client: Concept, Moustache

Widy Toy Package Client: Concept, Keel toy

28


Calligraphy


Calligraphy Ziad Rahbani (‫)أنا مش كافر‬ Client: Concept

Calligraphy Ziad Rahbani (‫)عاييش وحدا بالك‬ Client: Concept

30


Photography


32


33


34


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