MONIL SHAH ARCHITECTURE PORTFOLIO Selected Works (2014-23)
Fig. Illustration of German Brutalistic Buildings (Photoshop + Illustration)
2
Monil Shah Registered Architect in India: CA/2021/138589 Architect/Interior Designer arch.mshah@gmail.com
Software Proficiencies
Professional Experiences
Drafting/3D Modelling AutoCAD (8+ Years) SketchUp (8+ Years) Rhinoceros (2+ Years) Revit (1 Year)
May 2020 Aug 2022
2D and 3D Visualizations, Prototyping, Design Developments, Client Meetings
Visualizations/Rendering V-Ray for SketchUp (6+ Years) V-Ray for Rhino (2+ Years) Lumion (3+ Years) Twinmotion (2 Years)
Aug 2019 Aug 2022
Freelance Architect / Interior Designer Residentials - Apartments, Tenaments, Commercial Offices, Institutions Design Proposal, Client Meetings, Construction Drawings, Site Management
Graphics/Presentation Adobe Photoshop (5+ Years) Adobe InDesign (3+ Years) Adobe Illustrator (1+ Years)
Dec 2017 May 2019
Technical Proficiencies Construction Drawing 3D Modelling Digital Rendering Illustrations Content Writing
Sr. Architectural Visualizer / Architect at Design Molecule, Ahmedabad, India, and 9th House Architects, LA, CA, USA
Architectural Visualizations Graphical Representations Conceptual Sketching Design Development Photography and Editing
Associate Designer with Interior Designer and Architect Esha Mehta, Ahmedabad, India Site Measurement, Layout Preparation, Furniture Design, Site Coordination
July 2017 Dec 2017
Language Proficiencies
Internship at Apurva Amin Architects, Ahmedabad Layouts, Presentation Drawings, Site Coordination, Construction Documents
English, Hindi, Gujarati
Education
Notable Competitions
Aug 2022 - Master of Architecture (M. Arch) May 2024 State University of New York at Buffalo
Dec 2023
SUNY ESF Mass Timber Competition
Mar 2023
BLTa Student Design Competition
Feb 2020
HOPE Dental Care Centre in Rwanda
June 2014 May 2019
Bachelor of Architecture (B. Arch) L.J. School of Architecture, Ahmedabad GPA: 3.64 out of 4
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MIES
Fig. Illustration of Mies Van Der Rohe’s Works (AutoCAD + Illustration)
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Contents Indoor Riding Hall, Buffalo Master of Architecture, Fall‘22
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Co-Working Space, Ahmedabad Bachelors of Architecture, Jan-Jun‘19
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Museum of Modern Art, Buffalo Master of Architecture, Spring’23
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Arts Institute & Recreational Centre, Ahmedabad Bachelors of Architecture, Jul-Dec’18
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Surestay Inn, Tuscaloosa 30 Professional Work, Dec’21-Jun’22
Fig. Structural Model, Melbourne Horse Riding Hall
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01 Horse Riding Hall, Buffalo, New York, USA Academic Project Master of Architecture, Fall 2022
Exploring the evolution of human relationship with the horse, this project explores the whole process of domesticating the animal. Developing a riding hall in the urban context of Buffalo gives a strong insight into the horse’s social behaviour. The program also introduces a set of cabins and a co-working space in the vicinity of the riding hall to further add a slice of nature in the daily human activities.
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Fig. View of the Stables and Riding Hall (SketchUp + Twinmotion + Photoshop)
SITE ANALYSIS, ZONING
Co-working Space
Resurgence Brewing Company
Movement of the humans
Louisiana Street 42’0” Wide Zone 1 Semi-Public
Administration Building
Ohio Street 24’0” Wide
Indoor Riding Hall Block
Existing Pedestrian Walkway
Outdoor Riding Arena
Movement of the horses Stables
Existing Trees Zone 2 Only Horses
Cabins Area
Cabins Area
Bus Stops Louisiana Street Zone 3 Only Humans
Pedestrian Vehicular
Fig. Louisiana Street Site Specifications (AutoCAD + Illustrator)
Fig. Conceptual Zoning and Massing (Hand Sketch + Photoshop)
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SITE DEVELOPMENT Open-to-Sky Workspaces
Paddock 1
Stacks Area Library Second Floor
Seating Area
Fig. Concept for Chamfers-based Design Strategy for Riding Hall and Stables A
Grazing Ground
Walking Corridor Co-working Administration, Riding Hall Stables
Outdoor Riding
Cabins
Fig. Grid and Built Mass Paddocks
Walking Corridor
Outdoor Riding
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A Co-Working Module
Outdoor Riding
Outdoor Riding Arena
Riding Hall
Existing Trees
Glass Panels
Trough
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Lounge
Plaza
Washrooms Grazing
Grazing Ground
Grazing
Cabins Reception
Fig. Landscape
B Administration Office Walkways
1. Coworking Space, with library
Outdoor Riding Pedestrian Movement
2. Stables, with Tack Rooms Feed Rooms Bedding Storage Hay Storage Tools Area 3. Overnight Cabins
Vehicular Pedestrian Horse (Organic)
Fig. Conceptual Zoning and Massing
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Help Desks Water Trough
Paddock
B
Seating (100) Entry Area
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Grazing
Multi-purpose Utility Area
Front Yard Washroom Kitchenette Grazing Ground
Sofa Setup 3
King Bed Porch Area
4. Administration Area
Water Trough
5. Indoor Riding Hall
3 Fig. Detailed Plan
C
C Cluster of 3 Cabins
RIDING HALL DETAILS Roofing Layer
Structurally Insulated Panels (SIPs)
Drainage
12” Deep, 2” Thick Aluminum Gutters
Steel Girders
5’8” H x 2’6” W x 3”B
Single Glazings Fig. Axonometric Section (Indoor Riding Hall) (AutoCAD, SketchUp, Photoshop)
8’0” x 4’0” 8’6” x 4’6”
Terrace Viewing
for VIPs and audiences
Lateral Bracings
18”x 18” Box Section 15”x 15” Box Section Plinth Beam Concrete Footings
Fig. North-South Section (Indoor Riding Hall), looking East (AutoCAD, Photoshop)
Fig. Exploded Axonometric Section (Indoor Riding Hall) (AutoCAD, SketchUp, Photoshop)
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SECTIONS
1 Fig. Section 1
2 Fig. Section 2
3 Fig. Section 3
4 Fig. Section 4 4
1
2
3
V
9’ High
10
6’ High Fig. Fence Types
3’ High Fig. Shaded Walkway Module
Fig V. (Right) Riding Hall (SketchUp, Lumion, Photoshop)
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02 Co-Working Space Ahmedabad, Gujarat, India Academic Project Bachelors of Architecture, Jan-May 2019
The exponential growth of India over the past decade has given rise to a significant number of start-ups and small businesses, which has created a need for flexible workspaces for such teams and freelancing individuals. With 500+ such start-ups getting registered from the city of Ahmedabad, the necessity for a large-scale co-working space is the need of the hour, and this project proposes the city’s first large-scale dedicated co-working space.
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Fig. View of the Co-Working Building (SketchUp + Illustrator + Photoshop)
26,078
SITE ANALYSIS, ZONING
11,100
14 2007
436 2010
2014
2015
2016
2017
2018
2019
2020
Growth of co-working spaces in India (Source: Emergent Research)
Residential
850 m
900 m
14,565 start-ups registered in India, in 2019
Gujarat ranks 4th with 764 start-up registrations
1.5 km Ahmedabad ranks 1st in ease of doing business
Commercial
Under Construction
Antariksha Colony BRT City Bus Rapit Transit System
C
Rajpath Club AMTS Stop City Bus Service
Isckon Road GSRTC Stop
B
D
Inter-state Bus Service
A S.P. Ring Road 2.0 km
71% of start-ups are based in Ahmedabad
S.G. Highway
Zone A: Co-Working Space
External Vehicular Movement
Zone B: Conference Block
Internal Vehicular Movement
Zone C: Commercial Block
Internal Pedestrian Movement
Zone D: Open Spaces
Direction of Vehicular Movement
500 m
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FORM DEVELOPMENT Commercial Block (78 m x 38 m) Subtraction-based massing
Key Strategy 1: Stepped Terraces
Creation of a Plaza
Maximum Height - 15.0 m
Stepped Terraces for illumination
Lower and upper clearances
Conference Block (43 m x 28 m) Placement-based massing
Key Strategy 2: Green Roofs
Meet Rooms (15 People)
Meet Rooms (30 People)
Meet Rooms (50 People)
Seminar Halls (75 People)
Co-Working Block (110 m x 28 m) Addition-based and Organization-based massing
Dedicated Workspaces (50%)
Block Placements
Flexible Workspaces (50%)
Key Strategy 3: Vertical Louvres
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Key Strategy 4: Double-Height Spaces
Placement of the workspaces
Stairs and lift shafts
Terrace Gardens and Green Roofs
EXPLODED ISOMETRICS Commercial Block
Conference Block
Co-Working Block
Retails / Offices
Meeting Rooms
Dedicated Cabins
Showrooms
Circulation
Circulation
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Canteen
Flexible Workspaces 40
Circulation
15
Reception
25
75
FIRST FLOOR
85
10
30
30 30 50
5
SECOND FLOOR
175
50 50
2
50 5 85
20
THIRD FLOOR 75
Nap Room 75 60
FOURTH FLOOR
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SITE PLAN, SECTIONS A
1 Commercial
Commercial
Conference
2
2 Co-Working
1
C
0
10
Site Plan
B
20
A
40
80 C
A
B
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Fig. (Right) Render of Commercial Building (SketchUp + D5 Render + Photoshop)
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03 Museum of Modern Art Buffalo, New York, USA Academic Project, with Kaleeka Mittal Masters of Architecture, Spring 2023
The focus of this project is Integrated Architectural Design, from the concept to its synthesis. A museum of modern art as the building serves the aforementioned purpose with the flexibility of the spaces, at the macro and the micro levels. Issues such as building structure, envelope design, gallery placements, and natural illumination have been paid a special emphasis upon, and a strong attention to the movement of visitors had been paid in the design.
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Fig. Structure of the Art Museum (SketchUp + VRay + Photoshop)
d s
COURTYARD GEOMETRY FORM DEVELOPMENT, FLOOR The building's multiplicity in the views PLANS that it offers from various points, drives the courtyard's geometry. View ofof Franklin St. 11 View the Franklin St.
VEHICULAR ACCESS FOR CARS AND TRUCKS
22 View West View ofof W.the Huron St. Huron St.
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theof BoA Tower, 33 View View ofof Bank America and Hyatt Hotel Buildings Hyatt Hotel building
d r
PUBLIC FORUM
LOADING DOCK
9
1 1
1
1
e g
1
8 3 11
1
10 4
Form Development
2
ORGANIZATION STRATEGY
2
2
2
2
FIRST FLOOR PLAN
6
0
5
5'
7
15'
9 50'
25'
Legend 1 - Mechanical Room 2 - Storage 3 - Admin Office 4 - Loading Dock 5 - Public Forum 6 - Souvenir Outlet 7 - Foyer 8 - Atrium
ART
9 - Kitchen Storage 10 - Kitchen 11 - Cafe (75 people) 12 - Digital Learning 13 - Coat Room 14 - Gallery Support 15 - Storage 16 - Sculptures
0 10
Basement Plan A
B
D
C
E
F
A
20
H
G
B
40 I
C
80
First Floor Plan
J
D
E
F
H
G
I
J
W. Huron St.
CONCEPT MODEL (VIEW FROM THE NORTH-WEST CORNER)
W. Huron St.
1
13 W.W. Huron St. Huron St.
2
FOURTH FLOOR
3
4
Franklin St.
16
1
16
THIRD FLOOR 5
Franklin St. 6
Pearl St.
DIGITAL LEARNING CENTER
2
SECOND FLOOR 7
3 8
14
FIRST FLOOR
GALLERY SUPPORT
9
15
Pearl Pearl St. St.
Franklin St.
4 STORAGE
10
BASEMENT LEVEL
Site Plan
0 5'
5
Second and Third Floor Plans Franklin St. GALLERIES PUBLIC SPACES CIRCULATION MECHANICAL
15'
25'
50'
Fourth Floor Plan
Pearl St.
ATRIUM
6
19
ADMIN OFFICE
CAFE
EXPLODED AXONOMETRIC PARTI DIAGRAM
SECOND AND THIRD FLOOR PLAN
0
5'
15'
25'
50'
BUILDING SECTION
+80’
Atrium
North-South Section (Looking East) 0’ 5’
20
15’
25’
Foyer
Gallery
+60’
Gallery
+40’
Gallery
+20’
Parking
0’
Art Storage
50’
-20’
STRUCTURE AND VISUALIZATIONS A
D
C
E
H
G
F
I
J
A
B
D
C
E
F
FOURTH FLOOR
1
1
Roof Level
MECHANICAL ROOM
ROOF LEVEL
5
2
2
2
MECHANICAL ROOM
MECHANICAL ROOM
3
3
1 4
4
4
VIEW 1: COURTYARD AND ENTRANCE CANOPY APPROACH
VIEW 2: VIEW O
MECHANICAL ROOM
6
Fourth Floor
FOURTH FLOOR
5
2
5
SECOND/THIRD FLOORS
6
1
2
The Lux value here is higher because of its proximity to the curtain wall and lesser width. Suitable for sculptures and installations.
The Lux value here is lower because of a minimal presence of FLOOR the windows. Suitable for places FOURTH to display art pieces.
MECHANICAL ROOM ADMIN OFFICE
6
MECHANICAL ROOM
7
7
8
8
5
OPEN STORAGE
STORAGE
STORAGE
STORAGE
OPEN STORAGE LOADING DOCK
9
PUBLIC FORUM
9
Fig. Visualization of the natural lighting in the 3rd and 4th level galleries
Second and Third Floor
10 3 VISUALIZATION LIGHTING STRATEGIES FOR GALLERY (Rhino, OF VRay, Illustrator, Photoshop) THIRD AND FOURTH FLOOR GALLERIES
SECOND AND SIMULATION OF DAYLIGHT VALUES THROUGHOUT THE YEAR THIRD Source: Climate Studio Simulation in Rhinoceros 7 FLOOR
10
FIRST FLOOR
1 VIEW 1: COURTYARD AND ENTRANCE CANOPY APPROACH
4
BASEMENT PLAN (-19'6")
2
VIEW 2: VIEW OF OTHER GALLERIES FROM THE SECOND FLOOR GALLERY VIEW 3: ENTRANCE, RECEPTION, AND ATRIUM 5'
0
15'
25'
50'
VIEW 4: SUSPE 0
FIRST FLOOR PLAN (+0'6")
5'
15'
25'
50
6 SECOND/THIRD FLOORS A
First Floor
Less penetration of natural light, apt for sculptures and art installations.
FOURTH FLOOR
SECOND/THIRD FLOORS
B
SCULPTURES
FIRST FLOOR
B
C
D
E
G
F
H
I
J
A
B
D
C
E
F
FOURTH FLOOR
SCULPTURES
1
1
Track lighting
5
Flexible Display Boards
2
2
BASEMENT LEVEL
3
3
3
FIRST FLOOR
1 VIEW 1: COURTYARD AND ENTRANCE CANOPY APPROACH 4
Basement Level
BASEMENT
4
4
VIEW 2: VIEW OF OTHER RECEPTION, GALLERIES FROM THE SECOND FLOOR GALLERY VIEW 3: ENTRANCE, AND ATRIUM VIEW 1: COURTYARD AND ENTRANCE CANOPY APPROACH
VIEW 4: SUSPENDED ARTWORK, SECOND FLOOR GALLERY VIEW 2: VIEW OF OTHER GALLERIES THE SECONDEXHIBITS FLOOR GALLERY VIEW 5: FOURTH FLOOR GALLERYFROM FOR SCULPTURE
Fig. Courtyard and Entrance Canopy Approach
Fig. Fourth Floor Gallery for Sculptural Exhibits
CIRCULATION SYSTEMS 5
2 6
FOURTH FLOOR - GALLERY PLAN
0 5'
15'
25'
50'
GALLERY LIGHTING SYSTEMS
SECOND/THIRD FLOORS
EMBRACING ART
5
EMBRACING ART
DAYLIGHTING MODEL TO STUDY LIGHT PENETRATION
VIEW 6: SECON
VISUALIZATION OF THE FOURTH FLOOR GALLERY FROM SOUTH-WESTERN CORNER
6
6
7
7
8
8
9
9
13
Foundation Level
FOUNDATION
BASEMENT LEVEL
COLUMN FOOTING Column Footing 3
FIRST FLOOR
STRUCTURE
Fig. Building Structure
VIEW 3: ENTRANCE, RECEPTION, AND ATRIUM
1
CIRCULATION SYSTEMS
10
PLINTH Plinth BEAM Beam FIRST FLOOR
10
SECOND AND THIRD FLOOR PLAN (+20'6", +40'6")
Fig. Suspended Artwork, Second Floor Gallery
VIEW 4: SUSPENDED ARTWORK, SECOND GALLERY VIEW 5: FOURTH FLOOR GALLERY FORFLOOR SCULPTURE EXHIBITS VIEW 3: ENTRANCE, RECEPTION, AND ATRIUM
0
5'
15'
25'
50'
Fig. Atrium, Second Floor Gallery
VIEW 6: SECOND FLOOR GALLERY, AND ATRIUM VIEW 4: SUSPENDED ARTWORK, SECOND FLOOR GALLERY
FOURTH FLOOR PLAN (+60'6")
0
5'
15'
21
25'
H BUILDING ENVELOPE rn Facades
G
8' 8'
8'
5'-4" 5'-4" 5'-4"
10'
8'
8' 8'
8'
5'-4" 8'
8'
10'
10' 10'
AA A
A A
12'-8" 10'
8' 5'-4"
12'-8"
12'-8" 12'-8"
B B
5'-4"
5'-4" AC 5'-4"
BD D
B
C
D
C C 2'
D D
B B
2'
2' 2'
2'
2' 2'
2'E E
2' 2'
6'-4" 2' 5'-4"
16'
6'-4" 5'-4" 6'-4" 8'-3"
16'
8'-3"
2'
F F
16' 16' EG G
CIRCULAR WINDOWS CLEAR FLOAT GLASS SINGLE LAYERED FIXED WINDOWS ARE ADDED TO BRING IN NATURAL LIGHT CIRCULAR WINDOWS CIRCULAR WINDOWS CLEAR FLOAT GLASSSHADES SINGLE LAYERED FIXED PERIPHERAL WINDOW CIRCULAR WINDOWS 12'-8" CLEAR GLASS SINGLE LAYERED FIXED WINDOWS ADDED TO BRING IN NATURAL MADE OUT ARE OFFLOAT ALUMINUM, TO CONTROL THE LIGHT CLEAR FLOAT GLASS SINGLE FIXED WINDOWS ARE ADDED TO BRING INLAYERED NATURAL LIGHT INTENSITY ESPECIALLY DURING THE SUMMERS WINDOWS ARE PERIPHERAL WINDOWADDED SHADESTO BRING IN NATURAL LIGHT 5'-4" MADE OUT OF ALUMINUM, TO SHADES CONTROL THE LIGHT PERIPHERAL WINDOW INTENSITY ESPECIALLY DURING THE SUMMERS PERIPHERAL WINDOW SHADES
FH H
DOUBLE-LAYERED TEMPERED GLASS SKYLIGHT DOUBLE-LAYERED TEMPERED GLASS SKYLIGHT COMPRISED OF TWO LAYERS OF TEMPERED COMPRISED OF TWO LAYERS OF TEMPERED GLASS, ONE AT THE TOP AND ONE AT THE BOTTOM GLASS, ONE AT THE TOP AND ONE AT THE BOTTOM DOUBLE-LAYERED TEMPERED GLASS SKYLIGHT COMPRISED OF TWO LAYERS OF TEMPERED DOUBLE-LAYERED TEMPERED GLASS SKYLIGHT GLASS, ONE AT THE TOP AND ONE AT THE BOTTOM DOUBLE-LAYERED TEMPERED GLASS SKYLIGHT
Double-Layered Tempered Glass Skylight Comprised of two layers of tempered glass, COMPRISED OF TWO LAYERS OF TEMPERED MULLIONS TIMBER MULLIONS COMPRISED OF TWO LAYERS OF one at the top, and one atTHETEMPERED the bottom TIMBER GLASS, ONE AT THE TOP AND ONE AT BOTTOM TO SUPPORT THE GLASS ENCLOSURE, AND TO SUPPORT ENCLOSURE, AND GLASS, ONE ATTHE THEGLASS TOP AND ONE AT THE BOTTOM
MADE OUT OF ALUMINUM, TO CONTROL THE LIGHT MADE OUT ESPECIALLY OF ALUMINUM, TO CONTROL THE LIGHT INTENSITY DURING THE SUMMERS INTENSITY ESPECIALLY DURING THE SUMMERS
C
D
PUNCTUATE THE MUSEUM'S CURVILINEAR FACADE TIMBER MULLIONS TO SUPPORT THE GLASS ENCLOSURE, AND PUNCTUATE THE MUSEUM'S CURVILINEAR FACADE
6'-4"
16'
TO ADD 80% TRANSPARENCY TO THE FACADE, AND GIVE A SENSE OF ENCLOSURE TO THE STRUCTURE CLEAR FLOAT SINGLE GLAZING UNIT GLASS TO ADD 80% TRANSPARENCY TO THE FACADE, AND GIVE A SENSE OF ENCLOSURE TO THE STRUCTURE
TO ADD 80% TRANSPARENCY TO THE FACADE, AND GIVE A SENSE OF ENCLOSURE TO THE STRUCTURE
Clear Float Single Glazing Unit Glass To add 80% transparency to GLASS the facade, CLEAR FLOAT SINGLE GLAZING UNIT CLEAR SINGLE GLAZING TO ADDFLOAT 80% TRANSPARENCY TOUNIT THE GLASS FACADE, AND TO 80% TRANSPARENCY AND giveGIVE a ADD sense of to structure A SENSE OF enclosure ENCLOSURETO TOTHE THEFACADE, STRUCTURE
5'-4" 6'-4"
G
PUNCTUATE THE MUSEUM'S CURVILINEAR FACADE
Timber Mullions TIMBER MULLIONS To support the glass enclosure, and punctuate TIMBER MULLIONS TO SUPPORT THE GLASS ENCLOSURE, AND TO SUPPORT GLASS ENCLOSURE, AND PUNCTUATE THE THE MUSEUM'S CURVILINEAR FACADE the museum’s curvilinear facade PUNCTUATE THESINGLE MUSEUM'S CURVILINEAR CLEAR FLOAT SINGLE GLAZING UNIT GLASS CLEAR FLOAT GLAZING UNIT GLASS FACADE
2'
6'-4"
6'-4" 5'-4" 5'-4"
CIRCULAR WINDOWS CLEAR FLOAT GLASS SINGLE LAYERED FIXED
WINDOWS ARE ADDED TO BRING IN NATURAL LIGHT Peripheral Window Shades PERIPHERAL WINDOW SHADES Made out of aluminum, to controlMADE the light OUT OF ALUMINUM, TO CONTROL THE LIGHT INTENSITY ESPECIALLY DURING THE SUMMERS intensity, especially during the summers
6'-4"
2'
2' 8'-3"
Circular Windows Clear float glass single layered fixed windows are added to bring5'-4" in the natural illumination
GIVE A SENSE OF ENCLOSURE TO THE STRUCTURE
H
8'-3" Window Types on the Southern, Western and Eastern Facades Window Types on the Southern, Western and Eastern E F H G Facades 8'-3" Window Types: Southern, Western, Eastern Facades 6'-4" 6'-4" Window Types on the Southern, Western and Eastern Facades
E E
F F
H H
G G
Window Types on the Southern, Western and Eastern Facades Window Types on the Southern, Western and Eastern Facades
%
Louver Density 3: 60% Louver Density 1: 20%
1: 20% Density 3: 60% Louver Density 2: 40% Louver Density 2: Louver 40% Density Louver
Louver Density 3: 60%
Variations of Louver Density on the Envelope Variations of Louver Density on the Envelope Louver20% Density 1: 20% Louver Density 2: 40% Louver 60% DensityDensity 3: 60% Density 40% Density
CONGREGATION Variations of Louver Density on the Envelope DESIGN INSPIRATIONS
DESIGN INSPIRATIONS
DESIGN INSPIRATIONS
Louver Density 1: 20% Louver Density 2: 40% Louver Density 1: 20% Louver Density 2: 40% Variations of Louver Density on the Envelope Variations of Louver Density on the Envelope
Louver Density 3: 60% Louver Density 3: 60%
DESIGN INSPIRATIONS DESIGN INSPIRATIONS Swiss National Museum, Zurich (2016) Gustav Gull, Emmanuel Christ Swiss National Museum, Zurich (2016) Gustav Gull, Emmanuel Christ
BUILDING ENVELOPE BUILDING ENVELOPE
Lilavati Library at Ahmedabad (2017) Swiss National Museum, Zurich (2016) Rahul ArchitectsChrist (RMA) GustavMehrotra Gull, Emmanuel Lilavati Library at Ahmedabad (2017) Rahul Mehrotra Architects (RMA)
BUILDING ENVELOPE
MAHOGANY HARDWOOD LOUVERS TO ACT AS THE VERTICAL SHADING DEVICE, AND TO PUNCTUATE THE FACADE'S CURVILINEAR STYLE MAHOGANY HARDWOOD LOUVERS TO ACT AS THE VERTICAL SHADING DEVICE, AND TO PUNCTUATE THE FACADE'S CURVILINEAR STYLE
MAHOGANY HARDWOOD LOUVERS TO ACT AS THE VERTICAL SHADING DEVICE, AND TO PUNCTUATE THE FACADE'S CURVILINEAR STYLE
Lilavati Library at Ahmedabad (2017) AXONOMTERIC SECTION Rahul Mehrotra Architects (RMA) SHOWING THE BUILDING ENVELOPE AXONOMTERIC SECTION SHOWING THE BUILDING ENVELOPE
STAINLESS STEEL BASE PLATES AXONOMTERIC SECTION TO ACT AS HORIZONTAL SHADING DEVICE, AND AS SHOWING THE BUILDING SUPPORTS ENVELOPE FOR THE VERTICAL WOODEN LOUVRES STAINLESS STEEL BASE PLATES TO ACT AS HORIZONTAL SHADING DEVICE, AND AS SUPPORTS FOR THE VERTICAL WOODEN LOUVRES
ART EMBRACINGEMBRACING ART MAHOGANY HARDWOOD LOUVERS EMBRACING ART TO ACT AS THE VERTICAL SHADING DEVICE, AND ART INSTALLATIONS Lilavati Library at Ahmedabad (2017) Swiss National Museum, Zurich (2016) Lilavati Library at Ahmedabad (2017) the Swiss National Museum, Zurich (2016) Art Christ Plaza is a publicRahul space enclosed within Mehrotra Architects (RMA) Gustav Gull,The Emmanuel Rahul Mehrotra Architects (RMA) Gustav Gull, Emmanuel Christ
museum facade, which has the potential to be used as a BUILDING ENVELOPE BUILDING ENVELOPE multi-purpose area. From sculptures and installations,
to screenings and performances, this space has been EMBRACING ART developed to hold a variety of activities. This is the true
vati Library (2017) highlightat of Ahmedabad the design, and is hence developed with a sense ofArchitects transparency (RMA) with the actual building. ul Mehrotra 22
REINFORCED STAINLESS STEEL BASECEMENT PLATESCONCRETE WALLS MAXIMIZE THE STRENGTH AND LONGEVITY OF TO ACT ASTO HORIZONTAL SHADING DEVICE, AND AS THE STRUCTURE, ANDWOODEN TO IMPROVE IT'S APPEAL SUPPORTS FOR THE VERTICAL LOUVRES REINFORCED CEMENT CONCRETE WALLS TO MAXIMIZE THE STRENGTH AND LONGEVITY OF THE STRUCTURE, AND TO IMPROVE IT'S APPEAL
MAHOGANY HARDWOOD LOUVERS Mahogany Hardwood Louvres MAHOGANY LOUVERS TO ACT AS HARDWOOD THE VERTICAL SHADING DEVICE, AND TO PUNCTUATE ACT VERTICAL SHADING DEVICE, AND TO THE FACADE'S CURVILINEAR STYLE To actASasTHEvertical shading device, and to TO PUNCTUATE THE FACADE'S CURVILINEAR STYLE punctuate the facade’s curvilinear style
TO PUNCTUATE THE FACADE'S CURVILINEAR STYLE AXONOMTERIC SECTION AXONOMTERIC SECTION SHOWING THE BUILDING ENVELOPE SHOWING THE BUILDING ENVELOPE
STAINLESS STEEL BASE PLATES Stainless Base PlatesDEVICE, AND AS STAINLESS STEEL BASE PLATES TO ACTSteel AS HORIZONTAL SHADING TO ACT AS FOR HORIZONTAL SHADING DEVICE, AND AS SUPPORTS THE VERTICAL WOODEN LOUVRES To actSUPPORTS as horizontal shading device, and as FOR THE VERTICAL WOODEN LOUVRES supports for the vertical wooden louvres
AXONOMTERIC SECTION
Axonometric Section SHOWING THE BUILDING ENVELOPE Showing the building envelope GALLERY
REINFORCED CEMENT CONCRETE WALLS TO MAXIMIZE THE STRENGTH AND LONGEVITY OF THE STRUCTURE, AND TO IMPROVE IT'S APPEAL
14
14 14
REINFORCED CEMENT CONCRETE WALLS REINFORCED CONCRETE Reinforced Cement Concrete Walls TO MAXIMIZE CEMENT THE STRENGTH ANDWALLS LONGEVITY OF TO THEAND STRENGTH AND IT'S LONGEVITY THEMAXIMIZE STRUCTURE, TO IMPROVE APPEAL OF ToTHE maximize theTO strength longevity of STRUCTURE, AND IMPROVE IT'Sand APPEAL the structure, and to improve the appeal
14 STAINLESS STE
View of the Atrium TO ACT AS HO (Rhino + Lumion + Photoshop) SUPPORTS FOR
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04 Institute of Art, Recreational Centre Ahmedabad, Gujarat, India Academic Project Bachelor of Architecture, Jun-Dec 2018
This project was undertaken as part of the Urban Design studio, wherein the areas of Paldi and Vasna, of the city of Ahmedabad, India, were analysed. The approach was to understand the impact of different urban design projects at the immediate, area, district and city level scales. With the city being one of the fastest growing cities in India, an unequivocal push towards upgrading the city’s infrastructure resulted in new developmental policies.
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Fig. Structure of the Art Museum (SketchUp + VRay + Photoshop)
URBAN-SCALE MAP AND ANALYSIS Building Morphology
Nehrunagar
Road Networks Shivranjini
Ambawadi Paldi Shreyas Railway Cross Roads Shreyas Flyover
Vejalpur
Jivraj Flyover
Coarse Even Grain
Fine Even Grain
Coarse Uneven Grain
Fine Uneven Grain
Dr. Jivraj Mehta Road Paldi
Vasna Road 132 ft. Ring Road
Chandranagar
Anjali Flyover Jawaharlal Nehru Road
Transit Oriented Zones (TOZ)
Juhapura
Narol
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AREA ANALYSIS Area Analysis
Activity Mapping, Rajyash Street
Proposed Zoning and Structure Plan Private Realm
Flexible Area
Recreational Club
Fig. 8 AM, Moderate Traffic Movement, Moderate Pedestrian Movement
Semi- Public Realm
Public Realm
Art Institute Fig. Existing Vehicular and Pedestrian Movements around the Selected Site
Fig. 4 PM, Moderate Traffic Movement, Low Pedestrian Movement
Fig. Propsed Vehicular and Pedestrian Movements around the Selected Site Upcoming Mixed Use Buildings New Roads, as proposed by AUDA’s Development Plan 2021 Reorganized Pedestrian Movement Metro Line (under construction) Major Vehicular Movements
Fig. 7 PM, High Traffic Movement, High Pedestrian Movement Cars 1.0 km: Narol Road 1.2 km: Vasna Road
Daily Activities
Gyaspur Canal 230.0 m
Vegetable Market, Fruit Vendors
Height from Canal +4.034 m
Morning, Evening
Lower Income Group Middle Income Group
Laborers’ Work Break, Children start playing
Swaminarayan AMTS Stop 150.0 m
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Rickshaws
Gyaspur Train Depot 1.5 km
Vendors
Fig. Proposed Zoning and Massing on the site
Vegetable Market Space for Hawkers and Vendors 24 Owners 300 Customers
Food Stalls, Dining Area for Sellers and Owners
Afternoon
20 Owners 700 Diners
Food Sellers Walkers/Joggers
Seasonal Business for Ganpati Statue Makers
Night
20 Owners 1250 Diners
FLOOR-WISE ISOMETRICS Recreational Area
Flexible Spaces
Institute of Arts
FIRST FLOOR
SECOND FLOOR
THIRD FLOOR
Circulation Lavatories Play Area for Children
Congregation Area for festivals/events
Parking for 60 Cars, 50 2-wheelers
Amphitheatre
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SECTIONAL PERSPECTIVE
Auditorium
Director’s Cabin
Terrace Garden
Library
Reception Canteen
Basement
Fig. Illustration showing a double-sided sectional perspective of the Institute of Arts (SketchUp, Photoshop, Illustrator)
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South-Western site entrance
View of the Art Institute, from the main entrance (SketchUp + D5 Render + Photoshop)
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BUILDING SECTION
05 Surestay Inn Tuscaloosa, Alabama, USA Professional Project Senior Architectural Visualiser, Dec 2021-Jun 2022
While working at an Ahmedabad-based architectural firm Design Molecule, the project was undertaken with a Los Angeles-based hospitality company. The designs were to be provided for the exterior conditions, lobby area, mural and patio. From layouts and materials, to FFE and meetings, the project covered a vast range of design and execution responsibilities that were to be undertaken to ensure a successful execution of the proposed designs.
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Conceptual Design for the Lobby (Hand Sketch + SketchUp + Photoshop)
EXTERIOR VISUALIZATION Conditions and Constraints New Colour for the Roof New Paint for the Exterior Walls Addition of flowering trees Minimal Treatment to the Canopy New Window Shutters
Condition of the property, Aug 2020
Colour and Material Palette
SW 9647 Soft Sage (Sherwin Williams Palette)
SW 9607 Tanglewood (Sherwin Williams Palette)
SW 7048 Urbane Bronze (Sherwin Williams Palette)
Mahogany Wood Panels (Local Supplier)
Initial visualization for the property (Photoshop)
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LOBBY DESIGN
A
Panelling Details for the Fireplace Wall Breakfast
A
B
C
Details Passage Render of the Fireplace Wall (SketchUp + VRay + Photoshop) B Corridor
Lobby
C
Details (Ceiling, Wall Panels)
Reception
Ceiling Layout for the Lobby Area (AutoCAD) Vestibule
Render of the Entrance Wall (SketchUp + VRay + Photoshop)
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Lobby Layout (AutoCAD)
The reception desk was to be retained, and hence the design iterations dealt strictly with the space-making. The furniture layout is kept flexible for future re-arrangements.
MURAL DESIGN
Mural Design (Photoshop)
Inspirations for the Mural State Boundary for Alabama Geography of the state Alabama Hills and Forests The Skyline of Tuscaloosa History of the City Activities in and around the City Crimson Tide Football Team The mural was inspired from the above factors, and a minimal graphic was prepared for the wall. A bench in the corridor in the same color scheme was also proposed.
Bench in the Corridor (AutoCAD)
Mural in the lobby (Photograph as sent)
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PATIO DESIGN
Fire Pit
Platform and Sink
Patio condition before the Reconstruction (Photograph as sent)
Barbecue Patio condition after a Partial Reconstruction (Photograph as sent)
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Patio Layout (AutoCAD)
RENOVATIONS
1
2
3
4
1 - Revamped Exterior, 2 - Lobby Interior (Entrance Wall), 3 - Reception Wall, 4 - Mural Wall (Photographs as sent)
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Fig. Illustration of Alvaro Siza’s Works (AutoCAD + Illustrator)
MONIL SHAH arch.mshah@gmail.com
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