ARCHITECTURE UNDERGRADUATE PORTFOLIO S H A I K H
S A N A
I’d like to invite you to look over my portfolio of academic and competitive design work. Architecture to me, is all about interactions. Like my cat, my designs try to explore every small intervention with curiosity. My design tonality varies across the canvas as most of it is doodling. I sometimes struggle to detangle my ideas, but the sudden panic often helps me figure a way out right away. More than the product, architecture has taught me to focus on the process as it heavily influences the final output. Maintaining a healthy process is far more important than merely pushing for a result.This helps us to stay true to what we do rather than overthinking how things will turn out. This portfolio’s content comprises a variety of works from my undergraduate studies that demonstrate my process of growing as a designer.
SOFTWARE SKILLS Autocad
Photoshop
Excel
Indesign
Rhino
Word
Corel Paint
Lumion
COMPETITIONS Louis I Kahn Trophy (N.A.S.A) 2018 - 19 -Special Mention Louis I Kahn Trophy (N.A.S.A) 2019 - 20 -Shortlisted Top 10 Louis I Kahn Trophy (N.A.S.A) 2020 - 21 -Juror’s Choice Annual N.A.S.A Design Competition 2020 - 21 -Jurors Choice
CONTACT Shaikh Sana Mumbai Shaikhsana1901@gmail.com +91 9773673787
EDUCATION Primary and Secondary school -Holy Cross Convent School (2016) Junior College -Mithibai College Of Science (2018) Bachelors Of Architecture -Rizvi College of Architecture
Annual N.A.S.A Design Competition 2019 - 20 -Participant Advait (Rotary Youth Leadership Award) 2021 -Third Place INTACH Heritage Award -First Place
POST Student council (2020-21) -Exhibition Head N.A.S.A (2020-21) -Annual N.A.S.A Design Competition Trophy Head
EXTRA CURRICULAR WORK College fest (Archfest) -Site Development -Exhibition College Magazine (Zeitgesit) -Designing cover page and page breakers
YOUTH CENTER SEM 5
CAFE INTERIOR DESIGN SEM 4
03
01
MUNICIPAL MARKET SEM 6
04
02
CONTENTS
WORKING DRAWING BUNGALOW SEM 6
08
07
DOCUMENTATION LOUIS I KAHN TROPHY 20-21 NASA
REIMAGINE ARCHITECTURAL SCHOOL RYLA
09
06
05
MOBILITY SPACE PANDEMIC DESIGN ANDC
DOCUMENTATION LOUIS I KAHN TROPHY 19-20 NASA
OTHER WORK
YOUTH CENTER SEM 5 PROJECT BRIEF The sole purpose of this project is to be a breathing and breeding arena of urban youths who can channelize their extremely eager passion and energy into the variety of fruitful activities that this place is going to offer them. This place would be an amalgamation of fun and productive events for the urban youth to enjoy their time and nourish their growing minds.
`
1
YOUTH CENTER P R O J E C T O V E R V I E W An unconventional workspace Meeting like minded people
Space to socialize To get inspired and motivated by each other
Outlet to be vocal Platform to display talents
Opportunities to become self-sufficient
A
Space to disconnect
Recreational spaces such as youth centers have a positive influence on the youth as leisure time activities are important for ones development and leisure comprises a large and important portion of young peoples life.
SECTION A-A’
GROUND FLOOR PLAN
Spaces are arranged such that they branch out from a central core that arranges all the spaces together
A’
`
2
YOUTH CENTER
FIR
B
SECTION B-B’
RST FLOOR PLAN
VIEWS
Food court seating and amphitheater
B’
Out door extension of the library
Space for yoga
`
3
MUNICIPAL MARKET SEM 6 PROJECT BRIEF The aim of this project is to address the impacts of architectural design on the social, cultural, and economic factors influencing the revitalization of the urban marketplace. The New Market will be designed to have a deep impact on the social fabric of the locality. This can be seen as an opportunity to foster and create intelligent spaces within the city. The market must have a captivating design, simple and elegant, different from the huge concrete buildings of the city, but at the same time, it needs to be integrated with its surroundings. Thus, the market would be the image of a city in evolution, a city that is changing for its citizens’ wellbeing.
`
4
MUNICIPAL
MARKET
PROGRAM
Tiffin Service
DESIGN IDEAS
Weekly exh space for loc
Introducting pause points
Common Eating Space for the vendors
Proper segregation and management of waste
GROUND FLOOR PLAN
hibition cal artists
VIEWS
Pockets for vendors Semi Opea eating space
Introducting pause points
`
5
MUNICIPAL
SECTION A-A’
NORTH ELEVATION
MARKET
MODULE DESIGNS
A
A’
FIRST FLOOR PLAN
`
6
WORKING DRAWING BUNGALOW SEM 5-6 PROJECT BRIEF Design a bungalow or weekend home with part or full terrace having formal or informal functions and interesting volumetric spaces in it. The design of the bungalow/weekend home will incorporate A.R.D. and Services details in the same. The criteries for designing the required bungalow are such that it should be ground + 2 storeys. The Foot print area of the structure is expected to be in the range of 1800-2500 sq.f.t and the total built up area of the structure (G+2 floor plate) not to be more than 6000-8000 sq.ft.
W4 800
W1 550
D2 1800
1500
2400
1600
900
800
W5
W5 800
850
750
750
750
1800
1500
3300
2400
1100
1600
900
D2
800
750
750
750
3300
350
800
800
W5
1800
1500
1100
W1
1800
900
3300
350
W4
2400
1100
W4 W1 W5
W5
W5
D2
`
7
750
750
750
750
150 1350
2600
1650 1200 300
600
A
D1 C13
1
21
450 X 230
Y- AXIS END FACE +21730 MM
CENTER OF C10,C16 +21580 MM
350
C1W2 F1 S1
D2 1220
1800 4240
600
W3
300 300 300
1220
C2 W4 F5 -
2100
W1
350 X 230
300 X 230
2940
4380
3300
2100
W1
350 X 230
110
2640
3300
21730
A’
3780
1900
1300
2500
2500
1600 1650
C10 300 X 230
0
W1
VERANDA
(5500 X 4200)
5500
4250
3000
C3
1650
3000
21420
GROUND FLOOR PLAN
UP
8350
5500
1650
SUNK : 200
C2
C1
900
2 1
6300
700
3000
1 0
600
+300
4300 600 750
3 2
1200
C1 W1 F5 S2
+600
C9
600
STORE ROOM (4000 X 2100) +600
C1W3 F3 S2
W3
C4
800
TOILET (2800X1500) +600 SUNK : 200
230
1000
3920
D3
KITCHEN (5400 X 4300) +600
560
650
2320
880
1000
6400
D1
1030
1000
4820
600
D1
750
900 300 300
W5
FOYER (4000 X 2500) +600
- W2 F1 -
C1 W1 F3 S2
450 X 230
5400
1500
400 X 230
230 1000 3550
250 250 1500
DUCT
4050
4000
450 X 230
C8
D1
SERVANT ROOM (3550 X 4050) +600
2250
120
CENTER OF C9,C15 C22 +17380 MM
300 X 230
C15
LIVING ROOM (7800 X 6300) +600
680
600
C1 W1 F4 S3
1200 150
C16
0
C1 W1 F3 S2
C7
600
6000
300 300
4250
3000
3800 3300
2
18 19 20
3
DINING ROOM (6300 X 5120) +600
W6
300 X 230
1750
5 4
1800
+300
PARKING ( 6000 X 5000 ) +/- 0.00
16 17
6
900
(5000 X 2960)
C6
300 X 230
14 15
8 7
450 X 230
6500
C5
UP
13
C14
450 X 230
6500
+600
C1W2 F1 S1
W1
600
1520
12
450
1000
750 260
10 9
1800
UP
DECK
5000
5230
16020
2960
1 2
300
C2W4 F5 -
D3 450
11
800
POWDER ROOM (2500 X 2500) +600 SUNK : 200
300 X 230
140 1700
+300
0.00
16260
0
680
300 X 230
900
+2250
C23
2500 1600
1000
5120
300
UP
2 C11
3750
1
800
C2 W4 F5 -
400 X 230
4050
0
550
TOILET (2500 X 2000) +600 SUNK : 200
1150
1000
2000
THREAD: 300 RISER: 300
2500
D3
6850 C12
W5
C22
450 X 230
450
C W F S
900 2500
750
5000
C1 W1 F4 S3
350 X 230
400
3500
1150
B
3000
SUNK : 150
W4
550
BED ROOM (6100 X 5000) +600
W5
C17
2700
400
1700
1000
4000
BALCONY (5000 X 2000) +600
DUCT
450
5000
2100
6100
3850 4750
350
450
1700
800
300
3000
6000
450 X 230
300 300 300 300 300 300 300 300 300 300
600
2300
1000
1240
C18 350 X 230
3200
C21
C20
300 X 230
5230
W1
350 X 230
1000
120
3300 C19
CENTER OF C4 +17300 MM
CENTER OF C14,C21 +13520 MM
CENTER OF C3,C13, C17 +10880 MM
CENTER OF C8 +10770 MM
CENTER OF C20 +8670 MM
+4290 MM
CENTER OF C2,C7, C12,C19
CENTER OF C1 +1350 MM
+150 MM
CENTER OF C5,C6, C11,C18
Y- AXIS START FACE 0.0 MM
WORKING DRAWING-BUNGLOW
350 X 230
80
4200
150
UP +0.0
OVERHEAD TANK BUND WALL LEVEL
+17.25M
OVERHEAD TANK SLAB TOP LEVEL
+16.63M
300
VENTILATION PIPE 600 X 600 MAN HOLE 300 MM FREE BOARD
+14.98M
1200
OVERHEAD TANK SLAB BOTTOM LEVEL
1500
25MMOVER FLOW PIPE
MUMPTY LEVEL
+13.64M 230MM X 600MM R.C.C BEAM
2800
1350 1200
10MM THICK TILE 230MM THICK BRICK WALL
750
GAME ROOM
1500
W1
1500
1500
MID LANDING +8.85M
750
FAMILY ROOM
3300
230MM THICK BRICK WALL
+9.60M
740
100 MM THICK BRICK BAT COBA +10.50M
600MM CHAJJA
900
X- AXIS END FACE +16260 MM
R.C.C COPING
TERRACE
130MM THICK G.R.C JALI GAME ROOM SILL LEVEL
150 MM COPING
1100
3300
+11.85M
900
TERRACE LEVEL
1200 MM BRICKS MASONRY PARAPET WALL
4660
TERRACE PARAPET LEVEL
W1
W1
R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER
R.C.C CHAJJA
150MM THICK R.C.C SILL
900 1500
W1
1500
18MM THICK EXTERNAL PLASTER
3300
1500
CENTER OF C17 +14900 MM
FAMILY ROOM
900
12MM THICK INTERNAL PLASTER MID LANDING
650MM X 230MM RCC BEAM 600MM CHAJJA
230MM THICK BRICK WALL
+6.30M
750
900
130MM THICK G.R.C JALI FAMILY ROOM LINTEL LEVEL
40MM THICK CEMENT SCREEDING 8MM THICK CERAMIC TILE 80MM SKIRTING
750
+7.20M
750
SECOND FLOOR LEVEL
3150
1800
+8.15M
900
GAME ROOM LINTEL LEVEL
CENTER OF C18,C19, C20,C21,C22,C23 +16140 MM
W2
W1
+5.50M
1100 130MM THICK G.R.C JALI
230MM THICK BRICK WALL
LIVING ROOM SILL LEVEL +0.80M PLINTH LEVEL +0.60M
CENTER OF C11,C12 C13,C14,C15,C16 +10900 MM
GROUND LEVEL
350
M.S RAILING
1500
W4
200
+1.65M
W3
W1 FOUR SHUTTER ALUMINUM FRAMED SLIDING WINDOW 150MM THICK R.C.C SILL 230MM THICK BRICK WALL
900
20MM NOSING 150MM RISER
900
LIVING ROOM SILL LEVEL
2400
B’
230MM X 600MM R.C.C BEAM
+2.25M
2250
30MM THICK T.W BOARDING MID LANDING
230MM THICK BRICK WALL 600MM CHAJJA
3300
230MM THICK BRICK WALL
650MM X 230MM RCC BEAM LIVING ROOM
1500
+3.00M
LIVING ROOM
1150
LIVING ROOM LINTEL LEVEL
150MM R.C.C SILL 230MM THICK BRICK WALL
750
750
+3.90M
900
1800
+4.80M
3150
FIRST FLOOR LEVEL
R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER FIXED GLASS WINDOW
900
FAMILY ROOM SILL LEVEL
FOUR SHUTTER ALUMINUM FRAMED SLIDING WINDOW
40MM THICK CEMENT SCREEDING 8MM THICK CERAMIC TILE 80MM SKIRTING
600MM X 230MM PLINTH BEAM
230MM THICK DRY RUBBLE PACKING EARTH PACKING 600MM X 230MM R.C.C PLINTH BEAM
1000MM PLINTH PROTECTION
+/-0.0M
SECTION A-A’ TILL HARD STRATA
OVERHEAD TANK SLAB TOP LEVEL
MUMPTY LEVEL
600 1350
TERRACE
SECOND FLOOR LEVEL
100MM THICK BRICK BAT COBA 150MM BRICK WORK 40MM CEMENT SCREEDING
W4
W5
750 800
800
W5
TOILET
30MM THICK T.W BOARDING 150MM RISER 150MM PATLI
1800
8MM THICK CERAMIC TILE
350
150MM X 75MM MS SECTION +8.00M
1100
+8.85M
W1 2400
MID LANDING
GAME ROOM LINTEL LEVEL
BED ROOM
BALCONY
WALK-IN WARDROBE
1600
+9.60M
750
230 X 500 R.C.C BEAM
750
500MM X 230MM R.C.C BEAM
3300
BED ROOM SILL LEVEL
100MM THICK BRICK BAT COBA +10.50M
150
TERRACE LEVEL
G.R.C JALI
DUCT
2600
150 MM COPING
750
+11.85M
230MM THICK BRICK WALL 8MM THICK TILE
D2
M.S RAILING G.R.C JALI
BED ROOM LINTEL LEVEL
W1
GROUND LEVEL
1600
M.S RAILING
+0.60M
550
PARKING AREA
W5
30MM THICK T.W BOARDING
3620
W5
800
750 800
1500
G.R.C JALI
POWDER ROOM
TOILET
150MM RISER M.S RAILING
1800
W4
40MM CEMENT SCREEDING
W1
1800
8MM THICK CERAMIC TILE 100MM THICK BRICK BAT COBA
900
3300 150MM X 75MM MS SECTION
1100
+2.25M
+1.50M
BED ROOM
150 MM THICK R.C.C LINTEL BALCONY
PLINTH LEVEL
150MM RISER
D2
750
750
500MM X 230MM R.C.C BEAM +3.00M
LIVING ROOM SILL LEVEL
18MM THICK EXTERNAL PLASTER
1800
W4
W5
+3.90M
LIVING ROOM LINTEL LEVEL
MID LANDING
2400
900
8MM THICK CERAMIC TILE 100MM THICK BRICK BAT COBA 150MM BRICK WORK 40MM CEMENT SCREEDING
230MM THICK EXTERNAL WALL
2400
FIRST FLOOR LEVEL
+4.65M
350
150MM X 75MM MS SECTION BED ROOM SILL LEVEL
TOILET
30MM THICK T.W BOARDING
1100
+5.50M
1500
3300
BALCONY
W5
800
+6.30M
850
230 X 500 R.C.C BEAM
WALK-IN WARDROBE
800
BED ROOM
750
750
750
+7.20M
MID LANDING
X- AXIS START FACE 0.0 MM
OVER HEAD TANK
+13.64M
40 MM CEMENT SCREEDING
CENTER OF C1,C2, C3,C4 +120 MM
300 MM FREE BOARD
1200 MM BRICKS MASONRY PARAPET WALL TERRACE PARAPET LEVEL
CENTER OF C5 +1870 MM
R.C.C COPING 230MM THICK BRICK WALL
+14.98M
1500
CENTER OF C6,C7 C8,C9,C10 +5670 MM
+16.63M
900
2500
OVERHEAD TANK SLAB BOTTOM LEVEL
+17.25M
TILL HARD STRATA
1650 300 1200
OVERHEAD TANK BUND WALL LEVEL
TILL HARD STRATA
TILL HARD STRATA
230MM THICK BRICK WALL
D2
230 X 600 RCC PLINTH BEAM EARTH PACKING
230MM THICK BRICK WALL PLINTH PROTECTION
230MM THICK DRY RUBBLE PACKING
+/-0.0M
SECTIONB-B’
` TILL HARD STRATA
TILL HARD STRATA
TILL HARD STRATA
TILL HARD STRATA
TILL HARD STRATA
TILL HARD STRATA
TILL HARD STRATA
8
WORKING DRAWING-BUNGLOW OVERHEAD TANK BUND WALL LEVEL
+17.25M
OVERHEAD TANK SLAB TOP LEVEL
+16.63M
OVERHEAD TANK BUND WALL LEVEL
+17.25M
OVERHEAD TANK SLAB TOP LEVEL
+16.63M
OVERHEAD TANK -13.50M 2 COATS OF PLASTER 2 COATS OF ASIAN PAINTS IMPRESSION ROUGH FINISH OVERHEAD TANK SLAB BOTTOM LEVEL
MUMPTY LEVEL
+14.98M
OVERHEAD TANK SLAB BOTTOM LEVEL +14.98M
+13.64M
MUMPTY LEVEL
DUCT LEVEL
12MM THICK STONE FINISH TILE
TERRACE PARAPET LEVEL
+13.75M +13.10M
-13.50M
-16.28M TERRACE PARAPET LEVEL
+11.85M
+11.85M
1200MM BRICK MASONARY PARAPET WALL 150MM X 75MM MS SECTION TERRACE LEVEL
EXTERNAL WALL FINISHED WITH 18MM THICK PLASTER, 1 COAT OF PUTTY, 2 COATS OF PRIMER AND 2 COATS OF ASIAN PAINTS ULTIMA PROTEK DURALIFE EMULSION PAINT
+10.50M BALCONY LINTEL LEVEL
EXTERNAL WALL FINISHED WITH 18MM THICK PLASTER, 1 COAT OF PUTTY, 2 COATS OF PRIMER AND 2 COATS OF ASIAN PAINTS ULTIMA PROTEK DURALIFE EMULSION PAINT
+9.60M
W4
W4
TERRACE LEVEL
LINTEL LEVEL
FOUR SHUTTER ALUMINIUM FRAMED SLIDING WINDOW
+10.50M
+9.60M
R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER
W7
FIVE SHUTTER ALUMINUM FRAMED SLIDING WINDOW
W1
W1
W1
W1
50x50 M.SBOX SECTION USED FOR RAILING
2 COATS OF PLASTER 2 COATS OF ASIAN PAINTS IMPRESSION ROUGH FINISH
SECOND FLOOR LEVEL +7.20M BALCONY LINTEL LEVEL
SECOND FLOOR LEVEL +7.20M
12MM THICK STONE FINISH TILE EXTERNAL WALL FINISHED WITH 18MM THICK PLASTER, 1 COAT OF PUTTY, 2 COATS OF PRIMER AND 2 COATS OF ASIAN PAINTS ULTIMA PROTEK DURALIFE EMULSION PAINT
+6.33M
W4
W4
LINTEL LEVEL +6.30M
R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER
-2.00M
W7
FIVE SHUTTER ALUMINUM FRAMED SLIDING WINDOW
-4.25M
50x50 M.SBOX SECTION USED FOR RAILING FLOWER BED FOUR SHUTTER ALUMINIUM FRAMED SLIDING WINDOW FIRST FLOOR LEVEL
FIRST FLOOR LEVEL
12MM THICK STONE FINISH TILE
+3.90M
+3.90M -4.20M
LINTEL LEVEL
+3.00M
EXTERNAL WALL FINISHED WITH 18MM THICK PLASTER, 1 COAT OF PUTTY, 2 COATS OF PRIMER AND 2 COATS OF ASIAN PAINTS ULTIMA PROTEK DURALIFE EMULSION PAINT
W4
LINTEL LEVEL
R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER
-2.00M
FIVE SHUTTER ALUMINUM FRAMED SLIDING WINDOW +/-0.0M
+/-0.0M
W4
-4.25M
W3
50x50 M.S BOX SECTION
W6
75x75 M.S BOX SECTION
1721
12MM THICK STONE FINISH TILE PLINTH LEVEL
GROUND LEVEL
PLINTH LEVEL
+/-0.0M
+0.60M
P.C.C PLINTH PROTECTION GROUND LEVEL
+/-0.0M
W4
+0.60M
+/-0.0M
FRONT ELEVATIO
150
REAR ELEVATION 150MM THICK R.C.C SLAB
SLAB LEVEL +3.30M
750
SLAB LEVEL +3.30M
-4.20M
+3.00M
LINTEL LEVEL +2.40M STORAGE TOP +2.25M
600
450MM OVERHEAD STORAGE FINISHED WITH LAMINATE
SPACE FOR REFRIGERATOR
OVERHEAD STORAGE
+1.85M
OVERHEAD STORAGE BOTTOM +1.40M
STORE ROOM (4000 X 2100)
300x300 12MM THICK CERAMIC TILE
800
STORAGE CABINET FINISHED WITH LAMINATE
FLOOR LEVEL
FLOOR LEVEL
+/-0.0M
+/-0.0M
KITCHEN SECTION A-A’ A
STORAGE TOP +2.25M
COUNTER TOP +0.80M
550
220 150 150 550
400MM OVERHEAD STORAGE FINISHED WITH LAMINATE
1800
400 800
COUNTER TOP +0.80M
100 220 150 150 550
OVERHEAD STORAGE BOTTOM +1.40M
450
+1.85M
2400 600
OVERHEAD STORAGE
3300
300
400
115MM THICK BRICK WALL FINISHED WITH PLASTER
KITCHEN SECTIO B
+2.40M
200M
+2.20M
50MM SECT 20MM
+2.00M
12MM TILE
EXTE WITH COAT PRIM ASIAN PROT PAINT 12MM TILE
+1.28M
2 CO OF AS ROUG
+0.55M
ROLLE +/-0.0M GROUND LEVEL
A’
B’
COMPOUND WALL FRONT ELEVATION
350 X 230
W1
C3
OVERHEAD TANK
R.C.C COLUMN
2 COATS OF PLASTER 2 COATS OF ASIAN PAINTS IMPRESSION ROUGH FINISH
SINK 18MM THICK GRANITE FINISHED PLATFORM
900
1200
50MM X 50MM MS BOX SECTION
B
650
1100
115MM THICK BRICK WALL
B'
700
OVEN
PARTITION(#2 18MM THICK MARBLE WITH 18MM THICK MORTAR SANDWICHED IN BETWEEN
1500
EXTERNAL WALL FINISHED WITH 18MM THICK PLASTER, 1 COAT OF PUTTY,2 COATS OF PRIMER AND 2 COATS OF ASIAN PAINTS ULTIMA PROTEK DURALIFE EMULSION PAINT
1200
C' 1100
150MM X 75MM MS SECTION
3100 700
C
12MM THICK STONE FINISH TILE 1200MM BRICK MASONARY PARAPET WALL
GAS STOVE
700 2100
DUCT
START TILE
1200
STORE ROOM (4000 X 2100) +600
R.C.C CHAJJA
900
3000
700
MS BOX SECTION 200X200
700
FOUR SHUTTER ALUMINUM FRAMED SLIDING WINDOW (3000 X 1500) R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER
KITCHEN ISLAND
R.C.C CHAJJA
75x75 M.S BOX SECTION
1150
D1
12MM THICK STONE FINISH TILE
REFRIGERATOR
500
12MM THICK STONE FINISH TILE
100 x 100 M.S BOX SECTION
750
R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER
KITCHEN (5400 X 4300) +600
FOUR SHUTTER ALUMINUM FRAMED SLIDING WINDOW (3000 X 2250)
12MM THICK STONE FINISH TILE
TWO SHUTTER ALUMINUM FRAMED SLIDING WINDOW (1600 X 1500)
W3
A'
FOUR SHUTTER ALUMINUM FRAMED SLIDING WINDOW (3000 X 2250) PARKING SPACE PLINTH PROTECTION
KITCHEN PLAN SLAB LEVEL +3.30M
115MM THICK BRICK WALL FINISHED WITH PLASTER
850
C
COUNTER TOP +0.80M
300x300 12MM THICK CERAMIC TILE
STORAGE CABINET FINISHED WITH LAMINATE
800
800
KITCHEN ISLAND STORAGE CABINET FINISHED WITH LAMINATE LIGHT WEIGHT BLOCK FILLING
450MM OVERHEAD STORAGE FINISHED WITH LAMINATE
2250
300x300 12MM THICK CERAMIC TILE
400MM OVERHEAD STORAGE FINISHED WITH LAMINATE
W1
450
STORE ROOM (4000 X 2100)
600
OVERHEAD STORAGE BOTTOM +1.40M
600
+1.85M
450MM OVERHEAD STORAGE FINISHED WITH LAMINATE
3300
400MM OVERHEAD STORAGE FINISHED WITH LAMINATE
400
300
400
STORAGE TOP +2.25M
1400
115MM THICK BRICK WALL FINISHED WITH PLASTER
LIGHT WEIGHT BLOCK FILLING FLOOR LEVEL +/-0.0M
KITCHEN SECTION C-C’ +2.80M
+2.80M
200MM P.C.C COPING
120 MM RCC 50x50 M.S BOX SECTION @ 225 c/c
450x450 BRICK PIER FINISHED WITH 18MM THICK PLASTER
50MM THICK D.P.C
+0.70M
450x400 R.C.C GUTTER
550
450x450 BRICK PIER FINISHED WITH 18MM THICK PLASTER CURB STONE 100MM THICK BRICK BAT COBA (FLOWER BED ) 50MM THICK D.P.C 450x400 R.C.C GUTTER
C.I GRATING
C.I GRATING
BRICK STEPPED FOOTING 150MM THICK P.C.C
P.C.C BENCHING
300 300
1050
+/-0.0M GROUND LEVEL
150 300
+/-0.0M GROUND LEVEL
+0.15M
150
P.C.C BENCHING
450 600
1300 +0.15M
150
550
+0.70M
OATS OF PLASTER 2 COATS SIAN PAINTS IMPRESSION GH FINISH
2400
230MM THICK BRICK WALL
20MM THICK WOODEN PANEL
2200
600 1650 +1.25M
2400
+1.40M
20MM THICK WOODEN PANEL STEEL ANCHORS 50MM X 50MM M.S BOX SECTION
2200
M THICK STONE FINISH
1650
12MM THICK STONE FINISH TILE
450
+2.15M
200MM P.C.C COPING +2.30M
600
160
+2.30M
M X 50MM M.S BOX TION M THICK WOODEN PANEL
ERNAL WALL FINISHED H 18MM THICK PLASTER,1 T OF PUTTY, 2 COATS OF MER AND 2 COATS OF N PAINTS ULTIMA TEK DURALIFE EMULSION T M THICK STONE FINISH
230x550 R.C.C BEAM
650
230x550 R.C.C BEAM
W1
150MM THICK R.C.C SLAB
550
150MM THICK R.C.C SLAB
ON B-B’
MM P.C.C COPING
D1
C7
R.C.C. BOXING FINISHED WITH 18MM THICK PLASTER 100 X 100 M.S BOX SECTION (PERGOLA)
450 X 230
C8
400 X 230
-4.20M
+/-0.0M
1450
D1
R.C.C CHAJJA
2000
-4.20M
ON
ER WHEEL
A
350 X 230
C2
BRICK STEPPED FOOTING 150MM THICK P.C.C DRY RUBBLE PACKING
DRY RUBBLE PACKING
SECTION A-A’
SECTION B-B’
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INTERIOR DESIGN CAFE
PROJECT BRIEF With the specified site , create an interior layout as well as the façade for a café. A specific theme should be chosen and adhered to throughout the design. On the southern side, the café shares a wall with an adjacent structure. Design of Kitchen is not to be considered.
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INTERIOR DESIGN CAFE CAFE NIRVANA
A
EXPRESSION THEME
PLAN
EAST ELEVATION
COUNTER PLAN
SECTION A-A
FRONT ELEVATION
SIDE EL
A’
NORTH
A’
LEVATION
VIEW
ISOMETRIC
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REIMAGINING ARCHITECTURE SCHOOL RYLA PROJECT BRIEF The aim of this competition is to redesign an Architecture School that offers a conducive environment for studying and training to become an Architect also to offer an alternative environment for studying and training to acquire the vocational and practical skills and knowledge required to become an Architect. The design proposal should create a strong architectural statement within the city. Participants are challenged to create the most desirable educational environment with their design solution that best serves the current and future students aiming to be part of the unique profession of Architecture.
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REIMAGINING ARCHITECTURE SCHOOL C O N C E P T
Combination of solids and voids to provide multiple options to the users and thus spread around to explore the spaces. Spaces defined psychologically while visual connect between users is maintained. Flexible spaces providing an option to be altered as per user as and when required. Canteen Studio
Computer Lab
Admin
EMPHASISE ON STAIRCASE
Brightly coloured staircase used as an element of emphasisto guides the movement pattern within the structure. Canteen
Studio
Workshop
Passage
INSIDE OUT SPACES
Open and semi open spaces intertwined with spaces to create a sense of peace admist the surrounding chaos. Library
Exhibition
LEVELS
Studio
Levels connecting multiple users visually; beyond the physically defined spaces that they choose to be in.
C
CONTEXT
B
The context consists of residential buildings with the Arabian sea on the west. The distinct form of intersecting solids and frames creates a statement.
A’
A B’ C’ FIRST LEVEL PLAN
ISOMETRIC VIEW
SECOND LEVEL PLAN
0 5
15
30
0 5
15
30 `
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MOBILITY SPACES IN A PADEMIC ANNUAL NASA DESIGN COMPETITION PROJECT BRIEF INTRODUCTION Public mobility spaces are the one’s which help people connect to places across the country. In india, the public transportation sector indulges in transporting millions of people a day. Referring to the bus sector which operates 170.000 busses carrying 70 million or more people every day. All of this has come to a pause due to the current pandemic. On the other hand, due to the upsurge, the public mobility space has a vital role to play in today’s situation, as it is inevitable by human activity. In the current scenario, uncontrollable mobility at every square mile has given rise to increase In crowded spaces. The mobility spaces are becoming hotspots for transmission of diseases and hence caged people inside their homes. Since the crowd is not allowed at public spaces, how can these spaces transform? How do we change the idea of public mobility? We must be able to question oneself, in pursuit of liveable cities,towns and villages starting with the rudimentary i.e. mobility spaces.
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MOBILITY SPACES IN A PADEMIC INTRODUCTION
Prov Machin easier. B a se
‘If it’s not a challenge , it’s not worth the change.’ Mobility spaces form the civic spine of urban areas.Urbanscape accomodates more opportunities to employ the citizens and migrants leading to concentration of multiple stakeholders in mobility spaces Plug in bus termini in particular are subjected to chaotic influx of commuters from adjacent modes of transport. Thus these spaces were exposed to higher risk of contagion, which challenged it’s functioning when the mankind was at utmost need.This in-turn calls for an urgent requirement of reorganization.
Screen/ shield to
Existing iron rods
Staggered iron
Staggered partitions for effective division of crowd
TICKET COUNTER
guide the queue
SERVICE
Staggered window screen Revolving Disc Incined Surface to avoid people leaning
Reducing contact between commuter and cashier while exchanging cash. Staggered ticket counterscreen for easy verbal communication
An outdoor public allows greater scope physical distan
Physical distancing through zig zag guides
Enabling physical distancing alternate seating arrangement a
Effectively organizing the movement of users in order to decrease the spread of contagion.
ORGANIZING THE CROWD
ENTRY/EXIT
vision of Automatic Ticket Vending ne makes the collection of train tickets Beside the atvm, series of frames gives ense of direction and space to the people in the queue
Existing bus shelters are subjected to unorganized overflowing crowd
A two way ramp is
Andheri bus depot is urbanised and hence acts as an influx for pedestrians but due to the availability of transport vehicles and hawkers most of the crowd is stagnated.
designed in a manner that incidentally divides the users.
Alternate level rise
Collective implementation of queues and seating
S
Alternate seating arrangement.
Seating arrangement acting as a guide for organizing the queues in zig zag pattern, so as to maintain physical distance.The users at the forefront of the queue are provided with seatings whereas the rest of the queue occupies the space behind seating. this binary arrangement accomodates greater number of users within the shelter.
c seating e to practice ncing.
using and levels.
Evolution basin Extended concave edges are provided to ensure finer hygiene
Dedicated seatings for senior citizens for easy accessibility to bus
Physical contact and interaction in public spaces is inevitable, the least that can be done is minimise it. Schematic bus depot canteen plan.
PHYSICALLY DISTANT SOCIALLY CONNECTED
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LOUIS I KAHN TROPHY N.A.S.A 2019-20 PROJECT BRIEF The theme ‘Architecture of the Semi Sacred’ intends to relook at the architecture located between the civic and the sacred. At present, there is no accepted terminology called semi-sacred, but this text uses this thematic word to denote all those structures which spring around a core sacred phenomena. For the purposes of this brief, we may define a place which is a part of a faith, an extension of the main complex which extends towards the public / civic bodies without directly imposing the faith in terms of its accessibility, usage and people but still carry form and fabric of the faith. A single building or a group of buildings within one campus with total built-up area of minimum of 1000 square meters would qualify for the trophy The chosen project should be an architecture appropriate to demonstrate the idea of semi sacred as located between the civic and the sacred.
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AUROBINDO NIWAS GUJARAT
A
INTERPRETATION
Semi sacred spaces are a dilution of restrictive nature of sacred and civic spaces, they have no social constraints on their accessibility and usage. When it comes to experiencing these spaces, semi-sacred spaces are the ones which gives a glimpse of faith without conditioning one to follow it. When faith and spirituality is incorporated in our routine . and manifested physically through architecture, it brings together a community that believes in practices and ideologies collectively which are the sacred components to make a space semi-sacred.
A’
GROUND FLOOR PLAN
INTRODUCTION Sri Aurobindo Nivas became a National Memorial as it got preserved and adapted to function as spiritual retreat. It was in here, where he started exploring Meditation and Yogasna which evolved into Integral Yoga. The architecture of The Nivas played an important role by setting up an atmosphere where the mind could be at peace and one can cut himself off from the physical world.
FIRST FLOOR PLAN
FRONT ELEVATION
LEFT ELEVATION
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SECTION A-A’
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LOUIS I KAHN TROPHY N.A.S.A 2020-21 PROJECT BRIEF The aim of the LIK 2020 – 2021 Trophy is to document sites which best represent the connection between the vernacular and the modern.Vernacular traditions – contemporary Warchitecture intends to look at modern buildings where local and regional elements find an expression. It is about studying recent architecture where traditional and historic character is manifested. Choose a project designed by an Indian architect (settled in India or abroad); built during the last 20 years; located anywhere in India; with min 1000 sq.mt, built area in all floors and blocks put together as a discernible work of modern architecture.
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JETAVAN, MAHARASHTRA VERNACULAR
CONTEMPORARY
Ever since the beginning humans have always been undergoing a continuous process of building their own homes. Cultural building traditions were passed down orally, and homes were built without architects. Every regional style is distinct and unique, therefore vernacular Architecture encompasses several elements and cannot be defined by a single style. It has often been dismissed as crude and unrefined, but also has proponents who highlight its importance in current design.
A
GROUND FLOOR PLAN
Today’s architecture borrows elements from all the other aesthetic styles, where in, form is one of the fundamental elements. A combination of wide range of eco friendly features embracing all kind of creativity to high tech structures is observed among contemporary buildings. Jetavana was one of the most famous of the Buddhist monasteries in India. It was the second vihara donated to Gautama Buddha after the Venuvana in Rajgir. The place where the Buddha gave the majority of his teachings and discourses. The centre was envisioned by Venerable Bhante Dhammadipa during his visit to India in order to develop a centre for the community close by which would be the centre for spiritual guidance, physical wellness for vocational trainings.
SOUTH ELEVATIO
SECTION A-A’
A’
MASTER PLAN
ON
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OTHER WORKS Aside from the curriculum , I enjoy doodling, painting, and creating illustrations. I enjoy experimenting with different styles and digging deeper into them. I also enjoy taking part in hands-on projects. Some of these installations and illustrations are shown below.
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OTHER WORKS
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OTHER WORKS
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THANK YOU S H A I K H
S A N A
Shaikhsana1901@gmail.com +91 9773673787