N O F R O N T, N O B AC K B lended R ealm
By Paola Sade Sara Gharibi Yijia Zhang Zhengwen Zhu Shalini Ravi
C ontent ORIGIN REFRENCE CITY MORPHOLOGY
FLOW URBAN FLUIDITY DESIGN PROCESS
FOOTPRINT MASTER PLAN PLAN SECTION ELEVATION AXIONOMETRIC VIEW
TASTE MATERIAL ANALYSIS
TRANSPARENCY INTERIOR CONCEPT INTERIOR ATMOSPHERE
REFLECTION EXTERIOR CONCEPT EXTERIOR ATMOSPHERE
Ruichang, Jiangxi, Tongling Historical Copper Mine Museum
“When we discovered Cubism, we did not have the aim of discovering Cubism. We only wanted to express what was in us.” Pablo Picasso
“The Cubist Interpenetrating Space Creates The Flowing Landscape With NO FRONT And NO BACK To The River And The City.”
It is the cubism space(which
ORIGIN- REFRENCES
is our abstract sense of the context, the spirit of this place), that can’t figure out the space in front and back, the ambiguous space for the view into the river and landscape, for
people
wandering.
with
the idea of cubism
we will have something totally transparent above the
ground
for
view
to
river
the
citizens and
accessibility, totally open, serene, picturesque, and panoramic.
A House at Estaque, Georges Braque
ORIGIN- CITY MORPHOLOGY
“Blended Realm” depthless, compressed, transparent urban image. Overlapping elements without front and rear reveal Cubist paintings.
ORIGIN- CITY MORPHOLOGY
In terms of mobility, the city streets are the main ones, and the FLOW LINES FROM THE CITY CENTER TO THE RIVER are roughly divided into two types. In the design, we continue this way of circulation and provide a line of sight directly to the river in the middle.
“Reducing everything to ‘geometric outlines, to cubes” Ruichang, Jiangxi, Tongling Historical Copper Mine Museum
Louis Vauxcelles
FLOW- URBAN FLUIDITY Direct people from the historical center, create along ramp along the road, bars slices can be
To design something visible, noticeable at the same time not visible, noticeable due to the world
used as stairs too
heritage
FLOW- DESIGN PROCESS Bars(slabs) can create different spaces with different purposes, can be semi-open, semi-
Bar(slices) and topography, sometimes disspeared, sometimes embedded Give visual
closedo or semi private
and physical connection between people and river
The Bars(slices) group, about the public space, the experience, the light, and their Deformation...
FLOW- DESIGN PROCESS
“The concept of ambiguity obscurely allows a duality .By means of its etymology (Latin ambo, ‘two at the same time, two together’) Ambiguity allows both enclosed spaces and continuous spaces to be coherent in one place, not juxtaposed but coexistent in a tension,which never resolves.”
Ambiguous Spaces, Potential Spaces by Hermes Killer
Ruichang, Jiangxi, Tongling Historical Copper Mine Museum
FOOTPRINT-MASTER PALN
8 2
3
1
MAIN ENTRANCE
2
ENTRANCE
3
AROMATIC GARDEN
4
GREEN ROOF
5
FLOATING EXHIBITION
6
HARBOUR
7
WATCHTOWER
8
PARKING
9
SHED
1
7 4 9
5 2
6
4
3
1
2
7 1
TICKET OFFICE
2
LOCKER
3
FOYER
4
TEMPORARY EXHIBITION HALL
5
AUDITORIUM
6
RESTAURANT
7
WATCHTOWER
8
SHED
8
6
FOOTPRINT- PLAN
1
1
ADMINISTRATION AREA
2
RESTARUANT
2
4
1
1
PERMANENT EXHIBITION HALL
2
WINE LOUNGE
3
WORKSHOP
4
WAREHOUSE MACHINERY ROOM 2
3
FOOTPRINT- PLAN
1
1
WINE TASTE ROOM
2
WINE DEPOSITE
2
1
PERMANENT EXHIBITION HALL
2
FLOATING EXHIBITION 1
2
FOOTPRINT- SECTION Section 1- Sc 1:400
Section 2- Sc 1:400
Section 3- Sc 1:400
Section 4- Sc 1:400
FOOTPRINT- ELEVATION
FOOTPRINT- AXONOMETRIC VIEW
“Architecture has not to speak to much. It should remain silent and let nature in the guise of sunlight and wind.” Tadao Ando
Ruichang, Jiangxi, Tongling Historical Copper Mine Museum
TASTE- MATERIAL ANALYSIS
“Cubism is like standing at a certain point on a mountain and looking around. If you go higher, things will look different; if you go lower, again they will look different. It is a point of view.” Jacques Lipchitz
Ruichang, Jiangxi, Tongling Historical Copper Mine Museum
TRANSPARENCY- INTERIOR CONCEPT
TRANSPARENCY- INTERIOR CONCEPT
FOYER, It is the first indoor space for visitors to enter the museum, and the foyer provides a rest for inquiry.
TRANSPARENCY- INTERIOR ATMOSPHERE
WINE EXHIBITION HALL, The different exhibition rooms in the museum partly display the history of Bordeaux wine, and partly display some temporary exhibits.
CORRIDOR, space is the overlapping part of different levels of space, which has a clear guiding role for tourists.
TRANSPARENCY- INTERIOR ATMOSPHERE
WINE TASTING ROOM, is located at the lowest point of the site, and the large floor-to-ceiling windows bring the scenery of the outdoor river and the opposite bank into the room.
“The good building is not one that hurts the landscape,but one which makes the landscape more beautiful than it was before the building was built.” Frank Lloyd Wright Ruichang, Jiangxi, Tongling Historical Copper Mine Museum
REFLECTION- EXTERIOR CONCEPT
EXTERIOR SPACES is shaped based on the WALKING PATH AXES to make the design more readable and familior for the visitors, and also the green spaces shaped base on these axes intersections.
Combination of architecture and landscape, INSIDE AND OUTSIDE together.
REFLECTION- EXTERIOR CONCEPT
Through the ambiguity of cubism the transitions in the museum are not linear. People can enter and exit anytime , anywhere with wondering what is next
REFLECTION- EXTERIOR ATMOSPHERE
The MAIN ENTRANCE is located in the middle of the project, close to the Watchtower. The special design of the pavement guides visitors to the different spots in the museum and it is a place which is introduce the wine museum and the concept.
REFLECTION- EXTERIOR ATMOSPHERE
Floating Exhibition can give the visitors the experience of this exhibition by walking on it and it feel like they are WALKING ON WATER. It is an outdoor exhibition which invites people from all around the city to enjoy the atmosphere.
REFLECTION- EXTERIOR ATMOSPHERE
Ambiguous cubism transition between city and river.
Ruichang, Jiangxi, Tongling Historical Copper Mine Museum