In Circles
Shape Open 2019
Contents Foreword ................................................................................................................................................... 1 In Circles – Shape Open 2019....................................................................................................... 2 Tony Allen ................................................................................................................................ 4 Richard Amm ........................................................................................................................ 5 Faith Bebbington ................................................................................................................. 6 Coreen Bernard .................................................................................................................... 7 Lizz Brady ................................................................................................................................. 8 Claire Callow .......................................................................................................................... 9 Sam Castell-Ward............................................................................................................. 10 Annie Ho Cooper.............................................................................................................. 11 Daisy Cowley....................................................................................................................... 12 Nikki Davidson-Bowman .............................................................................................. 13 Catriona Faulkner ............................................................................................................. 14 Alice Rose Floyd ................................................................................................................ 15 Steven Fraser ....................................................................................................................... 16 CL Gamble............................................................................................................................ 17 Laura Graham ..................................................................................................................... 18 Michael Gurhy .................................................................................................................... 19 Steven Hardy ....................................................................................................................... 20 Jack Haslam .......................................................................................................................... 21 Liam Hassan-Beserekumo ........................................................................................... 22 Tzipporah Johnston ......................................................................................................... 23 Elora Kadir ............................................................................................................................ 24 Nihan Karim......................................................................................................................... 25 Glynis Lamond ................................................................................................................... 26
Carrie Mason ....................................................................................................................... 27 Campbell Mcconnell....................................................................................................... 28 Andrew McPhail ................................................................................................................ 29 Jenny Meehan ..................................................................................................................... 30 Charlie J. Meyers ................................................................................................................ 31 Bella Milroy .......................................................................................................................... 32 Aidan Moesby ..................................................................................................................... 33 Steve Musk ........................................................................................................................... 34 Elfrida Osbert...................................................................................................................... 35 Alice Partington ................................................................................................................ 36 Beau Rouse .......................................................................................................................... 37 Amna Sharif ......................................................................................................................... 38 Anne Smith.......................................................................................................................... 39 Mark Tamer .......................................................................................................................... 40 Andrea Vicentini ............................................................................................................... 41 Aminder Virdee ................................................................................................................. 42 Ophir Yaron ......................................................................................................................... 43 Chan Chung Yuen............................................................................................................. 44 About Shape Arts .............................................................................................................................. 45
Foreword 2019 is yet another exciting year for Shape Arts. Our art, interpretation and other creative work in arts, heritage and cultural change have had many highlights and we are delighted to be working with Arts Council England, British Council, the National Lottery Heritage Fund and many other leading arts, culture and inclusion organisations in the UK as well as funders and commissioners on the international arts, heritage and cultural scenes. Our most important partners, above all, are our artists and creatives – it’s why we exist – to platform their way of seeing the world and help them get their creative vision out to the world, which we aim to achieve through the Shape Open. This year’s Shape Open theme asks – are we going round in circles? Many disabled and non-disabled barriers-facing creatives will know what this speaks of: in a world of relentless cuts, of relentless attacks on disabled people and other ‘outsiders’, of battles being fought and re-fought, how are the artists and creatives responding? Do they keep fighting the same fights, seeing the same issues, and show these issues visually? Or can circular journeys of life be a source of new stories and new ways of linking up art of resistance, art of social change between generations of artists new and old? This exhibition opens up this enquiry with brilliant work about circles and how to both break and use them. Special thanks go to Yinka Shonibare CBE (RA) for his continued support and active involvement as the Shape Open Patron over many years. David Hevey Chief Executive & Artistic Director, Shape Arts
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In Circles – Shape Open 2019 Shape’s annual Open exhibition of artwork by disabled and non disabled artists is now in its seventh year. Whilst varying in theme every year, the Shape Open has provided artists with a platform to highlight their viewpoints on disability issues and topics which are often sidelined within artistic debate. The barriers that disabled artists face within the art world can be substantial, and the frustration that artists feel is exacerbated by a lack of access to and into the arts. Success within the sector is often reliant on being present and visible, not only excluding disabled artists’ from arts’ institutional structures but also from critical debate and conversations. Disabled artists are often left feeling like they are unheard by more dominant and present voices within the art establishment, continuously arguing the same points repeatedly. This year’s exhibition theme ‘In Circles’ questions whether progress is being and can be made within the arts, if our work is counterproductive and a circular argument, or if we can shift institutional thinking. The selected artists are expressing their frustrations with institutional practices and the repetitive cycles that are difficult to break free from without a deeper connected debate. Others are exploring points of connection and commonality with both Disability arts and the mainstream art world, while some choose circular symbolism as a form of expression.
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We saw exciting submissions from a range of artists around the world this year. Works were selected for the final exhibition by a panel of judges including 2018 Shape Open prize winner Helen Jones, Nunnery Gallery Director of Arts and Events Sophie Hill, Nunnery Gallery Arts and Events Coordinator Saphia Venner, Shape Arts Chief Executive David Hevey, and Shape Arts Programme Manager Sara Dziadik. This year’s theme was selected by Isabella Tulloch, Shape Arts Programme Manager. Sara Dziadik Exhibition Curator, Shape Arts
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Tony Allen
It’s Like I’m Talking to a Brick Wall 2019 Installation 262 x 410 “It’s important people hear my voice ‘cos I don’t use it very often. I’ve tried to help people understand me … I’ve tried to give everyone a chance, but no one wants to listen to what I’ve got to say. I look round to see who’s listening to me and if no one’s paying attention then it’s a waste of time so I’m not going to say it again and that’s their loss.” Tony says he is sick of feeling like he is TALKING TO A BRICK WALL.
Tony Allen is an ActionSpace artist. This work is supported by Omni Colour. 4
Richard Amm
Drawing Pain 2019 Ink on Paper 59 x 84 For me creating mandalas has been a critical part of my pain management. Being able to focus my mind on creating something absorbing and complex can take me out of my body for a little while. Mandala is Sanskrit for “circle�, they represent wholeness and the infinite nature of the universe. They are used to facilitate meditation. Recent studies have shown that creating mandalas can have beneficial effects on stress and mental illness. This piece is a collection of many mandalas that I have drawn over the last few years of dealing with my own physical pain.
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Faith Bebbington
Balancing Act 2016 Polymer clay, pigment and wire 8 x 15 x 7 ‘Balancing Act’, although quite a small piece, was a turning point sculpture for me in ‘coming out’ as a disabled artist. This is part of a body of work created purposefully to explore and highlight my issues with balance due to having cerebral palsy. Doing ‘heel to toe’ exercises lives with me to this day so the piece literally rocks, to reflect my memories of the repetitive circle of years of physio exercises. 6
Coreen Bernard
Mute to It 2018 Watercolour 30 x 40 This piece is from a series of works which narrate a visual manifestation of mental illness, which for many is a debilitating disability. This piece aims to break through the taboos and stigma attached to disability.
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Lizz Brady
U N T I T L E D 000 2018-19 Sound installation 4.54 min
Within this work I tease and manipulate the world around me. Using found clips and popular figures I become manic as I work, clicking my tongue and playing the guitar. The sound is interactive and performative and I invite the audience to take this trip alongside me. Each piece of sound was created during a period of depression. These noises generate apprehension and mistrust. The sounds link to theories such as hyper-reality and obsession, exploring the sociological cycle theory and how we, as a society, are repeating the same mistakes again and again. 8
Claire Callow
British Sign Language: Circular Discourse 2018 Pencil on Paper, 45 x 37 This is the artist signing to her mother. As a CODA (a Child of a Deaf Adult) she occupies the space between the deaf and hearing worlds. For many CODAs, sign language is their first language. The drawing depicts a conversation by focusing on facial expressions and hand shapes. Precise and purposeful, these form the grammar of a language born out of usage, rather than transliteration. However, in being linear and monochromatic, the work shows an affinity with the written word. The artist’s core interest in human design (from maps to make-up) and how it relates to the body refers back to this experience. 9
Sam Castell-Ward
A Conversation
A Conversation 2019 Digital Print 31 x 38.5
267 words 17 words This abstract account of an exchange between an autistic person and a neurotypical person shows the amount of effort an autistic person put into what they said in the conversation and their disappointment when the neurotypical person didn’t show much commitment or enthusiasm for the subject, especially when the autistic person had built up a long and thoughtful exchange in their mind. The artwork features the text of the exchange blanked out, as if the words said by the autistic person didn’t matter. 10
Annie Ho Cooper
100 Circles 2019 Chinese ink and gold gouache on rice paper 30.5 x 55 x 30.5 Circles symbolise completeness, harmony and wholeness of experience. The circle communicates directly but requires no explanation. It is completed in one single act, decisively, created from an exhale of breath. The regular practice of painting the circle is a reminder of staying in the present, anytime, anywhere, coming from the heart instead of the mind. This piece expresses the importance of regular communication and dialogue in the ongoing debate about disability arts, which should be more than an intellectual exercise. In the history of disability arts, disagreement and conflict can be made good by being incorporated into the whole, so positive progress can be made. 11
Daisy Cowley
Union for the Useless Awards 2018-19 Embroidered felt, velvet, repurposed leather boxes 35 x 17.5 x 17 ‘The Union for the Useless’ is a hypothetical organisation, representing people who are not part of the world of work or who exist precariously on the margins of full time employment. The patches use humour to engage with the fact that not being ‘in work’ is something that most will experience and to negotiate the feelings of shame that often accompany these moments. The text explicitly ties ‘uselessness’ to media representation of unemployment and disability, where a person becomes surplus to capitalist mechanisms. 12
Nikki Davidson-Bowman
Fragile 2019 Mixed Media Sculpture 16 x 10 x 16
Trauma 2019 Mixed Media Sculpture 16 x 16 x 16
In 2018 Nikki became deaf in one ear, developed tinnitus and hyperacusis. A period of confusion followed. With no cure and limited support through the use of hearing aids, she has been going round in circles repeating, reflecting and recoiling from social interventions. The on-going series of ‘Shell’ works seek to increase awareness of hearing loss, to start the conversations around invisible disabilities, to fill the awkward silence and work out ways to make the everyday inclusive, supporting those dealing with disability and its potential consequential isolation.
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Catriona Faulkner
Cycles 2019 Hand Stitch 26 x 31 This piece of work draws inspiration from and reflects upon the constant cycles of medications that are taken and used when living with a chronic pain condition. It can feel like an endless journey of medication consumption, trials and experiments, and the fight between the benefits and contradictions that long term medication can have. This shrine to medications encompasses drugs that are not licensed in the UK and may be banned or unavailable after Brexit.
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Alice Rose Floyd
Dyslexic Ladybird 2018 Artist Book 10 x 15 x 100 If we do not challenge the status quo are we doomed to go round in circles? I created this artists book based on the idea of a Ladybird book to try and explain my feelings: feeling stupid as I couldn’t explain myself in written text, feeling like my story wasn’t understood by the artistic establishment (and my usual spelling mistakes). The book is designed to question whether we need to change the way we organize, support and advocate for disabled artists as the system at the moment can make them feel small or childlike.
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Steven Fraser
Face Circles 2018 Motorised Flipbook Sculpture 20 x 20 x 20 The small box features flipbook style cards that turn via a motor and the result is an enthralling animation sequence. The animation on the box presents the repetitive nature of mental illness and autism in an innovative and fascinating method.
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CL Gamble
Austerity 2018-19 Mixed Media 81 x 81 x 11 The original Monopoly game was designed to illustrate the difficulty in building financial security unless one begins with an advantage. This updated version attempts to highlight just how unbalanced society has become, and how unattainable a decent quality of life is for millions of Britons. Sometimes trying to survive in the UK while disabled can feel like playing a game we cannot win. As time elapses – another year, or another circuit of futile attempts to break out of the vicious cycle of debt, hardship and compromise – we may begin to lose hope. 17
Laura Graham
Me, You, Everyone Else 2019 Screenprint 30 x 42 This abstract logographic language was created by simplifying pre-existing shapes as well as creating my own, in response to situations where I am affected by my hearing loss. Being deaf I have been asked the same questions over and over again throughout my life, so I decided that telling them in a language they can understand does not work. By showing a different representation of what it means to be a young adult with deafness, hopefully I can start to change the conversation rather than it just going round ‘in circles’.
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Michael Gurhy
Fracture 2018 Acrylic, Oil and Pastel 24.5 x 22 I often feel my voice getting lost. This is why I became an Artist. Artists are the conjurers, misfits and mystics that give life to that voice that is ‘taken away’. We sit in the uncomfortable space of the human condition, we see beauty in the overlooked and will express that which has no words. But along the way has the art world become an ‘All Boys Club’? Who have we no longer permitted entry to? Who has been awarded the status of VIP and what has that cost been? It’s time we addressed the voices that are still being lost. 19
Steven Hardy
Brown Figures #2 2019 Felt pen on paper 84 x 59 Steven has been coming to the Community Art Project in Darlington for three years. His drawings are crowded with figures, each carefully drawn with tiny variations and sometimes more obvious distinguishing features or colours. They inevitably make us consider how we fit in with, or stand out from, the people around us.
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Jack Haslam
‘love u cat’ 2019 Machine Embroidery 96 x 96 x 4 My cognitive problems limit my interest and involvement in the outside world. When thinking about my everyday life and my activities in any 24 hour cycle, I considered the role that medication plays in my life, how it helps and how it interferes with my creative process and my relationships. ‘Love you cat’ is an intense look at this endless vicious circle, the routine of the day and the co-dependent, dysfunctional relationship that has developed with my mum (cat).
This project was a collaboration with artist Nicola Gregory and embroiderer Simon Finn. 21
Liam Hassan-Beserekumo
Untitled 2018 Acrylic, Glue and Poster paint 50 x 50
Liam Hassan-Beserekumo is a self-taught Learning Disabled artist, producing abstract paintings influenced by figurative / African images, patterns, buildings and intuition. He sees painting as a means of expression, recovery and progress. Liam believes that mainstream arts needs to increase the amount of disabled arts accessing venues, resources and related agendas. Liam strongly believes that his own work and progression can be used to encourage others who attend day services but feel stuck, unable to express their feelings and lack independence. 22
Tzipporah Johnston
Amulet Against Eye Contact 2019 Embroidery 25 x 37 x 25
‘Amulet Against Eye Contact’ is the artist’s response to the frustration of being told to try harder, be less anxious, endure the noise and light and most of all the people who insist on staring, staring into her eyeballs. Unable to meet people’s eyes, others often respond with frustration and even aggression, insisting, forcing her to look at them even though it’s painful. She has created an eye outside of herself to draw the hostility away. It traps the neurotypical viewer in a circle of her making – looking at the eye looking at them looking at the eye.
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Elora Kadir
It’s Good That You’re Getting Out 2017 Moving Image 9 mins This video has no start or finish. I’m in my car in a stationary position while the same repeated phrase plays. People keep telling me “it’s good that you’re getting out” but I don’t end up feeling the benefits of “getting out”. Progress feels out of reach. Making achievements that don’t end up leading to anything, so I try another and again, nothing. A circular motion with consistent praise for being the disabled person present yet nothing seems to change. Everyone is pleased that I’m doing the minimum – it’s good that I’m getting out and about.
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Nihan Karim
Paint the Furniture White 2018 Resin and wax domes on wood 35 x 12 Some years ago, one of my family members asked us to paint the furniture in their room white. At first we thought this as a choice of aesthetic but he was having difficulty locating things and moving around his room. Later it was discovered that due to diabetes he was losing his sight. This work explores how he defined his sight-loss in stages. The circles of clear resin represents his vision. Each clear resin dome becomes filled with black and grey wax until you cannot see the white surface behind it. The number of resin circles represents the time period of his sight loss.
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Glynis Lamond
“D is for Dunce, Dimwit and Dullard and also Dyslexia, Dysgraphia and Dyscalculia” 2019 Wood and found materials 30 x 30 x 20 This work contextualises the feeling experienced by many individuals with specific learning difficulties trying to navigate their way through mainstream education. A classic feature of the dyslexic brain is that it finds working sequentially extrinsic (making access to the linear education system challenging). A disconnect between society and success for those with specific learning difficulties is apparent. Art can act as a conduit for sometimes difficult conversations that lead to extraordinary insight and discovery. A virtuous circular thought process is a creative one; making and creating can change our relationship to people and ourselves. 26
Carrie Mason
Eternal Sweep (searching for a spotless mind) 2017 Moving Image 3:30 mins In Zen philosophy a circle has the capacity to be both everything and nothing. The work shows a repetitive drawing action where the rhythm of sweeping is determined by the exhalation of the artists’ breath. The video references mindfulness and meditation techniques used by the artist to calm her own mental health difficulties and invites the audience to experience a moment of calm. The title refers to the continual struggle of those living with a mental illness, something that remains largely invisible.
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Campbell Mcconnell
Deck Chair 2017 Moving Image 3:06 mins Being dyslexic, this video of myself constantly attempting to complete a task and failing again and again demonstrates how I have to be patient and persist at a task in order to get it done ‘correctly’. The simplest task can sometimes become the most complicated one. However my patience for completing a task is often restricted, if it was not for this, I would not have built a deck chair that broke when sitting in it – meaning that the action of failing to sit in the chair that resulted in the making of the video would not otherwise exist. I feel that this results in an alternative creative process that someone without dyslexia might not necessarily have.
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Andrew McPhail
all my little failures 2017 Mixed media 15 x 15 x 15
Since 2005 I have been making work with Ban-Aids, expressing my sense of dislocation and sometimes futility with the outcomes of the HIV epidemic. Band-Aids literally going in circles.
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Jenny Meehan
What Does This Symbol Say? 2019 Digital Print 23 x 23 My re-design of the International Symbol of Access is inspired by my own need to rethink what disability is. If the ISA was to change, this could have a powerful impact in many societies and open up dialogue and awareness in a very beneficial way. Opportunities to rethink are intimately linked with conversation about disability, and art is a key player in helping people’s awareness to increase through engaging with new ways of seeing and experiencing things. In my view, the focus for progression in all things needs to encompass a strong sense of moving forwards and upwards, and this new icon has this. 30
Charlie J. Meyers
The Encounter 2018 Oil on wood 22.86 x 30.48 I created this self-portrait based off of a photograph I took of myself the day after my bicycle accident. I was diagnosed with a traumatic brain injury and post-concussion syndrome. This painting was made years after the event due to acquiring this lifelong injury. It is the first painting I made where both disability and art-making encircled one another and it is made to challenge the viewer emotionally and aesthetically. I think that a lot of disabled and ill people are forced to pretend they are okay, when really what they’re grappling with is complex grief, hence ‘The Encounter’.
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Bella Milroy
Adidn’t know any disabled artists 2018 Sculpture 36 x 50 x 15
After asking the organisers of a recent panel-event involving unpaid labour in the arts as to why there were no disabled artists on the panel, the response was that they “didn’t know any to ask”. In this work I wanted to utilise my hideous style-free mobility scooter backpack to transform it, in their own words; reclaiming its exclusivity and creating my own agency over it. The slow and laboured process of hand embroidering the classic Adidas-style text and logo, was a way of capturing the exclusion of disabled creatives, whilst utilising a badly designed object that now serves me appropriately. 32
Aidan Moesby
Language 2014 Mirror, Text 75 x 75 x 10 The work ‘Language’ relates directly to the conversations around disability, disability arts and the mainstream. It reflects the power of language and also how that power can be taken away – often a conflict in disability, disability arts and politics. The nuances of language are subtle; how language can be turned around, appropriated and reappropriated. We may use a common language but do we share a common meaning? As disabled people we are played and played again. This work also suggests the endless existential crisis of how to find, build or create meaning within our lives and works.
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Steve Musk
My interpretation of my favourite artist 2018 Oil Pastel and Acrylic on card 30 x 40 I often feel how I think Van Gogh did, from reading books about him. I can relate to the troubles that he was going through and this gives me comfort, because looking at his art gives me ideas. I often feel that I am trapped in an endless circle and no matter how much you try to break the cycle, the deeper you get into it and keep going round and round. Art helps to create something to be proud of and brings you out of yourself, and you’re always creating something new and therefore moving forward.
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Elfrida Osbert
the eyes have it 2019 Digital illustration printed on acrylic paper 21 x 29.7 In response to the exhibition theme, this work presents a literal messy collection of rough white marks in irregular black circles; metaphorically representing connected damage, containment, barriers and repetition. Intended to communicate an uncomfortable and harsh cyclical reality, the viewer is invited to observe the bold scratches of frustration living with a chaotic, maddening and complex visual impairment.
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Alice Partington
Trapped 2017 Acetate Plastic with pressed flowers and pill casings 35 x 35
The hidden importance of medication. When uplifting those who face disability or chronic illness it can be neglected to acknowledge the importance medication has in a person’s daily struggle. Pill shaming is tackled here by presenting the pill casings as beautiful as the fragile flowers – flowers that are suspended from decay by artificial means. To break the cycle of stigma people who have a disability or chronic illness face, there needs to be acceptance of all aspects of disability including reliance on medication. It can feel like ‘going in circles’ when trying to find the right medication for you, and when (if) you find what works it should be celebrated not shamed. 36
Beau Rouse
‘Rising with the moon’ 2018 Oil on gesso primed MDF 32 x 23 I made this painting after being stuck in my bed. This was due to my depression and insomnia. It’s about being quiet, feeling unheard, isolated and confined. From the inside looking out the world can seem daunting. I often feel I’m going in circles, they’re familiar and feel safe. We know the route but can still get lost. When I saw the full moon rise in my window I scratched at my notebook a drawing from my bed alongside my recent dark thoughts. It made me look outwards again and gave me a sense of hope. 37
Amna Sharif
Untitled III 2018 Acrylic on canvas 61 x 90
Amna Sharif works at Project Ability in their Aspire programme for adults with learning disabilities. Her paintings are soft and minimal, with a gentle application of paint and a harmonious fluidity in her compositions. Amna’s signature motif is the circle, with almost all of her artworks covered in them. She enjoys beginning a canvas by covering the picture plane with a painterly flat surface of colours, and then begins to add the circles. Her painting palette is the basis for the start of her artworks, and she demonstrates her skill as an artist by choosing unique and beautiful colours. 38
Anne Smith
Woman 2018 Pencil on Paper 42 x 59 Anne has been producing her drawings, paintings and prints for more than twenty years. Although she has tried various techniques and subjects, the main focus of Anne’s work has been portraits of women and girls. These portraits are often imbued with emotion, sometimes appearing strong and defiant and sometimes fragile and vulnerable.
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Mark Tamer
A Black Sun 2018 Framed Polaroid Film 54 x 54
On April 10th 2019, astronomers released the first ever image of a black hole – a red and orange glowing circle surrounding an ominous looking black centre and measuring 40 billion km across. Physicists theorise that black holes hold precious clues not only to time and space, but to our very existence. My own self-created black hole is one of the mind and body. It’s an encompassing circle I sometimes attempt to escape from, to defy gravity and pull away from the dark place in my head and the limitations within my body.
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Andrea Vicentini
Event_Horizon_A 2017 Moving Image 3:06 mins ‘Event Horizon’ explores the tireless desire to understand the world around us. We cannot see black holes directly, but their influence on the matter around them reveals their presence. Disability Art is like black holes in the sky, it exists because influences the world around it.
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Aminder Virdee
Society Effects 2019 Text and Digital on Acrylic Panels 59.4 x 84 ‘Society Effects’ is a text-based piece that uses censoring and redaction to address the contradictory attitudes, ideals and disability politics relating to the marginalization, and oppression, of the disabled community within society. An example are the views of disability hierarchy such as ‘inspirational’ vs ‘benefit scroungers’, ‘superhumans’ vs ‘second-class’ and staring vs intentional avoidance. The black and white aesthetic amplifies societal polar extremes in regards to my intersectional identity and quadruple oppression as a disabled, neurodiverse woman of colour. Within, there is a twoway exchange, and perhaps even uttering a complicit responsibility between the spectator and their social attitude towards disability, illness, mental health and race. 42
Ophir Yaron
La la la 2019 Pen and Ink on Paper 29.7 x 42 “Often I don’t understand what people are saying and it goes on and on, around in circles. Nobody is hearing my voice. I want my experience to be heard and so I love painting because it makes me feel free and my voice can be expressed in my art.”
Ophir Yaron is an ActionSpace artist. 43
Chan Chung Yuen
Friends playing on the Plate 2019 Oil marker on china 15 x 3 x15
“We are all global friends, no matter who you are, we can play and have fun together.” This artwork shows Chung Yuen’s belief and faith in the world, everyone is on the common ground and encountering each other to form a circle.
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We are happy to provide this catalogue in alternative formats With thanks to Shape Open Patron Yinka Shonibare CBE (RA) for his continued support Shape is proud to be a National Portfolio Organisation, funded and supported by Arts Council England
About Shape Arts Shape Arts is a disability-led arts organisation which works to improve access to culture for disabled people by providing opportunities for disabled artists, training cultural institutions to be more open to disabled people, and through running participatory arts and development programmes. For enquiries please contact: 020 7424 7330 exhibitions@shapearts.org.uk
Shape is a Company Limited by Guarantee in England and Wales Company number 1468164 Charity Registration Number 279184
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