ARCHITECTURAL PORTFOLIO

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SHASHIKALA H. BIRADAR ARCHITECTURAL

PORTFOLIO

SHASHIKALA H. BIRADAR

ABOUT ME

I have graduated from Angadi School Of Architecture Belagavi, Karnataka. And I am excited to step into the professional world. I have a hunger for learning and a passion for design. I am eager to Join a team where I can contribute and grow as an Architect.

EDUCATION

2018 - 2023 Angadi School Of Architecture, Belagavi.

2016 - 2018 Alva’s PU College, Vidyagiri, Mudbidri, Karnataka.

2016 Shree Yellalingeshwar Shardha Mandir, Baina, Goa.

WORK EXPERIENCE

INTERNSHIP 2022

Thinkspace Architects, Hubli, Karnataka.

WORKSHOPS AND COURSES

Carpentry workshop, Gokarna, Karnataka.

Kavi Art Workshop, Gokarna, Karnataka.

SOFTWARES

AutoCAD Sketchup Lumion Adobe Photoshop Microsoft Powerpoint

INTERESTES

• photography

• Painting

• Sketching

shashikalahbiradar50@gmail.com

+918123532826

Vijaypura, Karnataka

• Model making

• Travelling

• cooking SKILLS

• Team work

• Communication

LANGUAGES

English, Hindi, Kannada, Konkani

CONTENT 1 2 3 4 5 INSTITUTE OF DESIGN (THESIS) COMMUNITY CENTER SKILL DEVELOPMENT CENTER CONTRACTOR’S OFFICE MISCELLANEOUS WORKS 6 PROFESSIONAL WORK

INSTITUTE OF DESIGN (10TH SEMESTER) 1.

Area: 30236.68 sqm. 7.09 acre.

Panaji is an ideal place for Institute of Design, as it is the Largest District in goa and near to Karnataka and Maharashtra, it offers accessibility to students from neighboring regions. There are some institutes in Goa ,providing some design courses but there is no institute which provide only these courses like Graphic design, Game design, Fahion design, Interior Design, Animation Design. Hence providing a institute for under graduation design courses.

CRITERIA FOR SITE SELECTION

• The place should have a quite and calm environment to focus and read.

• Has to be free from city chaos so that student can focus on their studies.

• Site should be easily within the reach both by public and private transport.

PHYSICAL ASPECT

LOCATION: PANAJI, GOA.

AREA : 30236.68SQM(7.09 ACRES).

SITE SURROUNDING :

NORTH: MAIN ROAD

SOUTH: RECIDENTIAL BUILDING

EAST: OPEN LAND

WEST: UNIVERSITY PLANTATION

LANDMARK: GOA UNIVERSITY

ACCESS TO SITE

10 M wide Road.

CLIMATIC ANALYSIS

SITE ACCESIBILITY

Nearest bus stop : near Rotary club of Panaji(circle) 50m (1 min).

Main bus stand : 9.0 km(14 min).

Nearest railway station : 34 min (27km)

Nearest Airport : dabolim airport 33 min (26km)

Goa has tropical monsoon climate. The climate in Panaji is hot in summer and equable in winter. During summers (from March to May) the temperature reaches up to 32 °C (90 °F) and in winters (from November to February) it is usually between 31 °C (88 °F) and 23 °C (73 °F).

The monsoon period is from June to October with heavy rainfall and gusty winds. The annual average rainfall is 2,932 mm (115.43 in).

CONCEPT:

To design a Institute Of Design campus that serves as an innovation hub, that empowers student to lead with creativity and collaboration.

• To Create a functional and inspiring physical environment that supports various design disciplines and their specific requirements.

• To design an interactive learning atmosphere that encourages students to engage in interdisciplinary design projects.

• Creating a user-friendly space where users can easily access and navigate.

• Creating a green environment so that people are connected to nature.

• Focusing on interactive spaces where students can interact with each other and socialize.

• Focusing not only on mental health but also on physical health so that students can be fit and healthy.

• By meticulously studying Goan architecture and skillfully applying its principles to the design, we aim to not only honor the rich heritage of the site but also infuse it with a vibrant narrative that brings its history alive for visitors to experience and appreciate.

DESIGN ELEMENTS OF GOAN ARCHITECTURE

• Balconies : Balconies are commonly found in goan architecture. They serve both functional and aesthetic purposes, such as providing outdoor space for relaxation or offering views of the surroundings.

• Windows: arched windows

• Roof: sloping roof. sloping roofs in goan architecture indeed serve multiple purposes including climate adaptation, traditional influence, aesthetic appeal and ventilation.

• Courtyards: Courtyards in goan architecture indeed help in ventilation and lighting. They facilitate natural airflow and alow natural light to penetrate into the interior spaces of the building.

• Pillars

• Verandahs

• Wooden doors

• Archways

SITE VIEWS North
East
West
South
SITEANALYSIS:
side view
side view
side view
side view
SITE PLAN MATER PLAN

GROUND FLOOR PLAN

CONTAINS: Fashion designing + Auditorium and seminar hall

A A' KEY PLAN
Fashion designing

FIRST FLOOR PLAN

CONTAINS: Interior designing + Game designing.

Interior designing

Game designing Animation designing Graphic designing

A
SECTION AT AA’
SECTIONS
SECTION AT BB’
FIRST FLOOR PLAN STAFF QUARTER’S
GROUND FLOOR PLAN

GROUND FLOOR PLAN

FIRST AND SECOND FLOOR PLAN

SECTION AT AA’ GIRL’S AND BOY’S HOSTEL PLAN
VIEWS

COMMUNITY CENTER (7TH SEMESTER) 2.

CONCEPT:SOLIDS AND VOIDS SOLIDS:

• Solid is a matter of presence, and Void is absence of it.

• Voids mean nothingness, like a featureless terrain.

• Solids depend on the form or shape of things, and how these are perceived.

• The solids, however, may be placed at a distance, and voids closer.

• A solid is perceived to be heavier in mass, as a bounded spread, and of darker colour, to add to its weight and presence, whereas the void is lesser mass, infinite extent and of lighter colour.

• Forms like upside cones, pyramids, gorges, pits, valleys, object with receding centres, etc. represent voids. However, in Hindu philosophy void is equated to ‘Shoonya’ (literally Zero), a state of nothingness.

VOIDS:

• Voids occur as interim zones of no occupation between solids. And a void can also be the ‘negative’ space inside a solid. Such voids are formed by the enveloping surface.

• Voids are scooped out on removal of solid or mass such as in processes like, carving, engraving, etc.

• There is no solid without a void and vice versa. the void defines the solid mass, which makes the solid become “solid” and meaningful.

HOSPET, KARNATAKA
SITE:
FIRST FLOOR PLAN
GROUND FLOOR PLAN
SECTIONS
VIEWS

(8TH SEMESTER) 3.

SKILL DEVELOPMENT CENTER

CONCEPT: MODERNITY IN TRADITION

• For many years now, modern architecture has become a dominant structure for both institutions and corporate buildings even to this day.

• ‘The concept is to give importance to the traditional architecture’ in modern form.

Why Traditional Architecture?

• The concept is to give importance to the traditional architecture. As we all know now days all the building all the houses in a modern architecture. No one is using traditional architecture.

• The use of local materials in construction will eventually reduce building costs, making traditional architecture an economical advantage option.

• Buildings with traditional sense are a nice way to put the past history in memory and showcase ancient scenes. Therefore, some new buildings are important to be built in traditional styles.

Why Modern Architecture?

• Natural Style And Materials: Modern architecture implements the use of honest materials to better express what they truly are, such as stained wood over painted wood. When designing a modern house, the use of glass is a very powerful element as it permits natural light to enter the interiors.

• Emphasis On Vertical And Horizontal Lines: Modern architecture also embraces expansiveness through glass material and heavy use of lines and boxes or rectangular shape.

• Minimalism: Modern architecture has fewer decorative elements. Thus, say goodbye to flowery moldings and trims since unnecessary accessories or fixtures are eliminated or simplified. It is geometric and sprawling with wide flat and open spaces.

• Generally, modern architectural design is simple, serious, and has minimal accessories. This concept will help people to attract towards traditional architecture.

These are the things which are going to come in design:

Traditional Architecture :

• Stone

• Timber

• Clay bricks

Modern architecture:

• Concrete

• Steel

• glass

SITE: BELGAUM, KARNATAKA

MASTER PLAN

POWERLOOM AND GOLDSMITH FLOOR
ADMIN
FARMER’S BLOCK PLAN STAFF QUARTER PLAN HOSTEL FLOOR PLAN

4.

INTERIOR DESIGN (CONTRACTOR’S OFFICE) (7TH SEMESTER)

Name: Vasundra Naik.

Age: 32

Place: Belgaum, Karnataka.

Experience: Eight year’s.

Hobbies: Reading, Gardening and Travelling.

Client Requirements:

• Client wanted a very simple design and not too much ornamentation.

• Whenever she go to office, she wanted to feel calm, refreshed and energetic.

• She wanted the wall to be painted light colours.

• Some plants in the office.

• She wanted a Pantry with Dining, where they all can go and enjoy the food.

Requirements:

1. Lobby:

• 1 Shoe rack

• 1 Door Mat

• Logo Board

2. Reception:

• 1 Table and 1 chair

3. Waiting Area:

• 2 chairs

• 1 Small table

4. MD Cabin:

• One Rotating chair

• 1 Table

• 1 Cupboard

• 1 Plant stand

• 3 chairs

5. Manager’s cabin:

• 1 Table

• 1 Rotating chair

• 2 chairs

6. Accountant cabin:

• 1 Rotating chair

7. Engineer’s cabin:

• 1 table

• 1 rotating table

• 1 cupboard

8. Pantry:

• Kitchen counter

• Dining

9. Toilet:

• Commode

• 1 table

• 1 Cupboard

• 2 sink

BRIEF
VASUNDRA NAIK CONTRACTOR’S

COLOURS AND MATERIAL DETAILS:

N FLOOR PLAN SCALE- 1:50 RECEPTION+WAITING AREA 3.37M X 2.78M MANAGERS CABIN 2.39M X 1.91M ACCOUNTANT CABIN 3.22M X 2.02M ENGINEER CABIN 2.02M X 1.99M PANTRY 3.22M X 2.13M TOILET 2.32M X 2.2M MD CABIN 2.97M X 2.88M SHOE RACK LOBBY 2.77M X 3.07M 0,77 2,26 LOBBY 1,2 2,3 0,52 1,26 FLOOR PLAN SCALE- 1:50 RECEPTION+WAITING AREA MANAGERS CABIN ACCOUNTANT CABIN ENGINEER CABIN PANTRY TOILET MD CABIN 0,8 1,2 1,12 1,24 1,35 1,01 1,09 2 0,9 1,5 2 3,4 0,84 0,77 0,8 2,64 0,84 2,57 1,1 2,19 0,84 1,64 1,79 0,9 2,4 1,5 2,54 0,9 4,04 3,65 4,05 1,5 0,9 2,15 2,15 0,6 2,55 4,26 1,2 2,76 1,7 1,32 0,8 0,8 1,24 1,34 1,14 1,02 SHOE RACK 0,64 1,4 5,54 6,14 N D1 0.94 X 2.08 W2 0.85 X 1.20 W 1.36 X 1.37 W1 1.35 X 1.37 D 0.97 X 2.07 V 0.56 X 0.86 V1 0.60 X 0.09 W3 0.85 X 1.20 SCHEDULE OF DOORS, WINDOWS & VENTILATORS 0.70 X 2.10 D2 PRESENTATION PLAN WORKING
DRAWING PLAN
RECEPTION+WAITING AREA 1,2 1,8 1,67 1,86 2,03 1,51 1,63 3,01 3,45 1,8 A A' C C' B B' D D' RECEPTION + WAITING AREA PLAN SECTION AT AA' PARTITION WALL SECTION AT DD' SECTION AT BB' SECTION AT CC' 1.82 0.56 0.22 0.22 0.24 SPACE : 1
MD CABIN 2.97M X 2.88M 2,25 5,1 5,25 1,25 1,16 1,89 0,78 3,6 1,2 A A' B B' C C' D D' MANAGER'S CABIN PLAN 2,8 4,26 5,99 1,2 0,78 SECTION AT AA' PARTITION WALL SECTION AT CC' 5,99 CUPBOARD 2,76 SECTION AT BB' 2,8 PLANT STAND SECTION AT DD' 2,8 2,25 2,34 SPACE : 2
ENTRANCE RECEPTION +WAITING AREA MD CABIN MANAGER’S CABIN ACCOUNTANT CABIN ENGINEER+ACCOUNTANT CABIN
PANTRY TOILET
ENGINEER CABIN
VIEWS

INTERNSHIP

PROJECT DETAILS:

Client name : Vinod Mahajan. location : hubli

No. of storeys : G+1 Electrical layout:

• Entrance canopy slab electrical connection.

• Ground floor slab electrical layout.

• Ground floor detail electrical layout.

• Ground floor electrical connections.

• Ground floor electrical legend.

Electrical layout:

• First floor slab electrical layout.

• First floor detailed electrical layout.

• First floor electrical connections.

• First floor electrical legends

PROJECTS DETAILS :

Client name : Vikram Takur.

Location : hubli

Project type : Renovation.

Work: interior for first floor master bedroom.

5..

MISCELLANEOUS WORKS

PHOTOGRAPHY
BASIC DESIGN MODEL CLAY MODEL MICRO ART(CHALK)
CALLIGRAPHY PAINTINGS MISCELLANEOUS WORKS
THANKYOU

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