Reciprocus - Undergraduate Portfolio

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RECIPROCUS SHAWN BACKSTROM DESIGN PORTFOLIO


URBAN

SUBURBAN

RURAL

ARCHITECTURE IS A DIALOGUE SIMULTANEOUSLY INFORMED BY AND INFORMING PEOPLE AND PLACE. THIS RECIPROCAL NATURE FOSTERS GROUNDS FOR PERPETUAL EVOLUTION.

VISUALIZE

OUR GENERATION ENTERS A DIGITALLY DRIVEN WORLD WHERE BOUNDARIES BETWEEN DISCIPLINES ARE EVAPORATING. THE ENIGMATIC IS NOW PRAGMATIC. THE HYPOTHETICAL IS REAL. SOCIETY ACCELERATES AT A BREAKNECK PACE. I HAVE APPROACHED MY UNDERGRADUATE EDUCATION IN A SIMILAR VEIN. OVER FOUR YEARS I HAVE DEVELOPED WORK SPANNING MULTIPLE MEDIUMS: ARCHITECTURE // GRAPHIC DESIGN // FILM ACADEMIC // PROFESSIONAL // PERSONAL LOCAL // REGIONAL // INTERNATIONAL THROUGH ALL VENTURES I HAVE STRIVED TOWARD RECIPROCITY, SEEKING CONNECTIONS THAT LINK SEEMINGLY DISPARATE EXPERIENCES INTO AN EVER-EVOLVING DIALECT. INHERENTLY YEARNING. CONTINUOUSLY SEARCHING. NEVER STAGNANT. ALWAYS RECIPROCUS.

EXPERIMENT

FABRICATE

CULTURAL

SOCIAL

EXPERIENTIAL

PERSONAL


04

Green Spine Sterling Community Center Redevelopment

08

Letter Box Constructed Memories

10

Surface Spread Vision42 Performing Arts Center

14

Creative Services Interning with University Branding

18

The CropStop Farmer’s Commercial-Grade Kitchen

22

Analytiques

24

Tillman Model

28 32 36 38 42

Layered Analytical Drawings

DOE Zero Energy-Ready Competition Home

Motion Graphics Blending Mediums through Animation

Four by Four Morphology Non-Euclidian Precast Conversion of Ando’s Home

Luminaires Digitally Fabricated Lanterns

Impact Museum/Memorial for War and Peace

Travel Sketches // Photography An Ongoing Journey

CONTENTS ARCHITECTURE

.

CRAFT

.

GRAPHIC DESIGN

.

FILM

.


GREEN SPINE Sterling Community Center Redevelopment Sterling, SC

Once a prominent African American community with a steady growth rate, Sterling suffered a devastating fire in the 1960’s. The fire destroyed the community’s cornerstone local high school, and citizens abandoned the town in favor of new community-centric areas. Sterling has struggled ever since, neglected by nearby Greenville and plagued by high crime rates and poverty. The project introduces a farmer’s market, community center, and business incubation center to revive the area. Beyond local developments, the project aims to reconnect Sterling to the rest of Greenville while maintaining its unique sense of community in an effort to reclaim the town’s former prominence.

4


5


Bridging the Gap

Site Development

A basis for growth is achieved by extending the “Green Necklace,” a series of active green spaces surrounding Greenville. By using existing undeveloped green spaces and public parks, the necklace can be extended to Sterling to reinvigorate the public space, solidify Sterling’s reabsorption to Greenville, and create a core for community gathering and economic rejuvenation. Initial building placement

Streets determine parking

Greenway shifts placement

Visibility shifts form

Program defines boundaries

Terrace connects site

Elevations + Sections

North Jenkins Street

6

South Jenkins Street


Site Program Residential

1

1 Porch 2 Interior 3 Backyard

2 Farmer’s Market

3

1 Public Park 2 Market 3 Public Patio

3 2

Business Center 1 Lobby 2 Restroom 3 Cubicles 4 Break Room 5 Conference Room 6 Offices

1 Community Center 1 Community Room 2 Kitchen 3 Restrooms 4 Storage

2

3

2 1 4

1

6

6

6

5 2

6

5 3

3 4

Op

Se

co

en

nd

to

Be

Flo

low

or

7


Shop Sketches

LETTER BOX Constructed Memories Charleston, SC // New York City, NY

Giving is one of the most fulfilling and satisfying of actions. The planning and construction of a letter box, gifted to a friend, was a several month process. Beginning with the box, a series of letters were conceived and sent over the course of a summer. With the last letter, the box was revealed and the project became a cohesive whole, switching the roles of physical and mental memory between the gifter and receiver.

8


Letter Artwork

The Guggenheim

Greenwich Village Map

Late Night Doodle

Jefferson Memorial

9


SURFACE SPREAD Vision42 Performing Arts Center New York City, NY

The Vision42 initiative proposes transforming 42nd street into a pedestrian-only boulevard serviced by an onsurface light rail while maintaining all North-South traffic flow. Starting with a master plan for the two-mile street, a specific site was chosen to develop a performing arts center. The project strives for the seamless integration of the light rail, pedestrian streetscape, and performing arts center into a unified system. All of these components work symbiotically to activate the public realm and challenge preconceptions of street typology.

10



1

EXTRUDE PROGRAM VOLUMES

Defining the Streetscape The street is separated into a series of levels that dictate different circulation patterns while blurring the boundary between interior and exterior. The perfoming arts center is entered through an underground plaza that doubles as a light-rail stop. An above ground plaza becomes a public gathering space, connecting pedestrians to the center through the large glass facade.

460 ft

60 ft

PROCESS DIAGRAMS 1

0 ft -30 ft

2

EXTRUDE PROGRAM VOLUMES Concept Sketches

CREATE ENTRYWAYS Extrude program volumes

Site Plan 460 ft

43rd Street

60 ft

IAGRAMS

0 ft -30 ft

2

42nd Street

3

CREATE ENTRYWAYS

4

SEPARATE THE STREETSCAPE

CONNECT URBAN SPACES Create Entryways

41st Street

Dyer Avenue

9th Avenue

10th Avenue

AM VOLUMES

60 ft

60 ft 45 ft Port Authority Transit Bridge

0 ft -30 ft

10 ft 0 ft -5 ft

N Connect urban spaces

12

3

SEP


8

UP

9 UP

4

Ground Floor Plan

6

6 5

2

7

1 Main Stage 2 Wardrobe 3 Theater Seating 4 Loading Dock 5 Rehearsal Room 6 Backstage 7 Storage 8 Residential Lobby 9 Residential Courtyard

5

1

1

UP

UP

3

3 UP

UP

UP

UP

UP

UP

8

FLOOR PLAN

ing k oom

UP

7

Third Floor Plan

UP UP

6

6 7 8 9

6

6

Backstage Storage Residential Lobby Residential Courtyard

6

6

6

6

2

6

6

1

2

6

6

6

6

6

6

6

2

1

2 5

5 2

5

2

5

3

5 2

2 5

4 UP

5

UP

UP

1 Lounge 2 Restrooms 3 Theater Seating 4 Balcony 5 Mechanical 6 Dressing Rooms 7 Residential - Circulation 8 Residential - Fitness Center

4 UP

3

3

13


CREATIVE SERVICES Interning with University Branding Clemson, SC

The Office of Creative Services is the branding agency at Clemson University - they create the “look and feel� of the university, and ensure the standards are upheld. An office of designers, journalists, photographers, writers, web programmers, and a number of student interns, Creative Services is a collaborative family environment where creativity thrives. Over two and a half years, I developed work for numerous university departments. From Christmas cards to calendars, logos to large publications, banners, vendor specs and more, my experience has been farreaching and inclusive of all the office has to offer. The following is a small sampling of the vast number of projects I completed as an intern.

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15


Flyers

Banners

TILLMAN HALL

FORT HILL

DEATH VALLEY

Large Publication - Ever Loyal Traditions

Scroll of Honor

CONTENTS EARNING YOUR STRIPES 1

Welcome to Clemson University! We are excited that you have chosen Clemson for this next phase of your life. The Clemson Alumni Association is eager to meet you and welcome you into the Clemson Family. The Clemson Family is real — and is real strong! Strong families have a sense of family history and traditions. As with any family, the Clemson Family is strengthened by its history and traditions. At Clemson, we have many traditions that are longstanding and unique to our University. These traditions provide you with a sense of belonging and being a member of the Clemson Family. Your Ever Loyal book showcases many of these traditions. During your time at the University, use this book to document your participation. We hope that you will participate in them all.

2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

SOLID ORANGE 17

Clemson traditions will always be a part of Clemson, just as you will always be a part of Clemson. Your Clemson Alumni Association is your lifelong connection to Clemson, and we can assist you in staying connected with your Clemson Family.

Go Tigers! Ever Loyal! Ann Hunter ’80, ’82 Clemson Alumni Association President Danny Gregg ’71 Clemson Alumni Association President-elect

Join the Student Alumni Association Join an Organization Other Than SAA Have Ice Cream at ’55 Exchange Attend an Event at the Brooks Center for the Performing Arts Visit Fort Hill Eat at the Clemson House Dining Hall Run/Walk the Clemson Dikes Sit in the Carillon Gardens Tour Woodland Cemetery Visit the James F. Byrnes Room in Cooper Library Walk Through the S.C. Botanical Garden Pay Respects at Thomas Green Clemson’s Grave Visit the archives at Strom Thurmond Institute Read the Names at the Scroll of Honor Walk Through President’s Park Visit the Military Heritage Plaza

18 19 20 21 22 23

Go to the First Friday Parade Eat Lunch at the Esso Club Attend a CU Football Game at Memorial Stadium Attend Tigerama View the Homecoming Displays on Bowman Field Attend a CU Basketball Game at Littlejohn Coliseum Attend a CU Baseball Game at Doug Kingsmore Stadium

List below the day and time you visited the Scroll of Honor. As a tribute and evidence of completing this tradition, list five names you saw and the graduation years of those fallen soldiers.

date + time

names of soldiers

graduation year

personal notes

EVER LOYAL 24 25 26 27 28 29 30

Attend the Welcome Back Festival Attend Cocky’s Funeral Donate to the Senior Class Project Attend the Ring Ceremony Run Down the Hill and Rub Howard’s Rock in Death Valley Attend the Senior Picnic Become a Tradition Keeper

EARNING YOUR STRIPES 14 Read the Names at the Scroll of Honor

16


Logos

6

LITERARY

DESIGNCOMPETITION

DISCOVER A RICH HERITAGE

2013

FESTIVAL

CLEMSON UNIVERSITY INSTITUTE FOR

CIRCLE OF

GRATITUDE

+

GLOBAL ROAD SAFETY SECURITY

UNITED. THANKFUL. LOYAL.

Memorial Stadium

Senior Picnic

Attach your ticket stub(s) from the home football game you attended as proof of completing this Clemson tradition. Be sure to record what team we played and the final score.

Stop by an SAA table or find a Student Alumni Council member in a purple polo shirt to collect your “Ever Loyal” sticker as proof of completing this Clemson tradition.

date

STICKER

time

date opponent

final score

who I was with who I was with

personal notes personal notes

ATTACH TICKET HERE

SOLID ORANGE

EVER LOYAL

19 Attend a CU Football Game at Memorial Stadium

29 Attend the Senior Picnic

17


THE CROPSTOP Farmer’s Commercial-Grade Kitchen John’s Island, SC

The farm to school initiative was started to ensure the health of children, farms, the environment, the economy and communities across the nation. However, the misalignment of harvest seasons and the academic calendar creates a gap in the system. Low income farmers lack viable access to equipment necessary in preparing, processing, and packaging produce for the off-season. The CropStop remedies this dilemma as a co-op led food processing facility. Over the course of the semester, the studio conducted research, design, fabrication, and installation of a commercial grade kitchen at Sweetgrass Garden on John’s Island. The CropStop is the first prototype in a series of sustainable agricultural infrastructure being implemented across the state.

18





ANALYTIQUES Layered Analysis Drawings Genoa, Italy

Conceptual / Process Sketches

A series of analytical drawings created in the Beaux Arts method blend multiple layers of information into one final composition. Each drawing was developed over the course of one week through a rigorous design process. The first drawing explores the body as a measuring device. Using my own body’s measurements, I created a system based on centricity that reveals proportional relationships between different body parts. The second drawing puts the measuring system to practice by analyzing a Genovese piazza. I sought to combine several qualities within the piazza into one cohesive drawing. These included circulation, use of space, volumetric divisions, and facade studies.

Conceptual / Process Sketches

22


Final drawing: The Body as a Measuring System

Final drawing: Piazza delle Vigne

23


THE TILLMAN MODEL DOE Zero Energy-Ready Competition Home Greenville, SC

The Tillman Model was a collaborative team project submitted to the inaugural DOE Competition Home contest. As the sole architect on a team with five construction science majors, the team worked to develop a zero-energy ready home in South Carolina that applies innovative construction methods with high-efficiency, sustainable appliances. I was responsible for design development, final construction documents, and final submission assembly. The team traveled to Golden, Colorado and presented at the NREL headquarters alongside 32 other teams, where we received an honor award for best lighting and appliances strategy.

24



Floor Plans 20’ - 8 1/2”

20’ - 2 1/2”

A 3.4

1

BEDROOM

2

DINING

2

BATHROOM

3

KITCHEN

3

CLOSET

4

MASTER BEDROOM

4

MECH

5

MASTER CLOSET

5

TERRACE

6

MASTER BATHROOM

7

BATHROOM

8

A 3.3

45’ - 0 1/2”

9 9

8

5

TOTAL SQUARE FOOT 482

LAUNDRY

A 3.3

17’ - 3”

UTILITY

10

GARAGE

11

MECH

12

PANTRY

13’ - 0 1/2”

17’ - 6”

LIVING

19’ - 9”

10

1

32’ - 9 1/2”

19’ - 6”

A 3.4

3

12 7

11

5

3

TOTAL SQUARE FOOTAGE 1 1,550

2

1

4

2

A 3.2

37’ - 6 1/2”

37’ - 8 1/2”

6

4

17’ - 10”

12’ - 0”

1 A 3.1

First Floor

Second Floor

1 Living 2 Dining 3 Kitchen 4 Master Bedroom 5 Master Closet 6 Master Bathroom 7 Bathroom 8 Laundry 9 Utility G ROUN D F L OOR PL AN 10 Garage 11 Mechanical 12 Pantry

1 2 3 4 5

Bedroom Bathroom Closet Mechanical Terrace

A1.1

19’ - 10 1/2”

A

SECO ND FLO

Elevations

South facade

26

West facade


Sections

1 A 4.1

2 A 4.2 2 A 4.1 1 A 4.2

2 A 4.3

1 A 4.3

A3.1

KE Y BUILD IN G SECTION

9

10

A 4.2

A 4.2 7 A 4.2

5

8

A 4.4

A 4.2

2 A 4.5

3

4

A 4.4

A 4.4

2 A 4.4

A3.4

K EY BUIL DING SECTION

27


MOTION GRAPHICS Blending Mediums Through Animation Various locations

The field of motion graphics combines the finesse of 2 dimensional graphics with the complexity of time and space, a hybrid between architecture and graphic design. Self-taught over several years, I have developed a repertoire of work including school projects, promotional material for student organizations and university departments, and productions for national design shows. The following are sample screenshots from a selection of projects.

28


UCDA 2014 Design Show Intro

0:12 / 1:23

0:07 / 1:23

0:26 / 1:23

0:33 / 1:23

0:45 / 1:23

0:51 / 1:23

0:58 / 1:23

1:03 / 1:23

1:05 / 1:23

1:14 / 1:23

29


CropStop Promo Video

0:38 / 1:47

30

0:03 / 1:47

0:17 / 1:47

0:23 / 1:47

1:06 / 1:47

1:15 / 1:47

1:33 / 1:47


2014 Beaux Arts Ball Promo Video

0:29 / 1:20

0:10 / 1:20

0:21 / 1:20

0:32 / 1:20

0:36 / 1:20

0:47 / 1:20

0:52 / 1:20

31


2 1/3 meters

BY TADAO ANDO

Shawn Backstrom ARCH 4520 Tadao Ando Precast Case Study

Precast Structural Details

3. Stairs

2 1/3 meters

4x4 HOUSE

Floor + Wall Structure Standard Panel Size

Standard Panel Size 4 meters

3.

Floor plates nestled between Landing nestled interlocking wall panels between wall panels 2 1/3 meters

Floor plates nestled between interlocking wall panels

Stairs Risers rest in floor plates

Standard Panel Size Floor +Standard Wall Structure Panel

Floor plates nestled between interlocking wall panels Landing nestled between wall panels

Floor + Wall Structure Floor Structure Stair Structure Landing nestled between wall panels

Mitered corners joined by post tension rebar

Floor + Wall Structure Risers rest in

FOUR BY FOUR MORPHOLOGY Non-Euclidian Precast Conversion of Ando’s Home Hyogo, Kobe, Japan

floor plates

StairLanding Structure nestled between panels StairwallStructure

Mitered corners joined by post tension rebar

Stair Structure Corner Attachment Corner detail

Mitered corners joined by post tension rebar

5.

Repeat per floor Stair Structure Corner Attachment Mitered corners joined by post tension rebar

Corner Attachment

32

5. Repeat per floor

Risers rest in floor plates

As an introduction to precast concrete, this exercise began with the conversion of Ando’s home from a cast in place structure to a precast solution. Building models in increasing scale, a paneling and structural system was developed to recreate the house with no changes to overall form, function, or aesthetic.

Risers rest in floor plates

Corner Attachment


HOUSE SE 4x4 4 HOUSE HOUSE

ASSEMBLY PROCEDURE 1.

ADAO BY NDO TADAO ANDO ANDO

Exterior Walls

Assembly Model om Shawn Backstrom Backstrom ARCH 4520 4520 Tadao Ando cast Study Case Precast AndoStudy Precast Case Study Case Study

meters

2. Interior Walls

Assembly Procedure

1.

2.

Exterior Walls

Interior Walls

4 meters 4 meters

2 1/3 meters

2 1/3 meters

2 1/3 meters

2 1/3 meters

3.

3. 3. 3.

4.

Stairs StairsStairs Stairs

4. 4. 4.

Floor Plates Floor Floor Plates Floor Plates Plates

4x4 HOUSE

d Standard ze Panel Standard Size PanelPanel Size Size

BY TADAO ANDO Shawn Backstrom ARCH 4520 Tadao Ando Precast Case Study

4x4 HOUSE

BY TADAO ANDO First Floor

nestled Floorbetween plates Floor nestled plates between nestled between ng wallinterlocking panels interlocking wall panelswall panels

Exterior Walls

Shawn Backstrom 4 meters ARCH 4520 Tadao Ando Precast Case Study 2 1/3 meters

4 meters

2 1/3 meters

Standard Panel Size

ure loor all Structure Floor + Wall+Structure Wall Structure

Interior Walls

3.

4.

Stairs

Floor Plates

3.

4.

Stairs

Floor Plates

Floor plates nestled between interlocking wall panels

Standard Panel Size

Floor plates nestled between interlocking wall panels

ding nestledLanding nestled Landing nestled wall panels between wall between panelswall panels

Floor + Wall Structure

Floor + Wall Structure

Risers restRisers in rest in floor platesfloor plates

Structure Stair Structure Stair Structure

Stairs

Landing nestled between wall panels

Stairwell

5.

Risers rest in Landing nestled floor plates between wall panels

Floors

5. 5. 5.

Repeat Repeat per Repeat floor per Repeat floor per floorfloor 5. per Repeat per floor Risers rest in Stair floor plates

Structure

5. Repeat per floor

Stair Structure

Mitered corners joined by post tension rebar

orners joined Mitered bycornersMitered joined by corners Mitered joined corners by joined by on rebarpost tension rebar post tension post rebar tension rebar

Attachment Corner nt Corner Attachment Attachment

Mitered corners joined by post tension rebar

Corner Attachment

Corner Attachment

Second Floor

Repeat per floor

33


Morphological Transformation Moving beyond traditional precast methodologies, the home was reimagined using Non-Euclidian geometry. I developed a mold system that separates each floor into three large Euclidian components. Once the pieces are stacked, the building appears to twist and torque dramatically despite the simple transformation of individual pieces.

Assembly Procedure

First Floor

Second Floor

Third Floor

Fourth Floor

Floor Assembly

Floor Plans

A

B

C

D

First Floor

34

A

B

C

D

Second Floor

A

B

C

D

Third Floor

A

B

C

D

Fourth Floor


˚

˚

˚

˚

Morphological Process` -10˚

-8 -6 -4 -2

Top volume shifts 8º CCW

2˚ 4˚ 6˚ 8˚ 10˚

Bottom volume shifts 2º CW

Shift floor plates in varying degrees

Ground Floor

A

B

C

Selected computation

First Floor

D

Second Floor

A

B

Euclidian Form

C

Third Floor

D

A

B

C

Whole Building

D

A

Non-Euclidian Form

B

C

D

Non-Euclidian Prototype

Sections Ground Floor

A

First Floor

B

Second Floor

C

Third Floor

D

35


LUMINAIRES Digitally Fabricated Lanterns Clemson, SC

Different methods of fabrication were explored in this digital modeling exercise, resulting in three lanterns each constructed using a unique method. Pictured left is the framing method. Pictured right is the skin method.

Framing Method Cut Files

36


Skin Method Cut Files

37


IMPACT Museum/Memorial for War and Peace Genova, Italy

Themes of war and peace have been prevalent since societies were first conceived. How do we reconcile the atrocities of war? How do we reach sustainable peace? Two museums and a memorial commemorating both themes entice personal interpretation, reflection, understanding, and enlightenment. The process takes inspiration from the Beaux Arts analytique and Cubist methodologies to produce a space striving toward transcendence. The phenomenological approach engages the public realm with a strong emphasis on context, culture, and procession.

38



Making an Impact The memorial was developed around the concept “Impact” in remembrance of WWII air raid victims. The memorial becomes a cultural anchor at a highly visible location along Genoa’s coast, but all is not as it appears. The monolithic mass rising from the ground is realized to be a hollow lightweight structure projecting occupants’ view toward the sky. The dual experience challenges occupant perceptions, a physical embodiment of the dichotomy between war and peace.

Axial Relationship

Section Study

Overlay

Extrude service space

Define boundaries

Cubist Drawing

Site Development

Realign axis

1 2 3 4

40

Peace Museum War Museum Memorial Space Baggage Claim

5 Lobby 6 Restrooms 7 Tech / Storage 8 Offices

9 Meeting Room 10 Cafe 11 Courtyard Site Plan


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TRAVEL SKECTHES // PHOTOGRAPHY An Ongoing Journey Various locations

Wanderlust has been embedded in my DNA. I continually stride toward the new, the unexpected, the unknown, in search of fresh perspectives and uncommon occurrences. From Miami to Morocco, Atlanta to Amsterdam, my travels have become an education of their own. And the journey isn’t over yet... Nordic Pavilion, Biennale / Venice, Italy

Villa Rotunda / Vicenza, Italy

42


UN Headquarters / New York City

Stadelhofen Station / Zurich, Switzerland

Temple of Zeus / Athens, Greece

Ansonia, New York City

43


Florence, Italy

Barcelona Pavilion / Barcelona, Spain

44

New York City Skyline


New Acropolic Museum / Athens, Greece

Church Spires / Genoa, Italy

Zurich, Switzerland

45


EDUCATION Clemson University // Clemson, SC Bachelor of Arts in Architecture // Minor in Film Studies 3.94 GPA // Class of 2015

WORK EXPERIENCE Clemson Creative Services // Clemson, SC Junior Designer // August 2012 to Present •

Worked on a range of projects including logo development, branding assets and strategies, publications, presentations, and various other marketing material.

Member of “Brand Center” development team. Met with and presented to clients and vendors. Produced conceptual designs, models, and initial schematic drawings.

Developed motion graphic videos for University departments and publicity campaigns. Programmed all project elements including conceptual design, audio design, storyboarding, animation, and final compositing.

SHAWN BACKSTROM 142E University Village Drive Central, SC 29630 678.983.2041 sbackst@clemson.edu

Clemson School of Architecture // Clemson, SC Film Producer // January 2015 to Present •

Orchestrated production of a short documentary film covering the school’s undergraduate program.

Conducted student and faculty interviews. Filmed student reviews, classroom interactions, and professional client presentations. Programmed all audio and video components into final composition. Beau Clowney Architects // Charleston, SC Architectural Intern // January 2014 to May 2014

Engaged in all aspects of the design process including client meetings, site analysis, research, design strategy, design development, and BAR approval.

Developed schematic drawings including floor plans, sections, and elevations.

Performed administrative tasks including filing, scanning, system management, scheduling, and reception.

FREELANCE WORK University & College Designers Association // Smyrna, TN Freelance Designer // May 2013 to September 2014 •

Developed videos for annual design conferences in 2013 and 2014. Produced miscellaneous graphics for conference including mailers, award placards, and promotional material.


PROFICIENCIES Adobe Creative Cloud Photoshop Illustrator InDesign After Effects Premiere Pro Audition Muse

Drafting // Modeling Rhinoceros 5 AutoCAD 2015 Vectorworks Hand Modeling

Machinery Woodshop Machinery Laser Cutter CNC Router 3D Printer

AFFILIATIONS American Institute of Architecture Students, Clemson Chapter President // May 2014 to Present Secretary // May 2012 to May 2013 Member // August 2011 to Present AIA Greenville Executive Committee Student Representative // August 2014 to Present Clemson College of Architecture, Arts, and Humanities Deans Council of Students // August 2014 to Present Clemson School of Architecture Faculty and Student Advisory Committee // August 2014 to Present Tau Sigma Delta Honors Fraternity Member // March 2014 to Present Alpha Lambda Delta Honors Fraternity Member // March 2012 to Present Clemson Calhoun Honors College Undergraduate Peer Mentor // August 2012 to May 2013

HONORS AND AWARDS Gilman International Scholar Clemson Architecture Second Year Faculty Award Michael Collyer Screenwriting Fellowship Alternate Jimmy Rane Foundation Scholar Clemson Global Engagement International Study Grant Clemson Intercultural Achievement Award President’s List [ Fall 2011 // Spring 2012 // Fall 2012 // Fall 2013 // Fall 2014 ] Dean’s List [ Spring 2013 // Spring 2014 ] Eagle Scout



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