| A Collection of Works
| A Collection of Works
Shawn Xiaoyun Wang M.Arch
@ Cornell University
[Minor in Real Estate] B.Arch
@ University of Edinburgh, UK
2008 - 2017
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[2008 - 2012]
About | Shawn Xiaoyun Wang
Contact Shawn Xiaoyun Wang E: xiaoyunwang311@gmail.com M: (917) 882 6820 Skype: mhtdbywxy
Education M.Arch [2014 - 2017] Minor in Real Estate [2014 - 2017] | Cornell University, NY, USA
B.Arch (4-year Undergraduate Degree, RIBA Part 1) [2008-2012] | University of Edinburgh, Edinburgh, UK
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Shawn Xiaoyun WANG
01. Rendering the Cloudy Truth:
Forensic Architecture For (Re)construction of Post-War Heritage ALEPPO
Souq Al-Madina of Aleppo, Syria [Thesis Project | 2017] Thesis Advisors: Val Warke & Ruben Alcolea
This thesis investigates strategies of the reconstruction of post-war heritage sites. UNESCO’s endangered heritage list and its associated organizations’ correspondent measures assist the protection and restoration of these historically important architecture.
However, this thesis challenges the current methods supported by UNESCO’s principle of restoration – the trace of the destruction is lacking and memory of the events is erased. Beginning with the question, “Can Architecture reveal and represent the process of war?,” this project aims to utilize forensic analysis as a tool for design interventions, to (re)create the crime scene of the war. Souq Al-Madina of Aleppo in Syria, a damaged UNESCO heritage site, is selected as the pilot project for this thesis. M.Arch, [Cornell University, NY] |
LEGEND Unesco World Heritage Sites Endangered Unesco World Heritage Site Contries Of Ongoing Armed Conflicts (2017) Major Wars >10,000 Death In Current/past Year Wars 1,000 - 9,999 Death In Current/past Year
Major Active Conflicts In The World Years Since Conflict Began
5 Years
70 Years
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| A Collection of Works
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[2014-2017]
Shawn Xiaoyun WANG
Weapons of Destruction
Molotov cocktails
Small firearms
Improvised Explosive Rockets Devices (IED)
Mortar
Mortar
‘Hellcannons’
Artillery
Cluster bombs
Three Current Method
Three approaches that deal with post
war architecture are summarized. The first approach is to rebuild damaged architecture the same as before. The second approach is to demolish the damaged and destroyed buildings and build something entirely new. The third approach is a more integrated approach, which is neither a straightforward copy of the old, nor a completely new version. Re-construction respects the aged quality of the remains and include independent redesigns. The proposed approach for reconstruction is to preserve the scar and developing its scab. To do that, available methods of forensic analysis is utilized for design interventions. The new architecture in a way recreates the crime scene of the war.
Barrel bombs
Types of Damage
Proposed Method M.Arch, [Cornell University, NY] |
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| A Collection of Works
Before War
After War October 22, 2014 Satellite-based Damage Asessment to Historial Sites in Syria
MAJORITY OF STRUCTURES HAVE BEEN DESTROYED
LARGE SECTIONS OF THE SOUQS HAVE BEEN DESTROYED OR PARTIALLY COLLAPSED
POTENTIAL CRATER
MULTIPLE LARGE CRATERS IN THE AREA. ALL STRUCTURES DIRECTLY AFFECTED BY THE EXPLOSIONS RESULTING IN THE CRATERS HAVE BEEN ESTROYED
APPROX. 34 SOUQS HAVE BEEN DESTROYED OR SEVERELY DAMAGE IN THE AREA
THE WALL AND THE ENTRANCE TO MOSQUE HAVE BEEN DESTROYED
MINARET HAS BEEN DESTROYED MOSQUE GARDENS HAVE BEEN DAMAGED
CRATERS
FIGURE 2. Overview of Aleppo and damage to cultural heritage locations.
“Aleppo has exceptional universal value because it represents medieval Arab architectural styles that are rare and authentic, in traditional human habitats. It constitutes typical testimony of the city’s cultural, social, and technological development […] It contains vestiges of Arab resistance against the Crusaders, but there is also the imprint of Byzantine, Roman and Greek occupation in the streets and in the plan of the city.”(i)
Status Overview Using satellite imagery, this study examined 210 key structures and locations within the World Heritage Property. These include the citadel, city walls and gates, 73 historic buildings, 83 religious buildings (mosques, madrassas, mausoleums, shrines, churches and a synagogue), the National Museum, and the souqs/markets (comprising 45 sections). It is not possible to discuss every site, so the area has been summarised and mention will only be given to key sites. Sites examined are listed in Annex 2. Of the locations examined, 104 have sustained damage, while roughly a fifth of the sites are completely destroyed. Inspection of the imagery suggests that within the World Heritage Site, the area to the east and southeast of the citadel towards Bab Antakya is the most affected, particularly between the citadel and the Umayyad Mosque; large parts of this area are no longer present (as seen in figures 1, 2 and 3). Throughout the area, there is visible evidence of severe structural damage from shelling impacts and from fire. One building has been completely destroyed, as have some of the surrounding structures due to a targeted explosion.(ii) In addition to the examination of the selected structures, a large number of other buildings within the World Heritage Site were clearly damaged and, in some cases, have collapsed. Visible rubble in the streets indicates a number of other buildings may be affected.
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[2014-2017]
Shawn Xiaoyun WANG
UMAYYAD MOSQUE
SQUQ AL-MADINA
M.Arch, [Cornell University, NY] |
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FORENSIC ANALYSIS | A Collection of Works
KEY Air Strick Target Bombs Shockwave Fire Major Trajectory of Distruction Bombing Trajectories
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Shawn Xiaoyun WANG
Reinforce Steel Plate Structure
Movable Roof System
In order to ‘stitch’ the wound of the building together, a new system of steel plates is introduced to protect and reinforce the ruinscape of the souq. The new element follows the existing arched form, which created the linear pathway and individual stores. It also creates new type of spaces like planters, benches and public rest area, which were not included in a traditional souq.
A new roof system is created as rain screen and sun screen for the market. The building’s wound was cracked open, which provides an opportunity for new light-filled spaces which was vastly different from the dark medieval linear configuration of the market. Strips of curtains can be installed between the rails, and move along the tracks. The simple movable mechanism helps adjusting the sunlight into market, and the versatility of this cloud-like roof captures the movement of fire.
M.Arch, [Cornell University, NY] |
New Ramp
The new ramp directs visitors from the main plaza in front of the Great Mosque to the elevated level. The ramp captures the major destruction force trajectory of the air-strike. Three elevated platforms is attached to the ramp which hover above part of the open market area. This second level not only pragmatically creates the square footage needed for the market, but also elevates visitors’ vista point and bring them closer to the ruin-scape: the damaged edge of the building
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| A Collection of Works
The ‘Bombs’ The spheres are translated from the devastating bombing action to a frozen moment of the explosion. Programmatically they create spaces for functions that accommodate a modernized market.
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[2014-2017]
Shawn Xiaoyun WANG
Roof System
M.Arch, [Cornell University, NY] |
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| A Collection of Works
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[2014-2017]
Shawn Xiaoyun WANG
Main Section
M.Arch, [Cornell University, NY] |
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[2014-2017]
Shawn Xiaoyun WANG
Rendering M.Arch, [Cornell University, NY] |
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| A Collection of Works
Rendering
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[2014-2017]
Shawn Xiaoyun WANG
Roof of ‘Fire’ from Aerial View Aerial image has become people’s first impression of a place. Satellite image is one of the major source of forensic analysis. The roof system is control by the market’s user and its position changes according to the amount of the sunlight. The lightness of the fabric moves with wind and sun. Its movement, despite its pragmatic function, captures the movement of fire. The disastrous events is transformed into a beautiful roof-scape as a reminder of the events.
M.Arch, [Cornell University, NY] |
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| A Collection of Works
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[2014-2017]
PRODUCTION
PARAMETERS
TENSION
Shawn Xiaoyun WANG
PROPORTIONS 9
7
6
PRODUCTION 10
6
8
10
7
6 9
9
4
4
7
10 7
7
5
5
6
6
CONNECTION 7
6
6
3
4
MODULES
JOINT
5
POSTURE
6
CORE
4
MODULES
6
CONNECTION
LOCOMOTION 3
5
5
PROPORTIONS
PROPORTIONS
PROPORTIONS PROPORTIONS PROPORTIONS
8
8
8
88
JOINT
ZONE
TENSION
TENSION
5
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POSTURE
8
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89
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10 9
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Most Rigid 6 6 6
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ZONE
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3
3
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4
4
9 10
9
9
9
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ZONE CORE
MODULES
CONNECTION
CONNECTION
MODULES
5
5 5
5
5
360’ rotational joint - for standing
JOINT LEGS
360’ rotational joint - for standing
SPINE
SPINE
M.Arch, [Cornell University, NY] | SPINE
9
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89
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9 10
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79
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MODULES
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+
+
+
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4 4 JOINT
10
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5 5
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- hold
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360’ rotational joint - for standing
10
POSTURE
ZONE ZONE ZONE ZONE SPINE ZONE
MODULES MODULES MODULES MODULES MODULES
CONNECTION CONNECTION CONNECTION CONNECTION CONNECTION
rigid structure - holding the framework
6
CORE CORE CORE CORE
6
CONNECTION CONNECTION CONNECTION CONNECTION CONNECTION
CORE
LEGS JOINT JOINT JOINT JOINT
POSTURE POSTURE POSTURE POSTURE POSTURE
JOINT
POSTURE
360’ 360’ rotational 360’ rotational rotational 360’ joint rotational jointjoint joint - for - for standing -standing for standing - for standing 360’ rotational joint - for standing
CORE
rigid rigid structure rigid structure structure rigid structure rotational joint in layers - holding - holding - holding thethe - framework holding framework the framework the-for framework stretching out and curling rigid structure - holding the framework
LEGS JOINT JOINT JOINT JOINT
rigid structure - holding the framework
SPINE
rigid structure - holding the framework
rigid structure - holding the framework
LEGS
SPINE SPINE SPINE SPINE
POSTURE
SPINE SPINE SPINE SPINE
LEGS LEGS LEGSLEGS
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LOCOMOTION
4
7
POSTURE
360’ rotational joint - for standing
7
10 CONNECTION
CORE
3
7
6
MODULES 6
6
CORE CORE CORE CORE
SPINE
7
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PRODUCTION
360’ rotational joint - for standing
MODULES MODULES MODULES MODULES
79 7
10 CONNECTION
6
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P RPO R PD ORU DOC U PD TC RU IO TOC ID N O TUINO CT NI O N
( flipping )
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Most Rigid 6 6 6
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+
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ZONE
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+
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LLOLOCOCLOCOM OC MO M OOTM O TI TO IOOIN TONI N ON LOCOMOTION
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SPINE
JOINT
LEGS LEGS
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360’ 360’ rotational 360’ rotational rotational 360’ joint rotational jointjoint joint - for - for standing -standing for standing - for standing 360’ rotational joint - for standing
less rigid less rigid more floppy less rigid moremore floppy floppy less rigid more floppy less rigid more floppy
less rigid more floppy
less rigid more floppy less rigid more floppy
less rigid more floppy
CORE
8
9
JOINT
CONNECTION
+
+
8
8
LOCOMOTION
4 4 JOINT
ZONE ZONE ZONE ZONE SPINE ZONE
SPINE
LEGS
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LLOLOCOCLOCOM OC MO M OOTM O TI TO IOOIN TONI N ON LOCOMOTION
CONNECTION
88
8
10
MODULES 6
6
4
+ +
7
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CORE
3
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SPINE
SPINE
7
3
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PRODUCTION
6
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Beginning with an aggregation of equiZONE CORE MODULES LOCO M O T I triangles ON SPINE lateral by mirroring, flipping or rotational direction along edges. Clusters containing new, dynamic arrangements SPINE CORE of symmetrical responses to the central JOINT to intentional axis are formed. In addition LEGS subtraction at moments, alternating and eliminating primary and intermediate JOINT LEGS components. JOINT
Assembly
8
CORE
4
JOINT
8
8
8
3
CONNECTION
3
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O M O TisI O N TL OhisC project a design of organization MODULES
8
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10
CORE
ZONE
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( flipping )
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3
MODULES 8
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CONNECTION
7
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rigid structure - holding the framework
less rigid less rigid more floppy less rigid moremore floppy floppy less rigid more floppy less rigid more floppy
CORE
4
( flipping )
8
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to articulate the relationship of part-toJOINT part, part-to-external factor, part-to-clusLOCOMOTION ZONE MODULES ter, and cluster to cluster. JOINT
PARAMETERS
less rigid more floppy
MODULES 8
+
9
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Assembly
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P AP RAA PR M A A RM EPA TEAM ETRREAST RM ES E R TS E R S
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( repeating same unit ) BAISC MANIPULATIONS ( repeating same unit )
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JOINT +
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BAISC MANIPULATIONS BAISC MANIPULATIONS BAISC MANIPULATIONS ( repeating same unit ) ( repeating same unit unit ) ) ( repeating same BAISC MANIPULATIONS
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MODULES
( flipping )
8
ZONE
10
6
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( flipping )
P A R A M 7E T E R S
10
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+
Degree of folDing
LOCOMOTION
JOINT
ZONE
PROPORTIONS 6
6
9
7
R O D U C T I O N7
5
6
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( flipping )
7P
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P RPO R PD ORU DOC U PD TC RU IO TOC ID N O TU
+
Equilateral Triangle Most Stable Geometry
10
7
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LOCOMOTION
8
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10
+
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( flipping ) ( flipping ) ) ( flipping
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PRODUCTION
less rigid more floppy
10
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PARAMETERS
3
PROPORTIONS
TENSION
9
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BAISC MANIPULATIONS ( repeating same unit )
BAISC MANIPULATIONS ( repeating same unit )
( repeating same unit )
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( flipping )
ZONE
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4 7
8
10
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BAISC MANIPULATIONS ( repeating same unit )
BAISC MANIPULATIONS ( repeating same unit )
OMOTION
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P A R A M E9 T E R S
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CORE
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ZONE
CORE
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( flipping )
PROPORTIONS
ZONE
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PRODUCTION ProPortion of eDges
PRODUCTION
PARAMETERS
BAISC MANIPULATIONS BAISC MANIPULATIONS ( repeating same unit )
MOTION
OTION
PROPORTIONS
TENSION
BAISC MANIPULATIONS ( repeating same unit )
TION
TENSION
PROPORTIONS
PROPORTIONS PROPORTIONS TENSION
TENSION
TENSION
in collaboration with Evelyn Fung PAR AMETERS
8
PARAMETERS
10
7
P AP RAA PR M A A RM EPA TEAM ETRREAST RM ES E R TS E R S
Degree of folDing
TENSION TENSION TENSION
6
9
Equilateral Triangle Most Stable Geometry
PROPORTIONS
6
9
6
PRODUCTION
7
10
7
BAISC MANIPULATIONS BAISC MANIPULATIONS BAISC MANIPULATIONS ( repeating same unit ) ( repeating same unit unit ) ) ( repeating same BAISC MANIPULATIONS ( repeating same unit ) BAISC MANIPULATIONS ( repeating same unit )
8
8
7
8
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( flipping )
9
9
( flipping )
10
8
( flipping )
8
8
+
PROPORTIONS PROPORTIONS PROPORTIONS
9
PARAMETERS
( flipping )
[Ithaca | 2015]
8
TENSION
8
TENSION
8
TENSION TENSION TENSION
PROPORTIONS
Nano Technology Center
+
( flipping ) ( flipping ) ) ( flipping
Metamorphosis - Phagocytosis
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BAISC MANIPULATIONS ( repeating same unit )
TENSION
02.
8
ProPortion of eDges
PRODUCTION
PARAMETERS
LEGS LEGS LEGSLEGS LEGS
rotational rotational rotational joint rotational joint injoint layers in layers injoint layers in layers -for-for stretching -for stretching stretching -for out stretching out and and out curling and curling outcurling and curling rotational joint in layers -for stretching out and curling
360’ rotational joint - for standing
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POSTURE
- holdin - hol-
- hold
| A Collection of Works
symmetry / asymmetry A matrix of spaces were formed and begin to suggest programmatic identifications: larger enclosures, subdivisions or cell-like spaces. These clusters are connected by a spine which serves as an interstitial circulation, eroding the regularity of the system. Individual triangular units are then expressed through different tectonic language and material, or become operable units which respond to external factors including sunlight and physical or visual connections to the context. The strategy of organization aims to articulate the relationship of part-to-part, part-to-external factor, part-to-cluster, and cluster to cluster.
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[2014-2017]
Shawn Xiaoyun WANG
Visonary drawing | for nano technolog building M.Arch, [Cornell University, NY] |
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| A Collection of Works
Section A-A
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[2014-2017]
A
A
Shawn Xiaoyun WANG
Plan | 2nd floor
M.Arch, [Cornell University, NY] |
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| A Collection of Works
Perspective Drawings
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[2014-2017]
Shawn Xiaoyun WANG
Physical model - Aluminum sheet, foil paper, museum board, card board, metal rods M.Arch, [Cornell University, NY] |
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| A Collection of Works
Elevation
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[2014-2017]
Shawn Xiaoyun WANG
03. Pre-kindergarten Redhook, Brooklyn
[Redhook, Brooklyn | 2016]
M.Arch, [Cornell University, NY] |
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| A Collection of Works
Rendered View from Entrance
Rendered View from Street
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[2014-2017]
Shawn Xiaoyun WANG
M.Arch, [Cornell University, NY] |
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| A Collection of Works
Cross Section
Section through Classroom
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[2014-2017]
Shawn Xiaoyun WANG
04. Director’s Penthouse La Mama Theartre [New York| 2014]
The stage was set to record four different
moments/mood of the actress. Through the designed mechanism, the stage rotates while the actress is holding the phone and walking. Different colors and setting on each of the four forced perspective view of stage was to convey a different mood/scenario during the performance. The scenes appear and disappear from the view of the audience during the performance. However, the bright yellow bed in the center continuously appear in every moment of the stage.
The design of the penthouse takes the idea of a continuous center piece of from the previous stage set. And the design of the space was also evolve from the form and meaning from the stage set. While in the yellow center piece serves as a visually continuous piece from a static point of view from the audience in the stage design, the yellow fixture piece in the pent house was a continuous piece that follows the need of the body.
| Stage design/ for The Voice
M.Arch, [Cornell University, NY] |
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| A Collection of Works
Exploded Axon | hand-drawing
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[2014-2017]
Shawn Xiaoyun WANG
Penthouse model - PlexiGlass, Wood & Resin
M.Arch, [Cornell University, NY] |
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| A Collection of Works
Plans & Sections| hand-drawing
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[2014-2017]
Shawn Xiaoyun WANG
05.
Roof
A Circle Draws Itself Dance Centre [Barcelona | 2010]
Volume
Circulation
Envelope
Open section throuth circulation
B.Arch, [University of Edinburgh, UK] |
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| A Collection of Works
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[2008 - 2012]
Shawn Xiaoyun WANG
B.Arch, [University of Edinburgh, UK] |
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| A Collection of Works
D ance is a circle drawn in space, but a circle
that is its own principle, a circle that draws itself. Dance is the prime mover: Every gesture and every line of dance must present itself not as a consequence, but as the source of mobility.� - Alain Badiou, Dance as Metaphor for Thought
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[2008 - 2012]
Timber kamasutra
Shawn Xiaoyun WANG PINBALL An ecological study of the world we inhabit suggests we perceive human-scale changes and transformations affecting surfaces/materials around us, as well as possibilities for action (affordances) .
06.
There is no neutral environment, the body is always challenged. In the model, WKH EDOO EHFRPHV D PHGLD WR H[SHULHQFH D EOHQGLQJ RI WKH VHQVHV VRXQGV WRQHV WH[WXUHV EDODQFHV JUDYLWLHV
Timber kamasutra
Invitation and Escape Empire Palace Theatre [Edinburgh | 2012]
Timber kamasutra
inhabit suggests we perceive human-scale ng surfaces/materials around us, as well as .
e body is always challenged. In the model, HQFH D EOHQGLQJ RI WKH VHQVHV VRXQGV
| Invitation of Material / Materiality
IN
B.Arch, [University of Edinburgh, UK] |
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| A Collection of Works
Fire / Combustible /Non-Combustible Combustable and Non-combustable PDWHLUDO LQ D ¿UH
When wood burnt, there left the unburnt concrete, and a void...
Just like an old tree has burnt, and a new one starts to grow in the same soil
The void is taken and being penerated differently...
CONCEPT
The Left-over Combustable and Non-combustable PDWHLUDO LQ D ¿UH
When wood burnt, there left the unburnt concrete, and a void...
Just like an old tree has burnt, and a new one starts to grow in the same soil
The void is taken and being penerated differently...
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Just like an old tree has burnt, and a new one starts to grow in the same soil
The void is taken and being penerated differently...
CONCEPT
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[2008 - 2012]
Shawn Xiaoyun WANG
T he vehicle for this exploration will be a re-vis-
ting of LDN Architect’s 1994 remodelling of the Empire Palace Theatre (now Edinburgh Festival Theatre). Students will be asked to respond to the original brief for this project; they will add a new front-of-house and reception spaces to the remains of the original ‘Empire Palace’, partially destroyed in the spectacular
SIDE ELEVATION (From Nicolson Square)
SIDE ELEVATION (From Nicolson Square)
SIDE ELEVATION (From Nicolson Square)
ELEVATION (From Nicolson Square) SIDE ELEVATION (From SIDE Nicolson Square)
SIDE ELEVATION (From Nicolson Square)
SIDE ELEVATION (From Nicolson Square)
SIDE ELEVATION (From Nicolson Square)
BACK ELEVATION (From Potterrow)
VIEW FROM NORTH EAST OF
FOYER NORTH EAST OF FOYER VIEW FROM
VIEW FROM NORTH EAST OF SIDE ELEVATION (From Nicolson Square) FOYER
SIDEELEVATION ELEVATION (From SIDE (FromNicolson NicolsonSquare) Square)
SIDEELEVATION ELEVATION (From SIDE (FromNicolson NicolsonSquare) Square)
VIEW FROM EAST OF MAIN STAIRCASE
VIEW FROM EAST OF MAIN FIRST FLOOR STAIRCASE FIRST FLOOR
The The retained retained pre-1982 pre-1982 structure structure VIEW FROM NORTH EAST OF FOYER
VIEW FROM EAST OF MAIN STAIRCASE FIRST FLOOR
The ‘new’
DETAIL OF CIRCULAR WINDOW ON SOUTH ACCESS STAIR The New (white
The New (white parts parts indicate indicate timber) timber)
DETAIL OF CIRCULAR WINDOW ON SOUTH ACCESS STAIR
VIEW FROM EAST OF MAIN STAIRCASE
VIEW FROM EAST OF MAIN FIRST FLOOR STAIRCASE FIRST FLOOR VIEW FROM WEST OF WORKSHOP
VIEW FROM WEST OF WORKSHOP
VIEW FROM EAST OF MAIN STAIRCASE FIRST FLOOR
SIDE ELEVATION (From Nicolson Square) Pre-1928 Elevation
BACK ELEVATION (From Potterrow) BACK ELEVATION (From Potterrow)
| Historic Photographs of Empire Palace SIDE ELEVATION (From Nicolson Square)
BACK ELEVATION (From Potterrow)
VIEW FROM NORTH EAST OF FOYER VIEW FROM NORTH EAST OF FOYER
VIEW FROM WEST OF WORKSHOP
BACK ELEVATION (From Potterrow) VIEW FROM WEST OF WORKSHOP
SIDE ELEVATION (FromSquare) Nicolson Square) SIDE ELEVATION (From Nicolson
SIDE ELEVATION ELEVATION (From SIDE (FromNicolson NicolsonSquare) Square)
SIDE ELEVATION (From Nicolson Square)
VIEW FROM WEST OF WORKSHOP
VIEW FROM WEST OF WORKSHOP
BACK ELEVATION (From Potterrow)
SIDE ELEVATION (From Nicolson Square)
VIEW FROM NORTH EAST OF FOYER
SID
DETAIL OF CIRCULAR WINDOW ON SOUTH ACCESS STAIR
VIEW FROM EAST OF MAIN BACK ELEVATION (From Potterrow) STAIRCASE FIRST FLOOR
SIDE ELEVATION (From Nicolson Square)
SIDE ELEVATION (From Nicolson Square)
The ‘retained’ SIDE ELEVATION (From Nicolson SIDE ELEVATION (From Nicolson Square) Square)
VIEW FROM EAST OF MAIN STAIRCASE FIRST FLOOR
BACK ELEVATION (F
BACK ELEVATION (From Potterrow)
VIEW FROM NORTH EAST OF FOYER
VIEW FROM WEST OF WORKSHOP
DETAIL OF CIRCULAR WINDOW ON SOUTH ACCESS STAIR
DETAIL OF CIRCULAR WIN[Collection from Edinburgh library] SIDEELEVATION ELEVATION (From SIDE (FromNicolson NicolsonSquare) Square) DOW ON SOUTH ACCESS STAIR
Pre-1928 Elevation
VIE
VIE FOY
SIDE EL
Pre-1928 Elevation
VIEW FROM NORTH EAST OF FOYER VIEW FROM NORTH EAST OF FOYER
VIEW FROM EAST OF MAIN STAIRCASE FIRST FLOOR
VIEW FROM EAST OF MAIN STAIRCASE FIRST FLOOR
VIEW FROM WEST OF WORKSHOP
DETAIL OF CIRCULAR WINDOW ON SOUTH ACCESS STAIR
SIDE ELEVATION ELEVATION (From SIDE (FromNicolson NicolsonSquare) Square)
icolson Square)
VIEW FROM EAST OF VIEW NORTH FROM NORTH EAST OF FOYERFOYER
VIEW FROM OFEAST MAINOF MAIN VIEWEAST FROM STAIRCASE FIRST FLOOR STAIRCASE FIRST FLOOR
B.Arch, [University of Edinburgh, UK] |
Nicolson Square)
BACK ELEVATION (From Potterrow)
FROM NORTH VIEW FROMVIEW NORTH EAST OF EAST OF FOYER VIEW FROM EAST OF MAIN VIEW FROM NORTH EAST OF STAIRCASE FIRSTVIEW FOYER FROM EAST OF MA FLOOR
VIEW FROM WEST OF WORKSHOP
BACK ELEVATION (From Potterrow)
FOYER
SIDEELEVATION ELEVATION (From Square) SIDE (FromNicolson Nicolson SIDE ELEVATION (From Nicolson Square)Square)
VIEW FROM WEST OFWEST WORKVIEW FROM OF WORKSHOP SHOP
Pre-1928 Elevation
DETAIL OFDETAIL CIRCULAR WINOF CIRCULAR WINDOW ON SOUTH ACCESS DOW ON SOUTH ACCESS STAIR STAIR
SIDE ELEVATION (From Nicolson Square)
SIDE ELEVAT
VIE VIEW FROM NORTH EAST OF VIE FIR FOYER STA CONCEPT CONCEPT SIDE ELEVATION (From Nicolson Squa
SIDE ELEVATION (From Nicolson Square)
Pre-1928 Elevation BACK ELEVATION (From Potterrow)
BACK ELEVATION (From Potterrow)
SIDE ELEVATION (From Nicolson Square)
SIDE ELEVATION (From Nicolson Square)
BACK ELEVATION (From Potterrow)
SIDE ELEVATION (From Nicolson Square) VIEW FROM NORTH EAST OF FOYER
DETAIL OF CIRCULAR WINDOW ON SOUTH ACCESS STAIR
VIEW FROM WEST OF WORKSHOP
42
STAIRCASE FIRST FLOOR
SIDE ELEVATION ELEVATION (From Square) SIDE ELEVATION (From Nicolson SIDE (FromNicolson Nicolson Square)Square)
BACK
Pre-1928 Elevation PHOTO RESEARCH OF THE PRE 1982 EMPIRE
VIEW FROM NORTH EAST OF VIEW FROM EAST OF MAIN SIDE ELEVATION (From NicolsonSTAIRCASE Square) FIRST FLOOR
Pre-1928 Elevation FOYER
VIEW FROM NORTH EAST OF FOYER
VIEW FROM EAST OF MAIN STAIRCASE
VIEW FROM EAST OF MAIN FIRST FLOOR STAIRCASE FIRST FLOOR
VIE
VI SH
VIEW FROM WEST OF WOR SHOP
| A Collection of Works
Level 2 Front of house area looking up,with skylight above Level 2 Front of house
oking
oking
Level 2 Front of house
Staircase between Level 3 and 4
Staircase between Level 3 and 4
Level 2 Front of house
Staircase between Level 3 and 4 Level 3 Front of house Looking up from recepion SIDE ELEVATION (From Nicolson Square) Level 3 Front of house Looking up from recepion
View towards reception and Nicolson street entrance View towards reception and Nicolson street entrance
Level 3 Front of house
Level 3 Front of house
Level 3 Front of house SIDE ELEVATION (From Nicolson Square)
Existing back yard NEW
PRE-1982
BACK ELEV
Level 3 Front of house VIEW FROM NORTH EAST OF Waking5up on the main staircase, viewthe SurLevel Looking towards towards the Surgeon’s Hall FOYER geon’s and the Craig Waking up on the main staircase, view Level 5Hall
Walking up to the bar from main staircase Walking up to the bar from main staircase Level 5 Looking towards the Surgeon’s Hall and the Craig
towards the Surgeon’s Hall
Level 5 VIEW FROM EAST OF MAIN STAIRCASE FIRST FLOOR
VIEW FROM WEST OF WORKSHOP
INTERIOR VISUALISATION
DETAIL OF CIRCULAR WINDOW ON SOUTH ACCESS STAIR
INTERIOR VISUALISATION
SIDE ELEVATION (From Nicolson Square)
Looking up from recepion
Level 5 up Looking towards the SurLooking from recepion geon’s Hall and the Craig
BACK ELEVATION (From Potterrow) INTERIORNEW VISUALISAION
VIEW FROM EAST OF MAIN STAIRCASE FIRST FLOOR
INTERIOR VISUALISAION
Proposed back yard
Pre-1928 Elevation
Level 5
VIEW FROM NORTH EAST OF FOYER
ooking
SIDE ELEVATION (From Nicolson Square)
PRE-1982
VIEW FROM WEST OF WORKSHOP
Level 2 Front of house
DETAIL OF CIRCULAR WININTERIOR VISUALISAION DOW ON SOUTH ACCESS STAIR
VISUALISATION OF NICOLSON SQUARE ENTRANCE
Staircase between Level 3 and 4
Waking up on the main staircase, view
Level Front ofHall house area looking towards2the Surgeon’s Waking up on the main staircase, view up,with skylight above towards the Surgeon’s Hall
Level 2 Front of house
Staircase between Level 3 and 4
INTERIOR VISUALISATION
Pre-1928 Elevation
INTERIOR VISUALISATION
Level 3 Front of house
Level 3 Front of house Level 2 Front of house area looking up,with skylight above
Level 3 Front of house
43
Level 2 Front of house
Staircase between Level 3 and 4
Level 3 Front of house
[2008 - 2012]
Shawn Xiaoyun WANG
B.Arch, [University of Edinburgh, UK] |
44
| A Collection of Works
45
[2008 - 2012]
professional
w
o
r
k
s
part b.
Shawn Xiaoyun Wang
Pathology Building NHS Southmead Hospital -Bristol, UK
[Avanti Architects, London | 2013]
My role:
• BIM Revit model - collaborative with colleagues and external engineer teams; • Drawings of planning application, including pathology building and external services; • Tender information preparation • Participated in design of external envelop; • Sketchup model for visualisation and design scheme options; • Assist in daily communication with external engineer team
| Master Plan of Southmead Hospital
Pathology Phase 1 & 2 at Southmead Hospital
[Original master plan made by BDP Architects since 2006; updates including Pathology building site edited by me]
Keywords: • Client: Bristol NHS & University of Bristol • Patholgy services to accommodate Cellular Pathology, Neuropathology & Microbiology laboratories. • To achieve BREEAM ‘Excelent’ • Project stage: master planning and from concpet design to tender package
ACADEMIC BUILDING Ref. S/141-SC/07/02308/F
| GA plan with loaded equipment
PATHOLOGY BUILDING
Ref. S/141-SC/07/02309/F
[Revit model in collaboration with colleague and lab equipment specialist.]
PATHOLOGY SCIENCES PROJECT PHASE 2
| Extract of Master Plan
134
+74.30
+74.90
130
77
.4
+75.00
m
Professional works
+74.79
+75.50
75.50+
+75.00
120
+75.15 +75.25
| Elevation - for Planning application
Alternative Cycle Store Location
48
| Example of Practice Works
This drawing and design is for use solely in connection with the project described below. The drawing and design is the copyright of Avanti Architects Ltd, and must not be re-issued, loaned or copied without written consent. All dimensions and setting out to be checked on site before construction. This drawing is to be read in conjunction with all other information relevant to the project. Any apparent discrepancy is to be brought to the attention of Avanti Architects Ltd.
Notes
PATHOLOGY SCIENCES PROJECT PHASE 2
MTR
AMENDMENTS TO EXTERNAL ARRANGEMENT AND UPDATE OF ELEVATIONS NOTE AMENDED
Checked CB
B Revision A Date 20.12.12 08.07.13 Drawn by SW SW
| BIM Revit model - on-going print-screen [Collaboration among colleague, me and external engineer teams including structural and M&E engineers, and equipment specialist.]
Description
Scale
Size
1:200
A1
Drawn by
Checked by
SW
Date First Issue
11/12/12
MTR
Project
North Bristol Hospitals P21 Southmead Hospital Pathology Building Phase 2 Drawing
Proposed Elevations (Part 2)
Drawing number
12003-AA-PL-011
Status
PATHOLOGY SCIENCES PROJECT PHASE 2
| Elevation - for Planning application
Planning
Revision
B
| Fire strategy plan
[Revit model in collaboration with colleague]
49 Avanti Architects ltd www.avantiarchitects.co.uk + 44 (0) 20 7278 3060 361-373 City Road London EC1V 1AS aa@avantiarchitects.co.uk
[2012-2015]
Shawn Xiaoyun Wang
Bourne Lane New-build 5-bedroom private house
5 BOURNE LA
-Kent, UK
[Nash Baker Architects, London | 2011]
My role: • Planning application drawings and application; • 3D physical/digital model and rendering; • Participated in building scheme design; • Building regulation drawings; • Design alterations according to Lifetime Home Stardard; • Specifing Mechanical Ventilation System with Heat Recovery (MVHR); • Began detail drawings (CLT structure) • Participated in window/door specification & schedules ĞƌŝĂů ƉĞƌƐƉĞĐƟǀĞ ŽĨ ƚŚĞ ƉƌŽƉŽƐĞĚ ĚĞƐŝŐŶ Keywords: | Concept design sketch • Design scope - from concept to construction administration • Code 4 of Code of VISURALISATION Sustainable Homes; • Lifetime Home Stardards
7 Walmer Courtyard, 225 Walmer Road, London, W11 4EY - 020 7229 1558 - mail@nashbaker.co.uk
USE AND AMOUNT USE dŚĞ ďƵŝůĚŝŶŐ ŝƐ ƉƌŽƉŽƐĞĚ ĂƐ Ă ƐŝŶŐůĞ ƐƚŽƌĞLJ ĚŽŵĞƐƟĐ ĚǁĞůůŝŶŐ ǁŝƚŚ ĂĐĐĞƐƐ ĨƌŽŵ ŽƵƌŶĞ >ĂŶĞ͘ dŚĞ ŝŶƚĞŶƟŽŶ ŝƐ ƚŽ ĐƌĞĂƚĞ Ă ŚŽŵĞ ĨŽƌ ĂŐĞŝŶŐ ŽĐĐƵƉĂŶƚƐ ĂŶĚ ĨƵƚƵƌĞ LJŽƵŶŐ ĨĂŵŝůŝĞƐ ĂůŝŬĞ͘ AMOUNT dŚĞ ƉƌŽƉŽƐĞĚ ƐŝƚĞ ŵĞĂƐƵƌĞƐ ĂƉƉƌŽdžŝŵĂƚĞůLJ ϭϬϳϬƐƋŵ ĂŶĚ ƌĞƉƌĞƐĞŶƚƐ ϭϴй ŽĨ EŽ͘ ϱ͛Ɛ ĐƵƌƌĞŶƚ ĐƵƌƟůĂŐĞ͘ dŚĞ ůŽĐĂƟŽŶ ŽĨ ƚŚĞ ŶĞǁ ďƵŝůĚŝŶŐ ŚĂƐ ďĞĞŶ ĐĂƌĞĨƵůůLJ ĐŽŶƐŝĚĞƌĞĚ ŝŶ ŽƌĚĞƌ ƚŽ ƌĞĚƵĐĞ ŝƚƐ ŝŵƉĂĐƚ ƵƉŽŶ ƚŚĞ ĂŵĞŶŝƟĞƐ ŽĨ ŶĞŝŐŚďŽƵƌŝŶŐ ƉƌŽƉĞƌƟĞƐ ǁŚŝůƐƚ ƐƟůů ƌĞƚĂŝŶŝŶŐ Ă ůĂƌŐĞƌ ƚŚĂŶ ĂǀĞƌĂŐĞ ŐĂƌĚĞŶ ĨŽƌ ƚŚĞ ĞdžŝƐƟŶŐ property. dŚĞ ĚĞƐŝŐŶ ŝƐ ĐŽŶĐĞŝǀĞĚ ĂƐ ƚǁŽ ďƵŝůĚŝŶŐƐ ǁŝƚŚ ĂŶ ŝŶƚĞƌĐŽŶŶĞĐƟŶŐ ĞůĞŵĞŶƚ͘ dŚĞ buildings are staggered to produce a pedestrian/vehicular courtyard at the ĨƌŽŶƚ͕ ĂŶĚ Ă ƉƌŝǀĂƚĞ ĐŽƵƌƚLJĂƌĚ ƚŽ ƚŚĞ ƌĞĂƌ͘ dŚŝƐ ĐĂƌĞĨƵů ƌĞƐƉŽŶƐĞ ƚŽ ƚŚĞ ůŽĐĂƟŽŶ ĂŶĚ ĐŽŶƚĞdžƚ ĂůƐŽ ŚĞůƉƐ ƚŽ ŵĂdžŝŵŝƐĞ ƚŚĞ ŽƉƉŽƌƚƵŶŝƟĞƐ ƚŽ ƌĞĐĞŝǀĞ ŶĂƚƵƌĂů ůŝŐŚƚ and have private views to the north and south.
| 3D visualization/rendering Professional works
dŚŝƐ ŝƌƌĞŐƵůĂƌ ĨŽŽƚƉƌŝŶƚ ŽĨ ƚŚĞ ďƵŝůĚŝŶŐ ĂŶĚ ƚŚĞ ƐŝnjĞ ŽĨ ƉůŽƚ ĂƌĞ ƐĞŶƐŝƟǀĞ ƚŽ ŝƚƐ ůŽĐĂƟŽŶ ĂŶĚ ƌĞƐƉĞĐƞƵů ŽĨ ƚŚĞ ƐƵƌƌŽƵŶĚŝŶŐ ƵƌďĂŶ ŐĂŝŶ͘ DĂŶLJ ƐŝŵŝůĂƌ ůŽĐĂů precedents have been granted in recent years, including 44 Yardley Park ZŽĂĚ ;dDͬϬϲͬϬϭϮϭϯͬ&>Ϳ͕ Ϯϲ zĂƌĚůĞLJ WĂƌŬ ZŽĂĚ ;ϵϱͬϱϭϯϵϴͬ&>Ϳ ĂŶĚ ƚŚĞ ĞŶƟƌĞ Haydens Estate.
50
Ks ͗ WƌŽƉŽƐĞĚ ŇŽŽƌ ƉůĂŶƐ >Kt͗ WĂŶŽƌĂŵŝĐ ǀŝĞǁ ůŽŽŬŝŶŐ ĂƐƚ ĨƌŽŵ dŚĞ KĂƐƚ ,ŽƵƐĞ
| Example of Practice Works | Example of of Practice Practice Works Works || Example Example of Practice Works
5 BOURNE LANE LANE 5 BOURNE
| Physical model Physical model Physicalmodel model |||Physical
Buildingregulation regulationdrawing drawing- -for forBuilding BuildingRegulation Regulationapprove approve |||Building Building regulation drawing Building Regulation approve | Building regulation drawing - for- for Building Regulation approve
020 7229 1558 1558 -- mail@nashbaker.co.uk mail@nashbaker.co.uk 020 7229 020 7229 1558 - mail@nashbaker.co.uk
AMOUNT USE USE AND AND AMOUNT AMOUNT
ƌĞLJ ĚŽŵĞƐƟĐ ĚǁĞůůŝŶŐ ĚǁĞůůŝŶŐ ǁŝƚŚ ǁŝƚŚ ĂĐĐĞƐƐ ĂĐĐĞƐƐ ƌĞLJ ĚŽŵĞƐƟĐ ĚǁĞůůŝŶŐ ǁŝƚŚ ĂĐĐĞƐƐ ƚĞ Ă ŚŽŵĞ ĨŽƌ ĂŐĞŝŶŐ ŽĐĐƵƉĂŶƚƐ ĂŶĚ ƚĞ Ă ŚŽŵĞ ĨŽƌ ĂŐĞŝŶŐ ŽĐĐƵƉĂŶƚƐ ĂŶĚ ƚĞ Ă ŚŽŵĞ ĨŽƌ ĂŐĞŝŶŐ ŽĐĐƵƉĂŶƚƐ ĂŶĚ
ůLJ ϭϬϳϬƐƋŵ ĂŶĚ ƌĞƉƌĞƐĞŶƚƐ ϭϴй ŽĨ ůLJ ϭϬϳϬƐƋŵ ĂŶĚ ƌĞƉƌĞƐĞŶƚƐ ϭϴй ŽĨ ůLJ ϭϬϳϬƐƋŵ ĂŶĚ ƌĞƉƌĞƐĞŶƚƐ ϭϴй ŽĨ ƚŚĞ ŶĞǁ ďƵŝůĚŝŶŐ ŚĂƐ ďĞĞŶ ĐĂƌĞĨƵůůLJ ƚŚĞ ŶĞǁ ďƵŝůĚŝŶŐ ŚĂƐ ďĞĞŶ ĐĂƌĞĨƵůůLJ ƚŚĞ ŶĞǁ ďƵŝůĚŝŶŐ ŚĂƐ ďĞĞŶ ĐĂƌĞĨƵůůLJ ƵƉŽŶ ƚŚĞ ĂŵĞŶŝƟĞƐ ŽĨ ŶĞŝŐŚďŽƵƌŝŶŐ ƵƉŽŶ ƚŚĞ ĂŵĞŶŝƟĞƐ ŽĨ ŶĞŝŐŚďŽƵƌŝŶŐ ƵƉŽŶ ƚŚĞ ĂŵĞŶŝƟĞƐ ŽĨ ŶĞŝŐŚďŽƵƌŝŶŐ ŚĂŶ ĂǀĞƌĂŐĞ ŐĂƌĚĞŶ ĨŽƌ ƚŚĞ ĞdžŝƐƟŶŐ ŚĂŶ ĂǀĞƌĂŐĞ ŐĂƌĚĞŶ ĨŽƌ ƚŚĞ ĞdžŝƐƟŶŐ ŚĂŶ ĂǀĞƌĂŐĞ ŐĂƌĚĞŶ ĨŽƌ ƚŚĞ ĞdžŝƐƟŶŐ
Site photo under construction winter 2012 [after the practice] underconstruction constructioninin inwinter winter2012 2012[after [afterIIIleft Ileft leftthe thepractice] practice] Sitephoto photo---under under construction in winter 2012 [after left the practice] |||Site
ŝƚŚ ĂŶ ŝŶƚĞƌĐŽŶŶĞĐƟŶŐ ĞůĞŵĞŶƚ͘ dŚĞ ŝƚŚ ĂŶ ŝŶƚĞƌĐŽŶŶĞĐƟŶŐ ĞůĞŵĞŶƚ͘ dŚĞ ŝƚŚ ĂŶ ŝŶƚĞƌĐŽŶŶĞĐƟŶŐ ĞůĞŵĞŶƚ͘ dŚĞ courtyard destrian/vehicular courtyard at at the the destrian/vehicular courtyard at the dŚŝƐ ĐĂƌĞĨƵů ƌĞƐƉŽŶƐĞ ƚŽ ƚŚĞ ůŽĐĂƟŽŶ dŚŝƐ ĐĂƌĞĨƵů ƌĞƐƉŽŶƐĞ ƚŽ ƚŚĞ ůŽĐĂƟŽŶ dŚŝƐ ĐĂƌĞĨƵů ƌĞƐƉŽŶƐĞ ƚŽ ƚŚĞ ůŽĐĂƟŽŶ ƉƉŽƌƚƵŶŝƟĞƐ ƚŽ ƌĞĐĞŝǀĞ ŶĂƚƵƌĂů ůŝŐŚƚ ƉƉŽƌƚƵŶŝƟĞƐ ƚŽ ƌĞĐĞŝǀĞ ŶĂƚƵƌĂů ůŝŐŚƚ ƉƉŽƌƚƵŶŝƟĞƐ ƚŽ ƌĞĐĞŝǀĞ ŶĂƚƵƌĂů ůŝŐŚƚ
4 4451
photos near completion inin summer 2013 [after I left the practice] |Site Site photos -near completion summer 2013 [after I left practice] Site photos near completion summer 2013 [after left thethe practice] |||Site photos ---near completion ininsummer 2013 [after IIleft the practice]
[2011] [2011] [2011] [2012-2015]
Shawn Xiaoyun Wang
Manor Farm Conservation & New-Build Project for Domestic Residential Development -South Yorkshire, UK
[Nash Baker Architects, London | 2011]
My role:
• Design scheme & options; • Planning drawings including existing drawings and proposed scheme; • Preparation of planning application and listed building consent; • Participated design of site access-vehicle area; • Preparation of photographic survey; • 3D model making and visualization; • Preparation of drawings of designscheme for client comments and approval; | Barn 6 Plan - Planning application
| 3D visualization Professional works
52
HIGH STREET
H JO ST AD RO N’S
1.
| Example of Practice Works
| Phase and site diagram - Planning consultation/client ĮŐͺŚ͘ dŚŝƌĚ ^ŬĞƚĐŚ >ĂLJŽƵƚ Showing the 4 Planning Phases Scale 1:1000
4
[collaborative work.]
| Phase 2 site plan - Planning application Keywords: • Convertion and extention of argriculture barns and manar farm house into modern dwellings • Conservation of Grade II listed building • Historically and architecturally sensitive site (Conservation Area) • Three-phase project • Traditional construction with stone walls and timber truss roof structures
| Proposed section - Planning application
2. | Demolition elevation - Planning application
| Site photo
[photographed by H Nash]
53
[2012-2015]
Shawn Xiaoyun Wang
Ogilvy Department Store 6-story deparment store -Montreal, Canada
[Jeffrey Hutchison Associates, NYC | 2014]
My role: • Competition design scheme including designing and visual representations (drawings, rendering and deliverables to client)
Professional works
54
| Example of Practice Works
Sinsegae Department Store 1-floor store renevation classic brands -Seoul, South Korea
[Jeffrey Hutchison Associates, NYC | 2014]
55
[2012-2015]
Shawn Xiaoyun Wang xiaoyunwang311@gmail.com