shelley thompson architecture, art & design
shelley thompson
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email shelleyt411@gmail.com
website www.shelleyt.squarespace.com phone (714) 917-7244 shop www.etsy.com/shop/beetlepress
part 01: selected projects (a)cademic & (p)rofessonal
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LIBRARY OF THE FUTURE (a)
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HILTON HOMEWO OD SUITES (p)
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LAGUNA WOODS CLUBHOUSE (p)
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04
ROWHOUSE REDEFINED (a)
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LITTLEMISSMATCHED (p)
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SO CIAL CATALYST: HOMELESS ASSISTANCE CENTER (a)
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part 02: thesis bachelor of architecture
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RE-NARRATE, RE-FORM
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part 03: artistic work PRINTMAKING [beetlePRESS]
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MIXED MEDIA
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SKETCHBOOK
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part 04: graphic design work 11 12
CCARCHITECTS & COMPASS BIBLE CHURCH
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CLINICAL AESTHETICS & CONSCIOUSBUILD
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01 library of the future
1st place - Phase 2 : Design; 2nd place - Phase 1 : Program competition // AIA San Fernando Valley Chapter, 2013 site // Thousand Oaks, California
site response
rhythm
program
_services
_public accessories
_open program
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circulation
final form
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purpose// The library is first and foremost a resource and service to its community. While this traditional role is still relevant, the library must adapt to suit other needs of a modern community center: guest lectures, local art galleries, film screenings, craft workshops, private tutoring, the list goes on. In order to accommodate such a variety of services, not to mention innumerable others that have yet to emerge, the library needs to be easily adaptable. New technologies will be developed and the community will have new requirements for its library. In order to “future-proof” the library and avoid costly changes and renovations in the future, the library is designed to be easily updated, and its various components and technologies modified. This is made possible through a reconfigurable “resource ribbon” with panels that are both modular and replaceable. These removable panels allow easy access to electrical, mechanical, and audio-visual systems, but also provide a means for assimilating to technology and systems in the future.
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full book capacity
program// Because the ribbon houses all resources necessary for the library’s functions, the space itself is a blank canvas. Panelized walls, floors and ceilings, windows with mechanized louvers, movable nanowall interior partitions and adaptable furniture can be reconfigured to suit various current programs as well as those that develop in the future. This enables the library to transform into the hub of the community, whatever that might be.
workshop / classrooms
art gallery
lecture
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view of children’s zone with operable storytime “canopies” with built-in lighting
A red path leads the visitor through a rhythmic progression of both landscape and architecture. The library becomes more than an isolated building on a site, where the visitor is insulated from their community. By relocating the parking below ground, the site is opened up to serve as a plaza. Large ribbons soften the transition from the library’s interior to the park outside, extending the influence of the space. In this way, the project acts as not only a destination for the community member but also an extension of the community itself.
circulation//
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section showing interior cladding, furniture, finishes, glazing & operable blinds
machine room
children’s zone
storage
exterior balcony
reception open office entry courtyard
main entry cafe
first floor plan
(open to below)
exterior cafe second floor plan
Academic Projects // Library of the Future // Thousand Oaks, California // 2014
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cladding// The “resource ribbon”, which wraps the entire building , is the key to the library’s ability to meet current programmatic needs as well as adapt to those in the future. This ribbon is comprised of a space frame, which is clad with removable panels. The structure will house the mechanical, electrical, and audio-visual systems. The panelization of the floors, walls and ceilings makes it easy for these systems to be modified or updated in the future without costly renovation.
display, wayfinding & storage
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lab & work station
audio-visual
future/ unknown use
hydroponic biofilter
view of outdoor cafe seating
view from upper walkway
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02 hilton homewood suites re-model role //
Project Manager, Carlile Coatsworth Architects, Inc., 2014-2015
site //
Las Vegas, Nevada
project //
Re-model of existing 4-story hotel to bring it up to current Hilton Homewood Suites Standards, as well as making changes requested by the owner. Re-model includes new partitions, ceiling & lighting elements, and all new finishes throughout the public areas and guest suites.
(Currently in CD phase)
before
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after
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before
Enlarged ground floor plan showing main areas of re-model in color
View of existing “Lodge” dining & lounge area
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after
15 Proposed Lodge
before
reception // The goal for this area was to create a more opening and inviting space, which meant demolishing existing soffits and partitions, as well as updating the finishes to create a modern and current look. The reception desk and back wall panel system were also re-imagined with more sleek and sophisticated elements.
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after
before
patio // The rear patio is currently under-utilized, due primarily to the fact that there is neither seating nor shade available for guests. The proposed design includes both dining and lounge amenities, with awnings and a rectractable shade on the west-facing side. The trellis structure is designed to shelter the new built-in BBQ area, while incorporating and highlighting the existing landscape element.
after
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03 laguna woods clubhouse role //
Design & Presentation Assistant, Carlile Coatsworth Architects, Inc., 2014-2015
site //
Laguna Woods, California
proposal //
This competition entry was a schematic design proposal for the re-model and addition to the 50-year-old Laguna Woods Clubhouse. The design’s main concepts were opening the existing main ballroom space into the rear plaza and a new shaded structure, as well as landscaped seatwalls and interior remodeling to accomodate meeting rooms & administrative areas. At the completion of the competition, Carlile Coatsworth Archi tects, Inc. was awarded the project in January 2015. (Currently in CD phase)
*additions shown in yellow
Front
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Side
Rear
View looking towards new “Loggia” element at rear of building
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FRONT PATIO
loggia & soundwall //
RECEP. SIDE BALLROOM
OFFICE BAR
MEN MAIN BALLROOM
BBQ
BAR
WOMEN
MEETING ROOM
KITCHEN BBQ
BAR
STORAGE
The new Loggia at the rear patio works as a soundwall, shielding the building from the busy road beyond, as well as a much-needed shade structure for the west-facing patio. Designed to engage the existing building’s main axis and utilize nanowalls to open up the ballroom to the rear, the Loggia creates a much larger, more dynamic and more comfortable space for the community to enjoy.
REAR PATIO LOGGIA / SOUNDWALL
site plan & floor plan - additions highlighted in yellow
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shelleyt411@gmail.com View within the rear patio, looking towards the new open “loggia’ element
21 View at the main entry, with new entry & office elements, as well as a landscaped seatwall
04 rowhouse {redefined} site // Copenhagen, Denmark
academic project // Danish Institute for Study Abroad, 2010
1_typical rowhouse
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2_break into grid
3_insert towers
Academic Projects // Rowhouse Redefined // Copenhagen, Denmark // 2010
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conceptual section
environmental controls section
concept // Rowhouses are characterized by being built uniformly to the property line and tightly maximizing space along a repeatable grid. There is no relationship to physical or social context. How can a rowhouse’s grid be used to fulfill spatial needs of the inhabitant, while being broken to create relationships to daylight, landscape, and community?
view from back balcony
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Academic Projects // Rowhouse Redefined // Copenhagen, Denmark // 2010
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floor 1
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floor 2
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floor 3
process // Studies of breaking the ‘grid’ of a typical rowhouse, and inserting “towers” inspired by the quality of light coming through the trees upon the site. Towers act as light/air atriums as well as areas for repose and interaction; from which all other spaces are programmed around.
Academic Projects // Rowhouse Redefined // Copenhagen, Denmark // 2010
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layer FOUR the whimsy
layer THREE the color
05 littlemissmatched role // site //
Lead Designer, Carlile Coatsworth Architects, Inc., 2013
30+ locations including Anaheim, California
proposal //
layer TWO the white
How can we make a LittleMissMatched store a distinctive & impactful environment that embodies the fun, creativity, and quirkiness of the brandwhile not overwhelming the visitor or the product? The proposal sought to answer this question by dividing the space into layers. The layers would keep the spatial elements organized, allowing for a bright & stimulating space while having a strict “method to the madness�.
layer ONE the neutral
LMM
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29 approach view, showing impact zone with nesting tables and statement “chandelier�
view of the disney “department”
layers 1 & 2 // Layer one is a neutral backdrop, with the walls & deck painted a warm purple to dissolve the edges of the “box” and really make the elements placed on or in front of the surface pop. A purple color would also be an element that would set LittleMissMatched apart, as opposed to a standard white used by other retailers. Layer two is that which is adjacent to the merchandise itself, and is always white. This includes the fixture walls and nesting tables, and acts primarily keep the product as the main focus of the space and avoid visual overload. Smooth, clean lines are used to keep the look modern. view of the vanity fixture with movable mirrors & display cases
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The fixture walls utilize an open modular system, allowing the store’s employees to re-arrange the shelving & display to accommodate constant department changes.
new
ls
iva
arr
active / etc.
LED branding wall
ca
shw
rap
y vanit
impact zone
potential i-pad location
sale accessories
disney
fixture plan, showing “department” zones, cashwrap & LED branding wall
reflected ceiling plan, showing ceilng clouds, statement “chandelier” & baffles
Professional Projects // LittleMissMatched // Anaheim, California // 2013
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schematic watercolor sketches showing ideas for adding elements of color & whimsy to displays
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“department� custom fixtures & cashwrap
layers 3 & 4 //
view of the cashwrap & branding wall with LED video screens
Layer three is the color. Color is used to highlight the “hot spots” or different “departments” that occur throughout the store. This creates focused visual interest, primarily for new arrivals, disney apparel, vanity, and the cashwrap with video branding wall. Layer four is the element of whimsy. It allows for textures, patterns, trims and touches that allow for a fun feel but still allow for the clean & modern overall look. This also includes some quirky objects to act as architectural and display pieces - balloons are light fixtures, tea cups are jewelry displays, etc. view of “new arrivals” fixture and graphics
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social catalyst:
06 homeless assistance center competition // American Institute of Steel
site // Adaptive Re-use of Pumpehuset (The Pump House), Copenhagen, Denmark academic project// partner: Marcella Yee, Danish Institute for Study Abroad, 2011
LIFT_ ground to create public dog park
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CONTINUE_public circulation into park
EXTEND_existing building footprint
FACILITATE_private and public movement
Academic Projects // Homeless Assistance Center // Copenhagen, Denmark // 2011
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proposal // A homeless assistance center’s primary goal is to reintroduce homeless people into society, which means it must actively facilitate an interaction between the homeless and the general public. The archetype of an “institution” does the opposite of this. It is a formal enclosure, closing the homeless off from the rest of the world. We propose a solution that challenges the way a homeless institution is conceived. In the words of Nina Hoegh, a social worker at Projekt Udenfor: “The homeless like to feel connected, to be seen.” In fact, most homeless people are lonely and without friends. Half the time, their pets are their only friends, which paradoxically prevents them from entering many shelters. An animal shelter and dog park was thus incorporated into the homeless assistance center to accommodate this phenomenon as well as create a viable link to the public. This combination allows homeless to bring their four-legged friends into the shelter to be a partner during their recovery, as well as creating a means for the homeless and the public to meet on a common ground, or in this case, a hill. The animal shelter is located at a point in between the dog park and the assistance center, serving as a transitional therapeutic and work environment to connect homeless and the public. The hill houses the medical and counseling centers as well as classrooms. They are designed in a way that functions less like a programmed institution and more like an open community. This flow opens up to nodes that bring in natural light and green spaces. Contrary to a typical institution, this homeless assistance center proposes a friendly and inviting environment for human connection. approach from plaza
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section A
housing floors 3 & 4
= Areas promoting social interaction
floor 0
A
floor 1
floor 2
Academic Projects // Homeless Assistance Center // Copenhagen, Denmark // 2011
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steel components of housing units
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process //
view inside study node
Academic Projects // Homeless Assistance Center // Copenhagen, Denmark // 2011
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07 re-narrate, re-form {thesis} winner of “Best of Thesis” Award, Cal Poly San Luis Obispo 2012 site // Sutro Baths, San Francisco, CA summary //
Film presentation is delivered in light, color, pictures, motion, chiarascuro, sound, dialogue, music, etc. Film combines these elements over time to tell a story or give an overall feeling. The design of the overall sequence and sub-sequences of these elements is called “montage”. Besides simple entertainment, films are also inherently dramatic in that they can be representations of experience presented in a concentratd way to elicit more clarified feelings and understandings of life. Architecture can employ many similar elements as in film (with the obvious advantage of architectural being material, three-dimensional, and experienced through all of the senses) in a sequence over time and, in turn, can provide more clarified feelings about and understanding of place (which in turn can also enhance understanding of life).
This project uses an understanding of the techniques of narrative within filmmaking for the design of an architecture which intreprets a particular place. This design is meant to reveal the place through an enhanced awareness of the particulars it offers, and in this way make the place itself more memorable. Herein an effort is made to reinforce understanding of place at all levels of scale, from discrete connection details to overall geographical structure and seasonal events. The simultaneity of space, landscape, ruins, ocean, and sky are revealed through architectural endeavors, but the architectural endeavors do not become the place; instead, unified by idea and purpose, they focus, frame, and reinforce the experience of the place. Wherever you are, this project attempts to make it clearer where you are.
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shelleyt411@gmail.com For complete thesis book, please go to http://issuu.com/shelleythompson/docs/thesis.
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EXISTING
(e) INFRASTRUCTURE
(e) RUINS
axonometric of existing conditions with selected site analysis site in 1950’s
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site in 2012
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topography model
PROPOSED
INTERVENTIONS
PATH
axonometric of proposed spatial interpretations & connective pathway
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PRESENTATIONAL focus to the clear sunset beyond
pulling circulation to waterline & new boardwalk
wandering glimpses within thick forest connection and framing entry of Sutro Baths
channeling water flow along descent
tunneling the sound of crashing waves of open ocean.... fully exposed views spanning from golden gate bridge down coastline
connection with Il Presidio trails
hollowedout shell as reclusive “cave�
(e) abandonded stairway
overall site plan & exploded axonometrics of selected spatial interpretations
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....while framing views to the calm bay opposite glass walkway bridging over bath,from ruin to ruin (e) ruins within bath
steel cables lifting up from abandonded stairway
sectional models
creating formal entry into cave
skylights creating particular shadow patterns and therefore a path which corresponds to the diurnal & seasonal cycles
light tubes corresponding to topography changes
(e) maze of anonymous decaying rooms
(e) ruin
(e) ruin with window to bath
underground gate within ruin
parabolic reflective surfaces creates atmosphere of completely even daylight or nightlight
series of frames pulling from window to bath to reform focused viewing space
frames placed upon (e) ampitheatre ruins to structure informal viewing space facilitating access into bath.... ...with flexibility for both high and low tide
light-
cave abandonded stair-
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DISCURSIVE Like film, architecture is experienced both discursively in time (sequentially) and presentationally in space. Scenes within a film are processed by the viewer in their own entirety - these sequences are discursive. When the scenes are watched within the film’s entirety, newly understood connections between scenes create meaning (montage). This is the presentational the memorable aspect of the film.
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For complete thesis book, please go to http://issuu.com/shelleythompson/docs/thesis.
Thesis Project // Re-Narrate, Re-Form/ San Francisco, CA// 2012
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JUNE 21st 9:00 AM
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DECEMBER 21st 12:00 PM
MARCH + SEPT 21st 3:00 PM
For complete thesis book, please go to http://issuu.com/shelleythompson/docs/thesis.
Thesis Project // Re-Narrate, Re-Form/ San Francisco, CA// 2012
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For complete thesis book, please go to http://issuu.com/shelleythompson/docs/thesis.
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08 printmaking Methods include drypoint, monoprint, woodcut and linocut. I often like to combine traditional printmaking techniques with charcoal and pastel, or explore layering different printmaking methods within one piece. Recent shows: “From Generation to Generation” Santa Monica, CA (June-Oct. 2014) “RAW Natural Born Artists Showcase” Costa Mesa, CA (August 2014) “RIBBA 500” Newport Beach, CA (August 2014) “AIA Orange County ARTWALK” Costa Mesa, CA (August 2014) “West Elm Vendor Fair” Costa Mesa, CA (December 2014) For more information, please visit my etsy shop, “beetlePRESS”, at etsy.com/shop/beetlepress.
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Professional Work: Architecture
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09 mixed-media
pen & ink
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acrylic
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graphite
charcoal
pastel & colored pencil
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10 sketchbook
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Sketchbook
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11 carlile coatsworth architects, inc.&compass bible church HB (graphic design)
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REALITY ASPIRATIONS INSPIRED & BALANCED
Weighing against to provide solutions nationwide.
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Introduction & Firm Profile
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Client References
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Resumes
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Completed Projects List
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Project Spotlight: Industrial
CORPORATE
DISTRIBUTION ALTERNATIVES
SUBZERO CORPORATE OFFICES
DISTRIBUTION ALTERNATIVES
ONTARIO, CA
BURLINGAME & LOS ANGELES, CA
ONTARIO, CA
OFFICE STAR PRODUCTS
ONTARIO, CA
FOOTHILL RANCH BUSINESS PARK
ROBINSON HELICOPTER MANUFACTURING & TEST FLIGHT FACILITY
CHARACTER COLLECTIBLES
ORANGE, CA
TORRANCE, CA HOMEBASE
JCM ENGINEERING
FOOTHILL INDUSTRIAL PARK - A BAKER RANCH PLANNED COMMUNITY
ONTARIO, CA
TUSTIN, CA
RYDER LOGISTICS & BINDLEY WESTERN
6TH STREET & ROCHESTER AVE.
LANDWELL
RANCHO CUCAMONGA, CA
HENDERSON, NV
ESSEX GROUP (SUPERIOR/ESSEX)
ONTARIO MILLS & VINTAGE
ONTARIO, CA
ONTARIO, CA
HAVEN AVE & MISSION BLVD
RAILROAD AVENUE
ONTARIO, CA
CORONA, CA
SPEC INDUSTRIAL
FRANCIS & ROCHESTER
WHITE RIVER COMMERCE CENTER
IRVINE, CA
ONTARIO, CA
SUMNER, WA
AIRTEX
ONTARIO, CA
INDUSTRIAL
United Brotherhood Of Carpenters & Joiners Of America International Training Facility, Las Vegas, NV
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RELATED PROJECT LIST
[CONTENTS
PROJECT SPOTLIGHT
01 02 03 04 05 06
UNITED BROTHERHOOD OF CARPENTERS & JOINERS OF AMERICA INTERNATIONAL TRAINING FACILITY, LAS VEGAS, NV BIG 5 DISTRIBUTION CENTER, RIVERSIDE, CA GRAPEVINE, MIRA LOMA, CA FRANCIS & ROCHESTER, ONTARIO MILLS, CA ONTARIO MILLS VINTAGE, ONTARIO MILLS, CA WEST CORONA CORPORATE CENTER, CORONA, CA
HENDERSON, NV
RANCHO CUCAMONGA, CA
Big 5 Distribution Center, Riverside, CA
PARCO
Grapevine, Mira Loma, CA
ONTARIO, CA
Francis & Rochester, Ontario, CA
BIG 5 DISTRIBUTION CENTER
Ontario Mills Vintage, Ontario, CA
RIVERSIDE, CA
West Corona Corporate Center, Corona, CA
HOUSTON, TX COMMERCIAL
CARLILE COATSWORTH ARCHITECTS INCORPORATED
INTERNATIONAL TRAINING FACILITY FOR THE UNITED BROTHERHOOD OF CARPENTERS & JOINERS OF AMERICA
HOMEBASE HOME IMPROVEMENT CENTER
LAS VEGAS, NV
STOCKTON, CA
CARLILE
TRAINING FACILITY FOR THE UNITED BROTHERHOOD OF CARPENTERS & JOINERS OF AMERICA
LONG BEACH, CA STOCKTON RETAIL CENTER
COATSWORTH ARCHITECTS
AUSTIN, TX
INCORPORATED
FOOTHILL RANCH BUSINESS PARK
ORANGE, CA
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2495 CAMPUS DRIVE – 2 ND FLOOR, IRVINE, CA 92612
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( P) 949.833.1930
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(F) 949.833.1140
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Since our founding in 1989, Carlile Coatsworth Architects, Inc. (CCa) has continued to develop a reputation as a solver of architectural problems. Architecture is our passion. Our expertise is as broad as it is deep.
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www.ccarchitects.com
PHILOSOPHY
2495 CAMPUS DRIVE – 2 ND FLOOR, IRVINE, CA 92612
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( P) 949.833.1930
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(F) 949.833.1140
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www.ccarchitects.com
Design is an equation at CCa. We weigh the project program aspirations against harsh realities. We pit intuition against rationalization. Balance supplies the beauty. Our process takes everything into account: the structure’s purpose, the client’s vision, the contextual surroundings, the project’s economic viability, and the laws of physics. Nothing CCa does is an experiment. INTERNATIONAL TRAINING FACILITY FOR THE UNITED BROTHERHOOD OF CARPENTERS & JOINERS OF AMERICA,
CCa’s commitment is to providing gracefully intelligent designs for our clients that:
Provide the structure’s purpose
LAS VEGAS, NV
Are true to the client’s vision Blend well into the surroundings Deliver economic efficiency & value CCa is licensed in 27 states enabling us to assist owners, developers, builders, corporate and public clients who are considering projects in numerous regional locations. Our clients vary from large, nationally recognized corporate companies to single homeowners, all with the common goal of a creatively designed and affordably constructed project. We maintain an ongoing relationship with our clientele based on “hands-on” management involvement and performance by the principals. We believe in providing personal service and innovative solutions that yield results of superior quality at a competitive price.
HISTORY
The goal of this project was to design a 223,000 sq ft training facility as part of the 12 acre United Brotherhood of Carpenters and Joiners of America’s (U.B.C.) International Training Center campus. The facility houses classrooms, ballrooms, dining facilities, and a grand lobby that exhibits historic artifacts and carpenters tools.
CCa was formed in 1989, and has continued to grow and prosper while building a reputation as a solid, dependable architectural firm. CCa has a diverse background with experience in numerous office, hospitality, commercial, automotive dealership, retail, industrial, warehouse and residential projects. With this experience, we confidently provide full architectural services for projects as diverse as master planning speculative buildings, build-to-suits, remodels and tenant improvements. CARLILE
CARLILE
COATSWORTH
COATSWORTH
ARCHITECTS
ARCHITECTS
INCORPORATED
INCORPORATED
E FFREY L. CARLILE, AIA J CALVIN J . COATSWORTH, AIA, LEED AP THOMAS P. LENNON, AIA, LEED AP DAVID J . PRICKETT, AIA DEBRA L. SANDS, AIA
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2495 CAMPUS DRIVE – 2 ND FLOOR, IRVINE, CA 92612
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( P) 949.833.1930
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(F) 949.833.1140
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www.ccarchitects.com
Excerpts from an introductory package aimed at prospective warehouse & industrial facility clients
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The facility also includes an 82,000 sq ft shop space for classes, training, and demonstrations. The shop space includes an underwater welding tank, a steam turbine pit and a retractable roof. U.B.C. members will come here to train and develop their craft and skills in areas such as scaffolding, pile driving, concrete formwork, welding, and steam and gas turbine repair, installation and maintenance. In front of the facility will be a plaza at the center of the campus with outdoor seating areas and landscaping, linking the training facility to the rest of the U.B.C. campus.
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front front
front
back
front
back
back Miscellaneous flyers & brochures for different events for Compass Bible Church, Huntington Beach & their youth group, “The United�
AWESOME GOD OD 61
12 clinical aesthetics&consciousbuild (graphic design)
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line, and enter to win
17871 Santiago Blvd., Suite 208
cavillaparkskincare.com
Villa Park, CA 92861 714.282.8180
cavillaparkskincare.com
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Sandi McGraw, RN BSN MEDICAL STAFF
P 714.282.8180 E clinicalaesthetics@yahoo.com
“
where beauty meets science
”
17871 Santiago Blvd, Suite 208 Villa Park, CA 92861 714.282.8180 cavillaparkskincare.com
- back Ultherapy, VaserShape, Botox and Xeomin, Dermal Fillers, Plasma, Sclerotherapy
This page: Company logo and branding development with smallscale introductory advertisements for Clinical Aesthetics, located in Villa Park, California. Opposite: Marketing Material for ConsciousBuild, a company based in Southern California, combining with SG Blocks to create sustainable solutions for affordable housing.
We specialize in corrective and enhancing skincare
business card - front gift certificates
62 thompson
sethomps@calpoly.edu // 714.917.7244 // issuu.com/shelleythompson
ConsciousBuild presents the SG Blocks Building System, a proprietary structural engineering method that offers the building industry a safer, greener, faster, longer lasting and more economical alternative to conventional construction methods. We redesign, repurpose, and convert heavy-gauge steel cargo shipping containers into Safe Green Building Blocks (“SG Blocks”) for commercial, industrial, and residential construction. Our steel truss framing system offers remarkable strength across a host of asset classes. Design and exterior cladding are limited only by the imagination ConsciousBuild is changing the way the world builds, o n e SG Blo ck a t a tim e .
contents who are we?
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the solution
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for affordable housing
What are shipping containers made from? Shipping containers are made of heavy gauge Cor-Ten steel. Corner posts are designed for a 153,000lb vertical load. Each container and its floor structure are built to hold 65000 lbs stacking weights when stacked 9 high.
Shipping containers typically have a useful life of 10-15 years in the shipping industry. The cost of reclaiming the raw steel from a used container is economically unfeasible. Through a process we call Value-Cycling™ conversion of a container into an SG Block takes 1/20th the amount of energy required to reprocess a comparable weight of steel. Increasing the lifespan of a container to about 100 years, the SG Blocks system saves significant board feet of lumber and tons of new steel in addition to dramatic savings in energy expenditures, all contributing to LEED certification. SG Blocks has one of, if not the lowest, embodied energy utilizations of any structural building product on the market today, placing it high on the list of sustainable building solutions.
A combination of engineering and architecture is the key to making the containers especially appropriate for affordable housing, but also adaptable for a wide variety of uses including offices, barracks, hotels, schools, dormitories, hospitals, clinics, and institutional facilities, and single family residences. The save green blocks can be used to build virtually any style of construction, from traditional to modern and everything in between. Our “blocks” can be delivered with a highly durable surface finish, or ready to be clad with any type of standard or green technology friendly building skin
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SG blocks are designed to meet or exceed building code structural requirements. Once on site, our process can reduce customer’s construction time by up to 40% over other common construction methods.
Our blocks are exceptionally durable. They are highly corrosion resistant and impervious to water damage, insect damage, and all forms of mold, mildew, and other water-related damage. This makes them particularly well-suited for projects in storm-prone areas and other harsh climate conditions. Everybody deserves to live, work or play in as safe a structure as available. Our system is 10-20% less expensive than traditional construction methods, particularly in urban locations and multistory projects.
The Blocks have one of, if not the lowest, embodied energy utilization of any structural building product on the market today, making it the environmentally friendly choice in building.
Our Blocks can be used to build virtually any style of construction, from traditional to modern and all in between. The Blocks can be delivered with a highly durable surface finish, or delivered ready to be clad with any type of standard or green technology friendly building skin.
They are highly suitable for schools, clinics, offices, dormitories, single family housing, multifamily rentals/condos, hotels, or barracks. As a client’s needs expand or contract, our system may be expanded or reduced to meet those changing needs much later in the design process than other forms of construction. 5
www.consciousbuild.com :: www.sgblocks.com
If we choose SG Blocks, how is the product delivered to the project site?
FAQS
The SG Blocks Building System can be delivered in several forms. We offer “GreenSteel” which is steel framing modified to accommodate the client’s design specs, delivered to the site and stacked on foundations ready for finish out by the local contractor. Alternatively, we provide a full modular build out, delivering the units 90% com-
www.consciousbuild.com :: www.sgblocks.com
plete to the site where we erect, finish and close all the joints for a 100% ready to occupy building in a matter of days/few weeks. What is the cost of using SG Blocks compared to traditional construction? SG Blocks’ hard and soft costs are typically below those of conventional options for both GreenSteel and full modular build out. For urban settings and buildings of multiple stories, cost savings are significant.
The blocks are also helping meet the safe and sustainable housing needs in the United States, and globally. Our Building System is designed to satisfy requirements of builders, developers, government officials, urban planners, architects and engineers looking for fast and affordable alternatives. Our product is extremely effective in areas subject to earthquake, tornadoes, and hurricanes. Criteria and testing processes have been developed to evaluate each container. Conversion and assembly is subject to rigorous quality control, making the containers “fully code compliant”. Conformance with International Code Council (ICC) requirements is designed and manufactured into our system as this standard is used by 90% of governmental jurisdictions. 1
What are some advantages to building with SG Blocks? SG Blocks are far more durable than most alternative construction choices. Our product is earthquake, hurricane, fire and tornado resistant. Building with SG Blocks can save up to 40% of the time required to build conventionally. What types of facades and finishes can be used with SG Blocks? SG Blocks can work with any façades used in traditional construc-
tion including limestone, stucco, shingles, brownstone, brick and aluminum siding. We work with standard or custom finishes throughout and fit doors and windows to meet the customer’s design. Do SG Blocks structures get hotter because they are steel? No, that is a misconception. SG Blocks works with a variety of insulation including traditional and emerging insulation technologies that meet or exceed insulation re-
quirements and provide more than adequate heat and cold protection. Do SG Blocks contribute to LEED Certification? Yes, SG Blocks helps by contributing recycling points, new technologies and proximity of within 500 miles from project site. While each project individually achieves a LEED certification rating, our product always contributes to the bottom line.
. . . to a home
why choose us?
www.consciousbuild.com :: www.sgblocks.com
ConsciousBuild and Safe Green Blocks
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Our team first selects shipping containers that are appropriate for design specs. These extremely durable, fire-, hurricane- and earthquake-resistant steel containers are then designed, engineered and manufactured using proprietary processes and models into structural building blocks.
from a block. . .
What is the size of a container? While there are numerous size and type applications of intermodal containers, the cornerstone of the SG Blocks Building System is the “dry freight” container. Dry freight containers come in standard heights (8’6”) for 20’ and 40’ units with 40’ units also available in high cubes (9’6”).
www.consciousbuild.com :: www.sgblocks.com
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project portfolio
who are we?
How many containers are in the world? There are approximately 18 million containers in the world.
The Blocks can be dismantled and relocated if needed. This makes our Building System a leading option in temporary or transitional building construction and creates much greater options for urban planners and planning authorities.
why choose us?
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Professional Work : Graphic Design
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