Sheridantreadwell INTERIOR ARCHITECTURE ACADEMIC WORK
Sheridantreadwell Fall 2012 - Spring 2016 The University of Texas at Austin School of Architecture B.S. Interior Design, 2016 sheridantreadwell@ymail.com 806.252.5122
CONTENTS 4
BIO PAVILION
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WATER+
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CINEMA SURFACE
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WALLPAPER PATTERN
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RETAIL SPACE
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URBAN HOUSING
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POETRY CENTER
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OBJECT FIELDS
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MUSEUM OF SOUND RECORDING
LADY BIRD JOHNSON WILDFLOWER CENTER
BIO PAVILION
DESIGN 2 | SPRING 2013 FEATURED IN ISSUE : UTSOA STUDENT PUBLICATION
Designed to house succulents at the Lady Bird Johnson Wildflower Center, the pavilion is comprised of a solid wall with the delicate, curtain-like pattern wall suspended from it The pattern of the wall is derived from a simple folded module, and variation comes from the incremental unfolding of the module. Succulent plants can be tucked away within the folds, with water and light filtering through.
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UNIVERSITY OF MANITOBA
WATER+
ADV INTERIOR DESIGN | SPRING 2016 PROJECT PARTNER: KRISTIN MILLER TRANS-PLAN WATER+ COMPETITION, HONORABLE MENTION WINNER
For the installation, we focused not only on water, but on the effects of water(plus) a thin film of oil. Water(plus) oil creates iridescent effects, produced by the interference of light waves interacting with the two surfaces. The whole is greater than the sum of its parts: water(plus) contaminant, layers, interference, light and movement. Effects are produced with three elements: colored light, textured troffer light lens panels, and chrome wrapping paper. The combination of two hard elements produces a liquid, immersive effect. Material choices are intentionally low cost and not special; the power of the installation is found in the special effects they generate.
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This installation delaminates the water(plus) oil to allow the user to slip between the layers. Movement is generated by tight openings that require the user to either intentionally or unintentionally disturb the panels.
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DESIGNED SYSTEM
CINEMA SURFACE
ADV INTERIOR DESIGN | SPRING 2016 The treatment of one surface rethinks spatial efficiency in this forward-thinking movie theater system. The surface addresses several performative needs of a theater, including light, sound, and collective experience, but also addresses the basic human desire for wonder and magic by creating effects and producing a sensory experience. This system provides a means for generating the movie theater of the future regardless of a site. It is unbound by context, yet can easily be applied to any number of places, contexts, and futures. Quantitative data informs the surface of the mesh as a way to make sense of qualitative experience without diminishing its value. The perforations in the mesh, the saturation gradient across the form, and the thickness of the mesh represent acoustic properties of the space. Where the mesh pulls back, it reveals reflective iridescence hiding underneath. The effect of this mesh texture produces sensory wonder and surprise around each bend, inviting guests to come close and touch and to move deeper into the space.
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L IG HT
SOUND quiet
loud
dark
PEOPLE light
individual
collective
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D
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C B
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views A_lobby B_lounge C_ticketing D_theater
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1_lobby 2_food/bar 3_lounge 4_ticketing 5_restrooms 6_theater 7_janitorial 8_kitchen 9_storage/projection
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A
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OHNE TITEL INSPIRED
WALLPAPER PATTERN DESIGN 4 | SPRING 2014
The wallpaper design is inspired by the structural knit textures of high-fashion label Ohne Titel. Complex geometric relationships, dynamic changes in scale, and bold contrasting colors in conjunction with cutting-edge knitting techniques define the clothing of the label. Ohne Titel clothing inspires this wallpaper design, which uses undulating line and form and bold contrast to create knit-like, three-dimensional effects.
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OHNE TITEL INSPIRED
RETAIL SPACE
DESIGN 4 | SPRING 2014 Inspired by Ohne Titel fashion and the earlier wallpaper design, display modules reflect the sharp, clean geometries found in the clothing. Alternating between walking and mannequin display modules, the joined modules loop together like the continuous threads of Ohne Titel knit clothing. The module is modified to accommodate hanging racks and dressing rooms. The wallpaper pattern is used on the floor, with graphic threads connecting between all modules. EAST WALL ELEVATION
OHNE TITEL
FACADE ELEVATION
EAST-WEST SECTION
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WEST WALL ELEVATION
NORTH-SOUTH SECTION
NORTH
PLAN
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PARIS, FRANCE
URBAN HOUSING
ADVANCED DESIGN | FALL 2015 IN COLLABORATION WITH STUDENTS FROM ÉCOLE NATIONALE SUPÉRIEURE D’ARCHITECTURE DE PARIS-BELLEVILLE Working in groups of two American and two French students in Paris, this four week study is a conceptual design for housing, retail, office, parking, and school spaces on a unique site along train tracks in Paris’s ZAC Batignolles neighborhood in the 17th arrondissement. Rather than viewing the train tracks as a negative, the project seeks out potentials for living under these urban conditions. The majority of the mass is placed over the train tracks around the existing pedestrian footbridge, creating a space for people to engage with one another in ways that go against architectural and social norms. Rather than separating people, the project proposes to encourage a strong visual connection between the public and private spheres. The bridge facilitates an unexpected, unusual type of social interaction on the site, a sort of disconcerting intimacy by prompting each individual to see and be seen by others at select moments.
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EXPAND/CONTRACT
SPLIT
OFFSET
OFFSET
SHORTEN
OPEN
OPEN
SLICE/FOLD
SLICE/FOLD
LIGHT
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AUSTIN PUBLIC LIBRARY
POETRY CENTER
DESIGN 3 | FALL 2013 UTSOA DESIGN EXCELLENCE AWARD This multiprogram poetry and literature center in a historic, downtown Austin building includes event spaces, study spaces, and living space for the Poet Laureate of Texas. The modern library design allows for a wide variety of user experiences and explores the relationship between public and private zones. An interactive study space encourages creative discussion between people about literature. A compressed study space encourages individual focus. Flexibility and transparency between overlapping spaces is accomplished with a variety of curtains and screening devices.
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UT VISUAL ARTS CENTER
OBJECT FIELDS
DESIGN 5 | FALL 2014 UTSOA DESIGN EXCELLENCE AWARD Inspired by Maarten Baas’s, Clay Bookshelves, the characteristics of his bookshelves are exaggerated in this system for an exhibit at the Visual Arts Center on the UT campus. The structure appears to do the impossible with thin, tall arches that appear to be made of clay. The arch pushes in to accommodate two staircases, drops down at specific moments to suspend antique pocket watches, and extrudes out to create seating. The idea of moments frozen in time served as inspiration, with each steel arch covered in clay and marked with handprints left behind by an artist, a permanent stamp of the exact time he or she grasped it. The ticking of the watches adds an additional layer of intrigue to the experience.
STAIR
DISPLAY + HANDRAIL
SEATING
STAIR MODULE
STAIR + SEATING MODULE
SEATING + BOOKSHELF MODULE
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AUSTIN, TEXAS
MUSEUM OF SOUND RECORDING DESIGN 6 | SPRING 2015 COMPREHENSIVE DESIGN STUDIO
The goal of the design was to create a fresh, sensory space that allows the collection of vintage sound recorders to stand out as relevant and significant objects worthy of public display. In addition to the permanent exhibit, the museum houses a small recording studio, flexible dayto-night event space, an interactive recording exhibit, a restoration lab, and a cafe and lounge. “Pod� display spaces for the individual recorders are acoustically tailored moments to envelop the visitor in each particular sound. The interior of the pod is active, absorbing sound with felt panels as well as emitting the sounds of the recorder through low volume speakers, encouraging visitors to come close and listen.
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