Sherina Zhang
“There is no space without Event.” Architecture is a design for episodes of one’s lifestyle. Each snapshot is an event.
Undergraduate Selected Works Syracuse University 2016
Prologue “There is no space without event, no architecture without program.” Benard Tschumi Architecture can take place in various forms, functions, constructions, and developments. However the most crucial part of architectural design is the portrayal of a lifestyle for the client and its intended users. Social and cultural conditions reflects certain exception for the way of living. Architects have the capacity to bridge creativity and practice, art and techniques through designed moments of a way of living. Events and activities of everyday life are as snapshots of one’s life style. Architects are not only form makers or form finders, instead we have the capacity to create a unimagined lifestyle through a series of spacial experience and events . This portfolio explores social and economical behaviors in individual activity, , through narration of various events and lifestyles of the users .
Content Academic Work
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Subtraction:
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Woven Infra Node:
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Urban Gradient:
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Underground Urbanism
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Delaminated Lenses
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Earth Seed
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A Construction In Reverse: Demolition of Torre David
A Waste to Energy Plant Pavilion: Vauxhall London
An Experience of Concrete Fabrication: Syracuse NY
An Experience of Concrete Fabrication: Syracuse NY
A Landscape Observatory : Los Angeles, CA
A Subterranean Crematorium: Earth Craters
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Built Work
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Play Perch
An Out Door Classroom For Children With All Abilities: Syracuse NY
Farm Drive Resort
A Recreational Center: Farm Drive Syracuse
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01 Subtraction A Construction in Reverse Undergraduate Thesis Location: Torre David, Caracas, Venezuela The Life of a building does not begin at the creation of a new, instead it starts at the Subtraction of the old. Procedures of demolition are often seen as operation of erasure that eliminate “failures”. When Pruitt Igoe was set to be demolished, the incident not only marked the collapse of a housing complex, but stated the end of a modernist typology. As appears on the first few pages of architectural construction drawings sets, demolition is an inevitable step that every building possesses in the process of space making. Bernard Tschumi once stated: “ there is no space without event, no architecture without program” This thesis contends to design subtractive events during the process of demolition in order to provide an alternative to building preservation. The 21st century is a time of speed and acceleration. As the technological and economical power of the world rises, the number of buildings and architectural development excels likewise. Yet many of these overproduced buildings are left at its obsolescence since its birth. Skyscrapers as an example, were originally invented to satisfy a congested fast paced lifestyle. Such typology are now used by countries as monument to show off economic power. As a result many of these buildings, such as ghost skyscrapers in east Asia and Torre David of Venezuela, are built to slated for demolition. This thesis aims to create six collaborated events that takes Torre David in Caracas Venezuela down to its foundations. The series of events will occur over the course of 20 years. Merely subtractive techniques will be used in the process of demolition and design.
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Level 44 Level 43 Level 42 Level 41 Level 40 Level 39 Level 38 Level 37 Level 36 Level 35 Level 34 Level 33 Level 32 Level 31 Level 30 Level 29 Level 28 Level 27 Level 26 Level 25 Level 24 Level 23 Level 22 Level 21 Level 20 Level 19 Level 18 Level 17 Level 16 Level 15 Level 14 Level 13 Level 12 Level 11 Level 11 Level 10 Level 9 Level 8 Level 7 Level 6 Level 5 Level 4 Level 3 Level 2 Level 1
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“Things Comes Apart” are a series of Photographs by McLellan. He views things come apart as a critique of construction and manufacturing process of the 1900s. These products are produced to be repaired instead of replaced. The reuse value of these things, not only depends on the quality of manufacture, but also the procedure of assembly.
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In this exercise taking apart a bike in one of McLellan’s original Photography, the process of dissembling things with logic of its original construction is evidenced. As a result McLellan’s Photographs can be seen as the reverse schedule of the deconstruction of a bike.
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Disassembly and assembly can be viewed as two side of the same process. The tearing down informs the engineer of assembly. For instance, polymers and alloys are being developed so that, when cooled, they harden and fasten together an assembly.
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Similar process can be used in the procedures of deconstruction on buildings. Subtraction and deconstruction can be designed and calibrated procedure. Such procedure is as important as schematic design and construction of a building.
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Things Come Apart: Photograph by Todd McLellan Image used here as a reverse schedule to demonstrate deconstructed parts
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Isometric Drawing
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Bottom Up Demolition Studies of “Kajima Cut and Take Down Method� A Bottom Up construction Method developed by Kijima Corporation of Japan
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5 FLOORS 5 FLOORS DEMOLISHED OVER DEMOLISHED 63FT OVER 63FT THE COURSE OF THE A COURSE OF A MONTH MONTH
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HYDROLIC JACKSHYDROLIC JACKS EXTENDED TO EXTENDED TO REPLACE COLUMN REPLACE COLUMN THAT HAVE BEENTHAT HAVE BEEN REMOVED REMOVED
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AFTER ALL COLUMNS AFTER ALL COLUMNS ON AFTERON ALL COLUMNS ON THIS FLOOR HASTHIS BEENFLOOR HAS BEEN THIS FLOOR HAS BEEN REMOVED, ALL JACKS REMOVED, ALL JACKS REMOVED, ALL JACKS ARE LOWERED TO ARE LOWERED TO ARE LOWERED TO PERFORM DEMOLITION PERFORM DEMOLITIONPERFORM DEMOLITION OF FLOOR ABOVE OF FLOOR ABOVE OF FLOOR ABOVE
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Studies of “Kajima Cut and Take Down Method” A Bottom Up construction Method developed by Kijima Corporation of Japan
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Studies of “Conical Intersect� by Gordon Matta Clark A Carving Out Method Used to Produce a Viewing Portal to Center Pompidou
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Studies of “Conical Intersect” by Gordon Matta Clark A Carving Out Method Used to Produce a Viewing Portal to Center Pompidou
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Event 03: Viewing Courtyard This Event is Created to Bridge Existing Gap Between Barrios and the Business District
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Level 44 Level 43 Level 42 Level 41 Level 40 Level 39 Level 38 Level 37 Level 36 Level 35 Level 34 Level 33 Level 32 Level 31 Level 30
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Event 01: Center Atrium This Event is Created to Provide Connection and Public Space in the Building
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02 Woven Infra Node A Waste to Energy Plant Location: Albert Embankment Foreshore, London, UK Program: Waste to Energy Plant, Green Park, Gallery Collaboration with Zhuocen Yao The Woven Infra Node Aims to reconnect the demographics near south banks of River Thames by creating a series of Gathering events that mixes interaction path of tourist and Londoners. Albert Embankment is located in Vauxhall—an old industrial district. Currently, Vauxhall is a deserted missing link between Southwark and newly developed Nine Elms. Southwark, London’s culture, art and performance center, contains some of London’s most well-known attractions: the London eye, Tate Modern, and National Aquarium. Nine Elms is the largest urban proposal in London since 1980s. Nine Elms is newly planed district that will be the new residential center of downtown London. The future Nine Elms area will the house of U.S Embassy, office and residential towers, and commercial centers. Woven Infra Node consist three programs strips: the gallery/pavilion space, a waste to energy plant, and a green recreational track. The Three linear program strips are weaved together to create three nodal space to host public events, enhance infrastructural public education, and provide outdoor exercising space for both natives of London and tourist of the city.
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Proposing a solution Woven Infra-Node proposes a pedestrian green path that connects the south bank river walk to Nine Elms. Along this path are infrastructure hubs that aim to weave exhibition experiences, landscape experiences, and infrastructural Experiences. These Infrastructure Interventions include: boat center, Barclays Bike rentals, and Public seating. Formal Strategies Waste Plant Pavilion aims to stitch the existing urban conditions in three axis. Axis from east to west connects the more financial capable and developed Westminster and the less developed Vauxhall. The north south axis connects the River Thames embankment, Nine Elms, and South Culture Walk. The vertical axis connects newly developed skyscrapers in London and existing ten stories tall facades. Through connecting urban conditions, integrating spatial identity and regenerating infrastructural experience, the project aims to create a new experiential gathering space on the River Thames of London.
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Mechanical Machines : 800 sf
ice Off ch ion ear ibit Res Exh ery Gall
n Temporary Instalation : 2000 sf de ar sf r G Exhibitio 400 Gallery : 800 sf ir o : e Public k t ac Events: 800 sf In Tr ng Conference: 500 sf ni n Ru
View ing Plat form Museum 3000 sf Mechanical g Tr ack Outdoor Resterant 500 sf Run
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Group Lunch Bike Routes Running Tracks Resting
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Green Strip: This Strip Acts as a Connector between the building and larger Urban Proposal
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Each Node Creates a Linear Path That Are Also Intertwined with Other Program Strips
Gallery Strip: The Space Contains Offices, Labs, Exhibitions, and Open Installation Space
Three Nodes Created by Weaving Operation Connects Events, and Stitches Land and Water
Mechanical Strip: This Strip Contains all Mechanicals Needed For Human Waste to Energy Plant
Nodal Areas Attains a Spatial and Programmatic Overlap Between Three Strips
Interior Space Rendering: Second Floor Gallery Spaces
Interior Space Rendering: View towards a mechanical courtyard
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Roof level 2 level 1 level -1 level -2 (Mechanical)
Boiler
Fabric Filter
Waste Tank
Ash Conveyor
Condensor
Steam Turbine
Cooler
Air Processor
exhaust
Existing sewage stations of Thames Tideway Tunnel
Roof level 2 level 1 level -1
Outlet WasteStor age Tank
Converyor Tube
Existing Mechanical Infrastructure of Thames Tideway Tunnel
Roof level 2 level 1 level -1 level -2 (Mechanical)
Boiler
Waste Tank
Fabric Filter
Ash Conveyor
Condensor
Steam Turbine
Cooler
Air Processor
Proposed Mechanical Infrastructure of Woven Infra Node
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exhaust
Design Process
“ Below us the Thames grew lighter, and all around below were the shadows - the dark shadows of buildings and bridges that formed the base of this dreadful masterpiece.� Ernie Pyle The Overall design is inspired by Exiting Infrastructure: Thames Tideway Tunnel. During the 1970s the River Thames of London was known as a polluted Creek, however today it had became one the biggest attractions of London. Adding on to exiting infrastructure, the Woven Infra Node transforms a waste collecting system to a waste to energy plant that the neighborhood can benefit from. The purpose of overall proposal is to create opportunities of public activities along south banks green walk.
Proposed Mechanical Infrastructure of Woven Infra Node
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Roof Seating Area Atrium Sky light A
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Roof Aerial Plan
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Out Door Park Bike Rental
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Ground Floor Plan
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Grand Entrance
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Wast e Plant Mechanical
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Electricity and energy Output
office space B
Wast Plant Mechanical
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Wast e Plant Mechanical
Mechanical Installation /Exhibition
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Underground Floor Plan
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infranode: The Life of a building does not begin at
infranode: The Life of a building does not begin at
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infranode: The Life of a building does not begin at
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Physical Model of Woven Infra Node Material used: Colored Plexi Glass, Wood, and LED Lights Technique Used: Laser Cut and Hand Craft
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Physical Model of Woven Infra Node Material used: Colored Plexi Glass, Wood, and LED Lights Technique Used: Laser Cut and Hand Craft
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03 Urban Gradient Experiencing Concrete Fabrication Location: Syracuse, NY Program: Concrete Fabrication Lab Collaboration with Tom Arleo This project is a celebration and investigation of Concrete structurally, aesthetically, performatively, and functionally. The concrete fabrication facility sits semi-autonomously on site and is organized at multiple levels to respond in a unified gradient in reference to the Center of Excellence and site block characteristics. Structure, systems, and program organization transition from introverted/thick/closed at the block corner to extroverted/thin/open on the corner closest to the COE, in order to better define the site block. This building is primarily organized around a variating diagrid exoskeleton system that acts as structure, an aesthetic driver, and a passively performative system. It is composed of pre-fabricated Ductal (a dense, Ultra High Performance Concrete) exoskeleton panels and a thick, poured-in-place, Misopour (a lowdensity, insulating concrete aggregate) wall. Interior spatial organization is primarily established through programmatic mezzanine floors which wrap around the high-bay area; on the upper two floors, a floating lecture hall is featured.
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Adjustable Form-work Design and Operation
Adjustable Form-work Physical Model
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1”=1’ Mock Up Concrete Detail
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Full Panels Fabrication
Half Panel Fabrication
Costumed Fabrication
Panel Fabrication Diagram
Stress and Tension Analysis Diagram
Program Distribution Diagram
Mechanical System Diagram
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Facade System Diagram
Structural System Diagram
Site Map
Site Axonmetric
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Ground Floor Plan of Concrete Fabrication Lab High Bay Space and Fabrication Labs
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Physical Model of Structure and Facade: 3d Print
Physical Model of Structure and Facade: 3d Print
Physical Model of Structure and Facade: 3d Print
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Rigid Insulation
Concrete HOLEDDECK Open Waffle Slab DUCTAL Ultra High Performance Concrete
1/4” Reinforcement Metal Rods
Veneer Concrete Floor Finish 2”Rigid Insulation
Radiant Floor Heating Construction Crane
1’-6” Concrete Slab 2’-0” Catwalk
Air Duct
Poured In Place Concrete Geothermal System 4’-0” Strip Foundation
Wall Section of Exo-Skeleton Framework and Waffle Structure Software Used: Revit, AutoCAd, Illustrator
Building Details of Exoskeleton Structure 33
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Building section and Climate Control Diagram of Concrete Fabrication Lab The building uses Misapore Concrete Wall as Heat Sink to Retain Heat, and uses Radiant Floot Heating and Passive Cooling to control temperature with in the building.
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Rendering of Auditorium Floor : Auditorium is Constructed with Translucent Sound Proof Material
Rendering of Main Pedestrian Entrance of the building
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Mechanical and Structural System Axon: Rhino and AutoCAD
Detailed Building Section: Revit
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Rendering of Back Street View of Open Facade
Rendering of Main Pedestrian Entrance of the building
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Interior Rendering of High Bay Space and Over Hang Auditorium
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04 Underground Urbanism Foundation of Capitalism Location: 42nd Street New York City Program: Wax museum, Bank Safe, Green Garden Event: Public gathering 42nd street, south of Times square, is New York city’s busies and most commercialized street. Hundreds of Broadway shows were introduced to the public on 42nd street weekly. Millions of consumers purchase something on 42nd street daily. Nevertheless 42nd street stops at two transportation centers of New York City — Port Authority Bus terminal and Grand central train Station. Underground urbanism aims to reconstruct the ends of 42nd street with an underground observatory.
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Ideological Section and Existing Public Space Plan of 42nd Street
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First Underground Floor Plan Software used: AutoCAD and Rhino
Long Section through Grand centural Museum and Safe Software Used: AutoCAD, Rhino, Photoshop
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Second Underground Floor Plan Software used: AutoCAD and Rhino
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Physical Model of 42nd Street a Technique used: Plexi Glass Laser Cut, Wood Craft, Alluminum
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Physical Model of 42nd Street a Technique used: Plexi Glass Laser Cut, Wood Craft, Alluminum
Physical Site model of 42nd Street Design and Constructed in collaboration with Gabriel Boyajian and Tom Arleo
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05 Delaminated Lenses A Landscape Observatory Location: Baldwin Scenic Overlook, LA, CA Program: Observatory L. A. as a city had adapted a typical American suburban spatial configuration, yet it also contains the activities, and architectures of a developed urban context. L. A contains many minor urbanism that spreads and connects to create the larger urban condition of L.A. Baldwin Scenic overlook, located in Culver City, is at the top of a minor urbanism. Although Baldwin Scenic Overlook is located at the highest point of L.A, the hill itself is merely outdoor space and natural soil. Delaminated lenses take advantage of the location to build three indoor observatories through four different type of architectural devices to view L. A in a unexpected way .
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Drainage Poles
Waffle Division
Warping Glass Screen
Cropping Platforms
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Views Through Each Lenses
Physical Model: White Plexi, Chipboard
Physical Model: White Plexi, Chipboard
Physical Model: White Plexi, Chipboard
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Space at 5:00 AM
Space at 8:00 AM
Space at 2:00 PM
Deleminated lense uses four types of viewing mechanism to direct visitors views and to create visual vitiation of the interior space and exterior views. The first viewing mechanism is sloped platforms that grew out of the land. This device dictates the depth of field for the visitors ( foreground, middle ground or background). the Second type of Viewing device is waffle structural facade that bisects views into minor pixels. The third type of viewing device is a breathable glass facade that magnifies each pixels of views. The forth viewing platform, is landscape pillars that reflects activities. Space at 6:00 PM
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06 Earth Seed A Subterranean Crematorium Location: Earth Crater Program: Events The earth is a finite resource. Our activities have been thus far largely detrimentous to the environment and we henceforth wish to rectify this situation. Mining of resources in the ground have created vast craters that scar the surface of the earth and drain the natural minerals that sustain life. The retirement of such brownfield sites due to industrial activity have resulted in large voids in the ground that are currently abandoned and unused. The role of architectures is to fill in voids in space, allowing one to occupy and experience various conditions. Therefore, our subterranean crematorium aims to fill these craters in the earth by extending a growing and unraveling network of filaments that are porous and are plugged in by the cremation ashes that we will ceed to after death. The Earth Seed aims to plug craters in the earth and simultaneously solve the problem of the shortage of crematorial sites. Craters in the earth are both naturally occurring and man-made due to excavation of natural resources. The Earth sead wishes to rectify these situations and prevent sink holes from growing larger by plugging it with a structure that holds back the earth, and is filled in, over time, with the ashes of the dead.
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The Earth Regenerator begins with a central core (the main root) is inserted into the ground, anchoring the edges of the site and a firm foundation at the bottom of the hole.
Branches then mechanically extend out from this central core, anchoring to the sides of the crater and further securing the stability of the system. These branches then unfurl to reveal secondary structural elements which reach out and brace themselves against each other
The extension of these elements from the primary root ensure that the original insertion into the site gradually increases in porosity, in which the module of the urn is then plugged in.
The entire hierarchy of the system also acts as a way to trace heritage, if various clans wish to be buried together in a manner that is very suitably accommodated by the branches of this ‘family tree’.
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Spatial Experience These holes exist at multiple locations— both rural and in close proximity to urban locales. Nevertheless, the common characteristic is that they are often unsuitable for use as residential sites due to the instability of the soil conditions, or brownfield sites unsuitable for inhabitation due to previous industrial activity. Nevertheless, by plugging in these sites with the ashes of the dead, this gradual process will restore us, as ashes to ashes and dust to dust, back to the earth. The Earth Seed can be applied to a variety of conditions. Craters exist below sea level, and this again, can be used to create a plethora of experiential moments if erected underground in a water palace of sorts. Additionally, with the commercialization and privatization of space travel, various elite clientele could choose to be buried among the stars in a crater on the moon. The possibilities are endless.
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01 Play Perch Outdoor Class for Students with all abilities Location: Jowonia Elementary School, Syraucse, NY Program: Outdoor Classroom, Tree House Main Responsibility: Lighting Desing Collaboration with Winnie Tu Play Perch is a design built project supported by Freedom by Design AIAS. The entire project are designed, fundraised, and built by student designers. Play perch is an outdoor classroom built for Jowonio preschool— a organized world leader in innovative education for students with all special needs. Play Perch, with a design inspired by Eastern Blue bird and At-AT imperial Walker from Star Wars, are portrayed as a bird that had landed in Jowonio School. The design utilizes six splayed pairs of columns in a V shape to lift the structure off the ground level. The slight lift and the peak window symbolizing the mouth of the bird allow students with disabilities to have the experience of climbing up a tree house. I participated in the project through, onsite constructions and Lighting and electricity design.
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Image Produced by Phase 1 Design Team
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Photographs of Playperch In Construction
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Trellis RCP Plan
Underbelly RCP Plan
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02 Farm Drive Resort Cabins Location: Farm Drive Syracuse NY Program: Recreational Activities Collaboration with Winnie Tu Farm Drive Resort is a recreational center is a summer retreat center in Syracuse NY. The main Purpose of the resort is to host summer events such as BBQ and sports. The drawings shown are designed cabins for family units.
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MODIFIED TORCH DOWN ROLL ROOFING 1' .
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