ARCHITECTURE PORTFOLIO SHIVALI JAIN
ABOUT ME:
SHIVALI JAIN CONTACT +91 9731699021 shivali666@gmail.com
EDUCATION
2016-2021 Bachelor of Architecture, Dayanand Sagar College of Architecture, Bangalore. 2014-2016 12th Grade, National Public School, Koramangala, Bangalore.
2004-2014 10th Grade, National Public School, Koramangala, Bangalore.
All drawings, images and texts in this portfolio have been produced by the author.
Sketchup
For group and professional projects, only the drawings and images that were produced by the author have been displaced. If otherwise, credits have been mentioned.
V-ray Adobe InDesign
Revit
September 2017 Zonasa - Photography October 2018 Zonasa - Photography January 2019 NASA - Reubens Trophy
November 2018 Tensile Structures Workshop June 2019 Lomos - Software Workshop
Adobe Photoshop AutoCad
August 2017 ANDC - Design Entry
January 2018 Konappanna Agrahara Documentation
Adobe Illustrator Microsoft Office
COMPETITIONS
WORKSHOPS
SOFTWARE SKILLS
The portfolio is a compilation of the authors diverse range of work produced during the five years of architecture course.
Hardworking and always eager to learn more, I would take up any challenge that comes my way. Other interests include photography, travelling, playing badminton or basketball, sketching and painting in my free time.
Lumion
March 2020 Thimphu City - Urban Design Workshop
CONTENTS 1 2 3
4
5
6
MISCELLANEOUS
B
3345
C
LIFT HEAD
5229,6
URBAN DOCUMENTATION
A
11527,01
CHAJJA
WORKING DRAWING
SWIMMING POOL
DECK
STEPPING STONES
PRODUCT DESIGN FOUNTAIN GAZEBO
INTERIOR DESIGN
MEDITATION CENTRE
MIXED USE RETAIL SPACE
D
TILED PATHWAY
PAGODA
4000
CHAJJA
CAR PARK
E
3023,85
2708,85
F
LVL 0.0
ENTRANCE
7189,67
PROJECT G PROJECT F PROJECT E PROJECT D PROJECT C PROJECT B PROJECT A
56 50 42 34 24 16 6
2551,37 1500 3730 3840
6129
Project Type: Mixed use retail space
Organisation: Dayanand
Sagar College of Architecture Year: 2019 Project Type: Architectural Design
PROJECT A Mixed use retail space in Basavanagudi, Bangalore. Basavanagudi is a residential and commercial locality in the Indian city of Bangalore. It is located in South Bangalore, along the borders of Jayanagar. The theme of the project was to bring out the identity of the place which is generally lost with time. Trying to retain the identity of the place even with present changes in society. This will invite people from other localities to experience the place and regain its identity.
6
Basavanagudi was an agricultural village called Sukenahalli, consisting of groundnut fields. A bull would ruin the groundnut crop. So, a farmer hit it with a club, making the bull dazed and it sat still in one place. Soon, it transformed into stone. The farmers built a temple for the bull, known as ‘Bull Temple’. The name Basavanagudi comes from the Kannada word ‘Basava’ or bull. Every year, a groundnut fair called Kadale Kaayi Parishe is held, in memory of this event. Basavanagudi is also knwon for the Bugle Rock where famous writers, poets, artists, journalists would sit and talk all day. Major festivals like the Bengaluru Ganesha Utsava would also take place in Basavanagudi. GANDHI BAZAAR: Gandhi Bazaar is a busy market area in Basavanagudi, known mainly for its flower and condiment hawker shops. The area also houses many temples; fruit, vegetable and cloth stores; and many eateries and historic restaurants, including the Vidyarthi Bhavan.
Mixed use retail space
7
MASSING EVOLUTION
8
Massing evolution started as a block with 5m setback on all sides of the site.
Central courtyard for festival gatherings otherwise used as a performance and practice area. Rocky area for reading and as a childs play area, at the back, immitates the Bugle Rock (which is no longer functioning as it did before), to give the people a sense of what they had lost.
Providing a continuous ramp for a pedestrian walkway, giving them a 360 degree view of the surroundings (the Gandhi Bazaar market, Tagore circle and many other parks.
Making the ramp a continuous loop for easy accessibility. Flow of circulation would be easier, giving the people access from two sides.
Several entry points are made for the pedestrians towards the main road, and for services towards the back through a secondary road. There is easy access from the main road and for the residential spaces behind the site. Spaces are introduced below the ramp such as markets, shops, a restaurant and a library for the many students studying in institutions around Basavanagudi.
An open-air amphitheatre is provided for people to enjoy the festivities/ performances. It gives easy access from the courtyard to the ramp on top, so people can use it freely. Natural lighting is used for the spaces under the ramp, with the use of the central courtyard and glass facades. This becomes a very pedestrian and handicap friendly multi-functional space, which can be used by people of all ages.
EXPLODED VIEW
Mixed use retail space
9
Central courtyard as seen from on top of the ramp.
SECTION A 10
SECTION B Mixed use retail space
11
Central courtyard and amphitheatre with food stalls below the ramp
12
Mixed use retail space
13
Aerial view of the site.
14
Mixed use retail space
15
Project Type: Meditation Centre
Organisation: Dayanand
Sagar College of Architecture Year: 2020 Project Type: Architectural Design
PROJECT B Meditation Centre in Thimphu, Bhutan Thimphu, the capital city of Bhutan, has been facing rapid growth hosting almost a fifth of the total population and serving as the economic and governance hub of the country. While the population of the city is expected to double by 2030, the room for expansion is limited, due to natural barriers surrounding it on all sides. Due to increase in population, this leads to vertical growth of the city, as the city cant grow horizontally. Due to the congestion in the city and the increase in population, the people would want to get away from their busy lives. They get indulged in their work that they tend to forget their culture and the constant environment around them.
The forests would be like an escape route from their busy lifestyle, where they can meditate and reconnect spiritually with nature. The forests have cultural and spiritual importance to the people. Their religious beliefs co-exist with conservation of these forests. The existence of the forest contributes to cultural preservation by providing a medium for social relationships with the environment.
MASTER PLAN
Providing a space where they can connect to themselves and the environment spiritually. It would help them connect to the silence within, that would help them make sense of the disturbance going on around them. Cultural preservation, which includes spiritual rules and beliefs, is going to be forgotten if people cannot practice. Creating long walkways or pathways through the forest, would show their dedication to what they believe in and would help them reconnect spiritually. These walkways would lead to small huts or individual meditation pods, where they can sit and introspect. A minimum of 20 minutes of walking is necessary for the users to quiet their mind and disconnnect themselves from the disturbance around and focus on a spiritual question or prayer.
ECOLOGY
16
PUBLIC AND PRIVATE ZONING
PRIMARY ROAD AND SECONDARY PATHWAY NETWORK
Meditation Centre
17
Entrance pathway towards a central fountain, with community spaces towards the left and the meditation centre towards the right.
18
Meditation Centre
19
View of the labyrinth with a stupa in the centre, and residential (private) spaces behind it.
20
Meditation Centre
21
Meditation Centre:
Semi-public space surrounded by the forest to be in a secluded, quiet place, so that the users can meditate and calm their mind from the disturbance of the city life.
Community Centre and Labyrinth: Public spaces catering to the citizens as the sangha and dharma stages of attaining enlightenment. Includes community kitchen, dining, kitchen garden, yoga centre, seminar halls, pottery shed.
Residential spaces and Individual Meditation Pods:
Private spaces for the users to relax and introspect in themselves to gain inner peace.
Individual meditation pods, with the labyrinth behind it and residential spaces to the right.
Meandering walkways through the residences. Located towards the northwest of Thimphu city centre, away from develpment which would happen towards the south. It is in an eco-sensitive zone as a transition between the develpment zone and the forest area. To link the two zones, many interventions can be used, one of which could be a
22
meditation centre. The journey to this meditation centre will show the dedication of the people towards their religion and their beliefs. Views from and to the site should not be interrupted due to future developments in the city. From the site there are views of the Dechencholing Palace towards
the north-east, and view of the city towards the south-east. As their forests have a cultural and spiritual significance, the private spaces, that is, the meditation centre, introspection spaces and the residential spaces are placed near the forest. The public spaces such as the community areas are placed towards the beginning of the site.
Meditation Centre
23
Project Type: Hotel Lobby
and Cafe interiors Organisation: Dayanand Sagar College of Architecture Year: 2019 Project Type: Interior Design
PROJECT C Hotel Lobby and Cafe Interiors
The brief of the project was to design the interiors of a hotel lobby and cafe. A space with a rustic style can have a more modern result than expected. Today, the look has an overall country feel but with the comfort and influence of a city. Hotels incorporating a playful décor with a design that makes “natural” seem effortless, provides a very cozy feeling. Traditional elements in rustic design are exposed bricks, concrete stone walls or floors and rustic finishes in wood. The eye catching architecture and decor centerpieces are made only with material that have been around since before the turn of the century. They create a warmer, more modern ambiance. A neutral color palette of highquality earthy materials is used. Rustic design has a homey, “lived in” appeal, so the furniture is often bigger and heavier, and shelves are adorned with eclectic items that portray a life of experience, culture, and travel.
GROUND FLOOR PLAN 24
Interior Design
25
Entrance to the lobby of the hotel.
26
Interior Design
27
Corridor from the lobby leading to the cafe.
28
Interior Design
29
Materials:
Stone Cladding (150mm x 600 mm) on the wall, is used in the reception area as well as in the cafe. Black stone marble, of thickness 20mm-25mm, is used in the reception counter top. Teak wood, with a thickness of 3mm20mm, is used for the furniture. Maple wood, of 21mm thickness, is used for the flooring in the lobby whereas charcoal grey slate tiles (500mm x 500mm x 6mm) are used for flooring in the cafe.
View of the hotel lobby and cafe
30
Interior Design
31
Section through the cafe and hotel lobby
Lighting:
Pendant lighting is used in the cafe and lobby on top of tables. (Colour Temperature: Daylight; Beaming Angle: 30°; Product Material: Aluminum+Metal+ Glass; Dimension: D i a - 1 5 0 m m , Height-1108mm; Color and finish: Black+Gold+Clear Glass)
LED track lighting used infront of displays(Lamp Power(W): 7.5W; Beam Angle:12-38°; Color Temperature: 3000K, 4000K, 6000K; Working Temperature: -20°C to 60°C; Lifespan: 50,000 Hours; Lamp Body Material: Aluminum+Lens)
Light Chandeliers used at the entrance lobby and at the entrance of the cafe (Width/Diameter:1219mm; Height: 1079mm; Backplate/ Canopy/Base: 152mm; Number of Lamps : 24; Wattage : 25w)
LED light discs are used in the lobby (Colour Temperature: warm, daylight, natural; Cut out: 8WØ125mm, 15W- Ø160mm, 26WØ220mm; Operating Temp: -20°C to 40°C; Beam Angle: 120°; Lifespan: 50,000 Hours)
32
Interior Design
33
Axiometric view of the wardrobe when open.
This building construction and materials, eighth semester’s project brief was to design a wardrobe versatile for any living space. I interpreted it as a wardrobe for a bedroom layout.
Realistic render of the wardrobe in a bedroom.
34
Project Type: Wardrobe Desing
Organisation: Dayanand Sagar College of Architecture Year: 2020 Project Type: Product Design
PROJECT D Wardrobe Design
Product Design
35
20
20mm plywood shelves with 5mm thk wooden laminate
660
620
640
5mm thk metal cleat 30mm vertical plywood with 5mm thk wooden laminate 25mm dia stainless steel rod fixed to vertical member with screws 830
30
20mm thkthk horizontal 20mm horizontal plywood with 5mm thk plywood with 5mm wooden laminate
25mm dia stainless 25mm dia stainless steel rod steel rod fixed to the fixed to the vertical memvertical members with bers with screws screws
D3
1020 320
30mm thk thk vertical 30mm vettical plywood with 5mm plywood withthk 5mm wooden laminate wooden laminate
20mm plywood shelves sliding rack Stainless steel racks bolted to plywood shelf
20mm plywood shelves with 5mm thk wooden laminate
Sliding rack Sliding rack
235
235
1000
350
150
445
Space hanging Space for for hanging clothes clothes
The wardrobe contains different partitions for storage, shelves and drawers, and for hanging clothes. Plywood with wooden laminate is used for the vertical and horizontal members. Wooden shutters with glass are used to create a transparent storage space. The usage of different materials which are efficient, cost effective and easy to clean was the aim. The design concept was to use a modular form which are cubical and cuboidal inspired.
550
600
350
Sectional elevation of the wardrobe showing the different partitions and storage spaces within.
50
10mm thk plaster
20
20mm plywood shelves with 5mm thk wooden laminate
235
400
15mm thk thk wooden plywood 15mm plywood skirting with 5mm thk laminate skirting with 5mm overlay laminate overlay
200
150
150mm thk concrete slab
230mm brick wall
550
Sliding rack 36
Product Design
37
600
D5
830
830
20mm plywood shelves with 5mm thk wooden laminate
40mm plywood door with 5mm thk wooden laminate
40mm plywood door with 5mm thk wooden laminate
445
20mm plywood shelves with 5mm thk wooden laminate
Space for hanging clothes 3000
1020
3000
1020
3000
830
230mm thk brick wall
Cabinets
Sliding rack
380
150
20
Handle
D4
235
350
20mm plywood shelves with 5mm thk wooden Space for laminate hanging 20x30mm black rubber stopper clothes
100
350
15mm thk wooden plywood skirting with 5mm thk laminate overlay
100
100
235
Brick infill
SECTION A
SECTION B
15mm thk wooden plywood skirting with 5mm wooden laminate overlay
10mm thk plaster D1
20mm thk marble tile 15mm thkfloor wooden plywood 150mm thk concrete skirting withslab 5mm thk D2
SECTION C
20
20mm plywood shelves with 5mm thk wooden laminate 20x30mm black rubber stopper 15mm thk wooden plywood skirting with 5mm wooden laminate overlay Brick infill 10mm thk plaster 20mm thk marble floor tile 150mm thk concrete slab
38
230mm brick wall 10mm thk plaster 20mm plywood shelves with 5mm thk wooden laminate Brick infill
100
100
laminate overlay
10mm thk plaster 150mm thk concrete slab
Product Design 230mm brick wall
39
890
1930
1020
830
2000
400
550
Front elevation of the wardrobe showing the different partitions.
40
970
Exploded axonometric view of the wardobe highlighting vertical and horizontal elements.
Product Design
41
Project Type: Residence Design
A
B
11527,01
D
C
5229,6
3345
E
4000
Organisation: Dayanand
F
Sagar College of Architecture Year: 2018 Project Type: Working Drawing
3023,85
PROJECT E
1 2 3
1500
2551,37
Working Drawing for a Residence
SWIMMING POOL 3730
LIFT HEAD
LVL 0.0
DECK
4
2708,85
CHAJJA 3840
CHAJJA ENTRANCE
5
7189,67
STEPPING STONES
TILED PATHWAY
FOUNTAIN GAZEBO
6129
CAR PARK
PAGODA
6
MASTER PLAN 42
Working Drawing
43
4
5
2
3
4
5
2
3
LVL +0
BALCONY
B
B KITCHEN 3000X3000
UTILITY
TOILET 3000X2000
BEDROOM 3000X6500
DINING 3000X3000
C
POWDER ROOM 1500X2000
C
UP POOJA ROOM 1500X1200
LIFT SHAFT LIVING ROOM 3000X3500
LIFT SHAFT
Open to Below DOWN
LVL +0.45
LVL +3.45 TOILET 2000X1500
TOILET 2000X1500
D
D
GUEST BEDROOM 4000X3500
BEDROOM 4000X3500
Covered Entry BALCONY
E
E
LVL +0
GROUND FLOOR PLAN 44
FIRST FLOOR PLAN Working Drawing
45
5
4
3 9302,84
5
4
3
2
7802,84
700
900
3000
LVL +0
W1
D4
B
631,36
797,11
1270
LVL +3.45
FIRST FLOOR
+3.30
150
820,11
7450
1771,54
2313,08
+2.55
3000
3115
W1
+2.40
894,54
D3
GROUND FLOOR
450
C
LVL +0.45
3510
2395
LVL +0
288,35
GROUND LINE
561,49
1500 999,49
D3
206,31
721,74
836,74
431,24
V1
1998,01 2115,95
W1
SECTION A 985,11
W1
562,79
2115
1500
E
D
LIFT HEAD
C
B
V1 538,41
1615
LVL +0.45
461,46
2000
R1329,67
291,23
D1
215,51
523,77
D2
D3 1218,14
670,62
3000
1410,35
D
1163,13
LVL +3.45
FIRST FLOOR
150
LIFT SHAFT
1189,65
3000
W1
6750
4000
LVL +0
673,3
W1
LVL +0.45
GROUND FLOOR LVL +0
450
E
1426,7
GROUND LINE
LIFT PIT
COLUMN LAYOUT SECTION B 46
Working Drawing
47
5
20
LINTE
1000
A
BEDROOM WORKING DRAWING WORKING DRAWING WORKING DRAWING RESIDENCE DESIGN
KITCHEN KITCHEN
FIRST FLOOR PLAN (1:20) HATCH LEGEND:
HANDRAIL DETAIL ROSETTE (1:5) AR. SHIVALI JAIN HANDRAIL DETAIL (1:5) WOODEN HAND
RAILING FIRSTDETAIL FLOOR PLAN (1:20)
20
110
45
RAILING DETAIL
PLASTERING FLOOR TILES 10MM THK
45
900
FOR EXECUTION
MS INCLINED SUPPORT 230 THK WALL 25 THK ANCHOR SCREW
230 THK WALL ELEVATION DRAWING NUMBER : 7 SECTION
45
20
110
800
900
NOSING DETAIL (1:5)
ELEVATION(1:20) ELEVATION DRAWING SCALE DETAIL SECTION HANDRAIL (1:5) DATE : HANDRAIL DETAIL ELEVATION(1:20) HATCH LEGEND: C REV DATE DESCRIPTION (1:5)
3000
200 50
DETAIL B
GRANITE UPSTANDCOPING
SS
C DETAIL A
ELEVATION(1:20)
50 150
PLASTERING FLOOR TILES 10MM THK
SCALE: 1:10
HOLDFAST UPSTAND
45
50 110 20
3000
900
900 10
20
180 900 10
20
180
10 20
40 5
STEEL BALUSTER
WOODEN HANDRAIL
D
BALCONY RAILI FOR EXEC 10MM GLASS DETAIL
BALCONY RAILING DETAIL
DN DRAWING
GRANITE COPING GRANITE COPING
FORDRAWING EXECUTIO CEMENT MORTAR CEMENT MORTAR
HOLDFAST DRAWING DATE NUM : UPSTAND UPSTAND REV DATE DESC DRAWING SCA CEMENT MORTAR 150 THK SLAB 150 THK SLAB HOLDFAST DATE : UPSTAND
GRANITE COPING
UPSTAND
150 THK SLAB
C
BALCONY R DETAIL AR. SHIVALI JAIN STEEL BALUSTER
STEEL BALUSTER
DETAIL B
150 THK SLAB AR. SHIVALI JAIN
AR. SHIVALI JAIN
WOODEN HANDRAIL
SCREW
FOR EXECUTION
C
REV
DRAWING NUMBER : 1 DATE :
SCALE: 1:10 REV DATE DESCRIPTION
LOGO & ADDRESS
DATE
DESCRIPTIO
150 THK SLAB
DETAIL C DETAIL A GRANITE COPING DETAIL C DRAWING CEMENT MORTARSCALE: 1:10 SCALE
DETAIL A
DETAIL C LOGO & ADDRESS
20
0
CEMENT MORTAR 10MM GLASS
B
DETAIL B
ELEVATION(1:20) LOGO & ADDRESS CEMENT MORTAR
STEEL BALUSTER
0
900
10 180
SCREW
GRANITE COPING
DETAIL A ELEVATION(1:20) STAIRCASE DETAIL
45 180
S S SS
10MM GLASS
STEEL BALUSTER
150 THK SLAB
AR. SHIVALI JAIN
FLOOR TILES
STEEL BALUSTER WOODEN HANDRAIL
LOGO & ADDRESS REV DATE DESCRIPTION LOGO & ADDRESS
C
SCREW
800
DATE :
UPSTAND 150 THK SLAB
DESCRIPTION
WOODEN HANDRAIL
HATCH LEGEND:
50
OR LINE
50
50 CEMENT MORTAR
50
150
150MM THK CONCRETE SLAB
GRANITE COPING
50
SKREED 20MM THK
150MM THK CONCRETE SLAB
48
10MM GLASS
WOODEN HANDRAIL
DRAWING SCALE
800
50
SKREED 20MM THK
SKIRTING DETAIL (1:5)
RAIL 50x30
MS INCLINED SUPPORT 800 MS ROSETTE 25 THK 500 dia 50 ANCHOR SCREW
150
CTION (1:20)
500 dia
B
NORTH SYMBOL STEEL BALUSTER
110
FLOOR TILES 10MM THK
KEY PLAN:
20
FIRST FLOOR PLAN (1:20)
STAIRCASE DETAIL MS ROSETTE WOODEN HAND 900
FLOOR LINE
RAIL 50x30800
drawings from other engineering and services B KEY PLAN: NORTH discipline. WOODEN HANDRAIL SYMBOL
SCALE: 1:10
WOODEN DRAWING NUMBER : 7 HANDRAIL DATE
SECTION
SECTION AA'(1:20)
BREVDATE DATE : DESCRIPTION REV
150 THK SLAB
900
50x25 WOODEN HAND RAIL FIXED TO ROSETTE BY SCREW 50x25 WOODEN HAND RAIL FIXED ROSETTE TO ROSETTE BY SCREW
1. This drawing is the property of the NOTES: architects. 2. This Strictly do notisscale the drawing. 1. drawing the property of the 3. All dimensions are in millimeters. architects. NOSING DETAIL 4. Strictly Any discrepancy in dimensions 2. do not scale the drawing.shall be brought to the notice of the architects before (1:5) 3. All dimensions are in millimeters. execution. 4. Any discrepancy in dimensions shall be 5. This drawing shallofform basis forbefore other brought to the notice thethe architects drawings from other engineering and services execution. discipline. 5. This drawing shall form the basis for other
150MM THK CONCRETE SLAB
UPSTAND
20
(1:5)
SKIRTING DETAIL (1:5)
HANDRAIL DETAIL 18 17 16 15 14 (1:5)
SKREED 20MM THK
B
HATCH LEGEND:
45
(1:5)
DETAIL NOTES: STAIRCASE SCHEDULE NOSING SECTION AA'(1:20)
150MM THK CONCRETE SLAB
13 14
15
SECTIONLVL+2400
DOWN
19
16
RESIDENCE DESIGN
STAIRCASE SCHEDULE NOSING DETAIL
SKREED 20MM THK
150 THK SLAB
COPING 150 GRANITE THK SLAB
DETAIL C
HATCH LEGEND:
UPSTAND DRAWING DRAWINGNUMBER SCALE : 7 150 THK SLAB DRAWING SCALE FOR: EXECUTION DATE
150MM THK CONCRETE SLAB
UPSTAND UPSTAND GLASS
10
ELEVATION
17
SECTION (1:20)
ELEVATION(1:20)
HATCH LEGEND:
180
18
SKREED 20MM THK
FLOORTHK TILES 150MM 10MM THK SKREED 20MM THK CONCRETE SLAB
DETAIL A
FOR EXECUTION GRANITE COPING CEMENT MORTAR STAIRCASE DETAIL FOR EXECUTION DRAWING NUMBER : 7
STEEL BALUSTER
50 110
19
14
WORKING DRAWING
FLOOR LINE
SECTION AA'(1:20)
AR. SHIVALI JAIN GLASS
DETAIL B
CEMENT MORTAR CEMENT MORTAR
20
LVL+3450
12
15
FLOOR TILES 10MM THK
RESIDENCE WORKINGDESIGN DRAWING
0
PLASTERING FLOOR TILES 10MM THK
FLOOR TILES 10MM THK
GLASS WOODEN HANDRAIL
GRANITE COPING GRANITE COPING
45
1000
230 THK WALL
LVL+2400
16
LVL+2400
SECTION (1:20) FLOOR LINE SECTION (1:20)
50
10MM GLASS
CEMENT MORTAR
45
17
LVL+2400
0
STAIRCASE DETAIL STEEL BALUSTER STAIRCASE DETAIL
FLOOR LINE FLOOR LINE
0
10
18
900
KEY PLAN:
STEEL BALUSTER
C
AR. SHIVALI JAIN
50 110
19
13
STEEL BALUSTER
144,72
WOODEN HANDRAIL
STEEL BALUSTER
NORTH SYMBOL
AR. SHIVALI JAINWOODEN HANDRAIL
10
11
DOWN
12 13
HATCH LEGEND:
LVL+1500
WOODEN HANDRAIL
1. This drawing is the property of the architects. UPSTAND 2. Strictly do not scale the drawing. 3. All dimensions are in millimeters. 4. Any discrepancy in dimensions shall be brought to the notice of the architects before execution. STEEL BALUSTER 5. This drawing shall form the basis for other drawings from other engineering and services discipline. KEY PLAN:
180
MS ROSETTE LVL+3450 500 dia
W1
800
NORTH SYMBOL
12
SKIRTING DETAIL (1:5)
900
PLAN(1:20)
KEY PLAN:11
PLAN(1:20)
UPSTAND A'
PLAN(1:20)
(1:5)
0
10
RAIL 50x30 LVL+3450
LVL+1500 900
A'
144,72
3080
20
9
LIFT SHAFT WOODEN HAND
DOWN
8
660,54
50
A'
1. This drawing is the property of the architects. 2. HANDRAIL Strictly do not scaleDETAIL the drawing. 8 (1:5) 3. All dimensions are in millimeters. 4. Any discrepancy in dimensions shall be 8 brought to 9the notice of the architects before 660,54 950,82 execution. 3080 9 5. This drawing shall form the basis for other 10 W1 drawings from other engineering and services discipline. 10 11 W1
LVL+1500
45
LIFT SHAFT
HANDRAIL DETAIL (1:5)
SECTION
110
ROSETTELIFT SHAFT
MS INCLINED SUPPORT 25 THK ANCHOR SCREW
LVL+2400 950,82
150
7
50x25 WOODEN HAND RAIL FIXED TO ROSETTE BY SCREW
UP
TOILET
900
6
7
NOTES: ELEVATION
144,72
3080
50
5
6
SKIRTING DETAIL150MM THK CONCRETE SLAB STEEL BALUSTER (1:5) SKIRTING DETAIL
660,54
10 20
5
SKREED 20MM THK
950,82
20
4
PLAN(1:20) 3000
3
1000
2
7
110
4
1
6
CONCRETE SLAB
20
3
5
FLOOR TILES
150MMTHK THK UPSTAND 10MM
50
2
4
144,72
45
1
UP
3
LVL+2400
150MM THK SKREED 20MM THK CONCRETE SLAB
3080
900
UP
2
A'
230 THK WALL
660,54
LVL+2400
180
MASTER BEDROOM
1
D4 STAIRCASE SCHEDULE TOILET ANCHOR SCREW
1339,72
MASTER BEDROOM
950,82
STEEL BALUSTER PLASTERING
B
NOTES:
50 110
RESIDENCE DESIGN MS INCLINEDTOILET SUPPORT
FLOOR SKREEDTILES 20MM THK 10MM THK 3000
500 dia
25 THK
RAILING SCHEDULE
PLASTERING FLOOR TILES PLASTERING 10MM THK
WORKING DRAWING MS ROSETTE MASTER BEDROOM
UPSTAND
2. Strictly do not scale 3. All dimensions are 4. Any discrepancy in RAILING SCHEDU brought to the notice o execution. NOTES: 5. This drawing shall f 1. Thisdrawings drawing isfrom the property other en architects. discipline. 2. Strictly do not scale the draw 3. All KEY dimensions PLAN:are in millime 4. Any discrepancy in dimensi brought to the notice of the arc execution. 5. This drawing shall form the drawings from other engineerin discipline.
20
WOODEN HAND RAIL 50x30
RESIDENCE DESIGN
10
D4
NORTH SYMBOL
45
GROUND FLOOR PLAN (1:20)
KEY PLAN:
HATCH LEGEND:
45
BEDROOM
LINTEL
D4
1000
1. This drawing is the SECTION RESIDENCE AA'(1:20) architects. DESIGN
LINTEL
WORKING DRAWING
HATCH LEGEND:
1339,72
GROUND FLOOR PLAN (1:20) HANDRAIL DETAIL GROUND FLOORAPLAN (1:20) (1:5)
NG DETAIL
NOTES: WORKING DRA
PLAN(1:20)
3000
ROSETTE
BEDROOM D4
3080
HATCH LEGEND:
50 110
TOILET
144,72
1000
A'
(1:5)DETAIL HANDRAIL (1:5)
1339,72
TOILET
50
50x25 WOODEN HAND RAIL FIXED TO ROSETTE BY SCREW
ELEVATION BEDROOM SECTION ELEVATION HANDRAIL DETAIL SECTION (1:5)DETAIL HANDRAIL
660,54
950,82
1339,72
TOILET
RAILING SCH
STEEL BALUSTER
SECTION
230 THK WALL
200
14
ELEVATION A
150
14
15
1. This drawing is the property of the architects. 2. Strictly do not scale the drawing. 3. All dimensions are in millimeters. A 4. Any discrepancy in dimensions shall be brought to the notice of the architects before execution. 5. This drawing shall form the basis for other drawings from other engineering and services discipline.
45
16
NOTES:
LVL+2400
110
LVL+2400
17
15
14
900
16
15
150
17
18
16
ANCHOR SCREW 230 THK WALL
45
19
17
BEDROOM
RESIDENCE DE
UPSTAND
1000
50 110
STAIRCASE SCHEDULE A
WORKING
LINTEL
ANCHOR SCREW MS INCLINED SUPPORT THK MS25 INCLINED SUPPORT 230 THK WALL ANCHOR SCREW 25 THK
900
18
500 dia MS ROSETTE 25 THK 500 dia
20
19
200
MSINCLINED ROSETTESUPPORT MS
LVL+2400
DOWN
SYMBOL
WOODEN HAND MS ROSETTE WOODEN HAND RAIL 50x30 500 dia RAIL 50x30
RESIDENCE DESIGN
13
13
RAIL 50x30
50 110
12
(1:5) PLAN(1:20) (1:5) WOODEN HAND
A'
50
WORKING DRAWING
12 13
D4
10 20
RAILINGRAILING DETAILDETAIL
144,72
3080
50 110
W1
660,54
20
10 11
ROSETTE ROSETTE HANDRAIL DETAIL (1:5)DETAIL HANDRAIL DETAIL HANDRAIL
950,82
10 20
RAILING DETAIL
11 12
11
DOWN
W1
20
LIVING ROOM
9 10
W1
10
BEDROOM
1339,72
8 9
9
LIFT SHAFT
50x25 WOODEN TO ROSETTE BY 50x25 WOODEN SCREW HAND RAIL FIXED HAND RAIL FIXED TO ROSETTE BY TO ROSETTE BY ROSETTE SCREW SCREW
10
LIVING ROOM LIFT SHAFT
18
50x25 WOODEN HAND RAIL FIXED
8
LIFT SHAFT
19
NOTES:
1. This drawing is the property of the NOTES: 1. This drawing is the property of the architects. 1. Strictly This drawing the property of the 2. do notisscale the drawing. architects. architects. 3. All dimensions are in millimeters. 2. Strictly do not scale the drawing. UPSTAND 2. Any Strictly do not scale the drawing.shall 4. discrepancy in dimensions be 3. dimensions All dimensions are in millimeters. 3. All areofin the millimeters. brought to thediscrepancy notice architects before 4. Any in dimensions 4. Any discrepancy in dimensions shall beshall be execution. brought the notice ofarchitects the architects before brought to thetonotice thethe 5. This drawing shall ofform basis forbefore other execution. execution. drawings from other engineering and STEEL services BALUSTER 5. This drawing shallthe form thefor basis 5. This drawing shall form basis otherfor other discipline. drawings from from other other engineering and services drawings engineering and services discipline. KEY PLAN: NORTH discipline. SYMBOL KEYKEY PLAN: NORTHNORTH PLAN: SYMBOL
20
LVL+450
DOWN
STAIRCASE SCHEDULE STAIRCASE SCHEDULE A STAIRCASE SCHEDULE NOTES:
LVL+1500
8
LIVING ROOM
D4
20
900
LVL+1500
LVL+1500
BALCONY DETAILS
1339,72
STAIRCASE DETAILS
40 5
7
40 5
6
200
5
20
4
45
7
900
6
900
5
20
3
4
50 110
7
20
2
3
20
6
180
1
2
5
900
UP
LVL+450
LVL+450
1
40 5
4
UP
900
UP
3
2
1000 1000
1
RESIDENCE DESIGN
RESIDENCE DESIGN
20
KITCHEN
LOGO & A
SS D SCALE:S 1:10 S
Working Drawing
LOGO & ADDR
49
AGRICULTURE
TOURISM The Tourism hotspots include trek spots, monastries, forts, handicrafts market as well as yearly festivals in Thimphu, Bhutan.
%16 15 14 13 12 11 10 9 8 7
Agriculture is one of the three major sectors of Bhutan’s economy. The sector has grown significantly through the decade.
1965
1970
1975
1980
1985
1990
1995
2000
2005
2010
2015
% of Agriculture Land in Bhutan
Tourist arrival over the years
INDUSTRIES
Industries- GDP produced in construction
Industries- GDP produced in manufacturing
PROJECT F Economic study of Thimphu, Bhutan
50
Project Type: Urban Documentation
Organisation: Dayanand
Sagar College of Architecture Year: 2020 Project Type: Architectural Design
AGRICULTURE
TOURISM
INDUSTRIES
Agriculture is one of the three major legs of Bhutan’s economy. The sector has grown significantly through the decade. Fruits: amount generated-848 Million Nu. Vegetables: amount generated- 1449 Million Nu. Others (Cereals, oil seeds, spices, legumes, and pulses): amount generated- 856 Million Nu.
2018 saw a total of 274,097 visitor arrivals to Bhutan with a growth rate of 7.61% over 2017. Of the total arrivals, there were 71,807 international arrivals and 202,290 regional arrivals. There are a total of 271 tourist accommodation facilities comprising of 136 star hotels (3, 4 and 5 star) and 135 Village Home Stays (VHS). The Tourism hotspots include trek spots as well as yearly festivals in Thimphu, Bhutan.
The Cottage and Small Industry (CSI) constitutes more than 95.84 % of the total industry in Bhutan. Sub-sectors include construction, information technology, textile and weaving, cottage industry, food and paper. The Decentralized Hands on Program Exhibition (D-HOPE) was initiated for local economic development, by enhancing self-confidence and increasing incomes for the local communities.
Urban Documentation
51
CITY AND DWELLING
CITY AND REAL ESTATE
This map shows the different areas or precincts of Thimphu, Bhutan which are favourable to the locals of Bhutan. The black zones are where richer income groups are present within the city. The grey zones depict the favourable locations where the locals prefer to stay.
This map shows various land rates in Thimphu, Bhutan. Here, land is valued at Nu/Decimal, where, 1 Decimal = 40.46 square meters. Here, the city centre has the highest land rates of 13 lakhs per decimal. As it is seen, the land rates keep reducing as you move away from the city centre, with the districts Babesa, Simtokha, Decchencholing and Taba having the lowest land rates.
LEGEND LEGEND
52
Urban Documentation
53
The structure mainly consists of retail shops selling clothes. There are two sets of stairs which leads to the lodge on the upper floor.
Market space and hotel
Consists of handicraft shops with space for storage at the back of the building with a toilet. The upper floors consist of small restaurants.
Market space and restaurant
ATMs are present at the entrance and handicraft shops in the ground floor. The upper floor consists of a hotel. At the rear end of the building, a flight of stairs leads down to the basement which is used as a storage space.
Market space, hotel and storage space
ATMs are present at the entrance. Retail shops inside were selling clothes. A set of stairs at the beginning leads to the hotel on top. At the rear end, a staircase leads to a storage space in the basement.
Market space, hotel and storage space
ATMs present at the entrance. Clothing shops on the ground floor while top floors had a restaurant and other retail shops. A flight of stairs at the rear end of the building leads to the storage space in the basement.
Market space, restaurant and storage space
Market space Consists of handicrafts and retail shops. Central staircase leads to other commercial shops on the top floors.
A long row of handicraft markets where local handmade produce is sold. The Centenary Farmers Market is an everyday food produce market. The top floor consists of all bhutanese local produce while the ground floor has imported produce from India. The indian produce is cheaper and more affordable and hence is preferred.
54
Urban Documentation
55
Sketching
Costume Design
Costume Design
PROJECT G Model making
56
Selected works of interests in sketching, model making, costume design and photography.
Miscellaneous
57
Photography
58
Miscellaneous
59
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