Shloka Thakore_Interior Architecture Portfolio (2015-20) by Shlokathakore

SHLOKA THAKORE Bachelor of Interior Design CEPT University, Ahmedabad, INDIA A J1 Visa holder

CONTENTS

01 .RETAIL STUDIO

.ADAPTIVE REUSE STUDIO Academic work 2018-19

02 .THESIS Academic work 2019-20

03 .SYNTHESIS(Living+retail) STUDIO .COMMERCIAL STUDIO Academic work 2017-18

04 .APPLIED TECHNOLOGY .PARAMETRIC FURNITURE .FURNITURE DESIGN .CONSTRUCTION TECHNOLOGY Mandatory work 2016-20

05 .SUMMER WINTER SCHOOL .ANCILLARY COURSE

06 .INTERNSHIP .WORK EXPERIENCE

Ancillary course 2015-20

Work Experience 2018, 2020

BRAND BUILDING THROUGH SPATIAL DESIGN_________________________________________________

. e r e

1.01 Sem 8: Retail Design Studio Brief: To make a National Geographic experience store in India by reconnecting them to this brand as well draw newer audience towards them. Area: 4000sqft Duration: 16 week course

Although National geographic has opened multiple store like Net Geo library, Net Geo visitor center, Net Geo exhibition space, experience center and retail as well. This brand has its physical outreach in USA, Australia and in some parts of Europe. In order to make this brand equally available for Indians, it caters to Experience center, Retail, followed by exhibition, wall of fame and some workshops & reading area. This store attracts people form all age group.

Purpose of this flagship store:

06 | 07

WHY

Design GOAL

this store?

EXPERIENCE STORE Destination WILD features animals from around the world and explaining the geography they called home.

Because.. This brand has the power to translate facts and knowledge in such a that it engages all age groups. Starting with magazine, this firm reached the level of using MR technology. National Geographic follows some sort of simplicity in its program as well appearance. This brand has capability to involve people in its activities either by campaigns or by activities, workshops, exhibitions etc.

involvement

Brand Image

Name?

As national Geographic has opened its individual outlets of exhibition space, library, visitor center , experience center, and retail outlets in airports and some cities separately. So in order to merge experience with retail, followed by exhibition space is the motto for opening this flagship store. This store has outreach in USA, Australia and some parts of Europe. So in order to make physical presence of national Geographic in India, this store is being introduced.

As national geographic is loosing out its audience, because of the popularity of social media, and other entertainment sources, the goal of the store shall be to reconnect with its own audience, as well bring newer audience, by its unique way of expressing facts and reinforce the image of being significant in innovation.

intention

In order to make PHYSICAL PRESECE in India

THE WILDLIFE.

BRAND BUILDING THROUGH SPATIAL DESIGN_________________________________________________

DESIGN CHALLENGES Due to emerging technology, it should take up challenge of maintaining its image in virtual reality. They have their products which is targeting different audiences from different disciples. Design Challenge is how to merge vivid genre and make something which can engage all those people equally. The context of its site location plays a major role in maintain its brand image. by adapting the essence of its surrounding and merges with the context.

MOOD

MATERIAL

DESIGN GOAL As National Geographic is Loosing out to audience because of the popularity of social media and other entertainment sources, the goal of the store shall be to reconnect with its own audience as well bring newer audience by its unique way of expressing facts & reinforce the image of adopting latest visual platforms for complete customer involvement.

BRAND BUILDING THROUGH SPATIAL DESIGN_________________________________________________

National Geography is about connecting yourself with nature and to reduce the threshold between the concrete jungle to natural forest. This store is located in the Mumbai national park where there is maximum footfall for green panther and helps them to inspire and get connected with this brand. This space is designed such that it gives cloister on all 3 sides, and it allows fluidity and connection between inside store and outside nature. The entire store has an independent structure in the center. The bright yellow color spiral staircase allows people expedition to the top. The yellow dock on the top acts as an observatory to glimpse the forest in a wider lens.

(1) The store entrance embracing the green panther.

(2) From the cloister to the forest.

(3) From the cloister to wall of Fame.

BRAND BUILDING THROUGH SPATIAL DESIGN_________________________________________________

National Geographic logo is derived from ‘The Golden Ratio’. This brand used some specific proportionals and guidelines to make the similar presence Internationally. Using those proportioning system, the display racks have been derieved, such that it has the provision of all the things like travel gear, merchandise, souvenir etc. This rack can accomodate as small as a pendrive to as big as a telescope. A versatile furniture for a versatile brand.

SECTION AB

REVIVE & REUSE - HOSPITALITY SPACE________________________________________________________

1.02 Sem 8: Adaptive Reuse Studio Brief: To create a boutique hotel in the give residential site. The space has an ancient facade and some ancient traditional elemenst, which were revived as it is while the rest of the interior revolved around that elements. Area: 12000 sqft Duration: 16 week course

The Quintessence Luxury boutique hotel was designed by using the existing grid in the space and developing the new structure using old structure’s grid play and making a newer version of the building. The insertion part in the existing building followed the same language but with the newer material. The central courtyard was initially a semi covered space which was converted into a triple height space for visual connectivity till terrace. The terrace was covered by a sloping roof which was removed and made into a flat slab construction to convert it into a multipurpose space. The main target audience in this space are was foreigners, so the traditional elements used n old Ahmadabad houses like jack arches were revived and used in the public spaces.

A 1. 2. 3.

Al str vo

JAM NES

The cen with nest peri

In order to achieve that with either volumetrically or planer elements, it has to follow grid system.

Multiple columns, forming a

The Grid is further translated into module

The grid, forming a strong direction of movement and flow adds to the beauty of circulation. Columns to grids, grids to modules, modules to building enhances the glory of that space.

“

The wonderful part about being in Quintessence in Ahmedabad is that you can spend hours walking around pathways, leading to Landscape, taking in the fusion of colonial architecture and Indian architecture, admiring the pop color of lilies and daffodils which blends with the Muted yellow façade. Situated in the heart of Ahmedabad, the boutique hotel Quiescence stands on one of the most significant corners of city, bridging between old and new city along with public transportation, hotels, services surrounding it. Built in 20th century (Approx. 70 yrs.), served as the residential block, which converted into art gallery 25 yrs earlier. It adds up to extension of the building. Alcove entrance leads to a personalized reception area that further guides you to step into the newer intervention of hotel, defined by a TRIPLE HEIGHT courtyard which is the house of magnificent traditional swing along with informal seating. The courtyard acts as a pivot point for multiple services going on around. With library to restaurant, from spa to bakery all things can be catch off with this courtyard. This courtyard also connects back end staff with the front desk people as well clients. You climb up the stairs in witness of a deep blue water body which adds up serenity in entire space leading to 1st floor which consist of another double height in center and rooms wrapped around that courtyard. The raised deck is a perfect place of enjoy morning breakfast along with the serene water with fountain. The place has a play with levels with creating an experiential odyssey. Second floor caters to some rooms as well an open terrace, serving as a gathering space. Across each floor of hotel, you will find traditional elements that present the charm of old colonial style blended with Indian elements in a contemporary fashion e.g. the swing which is placed in rooms is the ideal place to sit back with some tea framing the exterior from that window. The floor has a series of wooden columns which is retained from that building only. This hotel comprises of 12 rooms which is divided into 4 other sub categories. The room has access to balcony on one side and corridor to the other side. All rooms has traditional Indian pattern glazed ceramic tiles.

MATERIAL

REVIVE & REUSE - HOSPITALITY SPACE________________________________________________________

THE JOURNEY

MOOD

14 | 15

REVIVE & REUSE - HOSPITALITY SPACE________________________________________________________

500 mm AC Duct for return and suppy air, connected to VRF

50 mm Insulation AC Grill Indoor unit 20 mm Plaster line, finished with textured ivory paint. 150 mm concrete wall

10 mm finished putty layer 24 mm MS squuare section to slide the pannels 25 mm beige shera board wall pannel

20 mm kapchi to level the base floor 10 mm cement water mixture to fix tiles 20 mm terracota tiles

wooden blocking 50mm M.S. L section for cove light 36mm (2)ply on concrete slab

LVL+7750

23mm synthetic waterfproof decking wood. 24 mm ply sheet for fixing wooden deck 100*150 mm wooden planks as stiffners 18 mm ply sheet for fixing wooden deck 50mm Plaster on unfinished concrete floor

LVL+4900

LVL+4600

LVL+300 LVL+0.00

Detail A

REVIVE & REUSE - HOSPITALITY SPACE________________________________________________________

and mortar wall 10 mm paint and putty 20 mm thick clear glass 10*10 mm MS I section 10 mm white powder coated MS plate 20 mm MS white powder coated metal plate 28 mm thick wooden cross section 60 mm long 2 sided nut bolt 40 mm MS Section 40*20 wooden section as a buffer.

20 mm glazed ceramic patterned

LVL+300 LVL+0.00

Detail A

24 watt led strip for cove light 12mm wooden I section for light 30 mm plaster on jackarch 100 mm thick Brick jackarch

(a) Roof detail (Triple height)

Detail B: Roof

300 mm existing brick and mortar wall 10 mm plaster on unfinished brick and mortar wall 10 mm paint and putty

Details

20 mm glazed ceramic patterned tiles

al plate

24 watt led strip for cove light 12mm wooden I section for light 30 mm plaster on jackarch 100 mm thick Brick jackarch (b) Jack arch detail

Detail C: Ligh

DETAIL A

DETAIL B

REVIVE & REUSE - HOSPITALITY SPACE________________________________________________________

1. The simple yet expressive entrance leading to the spa witnessing the calm water body with a jist of lush green background.

MATERIAL BOARD

2. The Quintessential interior with floor length windows giving the adequate amount of brightness and pastel color scheme.

MOOD

The hospitality space has a soft and relaxing ambiance with a glam. as its a boutique luxury hotel, the space follows a mood & color palate reflecting the Quintessence.

3. The French balcony, protruding out which acts as an vital part of the space, giving the panoramic view of the city and witnessing the lush green campus.

REVIVE & REUSE - HOSPITALITY SPACE________________________________________________________

The rendered section from the courtyard, with beautifully caved arches and exposed bricks, amalgamated with the newly developed space made of the tripple height metal structure and glass skin.

THESIS______________________________________________________________________________________

MUSE

MUSEUM

2.01

ELECTR LIGHTIN

Lighting museums in Heritage building: A study of qualitative analysis Duration: 16 week This thesis is divided in 2 parts. The first part talks about, overviewing lighting through a theoretical comprehension stating the evaluation of light in museums with a transitional journey of lighting fixtures achieved by various lighting methods in museum space.

HERITAGE

Second part talks about, studying the environmental psychology theories and drawing them to lighting environment as well lighting designer’s ideology and its interpretation of approaches in museum spaces. Lighting design objectives along with Theoretical approach leads to case study. Adopting this structure, the secondary case study i.e. National Museum of Natural History- London, German Ivory Museum, - Germany, Kunsthistorisches museum - Vienna and the primary case study i.e. Bhau Daji Lad museum - Mumbai, Albert Hall- Jaipur are compared and the comparative analysis leads to the qualitative inferences. The conclusion is carried out by collecting inference of each study and analyzing and comparing the impact of prominent character as light in museum space.

Overviewing lightin methods in museum through setting a co Studying environme leads to case study. Conclusion is carrie

This thesis is divided of lighting in museum 3. Nature of lightin lighting in old herita

EUMS IN HERITAGE BUILDING QUALITATIVE ANALYSIS

18 | 19

Environmental psychologists Theory Setting a context

Secondary Case Study

Perceptional Approach

1. Museum of Natural history, London 2. German ivory museum, Germany 3. Kunsthistorisches Museum, Vienna

Spatial Narration

RIC NG

Emergence and opportunities of a Museum

Approaches

1. Visibility 2. Spatial 3. Atmosphere

Elements of Lighting

Case Study

Conclusion

Challenges and concerns

Practicality of Lighting

1. Bhau Daji Lad Museum, Mumbai 2. Albert Hall, Jaipur

Technical Concerns

Lighting Designer’s Ideology

Primary Case Study

ng through a theoretical comprehension starting the evaluation of lighting in museums with a transitional journey of lighting achieved by various lighting ms. Studying about spatial narration narration and challenges and concerns in museums space, where spatial narration refers to perceptional approach ontext and technical concern refers to practicality in space. ental psychology and lighting designer’s ideology and its interpretation of approaches of lighting. Lighting design objectives along with theoretical approach . Adopting this structure, the secondary case studie and primary case studies are compared and that comparative analysis leads to the qualitative inference. ed out by collecting inferences of case study and analyzing the impacts an application in space.

d into 5 parts where each part indicates each chapter: 1. An overview of lighting in Heritage Museum which helps in studying museums and opportunities ms, 2. Quality lighting for museums housed in Heritage building which helps in understanding quality of lighting in museums and aspects of its application, ng design which helps in understanding lighting through lighting design objectives, 4. Technical concerns which throws light in challenges and concerns of age building, 5. Case studies which helps in understanding application of qualitative lighting and deriving design considerations.

THESIS______________________________________________________________________________________

Abstract: Heritage building offers an immersive experience to museum visitors and like any well lit building it can narrate stories, communicate meaning and build a strong emotional response. Museums are not only documented history or showcasing objects, but also about adding immersive experience to history, which are being adopted by the new museums. Light plays a dual role in Museum spaces, i.e. by revealing the objects and by generating the ambiance. This study explores how quality lighting design can enhance spatial experience.

Aim: The role of quality lighting in museum supports the museum experience through the celebration of historic built environment. This thesis investigates the application of Lighting techniques based on lighting designers ideology and environmental behaviour theories applied in a museum space, housed in a heritage building and its application with a holistic approach using lighting objectives.

Objectives: 1. 2. 3. 4.

Studying the nature of light in museums in heritage buildings. Studying the quality lighting and aspects of its application. Studying lighting opportunities in museums. Studying general challenges and concerns for lighting in heritage building. 5. To analyze celebrated design and derive design consideration inferences for design application.

Significance of Study This study will help contributing emerging Interior designers to refer to the nature and techniques of Interior Lighting quality in museum space. It will put up the qualitative design and analysis of lighting a museum having historic background, serving a rational idea of systematic approach to identify the most efficient means to generate consistent optimum results for lighting Interior elements of Museum spaces.

Scope The study of lighting is focused on Museums in Heritage Building. It allows us to study qualitative aspects of light to enhance the space. This thesis will comprehend various Interior lighting elements and its approaches based on certain environmental psychologists, researchers and lighting designer’s theory. This thesis will talk about nature and objectives of interior lighting enhancing museum spaces and how tangible objects are perceived through an intangible source of light

20 | 21

Framework of case study involves 7 factors, where introduction helps in creating context, studying application by interpreting lighting designer’s ideology (i.e. Richard Kelly, Rogier Van der Heide, William Lam, McCandless) and environmental psychology(i.e. John Flyn, PAD Theory, Peak -end moment, Coherence & complexity), studying quality lighting through lighting objectives and inference based on observations, Impact and Applications. All 4 prominent factors lead to a qualitative approach. Outcome of the case study is “From creating anticipation on arrival to communicating drama on contemplation within the exhibition space”, which CREATES visual comfort, which OFFERS experience more memorable, which GENERATES justified lighting solution and conscious lighting decision which creates IMPACT in celebrating the built environment.

Natural history Museum

German Ivory Museum

Kunthistorisches Museum Bhau Daji Lad Museum

Albert Hall Museum

Natural history Museum

German Ivory Museum

Kunthistorisches Museum Bhau Daji Lad Museum

Albert Hall Museum

Diagram 3: Degree of Spaciousness

Surface

Directionality Continuity

Color

Texture

Reflection

Diagram 3: Degree of Visiblity

Discreet

Convivial

Magnificent

Adbhuta Rasa

Veer Rasa

Hasya Rasa

Diagram2: Lighting designer’s Ideology Shringar Rasa

Psycologist

Form

Non Uniform Scale

Uniform

Peripheral

Environmental Central Lighting

Diagram1: theory

Contrast

Brightness

Discernibility

Orientation

Biological needs

Activity needs

Darkness

Play of Brilliance

Complexity

Coherence

End Moment

Peak Moment

Dominance

Arousal

Pleasure

THESIS______________________________________________________________________________________

OBSERVATION_____________________________________________________________________________________________________

Albert Hall Museum

Diagram 3: Degree of Atmosphere

Though all museums have some or the other similar character in space, the degree of application play a main role, which is explained in the below matrix. It shows that even thought their are similarities, the prominent behaviour is observed where a conscious and justified lighting solutions are installed. It lacking somewhere in Indian museum, while its skillfully installed in International museums. These Qualitative Inference help to proceed towards the conclusion of the thesis.

CONCLUSION________________________________________________________________________________________________ In all these observation, Indian Museums are lacking somewhere in between & when critically observed, It has less degree of application. Strong contrast crates a dramatic response to space which helps in enhancing the experience. Adequate layer of Illumination which helps to celebrate built heritage as well as the objects within. Lacking control system and screen settings which lacks in scenography. It helps to create a strong visual comfort, spatial experience and mood based lighting. Hence all these factors leads to more SPATIAL experience then FUNCTIONAL experience in Indian museums

“Hence, conscious and creative decisions pertaining to quality of light helps to achieve immersive experience in heritage building, which makes experience more memorable, appreciable and celebrate built heritage.” From creating anticipation on arrival to communicating drama or contemplation within the exhibition space. There is more to a museum then what it displays. The lighting of museum and galleries needs to highlight and accentuate the texture, color and pattern to achieve that, Lighting objective i.e. Visibility, spaciousness and atmosphere are used to obtain the particular lighting. The lighting attributes of lighting objectives are used to create a visual impact to space while the spatial approach gives a perceptual impact to the space. The environmental psychology theories used by designers help create meaningful spaces that add value beyond just a function of seeing with light. These theories help to enhance the tangible things more adequately. These lighting approaches created by the above lighting techniques make the experience more immersive and influential.

INTERIOR DESIGN STUDIO 4: DESIGNING A STRUCTURE: MATERIAL, CONSTRUCTION & TECH.

3.01 BRIEF To design canteen/cafeteria space which has some structural identity to the space. The 400sqm space should consist of the back end and the front end of the canteen. Duration: 16 weeks CONCEPT A canteen needs a calm and relaxing ambience for food. So the concept was to create a space which has maximum access to open space. The space has 2 levels, so the openness is created by off setting the upper ground floor, such that it creates a visual connection with the context. The space is derived at an angle. As concrete is a versatile material, it is used to make the angular wall and roof such that harsh sunrays can be blocked by that angle as well diffuse light can filter in the space.

DESIGN DEVELOPMENT

The open to sky canteen needs to be t difficult to handle, while north gives a d sunlight, the south facade is complete west, such that the roof blocks the ha ground floor are derived through the s

28 | 29 THE DETAILS

A1 A2

D1 - Detail of plinth flooring B6

A1: 25 mm 800*600 mm grey kotastone flooring A2: 50 mm mortar on BBCC A3: BBCC 150 mm above slab A4: 100 mmSlab below plinth level

DETAIL A

B2 B3

D2 - Detail of glass railing fixed with FF slab.

B1: 10 mm glase with metal railing B2: 5 mm metal plate to fix concrete with metal B3: BBCC 150 mm above slab B4: 100 mmSlab below plinth level with 300 mm beam B5: 3 mm Metal railing B3: 50 mm mortar

DETAIL B

C1.1

C5 C2

Conceptual sketches before concluding to the final form

taken care of the harsh sun. The west & south sun becomes diffuse light. So the opening is facing east side for a tender ely blocked by a solid wall, while the angle is from east to arsh sunlight from noon to evening. The columns in lower same angle, and running the same language.

D3 - Detail of glass railing fixed with the ground floor plinth

DETAIL C

C1:200 mm structural wall C2: 25 mm 800*600 grey lotastone flooring B3: BBCC 150 mm above slab B4: 100 mmSlab below plinth level with 300 mm beam B5: 3 mm Metal railing B3: 50 mm mortar

INTERIOR DESIGN STUDIO 4: DESIGNING A STRUCTURE: MATERIAL, CONSTRUCTION & TECH.

DETAIL D2

DETAIL D5

DETAIL D7

DETAIL D6

D3 D4 D5 D1 D1 D2 D2 D5 D6 D3 D3 DETAIL D

D4 D4 D6

DETAIL D

E1 D5 D5

E2 E1

E3 D6 D6 E2 DETAIL D DETAIL D

D4 - Detail of skew wooden column E5 E5

DETAIL E

E4 E1 E1

E3 E3

E4 E4 F1

DETAIL D4

D5 - Detail of structural wall

DETAIL E DETAIL E

D1: 10 10 mm mm pivot pivot door door frame frame D1: D2: D2: 8 8 mm mm bolt bolt to to fix fix metal metal with with wood wood D3: 12 mm metal pivot plate D3: 12 mm metal pivot plate D4: 10 10 mm mm Pivot Pivot D4: D5: 50 50 mm mm mortar mortar D5: D6: D6: 300*200 300*200 mm mm beam beam

E2 E4 E2

DETAIL E

D1: 10 mm pivot door frame D2: 8 mm bolt to fix metal with wood D3: 12 mm metal pivot plate D4: D1: 10 10 mm mm Pivot pivot door frame D5: mmbolt mortar D2: 50 8 mm to fix metal with wood D6: mm beam D3: 300*200 12 mm metal pivot plate D4: 10 mm Pivot D5: 50 mm mortar D6: 300*200 mm beam

E1: 25 mm 800*600 mm grey kotastone flooring E2: 50 mm mortar on BBCC E3: mm above slab E1: BBCC 25 mm150 800*600 mm grey E4: 200*300 mm beam kotastone flooring E5:200 mmmortar exposed E2: 50 mm on concrete BBCC structural E3: BBCCwall 150 mm above slab E4: 200*300 mm beam E5:200 mm exposed concrete structural wall E1: E1: 25 25 mm mm 800*600 800*600 mm mm grey grey kotastone flooring kotastone flooring E2: 50 mm mortar on BBCC E2: 50 mm mortar on BBCC E3: BBCC 150 mm above slab E3: BBCC 150 mm above slab E4: E4: 200*300 200*300 mm mm beam beam E5:200 mm exposed concrete E5:200 mm exposed concrete structural structural wall wall

F2 F3 F1 F1 F3 F4

F2 F4 F2 F5 F3 F3 F5

D6 - Detail of concrete column

DETAIL F

F6 F4 F4 F6

DETAIL F

DETAIL D3 DETAIL DETAIL F F

F5 F5 G1 G2 G1 F6 F6 G3 G2

F1: 200* 300 mm exposed concrete column F2:300*300 mm connceting beam on slab F1: 200* 300 mm exposed concrete F3: 25 mm 600*800 mm grey column kotastone flooring F2:300*300 mm connceting beam F4: 50 mm Mortar on slab F5: mm600*800 concretemm slab F3: 150 25 mm grey kotastone flooring F6: 300*300 foundation of column F4: 50 mm Mortar F5: 150 mm concrete slab F1: F1: 200* 200* 300 300 mm mm exposed exposed concrete concrete F6: 300*300 foundation of column column column F2:300*300 mm connceting beam F2:300*300 mm connceting beam on slab on slab F3: 25 mm 600*800 mm grey F3: 25 mm 600*800 mm grey kotastone kotastone flooring flooring F4: F4: 50 50 mm mm Mortar Mortar F5: F5: 150 150 mm mm concrete concrete slab slab F6: 300*300 F6: 300*300 foundation foundation of of column column

G3 G4 G1 G1 G2 G4 G2

D7 - Detail of staircase

DETAIL G

G3 G3

G1: 25 mm stone G2: 8mm bolt to fix metal with stone G3: G1: 10 25 mm metal stone plate G4:12 mmbolt metal plate G2: 8mm to fix metal with stone G3: 10 mm metal plate

APPLICATION OF TECHNOLOGY______________________________________________________________

Project: Auditorio De Tenerife Architect: Santiago Calatrava Location: Santa Cruz De Tenerife, Spain Year: 1997 - 2003 Type: Arts Complex Style: Expressionist style, considered late modern architecture

4.01

Introduction: The Auditorio De tenerife by Santiago calatrava was designed by expressionist. The concrete building is characterized by its dramatic form of arch roof which sweeps up from the base till 58 meter, curving over main auditorium like a crashing wave, making it the first arch of its kind in the world.

To achieve Parametric conica in computer and then by 3D supporting roof assembly, in o out of steel skeleton and was c

PRECAST CONCRETE RIBBE

Sem 9 : Application of Technoloy 12 week course PROGRAM To pick an architectural Icon which conveys the application of Technology used in constructing. This analysis reflects Santiago Calatrava’s Auditoria De Tenerife, which is an expressionist style, late modern architecture and was completed in 2003.

This building is designed with no facade and it directs multiple suggestions like form of wave, moon, hull or a huge tongue. If one moves away from the structure, and the structure is against the sea, the auditorium looks like the mountain of form which is about to crash against the coast.

This auditorium is designed with no facade. The entire structure is the combination of 7-8 components like arched roof cantilever, supported by tail MS structure.

Initial stage of plotting the curve in paper for roof

cross section of framework carriag with moving and adjustmen equipment

Hence this components used to made up this iconic piece of architecture had used some technologies which have been studied in this mandatory subject. The entire structure is the combination of 7-8 components, starting from arched roof cantilever, supported by tail MS structure. The arch is covering main theater shell, having two side walls on both the sides.

Investor: Government Type: Arts complex Style: Expressionist style, considered late modern architecture Form: Organic and curvy Space; Open, Fluid, Solid Materials: Majorly Steel and Concrete Structure: Base platforms, prefabricated metal frames supporting precast concrete pannels.

30 | 31

This building is designed with no facade and it directs multiple suggestions like form of wave, moon, hull or a huge tongue. If one moves away from the sturcture, and that structure is placed against the sea, the auditorium looks like a mountain of form which is about to crash against the coast.

Internal Shell Construction by Parametrics

al roof inside the hall, it was first tested The conical fluted internal roof of D printing. It is a slender long span self concert hall order to give structural stability, it is made Testing was done in computer and then by 3d printing. It is a slender long span self supporting roof assembly. In order to give structural stability, it is made out of steel covered by reinforced concrete. skeleton and was covered by Timber wood for better aucostic quality.

ED ROOF

parametric shell construction

Technology used in this structure are 1. Parametric: Used to articulate interior of concert hall as well used as a sereen to brinf in diffused light from the top. 2. Precast Metal reinforcements: The entire structure is made out of Mild steel which is cladded further by concrete pannels. 3. Concrete Pannels: The curved precast pannels were assembled on site. The curve was formed by the form work as shown below and then was executed on site. 4. Base Platforms: The entire structure is supported on MS sections and that sections were reinforced into thick base platforms of concrete to counter balance the load evenly.

Parametric form of interior of concert hall

Benefits of these technologies 1. Parametrics helped to create uniform partitions radially. 2. Precast metal helps to reduce time as well makes them easy to install on site. 3. Pannels helped to reduce complexity of assembly as the entire precast wall would have been difficult to install. 4. The base of successive platforms helps to balance and divide the load uniformly which protrudes the heavy curved arch of the Main Hall.

The framework was used continuously for 32 segments in regular weekly cycles.

Concrete moulding

Empty flexible mould is cleaned up and pinned such that is results into expected curve. Concrete is then poured in it and kept for hardening. The hardened concrete then allows demoulding and is then sent to site.

ge Wing arches sitting over unusual conical nt roof of concert hall.

Resultatnt form after demoulding

The concrete pannel is moulded with ng over unusual conical roof of the little tongue and groove to give a grip between 2 units. It is further braces with metal T section which is attached with M.S. section with the help of pannel anchor.

Steps of concrete moulding Step 1: The plain flexible farma is greesed out for easy take off Step 2: The flexible farma is pinned up to achieve typical curve. This can also be done using a computer. Step 3: Concrete is poured in that farma Step 4: In order to deform or achieve more slope in that curve, it is compressed later as the wet concrete will fall of due to gravity. Step 5: These moulded pannel is kept for curing and hardening Step 6: It is Demoulded and is buffed for clean and crisp edges. Then it is ready to execute on site.

APPLICATION OF TECHNOLOGY______________________________________________________________

all

Steps of Construction on Site

Construction started with side entrance shell. A curved steel structure and was covered by reinforced concrete pannels.

The entrance deck, which started with metal structure and cladded with concrete pannels.

Prefabricated curved frame were installed on site which was cladded by concrete sheet.

e the en by supctural d was

was unporting

ng roof e. Geoner shll edge of oustical smooth

Prefabricated Ribbed cross braced structure was installed on site and was cladded with concrete sheet.

The stage and office area were asted in concrete on site.

In order to give expression of wave wall, precast ribbed installed on site, which was further cladded with precaste concrete sheet.

roof was ed curved

APPROPRIATE & EMERGING DESIGN TECHNOLOGY__________________________________________

EVOLUTION OF FORM FROM CUBE

4.02 APPROPRIATE & EMERGING TECHNOLOGY SEM 8 (16 WEEK COURSE)

DESIGN

SLICING OF CUBE (MASS)

To design a parametric furniture piece based on the site given. According to the observations of case study, regardless of small seating elements in between display system, There is no pause point in store. So this furniture piece will define a pause point in store while walking through Alley. The design is evolved by an existing rectangular form as shown in the process, with no back rest in order to give flexibility in seating on either side.

ADDING CURVE AND REDUCING MASS FROM ELEMENT

This element is to be placed in the center of Alley of a sports store, such that one can have a wider look at the panoramic scene while seating. This bench supports multi posture sitting keeping customers experience more interactive with surrounding display racks. Software used: Basic modeling: Design development: Rhino-Grasshopper Rendering: 3Ds Max

ADDING CURVE IN 3 DIRECTION TO MODULATE SURFACE

32 | 33

APPROPRIATE & EMERGING DESIGN TECHNOLOGY__________________________________________

This seating space is located at the junction of aisles. So this seating gives flexibility to sit on either side of the bench. This curves we derived from the clay model using dummy human at 20 scale, and are replicated in 3D software. The curve gives a flexibility to sit w or without backrest on either side and also allows multiple people, to sit in multiple posture at the same time.

ere with

FURNITURE DESIGN________________________________________________________________________

4.03 FURNITURE DESIGN SEM 3,4 (16 WEEK COURSE) Part 2_SEM 3_ Wooden chair To make a wooden chair inspired by a furniture designer and goes in the space designed by architects. This chair was inspired by FLW Robie 1 chair. Learning outcome: Context oriented furniture piece, hands on experience with hand tools and workshop machines. The machines used in making process are Wood cutting machine, circular saw, power drill, Table saw, Combination machine, Sanding machine and Wood working machine. Part 2_SEM 4_Metal chair To replicate a metal chair by figuring the joineries as well the modes of shaping metal components using workshop machines/tools. Learning outcome: Visually breaking down the chair into components, Using workshop tools like Milling machine, drill machine, Welding machine (MIG & stick), lathe machine, buffing machine, hand shearing machine, Pipe bending machine, Heavy metal cutting machine & hand grinder machine.

34 | 35

Exploded parts of metal chair

CONSTRUCTION TECHNOLOGY____________________________________________________________

4.04 CONSTRUCTION TECHNOLOGY SEM 2,3,4 (16 WEEK COURSE) Part 1_SEM 2_ Hands on wall making. Learning Outcome: Brick foundation, wall construction, using masonry tools, Part 2_SEM 3_ Hands on Bamboo dome Learning outcome: Bamboo dome construction, treating joints, splitting bamboo, bending bamboo, dome foundation.

After digging the trench, a layer of brick-batcement-concrete, and 5 layers of foundation courses,the first layer of the wall was started. The model was first replicated with bricks stacked without mortar for confirmation of brick bonding. However, in that brick exploration, there were problems in bonding. Hence, there were on-site changes to the angle of the bricks in each course,the trial being done on actual bricks and not the small modular ones. A stensil was created to replicate the angle onto the actual location and the first brick was placed. A1cm thick tile found on the ground is used as a mortar thickness spacer,

FACULTY: HAMID RAJ, VISHAL MEHTA

After digging the trench, a layer of brick-batPart 3_SEM 4_ Truss System cement-concrete, and 5 layers of foundation Learning outcome: courses,the first layer of the wall was started. Tension and compressive members, The model was first replicated with bricks Types of truss, Failure in truss, Types of load and load transfer. stacked without mortar for confirmation of The brick wallbonding. is made up by using tools for construction which started by digging brick However, in various that brick explorafoundation with laying brick bed for in base of the wall, measuring levels through spirit level, and tion, there were problems bonding. Hence, the making mortar and brick courses on the top, lastly finishing it off by polishing the brick there on-site changes to the angle of the using red brickwere powder. bricks in each course,the trial being done on actual bricks and not the small modular ones. A stensil was created to replicate the angle onto the actual location and the first brick was placed. A1cm thick tile found on the ground is

36 | 37

A bamboo dome by splitting bamboo and using rope and fine mud as a binding agent.

Mud foundation used to build a firm base and creates proper grip for bamboo.

(a)

(b) Truss which can carry weight upto 10 kgs, made out of cardboard.

(a) Bamboo dome made up of spitted bamboo & tieing it internally with rope and fine mud as a binding agent. (b) Truss made out of compressive and tension members.

SUMMER-WINTER SCHOOL________________________________________________________________

5.01 SUMMER WINTER SCHOOL Summer Winter School offers to cherish additional skills of your interest in Non Academic months. It helps in exploring emerging areas, provides space to test new ideas and methods, Facilitates experience in different genre, helps in understanding critical sites and situations and creates an opportunity to learn hands on. All courses have been done in the group of 10-15 people. This courses are for short durations of 2 weeks.

SWS 1_SEM 1_ RSP1: Documentation and Appriciation of the Heritage of Ahmeda

OBJECTIVE: Measure Drawing old pol house, Sketching the heritage details, defig architecture style of Ahmedabad. Drafting the pol house focusing on the materials an

LEARNING OUTCOME: Understanding of pole house construction, Space plann house, making detail drawings

abad

gning typical nd joineries.

ning in pole

38 | 39

SUMMER-WINTER SCHOOL________________________________________________________________

The essence of Goan architectures capture in frames. the colorful construction depicts Portugal construction with portico and sloppy roofs. The sloppy roof supports the monsoon rains and channel then to ground. Balcao acts as crowning element in goan architecture.

SWS 3_SEM 3_ RSP 2: Making of Goan house OBJECTIVES: Contextual study of old Goan house architecture. Observing details defining Portuguese architecture, Replicating one of the house into model, highlighting significant architectural element used in this style. LEARNING OUTCOME: Understanding Portuguese construction, Character of Goan House, Model making skills.

SUMMER-WINTER SCHOOL________________________________________________________________

The canvas painting created by screening technique, while the light installation create using tie and dye technique. The artwork was creted by 13 people in group, contributing various aspects of fabric dying process in multiple way.

SWS 2_SEM 2_ Exploring Fabric Processes OBJECTIVE: -Reconising types of fabrics and best suitable fabric for dyeing. - Intricacing of working with different fabrics. -Basic & Advanced techniques of fabric processing using cold and hot dyeing techniques using both natural and chemical dyeing processes. -Several hand dyeing techniques & block printing, screen printing as well marbling on various mediums. LEARNING OUTCOME: Dyeing techniques like cold dye, hot dye, Marbling, Screen printing, Block printing & fabric painting on various mediums.

SUMMER-WINTER SCHOOL________________________________________________________________

The free plan of phillips pavillion and the nature of its expression, is very unique with hypers, explored in surfaces and planes and the roof and creating a closed form of purpose of exhibition. Learning outcome: Designing with curving hypar and straight support that further defines hypar by free flowing form in plan.

The free flowing plan holds the vertical supports but in inclined position and the changing curve in the three dimensional nature supports the form in the surface and created a form that is carved out of hyperbola but designed to best suit hyperbola and to design its verticality to fullest. The covered roof was designed for shade and filtered light LEARNING OUTCOME: Exploration in two dimension gives rise to a new hypar when projected in three dimension and vertical revarsal of the curve adds to the function and can be modified with the need as designed. The form itself can be a piece of exhibition when placed in the trade fair.

The plane in its curve form was explored while revisiting the pavillion. The convex and concave were reversed and the similar process was opted as done for phillips pavillion. The verticality of the formwas kept consistant with acute angle division and the equal division of the form was played in symmetry with chnage in hyperbolic curve giving the form a new defination. The depth of the space was squezed and the curve was explored keeping in mind the motion one opts for while visiting an exhibition.

SWS 4_SEM 4_ Explorations in modular aspects of Hyperbolic paraboloid forms. OBJECTIVE: -Clarity of form: Paper modules, alteration & exploration using the material. -Precedent study: three structure taken as base of study, prototyping models, -Human Scale model: Bamboo as a base material to make 2 of the selected prototype structures. ACCOMPLISHMENT: Basic knowledge of tensile structure, hands on bamboo installation, Understanding hyperbolic and paraboloid form, properties of bamboo, execution on site.

ANCILLARY ACTIVITIES_____________________________________________________________________

5.02 ELECTIVE WORK (a) Ceramic workshop exploration where the ceramic is being explored by different techniques like raku firing, kilning, glazing through dipping, pouring, painting, sponging, spattering etc. (b) Clay crafting: To model a hand out of clay and to give the maximum possible details. This clay modeling required clay modeling and sculpting tools like wire cutter, needle (a) The ceramic art pieces were made out of clay, which was further glazed by ceramic glazing paint, and tool, loop tool, wood modeling tool, putting that art piece in the kiln in raku firing pot. sponge etc. (c) Abstract painting through fluid art: Medium: oil colors & hardboard (d) nature through collage. Medium: craft paper, texture paper, plain papers & 2’*2’ hard board. (e) Free hand sketches (f) Replica of Diamond chair by Harry Bertoia. (g) Exploring various mediums with same painting. (h) Fabric marbling on silk.

(d) Collage

42 | 43

(b) Clay crafting

(g)

(e) Free hand sketche

(f) Dimond chair model

(h) Fabric Marbling on silk

ANCILLARY ACTIVITIES_____________________________________________________________________

5.03 AUXILIARY WORK It consists of involvement in extra auxiliary work apart from academic schedule.

1. Conducting Roots workshop, 2020 Roots is an annual festival of CEPT university which helps in polishing the skills apart from academic schedule. This workshop’s objective was to try hands on marbling skills on various mediums like fabric, Paper, mug, bottle, book cover, tote bag etc. And it was later displayed on CEPT roots mela for sale. 2. Designing lamp for navratri at CEPT garba, 2017 The light was placed in a darker area, which inspired to put a light which plays with light and shadow. The installation was installed at different height, giving the back wall a patterned shadowed wall. 3. Designing an installation for CEPT garba, 2019 The panel is made up of sandwiched toughened glass. When light thrown from on edge crackled up the entire glass unit. This installation was kept in on entrance walkway, giving an indirect light on walkway through crackled effect on floor while entering.

This work consist of the imparting marbling skills to other student in the various mediums. All the items made by the students in that workshop was later displayed in the CEPT Mela. Merchandise stall has glass bottles, mugs, silk stalls, paperbags, diary covers etc.

44 | 45

Exploration with crackled plan and toughened glass. The crackle created in glass allows light to pass in a predefined manner. The cracks created total internal refection and helps light to fall in 3rd dimension. It created the pattern through cracks which is visible in shadow. The light source i.e. the strip light is mounted on the periphery which throws light from all 3 direction.

ANCILLARY ACTIVITIES_____________________________________________________________________

The lamp was made up of total 60 elements and the joinery was such that it did not requited any glue. The 2 wooden frame was sticked together by a lap joint and the support members were added by giving a small groove on the edge.

INTERNSHIP_______________________________________________________________________________

RITU NANDA DESIGN (Mumbai)

(June’18-November’18) INTERNSHIP_ RITU NANDA DESIGN

A medium sized firm, located in Mumbai, handling luxury residential projects mainly in goa as well in mumbai and across India. Over the journey of 6 months, this firm helped to gain experience in concept presentation, look and feel presentation, mood boards, Detail drawings, CAD drafting, model making and execution. The acquired skills after this internship was furniture designing, Mood board, visual presentation and composition in interior space, furniture selection, color and material selection, details, Interior styling and luxury touch to a space.

46 | 47

Worli Seaface_Mumbai

GYPSUM FALSE CEILING SAME LEVEL OF PASSAGE CEILING

6.01 900 1200

3070

MANDIR GLASS WINDOW ON PIVOT DETAIL TO BE DISCUSSED

Softwares used: AutoCAD for all detail drawings. Hand sketch on paper for resolving the design in the initial stage and Indesign for presentation board.

KITCHENETTE WALL

WALL TO BE FINISHED IN AS APPR. SHADE IN ROYAL PAINT

F.F Level

LED LIGHT IN SIDE HAND RAIL AS PER REF. IMAGE STAIRCASE HAND RAIL PANELING IN AS APPR. OLD BTC WOOD / VENEER TO BE CONFIRMED WALL 900MM HT. ON 2ND FLIGHT FINISHED IN AS APPR. WALL PAINT

ADDITIONAL HAND RAIL IN WOOD WITH BRACKETS ON 1ST FLIGHT KINDLY CONSIDER IN QUOTE

STAIRCASE TRADE AND RISER IN 25MM THK. OLD BTC WOOD

DETAIL 'A' 7

WALL SIDE SKIRTING HEIGHT 100MM HEIGHT FROM TRADE FRONT EDGE

G.F Level

DETAIL Skirting 100mm height from tread.

ELEVATION AT AA' 60

tread and riser in 25mm thk old btc wood finished MRF pu polish

21 22

25 26 DN

WALL SIDE SKIRTING HEIGHT 10MM HEIGHT FROM TRADE FRONT EDGE

R.C.C Waist slab

150

WALL 900MM HT. ON 2ND FLIGHT FINISHED IN AS APPR. WALL PAINT

12mm Nosing

ADDITIONAL HAND RAIL IN WOOD WITH BRACKETS ON 1ST FLIGHT KINDLY CONSIDER IN QUOTE STAIRCASE HAND RAIL PANELING IN AS APPR. OLD BTC WOOD / VENEER TO BE CONFIRMED

1282

BETWEEN STAIRCASE TRADE AND PASSAGE FLOOR TILE BRASS T PROFILE

1213

Design process: The design started with a mood board and the drawings. The project started 1 year ago. The space has a finely designed small details in every nooks and corner. My contribution: Working with detail junctions, detail of staircase, detail of mandir, detail of wardrobes etc.

14 13 12

1213

Project brief: The 3 ultra luxury villa in one property, each for one brother, having individual pool and garden but sharing same compound. The client wanted a celebrity style ultra luxury space which gives a feel of proper Goan house as well add a contemporary vibe to the space. The scope of design was wider as the Interior was designed simultanious with architecture by this firm.

MLB 230X780

900

Client: Rakhee Salgaokar

154 [6"]

SALGAOKAR VILLA 2_GOA 900

SALGAOKAR VILLA_GOA___________________________________________________________________

AC UNIT

4318 chk. on site 60

4378 CHK. ON SITE

STAIRCASE PLAN- VILLA 2

PROJECT SALGAONCAR_GOA_VILLA-2 NOTE: · ALL DIMENSIONS ARE IN MM UNLESS SPECIFIED · ANY DISCREPANCIES SHOULD BE CLARIFIED WITH THE ARCHITECT / INTERIOR DESIGNER · DONOT SCALE THE DRAWING FOLLOW THE WRITTEN DIMENSION

VILLA -2 PROPOSED STAIRCASE DESIGN DETAIL DRAWING

N E

W S

LOCATION : GOA

REVISION : DATE :01-10-2018 SCALE : NTS

DRAWN BY: Shlok

CHECKED BY:Nav

LED STRIP COVE LIGHT, INFUSED 4" IN RAILING, COVERED BY TRANSLUCENT/CLEAR ACRYLIC ACCORDING TO THE CONVIENCE.

veli

163 [6"] 102 [4"]

254 [10"]

LOCKABLE DRAWER

1960 [6'-5"]

LOCKABLE DRAWER

PULL OUT GLASS DRAWER FOR REGULAR CLOTHES

12 MM PLY FIXED FOR LED STRIP TO REST ON.

NURSE ROOM WARDROBE

L 'A'

254 [10"]

25 mm MOULDED WOODEN RAILING IN ELEVATION, RUNNING ALONG WITH STAIRS.

721 [2'-4"]

25 mm MOULDED WOODEN RAILING OF BTC WOOD

1880 [6'-2"]

2439 [8']

1108 [3'-8"]

459 [1'-6"]

48 | 49

DETAIL 'B'

RITU NANDA DESIGN ADDRESS: 2nd FLOOR , SIDHWA ESTATE ,OLD BMP BLG. , N A SAWANT ROAD, COLABA ,MUMBAI - 400 005. EMAIL ID:ritunandadesign@gmail.com

ONSITE IMPLIMENTATION The implimentation of drawings and details on site, which nearly took 2 weeks in complition. The details in AutoCAD, being reflected on site and these details helps in engaging the Goan vibes in space.

BINNY CREASENT_BANGLORE________________________________________________________________

6.02

BHAVNA’S ROOM OPTION-1 Room Mood Board_Sister’s

DATE : 28.09.18

RITU NANDA DESIGN MUMBAI

BINNY CREASENT_BANGLORE Client: KL Rahul (Indian cricketer) Project brief: A residential appartment designed for KL Rahul and his family. The 2 storied appartment in banglore where one floor for KL rahul while other for his sister and parents to be designed. the luxury interior needs a glam touch as well a subtle palate. Design process: The design development started by mood boards and look and feel of the space. It was followed by the concept drawings, and layout. It went to and fro with the client meetings and moved forward to the material palate of the space.

BHAVNA’S ROOM OPTION-1 Room 2 Mood Board_Sister’s

Mood Board_KL Rahul

RAHUL’S BEDROOM OPTION-1 BINNY CRESCENT, BANGALORE

DATE : 17.09.18

DATE : 27.09.18

RITU NANDA DESIGN MUMBAI

My contribution: Worked with the preliminary mood board of the space, the conceptual 2D drawings, furniture selection, resolving the detail of the staircase through 3D modelling, material selection and rate comparition in BOQ. Softwares used: Indesign for moodboard presentation AutoCAD or 2D drawings 3Ds max for modelling.

KL'S BEDROOM REFERENCE

BINNY CRESCENT

PARENTS Board_Parents ROOM – OPTION 2 Mood Room BINNY CRESCENT, BANGALORE

NOTE: • ALL DIMENSIONS ARE IN MM U • ANY DISCREPANCIES SHOULD • DO NOT SCALE THE DRAWING DATE : 28.09.18

RITU NANDA DESIGN MUMBAI

50 | 51 REFERENCE STAIRCASE

WALK IN WORDROBE REFERENCE

PROJECTOR ROOM REFERENCE

PROJECTER 1'-6"X7'-3"

WARDROBE 12'-10"X2'-0"

BAR TROLLY GLASS ON PIVOT

SIDE TABLE 18" DIA

BHAVNA'S BEDROOM REFERENCE

SIDE TABLE 18" DIA

STORE ROOM FOR SUITCASE AND LINEN

SOFA CHAIR

BALCONY 5'-5"X5'-9"

SIDE TABLE 1'-8" X 1'-8"

DRESSER 4'-0"X2'-0"

ISLAND STORAGE FOR ACCESSORIES 4'-3" X 2'-6"

SIDE TABLE 18" X 18" DIA

WALK IN WARDROBE 12'-10" X 14'-8"

ACCESSORIES STORAGE 6'-0" X 1'-6"

EXISTING L-SHAPE SOFA

GLASS ON PIVOT

LAMP

WARDROBE 5'-0"X2'-0"

SIDE TABLE 1'-8" X 1'-8"

KING SIZE BED

PROJECTOR ROOM 15'-5"X14'-9"

SIMBA'S BED

LOBBY 6'-5" X 4'-11"

WARDROBE 6'-0"X 2'-0"

SOFA

AWARD DISPLAY 7'-0" X 1'-0"

SIDE TABLE 1'-8" X 1'-8"

WASH BASIN COUNTER

STORAGE 2'-0" x 2'-0"

FULL LENGTH MIRROR

COUNTER

MASTER BATHROOM 9'-2" X 8'-8" BALCONY 5'-5"X6'-7

WASH BASIN

BHAVNA'S BEDROOM 16'-10" X 15'-4"

BATHROOM 9'-2" X 8'-8"

STORAGE 1'-8" X 1'-5"

CHAIR

DRESSER 5'-0" X 20"

STUDY TABLE 5'-4" X 20"

METAL AND GLASS PARTITION KING SIZE BED

SIDE TALBE

FOOT BENCH WITH STORAGE

KL'S BEDROOM 15'-3"X11'-8"

SHOWER

SIDE TALBE SOFA CHAIR

STRORAGE 2'-0" X 1'-3"

WALK IN WARDROBE 5'-0" X 7'-0" BATH TUB

LAMP

WARDROBE

REFERENCE BHAVNA'S BATHROOM

REFERENCE FOR WALK IN WARDROBE

AREA FOR FOURTH FLOOR 1270 SQ.FT

KL'S BATHROOM REFERENCE

OPTION FOR SCREEN

REFERENCE DRESSER

TOTAL AREA- 3,500SQ.FT KL'S BATHROOM SCREEN REFERENCE

KL'S BATHROOM REFERENCE

UNLESS SPECIFIED D BE CLARIFIED WITH THE ARCHITECT / INTERIOR DESIGNER G FOLLOW THE WRITTEN DIMENSION

E N

RITU NANDA DESIGN

FOURTH FLOOR

DATE: 27-07-2018 SCALE- 1:75 LOCATION: BANGLORE

Drawn by: Shloka Checked by:

Address: Central Bank Building, 4th floor,office no:7 , Sunshine. Flora Fountain,Fort,Mumbai-1. email id:contactritunanda@gmail.com

500 [1'-8"]

3500 [11'-6"]

2200 [7'-3"]

927 [3'] 2600 [8'-6"]

193 [8"]

OUTDOOR LIVING

150 [6

1356 [4'-5"]

LVL. +7.855M DINING ROOM

3395 [11'-2"] LVL -1.727M

LVL -1.877M

LVL. +8.755 M

DECK

SECTION DD

2482 [8'-2"]

SERVICE AREA LVL. +8.905 M

2450 [8']

3114 [10'-3"]

+7 VER

VERANDAH

933 [3'-1"]

SWIMMING POOL

423 [1'-5"]

Project brief: To propose a villa which was kept on sale. The property was on a slope, to the challenge was to built the entire villa complimenting that slope. This luxury house witnessed a pool, terrace, courtyards, garden as well the detailed Goan elements giving the vibe of Goa.

1237 [4'-1"]

Client: N/A

2191 [7'-2"]

KITCHEN LVL. +9.055 M

3200 [10'-6"]

3050 [10']

ANJUNA VILLA_GOA

My contribution: Model making to figure out the slopw in roof versus the ground. Preliminary section.

OLYMPIA - GOA

500 [1'-8"]

DECK

2482 [8'-2"]

2200 [7'-3"]

OUTDOOR LIVING

VERANDAH

933 [3'-1"]

423 [1'-5"]

SWIMMING POOL

LVL -1.727M

927 [3'] 2600 [8'-6"]

LVL -1.877M

193 [8"]

2450 [8']

3395 [11'-2"]

NOTE: • ALL DIMENSIONS ARE IN MM UNLESS SPECIFIED • ANY DISCREPANCIES SHOULD BE CLARIFIED WITH THE ARCHITECT / INTERIOR DESIGNER 1356 [4'-5"] • DO NOT SCALE THE DRAWING FOLLOW THE WRITTEN DIMENSION

3114 [10'-3"]

Softwares used: Model making through buffboard AutoCAD for drawings.

1237 [4'-1"]

ANJUNA VILLA_GOA_______________________________________________________________________

6.03

OLYMPIA - GOA NOTE: • ALL DIMENSIONS ARE IN MM UNLESS SPECIFIED • ANY DISCREPANCIES SHOULD BE CLARIFIED WITH THE ARCHITECT / INTERIOR DESIGNER • DO NOT SCALE THE DRAWING FOLLOW THE WRITTEN DIMENSION

3639 [11'-11"]

ENTRY FOYER

LVL ±0.00M

ROAD

2000 [6'-7"]

VERANDAH LIVING / DINING

2400 [7'-10"]

1127

4105 [13'-6"]

4610 [15'-1"]

LVL. 7.705 M RANDAH

5179 [17']

4400 [14'-5"]

6"]

3091 [10'-2"]

4765 [15'-8"]

52 | 53

CAR PORCH LVL -2.327M

VERANDAH

SWIMMING POOL

3639 [11'-11"]

4765 [15'-8"]

SECTION- AA

RITU NANDA DESIGN

DATE: 18-08-2018

DRAWN BY: SHLOKA

LOCATION: GOA

CHECKED BY: NAVELI

Address: Central Bank Building, 4th floor,office no:7 , Sunshine. Flora Fountain,Fort,Mumbai-1. email id:contactritunanda@gmail.com LVL ±0.00M

ROAD

2000 [6'-7"]

ENTRY FOYER

2400 [7'-10"]

VERANDAH LIVING / DINING

1127

4105 [13'-6"]

4610 [15'-1"]

5179 [17']

4400 [14'-5"]

SECTIONAL ELEVATION

CAR PORCH LVL -2.327M

VERANDAH

SECTION- AA

SECTIONAL ELEVATION

RITU NANDA DESIGN

DATE: 18-08-2018

DRAWN BY: SHLOKA

LOCATION: GOA

CHECKED BY: NAVELI

Address: Central Bank Building, 4th floor,office no:7 , Sunshine. Flora Fountain,Fort,Mumbai-1. email id:contactritunanda@gmail.com

TRAINEE__________________________________________________________________________________

54 | 55

ATELIERDADA:Architets light (Ahmedabad) (June’20- Present)

TRAINING AFTER GRADUATION A small sized firm, located in Ahmedabad, handling luxury, corporate, commercial projects across India as well national projects. Over the journey of 12 months, I had aquired the skills like making a lighting layout which gives a spatial character to space, and planning using the theories of lighting designers like Richard Kelly, John Flyn, William Lam etc. The lighting layout includes Interior lighting, Exterior lighting, Facade lighting and Landscape lighting. The projects starts with a concept presentation, where the proposed lighting is being rendered in photoshop, and convering a day view into a night view with lights, followed by testing the lights in Dialux software. It calculates the LUX level and gives the realistic effect of light used inside the space. The luminaires are then selected by using the Dialux model. The design development space caters to the preliminary luminaires used in the space which later converts into tender stage, where the looping and control schedule are used to create scene setting and the type of automation strategy used in each switch, Fiture kit list and BOQ. Hence, every single project deals with indesign presentation with Photoshop rendering, Dialux testing of space with CAD drawings and control schedule and automation strategy in Excel and a 3D model and shop drawings of any proposed lighting element.

DESIGN DEVELOPMENT____________________________________________________________________

6.04 NATIONAL PARLIAMENT BUILDING _NEW DELHI Client: Indian Government Project brief: Interior & Exterior lighting of National parliamet building, which includes Lok Sabha, Rajya Sabha, offices for Rajya Sabha members, Speaker office, PM office etc. The scope of light was offered in interior, exterior and landscape around it.

Design process: Concept presentation with proposed rendered images, Dialux testing followed by Design development phase where preliminary fixtures were selected, then Tender stage where looping & Grouping with control schedule and atomation strategy. RFQ, Rate analysis, BOQ and fixture kit list was submitted in tender stage which was later followed by GFC stage. My contribution: Concept stage- 3D Renders in photoshop, Interior Presentation, DD phase- preliminary lighting layout, Tender stage; Grouping, Control schedule and automation starategy, Detail of lighting in lok sabha hall ceiling, Proposed luminaires i.e. the chandeliers and decorative lights in 3Ds Max. Softwares used: Indesign, Photoshop, Autocad, Excel, 3Ds Max.

Due to the National project, Under NDA the drawings and details are not allowed to be disclosed till Completion. (All rights are reserved under confidentiality and Non disclosure agreement for development of Parliament building, New Delhi)

CONCEPT DEVELOPMENT___________________________________________________________________

6.05 CENTRAL SECRETARIAT BUILDING BLOCK_ NEW DELHI Client: Indian Government Project brief: Interior & Exterior lighting of National Secretariat Building, which consist of various ministries like Agriculture ministry, Defence ministry, Foreign exchange ministry etc. This building has work halls for the govt servents, individual office for each minister, conference space, multipurose hall etc.

Design process: Concept presentation with proposed rendered images, Dialux testing followed by Design development phase where preliminary fixtures were selected, then Tender stage where looping & Grouping with control schedule and atomation strategy. RFQ, Rate analysis, BOQ and fixture kit list was submitted in tender stage which was later followed by GFC stage. My contribution: Concept stage- 3D Renders in photoshop, Inteior Presentation, Section render through courtyard of the building in Photoshop, delivering the lighting ambience at night, Dialux testing of few spaces. Softwares used: Indesign, Photoshop & Dialux Due to the National project, Under NDA the drawings and details are not allowed to be disclosed till Completion. (All rights are reserved under confidentiality and Non disclosure agreement for development of Central Secretariat, New Delhi)

58 | 59

Extentio

180

Driver si fixture ty

Top of luminaire to be aligned with the top of cove Coffered ceiling Luminaire type: I1 - IP20 Integrated 8W/RMT LED linear flexible striplight with diffuse cover I3a 75and mounting profile, 3000K 130 Luminaire type: RC1 - IP20 Recessed ceiling 30 degree distribution 13W LED downlight, 3000K 150

Packing as required, by others

Luminai furniture diffuse c Existing

POP cornice on coffered ceiling. Cove dimension to be changed from 7mm*200mm to 150mm* 200mm for better lighting. Architects to confirm

Packing

L 100 Detail D5:- Plan of Glass112 at the 100 end of Corridor

Driver size 150*50*30mm for luminaire type I1. Scale:-1:5 Packing as required, by others

Scale:-1:5

Detail:-D3-Coffered ceiling (Family lounge) option 2

Detail:-D4-Formal

AD Sugg

Proposed chandelier and Proposed Keep provision of wall point for Fan for dresser, Architect shelf to confirm. integrated lights

Trapdoor Trapdoor to be shifted. luminaire typetoI1 Architec Arc Architect to confirm Proposed chandelier for corridor Architect to confirm

Proposed chandelier and Fan layout dresser, Trapdoorfor to be shifted.Architect to confirm.

architects to confirm 2nd Cove to be removed as per latest presentation Architects to confirm Please refer detail D3 for cove lighting in coffered ceiling

POP CEILING Lvl. 3000

METAL CLADDED CEILING Lvl. 3500

A-A' B-B' Lvl. 3370

POP CEILING

Lvl. 3770

W1 G-06

G32-FF

POP CEILING

G67-GF

9m@I6a

Lvl. 3350

G37-FF

2@RC3b

RW1

POP CEILING Lvl. 3600

SW5

RW1

G50-GF

14@TM2

POP CEILING Lvl. 3850

SF2

ST9

16@TM2

G44-FF

G42-FF

G68-GF

5@TM3g TM3f

23.4m@I1a

SW7

Lvl. 3100

G79-GF

4@TM3e 3m@TR1

8.2m@TR1

3100 4@RW1aLvl.PC16

POP CEILING Lvl. 3700

G168-GF

12@TM3e G81-GF

4@RC1b

G20-FF

4@RC1a 13.6m@TR1 G17-FF

PC13

ST8

4@RC2a

POP CEILING Lvl. 3150

4m@I3a

4@TM2a

Lvl. 3450

G85-GF

12@TM3e

G01-FF

Lvl. 2800

POP CEILING G101-GF

8@RC3

4@RC6a

G55-FF

ST5Lvl. 3700

G09-FF

G62-FF

PC22

C7 2@RC3 3m@I6 G97-GF G03-FFSW6

ST5SW8 G57-FF

1.3m@I6

G99-GF

G05-FF

G56-FF 14.8m@I1

POP CEILING

W1 G-10

G104-GF TOILET-2 1.5m@I3a G-12 +2600MM FFL +2500MM TOS5.3m@I6 G102-GF G58-FF 4@RC2a POP G103-GF CEILING 5.6m@I1 Lvl. 3700

RC2

14.3m@I1 G95-GF

G96-GF

5.8m@I6

POP CEILING

PC23

Lvl. 2800

SW1d G68-FF

RC2a

SW1d RC2a G63-FF

G113-GF

SF4

G67-FF

G105-GF

G04-FF

G15-FF

G94-GF

G69-FF

G61-FF

SW1b G92-GF

4@RC3

4@RC6a

G114-GF

1m@I5

Lvl. 3770

POP CEILING

G106-GF

G06-FF

W1 G-09

G107-GF

G54-FF

Lvl. 2950

G100-GF

G93-GF

G02-FF

POP CEILING Lvl. 3350

G72-FF

2@SW3

4@RC1

Lvl. 3100

POP CEILING

RC2a

PC10

16@TM3e 8@TM2a

6.2m@TR1

4.2m@I5

G53-FF

POP CEILING

POP CEILING Lvl. 3250

G10-FF

G08-FF

POP CEILING Lvl. 2800

G111-GF

ST6

2@S

S5B

G50-FF

6.3m@I1

G152-FF

G150-FF

HER DRESSER

POP CEILING

G91-GF

4@RC2

PC16 G86-GF

SW6

G156-FF

3.6m@I5

1.3m@I6 G98-GF

SW8

G110-GF

ST6

G51-FF

5@TM3d

G90-GF

G11-FF

Lvl. 3350G07-FF

G52-FF

4.7m@I5

1.8m@I5

POP CEILING

G14-FF

14@TM2 ST8 23.7@TR1 D3

G12-FF

POP CEILING Lvl. 3100

S5A

2@TM2

G47-FF

RC2a G89-GF

G138-GF

3.6m@I6

5.4m@TR1 G59-GF

G58-GF

5@TM3d

SW1a

10.7m@TR1

G75-FF

Lvl. 3450

5@TM3d G66-GF

SF3

8@TM3d

8@TM3e

5.4m@TR1

G16-FF

G13-FF

G84-GF

7@RC

G51-FF POP CEILING G136-GF Lvl. 2800 9.3m@I1

POP CEILING G137-GF

G48-FF

G24-FF

2@RW1a

G83-GF

10@TM2a

G135-GF

3.6m@I6

PC12

4@TM2

G25-FF

9.4m@I1b

Lvl. 2800

G82-GF

16@TM3e

11.8m@TR1

Softwares used: AutoCAD for all detail drawings. Microsoft Excel for control schedule ad automation strategy. Hand sketch on paper for resolving the design in the initial stage.

G61-GF

4@RC1 4@TM2a

DW1

Lvl. 2800

G50-FF

C8 G18-FF

4@RC1b

POP CEILING

2@TM2

POP CEILING Lvl. 2800

PC11

G170-GF

POP CEILING

Lvl. 3450

9@6.2m@I1

G39-GF

ST3

7@RC

SF3 4@TM3b

G62-GF

POP CEILING 3@TM2a Lvl. 3600 16@TM3e 6@TM2a G22-FF 4@RC6a G154-FF G153-FF 3.6m@TR1 G19-FF

ST3

Lvl. 3100

SD3

G23-FF

ST3 G38-GF

G41-GF

ST2

5.8m@TR1

POP CEILING

G73-FFG57-GF

G60-GF

4@TM3e

G149-FF

SD 1

9.4m@I1b

ST3

G46-FF

G42-GF

ST2 5.8m@TR1

2@RC1a G65-GF

G64-GF

SF2

G21-FF

10@TM2a POP CEILING

G76-GF

Lvl. 3100

W1 G-07

4@RC6a

G169-GF

POP CEILING SD 1

G99-FF

G49-FF

Lvl. 3700

G63-GF

Lvl. ST43050

G101-FF

1.7m@I6

POP CEILING

G77-GF Lvl. 3150

G80-GF

SW2

17.3m

28@TM1 10@TM3c

SF6

Lvl. 2800

G45-GF

G56-GF

8@TM3d

RW1a

G78-GF

16@TM3e

DW5

Lvl. 3350

Lvl. 2800 G26-FF

POP CEILING

G158-FF

POP CEILING

2@TM2a POP CEILING

POP CEILING

My contribution: Preliminary selection of luminaries, details of fixture placement, Tender phase of the drawing set, Control schedule & Automation strategy.

G27-FF

G88-GF

2@RC1a D3

9.9m@TR1 Lvl. 3450

Design process: Concept drawings, followed by Tender drawings, Light details, control schedule, fixture kit list & looping.

Lvl. 3100 G87-GF

22.1m@TR1

2@TM3b

SW7 Lvl. 2800 RW1 G28-FF POP CEILING

2@RC3

6@TM2a

G40-FF

21.2m@TR1

POP CEILING

G155-FF

RW1

G102-FF

19.1m@I1

G38-FF

ST3

PC14

G55-GF

SF2 2@RW1

2@RW1

G36-FF

2@RC3b POP CEILING

Project brief: To light the house for the Pagaria family. It consists of the luxury living with amenities ike pool, recreational space, theater/projector, spa, sauna, steam room space etc.

4@RC7a 22.4m@I1a

G33-FF

G72-GF

G31-FF

G36-GF

ST3

G45-FF

POP CEILING Lvl. 3150

G43-FF

G37-GF

ST2

PC17

2@TM3b

PC11 8@TM3d

G40-GF

G43-GF

ST2

G49-GF

G53-GF

G29-FF

Client: Paragia group of hotels

4@RC1

PC17

G71-GF

RC3b

G45-GF

SW2

G52-GF

G73-GF

G75-GF

RW1

9@5.3m@I1

POP CEILING Lvl. 3150 G34-FF

4@RC3b

G30-FF

SW5

PAGARIA HOUSE_NAGPUR

Detail 3

G70-GF

4@RC3b

G51-GF

PC6

W2 G-04

G54-GF

Lvl. 3700

G69-GF

G100-FF

G157-FF

W3 G-04

RW1

POP CEILING

6@TM3a

SF6

G47-GF

7m@I6

20@TM3d

G35-FF

G75-GF

G74-GF

Lvl. 3770 7.2m@I6

G39-FF W1 POP CEILING G-05 Lvl. 3350 G48-GF

SF8

8.8m@I6a

POP CEILING

6.06

A-A' POP CEILING

DEGSIGN + CONCEPT______________________________________________________________________

100 mm

W1 G-12

1.9m@I5 G60-FF

Detail 7 1.3m@I3a

RC6a

G59-FF

G66-FF

RC2a

G64-FF

3.4m@I5 G65-FF

W1 G-14

W1 G-13

Keepprovide Provision for Lighting by others PC2 Provision for cove AD Kindly detailofforpower point suggests mirror fixture Ligh bathroom chandelier, architects to floor required. toilet consoles and cabinets till ceiling height Architects to confirm confirm. architects to confirm

Hatch for non - brickwork partitions, Hatch for non - brickwork partitions, consoles and cabinets till ceiling height Master

Ground floor Plan

Ground floor Plan A t e l i e r India: C-901 Friendsville, Opp. Radisson Blu Hotel, Panchvati Road, EllisBridge, Ahmedabad- 380006 Phone: +91 79 4005 4759 EMAIL: info@atelierdada.com

Morphogenesis

Email:studio@morphogenesis.org

A t e l i e r India: C-901 Friendsville, Opp. Radisson Blu Hotel, Panchvati Road, EllisBridge, Ahmedabad- 380006 Phone: +91 79 4005 4759 EMAIL: info@atelierdada.com

PAGARIYA HOUSE - NAGPUR

Morphogenesis

Email:studio@morphogenesis.org PAGARIYA GROUP

PAGARIYA GROUP

Luminaire type I5 IP20 Integrated 15W/RMT LED linear flexible HVAC duct striplight with diffuse cover and POP ceiling, as per architects mounting profile, 3000K

I5 200

ize 150*50*30mm for ype I3a.

g as required, by others

Driver size 150*50*30mm for

Luminaire type:TM3g - IP20 Track mounted fixture type I5. adjustable 30 degree distribution 13W LED spotlight, tunable white

ire type I3a - IP67 Integrated into e 8 W/RMT LED linear strip light with cover and mounting profile, 3000K glass 150 150

I3a

Detail D6:- Semidirect cove light

dining larea

Scale:-1:10

Luminaire type: I1 -IP20 Integrated 8W/RMT LED linear flexible striplight with diffuse cover Note: AD suggests to provide 200mm and mounting profile, 3000K wide * 200mm deep ceiling slot to Top of luminaire to be aligned with the top of cove mount fixture type I5. Packing as required, by others AD suggests to increase theArchitects cove width to to confirm. mount luminaire type I1 at 150mm distance from the side throw grill. Scale:-1:5 TR1 recessed track in the false ceiling Dim: 54mm*30mm

AD suggests to shift glass window 100 mm towards corridor Extention for existing window

I3a

75 130

Driver size 150*50*30mm for fixture type I3a.

Side of the fixture to be aligned with bottom of pelmet.

Packing as required, by others Luminaire type I3a - IP67 Integrated into furniture 8 W/RMT LED linear strip light with diffuse cover and mounting profile, 3000K Existing glass

200

Scale:-1:5

Detail D7:- Bathroom CounterCL integrated light

Detail D5:- Plan of Glass at the end of Corridor

Proposed chandelier for Ruchika's bathroom gests to increase the cove width to mount o1at be150mm shifted.distance from side throw grill. Architect to confirm ctchitects to confirm to confirm. Please referLuminaire Detail D4 type I3a to be integrated under the counter r aiming sidewards fixed onto custom pelemet.

60 | 61

Luminaire type I3a: IP67 Integrated into furniture 8 W/RMT LED linear strip light with diffuse cover and mounting profile, 3000K

180

200Driver size 150*50*30mm for luminaire type I1.

I1 CL

TM3d

Driver size 150*50*30mm for fixture type I3a.

Packing, by others

on for existing window

200

m towards corridor

Detail D6:- Semidirect cove light

Scale:-1:5

Note:-

Proposed bedside Pendant ceiling Architect to confirm

· Fixture type I5: 200mm wide* 200mm deep ceiling slot to be provided, architects to Proposed chandelier for Ruchik AD suggests 200*200mm ceiling slot require confirm. D6. Keep provision of wall point for Please refer detailTrapdoor UP Trapdoor to be shifted. Architect to confirm to be shifted. for fixture type I5. Please refer Detail D6. · Fixture type I1: To increase the cove width to mount the fixture at 150mm distance from shelf integrated lights Architect to confirm Architect to confirm Luminaire type I3a to be integrated under the c side throw grill. Keep provision of wallProposed point in all wardrobes for shelf integrated light. Refer chandelier for corridor Proposed chandelier and Fan layout aiming sidewards fixed onto custom pelemet. detail in GF plan. Architect to confirm for dresser, Architect to confirm. Refer detail D7 · Keep provision of wall points for shelf integrated light.

Refer detail D7

POP CEILING Lvl. 3000

B-B'

METAL CLADDED CEILING Lvl. 3570

POP CEILING

METAL CLADDED CEILING

RC2a

Lvl. 3500

14m@I6a

G120-FF

G108-FF

1.3m@I5

SF1

SW1c

G112-FF G22-GF WOODEN 7m@I6a 4@TM1a PANELING CEILING

G23-GF

Detail 4

17.2m@I6

RC2

Lvl. 2800 G111-FF

POP CEILING Lvl. 3750

SW1d

G117-FF

G119-FF

D-D' 6 Detail 2.3m@I5

RC2 G18-GF RC2 G110-FF G21-GF PC8 1.5m@I3a G17-GF RC2a

7m@I6

G16-GF

1.5m@I3a

G14-GF Lvl. 3100 10TM2a

WOODEN CEILINGG126-FF

Lvl. 2800

G13-GF

RC2 PC8G115-FF

Lvl. 2800

G15-GF

ST2

ST1

G104-FF

m@TR1

G24-GF

2@TM3g

17.3m@TR1

G105-FF

POP CEILING Lvl. 7300

G78-FF

Lvl. 2800

POP CEILING Lvl. 2800

G139-GF

7m@I6

3.6m@I6

7@PC12

13@RC7 G76-FF

G77-FF

G133-GF

Lvl. 3450

G109-GF

4@RC8

G134-GF

PC12

Lvl. 3450

F-F'

G132-GF

9.7m@I1

G141-GF

Lvl. 3450

PC12 D3

1.6m@I3a

SW1b

G128-GF

SW1b 2@RC2a 3@RC1a

G123-GF

RC2a

G122-GF

G129-GF

2@RC1a

G121-GF

11@RC7

2.1m@I5

G120-GF

RC1a

DSD

6@RC7 G74-FF

RC1a

G71-FF

G119-GF

G143-GF

G89-FF

4@RC1a

Lvl. 3050

POP CEILING Lvl. 3350

G144-GF

2@RC3

G82-FF

PC20

1.5m@I4a

G88-FF

1.7m@I4a

G97-FF

4@RC1a

G147-GF

G149-GF

RC2a

2@3.3m@I1 G70-FF

G151-GF

2.4m@I1

G87-FF

G150-GF

4@RC3

G85-FF

G148-GF

2@RC2

23.1m@I1

hting by mounted others on 2nd 23 to be

r ceiling

G147-GF

3.8m@I5

W1 G-17

W1 G-18

G11-FF PH

W1 G-19

SW4

G152-GF

G162-GF 4@RC3 7.2m@I6 10m@I1 27.1m@I1 G161-GF G147-FF

G84-FF POP CEILING Lvl. 3350

4m@I6

POP CEILING Lvl. 3770

S14

G154-GF

3m@I5

W2 G-19

Keep provision of wall point for shelf integrated lights

S15

Ground floor Plan

6@RW1 G145-FF

Floor Lighitng Plan

House- Interior Lighting

POP CEILING

6@RC7

Lvl. 2800

26.4m@I3a

8@RC3

G55-FF

RC2a

1m@I5 G62-FF

RC2a

Lvl. 3050

4@RC1a G94-FF

1.5m@I4a G95-FF

SW1d RC2a G63-FF

4@RC6b

G67-FF

G97-FF

1.9m@I5 G60-FF

PC22

G04-FF

G15-FF

3m@I6 G03-FF

1.3m@I6 G05-FF

26m@I6 S8 G146-FF

SW8

G57-FF

G56-FF

Detail 7

5.3m@I6

G58-FF POP CEILING

RC6a

G59-FF

2@3.3m@I1 G70-FF

1.3m@I3a

14.3m@I1

23.1

G66-FF

G86-F

RC2a

G64-FF

3.4m@I5 G65-FF

Keep Provision of power point for

S16

Hatch for non - brickwork partitions, bathroom chandelier, architects to consoles and cabinets till ceiling height Note:- Luminaire type I5: 200mm

AD suggests mirror fixture Lighting by others wide* 200mm deep ceiling slot to be Architects to confirm

Keep provision of wall point for shelf integrated lights

confirm. provided, to confirm. AD Suggests to increase thearchitects cove width to Luminaire typedistance I1: To increase the cove width to mount the luminaire at mount fixture type I1 at 150mm 150mm distance from side throw grill. from side throw grill.

SCALE

RC1a

G61-FF

G06-FF

PAGARIYA HOUSE - NAGPUR 13/01/2021 SC/VRY

G92-FF

G96-FF

G71-FF

G68-FF

POP CEILING Lvl. 3250

G10-FF

G09-FF

Scale:-1:100

DATE

G69-FF

SW1d

G152-FF

G02-FF

4@RC6a

G74-FF

G156-FF

3.6m@I5

Keep provition of wall point in all wardrobes for shelf integrated light

A t e l i e r India: C-901 Friendsville, Opp. Radisson Blu Hotel, Panchvati Road, EllisBridge, Ahmedabad- 380006 Phone: +91 79 4005 4759 EMAIL: info@atelierdada.com

House- Ground Floor Lighitng Plan

Lvl. 2800

G54-FF

Lvl. 2950

1.8m@I3a

G91-FF

G151-FF

POP CEILING POP CEILING

4@RC1

Lvl. 3700

Proposed light for glass window at Trapdoor to be shifted. the end of corridor. Please refer architects to confirm detail D5, Architects to confirm.

House- Interior Lighting HouseFirst

SW8

SW1b

2@RC2a

4.2m@I5

4@RC2

16@TM3e 8@TM2a G160-GF

G163-GF

G153-GF

2.4m@I1RC2a RC2

G130-GF

1.8m@I5

2@SW3

G72-FF

G53-FF

POP CEILING

POP CEILING Lvl. 3650

G86-FF

4@RC6b

G83-FF

G08-FF

G14-FF

HER DRESSER

6@RW1

1.3m@I6

4m@I3a

G150-FF

G01-FF

Sw1b 1.5m@I3a

G117-GF

W1 G-16

G07-FF

PC16

SW4

4@RC6b

3.8m@I5

4@RC2a

Lvl. 3150

G164-GF

G52-FF

G12-FF

POP CEILING

4@RC3

ST8

RC2a

G13-FF

10.7m@TR1

2@RC2a

S5B

G50-FF

POP CEILING Lvl. 2800

POP CE Lvl. 28

G93-FF

Lvl. 2800

G90-FF

5@TM3d

G47-FF

5.4m@TR1

1.8m@I5

POP CEILING

S5A

G51-FF

8@TM3d

8@TM3e

G24-FF

5.4m@TR1

SW1a

G158-GF

2@RC3a

9.4m@I1b G16-FF

G17-FF

G75-FF

2@TM2

G48-FF

G25-FF

G78-FF

Lvl. 2800

7@RC8

5@TM3d

4@TM2

4@TM2a

POP CEILING

Lvl. 2800

G50-FF

G19-FF

2@RW1a

4@RC1a

POP CEILING

G146-GF

G130-GF

3.6m@TR1

4@RC6a

G18-FF

G142-FF

G159-GF

26.4m@I3a

G116-GF

G22-FF

9.5m@I4a

10m@I1

G112-GF

7.8m@I1

3@TM2a

G154-FF

5@RC8

POP CEILING

G51-FF POP CEILING Lvl. 2800

POP CEILING Lvl. 2800

POP CEILING Lvl. 3050

7@RC8

2@TM2

G20-FF

G23-FF

G153-FF

G156-GF

PC10

G145-GF

1.7m@I5a

G95-FF

9.4m@I1b 4@TM3e

16@TM3e 6@TM2a

POP CEILING Lvl. 3050

G157-GF

G118-GF

G21-FF

G144-FF

9.5m@I4a

5.8m@TR1

G73-FF

4@RC6a

G135-FF

ST7

SF7

G94-FF

Lvl. 3050

22.9m@I1

G105-FF

G106-FF

G99-FF

17.3m@TR1

POP CEILING Lvl. 7300

Trapdoor 2@RC1a to be shifted. Architect to confirm

POP CEILING

Lvl. 3150

6@RW1

G143-FF

G101-FF

28@TM1 10@TM3c

G46-FF

1.7m@I6

Lvl. 2800 POP CEILING Lvl. 3650

4@RC3

POP CEILING

C-C'

4m@I5

POP CEILING Lvl. 3050

4.5m@I5

G96-FF

26.4m@I3a 2@RC1a

G115-GF

37m@I1

POP CEILING Lvl. 3200

17.3m@TR1

G49-FF

G149-FF

POP CEILING Lvl. 2800

E-E'

G155-GF

G92-FF

RC2a G108-GF

1.8m@I3a

G91-FF

G151-FF

G125-GF

2@RC9

G90-FF

G124-GF

2.1m@I5

G127-GF

G126-GF

SW3

2@RC2a

G166-GF

Lvl. 2800

8@RC11 Lvl. 7650 G98-FF

28@TM1 10@TM3c

SF6

Lvl. 2800

5.8m@TR1

POP CEILING

PC16

G142-GF

7m@I6POP CEILING

G93-FF

Lvl. 2800

POP CEILING

G158-FF

G27-FF

G104-FF POP CEILING

22.1m@TR1

2@TM3b

PC14

G103-FF

G102-FF

G40-FF

RW1a Lvl. 2800 G26-FF

24.2@TR1

G138-FF

W1 G-01

G140-GF

16.1m@I1

1.8m@I5

POP CEILING

3.6m@I6

4@TM3a

25.6m@I1

4@RC7

POP CEILING

G136-FF

G81-FF

G165-GF

POP CEILING

RW1

G134-FF POP CEILING

Detail 5

G38-FF

PC14

19.1m@I1

SW7 Lvl. 2800 RW1 G28-FF

20.5m@I1

G80-FF

G79-FF

G38-FF

G45-FF

POP CEILING Lvl. 3150

POP CEILING

SW7 40@TM1 G155-FF

9.9m@TR1

10m@I3a

2@RW1

G36-FF

G29-FF

PC15

POP CEILING Lvl. 3100

G33-FF

2@RC3b

G139-FF

G140-FF

5@RC8

Lvl. 2800 RC2 G111-FF

G44-FF

G43-FF

4@RC7a 22.4m@I1a

G137-FF

4@RC5

W2 G-01

5@RC8

POP CEILING

Lvl. 3100

12@TM3c

Lvl. 7600

SF5

G125-FF G123-FF

G131-GF

POP CEILING

G30-FF

TM3f POP CEILING

G113-FF

G114-FF

5@TM3g

G112-FF WOODEN PANELING RC2 CEILING

Proposed Chandelier and fan Layout for dresser.PC17 8@TM3d Architects to confirm

POP CEILING PC17 Lvl. 3150 G34-FF

SW1c

G107-FF

ST9

G42-FF

Lvl. 7450

6@TM3a

G100-FF

RW1

16@TM2

G31-FF

23.4m@TR1

G24-GF

2@TM1a

POP CEILING

Lvl. 2800

2@RC9

G28-GF

2@TM3g

G26-GF

SF1 POP CEILING

G167-GF

PC8

RW1

G141-FF POP CEILING Lvl. 7300

G04-GF

6@TM2 10@TM3d 3@RC1a18.3@TR1

6@TM3a

SF6

G35-FF

PC19

G124-FF Lvl. 2800

G08-GF

G39-FF

G157-FF

22.1m@TR1

+2600lvl

C8 Lvl. 3100

G02-GF WOODEN CEILING

G37-FF

Lvl. 3150

PC19

G27-GF

7@TM3g

G31-GF

POP CEILING

G148-FF

PC7 21.9m@I1a

SW2

G33-GF

G25-GF

6@TM2b

G29-GF

G44-GF

ST2

G05-GF

6@TM2

14@TM3d

PC16 D4

16@TM3e15.2m@I1a

28@TM1 10@TM3c

G106-FF

G03-GF

2@RC2 5.5m@I3a

POP CEILING

8@RC11

POP CEILING Lvl. 3050

POP CEILING

8.9m@I1a

G109-FF

7.2m@I6

8.8m@I6a 2@RC3b

19.2m@I1

G129-FF

G127-FF

G06-GF

16.3m@I1

G159-FF

G10-GF

G11-GF

Lvl. 7650 G98-FF

G32-FF

12@TM2b

G128-FF

G07-GF

PC9

SF8

G133-FF

POP CEILING Lvl. 2800

18@TM3g

G09-GF

RC2

PC14

G103-FF

G34-GF

G130-FF DEITY

Lvl. 3800

SW1b SW1b

PC14

ST2

4@TM3f

POP CEILING

2@RC1c

PC18

G132-FF

+2000lvl

ST2

POP CEILING Lvl. 3150

2@RC1c

1.3m@I5

Lvl. 3370

POP CEILING

G01-GF

Lvl. 3570

WOODEN PANELING CEILING

POP CEILING

G12-GF

G44-GF

SW2

G32-GF

G108-FF

POP CEILING Lvl. 3770

POP CEILING

G171-GF TL

G35-GF

RC2a

A-A'

G122-FF

+1400lvl +2000lvl

G46-GF

RC2

G19-GF

POP CEILING Lvl. 3770 POP CEILING Lvl. 3450

W1 PC21 G-02

G118-FF

+2000lvl

G107-FF

G30-GF

3.4m@I3a

PC21

G116-FF

G20-GF

SW1b

W1 G-04

C-C'

Trapdoor to be shifted. Architect to confirm

6@TM3a

G109-FF

Lvl. 3000

G121-FF

RC2a W1 G-03

Lvl. 3350

POP CEILING Lvl. 2800

G131-FF

RC2a

POP CEILING Lvl. 3000 POP CEILING

Trapdoor to be shifted. Architect to confirm

+2000lvl +1400lvl

POP CEILING Lvl. 3000

Scale:-1:100

Morphogenesis

PAGARIYA GROUP PHASE TYPE IDENTIFICATION

ISSUER

TN SC/VRY PLN AD 13/01/2021 DATE

House- First Flo

Email:studio@morphogenesis.org

SCALE

BATCH

INDEX

House- Inte

S E R I E N°

2548 ISSUER

PHASE

A1 TYPE

IDENTIFICATION

BATCH

INDEX

S E R I E N°

PLN

2548

AUTOMATION STRATEGY___________________________________________________________________

AD 2548 PHN

Control Schedule- Ground Floor

Zone

12-01-2021

Switching Group

Fixture

Quantity/RMT

G01-GF G02-GF G03-GF G04-GF G05-GF G06-GF G07-GF G21-GF G171-GF G08-GF G09-GF G10-GF G11-GF G12-GF G13-GF G14-GF G15-GF G16-GF G17-GF G18-GF G19-GF G20-GF G22-GF G23-GF G24-GF G25-GF G26-GF G27-GF G28-GF G29-GF G30-GF G31-GF G32-GF G33-GF G34-GF

I6 TM3d TM3d TM2 TM2 I1 ST1 I3a PC9 PC8 RC2 RC2 I3a SW1b PC8 RC2 SW1b I3a RC2a PC8 RC2 SW1b I6a TM1a TM3g TM2b TM1a TM3g I1a PC7 SF1 SF1 ST2 ST2 ST2

7 10 14 6 6 16.3 1 1.5 1 1 1 2 5.5 1 1 1 1 1.5 1 1 1 1 7 4 4 6 2 7 21.9 1 1 1 1 1 1

Power loading Power / fitting

Total Power

36.0 W 13.0 W 13.0 W 10.0 W 10.0 W 8.0 W 15.0 W 8.0 W 60.0 W 20.0 W 4.0 W 4.0 W 8.0 W 12.0 W 20.0 W 4.0 W 12.0 W 8.0 W 4.0 W 20.0 W 4.0 W 12.0 W 36.0 W 10.0 W 13.0 W 10.0 W 10.0 W 13.0 W 8.0 W 120.0 W 20.0 W 20.0 W 20.0 W 20.0 W 20.0 W

252.0 130.0 182.0 60.0 60.0 130.4 15.0 12.0 60.0 20.0 4.0 8.0 44.0 12.0 20.0 4.0 12.0 12.0 4.0 20.0 4.0 12.0 252.0 40.0 52.0 60.0 20.0 91.0 175.2 120.0 20.0 20.0 20.0 20.0 20.0

Load Type

AREA: AD 2548_PHN_GROUND FLOOR

Study room

Study room toilet

Formal dining

ATELIERDADA, ARCHITECTS OF LIGHT

Formal living room

Page 1

DALI or DALI-2 DALI or DALI-2 DALI or DALI-2 DALI or DALI-2 DALI or DALI-2 DALI or DALI-2 TRIAC DALI or DALI-2 TRIAC Switched Switched Switched Switched Switched Switched Switched Switched Switched Switched Switched Switched Switched DALI-2 DT6/8 DALI-2 DT6/8 DALI-2 DT6/8 DALI-2 DT6/8 DALI-2 DT6/8 DALI-2 DT6/8 DALI-2 DT6/8 TRIAC TRIAC TRIAC TRIAC TRIAC TRIAC

I5a

I6 SYMBOL

IP20 Integrated into ceiling slot 15W/RMT LED linear flexible striplight with diffuse cover and mounting profile, 6000K

Integrated into ceiling slot

FIXTURE DETAIL

IP20 Integrated into ceiling slot 8 degree distribution 36W LED wall grazer, 3000K FITTING

Integrated into ceiling slot of 200*200mm MOUNTING

I6a I1

IP20 Integrated into ceiling slot 8 degree distribution 36W LED wall IP20 Integrated grazer, Tunable 8W/RMT white LED linear flexible striplight with diffuse cover and mounting profile, 3000K

Integrated into Integrated ceiling slotinto of ceiling 200*200mm

PC6 I1a

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K. IP20 LED(Allow linear 60W) flexible striplight with diffuse TO beIntegrated selected 8W/RMT by Architects cover and mounting profile, Tunable white

PC7 I3a

1.7

Guest room dresser

N/A

25.5

62 | 63 69.4

N/A

2498.4

Quantity / RMT

Quantity / Unit

Unit / Watt

TOTAL WATTAGE

master bedroom & formalMultiple living room

16 249.2

N/A N/A

36 8

576.0 1993.6

Pendant ceiling Integrated into ceiling

Master bedroom masterLounge bedroom & formal living room

N/A 45.3

1 N/A

60 8

60 362.4

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K. IP67 intoarchitects furniture (Allow 8 W/RMT LED linear flexible strip light To beIntegrated selected by 120W) with diffuse cover and mounting profile, 3000K

Pendant ceiling Integrated into furniture

Formal Dining Washroom

N/A 39.5

1 N/A

120 8

120 316.0

PC8 I4a

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K. To IP20 integrated into platform 8W/RMT be selected by architects (Allow 20W) LED linear flexible strip light with diffuse cover and mounting profile, 3000K

Pendant Ceiling Intigrated into kitchen cabinate

Study room powder Pantry toilet

N/A 1.7

3 N/A

20 8

60 13.6

PC9 I5

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K. To IP20 Integrated ito ceiling(Allow slot 15W/RMT be selected by architects 60W) LED linear flexible striplight with diffuse cover and mounting profile, 3000K

Pendant ceiling Integrated into ceiling slot

Study room Wardrobes and Bathrooms

N/A 28

1 N/A

60 15

60 420.0

PC10 I5a

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K. To IP20 Integrated into ceiling(Allow slot 15W/RMT be selected by architects 120W) LED linear flexible striplight with diffuse cover and mounting profile, 6000K

Pendant ceiling Integrated into ceiling slot

Guest room & Guest room dresser Grandparents room

N/A 1.7

2 N/A

120 15

240 25.5

PC11 I6

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K (To IP20 Integrated ceiling 8 degree(Allow distribution be decided and into selected byslot architects) 100W)36W LED wall grazer, 3000K

Pendant ceiling Integrated into ceiling slot of 200*200mm

Family Lounge Multiple

N/A 69.4

2 N/A

100 36

200 2498.4

PC12 I6a

Pendant ceiling Integrated into ceiling slot of 200*200mm

Main Corridor master bedroom & formal living room

T.B.D

N/A 16

3 N/A

100 36

300 576.0

PC13 PC6

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K (To IP20 Pendant decorative fixture with suspension kit, 3000K. be decided andceiling selected by architects) (Allow 60W) TO be selected by Architects (Allow 60W)

Pendant ceiling Pendant ceiling

Master bedroom Master bedroom dresser Lounge

T.B.D

N/A N/A

1 1

60 60

RC1 PC7

IP20 Recessed ceiling 30 degree distribution 13W LED downlight, IP20 3000KPendant ceiling decorative fixture with suspension kit, 3000K. To be selected by architects (Allow 120W)

Recessed ceiling Pendant ceiling

Family lounge Formal Dining

N/A N/A

8 1

13 120

104 120

RC1a PC8

IP20 Pendant Recessedceiling ceilingdecorative 55 degreefixture distribution 13W LED downlight, IP20 with suspension kit, 3000K. To 3000K be selected by architects (Allow 20W)

Recessed ceiling Pendant Ceiling

Study Multiple room powder toilet

N/A N/A

10 3

13 20

130 60

RC1b PC9

IP20 Pendant Recessedceiling ceilingdecorative 55 degreefixture distribution 13W LED downlight, IP20 with suspension kit, 3000K. To 6000K be selected by architects (Allow 60W)

Recessed ceiling Pendant ceiling

Master Studybedroom room dresser

N/A N/A

13 60

104 60

RC2 PC10

IP20 Pendant Recessedceiling ceilingdecorative 24 degreefixture distribution 4W LED downlight withTo IP20 with suspension kit, 3000K. softening lense, 3000K (Allow 120W) be selected by architects

Recessed ceiling Pendant ceiling

Washrooms Guest room & Grandparents room

N/A N/A

4 120

36 240

PC11 RC2a

IP20 Pendant with suspension kit, 3000Kwith (To Recessedceiling ceilingdecorative 55 degreefixture distribution 4W LED downlight be decidedlense, and selected softening 3000K by architects) (Allow 100W)

Pendant ceiling Recessed ceiling

Family Lounge Washrooms

N/A

2 10

100 4

200 40

PC12 RC3

IP20 Pendant ceiling decorative fixture with suspension kit, 3000K (To IP20 Recessed ceiling 24 degree distribution adjustible10W LED

Pendant ceiling Recessed ceiling

Main Corridor Master bedroom+

N/A N/A

3 18

100 10

300 180

Multiple LOCATION

IMAGE

T.B.D

FIXTURE KIT LIST___________________________________________________________________________

FIXTURE

KIT LIST

68 | 69

OFFICE DEISGN____________________________________________________________________________

6.07 Radhe Infinity Gandhinagar Cient: Builder Project brief: To light the landscape of a residentail tower. It consist of pool, cafeteria, gazebo, club house, children play area, cricket, badminton, basketball and other sports area as well and a jogging track.

Design process: Concept sketches, followed by Dialux lighting & Basic design development drawings with fixture annotations. (Under process) My contribution: Softwares used: AutoCAD for all design drafting Indesign for presentation Excel for fixture kit list Dialux for testing the light in office.

Frame 1 - Walking zone

Frame 2 - Gazebo

Frame 3 - From parking walkway

Frame 4 - Club house

Frame 5 - Children play area