Shots 111 sampler

Page 1

111 DECEMBER 2008

shots sampler

beyond skin deep emil mรถller burger king hot buns tony granger the full plectrum

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contents 0 6

9  diesel

10  adidas

12  tourism australia

16  stephen king

25  mixtape club

26  nima nourizadeh

32  purell

34  young photographers

58  burger king

russia

75  stock footage SH111_p06-7.contents.indd 6

62  tony granger

67  creative bloc

80  tim thornton-allan

83  guinness

68  the creative factory

72  maxim kolyshev

86 catherine farrow 20/10/08 14:43:20


0 7 contents

14  microsoft

19  emil möller

30  jef loeb

central & eastern europe

47  2332

44  roman valent

50 art rebel 9

87 joe + rollo SH111_p06-7.contents.indd 7

88 wouter stoter

52  mccann erickson

55  saatchi & saatchi

88 mickey & warwick

89 remi weekes

90 prague 20/10/08 14:43:56


music videos 2 6 nima Nourizadeh

nima He excels at making small budgets look big, and now award-winning music video director Nima Nourizadeh is venturing forth into adland. David Knight tracks his first steps

(From top) Architecture In Helsinki, Do The Whirlwind Santogold, LES Artistes Flight Of The Conchords, Ladies Of The World

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nima Nourizadeh 2 7 music videos

PHOTOGRPAH: ALI MOBASSER

that tune Nima Nourizadeh is sitting in the offices of

massacre inspired by cult director Jodorowsky

screen’ special effects music video – but it’s

hot-to-trot Montreal-based ad shop Sid Lee, and

for L.E.S. Artistes; Hot Chip re-interpreting

actually a combination of true insight into the

he’s excited. He’s just shot an ad for adidas, the

Prince’s Batdance from the 1989 Batman movie

making of such a video together with pure

agency’s new client. It’s not for the giant brand’s

for Ready For The Floor.

fabrication, wrapped in a visually exciting

sportswear, but for the new Originals line of

Often working closely with the artists involved,

package. Over And Over – months in the planning

‘street’ fashion. This is his first big break in the

Nourizadeh regularly reworks pop culture

and a real collaboration between Nourizadeh and

world of ads.

references (some mainstream, often not) that

the band – was a tour de force.

“It’s a pretty big number,” he says, speaking

connect strongly with a youthful audience.

“That was the turning point,” he confirms. The

from the agency’s offices. “It’s been the most

And you can bet almost nothing costs as much as

video’s success meant he was free to jump

insane job – and I can’t believe I did it. It’ll be a

it looks. Budgets were already shrinking in UK

between all types of music, and videos followed

really fun one to watch.”

music videos when Nourizadeh entered the

for Lily Allen and Sophie Ellis-Bextor, as well as

He then breaks into laughter. “Oh man… I’d

industry. He’s one of the best of the new breed.

hip-hop urchin Jamie T and angular indie outfit

love to tell you more, but I’m sworn to secrecy.“

“I’m used to working with quite small amounts of

Maximo Park.

Oh, go on... “No really, I can’t…”

money,” he confirms. “You do become more

Nourizadeh stretched himself with each one,

Affable, laid back – and liable at any moment to

resourceful – and to be honest Partizan have put

bringing new visual techniques to the service of

dissolve into giggles – this 31-year-old Londoner

themselves behind me. They make stuff happen.”

the song and artist, rather than developing a

of Iranian extraction is on a roll. He is one of the

He has been based at Partizan’s London office

signature visual style.

leading directors of British music videos, making

virtually since the beginning of his directing

In Lily Allen’s LDN, the singer walks through a

consistently inventive, stylistically varied and

career as a member of the experimental, often

London of two comic extremes, placed side-by-

hugely entertaining work – invariably for the

provocative creative team, Imaginary Tennis Club

side: the fairytale of her dreams, and an

hottest and coolest acts in modern pop or indie

– formed with fellow St Martins graduate Simon

alternative, appalling reality. In Hot Chip’s

rock, such as Hot Chip, Mark Ronson, Santogold,

Owens – which joined Partizan in 2003.

Colours, a photorealistic, almost 3D version of

CSS and Flight Of The Conchords.

But it was not until Nourizadeh branched out on

singer Alexis’ head starts bleeding colour.

Last month, his work over the past year was

his own that he started to really find his feet as a

In Jamie T’s Calm Down Dearest, home video

recognised with his first major award: Best

director. The breakthrough was hooking up with

footage of Jamie mucking around reveals a suited

Director at the inaugural UK Music Video Awards.

art school outfit Hot Chip not long before they

gremlin causing impish mayhem in his flat.

And now he’s making his first steps into adland.

signed a major label deal, and directing their

The reality is that under the relaxed exterior lurks

Nourizadeh will not divulge any secrets about his

video for Playboy. “We met through the label

the other Nourizadeh – the hard-working

ad for adidas Originals, but the word on the street

Moshi Moshi,” he recalls. “I knew Michael

perfectionist. The driven director is going to do

is that it will be a hybrid between a music video

[McClatchey, co-founder of

and conventional commercial, featuring a stellar

Moshi Moshi] and he took

cast from the worlds of entertainment and sport

me to see them play live. I

– including Missy Elliot and David Beckham.

was like: ‘who the fuck are

It’s a bold and smart move for the Canadian

they?’ They were amazing.”

agency to opt for Nourizadeh to helm this

Nourizadeh would be

crucial element of their vital first adidas

involved in just one more

campaign. The director has learned his trade in

Imaginary Tennis Club video

the increasingly brutal environment of the UK

before he left to go solo. And it was his next

whatever is necessary to achieve his objective:

music video industry, and come up with

collaboration with Hot Chip that completely

entertain the hell out of you. His work usually

outstanding results time and again. For example:

changed the game for him. After directing a

involves a serious element of post production

Lily Allen in Jessica Rabbit-style cartoon form,

critically acclaimed one-take video for

work – and in music videos at the moment, lack of

Mark Ronson and the Kaiser Chiefs look on in Oh

Architecture In Helsinki – shot on the helter-skelter

money can translate into loads of anxiety.

My God; Flight Of The Conchords’ Bret and

at the end of Brighton Pier – he made the video for

“I’m not one to let other people get on with it

Jermaine performing rollerskate stunts in a sun-

Hot Chip’s major label debut, Over And Over.

[during post production],” he reveals. “I’m always

kissed 1970s dreamland; exciting new singer

The video’s winning conceit was how it

there – and I can’t work on more than one thing at

Santogold astride a horse before a surreal

deconstructed the process of making a ‘green

a time. I find post really painful. At the end it

SH111_p26-28_MV feature.indd 27

“It’s a good way to break into commercials – not forgetting the way I work. I wanted people who understand the hectic, crazy schedules and the passion you need when you’re making videos...”

21/10/08 10:28:57


special feature 3 4 shots young photographers

just instinct shots has a long tradition of celebrating and nurturing new talent, and in this spirit, for the third year running, we invited emerging and graduating photography students to compete for a chance to illustrate this year’s shots Directory, published December 15. The photographers responded to the theme of ‘instinct’ with verve, ingenuity, wit and poignancy. Here is a selection of shots taken from an extraordinary collection of visual narratives, which can be seen in full on shots.net

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shots young photographers 3 5 special feature

(Opposite) Third-placed Lucas, by Jakub Skokan, Czech Republic (This page) Who Cares What The Others Think, by Eva Szombat, Hungary

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special feature 5 8 burger king

hail to the king Burger King’s advertising used to be about as inspiring as a stale bun, says Belinda Archer. Then it bumped into an agency that relished a challenge, and the two went together like ketchup and fries So, what’s in a burger? Well, you might think that apart from your 100 per cent ground beef pattie, a bit of lettuce, some ketchup and a bun, not much. But advertising adds some other, less tangible ingredients to the mix, and this is what really sets one burger apart from another: the branding of the burger, if you will, that helps consumers make the choice between one cheesy-ranch-double-king-with-extra-mayo and another. Cue Crispin Porter + Bogusky, the Miami hot-shop, and its work for US burger giant Burger King. Unlike some of its rivals, Burger King may tastily

illustration: ben challenor, www.eyecandy.co.uk

flame-grill its burgers rather than fry them; it may also allow punters to customise their choice with extra onions or fewer tomatoes; its burgers may even be bigger than many of its high street competitors. But Crispin’s has been working on the BK advertising account for almost five years – it landed the business in January 2004 – and the difference the agency has made to the brand is, well, whopper. The relationship started off almost by accident. Miami-based Burger King were using Y&R New York at the time, and according to some reports had a reputation for being a ‘tricky’ client. It had switched its business from agency to agency with alarming regularity over the previous decade, housing themselves in as many as six different shops.

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burger king 5 9 special feature

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