Questions I’ve Asked Writers To Answer

by Barry Koplen

writer, perhaps a famous writer?

CB: Poet Anita Skeen mentored me for three years.

BK: Did you take classes or did someone train you?

CB: I took a class with Anita Skeen, and she continued to read and comment on my work.

BK: Once you began to write, what were some of the difficulties you had to overcome?

CB: Having a sharp pencil handy was a constant challenge. I didn’t want to write in ink; it was too permanent. As I wrote about family members, I learned to disguise their relationship in the poetry when it seemed appropriate to protect their identity. But most poems honored the relationship. I once wrote a poem in which I killed my father off, then shared it with him, decades before he died. I knew how important he was to me and figured I had better get used to not having him around.

BK: Which famous writers are your favorites?

CB: Mary Oliver is my all-time favorite.

BK: Have you published any of your writing? If so, please provide the titles and a brief description. If they are still in print, where can they be purchased?

CB: Yes – about 300 poems, including work in over fifty anthologies, and three books: Calling in the Bones, Drawing Lessons, and Pansies. They can be purchased from me directly through an email inquiry (carol. barrett@myunion.edu) or through Amazon, or one of the presses

– Ashland Poetry Press in Ohio, Finishing Line Press in Kentucky, and Sonder Press in New York. Calling in the Bones is a collection of poems about the human family – all of us, including the particular one I was blessed with. Drawing Lessons is about drawing things, which come to take on metaphoric significance. Pansies is a book about the Apostolic Lutheran community, who forbid birth control. I hired a young woman as a babysitter for my toddler and was privileged to get to know the group in a way few people do. She was terrific.

BK: Finally, do you have any advice for writers who are just getting started?

CB: Have fun with your writing. Play with it. Save every draft. It’s precious work, even if it doesn’t go anywhere public.