Contents Introducing the forward-thinking financial firms, fashion brands and foodie destinations making an investment in SW1
02 A NE W FIN A N C I A L H U B
The Telegraph’s Group Business Editor Ben Wright on how SW1 is luring global banks and institutions to London’s fast-growing new financial hub 06 A V IS I O N A RY C H O I C E
Kaela Fenn-Smith, Head of Commercial at Land Securities, explains how its developments are meeting the needs of the 21st-century finance sector 08 V I C TO RI A V IS I O N A RIES
Meet three of the ever-increasing cohort of finance-industry leaders who have designated the district their new HQ 14 PA S T & F U T U RE
A new-look Victoria is being built on a rich seam of history and a foundation of innovation, says architecture aficionado Jonathan Bell 20 H OSPI TA L I T Y & FO O D
Restaurant Editor Stefan Chomka explores the burgeoning foodie quarter that is drawing some of the industry’s most dynamic chefs 24 G A L L ERIES & T HE V ISUA L A RTS
The Times’ Nancy Durrant predicts a bright future for public art in Victoria, with works by Grayson Perry, Stuart Haygarth and Conrad Shawcross 26 FA SHI O N & C RE AT I V I T Y
Katie Baron, trend forecaster, discovers the stellar style brands that have established themselves in SW1, including Bally, Belstaff and Burberry 30 PHIL A N T HRO P Y & C H A N G E
Journalist James Medd reports on the ways in which Land Securities’ investment in Victoria is informed by the commitment to community that is at its very core
WORDS BEN WRIGHT
ILLUSTR ATION A LE X M AT HERS
G r o u p B u s i n e s s E d i t o r a t T h e Te l e g r a p h
Victoria : A new f inancial hub
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S W1 i s t h e d e s t i n a t i o n o f c h o i c e f o r f o r w a r d - t h i n k i n g financial fir ms, with emigrés from Mayfair keen to capitalise on its f lexible and resilient of fice space, and its location at the very heart of L ondon
FIN A N C I A L O C C U PIERS 01: 3i 02: ADVENT INTERNATIONAL 03: ALBOURNE PARTNERS
A creaky townhouse with matching infrastructure may cut it for a 10-person start-up making its way in the world, but a larger company that sells its services to institutional investors can’t afford to suffer power failures or forego decent facilities. That’s why, for many firms, the future is Victorian. Call it location arbitrage, if you will – a smart trade. The UK’s capital is a study in perpetual motion and few industries are better at reinvention than the one that makes the world’s money go round. So it is hardly surprising that the defining characteristic of the symbiotic relationship between London and finance is f lux. Describing the UK financial industry as ‘the City’ has long been geographically inaccurate, but that metonymy is starting to feel archaic. The confines of the Square VICTORIA VISIONARIES | FINANCE
Mile were breached decades ago. At first, Canary Wharf merely housed the overspill, but now there are more bankers working on the concrete atoll in East London than there are around the Bank of England. And, when the hedge-fund industry sprang into life at the end of the last century, it did so in the West End. Indeed, so many firms sought legitimacy in Mayfair addresses and Georgian townhouses that Curzon Street became known as Hedge Fund Alley. You might have thought the 2008 financial crisis would have slowed the spread. Far from it. The big banks are looking even further afield in the search for more room and better-value space – JP Morgan, for example, set up back-office operations in Bournemouth. And the maturing hedge-fund industry, having 02
04: AMERICAN EXPRESS 05: BLUECREST CAPITAL MANAGEMENT 06: CAMBRIDGE ASSOCIATES 07: CAPITAL GROUP 08: CDC GROUP 09: DEUTSCHE BANK 10: EXPERIAN 11: FIRST RESERVE 12: GLOBAL INFRASTRUCTURE PARTNERS 13: JUPITER ASSET MANAGEMENT 14: KLESCH 15: MEDIOBANCA 16: MIRABAUD SECURITIES 17: MONEYCORP 18: OAKTREE 19: PIONEER INVESTMENT MANAGEMENT 20: POLAR CAPITAL 21: RUFFER 22: WELLINGTON MANAGEMENT 23: WORLDREMIT
Buckingham Palace
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20
03 01
16 PALACE STREET
16 23 13
05 19
07
17
15
09
62 BUCKINGHAM GATE
02 THE ZIG ZAG BUILDING
PORTLAND HOUSE
11 NOVA, VICTORIA
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21
06
22 08
12 04
CARDINAL PLACE 123 VICTORIA STREET
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FINANCE | VICTORIA VISIONARIES
48
265,000 square foot of retail space
hotels, of
which four are five-star
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Underground lines
theatres in Victoria, with St. James Theatre the first to open
30
in 30 years
20
minutes to Gatwick (ever y 15 minutes)
07
new restaurants
98 acres of Royal Parks VICTORIA VISIONARIES | FINANCE
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graduated from serving rich individuals to managing money for institutional clients such as pension schemes, is outgrowing W1. Many of these concerns, along with their private-equity cousins and more traditional asset managers, have found a new home in Victoria. Among the bigger firms with offices in the area are the private-equity firm 3i and fund manager Jupiter Asset Management. Private-equity adviser Advent and global executivesearch firm Egon Zehnder have committed to office space at Nova, Victoria ahead of its completion, and Deutsche Bank is moving into The Zig Zag Building in early 2017. This is not uncharted territory. The vast newsroom of The Telegraph, above platforms 15 to 19 of Victoria station, used to be the trading f loor of Salomon Brothers. Michael Lewis worked here as a bond salesman before quitting to become one of the finest financial writers of his
Draw a line between Heathrow and City Airpor t, bisect it with another running nor th from Gatwick, and the intersection is close to Victoria generation, and it serves as the setting for some of the scenes in his book, Liar’s Poker. While a Mayfair address might sound impressive, it can’t really compare with having the Queen as a neighbour or being able to stroll through St James’s Park to the Houses of Parliament. The recent
regeneration of the area means there are plenty of pubs and bars in which to grab a quick drink after work. The wide variety of restaurants caters for those rare financial folk still intrepid enough to venture beyond their office for lunch. More important still are SW1’s transport links. Bisect the line between Heathrow and London City Airport with another running north from Gatwick and the resultant intersection hovers close to Victoria. The station disgorges commuters from the broker belt in the South East and, for those not yet tired of life, all points of the capital’s compass are served by the Victoria, District and Circle lines. London became the world’s main financial centre because it straddles the world’s time zones, allowing early risers to trade the Asian markets and night owls to keep an eye on the US. Victoria’s location maximises that advantage.
invested in the upgrade of Victoria station
4
£700m
a cres of public realm and green space across Land Securities’ por tfolio in Victoria 05
FINANCE | VICTORIA VISIONARIES
WORDS KAELA FENN-SMITH
ILLUSTR ATION RELAJAELCOCO
Head of Commercial at Land Securities
Victoria : A visionar y choice I n d u st r y l e a d e r s a r e c h o osi n g SW1 fo r it s i nt e l l i ge ntly d e si g n e d b u il d i n gs , h i gh ly e n g i n e e r e d o f f i c e sp a c e , fa st - e x p a n d i n g f o o d q u a r t e r, a n d u n r i v a l l e d a n d e v e r - e v o l v i n g t r a n s p o r t l i n k s . In the pages that follow, we profile three of them
Over the next few pages, we introduce you
substation in the West End in 20 years, and
to a few of the brightest lights of the finance
designed crucial power resiliencies into all
sector who have chosen Victoria as a base for
of our office developments as standard.
their businesses. Jupiter Asset Management
Our buildings have been constructed
HR Director Gillian van Maaren, WorldRemit
in such a way as to enhance the comfort of
founder Ismail Ahmed and Co-Director of
workers and facilitate collaboration. They
Albourne Village Sam Lewis are among those
have spacious, uninterrupted floor plates
drawn to the hub. Land Securities has been
and spectacular access to daylight. We
instrumental in the recent development of
understand how important it is to a business
Victoria, curating a dynamic and flourishing
that its staff enjoy optimum health and
restaurant, fashion and art scene. Add to this
well-being, and recognise that a building is
superb transport connections and highly
integral to attracting and retaining talent.
engineered buildings, and it’s easy to see
At Land Securities, we are committed to
why so many businesses are moving here.
sustainable operations, with all our buildings
Over the past decade, many small
being landfill-neutral and powered by green
companies that grew out of prime brokerage
energy. Partnering with local charities, we
firms matured into substantial enterprises.
aim to strengthen the Victoria community,
Where once they might have been based in
enabling disadvantaged people to support
a West End townhouse, they now need space
themselves and helping hundreds find work.
and infrastructure fit for the 21st century.
As London grows, we are really proud to
Nonetheless, London’s energy reserves will
be investing in one of its most vibrant, diverse
be pushed to the limit in the near future,
and accessible areas, establishing Victoria as a
which is why we have built the first power
key destination for international commerce.
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W E L L- B E I N G
INFR ASTRUCTURE
PUBLIC RE ALM
Comfort, light and fresh air all encourage productivity. In our developments, the well-being of our customers is at the heart of every detail.
World-leading firms demand space that is technically resilient and highly efficient to ensure business continuity. We also make ours flexible, so it can be adapted to your firm’s needs.
Enriched workplaces nurture from the inside out. We enhance the public realm around our buildings to provide employees with space to think and refresh.
CONCIERGE SERVICES
C YC L E S TAT I O N S
AMENITIES
A hotel-style concierge in every building offers our customers and their guests a helping hand, from taxis and dry-cleaning to travel, event and restaurant reservations, plus VIP services.
The number of people who cycle to work is set to double by 2020. We provide hundreds of dedicated bicycle spaces with cycle maintenance stations in all of our buildings.
Facilities matter – we know that. With spacious showers, a towel service, lockers and high-quality changing facilities, our buildings make everyone feel that they can exercise during the work day.
PL ACEMAKING Successful business starts by providing a place that attracts talent. We have equipped our buildings – and Victoria – with all that your people need to excel.
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FINANCE | VICTORIA VISIONARIES
V I CTO RI A V IS I O N A RY: JUPITER ASSET MANAGEMENT
PH OTO G R A PH Y: IVAN JONES
What is your professional background and
And it has lots of natural light, which is really
what does your role as HR Director entail?
important, given how much time we spend
I’ve been in HR for about 18 years and love
here, and there are beautiful views across
the profession. I have worked in both South
the park. We’ve created several breakout
Africa and the UK, which has been a great
areas and places where staff can meet, both
grounding for working with different people
formally and informally. The reaction has
and different cultures. I see my job as
been amazing: people have been using those
looking after the culture of the organisation
spaces from day one. It’s changed the way
and the welfare of employees – it’s such
we work in such a positive way.
an important aspect of what we do in a talent-driven organisation.
How would you say the typical office environment has evolved in recent years?
Jupiter moved to The Zig Zag Building last
We’ve seen a drive in creating alternative
December. Why did you choose Victoria?
places in which people can work. This has
Well, we actually asked our staff where
encouraged them to change their working
they thought we should move to. Relocating
practices for the better, supporting remote
offices can be difficult, so you need to
working and engagement with colleagues
consult with people and ensure they’re part
in other jurisdictions. Technology has also
of the decision. Victoria is a really central
taken a big leap forward. At Jupiter, we have
hub and it’s not very far from where we were
these wonderful desks where you press a
before, so we know it well. We deliberately
button and the desk rises up so you can
didn’t go to a skyscraper in the City or a
stand and work. It’s very good for you – we’re
posh address in Mayfair – it just wouldn’t
not designed to sit down all day; there’s been
be Jupiter. We really like Victoria and the
a lot of research into that.
whole regeneration of the area. What’s the most important thing you’ve Where do you like to go out for lunch or
learnt in your career?
drinks in the area?
People always talk about getting the balance
I love the variety and choice here. I’m a real
right and, as a mother, that’s important to me.
foodie, so I like places such as Leon, where
I think the best piece of advice I’ve received
you can grab something healthy, and the
is to work smarter, not harder. That’s our
food stalls at Strutton Ground. Then there
mantra here at Jupiter. We have an initiative
are more formal places like the Cinnamon
called Corporate Fitness that underpins
Club or the new M Restaurant next door.
our growth strategy. Essentially, it means
There’s something for everyone.
that, as we grow, we need to do it in a way that’s faster, better and more agile than
And what was the appeal of The Zig Zag
before. For example, we’re trying to get
Building itself?
people to have slightly shorter meetings
For one thing, Jupiter’s offices have an SKA
or a quick chat if a meeting isn’t necessary.
Gold rating, which is all about sustainability
It’s about flexibility and efficiency, while
and being environmentally friendly, so that
creating a positive environment in which
very much matches our corporate values.
people want to work.
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Gillian van Maaren: HR Director J u p i t e r ’s h e a d o f H R e x p l a i n s t h e r e a s o n s t h e a s s e t management group chose to relocate to Victoria , and the importance of working smarter, not harder
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FINANCE | VICTORIA VISIONARIES
V I CTO RI A V IS I O N A RY: WORLDREMIT
VICTORIA VISIONARIES | FINANCE
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Ismail A hmed : Chief Executive Officer T h e fo u n d e r of a p i o n e e r i ng o nl i n e - r e m it t a n c e se r v i c e e xpl a i n s h o w it c a m e a b o ut a n d why h e c h ose Vi ct o r i a a s th e h e a d qu a r t e rs fo r h i s fa st - g r o w i ng b u si n e ss
Could you explain the concept of WorldRemit?
It’s expensive, slow and inconvenient, and it doesn’t
WorldRemit is a money-transfer service that helps
make sense. We move money transfers online and on
migrants in more than 55 countries send money home
to mobiles. Just as Skype, WhatsApp and Facebook
to around 125 destinations. Customers can download
have transformed the way we communicate with one
our app and send remittances to their friends and family
another, WorldRemit makes the process of transferring
with just a few taps. We’re now processing more than
money as easy as sending an instant message.
300,000 remittances every month. So what would you say is the most visionary aspect Why have you decided to move your HQ to Victoria?
of WorldRemit?
We’ve grown from around 40 people at the start of 2014
We’re pioneering mobile-to-mobile remittances. You
to nearly 200, most of whom are based in London. We
can send money direct from the WorldRemit app to
wanted to move to a beautiful, modern office space in
Mobile Money wallets in countries around the world.
a more central location and Victoria fitted the bill.
We’ve partnered with telecoms operators across Africa, Asia and the Pacific so millions of people can
And what are the advantages for financial firms such
now receive remittances direct to their mobiles.
as WorldRemit being based in an area such as Victoria? It has great transport links and some really vibrant shops
And what are the advantages of being a purely
and restaurants. It’s fast becoming one of the best
digital business?
destinations in London for a growing business.
Unfortunately, the remittance sector has suffered a number of high-profile fraud and money-laundering
You’ve worked in remittance for over 20 years.
scandals in recent years. As an online-only business,
When did you decide to set up your own company?
we don’t accept cash, which reduces the risk of
In the mid 2000s, I was Chief Compliance Officer at
fraud, and we can analyse countless data points to
the United Nations East Africa Remittance Programme.
monitor and safeguard against suspicious activity.
While working there, I experienced first-hand some of the inefficiencies and fraud that is associated with the
What’s the most important thing you’ve learnt during
money-transfer industry. I had a vision for an online-only
the course of your career?
remittance service that would be convenient, quick
Always look critically at what you’re doing. We’ve
and secure. In 2008, I enrolled at the London Business
benefited a lot from meeting people who were very
School to do my MBA and started to work on WorldRemit.
critical about our work. That enabled us to address issues and improve our service.
You’ve said the business of sending money abroad ‘has remained stuck in the past’, compared to other
Do you consider London to be a global financial capital?
global communication systems. In what way?
London is the world’s global financial centre, so, for our
It’s incredible how, in 2016, the vast majority of money
business, it was the ideal choice. Being based here,
transfers are still sent offline. Most people still travel
you can attract amazing talent in both tech and financial
to money-transfer agents in order to send money
services, you have the advantage of sitting across the
abroad. Their recipients – in Africa or Asia, for example
major time zones, and you have regulators who really
- then travel to another agent location to pick up money.
understand financial services.
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FINANCE | VICTORIA VISIONARIES
V I CTO RI A V IS I O N A RY: ALBOURNE VILLAGE
Sam Lewis : Co-Director S W1 o f fe r s st at e - of - th e - a r t w o rk sp a c e s a n d a c e ntr a l l o c at i o n w h i l e r e m a i n i n g u n p r e t e n t i o u s , says a f i n a n c i e r a t t h e c o r e o f t h e i n v e st m e n t c o m m u n it y
What is Albourne’s specialist area of
easily commutable for our colleagues, as
financial expertise?
the transport is fantastic and we are well
Ours is the number-one company in the
connected to both central London and outer
world when it comes to advising investors
parts of the city. There’s also a great choice
thinking of allocating to fund managers in
of restaurants and shops – we particularly
alternative investments, such as hedge
love the food market at Cardinal Place, as
funds, private equity and real asset.
it has so much character and personality.
VICTORIA VISIONARIES | FINANCE
And why was Albourne Village set up as an
So what are the advantages for financial
online division of Albourne Partners?
companies such as Albourne Partners being
The company was formed in a small Sussex
based in the heart of SW1?
village called Albourne when the internet was
Geographically, it’s very central. Our clients
just taking off. We’ve always felt that, within
are more likely to be based here, rather than
the bigger world of finance, the hedge-fund
Mayfair, for example, yet Mayfair is only 10
community is like a village, so we thought it
minutes’ walk away. Also, the technology in
needed a virtual presence to capture that
the buildings is incredible, and in finance
spirit and communal feel. Right from the
that matters so much. It’s rare to get such
start, it was created to be entirely free for
high-quality, open-plan space of this scale.
all, with no commercial agenda. It’s a place
where free thinkers can congregate, with
Which is your favourite after-work haunt
information and knowledge as the currency.
in the local area?
St. James Theatre on Palace Street is a
Albourne Partners moved to Palace Street
brilliant place for post-work entertainment.
more than four years ago. What do you like
most about the Victoria area?
If you’re taking a client out to lunch or
For us, it’s simply the perfect location. From
dinner, where do you like to go?
a business perspective, it’s an immaculate
The Goring Hotel on Beeston Place is my
combination of state-of-the-art office space,
favourite dining destination in Victoria,
without the pretentiousness that upsets our
as there’s an abundance of choice at
key client base of institutional investors. In
every price level. You can’t go anywhere
Victoria, you get 10 out of 10 for commercial
that’s more distinctively British or with
pragmatism and outstanding facilities, but
better service. In fact, there’s nothing
it still feels grounded. On a social level, it’s
like it anywhere else in London.
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FINANCE | VICTORIA VISIONARIES
WORDS: J ON AT H A N B ELL E d i t o r- a t- L a r g e a t W a l l p a p e r *, a n d d e s i g n , architecture and technolog y journalist
Past & Future From the developers who first transformed this former marshland into bricks and mortar to the iconic architecture built in the 19th century, SW1 has long attracted innovators. Now a new generation of artists and designers is taking the tradition forward
Landmark
innovation
is
transforming
Victoria. Land Securities’ unprecedented
The By zantine-s t yle Wes tmins ter Cathedral, built by John Francis B entley in the late 19 th centur y
peaceful Royal Parks.
£2bn investment into this historic part
Victoria’s most revered landmark is
of London is not only altering the skyline,
almost certainly Westminster Cathedral.
enhancing the public realm and bringing
A striking striped brick and stone edifice
new workers and residents alike to its
with
streets, it is completing a journey that
majestically
began many years before. SW1 has always
its piazza lending the area something of
been home to visionaries – from the
a continental feel. Constructed on the
pioneers who first drained the swamps
foundations of what had been Bridewell
to create this part of the city to the
Prison, it was the work of the architect John
engineers who saw the opportunity to
Francis Bentley. Famously unfinished – its
build one of the world’s most celebrated
decorative, mosaiced interior gives way to
railway stations. Today, the visions belong
a bare vaulted ceiling – the Byzantine-style
to the architects, designers, developers
cathedral and its 273ft-high campanile
and
currently
together form a major landmark that
collaborating to reshape the district into
pinpoints the location of Victoria Street
a major new destination.
within the rest of London.
businesses
To
VICTORIA VISIONARIES | FINANCE
shopping at Knightsbridge and a plethora of
walk
that
through
are
Victoria
is
to
a
The
soaring
bell
tower,
alongside
post-war
it
stands
Victoria
Street,
decades
were
not
experience the mix of old and new –
exactly kind to the district’s streetscape.
arguably one of London’s most vital and
The grandeur of Victoria Street was lost
defining
has
to redevelopment, in particular that of
always been distinguished by its distinctive
Westminster City Hall, which turned the
blend of styles and Victoria is no different.
north side of the road into little more than
Stunning new developments are rising fast
a characterless sweep of period glass and
alongside iconic 19th-century buildings –
concrete. Change has brought creativity
and there is still more to come, as these
and opportunity, though. Land Securities’
transformational works create new retail
involvement dates to the turn of this
hearts,
pockets
century, when it set out the first stages of
of art and culture. SW1 has become a
a 20-year masterplan to transform the area.
characteristics.
creative
centres
The
city
and
place of juxtaposition, innovation and
From its initial project, Cardinal Place,
creativity, where the traditional adjoins
in 2006, it went on, with architects Aukett
the contemporary, close to the heart
Fitzroy Robinson, to redevelop 123 Victoria
of
Street, an idiosyncratic but exemplary
government
at
Westminster, 14
luxury
CLO CK WISE FROM TOP Nova, Vic toria, which will be home to ALAMY
London’s new food quar ter; The Zig Zag Building and Kings Gate; the ex terior of Nova, Vic toria, designed by PLP Architec ture
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FINANCE | VICTORIA VISIONARIES
CLOCK WISE FROM ABOVE The boutique Curzon Vic toria; 62 Buckingham Gate – a model
ALAMY
of clean-lined modernit y; and the Tate Britain ar t galler y
VICTORIA VISIONARIES | FINANCE
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The long-established Apollo Victoria and Victoria Palace have been joined by a new Curzon cinema and the award-winning St. James Theatre
piece of 1970s commercial architecture
This outcrop of faceted glass, which was
home of acclaimed Australian industrial
that has now been given a new lease of life
designed by PLP Architecture, will be a
designer Marc Newson, who is currently
and provides Westminster Cathedral with
dynamic addition to the streetscape when
working with Apple. In 2005, the Telegraph
a contemporary frame.
the first phase is completed this autumn.
Media Group opened its vision of the
The rather banal grid of the original
Nova South and Nova North will be bold new
radically reworked multimedia newsroom
City Hall façade has been substantially
business addresses that incorporate public
on Buckingham Palace Road.
replaced following Land Securities’ total
art and open space into their masterplan.
The area’s media connections go back
office
to 1990, when Channel 4 commissioned
Street. First came Pelli Clarke Pelli’s
space, Nova, Victoria will also include
new high-spec headquarters on Horseferry
62 Buckingham Gate to form a new bookend
170 residential apartments in The Nova
Road from the architect Richard Rogers –
for the new Victoria. A bold wedge of
Building, and will have a dedicated food
it is still one of the most striking examples
Modernist glass, it offers 260,000sq ft of
quarter. The intersection between the two
of modern architecture in Victoria. There
low-energy office space, with generous
new pedestrian paths that run through the
are now also many major fashion brands in
ceiling heights and spectacular views out
site will create a focal point at the heart of
the area, while tech firms, too, have begun
across the triple-height reception area.
The Nova Building, which is flanked by the
establishing a foothold here.
reorganisation of the north side of Victoria
And 62 Buckingham Gate is now joined
Offering
600,000sq
ft
of
breathtaking glass architecture.
Dining is an integral part of the modern
by two new structures: Kings Gate and
The district’s newest inhabitants will
urban experience, and Victoria is currently
The Zig Zag Building. The former is one of
find themselves living and working in a
attracting a host of new eateries, including
the flagship residential destinations in the
transformed environment. There have been
Ibérica, Jamie’s Italian, and M Restaurant
area, providing 100 high-end apartments
cultural institutions here for centuries
and Wine Store. It will soon boast an entire
and far-reaching vistas, while the latter
– nearby Tate Britain was established by
new food quarter: Nova, Victoria.
offers a mix of office space and retail.
the sugar magnate and philanthropist Sir
The area’s reputation as a centre
Deutsche Bank, Moneycorp and Jupiter
Henry Tate back in 1897 – but Victoria is
of entertainment was cemented by the
Asset Management are already signed up.
also being reshaped by a new generation of
presence of the Art Deco Apollo Victoria
curators, including Land Securities, which
and Victoria Palace theatres, both home to
has brought public art to the area.
long-running and hugely popular West End
The Zig Zag Building is a new breed of office, designed to enhance the workplace
Contemporary art, design and culture
musicals. They have been joined by the new
and
was the motivating force for other early
high-tech boutique Curzon Victoria cinema
a finely crafted interior that features a
Victoria pioneers, including auction house
and the award-winning St. James Theatre,
combination of warm, tactile materials and
Phillips de Pury, which was originally
which opened in 2012.
human-scaled spaces.
and raise morale through public realm, natural
lighting
and
ventilation,
located in a prime spot in the former
Vision has always been at the heart
To the west is the largest element of
Royal Mail sorting offices on Howick Place,
of Victoria, thanks to the impact of major
Land Securities’ jigsaw: Nova, Victoria.
in close proximity to the studio and now
infrastructure decisions taken 150 years
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FINANCE | VICTORIA VISIONARIES
The new Victoria is a glittering array of contemporar y structures set alongside historic buildings and garden squares
A C H A N G IN G FAC E SE AT O F P OWER Victoria counts among its prestigious neighbours the Houses of Parliament and Buckingham Palace.
T R AV EL H U B Victoria station connects passengers to London and beyond, with three Tube lines and an express train to Gatwick Airport. Current remodelling will slash transit time between street, ticket hall and platforms.
G REEN SPAC E
ago. The railway station was first mooted in
enlarged ticket hall and new access points
1857, named after the grand new avenue that
from the north of Victoria Street, and
ran south-west from Westminster Abbey,
ongoing works will dramatically reduce the
and the name of that road, of course, was
transit time between street, ticket hall and
inspired by Queen Victoria. By the time the
line from above ground or below.
station was underway, she had already been on the throne for over 20 years.
Land Securities is also overseeing the creation of new green spaces for Victoria,
St James’s Park is on the northern border of Victoria, and is home to some rather famous pelicans. In the centre of Victoria is the beautiful Vincent Square, which is home to a well-kept cricket ground.
T HE AT RE A ND C INEM A Sit back and enjoy the show – there are no fewer than three theatres and a brand-new cinema in Victoria.
T HE O RIEN T-E X PRES S The world’s most famous luxury train departs from Victoria station.
Her Majesty’s reign defined the capital,
threading an expansive piece of public
the country and, by extension, the world,
realm through the heart of Nova, Victoria.
and was to prove enormously influential
These new landscaped walkways will be in
on the area that bore her name. Victoria
addition to SW1’s already generous outdoor
grew into an early centre for the multitude
space, from the splendour of St James’s
of engineering firms that shaped British
Park to the formality of Vincent Square,
N OVA , V I C TO RI A
industrial power and drove the construction
creating new routes from north to south
of factories and transport networks.
and east to west, making the area much
Offering an impressive 600,000sq ft of office space, Nova, Victoria will also include 170 residential apartments in The Nova Building, as well as 18 new restaurants, cafés and bars, and more than 400 al fresco seats.
Victoria Station also played a major
more navigable on foot.
part in the nation’s history, whether in
The reworked station entrance, the
receiving the wounded from the European
opening of Nova, Victoria and its next
front during the World Wars, or sending
phase will be the culmination of SW1’s latest
London’s children off on the first stage of
and most radical transformation. Driven
their evacuation journeys. In more peaceful
by a vision that blends new urban retail,
times, it was the venue for the globe’s first
office and residential space with existing
rail-air service, the Empire Air Terminal.
culture and history, the district is being
This was the glamorous departure point
transformed into a major London hub for
for those using Imperial Airways to begin
both work and play.
their pioneering trip or embarking on boat-
The new Victoria is a glittering array of
train services to the Continent. Today,
contemporary structures set among new
the station is home to the luxury Venice
public spaces and alongside the elegant
Simplon-Orient-Express train, which offers
mansion blocks, historic buildings, verdant
the grandest rail journey in the world.
garden squares, and shops, offices and
In 1969, the mainline station became
galleries that have evolved over centuries.
one of the key stops on the newly opened
It is a financial centre in the heart of
Victoria Line – then the first new Tube
politics and government, with international
line for half a century. In the modern
connections close at hand, offering some
age, it is a major terminus and one of the
of the finest contemporary real estate and
best connected in London. As part of the
most advanced offices, not to mention
district’s refurbishment, the station is
a rich variety of dining, entertainment,
being transformed, with better access, an
education and cultural opportunities.
VICTORIA VISIONARIES | FINANCE
18
L A NDS C A PED WA L K WAYS New routes are being created, making the area much more navigable on foot.
CLO CK WISE FROM LEF T Vincent Square; The Vic toria Memorial, which s tands in front of Buckingham
ALAMY
Palace; the lake at St James’s Park
19
FINANCE | VICTORIA VISIONARIES
WORDS: STEFAN CHOMK A Editor of Restaurant magazine
Hospitality & Food
As Victoria’s regeneration continues apace, it is becoming home to a wide range of upcoming, high-profile – and in some cases, debut – restaurants, with fine dining alongside more mainstream concepts. The area, which has a burgeoning and progressive food scene, is fast becoming the capital’s next foodie hub. Perhaps the most significant indication is its ability to attract to its ranks one of London’s most pre-eminent chefs and restaurateurs: Jason Atherton. The Michelin-starred chef, who runs a global restaurant empire, has chosen Nova, Victoria in which to launch his new concept – an Italian restaurant with a focus on fresh pasta. Headed up by Paul Hood, currently at Social Eating House, VICTORIA VISIONARIES | FINANCE
in Soho, the ambitious project will have a pasta-making room that will allow diners to see their food being created for them. With Adam Handling at Caxton – the residency of the 2013 MasterChef: The Professionals runner-up at Caxton Grill in St. Ermin’s Hotel – already providing a persuasive argument for gourmands to leave the more familiar environs of Soho, Mayfair and Shoreditch and set their sights on the south, Atherton’s entry on to the scene will make the district even more of an appetising prospect. A high-end Spanish restaurant group’s decision to open in The Zig Zag Building perfectly reflects Victoria’s new foodie credentials. Ibérica started life on Great 20
Portland Street, in the West End, and is no ordinary chain, thanks to the pedigree of its multi-Michelin-starred executive head chef Nacho Manzano. He holds an impressive three stars: two at the celebrated Casa Marcial, and another at La Salgar, both in Asturias, north-west Spain. He’s also the man behind the restaurant’s silky hams, creamy black rice with seafood and 30-day-hung organic rib of beef Bilbao style. Ibérica has a delicatessen attached, which is also a key feature of the new Jamie’s Italian that now occupies the ground and first floors of Kings Gate – a jewel in the crown of Jamie Oliver’s successful restaurant group. Oliver’s move to
RO RY DA N I EL /S AU C E C O M M U N I C AT I O N S
Stell ar chefs and restaurate urs are f locking to c l a i m t h e i r p l a c e i n V i c t o r i a ’s c u l i n a r y o r b i t , which promises to be heaven for foodies
V I CTO RI A V IS I O N A RY: CHEF
Jason Atherton P o l l e n S t r e e t S o c i a l ’s c h e f - p a t r o n knows a thing or two about opening restaurants – and his nex t stop is SW1
W
ith a clutch of Michelin-starred restaurants across London – including his flagship Mayfair dining
room Pollen Street Social, as well as City Social and Social Eating House, plus many more in places as far afield as Hong Kong, Singapore and Shanghai – Jason Atherton is one of the UK’s most successful chefs and restaurateurs. A former protégé of Gordon Ramsay, Atherton has shown how it is possible to run a global dining empire that encompasses a number of styles and cuisines, from the high-end eateries of Mayfair and Singapore to the no-reservation tapas joints of Hong Kong, all the time earning a reputation for producing some of the finest food available anywhere in the world. The chef’s choice of Victoria as the location for his newest concept is a huge endorsement for the area, and a sign he believes it is ready for some truly high-end eating. He has recently opened a restaurant in Sydney, with plans to open another in New York - so Victoria is certainly in fine company. Atherton’s prowess is not just thanks to his ambitious cuisine, but directly attributable to his business model, which has nurtured and established cheffing talent across the capital and led to the creation of some of London’s most highly respected restaurants. Few chefs have managed to create a gastronomical dominion of such calibre, and he continues to push the boundaries, supporting his ambitious kitchen and front-of-house teams, ensuring his group continues to lead the way in the field. Jason Atherton is bringing a casual Italian eatery to Nova, Victoria – and his appointment of Paul Hood as chef makes clear his ambition for his new venture to
Jason Ather ton’s ambition is for his new Victoria venture to become one of London’s top dining destinations
become one of London’s top dining destinations. Hood is one of the most trusted of Atherton’s team, having helped the chef-patron launch Pollen Street Social in Mayfair and then Social Eating House in Soho, which was granted a Michelin star within its first year. Similarly big things are expected in SW1. 21
FINANCE | VICTORIA VISIONARIES
LEF T The new Ibérica restaurant at The Zig Zag Building, Vic toria
For those with an appetite for internationally flavoured fare, there’s a veritable feast on offer in Victoria
Victoria is something of a homecoming: he earned his apron stripes in the 1990s at the nearby Westminster Kingsway College – an esteemed establishment that still leads the way in training the young and ambitious chefs of the future. Victoria is drawing other prestigious names too. With a portfolio that already includes Angler, Bluebird and Quaglino’s, D&D London is set to rent 10,000sq ft of space in Nova, Victoria. It joins the Japanese chain Bone Daddies and new concepts from Will Ricker (Great Eastern Dining Room and E&O) and Adam White (The Riding House Café). The recently opened M Restaurant and Wine Store in The Zig Zag Building, meanwhile, VICTORIA VISIONARIES | FINANCE
promises a menu featuring the likes of Wagyu and Kobe beef. For those with an appetite for internationally flavoured fare, there’s a veritable feast on offer in Victoria. High-street names such as Wagamama, Leon, Zizzi and Benugo have led the charge in the grab-and-go arena, and the intention is for Victoria to rival the capital’s other gastro hotspots. The food market at Cardinal Place every Thursday has already laid the foundations, with street-food stalls such as Peruvian-style Panka, Ethiopian Red Tent Ent and Scottish Deeney’s offering Victorians an inventive fast bite. Meanwhile, independent traders such as Iris & June, Rippon Cheese and Coffee Geek and Friends have joined the fray. 22
While a new foodie scene is flourishing in SW1, its hospitality heritage already has deep roots. The Goring has been drawing clientele for over a century to partake of its fine dining, afternoon tea and expertly mixed cocktails. Winston Churchill and the Queen Mother were regular guests, and it was here that Kate Middleton spent the night before her wedding to Prince William. Besides The Goring, of the 48 hotels in Victoria, a further three have five stars: The Conrad St. James, 51 Buckingham Gate Taj Suites and Residences (home to the Michelinstarred Quilon) and Hotel 41 (with just 30 rooms, the capital’s smallest five-star establishment), complete the firmament.
V I CTO RI A V IS I O N A RY: HOTELIER
Jeremy Goring T h e G o r i n g ’s C E O h a s h o t e l - k e e p i n g i n h i s b l o o d – b u t i t ’s i n n o v a t i o n , not nostalgia, that quickens his hear t
FROM TOP The hotel’s refurbished entrance hall; Jeremy Goring
J
eremy Goring is no ordinary hotelier, but then The Goring – of which he is chief executive officer
– is no ordinary five-star hotel. An English country house in the heart of Belgravia (with a croquet lawn to boot), the family-run institution has been tempering its idiosyncratic brand of wit and charm with luxury and glamour since 1910 – when it was opened by Jeremy’s great-grandfather, Otto R Goring. Today, while Jeremy is able to count himself in a category all of his own – that of ‘hotelier to the Royal Family’, courtesy of the royal warrant now adorning the front of the building – his success is one born of experience rather than entitlement. After graduating from the Lausanne Hotel School in 1988, he cut his teeth at the Four Seasons and The Lanesborough, London, before venturing somewhat further afield to open hotels for the Rosewood Group in Mexico, the Caribbean and Indonesia. It was only after a further three-year stint managing The Observatory in Sydney for Orient-Express Hotels (now The Langham, Sydney) that he would return to the UK in 2005 to join the family firm as CEO. When The Goring was founded, it professed to be the first establishment in the world in which every room had a private bathroom and central heating. It remains the only hotel in London still operated by the family that built it, and has just completed its most ambitious refurbishment to date, under
THE GORING
Jeremy’s watchful eye. With design input from the likes of the venerable David Linley and Nina Campbell, it’s a grand statement that proves the family’s thirst for innovation and excellence hasn’t diminished one bit over the past 106 years. 27
FINANCE | VICTORIA VISIONARIES
WORDS: NANCY DURRANT Ar ts Commissioning Editor at The Times and ar t critic
Galleries & the Visual Arts In the window of 123 Victoria Street hangs a thing of great beauty. A vast yet delicate snowflake slowly turns with glittering grace. It is truly mesmerising. Conrad Shawcross’s ‘Canopy Studies I and II’ – which were inspired, says the artist, by the play of light through leaves on a summer’s day – is one of a growing number of arresting public works that have proliferated across Victoria in recent years. Visible through the glass frontage of 62 Buckingham Gate is one of the pieces from Grayson Perry’s contemporary tapestry series The Vanity of Small Differences. The building’s reception also houses Stuart Haygarth’s astonishing ‘Optical’ chandelier, which is made up of 70,000 recycled spectacle lenses. These remarkable artworks have been installed – and, in the case of the Shawcross and Haygarth, commissioned – by Land Securities, which is committed to integrating installations into all of its developments and, in the process, VICTORIA VISIONARIES | FINANCE
promoting British artists. The company is also working closely with ArtSource – a specialist consultancy that champions the work of burgeoning contemporary artists as much as it does established ones – with a view to Nova, Victoria becoming a showcase for emerging creatives. Unlike the many sculptures that already have a permanent home in the area, the works in development will be displayed as part of a dynamic open-air gallery hosting temporary exhibitions. This approach is akin to central London’s
When it comes to nur turing the next generation of creatives, Victoria has played a pivotal role 24
Fourth Plinth programme, via which a contemporary installation takes pride of place in Trafalgar Square for a year. The art on display at Nova, Victoria is sure to prove a striking attraction for residents and visitors alike. When it comes to nurturing the next generation of British creatives, Victoria has played a pivotal role. The Delfina Foundation, at Catherine Place, is devoted to artistic exchange and experimentation. Founded in 1988 as the Delfina Studio Trust, the scheme helped emerging artists – including 12 future Turner Prize nominees – hone their craft through the provision of affordable studio space. Land Securities’ own Studio Award, similarly, offers three young talents space for a year rent-free, helping in the process to launch their fledgling careers. Art and philanthropy is a partnership that is tried and tested, and it’s one that can only serve to enhance Victoria’s already flourishing culture.
TOBY STONEHAM
Home to public works by l eading artists as well as some a c c l a i m e d i n s t i t u t i o n s , S W1 i s e s t a b l i s h i n g i t s e l f a s o n e o f t h e c a p i t a l ’s k e y c u l t u r a l q u a r t e r s
V I CTO RI A V IS I O N A RY: ARTIST
Grayson Perr y In housing one of his fêted tapestries, Victoria pays homage to the wit a n d p r o w e s s o f a m a n w h o ’s a m o n g t h i s c e n t u r y ’s m o s t c e l e b r a t e d a n d unconventional social commentators
A
lthough the appellation ‘Renaissance Man’ is horribly overused, Grayson Perry, whose richly complex, sharply witty yet beautiful
tapestry ‘The Annunciation of the Virgin Deal’ is mounted on permanent display at 62 Buckingham Gate, can’t help but invite it. The potter, who first grabbed the public’s attention when he turned up to receive the 2003 Turner Prize dressed in a short pink satin frock adorned with bunny rabbits, has remained in the limelight ever since, becoming a loved and respected commentator on contemporary culture. His artwork sells for many thousands to the fortunate few, but for the public, it’s Perry’s unique vision of the world, and his ability to express it in words – a rare talent in a visual artist – that makes him worthy of an audience. The Tomb of the Unknown Craftsman, the British Museum exhibition he curated in 2011, opened up a new way of seeing the institution’s exquisite but often anonymous artefacts. He followed this with the documentary series In the Best Possible Taste, examining how cultural preferences differ across the British social spectrum. It was from this that the ‘Annunciation’ tapestry – one of a set of six – evolved, followed by Who Are You?, which explored identity. In 2013, in his quartet of Reith Lectures, entitled Playing to the
ABOVE Grayson Perr y discusses his tapestr y ‘The Annunciation of the Virgin Deal’, which hangs at 62 Buckingham Gate
Gallery, Grayson cheerfully bit the hand that feeds him by exploring the effect of the market on art and artists. But, of course, he did so with his customary charm, and the market still loves him. 25
FINANCE | VICTORIA VISIONARIES
V I CTO RI A V IS I O N A RY: ARTIST
Grayson Perr y In housing one of his fêted tapestries, Victoria pays homage to the wit a n d p r o w e s s o f a m a n w h o ’s a m o n g t h i s c e n t u r y ’s m o s t c e l e b r a t e d a n d unconventional social commentators
A
lthough the appellation ‘Renaissance Man’ is horribly overused, Grayson Perry, whose richly complex, sharply witty yet beautiful
tapestry ‘The Annunciation of the Virgin Deal’ is mounted on permanent display at 62 Buckingham Gate, can’t help but invite it. The potter, who first grabbed the public’s attention when he turned up to receive the 2003 Turner Prize dressed in a short pink satin frock adorned with bunny rabbits, has remained in the limelight ever since, becoming a loved and respected commentator on contemporary culture. His artwork sells for many thousands to the fortunate few, but for the public, it’s Perry’s unique vision of the world, and his ability to express it in words – a rare talent in a visual artist – that makes him worthy of an audience. The Tomb of the Unknown Craftsman, the British Museum exhibition he curated in 2011, opened up a new way of seeing the institution’s exquisite but often anonymous artefacts. He followed this with the documentary series In the Best Possible Taste, examining how cultural preferences differ across the British social spectrum. It was from this that the ‘Annunciation’ tapestry – one of a set of six – evolved, followed by Who Are You?, which explored identity. In 2013, in his quartet of Reith Lectures, entitled Playing to the
ABOVE Grayson Perr y discusses his tapestr y ‘The Annunciation of the Virgin Deal’, which hangs at 62 Buckingham Gate
Gallery, Grayson cheerfully bit the hand that feeds him by exploring the effect of the market on art and artists. But, of course, he did so with his customary charm, and the market still loves him. 25
FINANCE | VICTORIA VISIONARIES
WORDS: K AT IE BA RON Fashion Features Editor of Volt and Senior Editor at St ylus Media Group
Fashion & Creativity Industr y big- hitters and start- ups alike are responding to the gravitational pull of Victor ia , magnetised by the n e w h u b o f i n n o v a t i o n t h a t i s c e n t r e d o n S W1
Every so often, a locale experiences a cultural shift that has the cross-industry traction to ensure its permanence. With its burgeoning creative quarter, and led by the fashion sector, Victoria is currently in exactly that position. A host of esteemed international labels – including Armani, Belstaff, Burberry, Bally, Tom Ford and Jimmy Choo – have chosen to relocate their headquarters away from traditional areas to express their evolution into more progressive operational thinking. Many of them are exchanging the efficiency-first philosophy of the f lagship-plus-head-office format for brand hubs that are strategic, multipurpose hotbeds of activity able not only to foster innovation but also to host events and to function as showrooms. The most significant of these is British powerhouse Burberry – a company that VICTORIA VISIONARIES | FINANCE
now refers to itself as an entertainment brand rather than simply a retailer. Its monolithic headquarters on Horseferry Road was designed by Gensler, the architects responsible for The New York Times building and the London Stock Exchange. The Burberry HQ’s interior features vast digital screens and huge
‘Our HQ is so much more than a building – it ’s a place to unify the creativity of all our employees’ CHRISTOPHER BAILE Y CEO and Chief Creative O f ficer, Burberr y
26
shafts of light, giving a nod to the power of art when it comes to rousing a legion of troops into action – the space houses 1,200 people and counting. When it launched in 2009, CEO and Chief Creative Officer Christopher Bailey described it as ‘so much more than a building’. ‘It’s a place to unify the creativity and the dynamic attitude of all our employees that are driving this company forward,’ he declared. The barometer of change, however, should be read by observing the events and activities being fostered in the new cultural climate. British style publication Volt shot the cover and main feature for its autumn/winter 2014–15 issue entirely in SW1. And, in January 2015, when French fashion house Maison Margiela provided the platform for iconic British designer John Galliano’s longanticipated return to the industry, it did
27
FINANCE | VICTORIA VISIONARIES
C AT WA L K P I C T U R E S .C O M
PRE VIOUS PAGE The Burberr y AW15 cat walk show THIS PAGE, FROM LEF T 123 Vic toria Street; The Galliano for Maison Margiela AW15 London Fashion Week show at 62 Buckingham Gate
so at one of Victoria’s landmark buildings, 62 Buckingham Gate. While the fashion industry is driving change, it is the youth within that sector that must take particular credit for the shift in its thinking. The area’s adoption by hip young inf luencers is beginning to generate the kind of social-media-fuelled shine traditional advertising can no longer buy. ShowStudio, the fashion-film company founded by renowned photographer Nick Knight on Motcomb Street, is a prime example. Knight is an inspiration for style enthusiasts, and has used his SW1 site as a shoot space, gallery and retail venue in a 21st-century echo of Warhol’s Factory. Where creativity leads, in the digital era, technology is sure to follow. Playing a similarly key role is the TrueStart tech hub. While Shoreditch may have staked an early claim as ‘the UK’s Silicon Valley’, VICTORIA VISIONARIES | FINANCE
TrueStart is now challenging that accolade, and with a bigger advantage. Capitalising on the area’s thriving fashion scene, it is promoting up to 20 new business startups a year via a 4,300sq ft testing space on Francis Street. Equipped for highend innovation, it’s already incubating cutting-edge projects for its neighbours – including the Telegraph Group, Channel 4 and industrial designer Marc Newson, who became so enamoured with his headquarters at Howick Place that he now lives there. Meanwhile, e-commerce style network Motilo and acclaimed New York advertising agency Droga5 – which describes itself as a ‘digitally native, humanity-obsessed’ creative collective – have set up their UK base camps nearby. As a creative quarter perfectly poised to enjoy the fruits of cultural crosspollination, Victoria is f lourishing. 28
ANTHEA SIMMS
The area’s adoption by hip young influencers is generating dynamic and thriving businesses
FA SHI O N & DES I G N IN V I C TO RI A Armani, Bally, Belstaff, Burberry, Donna Ida, Jimmy Choo, Tom Ford, Kering (owner of Alexander McQueen, Gucci, Saint Laurent, Stella McCartney and more), Links of London, LVMH, Marc Newson, Philip Treacy and Ralph & Russo
C RE AT I V E MED I A & T EC HN O LO GY IN V I C TO RI A AT&T, BSkyB, Channel 4, Chime Communications, Droga5, Edelman, Fast Track, Informa, Intuit, London Sky Media, Motilo, PA Consulting Group, ShowStudio, Smiths Group, The Telegraph Media Group, The Sports Business (Chime PLC), TrueStart and VCCP
V I CTO RI A V IS I O N A RY: FASHION DESIGNER
Sandra Choi The woman whose inspired designs and astute business sense have ma de Jimmy Choo a mega-brand
FROM ABOVE Sk y-high s tilet tos by Jimmy Choo; Sandra Choi
L
uxury fashion is currently in flux, driven by a growing female appetite for a world beyond
trophy-wear. One of the fashion visionaries leading that charge is Sandra Choi, the Creative Director of global empire Jimmy Choo – a woman who knows exactly how to steer a fairy-tale brand back to full relevance. Since joining the business in 1989, aged just 20, under the guidance of her uncle, Jimmy Choo himself, Choi has been a vital part of the brand’s creative-commercial backbone, implementing a vision based on bringing couture footwear to retail level. Appointed Joint Creative Director in 1996 in tandem with Tamara Mellon, who left the company in 2011, her fashion acumen has been a guiding light. Her transformative presence helped boost the company’s sales by 5.7 per cent in 2014.
Jimmy Choo’s creative director knows how to steer a fair y-tale brand back to full relevance The notion of translation, and diversification, is part of the Choi story. Born on the Isle of Wight, she was sent at eight months old to live with her grandparents in Hong Kong. On her return to the UK, she studied fashion at London’s Central Saint Martins, but left the course to join the cut-and-thrust of industry. She has since been integral to Jimmy Choo’s introduction of bags, fragrances, eyewear and a made-to-order service, plus the launch of the men’s business and, of course, the premise of the Choo girl. Now, in a key, legacy-steering role that straddles collections, marketing – see 2014’s much-hyped virtual showroom – and further international expansion, Choi KIT LEE
directs her team from the company’s headquarters in the core of Victoria. Fittingly, it’s just a stone’s throw from the brand’s very first store on Motcomb Street. 29
FINANCE | VICTORIA VISIONARIES
WORDS: JAMES MEDD Contributor to The Guardian, The Times and New Statesman
Philanthropy & Change Whether it is economic, structural or organisational, change is always driven by vision, and this is as true of philanthropy as anything else in society. And that is why Victoria – vision-led and undergoing rapid transformation – has become a centre for pioneering charity and community work. Through bold and unique initiatives, Land Securities has been the driving force behind many of the district’s recent social changes. As a company that aims to ‘shape the future for good,’ it has established itself as a placemaker that is committed to delivering sustainability that extends far beyond the framework of a building. One way of strengthening a community is by working together with its businesses and organisations. Founded in Carlisle Place in 1981, The Passage is London’s largest voluntary resource centre for the homeless and one of the many initiatives supported by Land Securities. Through its partnership with the Prince’s Trust and its own Sustainable Business scheme, the company has made education and employment for disadvantaged people like those helped by the charity its number-one VICTORIA VISIONARIES | FINANCE
priority. In collaboration with contractors, Jobcentre Plus and local colleges, the scheme’s f lagship project, the Community Employment Programme, offers training and job opportunities. Since its launch in 2011, the scheme has helped to train more than 600 people, equipping them with the necessary skills, qualifications and experience to secure full-time work. Unemployment affects thousands of people, regardless of age or background. Land Securities’ Community Employment Programme takes every candidate’s longterm goals into consideration and works with them on a one-to-one basis through every step of their journey. Recognising success and hard work is an integral part of the scheme – a candidate’s achievements are rewarded not only through the opportunity to be engaged in full-time work, but via initiatives such as the annual Land Securities Employment Awards. Philanthropy is a litmus test of the success of any society, and offers proof that its leaders have breadth of vision – and Land Securities is committed to ensuring it remains a core value in Victoria. 30
CAMER A PRESS
L and Sec ur ities’ investme nt in positive initiatives and people - centred progress is ensur ing that community remains at the very heart of Victor ia
V I CTO RI A V IS I O N A RY: PHILANTHROPIST
Joe Cerrell T h e G a t e s F o u n d a t i o n ’s MD for Global Policy & Advocacy believes in taking the risks that governments can’ t
Based in the 62 Buckingham Gate office of the Bill & Melinda Gates Foundation – a valued Land Securities’ customer – Joe Cerrell, the charity’s Managing Director for Global Policy & Advocacy, operates on a scale that competes with the very corporations with which he sets up initiatives. A White House staffer in the Clinton administration, Cerrell joined the Gates Foundation in 2001 and established its London office in 2010. For him, the role of the organisation, which seeks to enhance healthcare and reduce extreme poverty around the world, is ‘to take big risks where governments may not be able to’. That means not only big-picture considerations, such as long-term strategies for disease prevention, but also conceptual thinking. One such concept is Cerrell’s CAMER A PRESS
belief that philanthropy is essential for global economic growth, but as he’s keen to remind us, foreign aid saves lives without costing nearly as much as we might think. 31
FINANCE | VICTORIA VISIONARIES
Contributors
K AEL A FENN-SMITH
BEN WRIGHT
ALEX MATHERS
L AND SECURITIES HE AD OF COMMERCIAL
THE TELEGR APH GROUP BUSINESS EDITOR
ILLUSTR ATOR
Kaela Fenn-Smith is Head of Commercial for Land Securities London Portfolio and sits on the London Executive Committee, the Portfolio’s Divisional Board. She is responsible for office, retail leasing, residential sales and marketing.
Ben Wright is Group Business Editor at The Telegraph, with responsibility for the day-to-day management of the business team and all related content in both print and digital. He was previously the City correspondent at The Wall Street Journal.
Alex Mathers is an illustrator, speaker, consultant and writer. He specialises in digital vector maps and landscapes. He is the founder of content-sharing platform Red Lemon Club, which helps creatives and entrepreneurs increase their impact.
JONATHAN BELL
NANCY DURRANT
STEFAN CHOMK A
WALLPAPER* EDITOR-AT-L ARGE
THE TIMES ARTS COMMISSIONING EDITOR
RESTAUR ANT EDITOR
Jonathan Bell writes about design and architecture for Wallpaper*, Blueprint and Grafik, and is co-editor of Things Magazine. His recent books include Carchitecture, The Transformable House, 21st Century House and Penthouse Living.
Nancy Durrant is Arts Commissioning Editor at The Times, focusing on visual art and theatre, and a critic. She has presented the BBC’s Culture Show, contributed to Channel 4 News and judged the Catlin Art Prize and Sky Arts Ignition: Futures Fund.
Stefan Chomka is Editor of Restaurant magazine. A former Features Writer of the Year award winner, his career has encompassed an array of hospitality and food-industry magazines. His specialist fields include future culinary trends.
K ATIE BARON
JAMES MEDD
IVAN JONES
VOLT FASHION FEATURES EDITOR
THE GUARDIAN CONTRIBUTOR
PHOTOGR APHER
Katie Baron is a producer turned author, journalist and creative consultant who works across the fashion, art, music, retail and design industries. In 2012, she published her first book, Stylists: New Fashion Visionaries.
James Medd is a freelance writer who has contributed to the likes of New Statesman, The Observer, The Times, Esquire, The Rake, Q and The Word on subjects as diverse as music, film, television and philanthropy.
Ivan Jones’s recent work has included commissions for Blueprint, Surface, RIBA, University of the Arts London, Laurence King and Thames & Hudson. He is currently producing a series of portraits of international women architects.
VICTORIA VISIONARIES | FINANCE
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