Shreya Pathrabe Work Portfolio 2023

P O R T F O L I O

A r t I A r c h i t e c t u r e I D e s i g n

S h r e y a P a t h r a b e

Shreya Shreya Pathrabe Pathrabe

EDUCATION

St. Marys Multipurpose High School, Navi Mumbai 2008 - 2014 | SSC (92 4%)

Ramnarian Ruia College of Arts, Dadar 2014 - 2016 | HSC (80%)

Rizvi College of Architecture, Bandra

2016-2021 | Bachelor of Architecture (SGPI 9 8)

ABOUT ME

In the course of 5+ years of learning and couple of years of working in the industry, I have identified and gathered my skills as a leader, design enthusiast, team worker, explored and experimented on various softwares as well I've recently broadened my horizons to the big screens I m currently looking for an opportunity to create a masterpiece worth an Academy

SKILLS

Autocad

Sketchup

Photoshop

Lumion

Twinmotion Corel Draw

Photography CONTACT iamshreya +91 7738392800

shreya pathrabe98@gmail com

Mumbai 400705

EXPERIENCE

20192020 STUDIO 6158, BANDRA

Architectural Intern (7 months)

Tasked to make drawings for online and offline layouts

Organization of files

Site Visits and design executions

Furniture and interior design decisions

Client Meetings

Case Studies and presentations

2020

PAL ANIMAL CLUB

Graphic Designer (2 months)

Responsible for all the brochure and poster design requirements

Created logos and typography designs

20142016

RUIA DRAMACIRCLE

Set Designing

Costume Department

(PRE - PRODUCTION DESIGN)

SKILLS

Autocad

Full proficiency and command

Sketchup

3D, Volumetric spaces is explored

Adobe Photoshop

Able to utilize Photoshop to enhance photographs as well as produce graphic designs

Lumion

High Quality renders and rendered videos can be produced

Corel Draw

Team Player

Attention to Detail

Excellent oral and written communication skills

Time Management

Open to constructive criticisms

EXPERIENCE

The Immortal Ashwathamma

(RSVP Movies) 2021

Production Designer: Aditya Kanwar

ART INTERN

Prop Details Accounts

Cad Drawings

3d Sketchup

Rocky or Rani ki Prem Kahani

(Dharma Productions) 2021-22

Production Designer: Amrita Mahal

ART INTERN

ART ASSISTANT

Prop Details Accounts

Cad Drawings

Sourcing

TVC 2021-22

Sugar Cosmetics

Production Designer : Aditya Kanwar

Edamama Clothing Brand

Production Designer : Amrita Mahal

Cadbury 2022

Production Designer : Arwind & Bindiya

Bawaal - Film

(Nadiadwala Grandson Ltd.) 2022

Production Designer: Aditya Kanwar

Sourcing Construction

Graphic Designing

JR. SET DRESSER

CONSTRUCTION ASSISTANT

TVC 2022 - 23

Centrum 2022

Production Designer : Sumayya Shaikh

Lakme 2023

Production Designer : Sumayya Shaikh

Bas Karo Aunty (last schedule) 2022

Production Designer : Arwind & Bindiya

Madgaon Express - Film

(Excel Ent.) 2022 - 23

Production Designer : Prachi Deshpande

Research and Development

Sourcing

CONSTRUCTION ASSISTANT

Construction

Set design and Execution

Graphic Research

Table of Content SpaceEquality TheElemental Busterminal AlleyHouse RainbowMuseum 1 3 2 4 5 FarmHouse SetRenders 6 7

समपता

// Equality

"The cities are planned, designed by men and for men, such as 6' tall good looking policeman" - Le Corbusier. Men, women, gender minorities, and people of different abilities tend to use the public space in different ways: people all have different needs and routines when it comes to our access to the city. A man may not think 10 times before a dark, shady place but a woman might. But this modernist worldview failed to account for women and children, elderly and disabled people – anyone, in fact, who fell outside this statuesque ideal. I aimed to establish a natural and safe atmosphere for women. To re-imagine cities from a women ’ s perspective - The Urban Vision/The Urban Safety.

Design Objectives

3 6 1 2 4 5 9 12 7 8 10 11 Walkable Clean Barrier Free Informative Safe Vibrant Lumionous Design for all Playful Accessible Greens User Comfort Organized ExistingSiteArea ProposedSiteArea

Design Development

Site ExistingPedestrianMovement ProposedPods MovementProposed 2 5 0 N 5 1 5 S c a l e i n M e t e r s

Pods- Modular Concept

Ergonomically Designed mental Grid 3x 2x

Sitting Cycle Vegetation Module Formulation 2 3 1 2 3 3 4 5 6 7 S tting Pod Vegetat on Pod Tree Guard Cyc e Stand Standing Pod Cycle S tting Pod Planter Ledge

Standing

Drainage Details

A 300 300 300 300 300 300 300 300

AcrossStr pes Stars/Hu des/Ramp/ Leve Crossng/Haza d AongStripes Safegoahead NoHurdes OffsetBis ers Leve Change Embossed/Fa TopB sters RoadCrossng Direction Direction Detail@A Detail@B 06 06 09 0 9 PedestrianRamp(1:10) 0 3 Bo ardspacedto prevent heenty oftwowheeers 09m fo wheecha access 2 3 2 2 3 Across Stripes Offset Blisters A ong Str pes 0 Scale n Meters 3 6 2 15 Staton Entry01 Station Entry02 Vehcular Subway LineonSte an nng

ctile Details Types of Tactile Pavers

Stampcre eFoorng BondCoat CuredMor a Bed SandandSo Mx CoarseSandLayer 50mmPCCBeddng 300mmDeepHa dStone TREE GUARD DRAINAGE DETAIL CONCRETE PLANTER BOX DETAIL CONNECTION TO THE DRAIN ConcretePanterBox Wate proofMembrane DrainageCe s SandandSo Mx Conc etePante Box GeotextleFabrcW ap CeanSand N 0 Scae n Meters 3 6 2 5 Staton Entry01 Staton Entry02 Vehicuar Subway

EPDM Flooring

It is a synthetic material It is a form of rubber that has great ability to resist ultraviolet rays This material is specifical y designed to resist the urge of being damaged in applications when exposed to sun

Stampcrete Flooring

Stampcrete concrete is a concrete that is patterned and/or textured or embossed to resemble brick, slate, flagstone, tile, wood and various patterns

Street light heightmerged into the trees

RCC Prefabricated Modules Coloured Stampcrete EPDM Flooring Patterned Stampcrete Proposed Site Trees and shrubs @ eye leve creates barrier between station and lane Easily Tresspassed 300 1400 750 450 Section A 3000 750 850 2300 6300 Insufficient Lights KdsPayArea Modues PedestranWakway Grafftt Art ExistngS a ion Buiding Exs ngDrain Onsite N 0 5 10 20 30 Narrow Lane (Pre s te condition) No Tactile Indication Limited area for pedestrian movement Easily Tresspassed Tree guard dividing the space A A B B 3m 1 2m No Ramp Section B 450 750 1000 0250 750 5000 1200 1400 1400 850 Scae n Meters Key P an CyceTrack/Kds PayArea CycleParkngS and Modues PedestranWakway Grafft iA t Exstng ParkingLot ExstngStaton Bu dng

एकजटता // Togetherness

Bus stations are hardly synonymous in most people's minds with glamour and great design; indeed we ' re far more likely to think of airports and even train stations as examples of innovative and stylish architecture. But among the dust heap of dull prefatory concrete sheds lurk some true diamonds of design. Here's my attempt redefining inter state bus terminal keeping in mind its movements and encouraging every income group to use public transport rather than private vehicles. It additionally aims to consider collaboration between public spaces and natural landscapes. Ultimately, last point is to rethink workspaces for the terminal staff while also keeping in mind the concepts of universal design.

Site Data and Location

THANE MULUND OCTROI NAKA

(Eastern Expressway)

Coordinates - 19.1764° N, 72.9684° E

This site is located in Mulund, North Eastern Suburb of Mumbai. It is accessible by Eastern Express Highway and has 3 entry points

Site Area : 56,400 sq m

Highway Buffer Area : 9,700 sq.m

New Site Area : 46,700 sq.m

Eastern Expressway : 54m

Hari Om Nagar Road (North of Site) : 18m

DP Road (South of Site) : 18M

The site is @ 7 M above Mean Sea Level (M.S. sloping towards Thane Creek

Design Development

ZONING 01 ZONING 02 ZONING 03

SPACES

WINGS

Stalls (food/book/chai)

Toilets

Waiting area

Bus Bays

Lounge

TERMINAL BUILDING

Cafeteria

Dorm

Exhibition Spaces

Lockers

Office and admin

Toilets

Police Security

Medical Help

Book Shops

Duty Free Shopping

Help desk

Ticket Kiosk

Lost and Found

DEPOT

Gantry Washer

Fueling Stations

Maintenance Storage Taxi

FEEDER SERVICE

Private Cab

Auto

Main floor plan with // movement

Wing Detail

LEGENDS

1.Atrium 2.Toilets 3 Reception, Help Desk, Lost and Found 4 Police Cabin 5 Doctor’s Cabin 6 Fire Staircase 7 Shops 8.Driver’s Rest Zone 9.Waiting Lounge 10.Eatery 11.Waiting Area 12.Bus Bay 13 Security Check in 14 Lifts

1.Terminal Ofce 2.Toilets 3.Fire Staircase 4.Cafeteria Seating 5.Exhibition Area 6.Food Shops 7 Roof Garden 8 Lifts Atrium Detail

LEGENDS

Sections

Elevations

:

// The 5 elements

As I open the earthy doors, I feel the cold brass handle in my palm and I feel rejuvenated. I step onto the floor to feel the smooth touch of stone under my feet. I slide onto my green couch overlooked by wooden rafters, taking me back to my childhood when I used to swing on a big banyan tree. The pleasant breath of fresh air fills my lungs and I take in my surroundings; such greenery around makes me feel like am sitting amidst the trees with ripe, red fruits hanging low on its branches. Suddenly, I see a ray of light playing on the blue tiles, terrazzo surface and it gives a waterfall effect. These 5 minutes after a hard day at work makes me feel at peace and connects me with nature, all in the comfort of my home - an oasis in the middle of the city.

पचमहाभत

The 5 Elements of Nature

Proposed layout

Legends

1. Living Area

2. Lounge

3. Balcony 1

4. Dining Area

5. Kitchen

6. Dry Balcony

7. Bathroom 1

8. Passage

9. Book Shelf

10. Closet Room

11. Kids Room

12. Master Room

13. Bathroom 2

14. Balcony 2

Water Air Fire Earth Metal

Concrete Polished F ooring Green Suede Fabric Dark Teak Wood Veneer Cane Mesh (Glass Sandwich) Checkered tile with brown grout Maroon Suede Fabric Brass Bharat Floorings Ti e Bharat Floorings T le Terrazzo Table Top

Graphical Scale in Meters

ProposedSite

WallBreakdown

ExistingSite

KidsBedroom MasterRoom LivingRoom KitchenandDinning

जलदरी // Alley House

This is a 1800 sq.ft bunglow designed for an urban dweller in a sub-rural region. Alley House as the name suggests is approached from tiny lanes as it is a row house. Last on the row it has 2 open sides overlooking salt pans and heavy vegetation. It was designed keeping in mind the spatial limitations of row houses but also the ‘wants’ of the client. Hence it’s open face is flanked with balconies on top and protruding bay windows at the bottom. There is a circle on the front elevation of the house which forms a frame to view greens outside as we climb up the stairs.

( Work at Internship at STUDIO 6158 )

G r . F l o o r P l a n

Sections

इधनष

// Rainbow Museum

The brief was to create an all-inclusive space that would highlight real-life contemporary issues and would be located in an urban setting. So the idea here was to design a museum in the middle of the city, hence the name vibgyor. All the colours of the rainbow. Rainbow flags tend to be used as a sign of a new era, of hope, or social change. Rainbow flags have been used in many places over the centuries: in the German Peasants’ War, as a symbol of peace, in Italy; by the Jewish Autonomous Oblast; to represent the International Order of Rainbow for Girls. Today, the flag is flown as a sign of inclusion and welcome. The rainbow is also a symbolic representation of the variety of human expression, in all its hues and shades.

One Linear Block of mass Two Division of block in 7 parts Three Adding stepped terrace for light, ventilation, roof garden and rain water harvesting Four Final massing with curved spaces Floor Plan Roof Plan Column Placement

South Elevation

DESIGN DEVELOPMENT

East Elevation

North Elevation

West Elevation

The surrounding hues took over most of the spaces and niches here, inspired by nature. The space has been designed in its traditional form. The dialogue within the space is formed by slanted roofs, tinted glass, and built and unbuilt elements. The open kitchen with a view of the living room was the focal point of this space.

शत घर //

Farmhouse