Shreya Bhuraria

Page 1

SHREYA BHURARIA


TABLE OF CONTENTS

1

KIDS CAFE

2

INTERCONNECTEDNESS

3

DEVIATING DOMAINS

4

LINKED CADENCE

5

THE BRIDGE


1 KIDS CAFE The goal is to analyze precedents and create a technological and sustainable space at 215 Moore Street for the hispanic community. Network It is a space for kids with interactive floors and green roof, promoting the idea of education with fun. The colors are all taken from the hispanic community.


nd Floor cond Floor

Roof Roof

Tunnel

Bathroom

Jungle Gym

Tunnel

Cultural Rooms Cultural Rooms

Jungle Gym Cultural Rooms Cultural Rooms

UP

UP

Chair

Intercative Floor Intercative Floor

Sorting

Sorting

Sink + Storage

Sink + Storage

Elevator

Green Roof

Green Roof

Technology Interactive projection floors are among the most common and easiest to implement solutions on the market. This is because the interactivity is usually based on motion capture using a camera or IR sensor, which means the display itself can be made using any kind of projector, and can be set up in a much wider variety of ways than the other options, where display hardware must be installed on the floor and must be durable enough to withstand people walking all over it. Walking on a projection is, by comparison, a lot less worrisome.

Magical Glass elevator Magical Glass elevator

Technological Aspect

Sustainable Aspect

PRODUCED BY AN AUTODESK STUDENT VERSION

Walls in the Walls in Interactive the Interactive Art Room Art Room

Section

Elevator

Farming Kindergarten

By Vo Trong Nghia Architects

The roof is designed to grow enough food for the 500 preschool students while simultaneously providing the youngsters with agricultural experience in a lush outdoor classroom. The structure also loops upon itself, landing flush with the ground to create covered courtyards where the school children can run and play. The building comes equipped with the typical classroom and indoor spaces where the children can learn. Additionally, these ecoconscious areas were all built using recycled materials, are heated with solar power, and showcase other eco-friendly amenities to help educate the schoolchildren on the importance of these sustainable features. Additionally, architectural and mechanical energy-saving methods are comprehensively applied including but not limited to: green roof as insulation, green facade as shading and solar water heating. Factory wastewater are recycled to irrigate greenery and flush toilets.

Plans

Inspiration

ith CamScanner

Bathroom

Elevator

Scanned with CamScanner

Elevator

Scanner

Storage

Scanned with CamScanner

Storage

Classroom

Scanned with CamScanner

Kitchen

Classroom

Scanned with CamScanner Scanned with CamScanner

Kitchen

Classroom

Scanned with CamScanner

Classroom

Scanned with CamScanner

Cafe

from Afriusually used d was also the which was about shapes foing ant to propose

Cafe Interactive Art Room Interactive Art Room

Using the magical ele- eleUsing the magical vator we go vator weup goto upthe to the roof. As we the the roof. Asenter we enter space we see an open space we see an open seating/lounge on the seating/lounge on the both both sides f the sides f elthe elevator. On the evator. On right the right hand hand side side is lucious is lucious and green, green roof roof and green, green where kids kids can grow where can grow veggies and fruits. veggies and fruits. On the left left hand hand On top, the top, corner is a is classcorner a classroom room which would ed- edwhich would ucate children about ucate children about the green roof roof and and the green fruits and vegetables. fruits and vegetables. That That room room will will lead lead us to sorting area area usa to a sorting where different kinds where different kinds of fruits and veggies of fruits and veggies could be sorted and and could be sorted then then it will lead lead us us it will to storage and a sink to storage and a sink area area so that the vegso that the veggies gies and fruits could and fruits could be washed and stored. be washed and stored. Above the ‘back o fthe Above the ‘back o fthe house’ there would be be house’ there would solar panels which solar panels which would collect energy would collect energy and efficiently use in and efficiently use in the bulding the bulding

or the walls are insprired from Afrin Textiles. This patten is usually used hing Ghanaian people andare wasinsprired also the from AfriTheofforms for the walls e book ‘Wrapped Textiles. in Pride’ This whichpatten was about can-American is usually used hisintextiles usues of alot of shapes foing the clothing Ghanaian people and was also the therefore what I want in to Pride’ proposewhich was about cover ofthat the is book ‘Wrapped e textiles. This textiles usues alot of shapes foing diagnolly, therefore that is what I want to propose in the space

cafe is locatids cafe is locatsecond floor the second floor ace. As we e space. Asenwe enpace through a he space through a levator. we see al elevator. we see cafe with with kids kids pen cafe parents lin- linheir parents ating and eng, eating and enn hand hand g.the On left the left he is the of cafe, the cafe, is the ’ where t room Me’ room where go canin gothe in space the space atever they they o whatever her its to whether itsdraw to draw lls or paint e walls or paint ture. Opposite urniture. Opposite he is classroom/ the classroom/ all which can can re hall which o work work edschool fo school tion and it ducation andcan it can into into a artist rned a artist ell where art- artas well where d come come in and would in and s kids amazing cre- creamazing . art. Then Then as we as we , we see tundown, we a see a tunwill will have have in- inhich floor and and tive floor kids could and kids could hose. These on those. These ould lead lead us us ls would al rooms which ltural rooms which cate us on educate usour on our re.



2 INTERCONNECTEDNESS The goal is to analyze precedents in the evolution of the office and furniture systems, to broaden the understanding of the contexts of design and identify appropriate sustainable strategies in the selection of resources and application of design strategies. Network Unifying the power pyramid through the structural and color dynamic of the site with overlay of colors to create a feeling of interconnectedness amongst different levels of management.


Concept Diagram

Material Expoloration Floor Plan


Model

Section


3 DEVIATING DOMAINS It was the analysis of a prescribed article as a conceptual driver and design a retail store and service center for The New York City organization, Housing Works. An emphasis on understanding visual and physical adjacencies and occupancies, and the interface of circulation and program inform the design of the project within a multi-level site. Network The article given to me was a door which I analysed thoroughly. After the analysis, it was noticed that there are many parts and how it could divide the space up. So, I divided the space of five floors into four sections where one section was for men’s retail, one for women, one being the medical centre and one for kids. The circulation in the program was forced as one had to come to the first floor to approach different areas.


DECONSTRUCTION

Accessories

Shoes

Elevator - Womens Elevator - Mens Clothing

Reception Entry Level

Section Cut Cafe

Model Artifact Analysis

Kids Area Clothing

Kids Area

Shoes/ Accessories

Clothing

Medical Area

Plans

Kids Area

Medical Area

Medical Area


Clothing

Medical Area

Shoes/ Accessories Medical Area

Clothing Medical Area

Medical Area

Clothing

Shoes/ Accessories

Medical Area

Medical Area

Clothing

Elevations

Rendering


4 LINKED CADENCE It began with a thorough introduction, research and analysis of a conventional building material, and questions the very definition of a boundary. We had to explore contemporary dining typologies, through precedents and in the design of a fast food restaurant within an international airport setting. Network The material given to me was metal pipes which was tested in different methods and the method chosen was to interlock them with each other to make a surface. As these tubes comes in various sizes, they were used as seating also.


18'-1 5 " 16

27'-0"

10'-0"

GLASS

A

10'-0"

GLASS

GLASS

B

A

GLASS

B

B

B

33'-11"

33'-11"

21'-3"

KITCHEN

21'-3"

KITCHEN

18'-1 5 " 16

27'-0"

3'-51 2"

2

2'-4"

12'-8"

5'-6"

23'-621"

5'-7"

10'-9"

56'-721"

56'-721"

A 1

Analysis

Service

10'-9"

5'-7"

7'-9"

7'-9"

9'-1"

2'-4" 9'-1"

23'-621"

Tables

2

2'-0"

12'-8"

2'-0"

1'-6"

3'-0"

3'-0"

1'-6"

5'-6"

3'-51 2"

Plan

CONCOURSE

Seating

Open space

A

FLOOR PLAN 3/16"=1'-0"

1

Tables

Service

CONCOURSE

Seating

FLOOR PLAN 3/16"=1'-0"

Open space

Elevation



5 THE BRIDGE Continuing the introduction to a sustainable design practice and the understanding of social boundaries, an innovative room for a single person to “perform� a ritual in is defined and a design is informed by a thorough investigation rooted in human movement, occupancy, outine and consumption, and site specificity. Everyday small spaces and contemporary archetypal spaces of worship are studied, documented and discussed; the intimate interior environment of a bathroom, a public changing room, a closet, the vast interior landscape of a gothic cathedral, a heated Bikram yoga room etc. Network This was a group project where we envisioned a space that ellicit multiple feelings while walking through it. Each barcode when scanned pulled up different videos which ranged from sad to love to anger.


Meditation K-Pop Dancing

Tea Making

Rituals

Habits

Influenced by others Changes while practicing Have more meaning More necessary satisfies internally Time Frame

Born with these Not necessary Hard to give up No time frame No particular space needed doing things without thinking


Analysing how the space would work and that each barcode is specific to each emotion

Elevation


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