Portfolio

The portfolio is a reflection of my personality. As someone who is watchful and enthusiastic, I’m particularly interested in the small details and functional elements that can make a big impact on the user experience. By deriving appropriate answers to design challenges, I aim to create designs that leave a lasting impression on users. In my opinion, interior design and architecture are intertwined fields that have the power to transform ordinary spaces into something extraordinary. When done right, design can change the way we interact with the world around us, turning mundane activities into memorable events. This is especially true when design is able to interact with our bodily activities, creating a sensory experience that goes beyond just visual aesthetics.This necessitates a curious and interested mindset that is always open to trying new things and seeking out new experiences. I wish to continue evolving as a designer and pushing the boundaries of what is possible by interacting with others in the area and increasing my knowledge and skills.

EDUCATION

2016-2020

Bachelors of Design - Gold medalist

School of Environmental Design and Architecture, Navrachana University

2015-2016

Higher Secondary - 87% Delhi Public School Vadodara

2013-2014

10th grade - 9.8 CGPA Delhi Public School Vadodara

LANGUAGE

-English -Hindi -Gujarati

WORK EXPERIENCE

November 2022 and presesnt

Freelancing as an Interior designer, Vadodara, Gujarat

-Teaming up with Studio WestI06 for following-

1. designing and executing a residential interior project in Kalol, Gujarat.

2. designing a residential interior project in Vadodara, Gujarat.

-Working together with Avastha Studio fordesigning and executing a residential interior project in Valsad, Gujarat.

-Working together with Landscape Architect Hardeep Singh forCreating landscaping for diverse residential and commercial projects in Chandigarh.

November 2020- october 2022

Junior designer at Finesse Designs,Vadodara, Gujarat,Ar. Harshyam Patel

-designing and executing a Salon in Vadodara, Gujarat

-designing and executing a commerical office space in makarpura,Vadodara, Gujarat.

-designing and executing a residential interior project in Vadodara, Gujarat.

June 2019-July 2019

Internship at Crossboundaries, Vadodara, Gujarat, Ar. Harsh Boghani

-Developed conceptual designs for a residential project in Navsari,Gujarat

-Prepared presentation drawings.

ACCOMPLISHMENTS

June 2020

Gold medal in Bachelor of Design

School of Environmental Design and Architecture, Navrachana University

December 2019

Highest CGPA for Scholastic Performance Navrachana University

December 2019

SEDA exhibition

Stage design Studio,Furniture Design,

October 2019

Trunk show at Navrachana University by Dhruvkant Amin

June 2019

Sucessful completion of workshop

Topic: Introduction Deconstruction by Prof.Percy Pithawala

December 2018

Highest CGPA for Scholastic Performance Navracahan University

December 2018

SEDA exhibition

Retail design studio, Construction technology

November 2018

Sucessful completion of Bamboo workshop Navrachana University

July 2018

SEDA exhibition

Adaptive reuse studio,furniture design

COMPETITION

2019

Micro Housing competition by Volume Zero

CONTENTS

01 Salon & Academy

Remoulding the old lines

Type

Professional work

Individual work Location

Vadodara, Gujarat, India

Subject

Professional work

Duration

5 months I 2021 Area

When it comes to renovating an old building, there are always unique challenges to overcome. The Salon and Academy Renovation project was a unique design challenge that demanded a balance of creativity and functionality. The client’s requirement was to extend the salon to the second floor and provide direct access from the inside without using the building’s common staircase. However, the building’s age and structure posed significant challenges, making this an exciting and exceptional project to work on. To meet the client’s requirements, a spiral staircase became a striking focal point inside the salon. The staircase provided not only direct access to the second floor but also became a captivating visual element that set the renovated space apart from the rest. To complement the old construction complex’s charm, the renovation incorporated metal and wood as the primary materials for the new furniture and fittings. A subtle color scheme with pops of vibrant colors was introduced to add a touch of modernity and break the monotony.

An academy was created within the salon, providing artists with a place to learn and hone their skills. This unique feature added tremendous value to the salon and made it a must-visit destination for those seeking a one-of-a-kind experience. Despite the challenges, the project was completed within a record time of five months, a testament to the skill and dedication of those involved.

A. Nailstation rack-

The unit carries a space for decor as well as storage. The pink wall and the neon light adds a pop to the constantly running white and grey around the salon.

The fabricated unit has been designed and fabricated on site.The design of the unit has been kept more acsthetic and sleek.

All of the display units were suspended from the ceiling, giving them the appearance of being floating and light. D.

The unit’s design is more basic and floating.The unit is just behind the reception counter which display the merchandise.

Prior to entering the salon, there is a prominent spiral staircase and opposite to it is a vibrant pink reception desk, as well as this peculiar groove on the wall formed from plaster of Paris, which undoubtedly brings out a varied attractive appearance. The colour pattern employed is minimal, but to break up the monotony, the vibrant pinks, as well as the simple spiral staircase, provide a sense of excitement to the space.

Technical drawing

B. Display rack of bridal room-

C. Common display unit-

Product display rack-

18.

Professional work

Individual work Location

Vadodara, Gujarat, India

Subterranean Showcase

A Gessi experience center

Imagine descending into an underground cavern, surrounded by the rough-hewn walls of an ancient subterranean space. This was the inspiration for a unique project that transformed a basement into a luxurious showroom.

The challenge was to showcase a variety of high-end products in a space that was both raw and refined. To achieve this, the entire interior was clad in microconcrete, giving the space an organic, monolithic feel that was perfect for highlighting the exquisite finishes of the featured products.

To keep the design feeling authentic, the lighting was wired in an exposed fashion, adding to the industrial-chic vibe of the space. And to make sure that every product was displayed to its best advantage, modular units were created that could be easily accessed from all sides, ensuring that the showroom could be customized to meet the client’s ever-changing needs.

But perhaps the most innovative aspect of the design was the use of transparent panels, which revealed the plumbing and wiring behind the walls, giving visitors a glimpse into the inner workings of the space. The result was a truly unique experience center that showcased the very best of luxury product design.

GESSI-experience center

Creating a monolithic space that would emphasize the luxurious finishes of the products while maintaining a raw, cave-like aesthetic.

Setup 01

Setup 03

Type

Professional work

Individual work

Location

Vadodara, Gujarat, India

Velani Residence

Simplicity meets luxury

The project was a stunning 7 BHK residential apartment that boasts a variety of amenities, all coming together to create a dream home. The residence spans the entire 13th floor and was custom-made for a family of two brothers, their respective families, and their grandparents. The family believed in the beauty of simplicity, and so we designed the entire house with this thought in mind. As soon as you step inside, you’re greeted by an entrance foyer that opens up to a balcony - the centerpiece of the entire home. This is where the family comes together each morning for a Havan, and where they find peace and serenity throughout the day.

To make this space truly special, we decided to have an exposed ceiling in the foyer, allowing the smoke to gradually add a unique value to the ceiling, instead of just leaving a patchy black mark. The flooring is made of Kota stone, which adds a touch of simplicity and coolness to the house. We’ve topped it off with shades of blue and oak wood, creating a calming yet stylish environment.

As each brother has a different personality, we designed their master rooms to reflect their individual styles. The children’s rooms are located next to the master bedroom, allowing for easy supervision, while the grandparent’s room is in a more serene location, offering them a calm retreat.

This is truly a home where simplicity meets luxury, and where family comes first.

Master bedroom

The master bedroom is a striking contrast to the rest of the house. Set in a moody and dark tone, it exudes a sense of drama that is entirely unique.

This spacious living room is the epitome of comfort and luxury. The calming kota flooring and pristine white walls create a serene atmosphere, while the bold blue sofas add a pop of color and vibrancy. The ample sunlight streaming in through the large windows creates a sense of openness and grandeur, making the room feel even more expansive.

Legends-

14.Theater room

15. Entrance foyer

16.Havan area

17.Living room

18.Study room

19.Store room

20.Powder washroom

21.Guest bedroom 01

21.Guest bedroom 02

23.Washroom

24.Balcony

25.Grandparent’s room

26.Balcony

27.Dressing room and washroom

room

The grandparent’s room offers a serene retreat, nestled in a tranquil corner of the house. The room offers a peaceful haven for the grandparents, away from the hustle and bustle of the rest of the house.

Type

Academic work

Individual work

Subject

Research Thesis

Duration

Semester 8

Year

2020

Instructor

Ar. Hiten Chavda

Manipulating Sensory Perception through the works of Ar. Peter Zumthor

Architecture is an art which is considered to first evoke our visual senses. But when we experience a space we experience it through our senses. Our body senses its temperature, its aroma, the sound of it and feels of its material. We sense a space before we actually understand the details of that place, and this interaction between our senses stimulates our memory.

The purpose of the study was to understand various techniques of manipulating one’s senses in order to create a space. This will be followed by analysing some of the works of internationally acknowledge Swiss architect Peter Zumthor. He believes that architecture is beyond form. Buildings have a sensuous connect with the human body, offering a sensory experience.

“ Architecture has its own realm. It has a special physical relationship with life. I do not think of it primarily as either a message or symbol, but as an envelope and background for life which goes on in and around it, a sensitive container for the rhythm of footsteps on the floor, for the concentration of work, for the silence of sleep. “

-Ar. Peter Zumthor

Bruder Klaus Chapel, Mecherinch, Germany

The exterior of the chapel is an unusual five-cornered structure. The interior of the chapel is a cave-like structure.

Asymmetry characterises the structure. Since the structure is constructed of five irregularly shaped facades, when approached, one is forced to observe the building from various angles.

When the outside temperature is low in the winter, the temperature within the chapel is rather warm. When the outside temperature is high in the summer, the temperature within the chapel is relatively low.

The most intriguing aspect of the structure is its substance. The rough interior of the chapel is made up of 112 burned oak logs. Twenty four layers of concrete are poured into the frame which produces the clean angular exterior of the chapel. This juxtaposition of rough and soft texture gives the chapel a more sensual feel.

Based on the temperature of the water, each unit has a different temperature. The temperature, tone, and play of shadow and light establish the mood of each room.

The equilibrium in the area is created by the roughness of the ruins and the smoothness of the polished concrete.

Visitors are taken aback and surprised as the building suddenly opens up to reveal a place with an unlimited volume.

Each unit is built to reflect the state of the water within it. Each room has its own color code that tells us what the inherent traits and what the room’s role is.

The massive magnitude of the walls, which continue the scale of the mountains rather than that of the human, gives the sensation that one feels alone there.

The ceiling appears to float due to the long thin cylindrical columns.

D.

Despite its stiff design, the structure blends in with its surroundings while remaining easily identifiable from the surrounding streets.

The change from scenery to the building is barely noticeable. Just the roof’s geometric pattern shows its presence.

To avoid a barrier between the hotel and the vista, the entire structure is submerged into the mountain slope.

Puzzle-like the structure of the building

Kolumba Museum, Germany

A. Form

C.Temperature

A. Material

C. Weightlessness

D. Material

A. Color Palette

C. Scale and Proportition

B. Scale and Proportition

Contrast and Camouflage

D. Contrast and Camouflage

E. Weightlessness

B. Temperature

Layout of the chapel

B. Forced Perspective

A.Common obersation in all the three buildings-

I.Contrast and Camouflage

Zumthor design is known for creating structures that blend effortlessly into the landscape. Despite the fact that each of the three buildings is unique in its own right, they all blend in wonderfully with their surroundings. This is accomplished through the meticulous application of the material in all three structures.

II.Entry points

The small height narrow entrance forces an individual to enter the space one by one, creating a strong sense of unusualness, as if entering a new universe with no prior notions.

III. Dark entrance

The darkness follows the small opening. Those few minutes in the darkness of space cause one to forget any preconceived notions he had about the edifice. Once one enters complete darkness, the imprint of daylight remains on one’s eye, forcing one to rely on other senses.

IV. Natural light

The fourth most essential factor considered in Zumthor’s study is light. He testifies about light, either natural or artificial. The three structures examined are softly lit and incorporate natural light. The three structures have open-air zones that fill with natural light, producing a spiritual sense.

B.Unique feature of the three buildings-

Light

Light is used differently in each of the three structures. Light enters the Therme Vals through openings in the roof and spreads down the walls. The lake reflects a dark, relaxing glow. Bruder Klaus, on the other hand, generates a full starry effect pointing towards the sky, producing a reflection of paradise inside. Last but not least, the light coming through the perforated wall like gunshots provides a sense of confinement.

I.

A building creates a spatial journey for the users. Peter Zumthor argued about the seductive nature of the building, and how various aspects of design evoke visitors to move through space in different ways.

Peter Zumthor follows a sequential journey in all three buildings. His design possesses a spatial journey, creating a balance between freedom and direction.

Entrances of all the three buildings are dark and narrow which forces one to rely on other senses rather than visual sense. Though the entrances are dark they guide the visitor into space. The passages or vestibule and even the stairways play a major role in his design. They take visitors to the next threshold of the building. They evoke all the senses and continuously engages one’s mind.

Each space reflects the purpose for which it has been made through light, colour, temperature and even texture of the material that in result evokes one’s senses of touch, smell and even hearing. Light is a very important aspect of Zumthor’s design. All the three buildings suddenly open up to the sky bringing in an ocean full of light, enhancing or powering visitors visual sense again.

All the three-building evokes all the five senses of the visitor. Peter Zumthor doesn’t only force one’s visual senses but provokes all the five senses of the visitor.

This implies that the previously indicated ways for establishing space elicited the same response and emotions in all three scenarios. This suggests that Architect Peter Zumthor was successful in altering sensory impressions in order to create a space.

Space 1

Graphical representation of the parameters.

The Therme Vals

Bruder

Introduction Deconstruction -Folly Type

The workshop had a specific focus on studying, investigating, and comprehending the relevant thinking processes of Deconstructionism, Postmodernism, and Minimalism. The workshop’s primary goal was to introduce participants to topics pertinent to their project, which would help them develop their own innovative design approaches.

Throughout the workshop, participants were exposed to a series of lectures by renowned architects who shared their perspectives on different ideas and their physical manifestations in design methods. These lectures were complemented by case studies of specific projects, providing participants with a deeper understanding of how these methodologies were applied in real-world scenarios.

Instructor

Prof. Percy

Adil Pithawala

To put their learning into practice, participants were given a design challenge to create a folly. A folly is a built structure that is primarily intended for adornment but is designed in such a way that it suggests another use or is extravagantly unique. Participants used their newly acquired knowledge of Deconstructionism, Postmodernism, and Minimalism to design and build their own folly. Overall, the workshop provided participants with valuable insights and tools that will help them develop innovative design solutions in their future projects.

The Pavilion was a part open part covered construct which manifested itself through inspiration from an existing arched structure in the vicinity. The trajectory of fragmentation and generation of ruins was in the direction of movement away from the existing structure. The structure was subjected to a number of operations such as repetition, scaling, and deformations, which transformed the arches into benches and tactile elements.

Folly could be conceptualized as a piece of installation devoid of any particular set programme or agenda and can be free of any associations, usage or contextual linkages. An existing arched structure in the proximity was the inspiration for the folly.

Site Selection: A suitable contextual position within the terrain of Kamautibaug was chosen as the site. The folly’s footprint might be between 100 and 150 sqm. Which could be in any configuration. Folly could also be partially or completely buried in the earth based on the notion.

Point of Departure: Repetition & Deformation

Model no.I : Deconstructing existing arches and scaling them.

Model no.II : Applying the process of repetition to generate a neutral grid.

Model no.III : Exploring the process of fragmentation and distortion of arches to create benches.

Model no.IV: Fragmenting structure with reference to existing forces.

Plan of Kamautibaug ( Not to scale) with marker showing location of the folly.

Scaling of arches Scaling and repetition of arches.

Deformation of arches

deformed arches change into benches and tactile features.

Type

Academic work

Individual work

Subject

Stage Design

studio

Location

Vadodara,Gujarat

Duration

Semester 7

Year

2019

Instructor

I.D Nitish Kesari

Dark stage of obsession

A theatrical exploration

A dark and brooding stage, evoking the eerie and mysterious world of the acclaimed movie Black Swan. This was the focus of the studio exercise, where the goal was to design a set for a play based on the movie.

To achieve this, the project delved into the nuances of the movie’s parameters, such as sound, lighting, costume, and mood, creating a detailed matrix to guide the designs. The set created was a unique and innovative repetition of grids that could be shifted, rotated, and change its light color according to the scene, truly bringing the movie’s dynamic and complex world to life.

The aim of the project was to create a set that captured the mood and essence of the movie, staying true to its haunting themes and complexities. The concept of the entire set design revolved around characters’ morality, which changed according to the change of the morality of the characters in the movie. The project involved designing and creating a set for a 30-minute play , to be performed at C.C.Mehta, a renowned auditorium in Vadodara.

CONCEPT- Shift in morality and growth

Character’s grid-

Mother’s grid

The red grid depicts the mother’s grid, which is strong, aggressive, dominating, and possessive.

Idealisation of the concept-

Director’s grid

The black grid portrays the grid of the director, who is a jerk and is idolised by many.

Nina’s grid

The white  grid, which is very delicate and is dominated by the others , is the protagonist.

Concept exploration through models-

When morality of everyone is same.

When the morality of one person changes it affects the space of the other.

When the morality of one person changes,it impacts the space of each and every person around them.

Morale shifts have an impact on growth.

Type

Academic work

Individual work

Subject Retail Design studio Location

iDesign a concept store for Apple

The project involved designing a retail store for Apple in a prime location in Vadodara, Gujarat. The design of the store was based on the philosophy of Apple, which emphasizes minimalism, functionality, and aesthetics.

The concept of layers was used to design the store. This concept was derived from the product development process of Apple, where different layers are combined to create a final product. The layers were arranged vertically and horizontally to create different elements that made up the space of the store.

The materials used were kept minimal, similar to Apple’s design aesthetic, and included glass to create a transparent and lightweight appearance, metal for a sleek and minimal look, teak wood for warmth, and fiber cement sheet to add subtle colors.

The store’s furniture was designed to be minimal and sleek, complementing the design philosophy of Apple. The circulation in the store was fixed to ensure that the customer experienced the entire store, with a hierarchy of spaces and different types of displays. The goal was to create a unique and memorable experience for the customers while also reflecting the design principles and product development process of Apple.

Overall, the store was designed with the aim of aligning with the design principles of Apple and creating an aesthetically pleasing and functional space for the customers.

Ar. Sanjana Samel

CONCEPT-

All Apple goods are created in layers, and when these layers are assembled, a product is created. As a result, when distinct layers are combined vertically or horizontally, they form elements that form a space. Four different type of displays -

Walk through display-

which was designed to allow customers to view products without necessarily interacting with them.

Interactive displayCustomers were encouraged to try out products and interact with them in a hands-on manner.

Apple galleryThis gallery was designed to celebrate the history and evolution of Apple products, and allowed customers to see how the design and technology of Apple products have evolved over time.

Exclusive displaywhich was used to showcase new and highly anticipated products.

Vertical plane as glass facade.

Vertical plane as opaque wall.

Vertical plane as screen.

Vertical plane as vertical fins.

Vertical plane as partition wall.

Horizontal plane as ceiling.

Horizontal plane as floor.

Horizontal plane as furniture element. walk through display

walk-through display

Interactive display

FURNITURE B - SECTIONAL ELEVATION 8

WD1-06 SCALE 1:10

WOODEN SEAT

GLASS

FURNITURE B - SECTIONAL ELEVATION 3 WD1-06 SCALE 1:10

GLASS TO STEEL DETAIL

WD1-06 SCALE 1:5

WELD ANGLE PLATE

150X150X150MM POLISHED ANGLE PLATE USED FOR FIXING THE GLASS

12 MM THK GLASS USED FOR TABLE TOP FIXED WITHIN STEEL FRAME PLYWOOD

12 MM THK PLYWOOD WITH 2MM THK OAK VENEER SHEET USED FOR TABLE TOP FIXED WITHIN STEEL FRAME

M.S STEEL SECTION 50X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING TABLE FRAME

FURNITURE C - SECTIONAL ELEVATION

M.S STEEL SECTION 50X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING TABLE FRAME GLASS

1500X150X18 MM THK TEAK WOODEN PLANKS FIXED USING TONGUE AND GROOVE JOINERY

12 MM THK GLASS USED FOR TABLE TOP FIXED WITHIN STEEL FRAME PLYWOOD

12 MM THK PLYWOOD WITH 2MM THK OAK VENEER SHEET USED FOR TABLE TOP FIXED WITHIN STEEL FRAME

M.S STEEL SECTION

30X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING BENCH

150X150X150MM POLISHED ANGLE PLATE USED FOR FIXING THE GLASS

WOODEN SEAT

1500X150X18 MM THK TEAK WOODEN PLANKS FIXED USING TONGUE AND GROOVE JOINERY

FURNITURE C -PLAN

M.S STEEL SECTION

WOODEN SEAT 1500X150X18 MM THK TEAK WOODEN PLANKS FIXED USING TONGUE AND GROOVE JOINERY

WOODEN SEAT TO STEEL DETAIL 11

M.S STEEL SECTION 30X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING BENCH

30X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING BENCH

WOODEN SEAT 1500X150X18 MM THK TEAK WOODEN PLANKS FIXED USING TONGUE AND GROOVE JOINERY

WELD

POLISHED ANGLE PLATE USED FOR FIXING THE

PROFILE LIGHT

M.S STEEL SECTION

50X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING FRAME 30 50

WOODEN SEAT

M.S STEEL SECTION 50X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING TABLE FRAME

1500X150X18 MM THK TEAK WOODEN PLANKS FIXED USING TONGUE AND GROOVE JOINERY

GLASS

12 MM THK GLASS USED FOR TABLE TOP FIXED WITHIN STEEL FRAME

M.S STEEL SECTION 30X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING BENCH

PROFILE LIGHT

ANGLE - PLATE

150X150X150MM POLISHED ANGLE PLATE USED FOR FIXING THE GLASS

WD1-06 SCALE 1:2

FURNITURE B - SECTIONAL ELEVATION 8 WD1-06 SCALE 1:10

30

M.S STEEL SECTION 50X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING TABLE FRAME GLASS 12 MM THK GLASS USED FOR TABLE TOP FIXED WITHIN STEEL FRAME PROFILE LIGHT

ANGLE PLATE

150X150X150MM POLISHED ANGLE PLATE USED FOR FIXING THE GLASS

FURNITURE A - DETAIL B 12

WD1-06 SCALE 1:5

M.S STEEL SECTION 30X30 MM M.S HOLLOW RECTANGULAR STEEL SECTION USED FOR MAKING BENCH

WOODEN SEAT TO STEEL DETAIL 11 WD1-06 SCALE 1:2

WOODEN SEAT

1500X150X18 MM THK TEAK WOODEN PLANKS FIXED USING TONGUE AND GROOVE JOINERY

M.S STEEL SECTION

Type

Academic work

Team work

Subject

Furniture Design studio

Furniture works that transform a space

All the three projects are explained further-

01. 02. 03.

Duration Semester 7

Instructor Dhruvkant Amin

Duration Semester 7

Instructor Manish Maheshwari

Duration Semester 4

Instructor Gurudev Singh

Babbles creating buzz in the university Loco unfolding elegance in steel Lego unlock endless possibilities

BABBLES - Creating buzz in the university

Our furniture studio was given an exciting opportunity to design furniture for a specific location on campus. We designed four unique furniture pieces, including two chairs and two stools, that could be arranged in any permutation and combination to suit the space and needs. The hexagonal shape of the furniture complemented the organic shape of the site.The seat was made of jute, a natural and durable material perfect for outdoor furniture. Mild steel was used for the structure, making the furniture both aesthetically pleasing and easy to move. Overall, our babble stools and chairs provided the perfect solution for creating a comfortable and functional space for students and faculty to engage with each other in a stylish and inviting environment.

LOCO - Unfolding elegance in steel

Imagine designing a furniture piece using the ancient art of origami and steel as the material. That’s exactly what our workshop was tasked to do. We began exploring the form of the furniture piece by folding and unfolding paper into various shapes. Through this process, we arrived at the form of a lotus, which inspired the name of our furniture piece, the Loco table. The table top has been made of glass, which adds a touch of elegance to its design. We explored steel as a material and studied its properties, types, and finishes. We used origami as the method of construction, which involved folding paper without any cuts. The final product was made of a 15mm thick metal sheet measuring 800mm x 800mm. The sheet was laser-cut and numbered before manual folding with the help of a 90-degree section and hammer.

Through this project, we learned to appreciate the intricacy of origami and the beauty of steel as a versatile material. Our furniture piece was not only functional but also an artful expression of the design and construction process.

The process-

Trying out various shapes of clusters.

Babble stool

LEGO - Unlock endless possibilities

In this studio, the challenge was to design a coffee table with a twist - using only timber and ceramic tiles as materials. The aim was to explore the possibilities and limitations of these materials and also learn new techniques and joineries in the process.

It was made up of four unique pieces that could be arranged in various configurations to create a whole coffee table. This not only made it versatile but also added an element of surprise to the design.

However, the real challenge was how to maintain the balance of the table with only two legs. To counter this, we came up with a genius idea - we filled the legs with sand!

The end result was a beautiful and functional coffee table that showcased the beauty of timber and ceramic tiles.

All three projects were designed with material limitations in mind and aimed to explore the properties and potential of the materials used. The designs were developed through a hands-on approach and involved experimenting with various techniques and joineries.

9mm thick ceramic tile table top

Lego module-

4mm thick Mdf sheet cladded on both the sides

25mm x 25mm wooden frame that formed the structure of the table.

09 10 Workshops Related study Program

hands -on- learning I team work

St. Paul Cathedral

was modelled in 1:20 scale. The intent was to construct a copy of the cathedral in order to better comprehend its structural and architectural intricacies.

Shell structure

The workshop’s goal was to look into bamboo as a material. To understand about its features and various construction strategies. We also learned about various bamboo joineries along the process. The workshop was a hands-on experience in which we aspired to build a shell structure that would serve as a meeting area for students, which we accomplished.

documentation I team work

The study program aimed to document the small-town of Maheshwar in Madhya Pradesh, India, focusing on its ghats, streets, houses, culture, history, fabrics, and handlooms. Through the study, the town's unique identity was documented and future generations can continue to learn about and appreciate its cultural significance.

Section AA

Section BB

The Rustic Getaway

Stillness in motion

Shades of Tranquility