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Year Book
20 20
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Cover Image: Oliver Johns The Wicker Voices Above: Gene Dubovy Architectural Technology
Welcome
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SHU_Architecture and Architectural Technology Department of the Natural and Built Environment Sheffield Hallam University City Campus Sheffield S1 1WB
SHU_Architecture
Andrew Wilson Head of Architecture
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Welcome to the Architecture Yearbook for the ‘Class of 2020’. This has been an unforgettable year in the life of our School and for us all as individuals. There was little time to prepare for the closure of the studios on 20th March, but the response to that event has been remarkable. Our students are to be congratulated and thanked for their incredible commitment and responsiveness through the end of the academic year, as are the staff who guide and support them. This also extends to the production of this annual. We are proud to collate and share the project work, as we always are. The projects set across the years and across the courses remain meaningful and challenging: charged with social purpose, civic value and environmental urgency. They are approached with energy, skill and vision by our rounded and talented students. And there is again the great diversity, or plurality, across the work that we cherish as a symbol of the student-centred education we are committed to. We wish our graduates every success and all good fortune moving forwards. For our returning students, we look forward to welcoming you back onto the campus and into the studios in the autumn. Please enjoy the work produced by our brilliant architectural community this year.
Contents
Bsc. Architecture (RIBA Part 1) Year 1
9
Year 2
17
Environment and Technology 2 4
7
Year 3 Environment and technology 3 M.Arch in Architecture (RIBA Part 2)
25 27 45 47
Design Studio 4
49
Vertical Ateliers
55
Atelier 1
56
Atelier 3
60
Architectural Technology
67
Msc. Technical Architecture
91
5
Modeling Light
The model was utilised to see how affective the play of light could be. Changing the size of the entry points created a different light dynamic within the space.
Above: Alex Grafton, Thom Morgan Year 3 Modelmaking
6 Above: Kian Hennessey, Year 3 Sketch/ Physical Model Studio 3A
Introduction to
Bsc. Architecture (RIBA Part 1) We began this academic year looking forward to the introduction of the first ‘live’ design projects in Year 1 and Year 2 as part of our ongoing course development. The projects, with REACH homes, Hunters Bar Green Parents and Watercliffe Meadows Early Excellence Hub, exemplified the central values of the course: environmental and social sustainability; whilst giving students the opportunity to put their skills, abilities and imagination to productive use in the real world. Not surprisingly, as recent events have shown, the ‘real’ world is far more complex, messy and unpredictable than we can grasp but the students bravely took on the projects with imagination and energy.
Needless to say, this year has been the most disruptive and unpredictable that most of us will remember. We are immensely proud of how our students responded to the abrupt and rapid transition to a virtual world brought about by the global pandemic in March. The determination and resilience they demonstrated builds a solid foundation for their futures. Oli Cunningham Course Leader
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Over the course of the next academic year, we will develop a similar provision for Year 3 students in their final year through a short period of work experience to support a year out in practice and explore where their studies could lead them.
Exploring Group Site Strategies
A
B
09
C
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Above: Aaron Barret, Daniel Bunka, Maya Kaldahar Site model, Dwelling together
Year 1 Students Sara Alahdab Greta Andriekute Connor Ashby Cameron Baillie Brodie Baker Serhat Baki Harrison Banks Aaron Barrett Bianca Beciki Elliot Brown Daniel Bunka George Burton Charlie Buxton Tom Corns Lersak Coxon Max Crowther Daniel Crush Ben Curry Olivia Dale Nadir Derradji Harriet Dobson Konrad Doran-Shorrock Salem Dughman
Scale 1:100
Makram Ebrahim George Edmonds Harry Escott Doga Esen Myles Etienne Aidan Fanshawe Daisy Flemington Liam Fletcher Jessica Fox Sondus Gadour Lydia Gilbert Angel Gillott Bryn Gooch Jaye Griffiths Josie Hackney-Barber Faisal Herash Harry Hewson Diana Ibdali Sae Jang Sarah Jasim Ayona Jiju Kasim Kasim Maiya Kauldhar James Keogh Natalia Kukiela Tasha Kyriacou Christopher Lee Megan Lewis-Gillott Andrei Lungu Charlie Mahony Adam Malik Callum Marsh Wojtek Matuszewski Taylor McLeish Meesha Mistry Sophia Moss
Alveena Muhammed Imogen Murphy Reem Murshed Liam Newton-Bosher Shola Ogunbiyi Abiodun Osikomaiya Jack Oxby Ramya Patel Patrycja Pruska Marian Ramos Harj Rayat Joey Reid Isaac Relph Ricardo Rodrigues Jazzy Shehri Andrew Simons Eve Sivyour Kyle Smith Billy Staniforth-Burch Jack Thompson Jade Tickle Dan Tunnicliffe Paul Walker Darby Wallis-Cutts Ehren Williams Sam Wilson Tutors and Staff Oli Cunningham (Year Tutor) Neil Allen Bryan Parkin (WAP Architects) Jonathan Clements (Jonathan Clements Architects) Goran Vodicka Liz Whitehead (WAP Architects)
YEAR Year 1 design projects introduce students to the core concerns of the entire course - People, Places and the Environment. The environmental concerns encompass not only energy and material consumption but also the social and experiential aspects of environmental design. The long standing introduction to the year of designing and building full size structures from found woodland materials as part of forestry management provides a very real hands-on experience to begin to explore the qualities of and environmental context in relation to the human scale. The structures go on to be temporary story telling structures for school children.
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Students explored the historical and heritage context of the Courtyard at Welbeck Abbey in their second project ‘The Eco-Collection’, a space to display and teach about sustainable and emerging materials ranging from recycled brick to bio-receptive concrete.
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In semester 2, students were introduced to a ‘live’ project with local sustainablehousing entrepreneur REACH homes as their client. Based around a co-operative housing model, students developed group site strategies to reimagine a terraced street in Sheffield. Starting with a palette of recycled and reusable materials inspired by REACH homes and from sites and Sheffield, students design passive solar dwellings for a diverse range of individual clients and lifestyles.
Final Render in Location Populated
Between the trees
Right: James Keogh Model/Photomontage Below: Ben Curry Concept models
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Bottom: Ben Curry
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Above: Daniel Bunka Left: Daniel Crush Plan/Section
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The eco collection
1:50 cross-sections in context.
1:50 plans, side elevation and principle elevation of my gallery in context.
Above: Samuel Wilson Elevation Left: Samuel Wilson Lighting Space And Material
Below: Megan Lewis-Gillot Model photograph Bottom: Daniel Crush Opposite: Abiodun Osikomaiya
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B A
A
B
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Dwelling together
Top: Josie Hackney-Barber Site model Above: Josie Hackney-Barber Watercolour Left: Ricardo Rodrigues Below: Kyle Smith
Design Development/new idea
Exploring dierent ways of how containers and be laid out/private and public spaces
Quick drawing of floor plan
Exploring dierent ways of how containers and be laid out/private and public spaces
Quick drawing of floor plan
Elevations and 3D sketches of model
Site Analysis: Examining Existing Social Structures
Elevations and 3D sketches of model
Ground F 11
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10
8
3
12
7
15
4
2
1
6 5 2
5m
05
Scale 1:1000
1
13
0
Top: Ramya Patel Development sketches Centre/Left: Aaron Barret Examining existing social structures Centre/Right: Aaron Barret Examining existing social structures Right: Aaron Barret Physical model 16
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Below: Bayley Siddal Revit modelling Community Classroom
Year 2 students Erin Moore Raj Nijar Sairah Suleman Georgia Oliver Ayesha Belhoul Reneya Ben Chiekh Mohammed Claire Short Lina Aziz El Ouahabi Hannah Rashid Mary Worthington Lydia Blyth Sneha Shaji Amy McDonald Ewan Watson Robbie Brown Jack Porteous Clayton Taylor Connor Carpenter Connor Barratt Axel Villa Jay Joboy Connor Skerry
Ben Davies Sam Potts Jordan Garcia Archie Higgins James Hudson Tom Meadowcroft Ben Skinner-Watts Olly Gubbins Kyle Smith Oleg Foiner-Arrand Asim Suhrwardy Oliver Grant Bayley Siddal Will Hogg Jessica Carvalho Raigardas Sinkevicius Woei-Shyang Lin Jashan Purewal Mohammed Younus Dylan Austin Ziyi Wang Shyam Patel Anna Moncur Braulio Lemos
Saad Thobani Vilte Basksyte Ahmed Alwatani Zach Moorey Mantas Urmonas Emine Sener Tutors and staff Andrew Wilson Neil Stevenson Geoff Olner Lucy Plumridge Steve Helmore Bryan Parkin Guest tutors and critics Paul King Oli Cunningham Kaeren van Vliet Gabriel Tang
YEAR The second year has investigated the architectural, environmental and social contexts of communities through projects set in Sheffield and Freiburg. Semester one contains a number of short projects addressing hybrid activities, space and threshold, response to place and ecological placemaking. Students also developed BIM skills and applied these to their projects. Semester two has a single project that allows and expects a deeper level of investigation and wider synthesis of constructional and environmental thinking. The students are encouraged to see the making of experiences, places and ideas as the theme to their year. This year also saw the introduction of ‘live’ projects into the studio. In semester one students worked with Hunters Bar Green Parents to put forward ideas for the pedestrianisation of Sharrow Vale Road. In semester two they worked with the SHU South Yorkshire Futures group to produce a landscaping plan for Watercliffe Meadows Early Excellence Hub.
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Community classroom
Living streets
This project took a brief from Hunters Bar Green Parents and invited ideas for the pedestrianisation of Sharrow Vale Road to improve air quality and child safety.
Sharing space
Students worked in groups of 3 to propose a new urban precinct on Sharrow Vale Road. The new buildings proposed in the precinct were a community music workshop, a community craft workshop and a community construction workshop.
Revit modelling
Students produced a Revit model of their design for the Community Classroom.
A garden for Watercliffe Meadows early excellence hub
This was a 1 week live project, taking the brief from educational researchers and early year experts to create stimulating outdoor spaces for a 0-4 age group nursery.
A community wellbeing centre for Freiburg or Manchester
This project was located in the sustainable city of Freiburg in southern Germany, which the students explored and analysed as part of a semester one field trip. Three different sites were selected so as to explore the city more broadly and to generate a diverse body of contextual responses. A parallel project was set in the Northern Quarter of Manchester for those not able to travel to Freiburg. The programme invited students to imagine a community-led and self-organised wellbeing centre - a hybrid building of sharing, meeting, exercise and contemplation. The project invited the creation of atmospheres and the integration of landscape.
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The first project of the year was to imagine a series of flexible and moveable classrooms along the boundary of Hunters Bar Junior School on Sharrow Vale Road. These would be dual use and dual aspect - creating an overlap of activity and opportunity between the school and the community.
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Community Classroom
Above: Anna Moncur Below: Ben Skinner-Watts Plans/Elevations Right: Saad Thobani
Living Streets
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Above: Anna Moncur Below: Ben Skinner-Watts
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Sharing space
Above: Anna Moncur Below: Bayley Siddall
A garden for Watercliffe Meadows early excellence hub
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A community wellbeing centre for Freiburg or Manchester
Left: Saad Thobani Centre: Emine Sener Below: Ziyi Wang Opposite: Bayley Siddall
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Top: Connor Carpenter Above: Connor Carpenter Left: Jordan Garcia Below: James Hudson
2
Equipment storage
Environment and technology 2 ENVIRONMENTAL DESIGN REPORT: Aqua therapy PART 1: ENVIRONMENTAL DESIGN PROCESS:
Main social space
3
FIGURE 1: SITE ANALYSIS: (SULEMAN, 2020)
Figure 16:Office ventilation
Advantages -Central to the city centre -Easily accessible -Sheltered from the wind 21ST JUNE: 21ST MARCH: -Couple of trees and plants to the north in the beerTHERE garden strategy• THE SITE IS WITHIN A PEDESTRIANISED ZONE, AS A RESULT,
ARE NO MAJOR ACOUSTIC PROBLEMS AND THE SITE IS QUIET Disadvantages Exercise space • BUILDINGS HEIGHTS THROUGHOUT THE NEIGHBORHOOD ARE pollution -Noise -AirMEANS pollution WIND DIRECTION (SW) CONSISTENT TO ALLOW BETTER AIR FLOW. HOWEVER, THIS MY BUILDING IS LIMITED IN TERMS OF ITS HEIGHT AND -Overlooked MUST STICK -No direct sunlight in the winter TO THE IMPOSED REGULATIONS -Shaded site all year round • SURROUNDING BUILDINGS CAST LARGE SHADOWS OVER-Beer MY SITE garden to the north (SOWN IN FIGURE 5 BELOW) -Views of busy streets
4 Office
ST 12PM: Figure 2,3,4 - 21 Site photos (SULEMAN,2020) (Moncur,2020) FIGURE 5: MARCH
Interior garden
Exercise room
Above you can see the room already discussed in plan.
ain social space the centre of the site, to control summer heat gain by positioning rooms above d benefit from winter sun due to the low altitude. While enjoying great views and tural ventilation being raised 12m just above surrounding buildings facing W/S. SITE
-Road and footpath through the site Main social space -Strong winds from the south-east
FIGURE 8: SPACE PLANNING STRATEGIES (SULEMAN, 2020) AquaSECOND therapy room FLOOR:
FIRST FLOOR:
N
Figure 5,6- Bubble diag
spaces, and noise contr
FIGURE 6: STEREOGRAPHIC SUN section showing the surrounding Figure 17: Concept PATH:building FREIBURGheights 12PM 21STand MARCH my building to encourage prevail(SULEMAN, 2020)
BROWNFIELD fice signed to benefit from cross ventilation (see image to the right), with an intensive green of, making it highly insulated. MULTIPLE ACCESS ROUTES
Solarelevation to hel Figure 18: S/W
ing winds, the “floating” gardens above,views, ventilaNOISY ENVIRONMENTS tion and biophillic design. In an attempt PLACED TOGETHER to finalise the space planning.
Wind - Strong winds from th the north and east d
NATURAL VENTILATION
FIGURE 9: VIEWS AND ACCESSIBILITY: (SULEMAN, 2020)
FEW GREEN SPACES
CONSTANT VIEW OF SKY
FIGURE 2: EXISTING SITE ECOLOGY: (SULEMAN, 2020) MAIN ROAD: DUE TO BEING IN A PEDESTRIANISED ZONE, IT IS UNLIKELY FOR THERE TO BE HIGH AMOUNT OF TRAFFIC OR NOISE DISTURBANCE COMING FROM THESE MAIN ROADS.
Above right: Bayley Siddall Site section study
Views - Busy city view down - Residential and comm - Overlooked. I WANTED TO-ENSURE USERS WOULD AL Redbrick buildings w TREES THROUGHOUT THE BUILDING. C common characteristi
NATURE POSITIVELY CORRELATES TO B Surrounding ALLOW LIGHTING DOWN landscape TO OTHER RO - Carpark to the east EXPERIMENTED WITH DIFFERENT WAY - Main road to the sou DOWN, SHOWN IN FIG pollution.
- Pub and hotel to the
FIGURE 11: EXPERIMENTATION pollution. WITH LIGHTING - External fire escape 2020) to(SULEMAN, the west.
DESIGN PROPOSAL: POSITIONING AND LAYOUT BASED ON ACCESS AND SHADOWS FROM SURROUNDING BUILDINGS
MODEL 1 Ecology - A small beer garden pub, minimal plantin - A couple of planters by the city council.
NEARBY TRAM LINE: THOUGH MY SITE IF FAIRLY QUIET ANY DISTURBING NOISES WOULD COME FROM THE PASSING TRAM.
SITE (BROWNFIELD)
GREEN SPACES: SUFFICIENT AMOUNT AROUND THE SITE HOWEVER I FELT THAT THE SITE ITSELF LACKED THIS. I INTEND TO CREATE GREEN SPACES AND PLACE TREES WITHIN MY DESIGN TO PROVIDED HABITATS FOR ANIMALS. UNDERSTANDING THE NEIGHBORHOOD WILL ALLOW ME TO GENERATE A DESIGN WITH ENVIRONMENTAL IMPROVEMENTS.
Right: Anna Moncur Site conditions map
FIGURE 10: LIGHTING AND PLANTING: (SULEMAN,2020)
FIGURE 3: (METEOBLUE, Below: Anna 2020) Moncur WIND ROSE DIAGRAM: Mechanical systems strategy
GREEN ROOFS
Key
footpaths roads trees
FIGURE 14: DRAWN AND RENDERED CROSS SECTION: (SULEMAN, 2020)
Figure 21- Green wall panel shown dampening acoustic (Moncur, 2020)
pollution
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Artificial dimmable spotlights are needed to make up for the shaded site and for darker winter days. I will use LED
ADD SOLAR PANELS Figure 7- Site map showing site conditions; sun path, access,TO location, ecology, bulbs as they are long lasting, mercury free,wind, have circulation, no heatPOSSIBILITY build-up, and are low watts usage. (Eartheasy.com, 2020). (Moncur,2020) I have marked out the grid on which these spotlights will be placed on each floor of my building. I will use recessed downlights to not intrude the space. Underfloor heating runs throughout the building and can be controlled from room to room. The pellet burner TOWERED supplies VENTS – ALLOW FOR the heat for this. DAYLIGHT TO ENTRE AND VENTILATION,
14M
On the first floor I would like to include an underfloor ventilation system that draws air in through vents in-between the floors and distributes it throughout the building. This system will help the air quality in my building, it will mean that when the weather is not good the air quality will be maintained without the need for opening windows and doors. This will be achieved with a telescopic vent and fan unit as showing in figure 30.
- Circulation spaces, and kitchen areas to sunlight. MODEL 3
SUN TUNNEL TO REDIRECT SUNLIGHT, ALLOWING NATURAL LIGHT TO REACH THE BASEMENT FLOOR.
FIGURE 4: (METEOBLUE,2020) AVERAGE TEMPERATURES AND PRECIPITATION:
Figure 19, 20- The Spheres, Amazon’s Headquarters, biophilic design precedent (Amazon.Com, 2020)
Circulation MODEL 2 - Office, medication s space all to the nor out of direct sunlig
PLANTING AND VEGETATION
UNDERSTANDING THE CLIMATE OF THE CITY AS A WHOLE:
Mechanical Systems Integration
- Some sunlight in the the winter.
SW WINDS
CONCEPT DIAGRAMS:
Above left: Sairah Suleman Site analysis
2
ENVIRONMENTAL SITE BENEFITS AND ISSUES:
TOWERED FOR PRIVACY IN ROOMS
12M
1
Environmental Design Process
gain lowering the energy demand.
Figure 15: Space planning - sketch plans
Internal and external green wall with irrigation system uses water from the rainwater collection. Green BELOW. wall panels will allow for easy maintenance throughout the year. These walls will help with the air quality, acoustics and overall biophilic design of my building.
NOISE CONTROL – HAVING ROOMS UNDERGROUND STOP SOUND ENTERING AS WELL AS LEAVING THESE SPACES
THE WIND ROSE FOR FREIBURG VISUALLY SHOWS HOW MANY HOURS PER YEAR THE WIND BLOWS FROM THE INDICATED DIRECTION (METEOBLUE,2020). STRONG WINDS BLOW FROM SOUTH WEST FOR MAJORITY OF THE YEAR.
Figure 32Dimmable spotlights example
(Hibay-uk,2020)
Figure 33Underfloor heating system (Moncur,2020)
Figure 32Pellet boiler system (Green-
Figure 30- ventilation
Match,2020)
system (Cunningham,2020)
Green walls help to reduce air pollution from the carpark. I would like all my garden spaces to be heavily planted, this will ‘provide summer shading and allow winter solar gains’ (p.36 Heywood, 2012)
Figure 31- Construction detail through my building showing CLT panels (Moncur,2020)
Plant room to the west with external road access. This room stores the wood pellet burner and space to store the renewable wood pellets. This system will heat the building. The ash waste from the burner can be reuse in the garden so no material will go to waste.
I would like to use passive cooling strategies. By naturally cooling the building my design will stay as sustainable and environmentally friendly as can be. By using double glazing and lots of natural ventilation the building should stay a steady and cool environment in the summer.
Softwood battons Breathabe waterproof membrane Hanging rails Pregrown module Irrigation system Drainage channel
Figure 34- Green wall Panel example (ANS Group Global Ltd, 2020)
Figure 35- Cross Section showing mechanical systems (Moncur, 2020)
Underground saunas and pool uses an earth shelter to ‘provide a stable thermal environment’ (p.112, Heywood, 2012).
Figure 36- water collection system (Moncur, 2020)
Figure 37- Floor plans showing mechanical systems of lighting, heating, and green walling (Moncur, 2020)
GRE HAB
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Below: Thom Morgan Window studies, Clay Studio 3B
Year 3 students Ioanna Alekkou Francis Aryee Emilia Ashton-Forman Alexander Brady Benjamin Broomhead James Buxton Hannah Cadman Lia Campbell Katharine Chadwell Heather Coleman Kane Cummins Eve Dutton Kiran Farooq Noah Gulliver Alex Grafton Kian Hennessey Emily Higson Charlotte Howey Nicola Jurkiewicz Aadil Karim Lewis Keane Alan Law Cristine Lee
Jue Li Melany Li James Lovering James Lynch Luqi Ma Tom Madgwick Brad McDonald Ben Middleton Dom Mills Owen Mills Thom Morgan Jack O’Neill Jake Peppard Sam Reynolds Alicia Robertson Joe Shaw Tommy Simpson Aleksandra Skrzek Connor Smith Lara Starmore Marie Stavridou Morgan Taylor Michael Thompson Sam Thompson Ik Ukah
Monika Watras Harry Weston Reece Wigglesworth Charlie Woolfit Dominik Wraga Katie Wright Tutors and staff Paul King (Year Tutor) Rosie Dodgson Gabriel Tang Liz Whitehead (WAP Architects) Steve Williams (SHU Harmer Workshop) Guest tutors and critics Oli Cunningham Nick Francis (Imagine Engineering) Kaeren van Vliet Anna Dawson (Peak Architects) Mitchell Legge Josh Roberts (BDP)
YEAR Year 3 Architecture
3
Year three asked our students to engage with more complex design issues, looking more closely at the cultural and social aspects of sustainable architecture. Two forward looking studio projects were set in diverse physical and cultural contexts. The first semester project was set in the Peak District and allowed students to explore the rituals of remembrance in an historic landscape setting. The second semester project at an urban site in Nottingham asked students to consider the history and culture of fabrication in the context of education and training in the post-industrial city.
Ashes to Ashes / A Building for Eco cremation, Bakewell
We need to talk about Carbon / A School of future sustainable construction, Nottingham This project asked students to design a building for further education in Nottingham to capture the changing nature and methods of sustainable construction methods in the 21st century. Students had an opportunity to consider Nottingham’s history, but also current socio-economic challenges, and explore ways in which to enhance knowledge. The emphasis on physical model making and drawing was continued, while ‘Engineering without Maths’ workshops were used to develop the structural and technological aspect of students proposals. An exciting array of projects were produced expressing the continuing studio interest in new ways of constructing architecture.
AS3A
Ashes to Ashes
AS3B
We need to talk about Carbon
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This project asked students to design a building and external spaces for eco cremation. Students were able to choose one of two sites in the Peak District near Bakewell. Projects were developed through an iterative process of drawing and physical modelling. Students were asked to produce a holistic environmental design, considering climate, daylight, sunlight biodiversity of the chosen site ensuring the building itself modelled best practice for reducing climate impact. Religion and the rituals of remembrance were key drivers of the project.
STUDIO 3B - Ashes to Ashes
Above: Lara Starmore Physical Model
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Below: James Lynch
3D view of main entrance to the crematorium/main ceremonial space. (1:100 physical model)
d e s y.
08 Process of cremation
Above: Sam Thompson The Cremation Process
It can take as long as two hours for the cremation process to complete.
Below left: Thom Morgan Site Analysis
The body goes through a formal identification process and authorisation to cremate is given.
Below right: Thom Morgan Light studies, physical/digital models
The body is prepared for cremation with any medical devices and jewellery being removed.
Once the remains are cool, they are removed from the furnace and a magnet is used to extract any metal from them.
After the service the coffin is then moved into the furnace.
The ashes are then placed into an Urn to give to the deceased loved ones.
Vegetation
Annual Bakewell Wind-rose (5 Year Average) Calm
Near Gale
Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak trees stand out.
Vegetation
Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak trees stand out.
29
g
The remains are then put into the grinding machine that turns them into ashes as we know them.
The body is moved into the cremation container (coffin). This is normally made of Wood but it can also be made from other compostable materials.
pe
g
The temperature of the furnace reaches upto 2000OF.
Modeling Light
The model was utilised to see how affective the play of light could be. Changing the size of the entry points created a different light dynamic within the space.
Topography
126
Site 2 features two prominent hills, which create a central valley in the site. Closer to the river, the site gets flatter and still offers views up and through the valley.
162
126
nt hills, which crete. Closer to the river, offers views up and
Analysis, Place, Landscape Site Analysis 162
Prevailing Winds
The wind-rose shows the wind direction on the site. The shape of the site means strong winds could come through the valley.
Solar Study
Annual Bakewell Wind-rose (5 Year Average) Calm
Near Gale
Sunlight reaches almost all parts of the site for most of the day. The woodland to the west would shade a small portion of the
Vegetation
Scan QR Code to experience space
Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak trees stand out.
Prevailing Winds
The wind-rose shows the wind direction on the site. The shape
Scan QR Code to experience space
Annual Bakewell Wind-rose (5 Year Average)
Vegetation
Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak
DIAGRAMATIC DEVELOPMEN
UCTION WING OOR VIEW OF THE CEREMONY ROOM FROM THE EAST, SHOWING THE SIDE ELEVATION AND SCALE OF THE BUILDING
THIS TRIE VIEW AND ACC TIMBER CROSSBRACING HELPS MIMIC THE FIRST FLOOR CLADDING
MONY RES GA PACE.
Above/Centre: James Lovering SIMPLE CONSTRUCTION DRAWING SHOWING Construction detail models THE COLUMN-FLOOR
FUR IS PL SEPA OF T TO C JOU THE
JUNCTION
Right: James Lovering Diagramatic development Bottom: Nicola Jurkiewicz JUNCTION Opposite: Kian ROOF Hennessey STRUCTURAL BUILD UP TRACED ONTO MODEL
THE BETW AND WOR THIS
30
CREMATORIUM IS CHIEVING ITS AIM TLE IMPACT ON THE OTH VISUALLY AND
IVER IS LOCATED A FEW METRES THE EDGE OF EREMONIAL E
THE MAIN CEREMONY ROOM IS 5 METRES TALL, PROVIDING A LARGE OPEN SPACE.
FINA IS M SET FOR SEP AND
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STUDIO 3B - We need to talk about Carbon
Detailed long section
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Above: Heather Coleman Axonometric Right: Heather Coleman Library Render Opposite: Jack O’Neill
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Left: Charlotte Howey Top Right: Alex Grafton Isonometric development Top Left: Alex Grafton Physical model Opposite: Alex Grafton
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Below: Tommy Simpson Opposite/Above: Brad McDonald Opposite/Centre: James Lovering Opposite/Below Left: Katherine Chadwell
36
Opposite/Below Right: Owen Mills
Section
The large student accommadion block to the South East is shown to be very tall and sets a precedent for other tall buildings in the area.
The site is located in front of the row of trees which will prevent summer sun from entering the ground floor of the proposed building if they are to be retained.
Stoney street heads towards Nottingham train station which is less than half a kilometre away. Carlton street is characterised by small independent traders, lined with trees and generrally busy with people shopping.
Woolpack Lane leads towards low rise residential buildings, away from Nottingham City Centre. The road acts as access for the shops to the North.
37
Goose gate is the beginning of Nottingham city centre high street, with a partially pedestrianised road with low rise retail buildings on either side.
Side roads lead away from the site towards residential areas.
SITE MODEL By producing a site model this allows me to analyse the site in further detail, being able to consider solar analysis, scale and context to the design proposals. The model shows the striking size of the nearby student accommadation block and the general change in density across the local vicinity.
The small ‘ goose gate’ sqaure seperates the two roads of Heathcoat St and Broad St. The area acts as an important node, and common meeting place for locals to meet.
7.
Initial Concept Explorations – Plan Journey Through The Lace Market The series of pictures show my journey from the coach, in and around the 4 sites and into the lace market. The pictures try to show the features of the buildings around the site. Some of the pictures are of big open spaces while others are smaller more quaint areas.
Windows protrude from the external wall creating seating
Outdoor space above the walkway
38
Joseph s Architecture Studio Project 2- We Need to talk about Car
Courtyard space on first floor
Sketch Model 2 Overhang over the walkway
Top: Joe Shaw Journey through the lace market
The model has incorporated the changes that I identified with the last sketch model. The key change being the overhang over the walkway. I will be changing my materials on my next sketch model after I have conducted more research. While also reducing the size of the upper floors to create more outdoor spaces.
Ground Floor
Ground 00 - Main entrance/exhibition space - Resource Room - Library - 2 Workshops
First Floor
Second Floor
Third Floor
Ground 01 - Workshop - Classrooms - Staff/Office
Above: Joe Shaw Sketch modelling
Fourth Floor
Ground 02
- Workshop Below: Morgan Taylor - Classrooms Site section
Floor Plan 2 This floor plan goes into more detail by showing how spaces are separated and the circulation throughout the building. This threw up some problems such as I thought the staff room was taking up more valuable space then it warranted to will be moving this.
Joseph shaw Architecture Studio 3B Project 2- We Need to talk about Carbon
1:100 MODEL
39
Top: Sam Reynolds External render Above: Lara Starmore Physical model Right: Marie Stavridou Massing models and sketches
North to South Section
Above: Ik Ukah Below left: Lia Campbell Exploded Axonometric
40
Below right: Kane Cummins Exploded Axonometric
Build
1:10 Eleva
Below: Emilia Ashton-Forman Physical model photograph
41
Above: Monika Watras
Left: Emily Higson Centre: Emily Higson Below: Noah Gilliver Opposite: Thom Morgan
42
Tool Storage The upstairs of the block is used to store all the tools that can be used either on the deck or within the workshops. Material Libary This is where material is kept for use on site or in the workshops. With a wide range of materials it also has easy access to the material chutes. Construction Deck Has views off deck down towards Nottingham and surrounding city.
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Arched Landmark For City Wembley Stadium For Wembley
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Current Car Park Still in place after proj
Existing Music Shop Project bridges over it to small sites
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oc Bl
k
SCREEN DESIGN For the linear plan to function successfully the front elevation will be open to the south therefore solar shading is a necessity. To do this a screen is proposed. This screen can be easily altered depending on the time of day and season. The individual fins can be moved to block out sun in the summer and allow it in the winter. Furthermore having a movable screen means differing atmospheres can be
achieved within the building. The fins can be shut for privacy and opened to light a space and present views. Most importantly the screen will allow the wall behind to be heavily glazed to reap these benefits. Lower parts of the screen (where shading is less important) can interact with the ground level. The screen can be formed to create places to sit and shelter.
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Above: Reece Wigglesworth Construction
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Below: Tom Madgwick Courtyard watercolour
Courtyard Elevation Watercolour
Environment and technology 3
Structural support columns and beams consisting of steel with timber cladding act as an elevation layer to allow ground floor fluidity, and filtered stack ventilation through the building
Fig. 42 - B-B1 Environmental Section
1
2 Internal wall manual opening Cavity Closer
Stack ventilation is provided via north facing Fire Retardant Timber Panel as shafts on the structure, 50 mm Kooltherm K5 External Wall Insulation Board they ascend they collect K108 Cavity Board Insulation more hot air andCLTfilter out Paneling at the topStainless floor, Steel ensuring Wall Tie all floors receive thorough Vapour Control Layer passive ventilation,Ferring with Vertical Pale Brick Cladding need for mechanical Air Cavity systemsUnderfloor Heating Pipes
In accordance with Approved Document Part L Section 1, guard railings of suitable height have been applied to all external areas and staircases for safety
Top: James Lynch
3
4 Section details Wall systems utilise
As an active system, Noisestop Acoustic Underlay with 2 sheets underfloor heating of acoustic plasterboard asisaembedded noise counter within K108 Kingspan Cavity (Noisestop Acoustic Underlay, n.d.) layer have the screed Fig. 41 - Plan board due to its been utilised to amendand to helps regulations provide showcasing extremely low thermal enforced by Approved Section In Accordance with document thermalEregularity site location, conductivity and overall 2 Approved Document orientation during harsh winter U-value (see fig.11) as the Part M Section 2.22 and section Holding Anchor Wedge weather conditions, walls andRigid roofing both20mm PIR insulation line and 2.23, the glazed maintaining the Blind Roll occupy a Internal passivehaus doors utilised in this thermal comfort of standard of under 0.15 construction will the occupants Hold W/(m2K) Runner complete require detectors for Double glazed Sliding Panel U-value (Kooltherm K108 automatic opening, Cavity Board, n.d.). to ensure safety Roofing slats are suspended above Inner Blind Sleeve and awareness to the flooring and are attached those with visual to the upper ceiling, these slats impairment and of Additional mechanical allow for minimal passive shading difficulty techniques and integrated wall lightvent introduced for when passive openings fittings for when passive lighting aren’t sufficient, utilised isn’t sustainable enough as general background ventilation with very low energy cost (Through Wall Ventilation, n.d.) Fig. 46 - Detail - Ceiling to Glazing to Floor
B N
Below Left: James Lynch Environmental cross section
Screed Filling Laminated Timber Flooring
Exterior terrace connects to Support Structure reading room to provide a degree introduced to elevate of ‘relief space,’ doing so creates the building from the a transitional space with varying ground floor, integrated lux and thermal levels, with loading slab allows for Internal wall manual the overhang of the upper floor the structure’s load to opening doing most of the shading for be transmitted into Air Cavity Loading Slab the reading room leaving the Fig. 40 ‘Chimney’ ventilation diagram through elevated stack system the slab and then into 50mm Polyurethane Damp-Proof Course terrace exposed for higher CIBSE insulation the columns, elevated Steel Supporting columns with timber cladding temperatures and lux values structure is required due Overhang allows for winter sun to enter to large overshadowing the reading room whilst maintaining from neighboring Fig. 43 - Detail - Ventilation Funnel, North Fig. 44 - Detail - Wall to Elevated Floor shading measures required for summer buildings, therefore higher solstice, reducing energy consumption levels are needed for less via active systems embedded in the energy to be wasted structure
Hanging Timber Slats DPC
VPC
11°
Acoustic Loose Fill layer Thermafloor TF70 PIR Insulation 10mm Black MDF boarding
B1 Skirting Board
Bottom: Charlie Woolfitt Environmental strategy
Internal blinds allow for internal solar shading that is user directed, therefore if passive solar shading doesn’t suffice at the time, then internal solar shading measures can be deployed to counter the solar intake
Fig. 45 - Detail - Wall to Ceiling
Fig. 47 - Mecha
RENDER 1: 21st JUNE 12:00 NOON SUMMER SOLSTICE
DAYLIGHT PERFORMANCE
STRUCTURAL GLULAM BEAMS
ISOMETRIC SHOWING INITIAL LAYOUT OF ROOM
CLOSE-UP OF PROPOSED PERGOLA WITH PLANTING
SUMMER SUN
(fig.34) (fig.33)
WINTER SUN
GLASS BALUSTRADE
TEACHING SPACE
Winter TERRACE Sun 13°
Rockwool R to their low (m2K) and e Rockwool RW in an attemp ratings, with 35NR (CIBSE
Below Right: James Lovering Daylight performance study
Mortar infill
NITIAL DESIGN:
Ventilation s the space as effective fo the shaft di Approved Do
WINDOWS LET IN TOO MUCH LIGHT
CEREMONY ROOM
1 INITIAL CLADDING HAS HIGH REFLECTIVE PROPERTIES
(fig.32)
INITIAL INTERNAL RENDER 1: 21st JUNE SUMMER SOLSTICE
(fig.37)
(fig.35)
PART OF ROOM
REQ
DESK SPACE
30
NORTH SIDE
30
SOUTH SIDE
Summer Sun 59°
To the side is the initial design of the room, primarily timber with a polished concrete floor. The room has an external terrace visible through large glazed doors which can be opened to create a link with the outside.
(fig.36)
Fig. 42 - B-B1 Environmental Section
(fig.38)
4
SUMMARY:
(fig.39)
CEREMONY ROOM
Structural support columns and beams consisting of steel with timber cladding act as an elevation layer to allow ground floor fluidity, and filtered stack ventilation through the building
The initial analysis of the simulation output shows th too bright for educational purposes. The large south too much direct sunlight. The workspaces are betwe more than double the CIBSE (CIBSE Guide A, 1999) a teaching environment. This would lead to eye strai students to stay concentrated, especially if the sun i Further measures must be introduced to reduce the the room.
SECTIONAL RENDER 1: 21st JUNE SUMMER SOLSTICE
(fig.43)
IMPROVED CROSS SECTION IMPLEMENTING DAYLIGHT STRATEGIES
2
Internal wall manual opening
3
Fire Retardant LARGER NORTH SUMMER Timber Panel FACING WINDOWS SUN 50 mm Kooltherm K5 External Wall Insulation Board FOR MORE K108 Cavity Board Insulation CLT Paneling DAYLIGHT
Environmental Cross section Cavity Closer
WOOD FINISH WITH LOWER REFLECTIVENESS
I will use tripple glazing for my windows. The reason for tripple rather than double on a room which is South facing is that it is solar shaded, therefore preveting any summer solar gain. In the winter however, the room will hugely benefit from solar gain, and it would be good to keep the heat in. Each window will consist Hanging Timber Slats of 3, 6mm glass panes, seperated DPC seperated Acoustic by 12mm argon filled Loose Fill layer cavities.Thermafloor TF70 PIR Insulation
Stainless Steel Wall Tie Vapour Control Layer
WINTER Ferring (fig.44) Vertical Pale Brick Cladding SUN
My chosen space, which is my library space, is South facing. It has a large South window, with two Air Cavity roof lights, which help toTERRACE naturally ventilate and light the space. These windows are solar shaded Underfloor Heating Pipes Screed Filling with an adjustable louvre system to control the amout of light which can enter the space throughout Laminated Timber Flooring the year. Below are the CIBSE recommendations for this space. TREE PLANTING TEACHING SPACE
4(fig.53)
(fig.45)
PERGOLA USED
My building will AS useSHADING Solar PV Panles which will be located on the roof of the building. DEVICE They will be South fscing which should allow them to get plent of light throughout the day, and due to the height of the building, should not have shadows cast over it from surrounding buildings. The PV TREE panels will provide energyDECIDIOUS for my building PLANTING PROVIDES throughout the day. SHADING IN THE
The lovere system over the roof light is also adjustable, Mortar infill allowing you to control direct solar gain or light levels in the room. The louvres themsleves VPC are angled. This should allow Internal wall manual for the louveres to fully block opening 10mm Black MDF boarding direct sunlight from the South DATED INTERNAL RENDERAir1:Cavity 21st JUNE SUMMER SOLSTICE Loading Slab if needed, but still allow for 50mm Polyurethane Damp-Proof Course Skirting Board insulation North daylight to enter the The lovure system for the The South window will be Steel Supporting columns with timber cladding room, naturally lighting the South window will be a horizontal pivot window. space. These roof lights are adjustable from inside. The reason for this would also located to the North end This will allow users to be to force the cooler, fresh Fig. 43 - Detail - Ventilation Funnel, North Fig. 44 - Detail - Wall to Elevated Floor Fig. 45 - Detail - Wall to Ceiling of the room, allowing for a open and close them in air both up into the top of more even natural lighting order to increase or dethe room before it falls to spread throughout the room crease the amount of light the bottom, and also down(fig.46) CLOSE-UP OF PROPOSED combined with the South which can enter the room. wards, pushing the warmer, PERGOLA WITH PLANTING window. Alternatively, you could stale air out via the roof The design amendments listed below are to be implemented to use it to control the direct light or the atruim. improve not just the daylight performance of the building but the solar gain, to either cool environmental qualities as a whole. Technologies such as mechanical a space in the summer by closing them, or warm a louvres and manual integral blinds, situated with the panes of glass, space during the winter by allow users of the room to adjust the daylight qualities depending on opeing them. their own preferences. ON STREET LEVEL
CONCRETE WITH LOWER REFLECTIVENESS
UPDATED SECTIONAL RENDER 1: 21st JUNE SUMMER SOLSTICE
This table shows the U-Values, R-Values and thicknesses of all the major constructions of my library room. This includes Holding Anchor Wedge Rigid PIR insulation 20mm the floor, external walls, roof and glazing. Internal Blind Roll Runner Hold Double glazed Sliding Panel
Inner Blind Sleeve
SUMMER
In Accordance with Approved Document Part M Section 2.22 and 2.23, the glazed doors utilised in this construction will require detectors for automatic opening, to ensure safety and awareness to those with visual impairment and of difficulty
Fig. 46 - Detail - Ceiling to Glazing to Floor
(fig.48)
UPDATED RENDER 1: 21st JUNE SUMMER SOLSTICE
quite tall. To the very South
Overhang over the • Reduces the amount of direct sunlight that enters the teaching of the room, I have positioned terrace space computers. Having space.them here meant • there Protects would be no glare the room from weather such as snow and strong rain. on the • screens. The window Reduces also starts high up meaning
sat looking at the screen.
Limits the amount of light transmittance into the room. Prevents students from being distracted from stuff happening outside.
Windows with blinds implemented in etween glass panes.
•
Allows for users of the room to manually adjust the amount of light that can enter the space to their own preference. Can also be used to reflect light into spaces at the far North side of the room.
Tree planting to the south of building.
•
•
•
Provides seasonal shade from the harsh summer sun, while also allowing moderate amount of sunlight through in the winter. provides a habitat for local wildlife.
TINTED BALCON GUARDIN
Fig. 47 - Mechanical
open out to the atrium so that the wind can flow through the library, and into the atrium. Stack ventilation is the most effective natural ventilation method.
THE SOUTH S REACHES 60 DURING THE AND NEAR T DOORS
(fig.5
Warm Stale air goes out
(fi (fig.49) PART OF ROOM
(fig.54) CIBSE REQUIREMENTS
SIMULATION OUTCOME
WINDOWS LET IN TOO MUCH LIGHT
I will also use a ventilation system which is built into the floor, allowing the space to will be small vents evenly spread around the library floor will bring in fresh air. The extraction vents will be in the roof of the room, as bedded within the concrete floor. I have The insulation type which i will SIDE use with-300 - 500which NORTH Lux 300 Lux TABLE SURFACE this is where the warm, stale air will sit. This will be a HVAC system. heating it heats Reflectivity of chose underfloor • Allows lightasto evenly spread across the room and prevent hotwall, spots in my floor, and roof will be polyATTAINS 300 SOUTH SIDE is 300 Lux 500 - 600 Lux fromoccurring the gorund up. urethane board. Where each element Materials a space evenly, from LUX. Given that more dense • cooler Can air beisreduced tothan reduce the lux values of the room. exposed externally, I will use 300mm of (fig.52) warmer air, the cooler air will sit along (fig.51) insulation with a U-value of 0.025 W/mK. the floor, where the underfloor heating g.50) can evenly warm this air up. Again, with concrete being a good thermal mass, the concrete floor should be able to give off heat slowly to the air around it even after the heating has been turned off.
mall Wildlife Garden • Due to being cantilevered and only having one exit, sprinklers allow underfloor em- to be put out quickly. on Terrace There will beany fire in heating this room
GREENE GROWING PERGOL
A HVAC system brings in fresh outside air, and gets blown through a coil which can either be heated or cooled depending on what air temperature is required within the room. The diagram below shows how this will operate in my building.
Pergola with natural provides natural solar shading in the summer. there is•awallFoliage up aiagnst the back of•themProvides to stop theasun foliage habitat for local wildlife. getting•in theGreenery users eyes when improves users mental wellbeing. • •
Additional mechanical wall vent introduced for when passive openings aren’t sufficient, utilised as general background ventilation with very low energy cost (Through Wall Ventilation, n.d.)
Building Regulations Part M refers to the access and usage of a building, including access for disabled occupants. My library space should not cause any problems to people with any disabilities as there are no corridoors, and I have ensured that the spaces between book shelves are at a minimum 1.5m clear.
JUSTIFICATION
Tinted Windows
As an active system, underfloor heating is embedded within the screed layer and helps provide thermal regularity during harsh winter weather conditions, maintaining the thermal comfort of the occupants
Above shows the improved terrace in detail, showing how each component is implemented into the design. On the far left shows the sliding doors with built in blinds which can be manually adjusted by the users to suit their needs. A small wildlife garden reduces the amount harsh light being reflected by the floor, providing The library space is connected to a large, soft light to the room. The pergola on the far right side includes both louvres which tripple height atrium space. This atrium will are controlled automatically according toallow the for position of the sun and an area for stack ventilation for the building. greenery to grow to seasonally,The draping down roof. wich will library has two from internalthe windows
WITHOUT ARTIFICIAL LIGHTING THE ROOF IS BETWEEN 100 300 LUX
(fig.47)
DESIGN As you can see, the room is AMENDMENT
VIEW OF TERRACE SHOWING NATURAL DAYLIGHT STRATEGIES
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FINALISED1DESIGN:
DESK SPACE
evenly300 ventilated. 300 - 500be Lux - 400 Lux There
The floor for the library space will be made from concrete. There are a few reasons for this with the mainCIBSE one being that MEETS REQUIREMENTS. ARTIFICIAL concrete is a good thermal LIGHTING CAN BE USED mass. It will heat up durTO FURTHER ADJUST ing the day, then give that LUX LEVELS TO USERS REQUIREMENTS heat off to the space once they air around it becomes cooler than itself. This will reduce the need for heating appliances during the evenings.
SUMMARY: Cool Fresh air comes in
The adjustments made to the teaching space now meet the requ standards (CIBSE Guide A, 1999), with work surfaces reaching 3 the large windows the room does get brighter but to a degree th the students learning. The changes made have also created an i space with large amounts greenery viewable outside of the wind The roof will be 12.5mm plaster, 300mm (fig.55) also insulation, 300mm of concrete andimprove then will the mental wellbeing of students. have felt bitumen layers externally.
Building Regulations Part F refers to a buildings ventilation. It states that for a non-deomestic building, there should be a “continuous circulation of clean air”. Part L refers to the conservation of fuel and power, via insulation, lighting, and heating, ventilation and cooling systems. In order to meet both Part F and L i will use a HVAC system to mechanically heat, ventilatie and cool the space. This system will ensure that the space is a comfortable temperature for the users, and also bring in continuous fresh air.
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NEKE PROJECT: UNFOLDING THE ARCHITECTURE & URBANISM OF A PARADE
LL // SHU ATELIER 3 // WATER IMAGINARIES AND ARCHITECTURES FOR SOCIAL AND ENVIRONMENTAL JUSTICE // BRUSSELS
Above: Daniel Mitchell Atelier 3, Year 6 The Zinneke Project: Unfolding the architecture & urbanism of a parade
Introduction to
M.Arch in Architecture (RIBA Part 2) The M.Arch in Architecture provides an engaging, research-led ARB/RIBA Part 2 course that empowers students to position themselves critically, ethically and creatively in the diversity of contemporary and future architectural practice. Our core agendas of socio-spatial design, the praxis of architecture, and ecologies of architecture and the city outline a course that engages with contemporary societal and professional concerns, including the climate crisis and social, racial and gender based inequality that our cities increasingly face.
This has been an exciting year for the M.Arch with two routes now open – the 2 year full-time (FT) course and the 3 year part-time Degree Apprenticeship (DA). These two routes mainly share the same modules but offer different experiences towards Part 2 – the FT route follows the traditional shorter path and encourages careful, in depth work across research and design; the DA is based on our long-standing part-time model in which students work in practice alongside their Part 2 course, and through which we are developing strong links with a range of local, regional and national practices. We have been so impressed with the commitment, talent and empathy of our students across this challenging year, who have supported each other to produce outstanding portfolios despite the challenges that Covid has brought upon us all. The M.Arch team wish the best of luck to all our final year 6 students in the next phase of your architectural lives. Dr Sam Vardy Course Leader
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We are concerned with the history of and changing nature of the profession and discipline of architecture and the potential of developing new relations roles within society. The course encourages a reading of architecture including and beyond the design of buildings, exploring it as a complex, interdisciplinary and dynamic ecology – one that designed, constructed and used through creative social, political and material processes.
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Studio 4 Lead Dr Julia Udall Guest Critics + Contributors Rob Cotterill (SADACCA) Shahida Siddique (Faithstar) Dr Tom Payne (SHU Performance) Dr Alex De Little (Leeds Music School) Tom Flanagan (SHU Resources) Catalina Ionita (SHU) Jon Orlek (Huddersfield University) Year 4 Students
Above: Matt Drummond Design Through Listening (Building an Image/ SADACCA Network/ Culturally Appropriate
Bradley Cooke Matt Drummond Oliver Johns Matthew Nelson James Scarrott Nathan Stocks Milena Vasileva.
DESIGN STUDIO Architecture + Care
4
Praxis 1: Theory and Recent History This is the first of a pair of modules in Year 4 which explore one of the major themes of the M.Arch course - the notion of praxis within architecture. The term praxis refers to an understanding of architecture as both a theoretical and practical discipline, and thus the module shows how different positions and approaches to architectural design and practice emerge from an understanding of and engagement with theoretical and historical ideas.
Praxis 2: Expanding Practice Praxis 2 shifts the enquiry to interrogate the continually evolving and expanding nature of architectural practice, encompassing more traditional models as well as the increasingly prolific alternatives. Lectures, seminars and discussions focusing on a range of contemporary practice ‘case studies’ will form a basis for individual research and enquiry. Students write a short, reflective manifesto based on the work, ambitions and organisational structures of their chosen practice, and critically discuss, with reference to theory and other models of practice, the implications of the manifesto. Practitioner guests this year have included Sarah Hollingworth from 00/:, Marianne Heaslip of URBED and Alisdair Struthers of Peter Barber Associates..
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Care, as practice, activity or relation, foregrounds our precarity and interdependence. To consider care requires us to pay attention to the particular situation, and what sustains, repairs, and supports us, and how we may do this for others. Chains of care stretch globally, and yet, it can be one of the most intimate relations. Care is skilled labourand this work is carried out unequally across our society-raising issues around class, race, and gender. This year Studio Four have explored this topic, developing their own position in relation to the issues of concern and manifestations of care within the neighbourhoods of Spital Hill and Wicker. Film has been an experimental design-research tool, and mode of representation developed in relation to their viewpoint. Their projects have been realised through practises of care, in terms of what they have paid attention to, how they have worked with people living and working in the Wicker and Spital Hill and with one another. They have explored the question: what is an architecture of care? Their responses include infrastructure, immersive urban gaming, retrofitting, and flexible frameworks for hosting and learning. The impact of Covid-19 has amplified the resonance of their explorations, in relation to who and what is crucial to society, and how we value and resource it. We have worked closely with Sheffield and District African Caribbean Association (SADACCA) and would like to thank them for their generosity and insight. We would also like to thank Rob Cotterill, Chair of SADACCA, Shahida Siddique of Faithstar, Dr Tom Payne of SHU Performance, Dr Alex De Little from University of Leeds School of Music, Tom Flanagan from SHU Resources, Catalina Ionita of Sheffield Hallam University, and Jon Orlek of Sheffield Hallam University / the University of Huddersfield.
Above: Matt Drummond Design Through Listening (Building an Image/ SADACCA Network/ Culturally Appropriate Spaces)
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Right: Nathan Stocks Extending Care (Library of Care/ Greenscaping Care)
Above & Right: Brad Cooke Care/ Protection (Flood Line/ Wicker Film Sequence)
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Above: Milena Vasileva Care & CTRL Left: Performing mapping, with Dr Tom Payne
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Above: Oliver Johns The Wicker Voices Left: Matthew Nelson Flood Protection Below: James Scarrott Wicker Market/ Aging Tables
Praxis 1 / Praxis 2
03
02
PRAXIS ATLAS
Is it possible to create ecological co-living spaces for the many by upscaling the IKEA flat pack philosophy? A Study of Ecological Approaches that occur in Architectural Praxis. by Oliver Johns
“We’re on a mission to enable a better everyday life for people and planet.” - Space10.
PRAAXISS PRATLA S
Figure 1 - The Urban Village Project, Space10.
W
orking in unity with nature has not always been a common conception. A well documented divide between Landscape and Architecture can be traced back to antiquity, labelling the wilderness as a source of our disconnect with the environment. Numerous poorly moulded design approaches have continued to contribute to this divide, isolating us from our surroundings. Yet the theory of reimagining our relationship within nature is a challenge the Architecture and Urban Design fields are well situated to address. As a discipline, Architects and designers have the ability to reinvigorate our bond to nature by revolutionising our built environment. Changing our values as humans towards and ecocentric way of life, not only in an attempt to connect us in harmony, with nature, but to also act a tool that teaches us how to reimagine our future urban frameworks, to be apart of a network that coincides with pre-existing ecosystems.
ISSUE 1 - 2020.
Humans since the beginning, have had a tendency to cultivate our
architectural approaches through education concerning the principle components that exist within our environment. Developing skills and techniques derived from nature itself. The overall understanding of Ecology as a concept has been a tested philosophy by theorists for generations.
Ecology the ‘relation of an animal to its organic, as well as inorganic environment’ (Haeckel 1866). A German Zoologist, Ernst Haeckel is often referred to as the man who merged science with art, coining the term Ecology in his work published in 1866. Haeckel started to develop the term to encompass the ‘relation of an animal to its organic, as well as inorganic environment’. It was this ideology in the 19th century that began to redefine the way in which we perceive Ecology within the Architectural discipline. Defining the emergence of the term throughout the web of natural sciences. Alongside this, architects
& urban designers have been applying these theories in practice, looking towards the phenomena of the physical world for inspiration in solving a multitude of problems that reach far beyond the initial praxis of working in unity with nature. The 21st century is quickly becoming the era in which we are beginning to understand how effective ecology can benefit the architectural disciple, dealing with how we, as humans connect and intertwine inside our own ecosystem and the complex surrounding systems we can learn from. To further comprehend the full evolution of ecology, this written piece will look towards a practice at the forefront of urban ecological research and implementation. IKEA’s own future thinking design lab Space10, are a practice renowned for their persistent mission to enable a better everyday life for people and planet. Analysing the Copenhagen design agency and their contemporary take of ecology will allow us to delve into the modern day thinking of innovative ecological design solutions that are expected to affect our planet for years to come.
Above: Oliver Johns Praxis Atlas Right: Matthew Drummond Resolve Below: Milena Vasileva F Architects
0 7
0 6
PRAXIS ATLAS
F-ARCHITECTURE, The unapologetic shift of architecture.
ECOLOGIES ART FEMINISM SITES OF CONFLICT
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M.Arch
SHU_Architecture
How a contemporary feminist design collective “expands the current architectural discourse on the role of the built environment in shaping subjects, culture and politics”? -F-Architecture, n.d.
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08
12
‘‘Rosana Elkhatib, Gabrielle Printz, and Virginia Black of f-architecture. Photography by Casey Carter’’ (Lin, n.d.)
For the purpose of this essay I will refrain from beginning with a definition of ‘Architecture’. For those of you reading, ask yourself the question: What is Architecture? Yes. Architecture with a capital ‘A’? Correct, like the one where a group of people design something like the new residential block down the road. It didn’t quite solve the housing crisis, but the cladding complements the surrounding area really well, right? It even has a car park; it will be so useful if I ever got a car. Sometimes I wonder what if we refuse to believe that all that architecture has to offer is nice looking buildings and a car park? What if we refuse to believe that you can only be successful in architecture if you belong to a certain group?
humans who co-exist on this planet. Unfortunately, all of the pressures mentioned above are constraints and shift the importance in the wrong direction. Even if people in the industry have a positive motivation of changing, there may be something which stops them and there is a chance this is a fault in the framework. The opening of the industry has started a conversation about the profession and its detachment, questioning what is currently considered important as well as how we identify responsibilities.
“
What stops us and how others manage to address this?
How often do you have a choice at work and how often do you feel responsible for your decisions? Is it just the architectural profession that should take responsibility for the humanitarian, political and economic crisis that people may be experiencing? Perhaps not,
What if we refuse to believe that there is only one way of practicing architecture? For those entangled in the complexity of the architectural profession, you have probably experienced at least some of the pressures that come with it, whether it is meeting a tight deadline, trying to fit within a tight budget or even simply finding work. With these becoming primary responsibilities of architects, other questions become left behind. In times of complicated political, social and economic events, there is a need for us to be critical and to take responsibility for our actions, not only on a professional level but also as
but professionals in the industry certainly do have the skills needed to analyse the built environment and its effect on the wider context. Hopefully having a better look at the work of F-Architecture will give us an example of how these could be addressed and why it was considered as part of the delivery of a project in the first place.
Figure 12. Map shows the network of relationships, paid and unpaid, that contributed to the construction of ‘The Garage’. This is in stark contrast to figure 3’s hierarchical and one sided relationships which were all unpaid. (My own work) ‘‘Cosmo-Clinical Interiors of Beirut, Beirut, Lebanon, 2018. Courtesy of feminist architecture collaborative’’ (The Architectural League NY, 2019)
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SUBMERGED FOREST II PUBLIC MOVEMENT (HIVE CAFE)
Above: Baris Cinar Atelier 1, Year 6 The Sheffield Hive Collective Project
Atelier 1 Lead Dr Cristina Cerulli with Jon Orlek
Atelier 3 Lead Dr Sam Vardy with Jon Orlek
Year 6 Students
Year 6 Students
Georgiou Christodoulos Baris Cinar Sam Fairbanks Dana Mitica Shailesh Patel Aamir Rahim
Alex Broadbent Richard Hart Patrick Leach Daniel Mitchell Jack Pennington Liam Tilbrook Amy Wilkinson
Year 5 Students
Year 5 Students
Mohammed Almaqramy Jacob Kelly Ryan Miller Lucy Stray Emma Twyford
Fatemah Mohammadi Araghi Telmo Dos Santos Ayyub Sharif Ellie Stinson Red Wardle
VERTICAL ATELIERS Atelier 1: Under Development: Recalibrating Architecture for Social and Environmental Justice Atelier 1 this year sough to critique mainstream development models and propose alternatives which address current environmental and social justice challenges. Primarily based in Castlegate, Sheffield, students investigated how community-led processes, scenarios and designs could meaningfully engage with and inform current council-led regeneration processes. Within this context, students have developed ambitious spatial interventions at a wide range of scales. Thoughtful prototypes, conceptual models and urban designs have been developed alongside extensive knowledge of (and desires for) socially engaged architectural roles.
Atelier 3: Water Imaginaries and Architectures for Social and Environmental Justice Atelier 3 this year sought to investigate the politics and spatialities of water, in global and local contexts, to investigate the potential for alternative social and environmental imaginaries for architecture and the city. Based in Brussels and Sheffield, students interrogated political and conceptual issues of water at stake across the scales of the planet; of cities; of bodies; and through the figure of the wetlands – one of the most endangered conditions on the planet. The student’s projects are diverse, intelligent and careful proposals that demonstrate the complexity and multilpicity of ways to consider water in the city – they include a strategy for de-polluting a public lake through innovative collaboration, an intergenerational wetland support infrastructure for dementia patients, and new communication spaces to democratise water issues.
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Examples include the design of an urban commons, in which a shared kitchen is placed at the heart of a residential masterplan; a radical architectural programme that leverages the power of honey bees; and a live/work housing proposal, designed to accommodate multiple hosted arrangements with asylum seekers.
Atelier 1
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RE OF HOUSING TYPES
u/projects/ artments
Above: Ryan Millar New Policy Handbook Left: Emma Twyford Live Portfolio Below: Sam Fairbanks Exchange Street CLT
Checkpoint Charlie Apartments (Left), OMA The project was completed shortly after the fall of the Berlin Wall. The programme includes 26 apartments above a podium with new checkpoint facilities for customs workers and Allied forces. There are three types of apartments: garden-access maisonettes, flats and penthouses.
This project shows how apartments of different sizes can compliment each other and how having a closed relationship with a busy street on the south facade and a more open north facade can effect the layout of the street.
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Right: Aamir Rahim Castlegate Community Builders Below: Aamir Rahim Castlegate Community Builders Bottom: Baris Cinar The Sheffield Hive Collective Project
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Elevated platform offers
Subsidised office spaces
activity aswell as opportunity
MUST HAVE SOCIAL/GREEN
novel views of landscape &
One of the focus areas for community landscaping SCENARIO EVENT A)
The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities. The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
THE HIVE
THE NURTURER
THE HIVE A collection of individuals acting together
an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
natural play and improved public spatialities. Reed
The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.
Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
wildlife habitat
Bee Research Centre, Hive Network (manages
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
THEbeekeeping NURTURER
The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.
operationsTHE HIVE
across Grey to Green)
A collection of individuals acting together
organism. The participants actors within the
& Nature Library.
The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
THE HIVE
THE NURTURER
THE NURTURER The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.
beds provide filtration &
Hive Mind HQ location —
scheme in some way
THE EXPLORER
organism. The participants actors within the
offers novel opporunity for
AGENDA &/or contribute toward the goals of the
components
development (refer THE to NURTURER
The uncovered culvert
offered to local businesses.
for reconfiguration through additon/removal of design
The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
THE EXPLORER
OFFICES OFFICES HIVE MIND
ELEVATED WALKWAY
STEPPED LANDSCAPE #1
HIVE PRODUCE SPACE (ROOF)
CANALSIDE WALKWAY
ROOFTOP GARDEN
HIVE CAFE GARDEN SANCTUARY
SUBMERGED FOREST AREA
GARDEN CENTRE
STEPPED LANDSCAPE #2
South-westerm entry node
Adaptable ‘Submerged
of proposal. Open
support a range of activity
public lectures and provides
The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.
The Garden Sanctuary is
The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
intended to be a site of
THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
THE NURTURER
Planters assembled
contemplation & relaxation.
by community using
A central courtyard
The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
to function as steps
Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.
hoarding
all sides
A collection of individuals acting together organism. The participants actors within the
landscaping) intended
THE EXPLORER
THE NURTURER
reclaimed timber/site
planting area is framed on
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.
THE HIVE
public pathways &
as well as vantage points framing landscape &
human-animal encounters
(similar to Canal-side
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
movement across scheme,
scheme
Stepped-landscape
the project
organisation & acitivty THE NURTURER
Canalside structures offer
that surrounds a hive & offering viewpoints of the entire
throughout the duration of
platform for grass-roots
A meditative rooftop garden
area, with a wildflower garden
Forest’ area. Intended to
amphitheatre allows for
The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
and seating. THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
THE NURTURER The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities. The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
HIVE
THE EXPLORER
Gabion wall, filled with crushed
A collection of individuals acting together
organism. The participants actors within the
rubble (borne out of site
an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
demolition/remediation). Could be
THE EXPLORER
assembled by community during
Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
early stages of project to support landscape development
THE NURTURER The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities. The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience
THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
THE THEN NURTURER URTURER
The Hive Collective proposal will leverage the The Hive Collective proposal will leverage the architectural process in order to generate positive architectural process in order to generate positive community outcomes. Participant local actors will community outcomes. Participant local actors will develop the landscape in accordance with the develop the landscape in accordance with the needs of surrounding local communities. needs of surrounding local communities. The proposal will take steps to create future The proposal will take steps to create future opportunities for better socioeconomic outcomes opportunities for better socioeconomic outcomes & generating neighbourhood resilience & generating neighbourhood resilience
TTHE HE HIVE
A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools
THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities
07/INTERVENTIONS
07/INTERVENTIONS
Exchange Street Shops Communal Gardens Part of the central open public space will be a space to relax, take a walk, have a break and spend your time exploring the pavilions while socialising with other people. Also, big part of the communal area is going to be the allotment gardens that will be shared by the community. Permanent tenants as well as the asylum seekers/guests will be able to collaborate with growing their own food and sharing it between them. Interactions like these will help asylum seekers and immigrants integrate easily into the community and also boost their confidence.
The live-work units facing the Exchange Street will help regenerate the road into a vibrant and busy place once again as the shops start operating. This will hopefully lead into a future economic growth with the empty stores on the opposite side of the road being re-opened and eventually transforming the area into a new high-street for the city. With direct links to the centre of Sheffield the area has the potential of becoming something special for the community and can help establish a good economic future that the community needs to be sustained.
‘BOOK-END’ GENERATIONS
Migration Stories Pavilions
Sense of Arrival
Also in the central communal garden area the migration stories pavilions will play a central role. By being strategically positioned both alongside a pedestrian path and the main garden area, they are in the perfect position to attract attention from people passing by. As mentioned before, the pavilions will offer an inside view into the refugee crisis by featuring stories and showcasing the journeys of immigrants and asylum seekers. People will have the opportunity to read, listen and look at documents and journals that are meant to raise awareness about the issues.
With this being the first visible part of the development for people arriving from the centre of the city, it was important to make it feel welcoming and approachable. The idea was to try and refrain from making it look completely private and try to draw people in instead of around. The central public gardens are for everyone to use and the pedestrianised footpaths also lead towards the newly resurfaced river Sheaf while people can also use it to cut through the site and head towards the Grey to Green project at the north side.
CLT CASTLEGATE - PHASE 2 This Project
Will expand on the basic principles explored in Phase 1 (for creating a system of affordable housing and care - for all generations), with a focus on exploring adaptable private living accommodation (that is not fixed by the original CLT residents).
MODULAR
PDhEaVEsLeOP2MENT
Phase 2
Throughout Phase 2 of the ‘Book-End’ Generations CLT I will endeavour to create opportunities for future community development with as few restrictions as possible - meaning I intend to design to enable future residents to modify their private apartments and for the community to use P.D.Rights development to fill any ‘gaps’ in the CLT provisions.
‘BOOK-END’ MODULAR DEVELOPMENT
GENERATIONS
A CLT New-build Modular Development scheme will be proposed around ODULE the Castlegate area of MSheffield, with various facilities and accommodation types. These may be created by repurposing existing redundant buildings in the surrounding area - to benefit the CLT and the wider Sheffield community.
MODULE
CLT CASTLEGATE - PHASE 2
UNIT
UNIT
I intend to focus on four facets of community development:
58
2
New ‘Downsizing’ Affordable Homes Modular development of new ‘downsizing’ homes. Designed so that modules can be added to the development as and when funds become available. These units are completely accessible - therefore ideal for elderly care accommodation.
Phase 2 MODULE
OFFICE BUILDING THE HOUSE
THE LAND
1
Existing Dwellings to Affordable Homes Achieved by separating the existing house from the associated land, ‘gifting’ the land to the CLT, the property can then only every be sold at an affordable rate (through the CLT) - the ‘gifting’ owner is given priority purchase of a new CLT development unit in exchange for the land.
UNIT
THE LAND
2
THE HOUSE
123
tial Units O (P.D.Rights) Offices to Dwellinghouses. the land to theusing CLT, Class the property can then- only every be sold at an affordable Modular development of new ‘downsizing’ homes. Designed so that modrate (through the CLT) - the ‘gifting’ owner is given priority purchase ofto a new Harnessing the potential of P.D.Rights enable convert ules can be added to the development astoand whencommunities funds become availaCLT development unit in office exchange for the land. redundant / vacant buildings into affordable housing without thecare limble. These units are completely accessible - therefore ideal -for elderly itations of planning. accommodation.
Above: Christodoulos Georgiou
Affordable Housing – for all generations, not just the young. There will be three Wmethods iModular ll expanddevelopment onproduction: the basic of pusing rinnew ciplexisting e‘downsizing’ s explodwellings, red inhomes. Phasnew e 1Designed (modular for creatso i‘downsizing ng that a symodstemunits of of affand ordaP.D.Rights ble hbe ouadded sinchange g anto d the cofaruse edevelopment - repurposing for all genas erof aand tiredundant onswhen ), witfunds h buildings. a fobecome cus on eavailaxploring ules can adble. aptable priunits vate livingcompletely accommoaccessible dation (that- therefore is not fixeideal d by for theelderly original CLT GreeThese n Amenities are – that have a community and environmental benefit. Ascare well as resaccommodation. idents). green networks that connect the two CLT sites (Milton Street & Castlegate) to each other and various (significant) areas and services in Sheffield.
Below: Lucy Stray Book End Generations CLT
Throughout I will endeavour Local ProdPhase uction &2 Sofmathe ll Bu‘Book-End’ sinesses – Generations supplying dayCLT to day necessities fortothe create community development with as few restrictions local opportunities community willfor befuture prioritised. as possible - meaning I intend to design to enable future residents to modify their private apartments and for the community to use P.D.Rights development ille C beLT epxro pvloisreiodns.as an interwoven network that alleviates toTfh illeasney ‘fgaacpests’ inwth community reliance on existing Sheffield public services, contributes to the supply of affordable housing, improves the social and meRnEtaSlIDwEeNllT-b IAeLing of A reCsLidTenNtsewth-brouuild lapr leDmeevnetlo gh Mthoeduim ap tiomnenotf ascheme green-nwill etwobe rk sproposed yC stOeN mVEaRnSdIaround nables OeN C the CaFal FsItm leEaglal tbeusarea locO inessof es Sheffield, to flourish with by pvarious roviding facilities affordabland e woraccommodation k and production BUILDING may be created by repurposing existing redundant buildings in the types. spacThese es (which may extend to agricultural production – linking to the envisaged surrounding the CLT and the wider Sheffield community. green-netwarea ork s-yto stebenefit m).
MODULAR DEVELOPMENT RESIDENTIAL CONVERSION
ittw ed ExisPtienrgmD ellD inegvsetlopAmffe onrdt aRbiglehtHso-mCeosnversions NExample: ewby‘Dseparating oConversion wnsizthe inof gexisting ’Redundant Affohouse rdaOffices bfrom le Hthe om es Affordable into Quality ResidenAchieved associated land, ‘gifting’
Affordable Care – support systems for those that need care as well as carers.
ThNisewPr‘oDje ocwtnsizing’ Affordable Homes
3
I intend to focus on four facets of community development:
Permitted Development Rights - Conversions
Affordable Care – support systems for those that need care as well as carers. Redundant Offices Affordable ResidenAfExample: fordable HConversion ousing – forofall generations, not into just Quality the young. There will be three tial Unitsofusing Class Ousing (P.D.Rights) Offices to new Dwellinghouses. methods production: existing -dwellings, modular ‘downsizing units and P.D.Rightsthe change of use of enable redundant buildings. to convert Harnessing potential of repurposing P.D.Rights to communities office buildings into affordable housing - without lim- as Grredundant een Ameni/tivacant es – that have a community and environmental benefit. the As well itations of planning. green networks that connect the two CLT sites (Milton Street & Castlegate) to each other and various (significant) areas and services in Sheffield. Local Production & Small Businesses – supplying day to day necessities for the local community will be prioritised.
10
RESIDENTIAL CONVERSION
OFFICE BUILDING THE LAND
1
10
THE HOUSE
Existing Dwellings to Affordable Homes Achieved by separating the existing house from the associated land, ‘gifting’ the land to the CLT, the property can then only every be sold at an affordable rate (through the CLT) - the ‘gifting’ owner is given priority purchase of a new CLT development unit in exchange for the land.
3
Permitted Development Rights - Conversions Example: Conversion of Redundant Offices into Quality Affordable Residential Units using Class O (P.D.Rights) - Offices to Dwellinghouses.
These facets will be explored as an interwoven network that alleviates community reliance on existing Sheffield public services, contributes to the supply of affordable housing, improves the social and mental well -being of residents through the implementation of a green-network system and enables local small businesses to flourish by providing affordable work and production spaces (which may extend to agricultural production – linking to the envisaged green-network system).
A
GA
SP
OF
Harnessing the potential of P.D.Rights to enable communities to convert redundant / vacant office buildings into affordable housing - without the limitations of planning.
10
For res recreat ty in a w profit fr
< an a work fo goods
SITE
SCENARIO
Recipe:
PEOPLE
FUNDING
DESIGN
CONSTRUCTION ECOLOGIES
P h a se 1 I B P h a se 1 I A SHEFFIELD HIVE COLLECTIVE The Urban 'Kitchen'The Domestic Kitchen THE HONEY HARVEST BEGINS
P h a se 1
P h a se 1 I A
The Commoning Kitchen
The Communal Kitchen
KITCHEN (noun) = a room where food is prepared and cooked
KITCHEN WORK Above: ANGLE* (concept) SITE Baris Cinar SCENARIO PTefficient ERIO PLkitchen E layouts FUNDING that are both aesthetic The Sheffield Hive Collective Project and functional
Right/Below: Dana Mitica MicroCity Collective Kitchen
Ingredients: Design
Management
2 Bedroom House Reclaimed Timber Facade Pedestrianised area along the river
River Don
Design
Bicycle Route
1 Bedroom House
CONSTRUCTION ECOLOGIES
URBAN ECOLOGIES
This Kitchen Is designed to be inclusive and accessible for everyone. It will be used by the members of the community, volunteers, the residents, but also by the people in need. It is also designed according to the kitchen work triangle*.
A Trial Kitchen that is shared among 7 apartments. This kitchen will challenge the boundaries of a domestic kitchen, acting as a co-living space. designed according to the kitchen work triangle*.
One example of a domestic kitchen that can be individualised by the residents and their preferences, but in relation to the Kitchen Work Triangle*..
Eating in a public space is taken for granted nowadays, but those spaces can be considered vibrant territories in which people create micro kitchen environments.
The Community Board will be in charge of managing the space and the people using the kitchen. The events will also be organised and managed by or in collaboration with the board. Each person that will use the kitchen will have to sign a form stating to take responsibility of any food contamination that might occur (details explained on the Phase 1; Ground Floor Kitchen detail page)
The CLT Board will manage the kitchen in collaboration with the 7 trial apartment residents
Residents will be fully responsible and in control of their private kitchens.
The Community Board will manage the communal spaces, but it is up to each individual to maintain the spaces and improve the act of sharing and co-using. Green roof for work recreation
Workshop space
Pedestrian Route
Void For Light & Ventilation Storage Module
Urban Furniture
Monday - Agriculture Friday: 8:00a.m. to 7:30p.m.Stone Wall made from 24h opened to all 7 apartments Urban reclaimed stone from Sat & Sun:site10:00a.m. to 6p.m. Ruins Exposed from the Castle
Program
Green Area Replacing the Driving roads
DESIGN
24h opened (private usage) built from reclaimed materials
24h opened (public Usage) Studio
the Castle
Materials; C r o ss Contamination Back garden
Front garden
Preferences & Requirements
As an inclusive kitchen, there are provided special fridges and cooking recipients for different requirement such as food allergies, intolerances or diet preferences such as veganism. (colour codes usage)
Retail
7
ambient
As an inclusive kitchen, there are provided special fridges and cooking recipients for different requirement such as food allergies, intolerances or diet preferences such as veganism .
Individualised according to personal preferences.
Individualised according to personal preferences.
Communal decision (among apartment residents).
the
Agora
Section AA @ 1:100 The outside balcony allows Michael to pace around and relax when hes searching for graphic design ideas. The studio space allows Michael to do his graphic design work but also can later be converted into a nursery for their future children.
F
Bath
Kitchen Living
Study
Hall The open patio also allows Michael and Amy to do their morning yoga and other fitness activities
A2
A2
Please Read this page as 2x A2 Pages
Bedroom
Alternative to a full balcony, a juliet balcony attached to the bedroom allows Amy to feel like shes back in the countryside with wide views.
Street connection to the other side of the retail businesses
Individualised according to material Bicycle Parking preferences.
The living area does away with the conventional dining room and allows the couple to have their netflix dinners.
Amyâ&#x20AC;&#x2122;s love of cooking has been incorporated into a large open plan kitchen which connects snuggly to the living/dining area.
Amyâ&#x20AC;&#x2122;s love of greenery and the outdoors has been brought into the plan through the use of potted plants at different places.
Amphitheatre Being a communityAgora kitchen and being used by different people, it is important to minimise Flood Control the risks of contamination. System Therefore, the kitchen counters and cabinets will be made of stainless steel, a material that minimised the multiplication of bacteria and viruses.
59
Bottom: Shailesh Patel The Community Housing Association
URBAN ECOLOGIES
Kitchens as Inclusive Spaces; Food as a Boundary-Breaker
Floor Plan 1:50 The outdoor patio garden allows Amy to grow her own herbs and vegetables with the help of the pergola. The patio also would be used in the future by their children allowing them to play outside.
The propsed plans and exploded axonometric at 1:50 show how the clients ideas are brought to life in design, different elements of the mood board are referred to on the plan to show how they were incorporated into the design. Careful attention was given to make sure that the clients wishes were met where possible. In a real-life situation this would probably not be possible but for the sake of this I have assumed that all of their requests can be met. The exploded axonometric gives a rough sketch of what the interior spaces may look like in a 3D view. It also shows how the different spaces fit together to create the full modular unit. Interior design of the modules would be left up to the client, but being able to visualise what they want helps with the design process as a whole. When the architect ultimately goes back to the client with these drawings it helps the client visualise what they may be living in in the future, and this process helps them understand if it is what they desire. Furthermore the client can also decide to make changes if they want.
Exploded Axonometric 1:50
COMPOST
Atelier 3
Sustainability A controlled compost unit used to store and compost waste that will later be used as plant food, it also works a system to prevent waste build up and prevent rubbish being taken to landfills
Agriculture Food g seedlings and offers simie that can adjust temperathe aquaponics system of
WIND-PUMP
A pump that draws water from the canal maintaining the water level but to also release the methane gas from building up.
AQUAPONICS Vegetables & Fish Supply A system that depends on fish faeces to feed plants as oppose to depending on soil which can degrade overtime and may need time to recover. This alternative only requires very little soil which is for the plants roots but is predominantly stone that filters the nutrients and allows clean water back into the reservoir
Community Events skill share
AQUACULTURE Fish-food Fish ponds used to breed fishes in an environment that depends on natural ways of feeding the fish as oppose to feeding them process foods that effects the condition and quality of the food
e outside world. h from the lab, m around the elevant to the y.
Plant Nursery Sustainable food-lab
Aquaculture Locfood supply
Compost Manure & waste food
Aquaponics Filtration & plant food
Professional Interest
ENVIRONMENTAL
SOCIAL
METHANE-PUMP
Bio-gas Bio-plant athers and stores methane later to be used in the bio ant and for other appliances such as the kitchen and eating systems.
FOOD-LAB Food Security Sustainability The lab is a research facility that aims to find dynamic solutions to the challenges of food sustainability and security. It expands out in to several different fields to a kitchen, agriculture as well as aqua culture food. KITCHEN
Food Security Local Supply An onsite kitchen that offering food to the pavilion but is also educational in the sense that it explores how to prepare food that you can grow at home or fish you can catch from local rivers and canals
Research Sustainable foods
Bio-Plant Local energy supply
Water Reservoir Flood prevention
Research Archive Knowledge sharing
Reed Pools Water filtration
Education
Food Local fruit & Veg supply
Ecology : Reaching Beyond the Pavilion
The pavilion will have several economic benefits such as an isolated water filtration and energy supply systems, flood prevention, natural air filtration from woodland & green lands local food supply
ECONOMICAL
Arial Project View
43
SOCIAL ACTIVITIES Wellbeing The pavilion will open new pathways that allow for members of the public to pass through the new territory that is currently fenced off, offering new opportunities for social interaction and vibrant spaces for walks and other outdoor activities SKILL-SHARE Alternative Currency Activities done are carried out by volunteers of any social class in return their efforts are exchanged for an alternative currency that is valid in the pavilion giving access to premium events, workshops and food.
COMPOST
Sustainability A controlled compost unit used to store and compost waste that will later be used as plant food, it also works a system to prevent waste build up and prevent rubbish being taken to landfills
PLANT NURSERY
Agriculture Food A secure facility for planning seedlings and offers similar functions of a greenhouse that can adjust temperatures that are later taken to the aquaponics system of grown outside
WATER-RESERVOIR
Clean-Water Supply Main water supply for the pavilion that provides clean drinking water used in the kitchen while filtered water is used for sanitation.
60
WIND-PUMP
A pump that draws water from the canal maintaining the water level but to also release the methane gas from building up.
COMMUNICATION-CENTRE
This is what connects the Pavilion to the outside world. This would happen by sharing research from the lab, publicising and allows designers from around the world to access relevant information relevant to the environmental challenges we face today.
AQUAPONICS Vegetables & Fish Supply A system that depends on fish faeces to feed plants as oppose to depending on soil which can degrade overtime and may need time to recover. This alternative only requires very little soil which is for the plants roots but is predominantly stone that filters the nutrients and allows clean water back into the reservoir
AQUACULTURE Fish-food Fish ponds used to breed fishes in an environment that depends on natural ways of feeding the fish as oppose to feeding them process foods that effects the condition and quality of the food
BIO-PLANT Bio-Fuel Cattails The plant uses a combination of bio-fuel and methane to power the pavilion.
FOOD-LAB Food Security Sustainability The lab is a research facility that aims to find dynamic solutions to the challenges of food sustainability and security. It expands out in to several different fields to a kitchen, agriculture as well as aqua culture food.
Section AA This section situates the proposal within the existing context, sitting prominently at the main entrance to the Abattoir site and demonstrating the scale of the units and how the programs would be stacked within them. WINDMILL
Mill used to grind the dried cattails down and process them to pellets that will later be used to fuel the bio-plant r ones and smaller birds feeding off of insects.
The Blackburn Pavilion
Visual Drawing exploring the different pieces of infrastructure and there locations on site
42
METHANE-PUMP
Bio-gas Bio-plant Gathers and stores methane later to be used in the bio plant and for other appliances such as the kitchen and heating systems.
KITCHEN
Food Security Local Supply An onsite kitchen that offering food to the pavilion but is also educational in the sense that it explores how to prepare food that you can grow at home or fish you can catch from local rivers and canals
30
the idea of ‘vibrant Right: Ellie Stinson effield as a group to Place Identity ory in Sheffield’s city various ideas&around Below Bottom: Alex Broadbent . A keyBrussels example of this Initiative Mycelium quare can be considered he University Campus Opposite/Top & Centre: Ayyub Sharif he space by default are Expanded Ecology t limited to students or Opposite/Bottom: Ellie Stinson Growing a Community
signs, ce from vehicles,
n to the walk – a space ted into a pay-as-younge of events and a good
Figure: 03 Mapping the city walk. (Author’s own)
61
11
Above/Right: Amy Wilkinson The Stories of Woodhouse
62
Below: Daniel Mitchell The Zinneke Project: Unfolding the architecture & urbanism of a parade
undertaken d influence
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Meulder, q, W. andB. De(2017). Meulder, Flood B. (2017). + Forest: Flood A Migration + Forest: Corridor A Migration For Reconnecting Corridor For Reconnecting the Brussels Landscape. the Brussels Landscape. vailable ps://scenariojournal.com/article/flood-forest/ at: https://scenariojournal.com/article/flood-forest/ [Accessed 19 [Accessed Nov. 2019].19 Nov. 2019].
Wambecq, W.Wam and nariojournal.com/a nario
Below: Liam Tilbrook The Institute for Water Issues Awareness
63
Above: Daniel Mitchell The Zinneke Project: Unfolding the architecture & urbanism of a parade
Left: Alex Broadbent Brussels Mycelium Initiative Facility disassembly Below left: Christodoulos Georgiou Materials and manufacturing
64
Right: Liam Tilbrook The Institute for Water Issues Awareness Kinetic solar facade
Summer
Perspective section The sun high in the sky, panels towards the top of the facade are orientated almost horizontally, providing shading to the adjacent offices. Lower panels are opened and angled to reflect sunlight down into the 06/DESIGN DEVELOPMENT public viewing galleries that surround the debating halls.
06/DESIGN DEVELOPMENT Resources & Network Map
Materials & Manufacturing
As explained, the chosen method of manufacturing is the construction and assembly of the timber housing units in a factory controlled environment. Seen below is a template of a standard module based on a typical timber construction process that will be multiplied and adapted across the whole scheme. The structural framing and location of all the different openings can be standardised for the whole scheme in order to simplify and speed up the process. This will also allow for greater flexibility when fitting all the internal non structural partitions, to match the different housing layouts.
Seen below is an abstract resource diagram showing the network between the timber supply companies, their timber harvesting locations across the UK/Europe and the journey from their facilities to SIGâ&#x20AC;&#x2122;s modular construction factory and finally to the Castlegate construction site.
Internal Partition Wall Panel
Exposed Plywood Finish
Framing Timber
Structural Sheathing
Timber Supply Companies
Vertical Timber Cladding Finish
SIG Warehouse
Treated Battens
ics
algorithm Plumbing Services ustrates an initialRough version of the parametric modelling model the kinetic heliostatic facade. This early model takes ration inputs such as time of day and year to determine the
Mineral Wool Insulation
A kinetic facade
Section / Rollover - scale 1:50 @ 2A2 Castlegate Construction Site As the sun moves through the sky and light requirements of the new spaces change Factory Installed Windows through the day and across the year, algorithms linked to light and weather sensors, and the IWIA programme of events determine the optimum position for each facade panel
Hardwood Flooring
On-Site Transportation & Assembly
On-Site Transportation & Assem
Construction Ecologies Technology on the M.Arch course is explored through construction ecologies in the students design studio projects. This tells the story of the construction of the design project, and strongly informs the architectural design. The purpose of the CE is to avoid any artificial dichotomies, such as those between notions of ‘design’ and ‘technology’, ‘form’ and ‘detail’, or ‘art’ and ‘science’. Instead we see architecture and design process as an ecology (in which the place (context), materials, form, techniques, experience and use) all interact.
Praxis 3: Developing your Agenda for Practice This reflective module introduces a collective process of thinking about, designing and crafting your own practice in a way that is aligned with your values and aspirations. Through group discussion and personal writing, students interrogate the notion of employability and its implicit limitations.
Critical Study
Sustainable City Ecologies The module explores theoretical models of the city, drawn from across urban planning, landscape and architecture, with a focus on contemporary theories of eco -urbanism and the sustainable city. Students develop ‘Creative Ecologies’ at urban and city scales, related to their design projects.
Integrated Practice This module is concerned with professional architectural practice and management, including regulatory codes and procedures. Within this module practice is conceptualised both in theoretical and applied terms, integrating knowledges, reflections and prototypes within design. The design context and site for learning within this module is a student-led project, undertaken in a parallel module (Design Studio 6). The key issues that the module addresses are those of contemporary architectural practice, including professional, social, economic and legal. Directed reading includes office procedures, codes of practice and standards. Values and professional ethics are debated, and current practice is set alongside potential future developments in answer to cultural, economic and technological development, in particular the growing sustainability imperative.
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In this Year 5 module students carry out theoretical and live research into the notion of Vibrant Territories. Through lectures and an active research process we engaged with different interpretations of territory to reflect “shifts in our understanding of what territory is about, of its relation to human institutions as well as to nature, landscape and environments.” (Picon, 2010). Students explored changes in the possible meanings of territory from those related to the control, measurement and ownership of people, land and resources to what we call vibrant territories - those which are dynamic, open, self-produced and collectively made and used. Vibrant territories are therefore spatial defined conditions that work to open up subjective, social and political potentials rather than closing them down.
Cover Image: Gene Dubovey, Year 3/4 Sheaf Valley Link Building Above: Henry Yang
Welcome
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SHU_Architecture and Architectural Technology Department of the Natural and Built Environment Sheffield Hallam University City Campus Sheffield S1 1WB
Introduction to
Architectural Technology Architectural Technology at Sheffield Hallam University is seen as one of the most established and respected architectural technology courses the UK. The course has always been centred on architectural and technical design, as a preparation for the professional role an architectural technologist as an expert in building design, technical design and construction project delivery. It has a diverse curriculum and provides a broad base of expertise, delivered by a team of professionally experienced practitioners and academics.
Students from this course have been regular winners of the CIAT Student awards and in this respect, we are unrivalled. The success is a product of our talented students and staff and our innovative approaches to teaching architectural technology as a design-led and research-based activity. Our higher commitment is to achieve success for all of our students, by providing them with a broad skill set, an impressive portfolio of work and a positive attitude, to allow them to progress confidently into a great career as an architectural technologist. Andrew Wilson Course Leader
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A key aspect of the course is its responsiveness to change, always adapting to new and emerging developments in architectural practice and the construction industry. A concern for sustainability and low-energy design has always been and always will be a core priority to us. Digitally based design and construction is a dynamic and constantly evolving dimension of architectural technology and we track and respond actively to ongoing developments. The computer, building information modelling, IES Environmental and BIM360 collaborative team-working software have become powerful design tools used across all areas of the course. The course also has a strong focus on the investigation and simulation of new forms of interdisciplinary working and modern methods of construction.
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Below: James Beaton Construction junction detail Dwelling together
Year 1 students Kat Kitson Alex Lakin Rachael Marshall Cameron McSeveney Marcus Meredith Bill Nicholson Chris Parke Isabel Rumley Shahzad Safdar Callum Sheldon Aaron Singh Longdon Warwick-Shaw Emily Wood Glen Wood Grace Roche James Beaton Tutors and staff Sarah May Frances Robertson Neil Pritchard
YEAR The First Year of the Architectural Technology Degree Course introduces students to the fundamental processes of the profession. The year is oriented around Studio Modules which span the length of the year and comprise a third of the award marks for the year. In addition to and in support of the studio modules there are technically based modules that transfer knowledge and skills in terms of:
1
â&#x20AC;˘ Construction Technology (structure and fabric of build form), and how these are interlaced and interfaced within the construction; â&#x20AC;˘ Environmental Technology (the science of environmental design) incorporating design skills relating to daylight, sunlight, heat loss issues; â&#x20AC;˘ Graphic Communication (conventions and methodologies relating to manual and digital drafting throughout the design process from diagrams to explore logical configuration through to cross-sectional detailed design of construction.
Students will progress from the first year with a grounding in technical design embedded within design that acknowledges functional, aesthetic, contextual, tectonic and spatial issues.
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The studio projects increase in size and complexity throughout the year, providing the student with the opportunity to experiment with architectural design incorporating the science-based learning and working towards a holistic approach that gives the student a foundation in Architectural Technology to build on in the subsequent years of the degree.
Between the trees
Top: James Beaton Between the trees Bottom: James Beaton The eco collection
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Opposite: Chris Parke
The eco collection
Final sketch up model
Mason Autistic Structure
Final sketch up model
Perspective of the house shown from the sudden point of the house. Showing the front entrance and access to the garden
Pe ro
Wall to roof isometric detail
This isometric detail of a wall to roof junction of one of the bedrooms. It shows the double start timber frame external wall, along with the sawtooth roofs structure which sits on top of the outer section of the stud wall. Which a well insulated standing seam roof sits on top of.
Insulation
Standing seam metal roof Southeast facing side of the house showing all the access points to the garden.
Perspective of the house shown from the sudden point of the house. Showing the front entrance and access to the garden
Perspective of the house from the north corner showing the timber clad bedrooms and sawtooth roof.
Waterproof membrane
Plywood board
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Timber roof struts
en close to finalized my design to move the communal Southeast facing side of the house showing all the access points to the garden. ets and laundry away from the living area. en putting onto the site 1:100 and roof we showed the sun uld be doing at about 4 o'clock in the afternoon. My name ng to have lights going down the center current door of the use in the morning and in the afternoon.
Christopher Parke Architectural Technology Year 1 Student ID: b7035207 Noggins
Christopher Parke Architectural Technology Year 1 Student ID: b7035207 This model shows mean the structure of the double stud timber frame wall external wall with a window. Insulation would sit in between that internal and external parts of the timber framed wall.
Site analysis:
Dwelling together Client Profiles: The site is located next to Heeley city farm on Myrtle road, Sheffield. There are 4 plots that can be used but plots 2 and 4 are most desirable. Plot 4 is at a significantly higher lever than plot 2, rising around a metre.
Ph Google earth view of myrtle road, accessed 02/03/20
Photo by Chris Parke taken 29/10/19
Photo by Ch
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1:10 isometric junction detail and structural representations:
3
ook inspiration for the exposed ams from these houses, the ceiling ight from the bottom of the joist to e floor is 2.4m in my design.
I sketched out the same wall withou including the insulation r plasterbo so the structure could be seen mor easily
I showed structure stud plac in these structura elevation arrows sh where th isometric showing design. I wanted to use the metal sheeting that had be provided as to cut costs and make the building more environmentally friendly through the use of recycled materials.
10 10
13
Below/Right: James Beaton Bottom: Isabelle Barron Opposite: Emily Wood
l
Model
PRODUCED BY AN AUTODESK STUDENT VERSION
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View
Dwelling Together
Concrete Entrance
(steel I-beam)Frame
Polishe Concret Floo
Complete Model
First Floor
Clad (Window Seat) Do
Elevation from Alexandra Road
Ground Floor Dwelling Together AutoCAD Technical Drawings
other two sides, which then transmit pressure to adjacent triangles. This helps the distribution of pressure and helps the dome to distribute stress along the entire structure and not focused in one place.
Window design on the building
Below: Alex Pullen Window design progression Element Society
How the building looks with the windows inserted.
Final window design
For the final window design I decided to go with a black frame and mullions.
3D junction detail
This detail shows a 90 degree bracket which is bolted onto the steel beam and the steel frame which holds the window in place. The window will have two of the brackets on each side of the window.
Window design 3D junction detail Showing how the window is supported by the steel framework.
Final window design model 1:50
A process modelling path showing how I constructed the window in sketch up from start to finish.
Alex Pullen - 28021284
7
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Year 2 students Ali Bazar Luke Bembridge Tom Booth Chloe Brunyee Adam Carter Harvey Clarke Oliver Close Ed Gray Maarten De Rooij Eddie Du Gower Garner Elliot Holt Hannah Ibrahim Alfred Jatta Ibrahim Khalifa Tom Lambarth Chris Middleton Jack Oâ&#x20AC;&#x2122;Hara Nathan Pearce Alex Pullen Marcus Rogers Ellis Simpkin Rav Singh Dan Springall Katie Watson Jen Williams Ryan Williams Tutors and staff Geoff Olner Neil Pritchard Frances Robertson (module leader)
YEAR AT Year 2 focusses on creating an interesting CV and portfolio of work in preparation for gaining a placement. The modules include practice-related learning in 3dBIM, construction technology, conservation, environmental design & analysis, and collaborative working. With this in mind, the two projects, one per semester, enable applied research and knowledge in the refurbishment of a City Centre building for Element Society, a young person’s charity, and the design of a Palliative Care Centre at the Northern General Hospital in Sheffield: real projects and real clients with the participation of Stuart Hindmarch from NGH Estates .
2
Both projects used BIM to explore, develop and communicate the design. The project was enriched through the involvement of two Associate Lecturers with expertise in hospital design; Paul Allison and Peter Daymmeyer. This project is used as a vehicle for the integration of the learning across the 3dBIM, Environmental Technology, and Construction Technology curricula. This year the second year students were introduced to the application of BIM360 - a cloud-based digital collaboration tool facilitated by Autodesk. 75
Element Society Refurbishment
Refurbishment of existing City Centre building – Yorkshire House – fist two floors are owned and occupied by another company. Element Society occupies the top three floors. The project was to create one new floor at roof level which would create four floors in total of provision for the client and building users.
Palliative Care Centre
The site is within the Northern General Hospital complex. The project was a new build which needed to connect the patients to the existing arterial circulation route to essential hospital facilities. It is next to one of the main service roads with only a one storey, adjacent building to the South.
Isolated space
University use
Noise Waiting Area
Meeting Rooms Gaming
VR room
Viewing area
Use as exam hall
Bar/Serving area Multi Faith
Separate from office space
Element Society Refurbishment Viewing Areas
esk
Consultation area
Rentable spaces
Services for people involved with the charity
E-sports area
Usable by university societies
X2 meeting rooms
Storage
Cafe
Upper viewing deck
Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (Existing Floors) / Fire Escape Plan - Page 11 FL 02 – 1:50
Sensory/quiet room
Adaptable space
tournaments
Fire Escape Key:
Room Exit Route:
Route to Fire Escape:
Fire Escape:
Outdoor area Double height space
EXISITING BUILDING
Communal
ub
Retractable wall (bifold?)
NS Section
Conference room
rea
ea Exploration
Top 2 levels removed
EXISITING BUILDING
Replaced by angular overhang
Materials/Shape/Form Of lower levels maintained
Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (Existing Floors) - Page 12
EXISITING BUILDING
FL 03 – 1:50
//www.geograph.org.uk/photo/3853904
NS Section
T3F Section
EXISITING BUILDING
Internal Renders
Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (New Floors) - Page 13
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EXISITING BUILDING
FL 04 – 1:50
NS Section
EXISITING BUILDING
T3F Section
Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (New Floors) - Page 14
EXISITING BUILDING
FL 05 – 1:50
NS Section
EXISITING BUILDING
T3F Section
KSHIRE HOUSE l Proposal
Above/Left: Jen Williams
3D Exploded View of Final Design
One of the main benefits to this
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Below:is Tom Lambarth While highly effective, this proposal quite obtrusive to the design of the building, especially asLuke these are East facing Opposite: Bembridge windows, so the solar shading will only be effective in the morning. A system such as external venetian blinds may be more suitable.
Luke Bembridge – Design Studio – Northern General Palliative Care – Wall to Roof Detail Development 1 of 2 - Page 27 1:5 Flashing/Coping Development – Sketch to Scale Detail
Palliative Care Centre
1 – Water Shedding onto the Green Roof
1
1:10 Wall to Roof – Initial Sketch to Scale Detail
In this iterative sketch to scale detail I changed properly shed water onto the green roof system
2 1
2 – Continuous Metal Flashing South Lane
Based on the issues highlighted in the previous the parapet and under the perimeter ballast of walling/insulation.
2
6
3 – Waterproof Membrane Placement
7
In this iteration the waterproof membrane is p so it is protected from damage as well as allow
P20
3
3
1
Vickers Corridor
A
B
1:10 Wall to Roof – Second Iteration
C P19
-
2
-
Development 1 of 2 - Page 27 1:5 Flashing/Coping Development – Sketch to Scale Detail D
1 – Water Shedding onto the Green Roof
1 – Coping – Green Roof Water Runoff
1
Shown above is a dual angle timber coping – this was specified purely forIn this iterative sketch to scale detail I changed previous dual angled coping to a single angle coping timber that would now aesthetic reasons. However, this enables water to run off away from the properly shed water onto the green roof system – thus preventing storm water run off. 2 green roof system which in turn counteracts one of the great benefits of 1 2 the roofing system which is to catch storm water runoff.
2 – Continuous Metal Flashing
To rectify this a single angle timber coping will be specified. 2 – Waterproof Membrane Issue
2
Based on the issues highlighted in the previous detail I added a continuous metal flashing that runs under the coping, dow P20 the parapet and under the perimeter ballast of the roofing system in order to prevent any water ingress into the stud 1 2 3 4 5 walling/insulation.
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South Lane
In this iteration the waterproof membrane was run down the parapet and 3 – Waterproof Membrane Placement under the ballast/substrate – The waterproof membrane would eventually be damaged by roots and the ballast layer which would result in rotting of the stud walling due to water ingress. Additionally, it renders the drainageIn this iteration the waterproof membrane is properly placed in the roof construction in that it is ran below the root barrier 3 so it is protected from damage as well as allowing the drainage layer to function as intended. layer underneath useless. In order to correct this a continuous metal flashing should be specified to sit atop of the waterproof membrane where required to protect it. The waterproof membrane should also be run further down the parapet then under the root barrier thus protecting it from damage.
1:10 Wall to Roof – Second Iteration
1 – Plywood Thickness
3 – Secondary Steels & Fixing Issues
1
Roof Plan - Context
I specified 18mm Plywood to act as the structural deck of the green roof sys Plywood would be able to withstand the weight of an intensive green roof (~ avoid the potential outcome of the plywood failing I will be specifying 30mm
1 : 200
I initially specified the 80x80mm steels to be fixed flush in line with the top of the I-Section Beams, this raised the question of how they would be fixed Section Scale 1:25 and if such a fixing would be strong enough to withstands the forces generated by the heavy intensive green roof system.
2 – Secondary Steels/Parapet Anchor Point
It was decided that the 80x80mm secondary steels would sit atop of the frame and be bolted down onto it, thus removing the concerns of the fixings failing & making fixing them much simpler in the process.
1
Shown in this iteration is the required change highlighted in the initial detail the primary frame with the plywood deck fixed atop of them. The parapet is n horizontal batten that is runs the length of the walls, this prevents the parap roof substrate and ballast. 2 – Cement Boards/Additional Insulation
2
As discussed in the floor to wall detail development (p x), the plywood sheat additional stiffness and additional horizontal battens will be added to allow f
3
Development continued on the next page
1 – Plywood Thickness I specified 18mm Plywood to act as the structural deck of the green roof system. This raised the question of whether 18mm Plywood would be able to withstand the weight of an intensive green roof (~100kg/m2 dry and ~100kg/m2 fully soaked). To avoid the potential outcome of the plywood failing I will be specifying 30mm plywood for the deck. 2 – Secondary Steels/Parapet Anchor Point
Top left & right: Luke Bembridge
Shown in this iteration is the required change highlighted in the initial detail – the secondary steels are now fixed on top of Detail 01 the primary frame with the plywood deck fixed atop of them. The parapet is now anchored to the secondary steels byAbove: a Green Roof to Curtain Wall horizontal batten that is runs the length of the walls, System this prevents the parapet from being forced outwards by the green roof substrate and ballast.
Alex Pullen
Left: Jen Williams
2 – Cement Boards/Additional Insulation As discussed in the floor to wall detail development (p x), the plywood sheathing will be changed to cement board for additional stiffness and additional horizontal battens will be added to allow for further insulation to prevent cold bridging.
throughout winter. - Some deciduous trees to increase solar gain in winter.
Pond and Wildlife - Helps to naturally cool - Increases biodiversity - Water has a calming, tranquil sense which helps the wellbeing of occupants. - Nectar-rich plants and bird feeders encourage wild-life
- Creates ecology in otherwise derelict space. - Helps wider spread of biodiversity. - Retains large portion of rainfall, reducing flood risks. - Improves air quality for patients and staff. - Reduces carbon footprint as it improves insulation of the building.
and natural daylight. - Vents and windows improve cross ventilation
heat in winter. - Patient room glazing has TVis of 40% with triple glazing to reduce glare and increase thermal comfort.
Garden room - Biophilic design increases connection to nature, improving wellbeing. - Increases the solar gain of the building. - Open to heat rest of the building. - Close it off and opening the windows to prevent overheating.
Materiality and Insulation Rockwool Insulation Foamglas structural insulation BASF Styrodur XPS Insulation under screed improves efficiency of underfloor heating. 70% Cement replaced with GGBS BASF Styrodur XPS (ODP chemical free polystyrene)
Lansdowne Gardens, Phillips Tracey Arc
Demolished building used as hardcore
Façade is London Yellow Brick, subtle colouring draws attention to greenery
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Above: Jen Williams Below/Left: Jack Oâ&#x20AC;&#x2122;Hara
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Image credit: Ben Hall
Year 3/4 Students
Year 3/4 Tutors Jacob Ware Gabriel Tang Andrew Wilson Visiting Tutors ARUP Tom Elliot Bryan Parkin
Eskandar Abushama Clement Asoro Kira Atkin Patrick Back Robert Beeson Jay Bhaker Josh Clark Matt Cooper Joe Dawson Gene Dubovoy Ethan Dunbobbin Ben Hall Dineka Keeton
Joe Lontoc Matthew Marshall Ben Monk Louis Morrish Tom Parker Will Pettifer Rupert Pope Bahador Pour Jafar Elmira Shekari Sukraj Sandhu Katie Wilson Henry Yang
YEAR
3/â&#x20AC;&#x160;4
The final year of the course is centred on the delivery of a year-long comprehensive design project. Students take a complex brief and produce a broad portfolio of work covering site analysis, concept design, scheme design, structure, components and technical details. The impressive array of work is produced and coordinated using BIM to its full potential. The project is also supported through integrated and applied learning in three other modules. Technical Report ensures that students follow a rigorous technical design methodology. Environment and Technology 3 requires students to always take a sustainable approach to design and to demonstrate this through digitally modelled energy simulation. Professional Practice uses the project to investigate the subjects of fire safety, health and safety and project management. The project is delivered through weekly studio tutorials and supplemented by structural consultations by ARUP, reviews by practitioners and specialist lectures on construction and BIM. A field trip to London at the start of semester two visited new and old projects by Richard Rogers, Norman Foster, Nicholas Grimshaw and BIG - amongst others.
There is never a right answer to the project. We welcome a diverse range of architectural ideas and ambitious approaches to technical design and construction.
Interdisciplinary Practice A collaborative project involving groups of students from: Waterford Institute of Technology, Ireland - WIT; KEA Copenhagen School of Design and Technology - KEA; Sheffield Hallam University - SHU; working on a design development brief for a Gateway Tower Cruise liner terminal for Waterford, Ireland over a three day period. The project is a continuation of 7 years of design collaboration between WIT and SHU and were joined this year by KEA. The project is supported by AutoDesk and CIAT Aspiration and has featured in presentations to AutoDesk University and showreels demonstrating the use of BIM360 Design Collaboration https://www.youtube.com/watch?v=anw0UCzYhOw
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The project this year was to design a mixed-use convention centre at Sheffield railway station, anticipating the regeneration benefits of HS2 and improved connection to London, Birmingham and Leeds. The brief included exhibition spaces, flexible offices and a much-needed open access pedestrian bridge to connect the city across the railway lines.
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Above & top: Patrick Back Below: Ethan Dunbobbin
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Above & Below: Joe Dawson Right: Matt Cooper
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Above/Left: Ben Hall Below: Dineka Keeton
Left: Ben Monk Below: Gene Dubovey
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86 Top: Jay Bhaker Above: Will Pettifer Left: Rob Beeson
Above: Henry Yang Right: Josh Clark Below: Kira Atkin Bottom: Louis Morrish
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Bauder DSE40 Drainage layer and associated filters.
External Build Up: Internal Side · 100mm thick CLT panel · Pro Clima DA breathable Vapour Control membrane · 2no. layers of 100mm thick NatuHemp insulation on timber I-Studs · 12mm OSB board · 38mm vertical timber battens / ventilated cavity · 12mm OSB board · Standing Seam Zinc Cladding External Side
Environment and Technology
South West Elevation of the room, as outlined by CIBSE are: C-25°C for summer months.
150mm thick exposed CLT floor & wall panels, with additional sealant at panel connections to improve airtightness. Breathable vapour control layer to external face of CLT panel. 2no. laye
ZEDRoof Sola System on 200 trusses - with pannels and d
Bauder Protection / Waterproofing layer over insulation / to insulated upstand in order to prevent water ingress. 2no. layers of 100mm thick Bauder Extruded Polystyrene (XPS) insulation, with low global warming potential.
2no. layers of 100mm thick NatuHemp insulation, installed between vertical timber I-Studs.
alu U-V
North east facing clerestory light to provide additional natural light to help the room achieve 300 lux.
e= 0.1
'Idealcombi Futura +' window system with aluminum powder coated profiles and insulated infill, to perform to a through frame U-value of 0.74 W/m²K. With glazing build as noted elsewhere to achieve 0.6 W/m²K.
7W q.k /m.s
Bauder Protection / Waterproofing layer with insulation under to prevent cold bridging to rear of parapet.
External Wall
170mm thick Bauder Biodivserse substrate layer crushed clay & sand layer with native wildflower planting mat over. U-Value = 0.8 W/m.sq.k
2no. layers of 100mm thick Bauder Extruded Polystyrene (XPS) insulation, with low global warming potential.
Internal Side · 150mm th · Pro Clima Control m · 2no. laye insulation · 12mm OS · 38mm ve ventilated · 12mm OS · Standing External Side
U-Value = ?.?? W/m.sq.k
Bauder DSE40 Drainage layer and associated filters to control rainwater run off and create a SUDS system in a flood risk area.
Bauder Protection / Waterproofing layer over insulation.
U-Value = 0.15 W/m.sq.k
Maintained Lux
40
300
2
Figure 48 - Solar Canopy
LED Lighting
1
Figure 36 - Light Shelf (Perspective)
2475 Window Height
The use of a green wall both internal and externally in a builidng espically in a urban enviroment it can clear the localised eviironment of air poluntats and provide a small soultion to off setting proposed built structures carbon footprint, they also can reduce the ambient temperature, it has also has been noted it increases users well being.
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3
1
4
Figure 37 - Biophilic Planting
Thickness (mm)
Resistance R-Value (m2K/W)
Conductivity U-Value (W/mK)
CLT Panel
140
1.667
0.1200
130
5.6522
25
305
Thickness (mm)
0.0034
Birch Plywood
15
0.1250
0.023
Plywood Seathing
15
0.1071
2.85
Phenolic Foam
100
2.5000
6.65
Mineral Fibre Slab
140
200
0.65
1.53
Aluminum
15
375
N/A
0.1323 W/(m.K)
Total
285
15
16
17
18
19
20
22
23
24
25
26
27
28
29
30
31
01
05
06
07
100 12 5 2 101 .5 50 90 12.5
20mm Rigid insulation to window head2x layers to prevent of plasterboard thermal bridging
09
10
11
water19 from 20 12infilled 13 with 14 gravel 15 to take 16 excess 17 18 green roof
200x41x1.6mm wall panel section w/ fullfil
Aluminium window profile infilled with mineral insulation wool insulation
21
22
23
24
25
26 to prevent 27 28 thermal 29 bridging 30 31
01
Weather defence board 70mm Cork board insulation
Date: Tue 01/Jul to Thu 31/Jul
Black UV stable breather membrane
20mm Rigid insulation to window cill to prevent Nvelope helping hand brakcet fixed back to
Dry-bulb temperature: (SheffieldEWY.fwt)
Operative temperature: Exhibition Spacethermal (S2a.aps)bridging
weather defence board
Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
100
Underfloor heating within concrete screed Damp proof membrane laid ontop of PIR 25mm Rigid insulation laid ontop of slab 200mm Concrete slab SR1 finish
Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony
18mm paving slabs laid on screed Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony
Figure 1.6 - July Operative and dry-bulb temperature graph of space. (Arnold, 2020).
179 200 370
12 5
2
101 .5
50
90
12.5
12.5
50
12.5
12.5
100
5
150
100 5
50
12 2 150
150
12.5
50 12.5 150 100
12 5
100
12 5
2
101.5
50
100
5
12
2
150
100 12 5 2
150
101.5
12.5
n/a
50mm Rigid insulation to prevent thermal bridging
Weather defence board
70mm Cork board insulation
Thickness (m)
External resistance CODE Soil layer
0.1
8°C - 26°C Vapour Control Layer
12.5mm Weather defence board Breather membrane 70mm Cork board insulation
50mm Air / Vertical Mechslip bracket for brick slips
Nvelope helping hand bracket
n/a
Taylor Maxwell Strata stone cladding panels
Table 1.6 - U- value calculation - Stone wall.
Resistivity (λ)
R-value (m2K/W)
n/a 0.04 SUITABILITY DESCRIPTION 0.21 0.47
Resistivity (λ)tile floor R-value Ceramic covering(m2K/W)
External resistance
n/a
n/a
0.15
1.3
70mm Cork board insulation
Weather defence board
0.0125
0.065
0.19
bracket for brick slips
Cork board insulation
0.070
0.037
1.90
Air
0.050
0.025
2
Thermaroof TR27
0.15
Breather membrane 0.024 6.25
Concrete slab PROJECT
0.15
1.1
0.13
0.0125
0.17
0.07
12.5mm Weather defence board
0.05 0.41 0.12 50mm Air / Vertical Mechslip www.autodesk.com/revit
Project Name
Nvelope helping hand bracket
0.0125
Taylor Maxwell Strata 0.17 0.07stone cladding
n/a
n/a
0.17
U-value
0.13W/m2K
panels
TITLE
Details
0.07
200mm Concrete slab
0.07
Strata stone cladding
0.04
1.26
0.03
Internal resistance
n/a
n/a
0.13
U-value
0.17 W/m2K
No.
Description
CODE STATUS
PURPOSE OF ISSUE
www.autodesk.com/revi PROJECT
25mm Rigid insulation
200mm Concrete slab
EPDM lapped over breather membrane Black UV stable breather membrane
SUITABILITY DESCRIPTION
Date
Ceramic tile floor covering Underfloor heating within concrete screed Damp proof membrane
Figure 1.14 & 1.15 are the CLIENT final thermal graphs of the Owner improved space. Table 1.6 DRAWN BY CHECKED BY DATE Checker Issue Date Author shows the operative temperPROJECT NUMBER SCALE ( @A2 ) 1 : 10 Project Number ature range results from the DRAWING NUMBER REV graphs. When compared to EA07 12.5mm Siniat Plasterboard the CIBSE table 1.5 data the Author 12.5mm Siniat Plasterboard temperatures are now within 1 : 10 Vapour control layer 1°C of the optimum tempera-EA07 200x40mm Timber wall panel w/ fullfil mineral wool insulation tures required for the space. www.autodesk.com/revit 12.5mm Weather defence board The increase in insulation, Breather membrane solar shading and ventilation 70mm Cork board insulation Project Name 50mm Air / Vertical Mechslip to the space greatly improves bracket for brick slips the thermal comfort to occupants of the space whilst Details Nvelope helping hand bracket using just natural ventilation Figure 1.15 - July Operative and dry-bulb temperature graph Figure 1.14 - January Operative and dry-bulb temperature Taylor Maxwell Strata stone cladding panels alone. - final space. (Arnold, 2020). graph - final space. (Arnold, 2020). 12.5mm Plasterboard
Description
25mm Rigid insulation
0.17 0.17
0.20
200x40mm Timber wall panel w/
No.
Underfloor heating within concrete screed 0.04 Damp proof membrane
0.0125 0.0125
Wall panel w/ fulfill insulation
insulation n/afullfil mineral wooln/a
12.5mm Plasterboard
Thickness (m)
Plasterboard
n/a
19°C - 24°C150mm Concrete slab
Material
Plasterboard
12.5mm Siniat Plasterboard
0.005 0.06 0.083 12.5mm Siniat Plasterboard PURPOSE OF ISSUE Vapour control layer 0.012 0.08 0.15
Operative 150mm Thermaroof TRPlasterboard 27 Plasterboard temperatureinsulation Internal resistance 18°C - 20°C50mm Screed laid to falls
Table 1.7 - Results of final thermal graphs.
200x40mm Timber wall panel w/ fullfil mineral wool insulation
150mm Concrete slab
Roof barrier
12mm roof drainage layer Screed 2mm root barrier
12.5mm Siniat Plasterboard Vapour control layer
150mm Thermaroof TR 27 insulation
Roof filter layer STATUS
Roof drainage layer 100mm 0.17 soil & mulch layer
to create pitch on roof
July
50mm Screed laid to falls
Material
5mm0.52W/m2K filter fleece layer
2x layers of plasterboard, VCL
2mm root barrier
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting
12.5mm Plasterboard
n/a
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
12mm roof drainage layer
100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
Table 1.5 - U-value calculation - Green roof detail.
50mm Air gap layer, 150mm concrete slab Nvelope helping hand brakcet fixed back to 50mm screed laid to falls with weather defence board Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers
12.5mm Siniat Plasterboard
12.5mm Plasterboard
U-value
100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
Dry-bulb temperature -10°C - 10°C
Black UV stable breather membrane
Green 1.38roof planting substrate 0.18
12.5mm Plasterboard
Date
50mm Rigid insulation to prevent thermal bridging
12.5
50
90 12.5 12.5
1.1
200x41x1.6mm wall panel section w/ fullfil mineral wool insulation
January
roof planting substrate
0.04
0.14
200mm Conc
12.5mm Plasterboard
90
100 150 50 50 25
100 5 150
Results of final graphs Month
Description
20mm Rigid insulation to window cill to prevent Green thermal bridging
2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
R-value (m2K/W)
0.01
25mm Rigid in
CODE
Project Name
TITLE
CLIENT
SUITABILITY DESCRIPTION
DRAWN BY
STATUS
PURPOSE OF ISSUE
SCALE ( @A2 ) DRAWING NUMBER
12 2
Insulation set below curtain walling profile and between slabs to prevent thermal bridging
150
Aluminium curtain walling fixed to concrete slab and external paving
n/a
within concret Damp proof m
150mm Thermaroof TR 27 insulation
150mm Concrete slab
50mm Rigid insulation to prevent thermal bridging 100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
Vapour Control Layer
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage EPDM lapped over breather layer, 5mm fleece layer, 100mm soil &membrane Black UV stable breather mulch layer, green roof planting membrane 2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
PROJECT
TITLE
CLIENT
Owner
25
50
12
Figure 1.5 - January Operative and dry-bulb temperature graph of space. (Arnold, 2020).
2
Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony
5
Ceramic tile floor covering
101. 5
18mm paving slabs laid on screed
200mm Concrete slab SR1 finish
EPDM lapped over breather membrane Black UV stable breather membrane
50
Insulation to edge of curtain wall frame with mastic seal to end of tiles
12.5
50
Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony
25mm Rigid insulation laid ontop of slab
Vapour Control Layer EPDM lapped over breather membrane Black UV stable breather membrane
EPDM lapped over breather membrane Black UV stable breather membrane
150
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
12.5
90
Underfloor heating within concrete screed Damp proof membrane laid ontop of PIR
Vapour Control Layer
Flashing to head of the window connected to parapet with drip to remove water
n/a
0.20
Internal resistance
50
Insulation set below curtain walling profile and between slabs to prevent thermal bridging
Ceramic tile floor covering
Parapet flashing to edge of clerestory infilled with 50mm rigid insulation
Resistivity (λ)
20mm Rigid insulation to window head to prevent 0.012 1.1 thermal bridging
Concrete slab
2x layers of plasterboard
150
Aluminium curtain walling fixed to concrete slab and external paving
Insulation to edge of curtain wall frame with mastic seal to end of tiles
Thickness (m)
Aluminium window Thermally conduc0.03profile infilled with insulation 2.2 to prevent thermal bridging tive screed
2
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
12
2 x layers of plasterboard, VCL layer, 90mm concrete slab with 50mm screed laid to falls
Vapour Control Layer
Material
20mm Rigid insulation to window cill to prevent Kooltherm K103 0.025 0.018 thermal bridging
12.5
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
200mm Concrete slab
18mm paving slabs laid on screed Rigid insulation laid to falls to allow linear
2mm root barrier
50mm Screed laid to falls
5mm filter fleece layer
25mm Rigid insulation
Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony
External resistance
12.5
Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers
Aluminium window profile infilled with insulation to prevent thermal bridging
100mm soil & mulch layer
within concrete screed Damp proof membrane
Aluminium curtain walling fixed to concrete slab and external paving
Insulation set below curtain walling profile and between slabs to prevent thermal bridging
slot draincalculation to run water to end of balcony Table 1.4 - U-value - Intermediate floor improved detail.
Ceramic tiles Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof
No.
tile floor 2 x layers Ceramic of plasterboard, VCL covering layer, 90mm concrete slab with Underfloor heating 50mm screed laid to falls
remove water
200
Nvelope helping hand brakcet fixed back to weather defence board
50mm Air gap
Operative temperature: Exhibition Space (S2a.aps)
12
2
Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers
20mm Rigid insulation to window head to prevent thermal bridging
Guttering to edge of clerestory construction infilled with gravel to take excess water from
greenroot roof 100mm Thermaroof TR 27 insulation, 2mm barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting
Underfloor heating within concrete Flashing to screed head of the window 25mm Rigid insulation laid ontop of slab
helping hand bracket
Guttering to edge clerestory construction infilled Aluminium curtain wall of profile infilled with with gravel to take excess water from roof insulation to prevent thermal bridging
toPIR parapet with drip to Damp proof membraneconnected laid ontop of 200mm Concrete slab SR1 finish
12.5
Black UV stable breather membrane
•
Stone cladding to the reveal of the window
insulation Ceramic tile floor covering
Black UV stable breather membrane
5mm filter fleece layer
Taylor Maxwell Strata stone cladding panels
Nvelope helping hand brakcet fixed back to weather defence board
Insulation to edge of curtain wallflashing frame to edge of Parapet with mastic seal to endclerestory of tiles infilled with 50mm rigid
70mm Cork board insulation 50mm Air gap
12.5
70mm Cork board insulation 50mm Air gap Nvelope helping hand brakcet fixed back to weather defence board
Guttering to edge of clerestory construction
08
Date: Wed 01/Jan to Fri 31/Jan
erature: (SheffieldEWY.fwt)
Taylor Maxwell Strata stone cladding panels Nvelope fixed back to vertical timbers
12.5
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging 8
Weather defence board
gravel to take excess water from roof Taylor Maxwellwith Strata stone cladding panels Stone cladding to the reveal of the window fixed back to vertical timbers Aluminium curtain wall profile infilled with 2x layers of plasterboard, VCL layer, 150mm concrete insulation to prevent thermal bridging slab with 50mm screed laid to falls to create pitch on roof 100mm Aluminium curtain wall profile infilled with Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece insulation to prevent thermal bridging layer, 100mm soil & mulch layer, planting
Weather defence board
prevent thermal bridging
100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
150
200x41x1.6mm wall panel section w/ fullfil mineral wool insulation
Intermediate 1.85W/mK2 floor Single ply membrane lapped over breathe memberane 20 W/mK2 40mm RigidWindow insulation to top of wall 1.1 panel to
04
12.5
12.5
100
5
100
5
12
2
150 50
Figure 1.9 - 1:10 Clerestory window detail. (Arnold, 2020).
0.13W/mK2
22 aluminium parapet capping - fixed PPC through to 22mm plywood
03
Black UV stable breather membrane
Ceramic tile flo 200mm Co Underfloor he
100mm soil & mulch layer
12mm roof drainage layer
Flashing to head of the window
•
70mm Cork board insulation
25mm Rigid
Green roof planting substrate
2 x layers of plasterboard, VCL layer, 90mm concrete slab with 50mm screed laid to falls
insulation
50mm Air gap
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
22mm Marine B grade plywood
Taylor Maxwell Strata stone cladding panels Weather defence boardtimbers fixed back to vertical 70mm Cork board insulation Aluminium curtain wall profile infilled with Black UV stable breather membrane insulation to prevent thermal bridging 50mm Air gap Nvelope helping hand brakcet fixed back to weather defence board to edge of clerestory construction infilled Guttering
100mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting
Parapet flashing to edge of
70mm Cork board insulation
50mm Air / Vertical Mechslip connected to parapet with drip to remove water bracket for brick slips
Weather defence board
2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
12
200
Roof
0.18W/mK2
•
12.5mm Weather defence board
Breather membrane clerestory infilled with 50mm rigid
100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
40mm Rigid insulation to top of wall panel to prevent thermal bridging
layer, green roof planting
External Wall
02
2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
Addition of clerestory windows for ventilation and to increase light into the rear of the space. Addition of vertical and horizontal solar shading to large glazing to reduce overheating during the summer by preventing excessive solar heat gain. U-values have been improved and technical detailing introduced to reduce the thermal bridging of the space so that heat loss is reduced. The wall to the front of the space has been orientated to optimise the solar shading and alter the A/V ratio of the space to better improve the thermal properties.
control layer
200x40mm Timber wall panel w/ fullfil mineral wool insulation
22mm Marine B grade plywood
Single ply membrane lapped over breathe memberane
50mm Air gap 200x41x1.6mm wall panel section w/ fullfil Nvelope hand brakcet fixed back to mineral woolhelping insulation weather defence board
At this optimised stage, the operative temperature is between 25° and 19° of plasterboard throughout2x layers July.
Initial U-values
•
12.5mm Siniat Plasterboard
40mm Rigid insulation to top of wall panel to prevent thermal bridging Vapour
Figure 1.7, 1.8 & 1.9 are improved details of the space with continuous insulation to the exterior fabric and vapour control added to improve air tightness. The insulated curtain walling and window systems reduce on thermal bridging and reduce the size of thermal breaks. The increased U-values and thermal detailing of the space help maintain better operative temperatures throughout the year and improve on thermal comfort by reducing drafts. PPC aluminium parapet capping - fixed through to 22mm plywood
Guttering to edge of clerestory construction infilled with gravel to take excess water from roof
12.5mm Siniat Plasterboard
Single ply membrane lapped over breathe memberane
12 2 150
12.5
50 25
50mm Rigid insulation to prevent thermal bridging
root barrier, 12mm roof drainage layer,
01
12
2
12
593
200x41x1.6mm wall panel section w/ fullfil mineral wool insulation
Taylor Maxwell Strata s panels Ceramic tile Underfloor within conc Damp proo
Figure 1.13 - Final section detail of space NTS. (Arnold, 2020).
Improvements of environmental design PPC aluminium parapet capping - fixed through to 22mm plywood
gravel to take excess water from green roof
defence board 2x Weather layers oftoplasterboard Guttering edge of parapet infilled with gravel to take excess water from green roof 70mm Cork board insulation 150mm Thermaroof TR 27 insulation, 2mm
Stone cladding to the reveal of the window
21
12.5mm Plasterboard
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting
Nvelope helping hand b
12.5mm Plasterboard
DRAWN BY 200
Author
No. Ceramic tile floor covering Underfloor heating within concrete screed Damp proof membrane 25mm Rigid insulation
200mm Concrete slab
SCALE ( @A2 )
CHECKED BY
Checker
Description 1 : 10
DRAWING NUMBER
EA07
DATE
Issue Date
PROJECT NUMBER
Date
Project Number
REV
25/05/2020 12:44:11
14
Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony
plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
150mm Concrete slab
25/05/2020 12:44:11
13
18mm paving slabs laid on screed
50mm Screed to falls of 2xlaid layers
Figure 1.12 - Improved floor plan of space NTS. (Arnold, 2020).
100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
Breather membrane Nvelope helping han 70mm Cork board insu Taylor Maxwell Strata 50mm Air / Vertical Me panels bracket for brick slips
insulation
50mm Rigid insulation to prevent thermal bridging
650
12.5mm Weather defen
with 50mm screed laid to falls to create pitch on TR roof27 insulation, 150mm Thermaroof 2mm root barrier, 12mm roof drainage 5mm fleece layer, 100mm soil & mulchTR layer, green roof planting 150mm Thermaroof 27 12mm roof drainage layer 2mm root barrier layer,
12.5
0.12
2x layers of plasterboard
Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony
150
150
25mm Rigid insulation laid ontop of slab
12.5
12
30
Aluminium curtain walling fixed to concrete slab and external paving
Insulation set below curtain walling profile and between slabs to prevent thermal bridging
200x40mm Timber w fullfil mineral wool ins
12.5mm Weather de 12.5mm Siniat Plasterb Breather membrane 12.5mm Siniat Plasterb 70mm Cork board in Vapour control layer 50mm Air / Vertical M 200x40mm Timber wal bracket for brick slips fullfil mineral wool insula
100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
5mm filter fleece layer
50mm insulation to prevent thermal bridging 20mm Rigid insulation to window cill Rigid to prevent thermal bridging Guttering to edge of parapet infilled with
12.5
Damp proof membrane laid ontop of PIR
12.5
11
20
Vapour control layer
50mm Rigid insulation to prevent 20mm Rigid insulation to window cill to prevent thermal bridging thermal bridging
layer, 150mmwool concrete slab 100mm soil w/ & mulch layer fullfil mineral insulation
Aluminium window profile infilled with insulation to prevent thermal bridging
12.5
150
10
20mm Rigid insulation to window head to prevent thermal bridging
50
5
25
12 150
200
12
50 150
50
0.17
10
12.5
09
2800 Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof
0.250
50
Nvelope helping hand brakcet fixed back to weather defence board
12.5
08
0.250
200mm Concrete slab SR1 finish
18 The below graphs are a result of thermal analysis of the initial space. The operative temperature is closer to thermal comfort Marine B grade plywood required by the occupants of the 22mm space as this takes into account 16 100x41x1.6mm wall panel section w/ fullfil air temperature, mean radiant temperature and air speed. The drymineral wool insulation Weather defence bulb temperature is the air temperature in board the space. The current 14 70mm Cork board insulation proposals show overheating in summer and too large a range of Black UV stable breather membrane temperature in winter so changes50mm to the Air gapexternal fabrics and open12 Taylor Maxwell Strata stone cladding panels ings are required to better these temperatures. fixed back to vertical timbers
2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof 07
Nvelope helping hand brakcet fixed back to weather defence board
12
12
2
150 50
Table 1.3 - Results of initial thermal graphs.
Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers
50
23°C - 44°C
Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony
Black UV stable breather membrane
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
100
Temperature (°C)
100
8°C - 26°C
5
July
70mm Cork board insulation
25
U-value = Thermal Mass = 18.3kJ/K
January
18mm paving slabs laid on screed
50mm Air gap
12.5mm Siniat Plaste
Aluminium window profile infilled with insulation to prevent thermal bridging
Green roof planting 2x layers of plasterboard, VCL substrate 100x41x1.6mm wall panel section
2 x layers of plasterboard, VCL layer, 90mm concrete slab with 50mm screed laid to falls
Flashing to head of the window connected to parapet with drip to remove water
Weather defence board
200
0.18W/m2K
Operative temperature 3°C - 20°C
100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
Black UV layer, stable breather 5mm fleece 100mm soil & mulch membrane
Taylor Maxwell Strata stone cladding panels
Dry-bulb temperature -10°C - 10°C
Insulation set belowlaid curtain walling profile Rigid insulation to falls to allow linear andslot between to prevent thermal drain toslabs run water to end of balcony bridging
950
22mm Marine B grade plywood
Figure 1.8 - 1:10 Curtain wall jamb detail. (Arnold, 2020).
Figure 1.3 - Green roof detail. (Arnold, 2020). Figure 1.4 - Stone wall detail. (Arnold, 2020). Table 1.2 - Initial U-values.
Month
0.16
Linear slot drain to run along edge of curtain Parapet flashing to edge of walling and to drain to guttering to end of clerestory infilled with 50mm rigid insulation balcony
Addtional layers of sound insulation has been used ground floor construction to redcue sond transmita urban environment (over railway station) all wall roo Green roof
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & 50mm Rigid insulation to prevent mulchbridging layer, green roof planting thermal
100mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting
18mm paving slabs laid on screed slab and external paving
20
40mm Rigid insulation to top of wall panel to prevent thermal bridging
Stone cladding to the reveal of the window
Underfloor heating within concrete screed
Timber Truss
Guttering to edge of clerestory construction infilled with gravel to take excess water from roof
Single ply membrane lapped over breathe memberane
160
25
12.5
50
walling and to drain to guttering to end of 7800Aluminium balcony curtain walling fixed to concrete
PPC aluminium parapet capping - fixed through to 22mm plywood
0.250
2
25mm Rigid insulation laid ontop of slab
Linear slot drain to run along edge of curtain
50
200mm Concrete slab SR1 finish
Ceramic tile floor covering
28
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 12.5mm Plasterboard 5mm fleece layer, 100mm soil & mulch 12.5mm Plasterboard layer, green roof planting
Results of initial graphs
Insulation set below curtain walling profile and between slabs to prevent thermal bridging
150
12
50
100
15
Damp proof membrane laid ontop of PIR
Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof
Aluminium curtain walling fixed to concrete slab and external paving
5
100
Sound Insulation - 9
This is to allow fresh air into space and with the use of a stack
12.5
50 12.5 150
100
Underfloor heating within concrete screed
Figure 40 - Thermal Mass
The external inlet vent is located at the both on of the double
0.0350
90
Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof
12.5 12.5
Underfloor heating within concrete screed
Ceramic tile floor covering
0.1200
100
Flashing to head of the window connected to parapet with drip to remove water
th Nor
The tile will be a timber effect and will be used across the exhibtion space builidng. The internal wall finish will consist of concreate wall panels with a matte brushed finish to reduce surface relefecantacy in the summer and causing glare.
100
Flashing to head of the window connected to parapet with drip to remove water
Parapet flashing to edge of clerestory infilled with 50mm rigid insulation
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
A heat recovvary syste is to used in unicern with th technologies. The heat recovery system is most ad collect heat released from lower levels (ground/stre and need of using eletricity or no renewable enegry the length under both 02 and 03 exhtibtion space to heating canto be used) and also to provide good air in (summer).Through use of best practice standards heat loss and gains other circulation pipes and exte
12.5
100
5
12
2
150
100
5
50
12
2
150
12.5
150
Parapet flashing to edge of clerestory infilled with 50mm rigid insulation
Taylor Maxwellcurtain Strata wall stone cladding panels Aluminium profile infilled with fixed back to to vertical timbers insulation prevent thermal bridging
Internal ceramic floor tiles to act as thermal mass to abosorb solar heat gain (winter).
tion to comply with approved document part E maxim substrate Figure 1.10 & 1.11 show destion value of 62 dB in all internal floors to be achiv been used to meet this value (Appendix 6). 100mm so veloped thermal graphs ofhasthe 5mm filter f space once additional windows Table 8 - Roof U-values TR 27 insulation, 2mm root 100mm Thermaroof Figure 41 - Outlet Vents barrier, 12mm roof drainage layer, 5mm fleece 12mm roof for ventilation and solar shadlayer, 100mm soil & mulch layer, planting Green roof pl substrate 2 x layers of plasterboard, VCL 2mm root b ing were added to the large layer, 90mm concrete slab with 150mm 100mm soilTh & 50mm screed laid to falls glazing to the balcony. The insulation 5mm filter flee effect on the summer heating 50mm Scre 12mm roof dr was reduced and the operative 150mm Co 2mm root bar temperatures now range from 150mm Ther 18.5°C - 24°C, the increased 12.5mm Pl insulation ventilation also largely reduced 12.5mm Pl 50mm Screed the range in temperatures of 20mm Rigid insulation to window head to prevent 150mm Conc the winter graphs. The opthermal bridging erative temperature during Aluminium window profile infilled with insulation 12.5mm Plas to prevent thermal bridging January now ranges from 18°C 12.5mm Plas Figure 1.11 - July Operative and dry-bulb temperature - 22°C which is much closer to 20mm Rigid insulation to window cill to prevent graph -bridging additional windows and solar shading in space. 20mm Rigid insulation to window head to prevent thermal the CIBSE requirements. thermal bridging 12.5mm Siniat Plaste (Arnold, 2020).
Stone cladding to the reveal of the window
Aluminium curtain wall profile with Damp proof membrane laidinfilled ontop of PIR insulation to prevent thermal bridging 25mm Rigid insulation laid ontop of slab Insulation to edge of curtain wall frame 200mm slab with masticConcrete seal to end of SR1 tiles finish
+11.220 Prop Th
Heat Recovry Unit (MVHR) - 10
heat of rise up the doubleVCL skin facade and out of the outlet 2effxect layers plasterboard, vent located parapetslab levelwith as highlighted in figure 45 & in layer, 90mm at concrete 0.0001 160.0000 Guttering to edge of clerestory construction infilled section in figurelaid 44. to Openable windows are also used as used 50mm screed falls with gravel to take excess water from roofto vent in fresh air and outlet stale hot air. N/A 0.1455 W/(m.K)
Table 7 - Intermediate Floor U-values
Nvelope helping hand brakcet fixed back to weather defence board
Insulation to edge of curtain wall frame with mastic seal to end of tiles
Taylor Maxwell Strata stone cladding panels
Nvelope helping hand bracket
10m
Thermal mass materials (Winter Stratagy) - 7
100mm Thermaroof TR 27 insulation, 2mm root facade on the external face (single glazed (4)), 0.140012mm roof skin barrier, drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting 0.0400
4.0000
Black UV stable breather membrane
Ceramic tile floor covering
0.1394 W/(m.K) Table 6 - External wall U-values
Stone to the reveal of the window 50mm Aircladding gap
Insulation to edge of curtain wall frame with mastic seal to end of tiles
1.8020
N/A
0.15
Black UV stable breather membrane 22mm Marine B grade plywood 50mm Air gap 100x41x1.6mm wall panel section w/ fullfil Taylorwool Maxwell Strata stone cladding panels mineral insulation fixed back to vertical timbers Weather defence board Nvelope helping hand brakcet fixed back to weather board 70mm Corkdefence board insulation
N/A
0.0044
0.35
70mm Cork board insulation
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
Nvelope helping hand bracket
Guttering to edge of parapet infilled with gravel to take excess water from green roof 150mm Concrete slab
4
11
Guttering to edge ofConductivity clerestory construction infilled Resistance Vent locations - 8 . with gravel to take U-Value excess W/(m water R-Value (m2K/W) K)from roof
43.47
Weather defence board
0.0230
0.1800
10
Total
25
22mm Marine B grade plywood 40mm Rigid insulation to top of wall panel to prevent thermal bridging 100x41x1.6mm wall panel section w/ fullfil mineral wool insulation
12.5
ll room for improvement. The July graph is still showing the operative thermal egrees too high. This needs to be further investigated and reduced to achieve al comfort level within the Exhibition Space.
At this optimised stage, the operative temperature is between 23° and 18° throughout January.
25mm Screed
20mm Kingspan Optim-R Flooring System
Fresh air is system dur heat enters through a h stale air.
Top Of Glulam 13131
12 5
Air Cavity Fibre Cement
Layer/Material (Internal - External)
20
memberane
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting
200
Timber Deck
70mm Cork board insulation
50mm Air / Vertical Mechslip bracket for brick slips
50mm Air / Vertical Mechslip bracket for brick slips
During coo ventilation temperatur for stale wa closes off t Lightwell.
2
Cellular Polyurethane
Resistance R-Value (m2K/W)
50
150
Guttering to edge of parapet infilled with gravel to take excess water from green roof
200
Polyurethane Board
12.5mm Weather defence board
150mm Thermaroof TR 27 insulation
Thermal Continuit
By maintaining thermal performance in both sum tables 6,7&8 a high leve passive hosue standard and roof structure. Appe L1A. The thermal contin hexagonal hatch) in both
3
Metal stud partition to be built off CLT floor.
9
Layer/Material (Internal - External)
120
Cellular Polyurethane
head of CLT panel to reduce air transmision through timber fabric CLT Floor Slab (CLT). an example of this can be found in figure 49 in showing the PPC aluminium parapet - fixed Total wall to floor connection. All airtightness messure to be tested capping in through to 22mm plywood post construction tests (air permeabity test) inacordance with approved document part L2A (3.8)) Apeendix 4. ply membrane lapped over breathe Single
layer, green roof planting
2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
Insulation
Breather membrane
50mm Screed laid to falls
12
101 .5
Screed
memberane
Figure 39 - Airtightness CLT Wall
50mm Rigid insulation to prevent thermal bridging
Aluminum – Kalzip
150x40mm Timber wall panel w/ fullfil mineral wool insulation
50mm Rigid insulation to prevent thermal bridging
2
150mm Thermaroof TR27 LPC/FM
100mm Rigid Insulation to Form Gutter Upstand 450mm Glulam Beam
308mm Composite Glulam Beam
As per approved document part L2A states that “To use construction joints with no specific quantification of the thermal bridge values” (“Conservation of fuel and power L2A”, 2014) This has been deminstrated in figures 43 & 44 to reduce thermal bridging and maintian a line of thermal continuity including in figure 43 using a thermal isolation plate to reduce thermal bridging through maintiance walkway. As seen from table 6,7&8 the wall, floor and roof build up is below the required standard for building regulations (as seen from appendix 5) and is below passive house standard as metioned in thermal continuity (11).
40mm Rigid insulation to top of wall panel to A highly rubber EDPM seal tro be used at both base and Figure 1.7 layer, - 1:10 Improved roofdense detail. (Arnold, 2020). Polyurethane Board 5mm fleece 100mm soil & mulch curtain walling floor to prevent thermal bridging
Roof – U Value = 0.07, R Value = 13.5
12.5mm Siniat Plasterboard
70mm Cork board insulation
100
18mm Structural Sheathing
Consealed joint to be flitched with beam to provide support for walkw
150mmDesign Thermaroof TRStrategy27 insulation, 2mm Scenario 02 Final root barrier, 12mm roof drainage layer,
Vapour control layer
Breather membrane
160
Dupont Tyvek Housewrap Breathre Membrane
90mm Thermaroof TR27 LPC/FM
Figure 45 - Overall Enviornmental Cross Section (Scaled)
Thermal Continuity - CIBSE - minimsed thermal bridging - 6
150mm thick exposed CLT floor panel, with moderate thermal mass performance v's concrete or masonry floors - however the lower amount of embodied energy & carbon in the material is Figure 49 - Rubber Seal Layer/Material Thickness Conductivity the 50mm reason for it's use.thermal Thebridging floor will still provide some heat Rigid insulation to prevent PPC aluminium parapet capping - fixed- Internal) (Internal (mm) U-Value (W/mK) through to 22mm plywood Gutteringfrom to edge busy of parapetdaytime infilled with Ceramic Tile 10 294.11 storage hours to be released night. Environment & over Technology 3 - Single Thermal gravel to take excess water from green roof ply membraneAnalysis lapped over breathe B6004024 - Eleanor Arnold
12.5mm Siniat Plasterboard
2mm root barrier
500 CTS
The warm and exits th facing clere this section
15mm Birch Plywood
350mm Glulam Beam
ults are considerably closerfloor toplan those specified Figure 1.1 - Existing of space NTS. (Ar- in the recommended comfort nold, 2020). this has been achieved by reducing the North curtain able 1.5). As discussed, he thickness of the walls and roof. Natural ventilation has also been included July) to try and reduce the internal temperatures to make the space more
24
Kalzip E-Clips to be Fixed to Rigid Insulation Kalzip Roof (NOM Fall)
200mm CLT Floor Slab
Guttering to edge of parapet infilled with gravel to take excess water from green roof
26
Hot Dip Glavanized Carbon Steel Big Foot System Rapid Walkway
Figure 38 - Biomimicry Design
150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting
12.5mm Weather defence board
Filler Block
120mm Kingspan Kooltherm K103 Floorboard
Airtightness is achived by use of double sided air guard or flexi tape to prevent water ingress and external air through jonts in CLT panels, tape also to be used on all external faces that are support cladding brackets.
50mm Rigid insulation to prevent thermal bridging
12.5mm Siniat Plasterboard
Metal Drip Edge
Aitightness CLT wall - 5
could be improved with further insulation and can be insulation found in table 1.2. Steel – Column • The skylights to the rear of the room help to bring light further into the building but could use more optimisation Insulation for the space itself. x Gypsum low demonstrate, the space has been improved•toDue increase its thermal to the concrete structure of the space there2 is a large thermal massfor to the floors and roof to hold heatPlasterboard during graphs now show a more consistent operative temperature winter and the winter and summer months for night-time cooling.
150x40mm Timber wall panel w/ fullfil mineral wool insulation
Bespoke Insulated Box Gutter
10
Aluminium curtain wall profile infilled with insulation to prevent thermal bridging
Vapour control layer
Extruded Aluminum Ruskin CD50 Dampers Mechnical Louvres to be operated by BMS
2
Detail B
2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
12.5mm Siniat Plasterboard
2.26 x 3.07mm - 0.56 Wire (Dia) Mild Steel Bug Mesh
FFL - 03 (EX) 13510
2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof
5mm filter fleece layer
50mm Kingspan Thermawall TW55 PIR insulation Board
Top of Glulam
6
10 40 As seen in details A and 300 B and Environmental Technology - Assignment 2 - Ethan Dunbobbin (26016554) the building materials table, insulation has been added to the wall and roof build-ups. This results in better U Values for both systems. They now Thickness mm Conductivity W/(m²K) Density Kg/m³ Areas for of environmental achieve a improvement higher result than design Material The glazing to the balcony is a large area of glazing which Figure 1.10 - January Operative and dry-bulb temperthe •Passivhaus standard requires solar shading to prevent summer over heating. Wall – U Value = 0.08, R Value = 11.23 ature graph - additional windows input into space. (Arnold, 2020). requires. means they now • As an This exhibition space that is largely unoccupiedLightweight there is 50 0.29 1250 furnishing in the space which reduces the temperaCladding – Metal have alittle better thermal tures in the space. Eurobond 240 0.035 30 performance. • U-value’s for the current external walls, roof andEuropanel floor – 240
12mm roof drainage layer
200x200mm (RHS) Square Steel Hollow Section
20mm Kingspan Thermawall TW55 PIR insulation Board to be Backed with 5 mm Aluminum Kingspan KS1000 FL Corner Flashing (Colour; Anthracite Grey) to Provide Thermal Prectection to Glulam Column
18235
7
The selected space to be analysed is the exhibition space which is located on the third floor of the SHU business centre. The space is adjoined to another space with one internal wall and three external walls, the space is within the roof of the building and has an adjoining balcony. Within the middle of the space is an atrium and two skylights which are enclosed by curtain walling. There are large bi-fold doors to the balcony of the space to allow the area to open up fully. The CIBSE guide A - Table 1.5 states that an exhibition space requires a winter temperature of between 19-21°C and a summer temperature of between 21-23°C.
100mm soil & mulch layer
200x200mm Glulam Beam
200mm Kingspan Thermawall TW55 PIR insulation Board
13
5
Exhibition Hall 19-21 21-23 Table1.1 - CIBSE Guide A Table 1.5 data. (CIBSE, 2006).
Green roof planting substrate
Visqueen High Perfomance (HP) Vapour Barrier
Corridor
The use of a tree based structure has been incoprrated into design (structure) the use of using nautre inspied design blures the line of natural ans the built envrioment and disruptes the tradtional way of construction. This benifts both the user and the construction if design properly. The use of green wall could also reduce noise transmitance from ubran environment.
Winter operative tem- Summer operative Air supply rate (L.s-1 Maintained illumi- Noise ratperature range (°C) temperature range (°C) per person) nance (Lux) ing (dB)
Figure 1.2 - Existing section detail of space NTS. (Arnold, 2020).
During war cross-venti room depth v's externa create air fl openings to Lightwell. ( MVHR).
Dupont Tyvek Housewrap Breathre Membrane Top of Parapet 19615
1
Biomimicry Design - 4
natural ventilation must be used to reduce Detail 01 these temperatures to reach the optimum U-Value = 0.15 W/m.sq.k comfort level. Existing (Early design stage) - Scenario 01
U-value = 0.13W/m2K Thermal Mass = 49.2kJ/K
The room has cross-ventilatio with heat reco building tempe operation and
In Summer blinds to be angled at 0o to 30o degrees to prevent excess summer solar gain, internal blinds are used to block excess daylight if required. both the inlet and outlet vent is to be open to allow stach effect and allows for the space to be ventilated. Openable windows on inter skin of the double skin facade to be open/closed by BMS to suit/optumise internal operative temeprature (CIBSE) as highlighted in bule in table 5.
2
Biophilic Planting - 3
demonstrates this impact. There is now a more of a constant temperature between
Figure 1.5 - Stone cladding detail.
Ventilation St
Summer & Winter Stratagy Double Skin Facade - 12 In the winter the external blinds wiil be angled at 30o to 40o degree angle dependt on sun location to allow to heat void of double skin facade and allow daylight to enter, internal blinds to be angled at appropriate angle (dependeped on sun location). outlet vent to be closed to create a thermal buffer in the double skin facade and can be used to maintain internal operative temeprture in the winter.
2300 Ceiling Height
DP4 Meeting Room
Below: Eleanor 23° and 18°.Arnold These temperatures are slightly than recommended and therefore Thermal higher Analysis
U-value = 0.18W/m2K Thermal Mass = 18.3kJ/K
2
8
'Idealcombi Futura +' window system with aluminum powder coated profiles and insulated infill, to perform to a through frame U-value of 0.74 W/m²K.
B
(1) The internal layer of glazing consists of a double glazed curtian wall with U-value of 1.54 W/m2K as mentioned previously. Lower window figure 30 is (openable - tilt & turn operated by BMS) to allow freash air to enter the space (venitaltion Stratagy). The upper window (openable-tilt & turn also operated by BMS) & (T-vis & light transmitacne as mentioned for (double glazing)) All glazing on soth facing facade in 18000mm in length. (2) This layer consist of an internal solar blinds (timber) low reflectancy with a space and blind size the same as the external solar blinds this is to prevent addtional solar in the summer when required. A staggered external blind (4) has been used to allow both summer and winter sun to heat void space of double skin facade(appendix 7), the internal (2) solar blind is a full floor to ceiling height with no gaps to reduce exessive heat reansmission in the summer.
2
the year for eletricity. With the inclsion of the external solar canopy located to the rear of the exhibtion building & also south facing, this would equate to an addtional 300m2 (300m2 + 350m2 x 200W/m2 = 130,00 KW/h per year) & a potential saving of £19,500 per year. (Not including subsidies).
14
thisDunbobbin curtain wall also means that Far right:Adjusting Ethan the wall to window ratio is now less than Environmental crossgraph section 40%. The January below
88
3
This equates to (350 m x 200 W/m = 70,000 kW/h per year) with the curSuspended Metal Frame plasterboard ceiling rent price of £0.15 per kW/h equates to upwards of a £10,500 saving over
Noise Rating (NR)
Table 5 - CIBSE Table (Lux & Operative Tempratures)
1
16mm Argon / 4mm Pilkington Optitherm S3.
th Nor
21-23
Upper window to also make use of a interior light shelf that uses a 4.0mm monolithic polycarbonate panel with a (ice white) translucent finish to reflect incoming daylight off and rebond of reflective interior surfaces to reduce the need for artifical lighting during the day.
internal temperatures during the summer. This is demonstrated in the July graph Right: Dineka Keeton Triple glazing to window system to below. Theachieve operative temperature a through pane u-value of 0.6 line is W/m²K & a light transmittance of 73% Construction detail now more of a constant comfortable as: 4mm Pilkington Optiwhite E / 16mm argon / 4mm Pilkington Optitherm S3 T / temperature.
A
Temp./oC
19-21
Light Shelf - 2
Opening height = 1150mm
A
Temp./oC
South Facing Glazing - 13 The double skin facade is located on the south facing facade the system used consists of four main layer (refer to figure 30 for numbered build-up) the external (outer (4)) layer is a fully single glazed curtain wall (structural deck to parapet level) wall (fixed) with a T-Vis of 90% and a light transmitance of 219 and a thickness of 6.0mm and a U-value of 4.8 W/m2K. (3) consists of an external solar blind (aluminum) reflective to be sapced 200mm apart with 210mm blind size, blinds able to be moved and rotated to the desired/required angle for solar control (summer) or solar gain winter).
throughout the building to have a T-vis of 70% with a light tranmitance of 113 RGB and a thickness of 6.0mm. All double glazing has a U-value of 1.54 W/m2K. Glazing size shown in figure 46.
6150
1
for natural ventilation.
Space
The south facing roof will be taken advantage of with the intergration of PV panels, the panels will be tilted at 33 degress to optumise solar gain. This system will be used to aid mechincal system.The exhibtion building roof has 350m2 of usble space for a solar panel array with a optuium capacity to produce 200 W/m2..
Exhibtion Hall
The curtain wall to the North has now been split into two separate systems and their size has also been reduced (see floor plan Inward opening bottom hung pivot and section A – toA). windows increase air flow into room
Top: JoeAsHamby seen in Section A – A, these changes reduce the amount of daylight that enters Roof structure the building. This in turn reduces the
tion Space
Solar Panels - 14
Insulated (shown dotted) North shutter Facing Glazing - 1 to Lower close attonight to reduce window be fixed glazed (non-openable) to allow light in to space. Upper window (openable) to support cross ventialtion potential heat loss. and allow stale hot air to escape from space. All double glazing
Detail A
Detail 02
Area of Study As per the previous studies (thermal and daylighting) the cross section will be based on the exhbition building cross section location can be seen from figure 58. In acordance with CIBSE guide A: Enviormental design & table 5 the recomened winter passive temeprature should be between 19o & 21o and for summer should be between 21o & 23o as highlighted in blue in table 5. The maintained lux level for the space is highlighted in red (300 lux) across exhibtion space.
Suspended Metal Frame plasterboard ceiling
LED Lighting
ENVIRONMENTAL CROSS SECTION
4
1:20 Scaled Environmental Cross Section -
with ‘Optimised’ Thermal Output
U-Value = 0.6 W/m.sq.k
DAYLIGHT ANALYSIS
2800 Ceiling Height
435 Services Zone
4
Internal light shelf to line through with external to increase penetration of natural daylight deep into room.
1
+14.620 Prop Ro
THERMAL ANALYSIS
175
U-Value = 0.15 W/m.sq.k
Sloped ceiling bulkhead to diffuse and spread light from north east facing clerestory light deep into the room.
450
300mm long CLT fixing screw
Details Owner CHECKED BY
Checker
DATE
Issue D
PROJECT NUM
Project Number
RE
Interdisciplinary Practice Half Way Pint Tri-Varsity 2019 Group 3 KEA - SHU - WIT - UOW
L o r e
DESIGN INTENT: THE PROPOSED BUILDING IS AIMING FOR A NATURAL CORRELATION WITH THE SURROUNDING ECOSYSTEM AND TO HAVE MINIMAL IMPACT ON THE AREA. THE PROPOSED BUILDING PROVIDES AN OBSERVATION DECK, BAR, RESTAURANT, NIGHTCLUB, FUNCTION ROOM AND A SHOP.
ROOF PLAN
RESTAURANT PLAN RENDERED SECTION
RENDERED ELEVATION
WE DECIDED TO EXPOSE AS MUCH OF THE STRUCTURE AS POSSIBLE ALL WHILE USING IT IN AN AESTHETICLY PLEASING MANNER, USING GLULAM POSTS AND LARGE GLAZING PANELS TO CONNECT THE BUILDING WITH THE BEAUTIFUL SURROUNDINGS OF THE SITE.
BAR PLAN
1. Floor
2. Floor
3.Floor
4. Floor
5. Floor
6. Floor
7. Floor
8. Floor
STRUCTURAL MODEL
SITE PLAN
HEAT, WIND AND DAYLIGHT ANALYSIS
Our Analysis shows that our building is ge�ng sufficient natural ligh�ng. The sun is hi�ng the curved fa‐ çade in a perfect angle so that the solar panel cladding will be more efficient.
January‐June Temperature Analysis
From our window analysis we see our building isn't effected by strong winds. The winds ow both up and downstream the river Suir. Wind Analysis—Flow Design
MATERIALS AND SUSTAINABILITY Glulam Beams
COST AND TIME SCHEDULE
CLT Panels As per the project brief the primary structure of the building must be constructed using Glued Laminated Timber, thereafter know as Glulam. Glulam allows for a variety of curved forms for the structure of the building, this gives us a lot of freedom in regards to our curved design. Additionally Glulam possess’ a significantly reduced amount of embodied energy compared to traditional steel beams.
Core elements 2.1.1 As with the Glulam beams, the internal or secondary structure must be constructed using Cross Laminated Timber (CLT), as per the brief. CLT is composed of several overlapping and crossed beams glued together, providing cross bracing through the structure, allowing CLT to act as primary structure in its own right.
Solar Panels
Hydro Turbine A Francis turbine is a reaction turbine, it is the most common water turbine today.
A major factor of our exterior construction shall be the Solar Panel Cladding system shown above.
The largest capacity for the single Francis turbine unit is 6000KW.The rated flow is 0.20m3/s—50.0m3/sThe output power of the turbine is 500kw– 100000kw.It has a high efficiency at partial water flow down
Produced by SolarLab, this system will allow a significant amount of energy required for the building to be generated from its external facade.
CLASH DETECTION
20mm
89
WATERFORD GATEWAY TOWER – GROUP 7 DESIGN
Page 1 of 2
90 Figure 5.3.1. Site visualisation of Nepal Shell-ters
Above: Daniel Black Nepal Shelter
1
Staff
Students
Geoff Olner - Course Leader Dr Gabriel Tang Dr Karam Al-Obaidi Dr Mohataz Hossain Dr Angela Maye-Banbury Frances Robertson Daniela Hawryliuk Dr Julia Udall
Stera Ahmad Hala Al-Hadid Yousaf Al-Marooqi Daniel Black Mark Blest-Hopley Richard Foreman Shreya Modi John Seruyange Kazibwe
Introduction to
Msc. Technical Architecture The MSc Technical Architecture course is a one year Masters course (two year Part time) that provides academic study and practical design work in three primary fields; architectural technology, environmental design and digital design. These are complemented by elective modules that cover professional and interdisciplinary practice within architecture. The course is universal and globally relevant in itâ&#x20AC;&#x2122;s aims. Many students are international coming from China, Japan, Nigeria, Oman, Spain, Poland, Taiwan and Pakistan and we also welcome part time students from practice. The course culminates with a Major Research Project which is technically focussed research or design led dissertation.
91
Environmental Theory and Practice
This module provides an advanced level of environmental and technical knowledge. It offers an introduction to global environmental issues within the context of technical architecture and promotes a forward-thinking and holistic approach to environmental design, with a core focus on optimising building energy performance. The module investigates the environmental performance of an existing building using advanced software, to gain a deeper understanding of the complex interrelationships that exist between building design and occupant health and satisfaction.
Concepts & Design in Technical Architecture
The Concepts and Design in Technical Architecture module gives students the opportunity to be technically precise, innovative, able to generate and evaluate alternative options and then refine and integrate technical design components for the prototype of a technical response to recent global climate catastrophes - hurricanes in the Caribbean/ Florida Keys, earthquakes in Mexico and New Zealand as well as monsoon flooding experienced in India. To provide post-disaster relief, these structures are to be used within these areas to accommodate people and the community in the wake of future attacks. These structures need to be resilient to the possibility of wind and rain attack, and be lightweight and strong.
or Design 2.3.2. Interior Design
Above & Left: Daniel Black Nepal Shelter
92
tep hen
displaced s without rinting ectthe of
en d
s, and g EFTE. Shigeru ng a erials is equiring
Exterior ABS
2
1
3
3
1
3
Ventilation cowling
3
Outer Roof skin connected with metal ribs 5 9
1 1
Interior ABS
12
6
5
round s.
gher to the rocess
Below: Richard Forman
Kankai River Photo (Mapio,2020)
11
9
7 8
4
Ceiling with sheep’s wool insulation
10
7 5.3.
Site Visual
Roof connections with posi web Joists
Figure 2.3.2.2. Nepal Shell-ter Section Cut
Kankai River, Jhapa used to visualise setting only. Not ideal location.
1.
Honeycomb hatch denotes insulating layer (varies - refer to section 2.4).
6.
2.
Indicative location of preformed storage area in the wall for medical supplies.
3. 4.
Potential storage zones. “Air pockets” Potential uses includes sand for weighing down, storage, and inflatable bubble wrap giving the ability to float. Gravel storage to add weight.
5.
7.
Potential location of underfloor soil vent pipe (SVP) for sanitation (behind curtain). Shallow pier (requires further analysis and determined by the quality of the soil).
8. 9.
Interlocking junction detail (refer to appendix). 25mm wall overlap to prevent water getting inside.
10. 11. 12.
Toolbox storage (3D Warehouse, 2015). Camp bed (3D Warehouse, 2014). Curtain divider (3D Warehouse, 2017).
SIPS panels and glazing
8 Floor Base with frame and insulation
Pontoon mainframe Float base supports
Floatation rings
gely red. ue to med the ction 2.3).
r as a 1:1 design tential actory.
Outer Roof skin connected with metal ribs
Figure 5.3.1. Site visualisation of Nepal Shell-ters
13
APPENDIX
PLAN EXAMPLE 1 7 POD BUILD
CHILDRENâ&#x20AC;&#x2122;S ROOM MASTER APPENDIX BEDROOM
STORAGE & KITCHEN
RAIN WATER HARVESTING 2D SECTION VIEW
GARDEN 2
LATRINES & SHOWERS
GARDEN 1
PERSPECTIVE SECTION VIEW
ON EXTERIOR WALKWAY
93
Above: Richard Forman
Right: Yousaf Al-Marooqi
Environmental ET SITE ANALYSIS 1.4.
Theory and Practice
N
1.5.7. SOLAR PEAK TIMES
1.6.
N
Below: Hala Al Haddid Prefabricated Assembly
SHEFFIELD WIND ROSE
CULTURAL INDUSTRIES QUARTER
Left: Daniel Black Site Analysis
07 08 September September
05:26
18:30
ARUNDEL STREET AREA
W
E
MARY STREET AREA 09:00
MORTIMER STREET / MATILDA STREET AREA
15:00
09:00
Bottom: Daniel Black Environmental Strategy
MATILDA STREET CENTRAL AREA LEADMILL TRIANGLE AREA S
PERIPHERAL AREA
ANNUAL PEAK (09:00 - 15:00)
Figure 1.4.4. Site Plan.
BOUNDARY OF CONSERVATION AREA
1.5.
N
SOLAR STUDY
1.7.
06:05
05:46
18:00 18:10
W
21 September
E
06:05
effield 375092 67957
USING PHOTOVOLTAICS IN SHEFFIELD Sheffield Estimated Insolation Levels (Data from Gasima & PV Ratings (Dharmadasa, 2018) Efficiency Single PV Jan Feb Mar Apr May June July Aug Sep Oct Nov Dec Totals Totals Position Rate (%) Panel (kWh/m²/y) (1.2x0.9m) (%) 20 March E Levels (Data from Gasima & PV Ratings (Dharmadasa, 2018) Sheffield Estimated 0.63 1.17Insolation 2.14 3.28 4.29 4.47 4.47 3.78 2.61 1.46 0.72 0.47
W Insolation
PV Jan Feb Mar Apr May June July Aug Sep Oct Nov Dec (Gaisma, Efficiency Single 2020) Rate (%) Panel Position Days/month 28 31 30 31 30 31 31 30 31 30 31 365 (1.2x0.9m) (%) 31 kWh/month 19.53 32.76 66.34 98.40 132.99 134.10 138.57 117.18 78.30 45.26 21.60 14.57 Insolation 0.63 1.17 2.14 3.28 4.29 4.47 4.47 3.78 2.61 1.46 0.72 899.60 0.47 N Mono-SI 25% 1.08 95% 5.01 8.40 17.02 25.24 34.11 34.40 35.54 30.06 20.08 11.61 5.54 3.74 230.75 (Gaisma, p-SI 18% 1.08 95% 3.61 6.05 2112.25 24.77 25.59 21.64 14.46 8.36 3.99 2.69 166.14 December 18.17 24.56 2020) A-SI 14% 1.08 95% 2.81 4.71 9.53 14.13 19.10 19.26 19.90 16.83 11.25 6.50 3.10 2.09 129.22 Days/month 28 40.38 31 54.58 30 55.03 31 56.8730 48.09 3132.13 18.57 31 8.8630 5.98 31369.2030 31 CVP 40% 1.08 95% 8.02 31 13.44 27.23 OPV 6% 1.08 95% 1.20 19.53 2.02 4.08 8.26 8.53134.10 7.21 138.57 4.82 2.79 1.3378.30 0.90 45.26 55.38 21.60 14.57 kWh/month 32.766.06 66.348.19 98.40 132.99 117.18 Mono-SI 25% 1.08 S 95% 5.01 8.40 17.02 25.24 34.11 34.40 35.54 30.06 20.08 11.61 5.54 3.74 p-SI 18% 1.08 95% 3.61 6.05 kWh/month 12.25 18.17 24.56 24.77 25.59 21.64 14.46 8.36 3.99 2.69 Estimated A-SI(Q1) 21/12/2019 14%- 20/03/2020 1.08 95% 2.81 4.71 9.53 14.13 19.10 19.26 19.90 16.83 11.25 6.50 3.10 2.09 60.00 N September September CVP 40% 1.08 95% 8.02 13.44 070827.23 40.38 54.58 55.03 56.87 48.09 32.13 18.57 8.86 5.98 OPV W 6% 1.08 95% 1.20 2.02 4.08 6.06 8.19 8.26 8.53 7.21 4.82 2.79 1.33 0.90 E
SITE
Elevation. D.Black
S
(Q4) 21/09/2019 - 20/12/2019
06:05
Table 1.7.1. Estimated Sheffield PV output (Dharmadasa, 2018). By D.Black.
N
05:26
18:30
LISTED BUILDINGS
Totals Totals (kWh/m²/y)
06:05 08:07
15:49
18:10
20 December
Figure 1.4.1. Character Areas (SCC, 2020). Edited by D.Black.
Figure 1.6.1. (Sheffieldwx, n.d.)
Figure 1.5.7. 21/06/20 - 20/09/2020.
N
50.00
20 June
230.75 166.14 129.22 369.20 55.38
365 899.60
21 June
POSITIVE IMPACT
40.00
NEUTRAL IMPACT
Estimated kWh/month
03:46
20:17
60.00
09:00
15:00
09:00 06:05
30.00 18:10
.0m
21 March
06:03
18:12
W
E
06:05
18:10
3D model shown is NOT the location
BOUNDARY OF CONSERVATION AREA
W
40.00
30.00 0.00
N
20.00
Mono-SI p-SI A-SI CVP OPV
(Q2) 21/03/2020 - 20/06/2020
07 08 September September
05:26
18:30
W 06:05
21 September
E
06:05
W
15:00
E
09:00
20 December 09:00
15:00
S
10.00
Mar 17.02 12.25 9.53 27.23 4.08
Apr 25.24 18.17 14.13 40.38 6.06
May 34.11 24.56 19.10 54.58 8.19
June 34.40 24.77 19.26 55.03 8.26
July 35.54 25.59 19.90 56.87 8.53
Aug 30.06 21.64 16.83 48.09 7.21
Sep 20.08 14.46 11.25 32.13 4.82
Oct 11.61 8.36 6.50 18.57 2.79
Nov 5.54 3.99 3.10 8.86 1.33
Dec 3.74 2.69 2.09 5.98 0.90
W
0.00
Jan 5.01 3.61 2.81 8.02 1.20
15:49
18:10
Feb 8.40 6.05 4.71 13.44 2.02
Mar 17.02 12.25 9.53 27.23 4.08
Apr 25.24 18.17 14.13 40.38 6.06
06:05 08:07
06:05
20 March E
May 34.11 24.56 19.10 54.58 21 December 8.19
June 34.40 24.77 19.26 55.03 8.26
July 35.54 25.59 19.90 56.87 8.53
Aug 30.06 21.64 16.83 48.09 7.21
Sep 20.08 14.46 11.25 32.13 4.82
Oct 11.61 8.36 6.50 18.57 2.79
Nov 5.54 3.99 3.10 8.86 1.33
Dec 3.74 2.69 2.09 5.98 0.90
S
Graph 1.7.2. Estimated Sheffield PV output (Dharmadasa, 2018). By D.Black.
S
S
ANNUAL PEAK (09:00 - 15:00) (Q4) 21/09/2019 - 20/12/2019
N
(Q1) 21/12/2019 - 20/03/2020
N
S
1.8.
ANNUAL PEAK (09:00 - 15:00)
N
Feb 8.40 6.05 4.71 13.44 2.02
09:00
Figure 1.5.2. Sheffield Data (Gaisma, 2020).
LANDMARK BUILDINGS
Jan 5.01 3.61 2.81 8.02 1.20
(Q3) 21/06/2020 - 20/09/2020
Mono-SI p-SI A-SI CVP OPV
07 08 September September
05:26 09:00
N
N
E 05:46
18:00 18:10
18:30
Figure 1.4.2. Listed & Historic Buildings (SCC, 2020). Edited by D.Black.
E
S
ANNUAL PEAK (09:00 - 15:00)
N N
S
SITE
20 September
20.00 10.00
Figure 1.5.1. 3D Sun Path - Sheffield (Marsh, 2020).
W
06:05
50.00
06:05
NEGATIVE IMPACT
N
N
SHADOW STUDY
20 June
N
21 June 03:46
20:17
GATEWAYS 06:05
IMPORTANT BUILDING GROUPINGS
e Maps, 2020).
18:10
05:46
18:00 18:10
W
STREETS WITH SPECIAL CHARACTER
W W
21 September
E
05:46
18:00 18:10
18:12 W 18:10
21 March 20 March E
06:03
E
06:05
20 September
W
E
E
06:05
21 September
E
06:05
WAY THROUGH
W
07 08 September September
05:26
18:30
CONSISTENT BLOCKS
06:05
06:05
06:05
06:05
W 18:10
20 December
20 March E
06:05 08:07
15:49
06:05
21 December
09:00
DIFFICULT URBAN AREAS
15:00
BOUNDARY OF CONSERVATION AREA
09:00
06:05 08:07
15:49
S
(Q4) 21/09/2019 - 20/12/2019
(Q1) 21/12/2019 - 20/03/2020 (Q2) 21/03/2020 - 20/06/2020
N
Figure 1.5.3. 21/09/19 - 20/12/2019. N
S
06:05
S
21 December
(Q3) 21/06/2020 - 20/09/2020
N
Figure 1.5.5. 21/03/20 - 20/06/2020.
S
S
ANNUAL PEAK (09:00 - 15:00) (Q4) 21/09/2019 - 20/12/2019 N
S
18:10
20 December
S
20 June
(Q1) 21/12/2019 - 20/03/2020
N
20:17
21 June
N
Figure 1.8.1. 21 September 2019.
Figure 1.8.2. 21 December 2019.
Figure 1.8.3. 21 March 2020.
Figure 1.8.4. 21 June 2020. Page 1 of 5 11 PV PANELS
03:46
06:05
18:10
21 June
20 June 06:05
SITE
06:03
18:12
W
06:05
18:10
E
06:05
03:46
20:17
21 March
20 September
W
E
94
06:05
18:10
06:05
06:05
W
05:46
18:00 18:10
06:05
06:05
21 September
E
W
06:03
18:12
06:05
18:10
W
21 March
E
20 September
W
20 March E
E
1.4.3. Townscape Analysis (SCC, 2020). Edited by D.Black. 4.0. Figure CROSS SECTION SHOWING ENVIRONMENTAL STRATEGIES 15:49
S
18:10
20 December
06:05 08:07
06:05
S
21 December
(Q2) 21/03/2020 - 20/06/2020
The site is located within the Matilda Street Central Area. The building is considered neutral in its impact on the street(Q4)character and it adjacent to 21/09/2019 - 20/12/2019 EXISTING ROOFbuilding groupings. SIMPLE ROOF CONSTRUCTION TO REDUCE important
(Q2) 21/03/2020 - 20/06/2020 (Q1) 21/12/2019 - 20/03/2020
N
REMOVED AND HEIGHT INCREASE BY APPROX. 3 METRES.
(Q3) 21/06/2020 - 20/09/2020
S
S
S
S
(Q3) 21/06/2020 - 20/09/2020
N
Figure 1.5.4. 21/12/19 - 20/03/2020.
WEIGHT ON EXISTING BUILDING
15 PV PANELS 20 June
Figure 1.5.6. 21/06/20 - 20/09/2020.
21 June 03:46
20:17
18:10
U-VALUE 0.11
SOLAR STORAGE
06:05
06:05
06:05
W
06:03
18:12
06:05
18:10
E
20 September
W
E
ROOF LIGHT
GLULAM BEAMS
CAGED LADDER ACCESS TO ROOF FOR MAINTENANCE
S
(Q2) 21/03/2020 - 20/06/2020
RETAINED BRICKWORK WALLS FOR THERMAL MASS
21 March
SOUTH FACING HIGH WINDOWS
CROSS VENTILATION
EXHIBITION HALL DOUBLE HEIGHT SPACE
RISER STACK
IT MEZZANINE
LIFT VENT W/C VENT BEHIND
COMPARTMENT LINE
STAIR 02 EXISTING ESCAPE STAIR RETAINED
S
(Q3) 21/06/2020 - 20/09/2020
DASHED RED LINE DENOTES EXISTING BUILDING HEIGHT
NORTH ELEVATION ALLOWING MAXIMUM LIGHT TO IT ROOMS
IT ROOM
FIRST LEVEL WORKSHOP STAIR 01 FIRST TO SECOND
GROUND LEVEL WORKSHOP
SOUTH FACING HIGH WINDOWS
GROUND FLOOR FIRE ESCAPE
Figure 4.1. Environmental Cross-Section ETP2 Report - Black, Daniel
RISER
LIFT SHAFT
CROSS VENTILATION
CROSS VENTILATION
DOUBLE HEIGHT VOID SPACE
SOUTH FACING HIGH WINDOWS
KITCHEN
RECEPTION
STAIR 01 GROUND TO FIRST
MAIN ENTRANCE FROM MATILDA STREET
Page 4 of 5
Environmental Cross Section In the early morning, sunlight is able to penetrate the atrium to provide natural greenhouse heating for the occupants to enter the building to.
Once the sun has risen into the midday solar intense hours, the direct sunlight is blocked off by louvres therefore preventing any overheating in the atrium.
NE
These large 300mm diameter water tubes extend from the skylight on the roof down through the third floor into the second floor. Water has a high heat retention and acts as a passive sustainable heat source during the summer months. In the winter months the water can be heated to act as a large radiator.
Overlooking Atrium windows Each level has a large glazed wall that into the atrium, this large glaze section maximises the amount of northern light to illuminate each area.
9 am
SW
Scale -- 1:50
Vertical water filled tubes
12 pm
Liquid Skylight
Green Roof
The skylight has an added layer of water cover that can help diffract the light around the area. It also acts as blanket insulator for the room below with the water retains the heat through its thermal mass.
The green roof adds an extra layer of protection to the roof from the elements, therefore extending its lifespan. The roof matches the surrounding area joining the wave of green roofs appearing in the city centre.
Digitial production space, Kitchen & rest area Open Atrium window
Closed Atrium window
Exhibition
The atrium
Midday Sunlight
The atrium is located at the front of the building facing north east. The large glazed front wall allows enormous amounts of even north light to flood the atrium. Afternoon Sunlight
Each level has a large glazed wall that observes the atrium, above the glazed walls are ventilation grills that allow air to flow through into the atrium and rise. The sky light at the top of the atrium then exhausts the hot air as it rises out, generating a stack ventilation air flow.
Biophilic Design Indoor green wall scaling up the sides of the atrium. Vines and plantation fixed to these bio-boards can be seen from all levels of the building. These green walls give the users a rural feeling of being outdoors whilst working in a concrete city, improving wellbeing.
Below & Left: Hala Al Haddid Environmental modelling
FABRICATION WORKSHOP
This space will be filled with computers, so having a cross ventilation combined with a stack ventilation strategy should exhaust out the hot air.
ATRIUM Reception, Admin Support & Toilets
FABRICATION WORKSHOP The fabrication workshop is based on the ground floor on top of a concrete flooring. This is so the vibrations from the machinery do not cause any vibrations throughout the building and are instead transferred into the earth below.
Trombe walls These 300mm concrete walls are in contact with direct southerly sunlight from early morning to late afternoon. In the afternoon the windows then are in direct contact with the low south westerly sunlight. These concrete walls have a high thermal mass and therefore build heat from the direct sunlight throughout the day and release it into the building once the sun has gone. In the late afternoon period, the sun has travelled far enough in a western direction that it is able to finally able to directly shine through the window allowing a green house effect to aid in heating up the space. Combined these two strategies are able to provide passive heating throughout the night.
95
Above: Richard Formon Environmental cross section
DIGITIAL production space
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