Sheffield Hallam School of Architecture Yearbook 2019-2020

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Year Book

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Cover Image: Oliver Johns The Wicker Voices Above: Gene Dubovy Architectural Technology

Welcome

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SHU_Architecture and Architectural Technology Department of the Natural and Built Environment Sheffield Hallam University City Campus Sheffield S1 1WB


SHU_Architecture

Andrew Wilson Head of Architecture

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Welcome to the Architecture Yearbook for the ‘Class of 2020’. This has been an unforgettable year in the life of our School and for us all as individuals. There was little time to prepare for the closure of the studios on 20th March, but the response to that event has been remarkable. Our students are to be congratulated and thanked for their incredible commitment and responsiveness through the end of the academic year, as are the staff who guide and support them. This also extends to the production of this annual. We are proud to collate and share the project work, as we always are. The projects set across the years and across the courses remain meaningful and challenging: charged with social purpose, civic value and environmental urgency. They are approached with energy, skill and vision by our rounded and talented students. And there is again the great diversity, or plurality, across the work that we cherish as a symbol of the student-centred education we are committed to. We wish our graduates every success and all good fortune moving forwards. For our returning students, we look forward to welcoming you back onto the campus and into the studios in the autumn. Please enjoy the work produced by our brilliant architectural community this year.


Contents

Bsc. Architecture (RIBA Part 1) Year 1

9

Year 2

17

Environment and Technology 2 4

7

Year 3 Environment and technology 3 M.Arch in Architecture (RIBA Part 2)

25 27 45 47

Design Studio 4

49

Vertical Ateliers

55

Atelier 1

56

Atelier 3

60

Architectural Technology

67

Msc. Technical Architecture

91


5

Modeling Light

The model was utilised to see how affective the play of light could be. Changing the size of the entry points created a different light dynamic within the space.

Above: Alex Grafton, Thom Morgan Year 3 Modelmaking


6 Above: Kian Hennessey, Year 3 Sketch/ Physical Model Studio 3A


Introduction to

Bsc. Architecture (RIBA Part 1) We began this academic year looking forward to the introduction of the first ‘live’ design projects in Year 1 and Year 2 as part of our ongoing course development. The projects, with REACH homes, Hunters Bar Green Parents and Watercliffe Meadows Early Excellence Hub, exemplified the central values of the course: environmental and social sustainability; whilst giving students the opportunity to put their skills, abilities and imagination to productive use in the real world. Not surprisingly, as recent events have shown, the ‘real’ world is far more complex, messy and unpredictable than we can grasp but the students bravely took on the projects with imagination and energy.

Needless to say, this year has been the most disruptive and unpredictable that most of us will remember. We are immensely proud of how our students responded to the abrupt and rapid transition to a virtual world brought about by the global pandemic in March. The determination and resilience they demonstrated builds a solid foundation for their futures. Oli Cunningham Course Leader

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Over the course of the next academic year, we will develop a similar provision for Year 3 students in their final year through a short period of work experience to support a year out in practice and explore where their studies could lead them.


Exploring Group Site Strategies

A

B

09

C

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Above: Aaron Barret, Daniel Bunka, Maya Kaldahar Site model, Dwelling together

Year 1 Students Sara Alahdab Greta Andriekute Connor Ashby Cameron Baillie Brodie Baker Serhat Baki Harrison Banks Aaron Barrett Bianca Beciki Elliot Brown Daniel Bunka George Burton Charlie Buxton Tom Corns Lersak Coxon Max Crowther Daniel Crush Ben Curry Olivia Dale Nadir Derradji Harriet Dobson Konrad Doran-Shorrock Salem Dughman

Scale 1:100

Makram Ebrahim George Edmonds Harry Escott Doga Esen Myles Etienne Aidan Fanshawe Daisy Flemington Liam Fletcher Jessica Fox Sondus Gadour Lydia Gilbert Angel Gillott Bryn Gooch Jaye Griffiths Josie Hackney-Barber Faisal Herash Harry Hewson Diana Ibdali Sae Jang Sarah Jasim Ayona Jiju Kasim Kasim Maiya Kauldhar James Keogh Natalia Kukiela Tasha Kyriacou Christopher Lee Megan Lewis-Gillott Andrei Lungu Charlie Mahony Adam Malik Callum Marsh Wojtek Matuszewski Taylor McLeish Meesha Mistry Sophia Moss

Alveena Muhammed Imogen Murphy Reem Murshed Liam Newton-Bosher Shola Ogunbiyi Abiodun Osikomaiya Jack Oxby Ramya Patel Patrycja Pruska Marian Ramos Harj Rayat Joey Reid Isaac Relph Ricardo Rodrigues Jazzy Shehri Andrew Simons Eve Sivyour Kyle Smith Billy Staniforth-Burch Jack Thompson Jade Tickle Dan Tunnicliffe Paul Walker Darby Wallis-Cutts Ehren Williams Sam Wilson Tutors and Staff Oli Cunningham (Year Tutor) Neil Allen Bryan Parkin (WAP Architects) Jonathan Clements (Jonathan Clements Architects) Goran Vodicka Liz Whitehead (WAP Architects)


YEAR Year 1 design projects introduce students to the core concerns of the entire course - People, Places and the Environment. The environmental concerns encompass not only energy and material consumption but also the social and experiential aspects of environmental design. The long standing introduction to the year of designing and building full size structures from found woodland materials as part of forestry management provides a very real hands-on experience to begin to explore the qualities of and environmental context in relation to the human scale. The structures go on to be temporary story telling structures for school children.

1

Students explored the historical and heritage context of the Courtyard at Welbeck Abbey in their second project ‘The Eco-Collection’, a space to display and teach about sustainable and emerging materials ranging from recycled brick to bio-receptive concrete.

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In semester 2, students were introduced to a ‘live’ project with local sustainablehousing entrepreneur REACH homes as their client. Based around a co-operative housing model, students developed group site strategies to reimagine a terraced street in Sheffield. Starting with a palette of recycled and reusable materials inspired by REACH homes and from sites and Sheffield, students design passive solar dwellings for a diverse range of individual clients and lifestyles.


Final Render in Location Populated

Between the trees

Right: James Keogh Model/Photomontage Below: Ben Curry Concept models

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Bottom: Ben Curry


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Above: Daniel Bunka Left: Daniel Crush Plan/Section


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The eco collection

1:50 cross-sections in context.

1:50 plans, side elevation and principle elevation of my gallery in context.


Above: Samuel Wilson Elevation Left: Samuel Wilson Lighting Space And Material

Below: Megan Lewis-Gillot Model photograph Bottom: Daniel Crush Opposite: Abiodun Osikomaiya

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B A

A

B


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Dwelling together

Top: Josie Hackney-Barber Site model Above: Josie Hackney-Barber Watercolour Left: Ricardo Rodrigues Below: Kyle Smith


Design Development/new idea

Exploring dierent ways of how containers and be laid out/private and public spaces

Quick drawing of floor plan

Exploring dierent ways of how containers and be laid out/private and public spaces

Quick drawing of floor plan

Elevations and 3D sketches of model

Site Analysis: Examining Existing Social Structures

Elevations and 3D sketches of model

Ground F 11

9

10

8

3

12

7

15

4

2

1

6 5 2

5m

05

Scale 1:1000

1

13

0

Top: Ramya Patel Development sketches Centre/Left: Aaron Barret Examining existing social structures Centre/Right: Aaron Barret Examining existing social structures Right: Aaron Barret Physical model 16


16

Below: Bayley Siddal Revit modelling Community Classroom

Year 2 students Erin Moore Raj Nijar Sairah Suleman Georgia Oliver Ayesha Belhoul Reneya Ben Chiekh Mohammed Claire Short Lina Aziz El Ouahabi Hannah Rashid Mary Worthington Lydia Blyth Sneha Shaji Amy McDonald Ewan Watson Robbie Brown Jack Porteous Clayton Taylor Connor Carpenter Connor Barratt Axel Villa Jay Joboy Connor Skerry

Ben Davies Sam Potts Jordan Garcia Archie Higgins James Hudson Tom Meadowcroft Ben Skinner-Watts Olly Gubbins Kyle Smith Oleg Foiner-Arrand Asim Suhrwardy Oliver Grant Bayley Siddal Will Hogg Jessica Carvalho Raigardas Sinkevicius Woei-Shyang Lin Jashan Purewal Mohammed Younus Dylan Austin Ziyi Wang Shyam Patel Anna Moncur Braulio Lemos

Saad Thobani Vilte Basksyte Ahmed Alwatani Zach Moorey Mantas Urmonas Emine Sener Tutors and staff Andrew Wilson Neil Stevenson Geoff Olner Lucy Plumridge Steve Helmore Bryan Parkin Guest tutors and critics Paul King Oli Cunningham Kaeren van Vliet Gabriel Tang


YEAR The second year has investigated the architectural, environmental and social contexts of communities through projects set in Sheffield and Freiburg. Semester one contains a number of short projects addressing hybrid activities, space and threshold, response to place and ecological placemaking. Students also developed BIM skills and applied these to their projects. Semester two has a single project that allows and expects a deeper level of investigation and wider synthesis of constructional and environmental thinking. The students are encouraged to see the making of experiences, places and ideas as the theme to their year. This year also saw the introduction of ‘live’ projects into the studio. In semester one students worked with Hunters Bar Green Parents to put forward ideas for the pedestrianisation of Sharrow Vale Road. In semester two they worked with the SHU South Yorkshire Futures group to produce a landscaping plan for Watercliffe Meadows Early Excellence Hub.

2

Community classroom

Living streets

This project took a brief from Hunters Bar Green Parents and invited ideas for the pedestrianisation of Sharrow Vale Road to improve air quality and child safety.

Sharing space

Students worked in groups of 3 to propose a new urban precinct on Sharrow Vale Road. The new buildings proposed in the precinct were a community music workshop, a community craft workshop and a community construction workshop.

Revit modelling

Students produced a Revit model of their design for the Community Classroom.

A garden for Watercliffe Meadows early excellence hub

This was a 1 week live project, taking the brief from educational researchers and early year experts to create stimulating outdoor spaces for a 0-4 age group nursery.

A community wellbeing centre for Freiburg or Manchester

This project was located in the sustainable city of Freiburg in southern Germany, which the students explored and analysed as part of a semester one field trip. Three different sites were selected so as to explore the city more broadly and to generate a diverse body of contextual responses. A parallel project was set in the Northern Quarter of Manchester for those not able to travel to Freiburg. The programme invited students to imagine a community-led and self-organised wellbeing centre - a hybrid building of sharing, meeting, exercise and contemplation. The project invited the creation of atmospheres and the integration of landscape.

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The first project of the year was to imagine a series of flexible and moveable classrooms along the boundary of Hunters Bar Junior School on Sharrow Vale Road. These would be dual use and dual aspect - creating an overlap of activity and opportunity between the school and the community.


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Community Classroom

Above: Anna Moncur Below: Ben Skinner-Watts Plans/Elevations Right: Saad Thobani


Living Streets

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Above: Anna Moncur Below: Ben Skinner-Watts


20

Sharing space

Above: Anna Moncur Below: Bayley Siddall


A garden for Watercliffe Meadows early excellence hub

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22

A community wellbeing centre for Freiburg or Manchester


Left: Saad Thobani Centre: Emine Sener Below: Ziyi Wang Opposite: Bayley Siddall

23


24

Top: Connor Carpenter Above: Connor Carpenter Left: Jordan Garcia Below: James Hudson


2

Equipment storage

Environment and technology 2 ENVIRONMENTAL DESIGN REPORT: Aqua therapy PART 1: ENVIRONMENTAL DESIGN PROCESS:

Main social space

3

FIGURE 1: SITE ANALYSIS: (SULEMAN, 2020)

Figure 16:Office ventilation

Advantages -Central to the city centre -Easily accessible -Sheltered from the wind 21ST JUNE: 21ST MARCH: -Couple of trees and plants to the north in the beerTHERE garden strategy• THE SITE IS WITHIN A PEDESTRIANISED ZONE, AS A RESULT,

ARE NO MAJOR ACOUSTIC PROBLEMS AND THE SITE IS QUIET Disadvantages Exercise space • BUILDINGS HEIGHTS THROUGHOUT THE NEIGHBORHOOD ARE pollution -Noise -AirMEANS pollution WIND DIRECTION (SW) CONSISTENT TO ALLOW BETTER AIR FLOW. HOWEVER, THIS MY BUILDING IS LIMITED IN TERMS OF ITS HEIGHT AND -Overlooked MUST STICK -No direct sunlight in the winter TO THE IMPOSED REGULATIONS -Shaded site all year round • SURROUNDING BUILDINGS CAST LARGE SHADOWS OVER-Beer MY SITE garden to the north (SOWN IN FIGURE 5 BELOW) -Views of busy streets

4 Office

ST 12PM: Figure 2,3,4 - 21 Site photos (SULEMAN,2020) (Moncur,2020) FIGURE 5: MARCH

Interior garden

Exercise room

Above you can see the room already discussed in plan.

ain social space the centre of the site, to control summer heat gain by positioning rooms above d benefit from winter sun due to the low altitude. While enjoying great views and tural ventilation being raised 12m just above surrounding buildings facing W/S. SITE

-Road and footpath through the site Main social space -Strong winds from the south-east

FIGURE 8: SPACE PLANNING STRATEGIES (SULEMAN, 2020) AquaSECOND therapy room FLOOR:

FIRST FLOOR:

N

Figure 5,6- Bubble diag

spaces, and noise contr

FIGURE 6: STEREOGRAPHIC SUN section showing the surrounding Figure 17: Concept PATH:building FREIBURGheights 12PM 21STand MARCH my building to encourage prevail(SULEMAN, 2020)

BROWNFIELD fice signed to benefit from cross ventilation (see image to the right), with an intensive green of, making it highly insulated. MULTIPLE ACCESS ROUTES

Solarelevation to hel Figure 18: S/W

ing winds, the “floating” gardens above,views, ventilaNOISY ENVIRONMENTS tion and biophillic design. In an attempt PLACED TOGETHER to finalise the space planning.

Wind - Strong winds from th the north and east d

NATURAL VENTILATION

FIGURE 9: VIEWS AND ACCESSIBILITY: (SULEMAN, 2020)

FEW GREEN SPACES

CONSTANT VIEW OF SKY

FIGURE 2: EXISTING SITE ECOLOGY: (SULEMAN, 2020) MAIN ROAD: DUE TO BEING IN A PEDESTRIANISED ZONE, IT IS UNLIKELY FOR THERE TO BE HIGH AMOUNT OF TRAFFIC OR NOISE DISTURBANCE COMING FROM THESE MAIN ROADS.

Above right: Bayley Siddall Site section study

Views - Busy city view down - Residential and comm - Overlooked. I WANTED TO-ENSURE USERS WOULD AL Redbrick buildings w TREES THROUGHOUT THE BUILDING. C common characteristi

NATURE POSITIVELY CORRELATES TO B Surrounding ALLOW LIGHTING DOWN landscape TO OTHER RO - Carpark to the east EXPERIMENTED WITH DIFFERENT WAY - Main road to the sou DOWN, SHOWN IN FIG pollution.

- Pub and hotel to the

FIGURE 11: EXPERIMENTATION pollution. WITH LIGHTING - External fire escape 2020) to(SULEMAN, the west.

DESIGN PROPOSAL: POSITIONING AND LAYOUT BASED ON ACCESS AND SHADOWS FROM SURROUNDING BUILDINGS

MODEL 1 Ecology - A small beer garden pub, minimal plantin - A couple of planters by the city council.

NEARBY TRAM LINE: THOUGH MY SITE IF FAIRLY QUIET ANY DISTURBING NOISES WOULD COME FROM THE PASSING TRAM.

SITE (BROWNFIELD)

GREEN SPACES: SUFFICIENT AMOUNT AROUND THE SITE HOWEVER I FELT THAT THE SITE ITSELF LACKED THIS. I INTEND TO CREATE GREEN SPACES AND PLACE TREES WITHIN MY DESIGN TO PROVIDED HABITATS FOR ANIMALS. UNDERSTANDING THE NEIGHBORHOOD WILL ALLOW ME TO GENERATE A DESIGN WITH ENVIRONMENTAL IMPROVEMENTS.

Right: Anna Moncur Site conditions map

FIGURE 10: LIGHTING AND PLANTING: (SULEMAN,2020)

FIGURE 3: (METEOBLUE, Below: Anna 2020) Moncur WIND ROSE DIAGRAM: Mechanical systems strategy

GREEN ROOFS

Key

footpaths roads trees

FIGURE 14: DRAWN AND RENDERED CROSS SECTION: (SULEMAN, 2020)

Figure 21- Green wall panel shown dampening acoustic (Moncur, 2020)

pollution

25

Artificial dimmable spotlights are needed to make up for the shaded site and for darker winter days. I will use LED

ADD SOLAR PANELS Figure 7- Site map showing site conditions; sun path, access,TO location, ecology, bulbs as they are long lasting, mercury free,wind, have circulation, no heatPOSSIBILITY build-up, and are low watts usage. (Eartheasy.com, 2020). (Moncur,2020) I have marked out the grid on which these spotlights will be placed on each floor of my building. I will use recessed downlights to not intrude the space. Underfloor heating runs throughout the building and can be controlled from room to room. The pellet burner TOWERED supplies VENTS – ALLOW FOR the heat for this. DAYLIGHT TO ENTRE AND VENTILATION,

14M

On the first floor I would like to include an underfloor ventilation system that draws air in through vents in-between the floors and distributes it throughout the building. This system will help the air quality in my building, it will mean that when the weather is not good the air quality will be maintained without the need for opening windows and doors. This will be achieved with a telescopic vent and fan unit as showing in figure 30.

- Circulation spaces, and kitchen areas to sunlight. MODEL 3

SUN TUNNEL TO REDIRECT SUNLIGHT, ALLOWING NATURAL LIGHT TO REACH THE BASEMENT FLOOR.

FIGURE 4: (METEOBLUE,2020) AVERAGE TEMPERATURES AND PRECIPITATION:

Figure 19, 20- The Spheres, Amazon’s Headquarters, biophilic design precedent (Amazon.Com, 2020)

Circulation MODEL 2 - Office, medication s space all to the nor out of direct sunlig

PLANTING AND VEGETATION

UNDERSTANDING THE CLIMATE OF THE CITY AS A WHOLE:

Mechanical Systems Integration

- Some sunlight in the the winter.

SW WINDS

CONCEPT DIAGRAMS:

Above left: Sairah Suleman Site analysis

2

ENVIRONMENTAL SITE BENEFITS AND ISSUES:

TOWERED FOR PRIVACY IN ROOMS

12M

1

Environmental Design Process

gain lowering the energy demand.

Figure 15: Space planning - sketch plans

Internal and external green wall with irrigation system uses water from the rainwater collection. Green BELOW. wall panels will allow for easy maintenance throughout the year. These walls will help with the air quality, acoustics and overall biophilic design of my building.

NOISE CONTROL – HAVING ROOMS UNDERGROUND STOP SOUND ENTERING AS WELL AS LEAVING THESE SPACES

THE WIND ROSE FOR FREIBURG VISUALLY SHOWS HOW MANY HOURS PER YEAR THE WIND BLOWS FROM THE INDICATED DIRECTION (METEOBLUE,2020). STRONG WINDS BLOW FROM SOUTH WEST FOR MAJORITY OF THE YEAR.

Figure 32Dimmable spotlights example

(Hibay-uk,2020)

Figure 33Underfloor heating system (Moncur,2020)

Figure 32Pellet boiler system (Green-

Figure 30- ventilation

Match,2020)

system (Cunningham,2020)

Green walls help to reduce air pollution from the carpark. I would like all my garden spaces to be heavily planted, this will ‘provide summer shading and allow winter solar gains’ (p.36 Heywood, 2012)

Figure 31- Construction detail through my building showing CLT panels (Moncur,2020)

Plant room to the west with external road access. This room stores the wood pellet burner and space to store the renewable wood pellets. This system will heat the building. The ash waste from the burner can be reuse in the garden so no material will go to waste.

I would like to use passive cooling strategies. By naturally cooling the building my design will stay as sustainable and environmentally friendly as can be. By using double glazing and lots of natural ventilation the building should stay a steady and cool environment in the summer.

Softwood battons Breathabe waterproof membrane Hanging rails Pregrown module Irrigation system Drainage channel

Figure 34- Green wall Panel example (ANS Group Global Ltd, 2020)

Figure 35- Cross Section showing mechanical systems (Moncur, 2020)

Underground saunas and pool uses an earth shelter to ‘provide a stable thermal environment’ (p.112, Heywood, 2012).

Figure 36- water collection system (Moncur, 2020)

Figure 37- Floor plans showing mechanical systems of lighting, heating, and green walling (Moncur, 2020)

GRE HAB


26

Below: Thom Morgan Window studies, Clay Studio 3B

Year 3 students Ioanna Alekkou Francis Aryee Emilia Ashton-Forman Alexander Brady Benjamin Broomhead James Buxton Hannah Cadman Lia Campbell Katharine Chadwell Heather Coleman Kane Cummins Eve Dutton Kiran Farooq Noah Gulliver Alex Grafton Kian Hennessey Emily Higson Charlotte Howey Nicola Jurkiewicz Aadil Karim Lewis Keane Alan Law Cristine Lee

Jue Li Melany Li James Lovering James Lynch Luqi Ma Tom Madgwick Brad McDonald Ben Middleton Dom Mills Owen Mills Thom Morgan Jack O’Neill Jake Peppard Sam Reynolds Alicia Robertson Joe Shaw Tommy Simpson Aleksandra Skrzek Connor Smith Lara Starmore Marie Stavridou Morgan Taylor Michael Thompson Sam Thompson Ik Ukah

Monika Watras Harry Weston Reece Wigglesworth Charlie Woolfit Dominik Wraga Katie Wright Tutors and staff Paul King (Year Tutor) Rosie Dodgson Gabriel Tang Liz Whitehead (WAP Architects) Steve Williams (SHU Harmer Workshop) Guest tutors and critics Oli Cunningham Nick Francis (Imagine Engineering) Kaeren van Vliet Anna Dawson (Peak Architects) Mitchell Legge Josh Roberts (BDP)


YEAR Year 3 Architecture

3

Year three asked our students to engage with more complex design issues, looking more closely at the cultural and social aspects of sustainable architecture. Two forward looking studio projects were set in diverse physical and cultural contexts. The first semester project was set in the Peak District and allowed students to explore the rituals of remembrance in an historic landscape setting. The second semester project at an urban site in Nottingham asked students to consider the history and culture of fabrication in the context of education and training in the post-industrial city.

Ashes to Ashes / A Building for Eco cremation, Bakewell

We need to talk about Carbon / A School of future sustainable construction, Nottingham This project asked students to design a building for further education in Nottingham to capture the changing nature and methods of sustainable construction methods in the 21st century. Students had an opportunity to consider Nottingham’s history, but also current socio-economic challenges, and explore ways in which to enhance knowledge. The emphasis on physical model making and drawing was continued, while ‘Engineering without Maths’ workshops were used to develop the structural and technological aspect of students proposals. An exciting array of projects were produced expressing the continuing studio interest in new ways of constructing architecture.

AS3A

Ashes to Ashes

AS3B

We need to talk about Carbon

27

This project asked students to design a building and external spaces for eco cremation. Students were able to choose one of two sites in the Peak District near Bakewell. Projects were developed through an iterative process of drawing and physical modelling. Students were asked to produce a holistic environmental design, considering climate, daylight, sunlight biodiversity of the chosen site ensuring the building itself modelled best practice for reducing climate impact. Religion and the rituals of remembrance were key drivers of the project.


STUDIO 3B - Ashes to Ashes

Above: Lara Starmore Physical Model

28

Below: James Lynch

3D view of main entrance to the crematorium/main ceremonial space. (1:100 physical model)


d e s y.

08 Process of cremation

Above: Sam Thompson The Cremation Process

It can take as long as two hours for the cremation process to complete.

Below left: Thom Morgan Site Analysis

The body goes through a formal identification process and authorisation to cremate is given.

Below right: Thom Morgan Light studies, physical/digital models

The body is prepared for cremation with any medical devices and jewellery being removed.

Once the remains are cool, they are removed from the furnace and a magnet is used to extract any metal from them.

After the service the coffin is then moved into the furnace.

The ashes are then placed into an Urn to give to the deceased loved ones.

Vegetation

Annual Bakewell Wind-rose (5 Year Average) Calm

Near Gale

Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak trees stand out.

Vegetation

Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak trees stand out.

29

g

The remains are then put into the grinding machine that turns them into ashes as we know them.

The body is moved into the cremation container (coffin). This is normally made of Wood but it can also be made from other compostable materials.

pe

g

The temperature of the furnace reaches upto 2000OF.

Modeling Light

The model was utilised to see how affective the play of light could be. Changing the size of the entry points created a different light dynamic within the space.

Topography

126

Site 2 features two prominent hills, which create a central valley in the site. Closer to the river, the site gets flatter and still offers views up and through the valley.

162

126

nt hills, which crete. Closer to the river, offers views up and

Analysis, Place, Landscape Site Analysis 162

Prevailing Winds

The wind-rose shows the wind direction on the site. The shape of the site means strong winds could come through the valley.

Solar Study

Annual Bakewell Wind-rose (5 Year Average) Calm

Near Gale

Sunlight reaches almost all parts of the site for most of the day. The woodland to the west would shade a small portion of the

Vegetation

Scan QR Code to experience space

Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak trees stand out.

Prevailing Winds

The wind-rose shows the wind direction on the site. The shape

Scan QR Code to experience space

Annual Bakewell Wind-rose (5 Year Average)

Vegetation

Site 2 sits alongside a dense woodland of tall deciduous trees. Smaller trees frame the rest of the site, where a few large oak


DIAGRAMATIC DEVELOPMEN

UCTION WING OOR VIEW OF THE CEREMONY ROOM FROM THE EAST, SHOWING THE SIDE ELEVATION AND SCALE OF THE BUILDING

THIS TRIE VIEW AND ACC TIMBER CROSSBRACING HELPS MIMIC THE FIRST FLOOR CLADDING

MONY RES GA PACE.

Above/Centre: James Lovering SIMPLE CONSTRUCTION DRAWING SHOWING Construction detail models THE COLUMN-FLOOR

FUR IS PL SEPA OF T TO C JOU THE

JUNCTION

Right: James Lovering Diagramatic development Bottom: Nicola Jurkiewicz JUNCTION Opposite: Kian ROOF Hennessey STRUCTURAL BUILD UP TRACED ONTO MODEL

THE BETW AND WOR THIS

30

CREMATORIUM IS CHIEVING ITS AIM TLE IMPACT ON THE OTH VISUALLY AND

IVER IS LOCATED A FEW METRES THE EDGE OF EREMONIAL E

THE MAIN CEREMONY ROOM IS 5 METRES TALL, PROVIDING A LARGE OPEN SPACE.

FINA IS M SET FOR SEP AND


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32

STUDIO 3B - We need to talk about Carbon

Detailed long section


33

Above: Heather Coleman Axonometric Right: Heather Coleman Library Render Opposite: Jack O’Neill


34

Left: Charlotte Howey Top Right: Alex Grafton Isonometric development Top Left: Alex Grafton Physical model Opposite: Alex Grafton


35


Below: Tommy Simpson Opposite/Above: Brad McDonald Opposite/Centre: James Lovering Opposite/Below Left: Katherine Chadwell

36

Opposite/Below Right: Owen Mills


Section

The large student accommadion block to the South East is shown to be very tall and sets a precedent for other tall buildings in the area.

The site is located in front of the row of trees which will prevent summer sun from entering the ground floor of the proposed building if they are to be retained.

Stoney street heads towards Nottingham train station which is less than half a kilometre away. Carlton street is characterised by small independent traders, lined with trees and generrally busy with people shopping.

Woolpack Lane leads towards low rise residential buildings, away from Nottingham City Centre. The road acts as access for the shops to the North.

37

Goose gate is the beginning of Nottingham city centre high street, with a partially pedestrianised road with low rise retail buildings on either side.

Side roads lead away from the site towards residential areas.

SITE MODEL By producing a site model this allows me to analyse the site in further detail, being able to consider solar analysis, scale and context to the design proposals. The model shows the striking size of the nearby student accommadation block and the general change in density across the local vicinity.

The small ‘ goose gate’ sqaure seperates the two roads of Heathcoat St and Broad St. The area acts as an important node, and common meeting place for locals to meet.

7.


Initial Concept Explorations – Plan Journey Through The Lace Market The series of pictures show my journey from the coach, in and around the 4 sites and into the lace market. The pictures try to show the features of the buildings around the site. Some of the pictures are of big open spaces while others are smaller more quaint areas.

Windows protrude from the external wall creating seating

Outdoor space above the walkway

38

Joseph s Architecture Studio Project 2- We Need to talk about Car

Courtyard space on first floor

Sketch Model 2 Overhang over the walkway

Top: Joe Shaw Journey through the lace market

The model has incorporated the changes that I identified with the last sketch model. The key change being the overhang over the walkway. I will be changing my materials on my next sketch model after I have conducted more research. While also reducing the size of the upper floors to create more outdoor spaces.

Ground Floor

Ground 00 - Main entrance/exhibition space - Resource Room - Library - 2 Workshops

First Floor

Second Floor

Third Floor

Ground 01 - Workshop - Classrooms - Staff/Office

Above: Joe Shaw Sketch modelling

Fourth Floor

Ground 02

- Workshop Below: Morgan Taylor - Classrooms Site section

Floor Plan 2 This floor plan goes into more detail by showing how spaces are separated and the circulation throughout the building. This threw up some problems such as I thought the staff room was taking up more valuable space then it warranted to will be moving this.

Joseph shaw Architecture Studio 3B Project 2- We Need to talk about Carbon


1:100 MODEL

39

Top: Sam Reynolds External render Above: Lara Starmore Physical model Right: Marie Stavridou Massing models and sketches

North to South Section


Above: Ik Ukah Below left: Lia Campbell Exploded Axonometric

40

Below right: Kane Cummins Exploded Axonometric

Build

1:10 Eleva


Below: Emilia Ashton-Forman Physical model photograph

41

Above: Monika Watras


Left: Emily Higson Centre: Emily Higson Below: Noah Gilliver Opposite: Thom Morgan

42

Tool Storage The upstairs of the block is used to store all the tools that can be used either on the deck or within the workshops. Material Libary This is where material is kept for use on site or in the workshops. With a wide range of materials it also has easy access to the material chutes. Construction Deck Has views off deck down towards Nottingham and surrounding city.

os Go

Arched Landmark For City Wembley Stadium For Wembley

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Pa

Ln

Current Car Park Still in place after proj

Existing Music Shop Project bridges over it to small sites

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da on ec

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oc Bl

k


SCREEN DESIGN For the linear plan to function successfully the front elevation will be open to the south therefore solar shading is a necessity. To do this a screen is proposed. This screen can be easily altered depending on the time of day and season. The individual fins can be moved to block out sun in the summer and allow it in the winter. Furthermore having a movable screen means differing atmospheres can be

achieved within the building. The fins can be shut for privacy and opened to light a space and present views. Most importantly the screen will allow the wall behind to be heavily glazed to reap these benefits. Lower parts of the screen (where shading is less important) can interact with the ground level. The screen can be formed to create places to sit and shelter.

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Above: Reece Wigglesworth Construction

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Below: Tom Madgwick Courtyard watercolour

Courtyard Elevation Watercolour


Environment and technology 3

Structural support columns and beams consisting of steel with timber cladding act as an elevation layer to allow ground floor fluidity, and filtered stack ventilation through the building

Fig. 42 - B-B1 Environmental Section

1

2 Internal wall manual opening Cavity Closer

Stack ventilation is provided via north facing Fire Retardant Timber Panel as shafts on the structure, 50 mm Kooltherm K5 External Wall Insulation Board they ascend they collect K108 Cavity Board Insulation more hot air andCLTfilter out Paneling at the topStainless floor, Steel ensuring Wall Tie all floors receive thorough Vapour Control Layer passive ventilation,Ferring with Vertical Pale Brick Cladding need for mechanical Air Cavity systemsUnderfloor Heating Pipes

In accordance with Approved Document Part L Section 1, guard railings of suitable height have been applied to all external areas and staircases for safety

Top: James Lynch

3

4 Section details Wall systems utilise

As an active system, Noisestop Acoustic Underlay with 2 sheets underfloor heating of acoustic plasterboard asisaembedded noise counter within K108 Kingspan Cavity (Noisestop Acoustic Underlay, n.d.) layer have the screed Fig. 41 - Plan board due to its been utilised to amendand to helps regulations provide showcasing extremely low thermal enforced by Approved Section In Accordance with document thermalEregularity site location, conductivity and overall 2 Approved Document orientation during harsh winter U-value (see fig.11) as the Part M Section 2.22 and section Holding Anchor Wedge weather conditions, walls andRigid roofing both20mm PIR insulation line and 2.23, the glazed maintaining the Blind Roll occupy a Internal passivehaus doors utilised in this thermal comfort of standard of under 0.15 construction will the occupants Hold W/(m2K) Runner complete require detectors for Double glazed Sliding Panel U-value (Kooltherm K108 automatic opening, Cavity Board, n.d.). to ensure safety Roofing slats are suspended above Inner Blind Sleeve and awareness to the flooring and are attached those with visual to the upper ceiling, these slats impairment and of Additional mechanical allow for minimal passive shading difficulty techniques and integrated wall lightvent introduced for when passive openings fittings for when passive lighting aren’t sufficient, utilised isn’t sustainable enough as general background ventilation with very low energy cost (Through Wall Ventilation, n.d.) Fig. 46 - Detail - Ceiling to Glazing to Floor

B N

Below Left: James Lynch Environmental cross section

Screed Filling Laminated Timber Flooring

Exterior terrace connects to Support Structure reading room to provide a degree introduced to elevate of ‘relief space,’ doing so creates the building from the a transitional space with varying ground floor, integrated lux and thermal levels, with loading slab allows for Internal wall manual the overhang of the upper floor the structure’s load to opening doing most of the shading for be transmitted into Air Cavity Loading Slab the reading room leaving the Fig. 40 ‘Chimney’ ventilation diagram through elevated stack system the slab and then into 50mm Polyurethane Damp-Proof Course terrace exposed for higher CIBSE insulation the columns, elevated Steel Supporting columns with timber cladding temperatures and lux values structure is required due Overhang allows for winter sun to enter to large overshadowing the reading room whilst maintaining from neighboring Fig. 43 - Detail - Ventilation Funnel, North Fig. 44 - Detail - Wall to Elevated Floor shading measures required for summer buildings, therefore higher solstice, reducing energy consumption levels are needed for less via active systems embedded in the energy to be wasted structure

Hanging Timber Slats DPC

VPC

11°

Acoustic Loose Fill layer Thermafloor TF70 PIR Insulation 10mm Black MDF boarding

B1 Skirting Board

Bottom: Charlie Woolfitt Environmental strategy

Internal blinds allow for internal solar shading that is user directed, therefore if passive solar shading doesn’t suffice at the time, then internal solar shading measures can be deployed to counter the solar intake

Fig. 45 - Detail - Wall to Ceiling

Fig. 47 - Mecha

RENDER 1: 21st JUNE 12:00 NOON SUMMER SOLSTICE

DAYLIGHT PERFORMANCE

STRUCTURAL GLULAM BEAMS

ISOMETRIC SHOWING INITIAL LAYOUT OF ROOM

CLOSE-UP OF PROPOSED PERGOLA WITH PLANTING

SUMMER SUN

(fig.34) (fig.33)

WINTER SUN

GLASS BALUSTRADE

TEACHING SPACE

Winter TERRACE Sun 13°

Rockwool R to their low (m2K) and e Rockwool RW in an attemp ratings, with 35NR (CIBSE

Below Right: James Lovering Daylight performance study

Mortar infill

NITIAL DESIGN:

Ventilation s the space as effective fo the shaft di Approved Do

WINDOWS LET IN TOO MUCH LIGHT

CEREMONY ROOM

1 INITIAL CLADDING HAS HIGH REFLECTIVE PROPERTIES

(fig.32)

INITIAL INTERNAL RENDER 1: 21st JUNE SUMMER SOLSTICE

(fig.37)

(fig.35)

PART OF ROOM

REQ

DESK SPACE

30

NORTH SIDE

30

SOUTH SIDE

Summer Sun 59°

To the side is the initial design of the room, primarily timber with a polished concrete floor. The room has an external terrace visible through large glazed doors which can be opened to create a link with the outside.

(fig.36)

Fig. 42 - B-B1 Environmental Section

(fig.38)

4

SUMMARY:

(fig.39)

CEREMONY ROOM

Structural support columns and beams consisting of steel with timber cladding act as an elevation layer to allow ground floor fluidity, and filtered stack ventilation through the building

The initial analysis of the simulation output shows th too bright for educational purposes. The large south too much direct sunlight. The workspaces are betwe more than double the CIBSE (CIBSE Guide A, 1999) a teaching environment. This would lead to eye strai students to stay concentrated, especially if the sun i Further measures must be introduced to reduce the the room.

SECTIONAL RENDER 1: 21st JUNE SUMMER SOLSTICE

(fig.43)

IMPROVED CROSS SECTION IMPLEMENTING DAYLIGHT STRATEGIES

2

Internal wall manual opening

3

Fire Retardant LARGER NORTH SUMMER Timber Panel FACING WINDOWS SUN 50 mm Kooltherm K5 External Wall Insulation Board FOR MORE K108 Cavity Board Insulation CLT Paneling DAYLIGHT

Environmental Cross section Cavity Closer

WOOD FINISH WITH LOWER REFLECTIVENESS

I will use tripple glazing for my windows. The reason for tripple rather than double on a room which is South facing is that it is solar shaded, therefore preveting any summer solar gain. In the winter however, the room will hugely benefit from solar gain, and it would be good to keep the heat in. Each window will consist Hanging Timber Slats of 3, 6mm glass panes, seperated DPC seperated Acoustic by 12mm argon filled Loose Fill layer cavities.Thermafloor TF70 PIR Insulation

Stainless Steel Wall Tie Vapour Control Layer

WINTER Ferring (fig.44) Vertical Pale Brick Cladding SUN

My chosen space, which is my library space, is South facing. It has a large South window, with two Air Cavity roof lights, which help toTERRACE naturally ventilate and light the space. These windows are solar shaded Underfloor Heating Pipes Screed Filling with an adjustable louvre system to control the amout of light which can enter the space throughout Laminated Timber Flooring the year. Below are the CIBSE recommendations for this space. TREE PLANTING TEACHING SPACE

4(fig.53)

(fig.45)

PERGOLA USED

My building will AS useSHADING Solar PV Panles which will be located on the roof of the building. DEVICE They will be South fscing which should allow them to get plent of light throughout the day, and due to the height of the building, should not have shadows cast over it from surrounding buildings. The PV TREE panels will provide energyDECIDIOUS for my building PLANTING PROVIDES throughout the day. SHADING IN THE

The lovere system over the roof light is also adjustable, Mortar infill allowing you to control direct solar gain or light levels in the room. The louvres themsleves VPC are angled. This should allow Internal wall manual for the louveres to fully block opening 10mm Black MDF boarding direct sunlight from the South DATED INTERNAL RENDERAir1:Cavity 21st JUNE SUMMER SOLSTICE Loading Slab if needed, but still allow for 50mm Polyurethane Damp-Proof Course Skirting Board insulation North daylight to enter the The lovure system for the The South window will be Steel Supporting columns with timber cladding room, naturally lighting the South window will be a horizontal pivot window. space. These roof lights are adjustable from inside. The reason for this would also located to the North end This will allow users to be to force the cooler, fresh Fig. 43 - Detail - Ventilation Funnel, North Fig. 44 - Detail - Wall to Elevated Floor Fig. 45 - Detail - Wall to Ceiling of the room, allowing for a open and close them in air both up into the top of more even natural lighting order to increase or dethe room before it falls to spread throughout the room crease the amount of light the bottom, and also down(fig.46) CLOSE-UP OF PROPOSED combined with the South which can enter the room. wards, pushing the warmer, PERGOLA WITH PLANTING window. Alternatively, you could stale air out via the roof The design amendments listed below are to be implemented to use it to control the direct light or the atruim. improve not just the daylight performance of the building but the solar gain, to either cool environmental qualities as a whole. Technologies such as mechanical a space in the summer by closing them, or warm a louvres and manual integral blinds, situated with the panes of glass, space during the winter by allow users of the room to adjust the daylight qualities depending on opeing them. their own preferences. ON STREET LEVEL

CONCRETE WITH LOWER REFLECTIVENESS

UPDATED SECTIONAL RENDER 1: 21st JUNE SUMMER SOLSTICE

This table shows the U-Values, R-Values and thicknesses of all the major constructions of my library room. This includes Holding Anchor Wedge Rigid PIR insulation 20mm the floor, external walls, roof and glazing. Internal Blind Roll Runner Hold Double glazed Sliding Panel

Inner Blind Sleeve

SUMMER

In Accordance with Approved Document Part M Section 2.22 and 2.23, the glazed doors utilised in this construction will require detectors for automatic opening, to ensure safety and awareness to those with visual impairment and of difficulty

Fig. 46 - Detail - Ceiling to Glazing to Floor

(fig.48)

UPDATED RENDER 1: 21st JUNE SUMMER SOLSTICE

quite tall. To the very South

Overhang over the • Reduces the amount of direct sunlight that enters the teaching of the room, I have positioned terrace space computers. Having space.them here meant • there Protects would be no glare the room from weather such as snow and strong rain. on the • screens. The window Reduces also starts high up meaning

sat looking at the screen.

Limits the amount of light transmittance into the room. Prevents students from being distracted from stuff happening outside.

Windows with blinds implemented in etween glass panes.

Allows for users of the room to manually adjust the amount of light that can enter the space to their own preference. Can also be used to reflect light into spaces at the far North side of the room.

Tree planting to the south of building.

Provides seasonal shade from the harsh summer sun, while also allowing moderate amount of sunlight through in the winter. provides a habitat for local wildlife.

TINTED BALCON GUARDIN

Fig. 47 - Mechanical

open out to the atrium so that the wind can flow through the library, and into the atrium. Stack ventilation is the most effective natural ventilation method.

THE SOUTH S REACHES 60 DURING THE AND NEAR T DOORS

(fig.5

Warm Stale air goes out

(fi (fig.49) PART OF ROOM

(fig.54) CIBSE REQUIREMENTS

SIMULATION OUTCOME

WINDOWS LET IN TOO MUCH LIGHT

I will also use a ventilation system which is built into the floor, allowing the space to will be small vents evenly spread around the library floor will bring in fresh air. The extraction vents will be in the roof of the room, as bedded within the concrete floor. I have The insulation type which i will SIDE use with-300 - 500which NORTH Lux 300 Lux TABLE SURFACE this is where the warm, stale air will sit. This will be a HVAC system. heating it heats Reflectivity of chose underfloor • Allows lightasto evenly spread across the room and prevent hotwall, spots in my floor, and roof will be polyATTAINS 300 SOUTH SIDE is 300 Lux 500 - 600 Lux fromoccurring the gorund up. urethane board. Where each element Materials a space evenly, from LUX. Given that more dense • cooler Can air beisreduced tothan reduce the lux values of the room. exposed externally, I will use 300mm of (fig.52) warmer air, the cooler air will sit along (fig.51) insulation with a U-value of 0.025 W/mK. the floor, where the underfloor heating g.50) can evenly warm this air up. Again, with concrete being a good thermal mass, the concrete floor should be able to give off heat slowly to the air around it even after the heating has been turned off.

mall Wildlife Garden • Due to being cantilevered and only having one exit, sprinklers allow underfloor em- to be put out quickly. on Terrace There will beany fire in heating this room

GREENE GROWING PERGOL

A HVAC system brings in fresh outside air, and gets blown through a coil which can either be heated or cooled depending on what air temperature is required within the room. The diagram below shows how this will operate in my building.

Pergola with natural provides natural solar shading in the summer. there is•awallFoliage up aiagnst the back of•themProvides to stop theasun foliage habitat for local wildlife. getting•in theGreenery users eyes when improves users mental wellbeing. • •

Additional mechanical wall vent introduced for when passive openings aren’t sufficient, utilised as general background ventilation with very low energy cost (Through Wall Ventilation, n.d.)

Building Regulations Part M refers to the access and usage of a building, including access for disabled occupants. My library space should not cause any problems to people with any disabilities as there are no corridoors, and I have ensured that the spaces between book shelves are at a minimum 1.5m clear.

JUSTIFICATION

Tinted Windows

As an active system, underfloor heating is embedded within the screed layer and helps provide thermal regularity during harsh winter weather conditions, maintaining the thermal comfort of the occupants

Above shows the improved terrace in detail, showing how each component is implemented into the design. On the far left shows the sliding doors with built in blinds which can be manually adjusted by the users to suit their needs. A small wildlife garden reduces the amount harsh light being reflected by the floor, providing The library space is connected to a large, soft light to the room. The pergola on the far right side includes both louvres which tripple height atrium space. This atrium will are controlled automatically according toallow the for position of the sun and an area for stack ventilation for the building. greenery to grow to seasonally,The draping down roof. wich will library has two from internalthe windows

WITHOUT ARTIFICIAL LIGHTING THE ROOF IS BETWEEN 100 300 LUX

(fig.47)

DESIGN As you can see, the room is AMENDMENT

VIEW OF TERRACE SHOWING NATURAL DAYLIGHT STRATEGIES

45

FINALISED1DESIGN:

DESK SPACE

evenly300 ventilated. 300 - 500be Lux - 400 Lux There

The floor for the library space will be made from concrete. There are a few reasons for this with the mainCIBSE one being that MEETS REQUIREMENTS. ARTIFICIAL concrete is a good thermal LIGHTING CAN BE USED mass. It will heat up durTO FURTHER ADJUST ing the day, then give that LUX LEVELS TO USERS REQUIREMENTS heat off to the space once they air around it becomes cooler than itself. This will reduce the need for heating appliances during the evenings.

SUMMARY: Cool Fresh air comes in

The adjustments made to the teaching space now meet the requ standards (CIBSE Guide A, 1999), with work surfaces reaching 3 the large windows the room does get brighter but to a degree th the students learning. The changes made have also created an i space with large amounts greenery viewable outside of the wind The roof will be 12.5mm plaster, 300mm (fig.55) also insulation, 300mm of concrete andimprove then will the mental wellbeing of students. have felt bitumen layers externally.

Building Regulations Part F refers to a buildings ventilation. It states that for a non-deomestic building, there should be a “continuous circulation of clean air”. Part L refers to the conservation of fuel and power, via insulation, lighting, and heating, ventilation and cooling systems. In order to meet both Part F and L i will use a HVAC system to mechanically heat, ventilatie and cool the space. This system will ensure that the space is a comfortable temperature for the users, and also bring in continuous fresh air.


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NEKE PROJECT: UNFOLDING THE ARCHITECTURE & URBANISM OF A PARADE

LL // SHU ATELIER 3 // WATER IMAGINARIES AND ARCHITECTURES FOR SOCIAL AND ENVIRONMENTAL JUSTICE // BRUSSELS

Above: Daniel Mitchell Atelier 3, Year 6 The Zinneke Project: Unfolding the architecture & urbanism of a parade


Introduction to

M.Arch in Architecture (RIBA Part 2) The M.Arch in Architecture provides an engaging, research-led ARB/RIBA Part 2 course that empowers students to position themselves critically, ethically and creatively in the diversity of contemporary and future architectural practice. Our core agendas of socio-spatial design, the praxis of architecture, and ecologies of architecture and the city outline a course that engages with contemporary societal and professional concerns, including the climate crisis and social, racial and gender based inequality that our cities increasingly face.

This has been an exciting year for the M.Arch with two routes now open – the 2 year full-time (FT) course and the 3 year part-time Degree Apprenticeship (DA). These two routes mainly share the same modules but offer different experiences towards Part 2 – the FT route follows the traditional shorter path and encourages careful, in depth work across research and design; the DA is based on our long-standing part-time model in which students work in practice alongside their Part 2 course, and through which we are developing strong links with a range of local, regional and national practices. We have been so impressed with the commitment, talent and empathy of our students across this challenging year, who have supported each other to produce outstanding portfolios despite the challenges that Covid has brought upon us all. The M.Arch team wish the best of luck to all our final year 6 students in the next phase of your architectural lives. Dr Sam Vardy Course Leader

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We are concerned with the history of and changing nature of the profession and discipline of architecture and the potential of developing new relations roles within society. The course encourages a reading of architecture including and beyond the design of buildings, exploring it as a complex, interdisciplinary and dynamic ecology – one that designed, constructed and used through creative social, political and material processes.


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Studio 4 Lead Dr Julia Udall Guest Critics + Contributors Rob Cotterill (SADACCA) Shahida Siddique (Faithstar) Dr Tom Payne (SHU Performance) Dr Alex De Little (Leeds Music School) Tom Flanagan (SHU Resources) Catalina Ionita (SHU) Jon Orlek (Huddersfield University) Year 4 Students

Above: Matt Drummond Design Through Listening (Building an Image/ SADACCA Network/ Culturally Appropriate

Bradley Cooke Matt Drummond Oliver Johns Matthew Nelson James Scarrott Nathan Stocks Milena Vasileva.


DESIGN STUDIO Architecture + Care

4

Praxis 1: Theory and Recent History This is the first of a pair of modules in Year 4 which explore one of the major themes of the M.Arch course - the notion of praxis within architecture. The term praxis refers to an understanding of architecture as both a theoretical and practical discipline, and thus the module shows how different positions and approaches to architectural design and practice emerge from an understanding of and engagement with theoretical and historical ideas.

Praxis 2: Expanding Practice Praxis 2 shifts the enquiry to interrogate the continually evolving and expanding nature of architectural practice, encompassing more traditional models as well as the increasingly prolific alternatives. Lectures, seminars and discussions focusing on a range of contemporary practice ‘case studies’ will form a basis for individual research and enquiry. Students write a short, reflective manifesto based on the work, ambitions and organisational structures of their chosen practice, and critically discuss, with reference to theory and other models of practice, the implications of the manifesto. Practitioner guests this year have included Sarah Hollingworth from 00/:, Marianne Heaslip of URBED and Alisdair Struthers of Peter Barber Associates..

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Care, as practice, activity or relation, foregrounds our precarity and interdependence. To consider care requires us to pay attention to the particular situation, and what sustains, repairs, and supports us, and how we may do this for others. Chains of care stretch globally, and yet, it can be one of the most intimate relations. Care is skilled labourand this work is carried out unequally across our society-raising issues around class, race, and gender. This year Studio Four have explored this topic, developing their own position in relation to the issues of concern and manifestations of care within the neighbourhoods of Spital Hill and Wicker. Film has been an experimental design-research tool, and mode of representation developed in relation to their viewpoint. Their projects have been realised through practises of care, in terms of what they have paid attention to, how they have worked with people living and working in the Wicker and Spital Hill and with one another. They have explored the question: what is an architecture of care? Their responses include infrastructure, immersive urban gaming, retrofitting, and flexible frameworks for hosting and learning. The impact of Covid-19 has amplified the resonance of their explorations, in relation to who and what is crucial to society, and how we value and resource it. We have worked closely with Sheffield and District African Caribbean Association (SADACCA) and would like to thank them for their generosity and insight. We would also like to thank Rob Cotterill, Chair of SADACCA, Shahida Siddique of Faithstar, Dr Tom Payne of SHU Performance, Dr Alex De Little from University of Leeds School of Music, Tom Flanagan from SHU Resources, Catalina Ionita of Sheffield Hallam University, and Jon Orlek of Sheffield Hallam University / the University of Huddersfield.


Above: Matt Drummond Design Through Listening (Building an Image/ SADACCA Network/ Culturally Appropriate Spaces)

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Right: Nathan Stocks Extending Care (Library of Care/ Greenscaping Care)

Above & Right: Brad Cooke Care/ Protection (Flood Line/ Wicker Film Sequence)


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Above: Milena Vasileva Care & CTRL Left: Performing mapping, with Dr Tom Payne


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Above: Oliver Johns The Wicker Voices Left: Matthew Nelson Flood Protection Below: James Scarrott Wicker Market/ Aging Tables


Praxis 1 / Praxis 2

03

02

PRAXIS ATLAS

Is it possible to create ecological co-living spaces for the many by upscaling the IKEA flat pack philosophy? A Study of Ecological Approaches that occur in Architectural Praxis. by Oliver Johns

“We’re on a mission to enable a better everyday life for people and planet.” - Space10.

PRAAXISS PRATLA S

Figure 1 - The Urban Village Project, Space10.

W

orking in unity with nature has not always been a common conception. A well documented divide between Landscape and Architecture can be traced back to antiquity, labelling the wilderness as a source of our disconnect with the environment. Numerous poorly moulded design approaches have continued to contribute to this divide, isolating us from our surroundings. Yet the theory of reimagining our relationship within nature is a challenge the Architecture and Urban Design fields are well situated to address. As a discipline, Architects and designers have the ability to reinvigorate our bond to nature by revolutionising our built environment. Changing our values as humans towards and ecocentric way of life, not only in an attempt to connect us in harmony, with nature, but to also act a tool that teaches us how to reimagine our future urban frameworks, to be apart of a network that coincides with pre-existing ecosystems.

ISSUE 1 - 2020.

Humans since the beginning, have had a tendency to cultivate our

architectural approaches through education concerning the principle components that exist within our environment. Developing skills and techniques derived from nature itself. The overall understanding of Ecology as a concept has been a tested philosophy by theorists for generations.

Ecology the ‘relation of an animal to its organic, as well as inorganic environment’ (Haeckel 1866). A German Zoologist, Ernst Haeckel is often referred to as the man who merged science with art, coining the term Ecology in his work published in 1866. Haeckel started to develop the term to encompass the ‘relation of an animal to its organic, as well as inorganic environment’. It was this ideology in the 19th century that began to redefine the way in which we perceive Ecology within the Architectural discipline. Defining the emergence of the term throughout the web of natural sciences. Alongside this, architects

& urban designers have been applying these theories in practice, looking towards the phenomena of the physical world for inspiration in solving a multitude of problems that reach far beyond the initial praxis of working in unity with nature. The 21st century is quickly becoming the era in which we are beginning to understand how effective ecology can benefit the architectural disciple, dealing with how we, as humans connect and intertwine inside our own ecosystem and the complex surrounding systems we can learn from. To further comprehend the full evolution of ecology, this written piece will look towards a practice at the forefront of urban ecological research and implementation. IKEA’s own future thinking design lab Space10, are a practice renowned for their persistent mission to enable a better everyday life for people and planet. Analysing the Copenhagen design agency and their contemporary take of ecology will allow us to delve into the modern day thinking of innovative ecological design solutions that are expected to affect our planet for years to come.

Above: Oliver Johns Praxis Atlas Right: Matthew Drummond Resolve Below: Milena Vasileva F Architects

0 7

0 6

PRAXIS ATLAS

F-ARCHITECTURE, The unapologetic shift of architecture.

ECOLOGIES ART FEMINISM SITES OF CONFLICT

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M.Arch

SHU_Architecture

How a contemporary feminist design collective “expands the current architectural discourse on the role of the built environment in shaping subjects, culture and politics”? -F-Architecture, n.d.

09

08

12

‘‘Rosana Elkhatib, Gabrielle Printz, and Virginia Black of f-architecture. Photography by Casey Carter’’ (Lin, n.d.)

For the purpose of this essay I will refrain from beginning with a definition of ‘Architecture’. For those of you reading, ask yourself the question: What is Architecture? Yes. Architecture with a capital ‘A’? Correct, like the one where a group of people design something like the new residential block down the road. It didn’t quite solve the housing crisis, but the cladding complements the surrounding area really well, right? It even has a car park; it will be so useful if I ever got a car. Sometimes I wonder what if we refuse to believe that all that architecture has to offer is nice looking buildings and a car park? What if we refuse to believe that you can only be successful in architecture if you belong to a certain group?

humans who co-exist on this planet. Unfortunately, all of the pressures mentioned above are constraints and shift the importance in the wrong direction. Even if people in the industry have a positive motivation of changing, there may be something which stops them and there is a chance this is a fault in the framework. The opening of the industry has started a conversation about the profession and its detachment, questioning what is currently considered important as well as how we identify responsibilities.

What stops us and how others manage to address this?

How often do you have a choice at work and how often do you feel responsible for your decisions? Is it just the architectural profession that should take responsibility for the humanitarian, political and economic crisis that people may be experiencing? Perhaps not,

What if we refuse to believe that there is only one way of practicing architecture? For those entangled in the complexity of the architectural profession, you have probably experienced at least some of the pressures that come with it, whether it is meeting a tight deadline, trying to fit within a tight budget or even simply finding work. With these becoming primary responsibilities of architects, other questions become left behind. In times of complicated political, social and economic events, there is a need for us to be critical and to take responsibility for our actions, not only on a professional level but also as

but professionals in the industry certainly do have the skills needed to analyse the built environment and its effect on the wider context. Hopefully having a better look at the work of F-Architecture will give us an example of how these could be addressed and why it was considered as part of the delivery of a project in the first place.

Figure 12. Map shows the network of relationships, paid and unpaid, that contributed to the construction of ‘The Garage’. This is in stark contrast to figure 3’s hierarchical and one sided relationships which were all unpaid. (My own work) ‘‘Cosmo-Clinical Interiors of Beirut, Beirut, Lebanon, 2018. Courtesy of feminist architecture collaborative’’ (The Architectural League NY, 2019)


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SUBMERGED FOREST II PUBLIC MOVEMENT (HIVE CAFE)

Above: Baris Cinar Atelier 1, Year 6 The Sheffield Hive Collective Project

Atelier 1 Lead Dr Cristina Cerulli with Jon Orlek

Atelier 3 Lead Dr Sam Vardy with Jon Orlek

Year 6 Students

Year 6 Students

Georgiou Christodoulos Baris Cinar Sam Fairbanks Dana Mitica Shailesh Patel Aamir Rahim

Alex Broadbent Richard Hart Patrick Leach Daniel Mitchell Jack Pennington Liam Tilbrook Amy Wilkinson

Year 5 Students

Year 5 Students

Mohammed Almaqramy Jacob Kelly Ryan Miller Lucy Stray Emma Twyford

Fatemah Mohammadi Araghi Telmo Dos Santos Ayyub Sharif Ellie Stinson Red Wardle


VERTICAL ATELIERS Atelier 1: Under Development: Recalibrating Architecture for Social and Environmental Justice Atelier 1 this year sough to critique mainstream development models and propose alternatives which address current environmental and social justice challenges. Primarily based in Castlegate, Sheffield, students investigated how community-led processes, scenarios and designs could meaningfully engage with and inform current council-led regeneration processes. Within this context, students have developed ambitious spatial interventions at a wide range of scales. Thoughtful prototypes, conceptual models and urban designs have been developed alongside extensive knowledge of (and desires for) socially engaged architectural roles.

Atelier 3: Water Imaginaries and Architectures for Social and Environmental Justice Atelier 3 this year sought to investigate the politics and spatialities of water, in global and local contexts, to investigate the potential for alternative social and environmental imaginaries for architecture and the city. Based in Brussels and Sheffield, students interrogated political and conceptual issues of water at stake across the scales of the planet; of cities; of bodies; and through the figure of the wetlands – one of the most endangered conditions on the planet. The student’s projects are diverse, intelligent and careful proposals that demonstrate the complexity and multilpicity of ways to consider water in the city – they include a strategy for de-polluting a public lake through innovative collaboration, an intergenerational wetland support infrastructure for dementia patients, and new communication spaces to democratise water issues.

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Examples include the design of an urban commons, in which a shared kitchen is placed at the heart of a residential masterplan; a radical architectural programme that leverages the power of honey bees; and a live/work housing proposal, designed to accommodate multiple hosted arrangements with asylum seekers.


Atelier 1

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RE OF HOUSING TYPES

u/projects/ artments

Above: Ryan Millar New Policy Handbook Left: Emma Twyford Live Portfolio Below: Sam Fairbanks Exchange Street CLT

Checkpoint Charlie Apartments (Left), OMA The project was completed shortly after the fall of the Berlin Wall. The programme includes 26 apartments above a podium with new checkpoint facilities for customs workers and Allied forces. There are three types of apartments: garden-access maisonettes, flats and penthouses.

This project shows how apartments of different sizes can compliment each other and how having a closed relationship with a busy street on the south facade and a more open north facade can effect the layout of the street.

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Right: Aamir Rahim Castlegate Community Builders Below: Aamir Rahim Castlegate Community Builders Bottom: Baris Cinar The Sheffield Hive Collective Project

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Elevated platform offers

Subsidised office spaces

activity aswell as opportunity

MUST HAVE SOCIAL/GREEN

novel views of landscape &

One of the focus areas for community landscaping SCENARIO EVENT A)

The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities. The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

THE HIVE

THE NURTURER

THE HIVE A collection of individuals acting together

an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

natural play and improved public spatialities. Reed

The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.

Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

wildlife habitat

Bee Research Centre, Hive Network (manages

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

THEbeekeeping NURTURER

The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.

operationsTHE HIVE

across Grey to Green)

A collection of individuals acting together

organism. The participants actors within the

& Nature Library.

The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

THE HIVE

THE NURTURER

THE NURTURER The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.

beds provide filtration &

Hive Mind HQ location —

scheme in some way

THE EXPLORER

organism. The participants actors within the

offers novel opporunity for

AGENDA &/or contribute toward the goals of the

components

development (refer THE to NURTURER

The uncovered culvert

offered to local businesses.

for reconfiguration through additon/removal of design

The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

THE EXPLORER

OFFICES OFFICES HIVE MIND

ELEVATED WALKWAY

STEPPED LANDSCAPE #1

HIVE PRODUCE SPACE (ROOF)

CANALSIDE WALKWAY

ROOFTOP GARDEN

HIVE CAFE GARDEN SANCTUARY

SUBMERGED FOREST AREA

GARDEN CENTRE

STEPPED LANDSCAPE #2

South-westerm entry node

Adaptable ‘Submerged

of proposal. Open

support a range of activity

public lectures and provides

The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.

The Garden Sanctuary is

The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

intended to be a site of

THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

THE NURTURER

Planters assembled

contemplation & relaxation.

by community using

A central courtyard

The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

to function as steps

Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.

hoarding

all sides

A collection of individuals acting together organism. The participants actors within the

landscaping) intended

THE EXPLORER

THE NURTURER

reclaimed timber/site

planting area is framed on

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities.

THE HIVE

public pathways &

as well as vantage points framing landscape &

human-animal encounters

(similar to Canal-side

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

movement across scheme,

scheme

Stepped-landscape

the project

organisation & acitivty THE NURTURER

Canalside structures offer

that surrounds a hive & offering viewpoints of the entire

throughout the duration of

platform for grass-roots

A meditative rooftop garden

area, with a wildflower garden

Forest’ area. Intended to

amphitheatre allows for

The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

and seating. THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

THE NURTURER The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities. The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

HIVE

THE EXPLORER

Gabion wall, filled with crushed

A collection of individuals acting together

organism. The participants actors within the

rubble (borne out of site

an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

demolition/remediation). Could be

THE EXPLORER

assembled by community during

Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

early stages of project to support landscape development

THE NURTURER The Hive Collective proposal will leverage the architectural process in order to generate positive community outcomes. Participant local actors will develop the landscape in accordance with the needs of surrounding local communities. The proposal will take steps to create future opportunities for better socioeconomic outcomes & generating neighbourhood resilience

THE HIVE A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

THE THEN NURTURER URTURER

The Hive Collective proposal will leverage the The Hive Collective proposal will leverage the architectural process in order to generate positive architectural process in order to generate positive community outcomes. Participant local actors will community outcomes. Participant local actors will develop the landscape in accordance with the develop the landscape in accordance with the needs of surrounding local communities. needs of surrounding local communities. The proposal will take steps to create future The proposal will take steps to create future opportunities for better socioeconomic outcomes opportunities for better socioeconomic outcomes & generating neighbourhood resilience & generating neighbourhood resilience

TTHE HE HIVE

A collection of individuals acting together organism. The participants actors within the an ongoing discussion in order to promote trust and enable maximum utilisation of networks and resource pools

THE EXPLORER Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities

Nature offers plenty of opportunity for natural play and learning. The proposal will leverage the processes generated as a result of honey production in order to enhance learning outcomes & environmental sensitivity in the surrounding communities


07/INTERVENTIONS

07/INTERVENTIONS

Exchange Street Shops Communal Gardens Part of the central open public space will be a space to relax, take a walk, have a break and spend your time exploring the pavilions while socialising with other people. Also, big part of the communal area is going to be the allotment gardens that will be shared by the community. Permanent tenants as well as the asylum seekers/guests will be able to collaborate with growing their own food and sharing it between them. Interactions like these will help asylum seekers and immigrants integrate easily into the community and also boost their confidence.

The live-work units facing the Exchange Street will help regenerate the road into a vibrant and busy place once again as the shops start operating. This will hopefully lead into a future economic growth with the empty stores on the opposite side of the road being re-opened and eventually transforming the area into a new high-street for the city. With direct links to the centre of Sheffield the area has the potential of becoming something special for the community and can help establish a good economic future that the community needs to be sustained.

‘BOOK-END’ GENERATIONS

Migration Stories Pavilions

Sense of Arrival

Also in the central communal garden area the migration stories pavilions will play a central role. By being strategically positioned both alongside a pedestrian path and the main garden area, they are in the perfect position to attract attention from people passing by. As mentioned before, the pavilions will offer an inside view into the refugee crisis by featuring stories and showcasing the journeys of immigrants and asylum seekers. People will have the opportunity to read, listen and look at documents and journals that are meant to raise awareness about the issues.

With this being the first visible part of the development for people arriving from the centre of the city, it was important to make it feel welcoming and approachable. The idea was to try and refrain from making it look completely private and try to draw people in instead of around. The central public gardens are for everyone to use and the pedestrianised footpaths also lead towards the newly resurfaced river Sheaf while people can also use it to cut through the site and head towards the Grey to Green project at the north side.

CLT CASTLEGATE - PHASE 2 This Project

Will expand on the basic principles explored in Phase 1 (for creating a system of affordable housing and care - for all generations), with a focus on exploring adaptable private living accommodation (that is not fixed by the original CLT residents).

MODULAR

PDhEaVEsLeOP2MENT

Phase 2

Throughout Phase 2 of the ‘Book-End’ Generations CLT I will endeavour to create opportunities for future community development with as few restrictions as possible - meaning I intend to design to enable future residents to modify their private apartments and for the community to use P.D.Rights development to fill any ‘gaps’ in the CLT provisions.

‘BOOK-END’ MODULAR DEVELOPMENT

GENERATIONS

A CLT New-build Modular Development scheme will be proposed around ODULE the Castlegate area of MSheffield, with various facilities and accommodation types. These may be created by repurposing existing redundant buildings in the surrounding area - to benefit the CLT and the wider Sheffield community.

MODULE

CLT CASTLEGATE - PHASE 2

UNIT

UNIT

I intend to focus on four facets of community development:

58

2

New ‘Downsizing’ Affordable Homes Modular development of new ‘downsizing’ homes. Designed so that modules can be added to the development as and when funds become available. These units are completely accessible - therefore ideal for elderly care accommodation.

Phase 2 MODULE

OFFICE BUILDING THE HOUSE

THE LAND

1

Existing Dwellings to Affordable Homes Achieved by separating the existing house from the associated land, ‘gifting’ the land to the CLT, the property can then only every be sold at an affordable rate (through the CLT) - the ‘gifting’ owner is given priority purchase of a new CLT development unit in exchange for the land.

UNIT

THE LAND

2

THE HOUSE

123

tial Units O (P.D.Rights) Offices to Dwellinghouses. the land to theusing CLT, Class the property can then- only every be sold at an affordable Modular development of new ‘downsizing’ homes. Designed so that modrate (through the CLT) - the ‘gifting’ owner is given priority purchase ofto a new Harnessing the potential of P.D.Rights enable convert ules can be added to the development astoand whencommunities funds become availaCLT development unit in office exchange for the land. redundant / vacant buildings into affordable housing without thecare limble. These units are completely accessible - therefore ideal -for elderly itations of planning. accommodation.

Above: Christodoulos Georgiou

Affordable Housing – for all generations, not just the young. There will be three Wmethods iModular ll expanddevelopment onproduction: the basic of pusing rinnew ciplexisting e‘downsizing’ s explodwellings, red inhomes. Phasnew e 1Designed (modular for creatso i‘downsizing ng that a symodstemunits of of affand ordaP.D.Rights ble hbe ouadded sinchange g anto d the cofaruse edevelopment - repurposing for all genas erof aand tiredundant onswhen ), witfunds h buildings. a fobecome cus on eavailaxploring ules can adble. aptable priunits vate livingcompletely accommoaccessible dation (that- therefore is not fixeideal d by for theelderly original CLT GreeThese n Amenities are – that have a community and environmental benefit. Ascare well as resaccommodation. idents). green networks that connect the two CLT sites (Milton Street & Castlegate) to each other and various (significant) areas and services in Sheffield.

Below: Lucy Stray Book End Generations CLT

Throughout I will endeavour Local ProdPhase uction &2 Sofmathe ll Bu‘Book-End’ sinesses – Generations supplying dayCLT to day necessities fortothe create community development with as few restrictions local opportunities community willfor befuture prioritised. as possible - meaning I intend to design to enable future residents to modify their private apartments and for the community to use P.D.Rights development ille C beLT epxro pvloisreiodns.as an interwoven network that alleviates toTfh illeasney ‘fgaacpests’ inwth community reliance on existing Sheffield public services, contributes to the supply of affordable housing, improves the social and meRnEtaSlIDwEeNllT-b IAeLing of A reCsLidTenNtsewth-brouuild lapr leDmeevnetlo gh Mthoeduim ap tiomnenotf ascheme green-nwill etwobe rk sproposed yC stOeN mVEaRnSdIaround nables OeN C the CaFal FsItm leEaglal tbeusarea locO inessof es Sheffield, to flourish with by pvarious roviding facilities affordabland e woraccommodation k and production BUILDING may be created by repurposing existing redundant buildings in the types. spacThese es (which may extend to agricultural production – linking to the envisaged surrounding the CLT and the wider Sheffield community. green-netwarea ork s-yto stebenefit m).

MODULAR DEVELOPMENT RESIDENTIAL CONVERSION

ittw ed ExisPtienrgmD ellD inegvsetlopAmffe onrdt aRbiglehtHso-mCeosnversions NExample: ewby‘Dseparating oConversion wnsizthe inof gexisting ’Redundant Affohouse rdaOffices bfrom le Hthe om es Affordable into Quality ResidenAchieved associated land, ‘gifting’

Affordable Care – support systems for those that need care as well as carers.

ThNisewPr‘oDje ocwtnsizing’ Affordable Homes

3

I intend to focus on four facets of community development:

Permitted Development Rights - Conversions

Affordable Care – support systems for those that need care as well as carers. Redundant Offices Affordable ResidenAfExample: fordable HConversion ousing – forofall generations, not into just Quality the young. There will be three tial Unitsofusing Class Ousing (P.D.Rights) Offices to new Dwellinghouses. methods production: existing -dwellings, modular ‘downsizing units and P.D.Rightsthe change of use of enable redundant buildings. to convert Harnessing potential of repurposing P.D.Rights to communities office buildings into affordable housing - without lim- as Grredundant een Ameni/tivacant es – that have a community and environmental benefit. the As well itations of planning. green networks that connect the two CLT sites (Milton Street & Castlegate) to each other and various (significant) areas and services in Sheffield. Local Production & Small Businesses – supplying day to day necessities for the local community will be prioritised.

10

RESIDENTIAL CONVERSION

OFFICE BUILDING THE LAND

1

10

THE HOUSE

Existing Dwellings to Affordable Homes Achieved by separating the existing house from the associated land, ‘gifting’ the land to the CLT, the property can then only every be sold at an affordable rate (through the CLT) - the ‘gifting’ owner is given priority purchase of a new CLT development unit in exchange for the land.

3

Permitted Development Rights - Conversions Example: Conversion of Redundant Offices into Quality Affordable Residential Units using Class O (P.D.Rights) - Offices to Dwellinghouses.

These facets will be explored as an interwoven network that alleviates community reliance on existing Sheffield public services, contributes to the supply of affordable housing, improves the social and mental well -being of residents through the implementation of a green-network system and enables local small businesses to flourish by providing affordable work and production spaces (which may extend to agricultural production – linking to the envisaged green-network system).

A

GA

SP

OF

Harnessing the potential of P.D.Rights to enable communities to convert redundant / vacant office buildings into affordable housing - without the limitations of planning.

10

For res recreat ty in a w profit fr

< an a work fo goods


SITE

SCENARIO

Recipe:

PEOPLE

FUNDING

DESIGN

CONSTRUCTION ECOLOGIES

P h a se 1 I B P h a se 1 I A SHEFFIELD HIVE COLLECTIVE The Urban 'Kitchen'The Domestic Kitchen THE HONEY HARVEST BEGINS

P h a se 1

P h a se 1 I A

The Commoning Kitchen

The Communal Kitchen

KITCHEN (noun) = a room where food is prepared and cooked

KITCHEN WORK Above: ANGLE* (concept) SITE Baris Cinar SCENARIO PTefficient ERIO PLkitchen E layouts FUNDING that are both aesthetic The Sheffield Hive Collective Project and functional

Right/Below: Dana Mitica MicroCity Collective Kitchen

Ingredients: Design

Management

2 Bedroom House Reclaimed Timber Facade Pedestrianised area along the river

River Don

Design

Bicycle Route

1 Bedroom House

CONSTRUCTION ECOLOGIES

URBAN ECOLOGIES

This Kitchen Is designed to be inclusive and accessible for everyone. It will be used by the members of the community, volunteers, the residents, but also by the people in need. It is also designed according to the kitchen work triangle*.

A Trial Kitchen that is shared among 7 apartments. This kitchen will challenge the boundaries of a domestic kitchen, acting as a co-living space. designed according to the kitchen work triangle*.

One example of a domestic kitchen that can be individualised by the residents and their preferences, but in relation to the Kitchen Work Triangle*..

Eating in a public space is taken for granted nowadays, but those spaces can be considered vibrant territories in which people create micro kitchen environments.

The Community Board will be in charge of managing the space and the people using the kitchen. The events will also be organised and managed by or in collaboration with the board. Each person that will use the kitchen will have to sign a form stating to take responsibility of any food contamination that might occur (details explained on the Phase 1; Ground Floor Kitchen detail page)

The CLT Board will manage the kitchen in collaboration with the 7 trial apartment residents

Residents will be fully responsible and in control of their private kitchens.

The Community Board will manage the communal spaces, but it is up to each individual to maintain the spaces and improve the act of sharing and co-using. Green roof for work recreation

Workshop space

Pedestrian Route

Void For Light & Ventilation Storage Module

Urban Furniture

Monday - Agriculture Friday: 8:00a.m. to 7:30p.m.Stone Wall made from 24h opened to all 7 apartments Urban reclaimed stone from Sat & Sun:site10:00a.m. to 6p.m. Ruins Exposed from the Castle

Program

Green Area Replacing the Driving roads

DESIGN

24h opened (private usage) built from reclaimed materials

24h opened (public Usage) Studio

the Castle

Materials; C r o ss Contamination Back garden

Front garden

Preferences & Requirements

As an inclusive kitchen, there are provided special fridges and cooking recipients for different requirement such as food allergies, intolerances or diet preferences such as veganism. (colour codes usage)

Retail

7

ambient

As an inclusive kitchen, there are provided special fridges and cooking recipients for different requirement such as food allergies, intolerances or diet preferences such as veganism .

Individualised according to personal preferences.

Individualised according to personal preferences.

Communal decision (among apartment residents).

the

Agora

Section AA @ 1:100 The outside balcony allows Michael to pace around and relax when hes searching for graphic design ideas. The studio space allows Michael to do his graphic design work but also can later be converted into a nursery for their future children.

F

Bath

Kitchen Living

Study

Hall The open patio also allows Michael and Amy to do their morning yoga and other fitness activities

A2

A2

Please Read this page as 2x A2 Pages

Bedroom

Alternative to a full balcony, a juliet balcony attached to the bedroom allows Amy to feel like shes back in the countryside with wide views.

Street connection to the other side of the retail businesses

Individualised according to material Bicycle Parking preferences.

The living area does away with the conventional dining room and allows the couple to have their netflix dinners.

Amy’s love of cooking has been incorporated into a large open plan kitchen which connects snuggly to the living/dining area.

Amy’s love of greenery and the outdoors has been brought into the plan through the use of potted plants at different places.

Amphitheatre Being a communityAgora kitchen and being used by different people, it is important to minimise Flood Control the risks of contamination. System Therefore, the kitchen counters and cabinets will be made of stainless steel, a material that minimised the multiplication of bacteria and viruses.

59

Bottom: Shailesh Patel The Community Housing Association

URBAN ECOLOGIES

Kitchens as Inclusive Spaces; Food as a Boundary-Breaker

Floor Plan 1:50 The outdoor patio garden allows Amy to grow her own herbs and vegetables with the help of the pergola. The patio also would be used in the future by their children allowing them to play outside.

The propsed plans and exploded axonometric at 1:50 show how the clients ideas are brought to life in design, different elements of the mood board are referred to on the plan to show how they were incorporated into the design. Careful attention was given to make sure that the clients wishes were met where possible. In a real-life situation this would probably not be possible but for the sake of this I have assumed that all of their requests can be met. The exploded axonometric gives a rough sketch of what the interior spaces may look like in a 3D view. It also shows how the different spaces fit together to create the full modular unit. Interior design of the modules would be left up to the client, but being able to visualise what they want helps with the design process as a whole. When the architect ultimately goes back to the client with these drawings it helps the client visualise what they may be living in in the future, and this process helps them understand if it is what they desire. Furthermore the client can also decide to make changes if they want.

Exploded Axonometric 1:50


COMPOST

Atelier 3

Sustainability A controlled compost unit used to store and compost waste that will later be used as plant food, it also works a system to prevent waste build up and prevent rubbish being taken to landfills

Agriculture Food g seedlings and offers simie that can adjust temperathe aquaponics system of

WIND-PUMP

A pump that draws water from the canal maintaining the water level but to also release the methane gas from building up.

AQUAPONICS Vegetables & Fish Supply A system that depends on fish faeces to feed plants as oppose to depending on soil which can degrade overtime and may need time to recover. This alternative only requires very little soil which is for the plants roots but is predominantly stone that filters the nutrients and allows clean water back into the reservoir

Community Events skill share

AQUACULTURE Fish-food Fish ponds used to breed fishes in an environment that depends on natural ways of feeding the fish as oppose to feeding them process foods that effects the condition and quality of the food

e outside world. h from the lab, m around the elevant to the y.

Plant Nursery Sustainable food-lab

Aquaculture Locfood supply

Compost Manure & waste food

Aquaponics Filtration & plant food

Professional Interest

ENVIRONMENTAL

SOCIAL

METHANE-PUMP

Bio-gas Bio-plant athers and stores methane later to be used in the bio ant and for other appliances such as the kitchen and eating systems.

FOOD-LAB Food Security Sustainability The lab is a research facility that aims to find dynamic solutions to the challenges of food sustainability and security. It expands out in to several different fields to a kitchen, agriculture as well as aqua culture food. KITCHEN

Food Security Local Supply An onsite kitchen that offering food to the pavilion but is also educational in the sense that it explores how to prepare food that you can grow at home or fish you can catch from local rivers and canals

Research Sustainable foods

Bio-Plant Local energy supply

Water Reservoir Flood prevention

Research Archive Knowledge sharing

Reed Pools Water filtration

Education

Food Local fruit & Veg supply

Ecology : Reaching Beyond the Pavilion

The pavilion will have several economic benefits such as an isolated water filtration and energy supply systems, flood prevention, natural air filtration from woodland & green lands local food supply

ECONOMICAL

Arial Project View

43

SOCIAL ACTIVITIES Wellbeing The pavilion will open new pathways that allow for members of the public to pass through the new territory that is currently fenced off, offering new opportunities for social interaction and vibrant spaces for walks and other outdoor activities SKILL-SHARE Alternative Currency Activities done are carried out by volunteers of any social class in return their efforts are exchanged for an alternative currency that is valid in the pavilion giving access to premium events, workshops and food.

COMPOST

Sustainability A controlled compost unit used to store and compost waste that will later be used as plant food, it also works a system to prevent waste build up and prevent rubbish being taken to landfills

PLANT NURSERY

Agriculture Food A secure facility for planning seedlings and offers similar functions of a greenhouse that can adjust temperatures that are later taken to the aquaponics system of grown outside

WATER-RESERVOIR

Clean-Water Supply Main water supply for the pavilion that provides clean drinking water used in the kitchen while filtered water is used for sanitation.

60

WIND-PUMP

A pump that draws water from the canal maintaining the water level but to also release the methane gas from building up.

COMMUNICATION-CENTRE

This is what connects the Pavilion to the outside world. This would happen by sharing research from the lab, publicising and allows designers from around the world to access relevant information relevant to the environmental challenges we face today.

AQUAPONICS Vegetables & Fish Supply A system that depends on fish faeces to feed plants as oppose to depending on soil which can degrade overtime and may need time to recover. This alternative only requires very little soil which is for the plants roots but is predominantly stone that filters the nutrients and allows clean water back into the reservoir

AQUACULTURE Fish-food Fish ponds used to breed fishes in an environment that depends on natural ways of feeding the fish as oppose to feeding them process foods that effects the condition and quality of the food

BIO-PLANT Bio-Fuel Cattails The plant uses a combination of bio-fuel and methane to power the pavilion.

FOOD-LAB Food Security Sustainability The lab is a research facility that aims to find dynamic solutions to the challenges of food sustainability and security. It expands out in to several different fields to a kitchen, agriculture as well as aqua culture food.

Section AA This section situates the proposal within the existing context, sitting prominently at the main entrance to the Abattoir site and demonstrating the scale of the units and how the programs would be stacked within them. WINDMILL

Mill used to grind the dried cattails down and process them to pellets that will later be used to fuel the bio-plant r ones and smaller birds feeding off of insects.

The Blackburn Pavilion

Visual Drawing exploring the different pieces of infrastructure and there locations on site

42

METHANE-PUMP

Bio-gas Bio-plant Gathers and stores methane later to be used in the bio plant and for other appliances such as the kitchen and heating systems.

KITCHEN

Food Security Local Supply An onsite kitchen that offering food to the pavilion but is also educational in the sense that it explores how to prepare food that you can grow at home or fish you can catch from local rivers and canals

30


the idea of ‘vibrant Right: Ellie Stinson effield as a group to Place Identity ory in Sheffield’s city various ideas&around Below Bottom: Alex Broadbent . A keyBrussels example of this Initiative Mycelium quare can be considered he University Campus Opposite/Top & Centre: Ayyub Sharif he space by default are Expanded Ecology t limited to students or Opposite/Bottom: Ellie Stinson Growing a Community

signs, ce from vehicles,

n to the walk – a space ted into a pay-as-younge of events and a good

Figure: 03 Mapping the city walk. (Author’s own)

61

11


Above/Right: Amy Wilkinson The Stories of Woodhouse

62

Below: Daniel Mitchell The Zinneke Project: Unfolding the architecture & urbanism of a parade

undertaken d influence

THE FRAG TH

SENNE VAL

ng the main nd others, in

– run along der the soil munities and

dors for the g their ideal

Meulder, q, W. andB. De(2017). Meulder, Flood B. (2017). + Forest: Flood A Migration + Forest: Corridor A Migration For Reconnecting Corridor For Reconnecting the Brussels Landscape. the Brussels Landscape. vailable ps://scenariojournal.com/article/flood-forest/ at: https://scenariojournal.com/article/flood-forest/ [Accessed 19 [Accessed Nov. 2019].19 Nov. 2019].

Wambecq, W.Wam and nariojournal.com/a nario


Below: Liam Tilbrook The Institute for Water Issues Awareness

63

Above: Daniel Mitchell The Zinneke Project: Unfolding the architecture & urbanism of a parade


Left: Alex Broadbent Brussels Mycelium Initiative Facility disassembly Below left: Christodoulos Georgiou Materials and manufacturing

64

Right: Liam Tilbrook The Institute for Water Issues Awareness Kinetic solar facade

Summer

Perspective section The sun high in the sky, panels towards the top of the facade are orientated almost horizontally, providing shading to the adjacent offices. Lower panels are opened and angled to reflect sunlight down into the 06/DESIGN DEVELOPMENT public viewing galleries that surround the debating halls.

06/DESIGN DEVELOPMENT Resources & Network Map

Materials & Manufacturing

As explained, the chosen method of manufacturing is the construction and assembly of the timber housing units in a factory controlled environment. Seen below is a template of a standard module based on a typical timber construction process that will be multiplied and adapted across the whole scheme. The structural framing and location of all the different openings can be standardised for the whole scheme in order to simplify and speed up the process. This will also allow for greater flexibility when fitting all the internal non structural partitions, to match the different housing layouts.

Seen below is an abstract resource diagram showing the network between the timber supply companies, their timber harvesting locations across the UK/Europe and the journey from their facilities to SIG’s modular construction factory and finally to the Castlegate construction site.

Internal Partition Wall Panel

Exposed Plywood Finish

Framing Timber

Structural Sheathing

Timber Supply Companies

Vertical Timber Cladding Finish

SIG Warehouse

Treated Battens

ics

algorithm Plumbing Services ustrates an initialRough version of the parametric modelling model the kinetic heliostatic facade. This early model takes ration inputs such as time of day and year to determine the

Mineral Wool Insulation

A kinetic facade

Section / Rollover - scale 1:50 @ 2A2 Castlegate Construction Site As the sun moves through the sky and light requirements of the new spaces change Factory Installed Windows through the day and across the year, algorithms linked to light and weather sensors, and the IWIA programme of events determine the optimum position for each facade panel

Hardwood Flooring

On-Site Transportation & Assembly

On-Site Transportation & Assem


Construction Ecologies Technology on the M.Arch course is explored through construction ecologies in the students design studio projects. This tells the story of the construction of the design project, and strongly informs the architectural design. The purpose of the CE is to avoid any artificial dichotomies, such as those between notions of ‘design’ and ‘technology’, ‘form’ and ‘detail’, or ‘art’ and ‘science’. Instead we see architecture and design process as an ecology (in which the place (context), materials, form, techniques, experience and use) all interact.

Praxis 3: Developing your Agenda for Practice This reflective module introduces a collective process of thinking about, designing and crafting your own practice in a way that is aligned with your values and aspirations. Through group discussion and personal writing, students interrogate the notion of employability and its implicit limitations.

Critical Study

Sustainable City Ecologies The module explores theoretical models of the city, drawn from across urban planning, landscape and architecture, with a focus on contemporary theories of eco -urbanism and the sustainable city. Students develop ‘Creative Ecologies’ at urban and city scales, related to their design projects.

Integrated Practice This module is concerned with professional architectural practice and management, including regulatory codes and procedures. Within this module practice is conceptualised both in theoretical and applied terms, integrating knowledges, reflections and prototypes within design. The design context and site for learning within this module is a student-led project, undertaken in a parallel module (Design Studio 6). The key issues that the module addresses are those of contemporary architectural practice, including professional, social, economic and legal. Directed reading includes office procedures, codes of practice and standards. Values and professional ethics are debated, and current practice is set alongside potential future developments in answer to cultural, economic and technological development, in particular the growing sustainability imperative.

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In this Year 5 module students carry out theoretical and live research into the notion of Vibrant Territories. Through lectures and an active research process we engaged with different interpretations of territory to reflect “shifts in our understanding of what territory is about, of its relation to human institutions as well as to nature, landscape and environments.” (Picon, 2010). Students explored changes in the possible meanings of territory from those related to the control, measurement and ownership of people, land and resources to what we call vibrant territories - those which are dynamic, open, self-produced and collectively made and used. Vibrant territories are therefore spatial defined conditions that work to open up subjective, social and political potentials rather than closing them down.


Cover Image: Gene Dubovey, Year 3/4 Sheaf Valley Link Building Above: Henry Yang

Welcome

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SHU_Architecture and Architectural Technology Department of the Natural and Built Environment Sheffield Hallam University City Campus Sheffield S1 1WB


Introduction to

Architectural Technology Architectural Technology at Sheffield Hallam University is seen as one of the most established and respected architectural technology courses the UK. The course has always been centred on architectural and technical design, as a preparation for the professional role an architectural technologist as an expert in building design, technical design and construction project delivery. It has a diverse curriculum and provides a broad base of expertise, delivered by a team of professionally experienced practitioners and academics.

Students from this course have been regular winners of the CIAT Student awards and in this respect, we are unrivalled. The success is a product of our talented students and staff and our innovative approaches to teaching architectural technology as a design-led and research-based activity. Our higher commitment is to achieve success for all of our students, by providing them with a broad skill set, an impressive portfolio of work and a positive attitude, to allow them to progress confidently into a great career as an architectural technologist. Andrew Wilson Course Leader

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A key aspect of the course is its responsiveness to change, always adapting to new and emerging developments in architectural practice and the construction industry. A concern for sustainability and low-energy design has always been and always will be a core priority to us. Digitally based design and construction is a dynamic and constantly evolving dimension of architectural technology and we track and respond actively to ongoing developments. The computer, building information modelling, IES Environmental and BIM360 collaborative team-working software have become powerful design tools used across all areas of the course. The course also has a strong focus on the investigation and simulation of new forms of interdisciplinary working and modern methods of construction.


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Below: James Beaton Construction junction detail Dwelling together

Year 1 students Kat Kitson Alex Lakin Rachael Marshall Cameron McSeveney Marcus Meredith Bill Nicholson Chris Parke Isabel Rumley Shahzad Safdar Callum Sheldon Aaron Singh Longdon Warwick-Shaw Emily Wood Glen Wood Grace Roche James Beaton Tutors and staff Sarah May Frances Robertson Neil Pritchard


YEAR The First Year of the Architectural Technology Degree Course introduces students to the fundamental processes of the profession. The year is oriented around Studio Modules which span the length of the year and comprise a third of the award marks for the year. In addition to and in support of the studio modules there are technically based modules that transfer knowledge and skills in terms of:

1

• Construction Technology (structure and fabric of build form), and how these are interlaced and interfaced within the construction; • Environmental Technology (the science of environmental design) incorporating design skills relating to daylight, sunlight, heat loss issues; • Graphic Communication (conventions and methodologies relating to manual and digital drafting throughout the design process from diagrams to explore logical configuration through to cross-sectional detailed design of construction.

Students will progress from the first year with a grounding in technical design embedded within design that acknowledges functional, aesthetic, contextual, tectonic and spatial issues.

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The studio projects increase in size and complexity throughout the year, providing the student with the opportunity to experiment with architectural design incorporating the science-based learning and working towards a holistic approach that gives the student a foundation in Architectural Technology to build on in the subsequent years of the degree.


Between the trees

Top: James Beaton Between the trees Bottom: James Beaton The eco collection

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Opposite: Chris Parke

The eco collection


Final sketch up model

Mason Autistic Structure

Final sketch up model

Perspective of the house shown from the sudden point of the house. Showing the front entrance and access to the garden

Pe ro

Wall to roof isometric detail

This isometric detail of a wall to roof junction of one of the bedrooms. It shows the double start timber frame external wall, along with the sawtooth roofs structure which sits on top of the outer section of the stud wall. Which a well insulated standing seam roof sits on top of.

Insulation

Standing seam metal roof Southeast facing side of the house showing all the access points to the garden.

Perspective of the house shown from the sudden point of the house. Showing the front entrance and access to the garden

Perspective of the house from the north corner showing the timber clad bedrooms and sawtooth roof.

Waterproof membrane

Plywood board

71

Timber roof struts

en close to finalized my design to move the communal Southeast facing side of the house showing all the access points to the garden. ets and laundry away from the living area. en putting onto the site 1:100 and roof we showed the sun uld be doing at about 4 o'clock in the afternoon. My name ng to have lights going down the center current door of the use in the morning and in the afternoon.

Christopher Parke Architectural Technology Year 1 Student ID: b7035207 Noggins

Christopher Parke Architectural Technology Year 1 Student ID: b7035207 This model shows mean the structure of the double stud timber frame wall external wall with a window. Insulation would sit in between that internal and external parts of the timber framed wall.


Site analysis:

Dwelling together Client Profiles: The site is located next to Heeley city farm on Myrtle road, Sheffield. There are 4 plots that can be used but plots 2 and 4 are most desirable. Plot 4 is at a significantly higher lever than plot 2, rising around a metre.

Ph Google earth view of myrtle road, accessed 02/03/20

Photo by Chris Parke taken 29/10/19

Photo by Ch

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1:10 isometric junction detail and structural representations:

3

ook inspiration for the exposed ams from these houses, the ceiling ight from the bottom of the joist to e floor is 2.4m in my design.

I sketched out the same wall withou including the insulation r plasterbo so the structure could be seen mor easily

I showed structure stud plac in these structura elevation arrows sh where th isometric showing design. I wanted to use the metal sheeting that had be provided as to cut costs and make the building more environmentally friendly through the use of recycled materials.

10 10

13


Below/Right: James Beaton Bottom: Isabelle Barron Opposite: Emily Wood

l

Model

PRODUCED BY AN AUTODESK STUDENT VERSION

73

View

Dwelling Together

Concrete Entrance

(steel I-beam)Frame

Polishe Concret Floo

Complete Model

First Floor

Clad (Window Seat) Do

Elevation from Alexandra Road

Ground Floor Dwelling Together AutoCAD Technical Drawings


other two sides, which then transmit pressure to adjacent triangles. This helps the distribution of pressure and helps the dome to distribute stress along the entire structure and not focused in one place.

Window design on the building

Below: Alex Pullen Window design progression Element Society

How the building looks with the windows inserted.

Final window design

For the final window design I decided to go with a black frame and mullions.

3D junction detail

This detail shows a 90 degree bracket which is bolted onto the steel beam and the steel frame which holds the window in place. The window will have two of the brackets on each side of the window.

Window design 3D junction detail Showing how the window is supported by the steel framework.

Final window design model 1:50

A process modelling path showing how I constructed the window in sketch up from start to finish.

Alex Pullen - 28021284

7

74

Year 2 students Ali Bazar Luke Bembridge Tom Booth Chloe Brunyee Adam Carter Harvey Clarke Oliver Close Ed Gray Maarten De Rooij Eddie Du Gower Garner Elliot Holt Hannah Ibrahim Alfred Jatta Ibrahim Khalifa Tom Lambarth Chris Middleton Jack O’Hara Nathan Pearce Alex Pullen Marcus Rogers Ellis Simpkin Rav Singh Dan Springall Katie Watson Jen Williams Ryan Williams Tutors and staff Geoff Olner Neil Pritchard Frances Robertson (module leader)


YEAR AT Year 2 focusses on creating an interesting CV and portfolio of work in preparation for gaining a placement. The modules include practice-related learning in 3dBIM, construction technology, conservation, environmental design & analysis, and collaborative working. With this in mind, the two projects, one per semester, enable applied research and knowledge in the refurbishment of a City Centre building for Element Society, a young person’s charity, and the design of a Palliative Care Centre at the Northern General Hospital in Sheffield: real projects and real clients with the participation of Stuart Hindmarch from NGH Estates .

2

Both projects used BIM to explore, develop and communicate the design. The project was enriched through the involvement of two Associate Lecturers with expertise in hospital design; Paul Allison and Peter Daymmeyer. This project is used as a vehicle for the integration of the learning across the 3dBIM, Environmental Technology, and Construction Technology curricula. This year the second year students were introduced to the application of BIM360 - a cloud-based digital collaboration tool facilitated by Autodesk. 75

Element Society Refurbishment

Refurbishment of existing City Centre building – Yorkshire House – fist two floors are owned and occupied by another company. Element Society occupies the top three floors. The project was to create one new floor at roof level which would create four floors in total of provision for the client and building users.

Palliative Care Centre

The site is within the Northern General Hospital complex. The project was a new build which needed to connect the patients to the existing arterial circulation route to essential hospital facilities. It is next to one of the main service roads with only a one storey, adjacent building to the South.


Isolated space

University use

Noise Waiting Area

Meeting Rooms Gaming

VR room

Viewing area

Use as exam hall

Bar/Serving area Multi Faith

Separate from office space

Element Society Refurbishment Viewing Areas

esk

Consultation area

Rentable spaces

Services for people involved with the charity

E-sports area

Usable by university societies

X2 meeting rooms

Storage

Cafe

Upper viewing deck

Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (Existing Floors) / Fire Escape Plan - Page 11 FL 02 – 1:50

Sensory/quiet room

Adaptable space

tournaments

Fire Escape Key:

Room Exit Route:

Route to Fire Escape:

Fire Escape:

Outdoor area Double height space

EXISITING BUILDING

Communal

ub

Retractable wall (bifold?)

NS Section

Conference room

rea

ea Exploration

Top 2 levels removed

EXISITING BUILDING

Replaced by angular overhang

Materials/Shape/Form Of lower levels maintained

Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (Existing Floors) - Page 12

EXISITING BUILDING

FL 03 – 1:50

//www.geograph.org.uk/photo/3853904

NS Section

T3F Section

EXISITING BUILDING

Internal Renders

Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (New Floors) - Page 13

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EXISITING BUILDING

FL 04 – 1:50

NS Section

EXISITING BUILDING

T3F Section

Luke Bembridge – Design Studio - Yorkshire House – Final Floor Plans (New Floors) - Page 14

EXISITING BUILDING

FL 05 – 1:50

NS Section

EXISITING BUILDING

T3F Section


KSHIRE HOUSE l Proposal

Above/Left: Jen Williams

3D Exploded View of Final Design

One of the main benefits to this

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Below:is Tom Lambarth While highly effective, this proposal quite obtrusive to the design of the building, especially asLuke these are East facing Opposite: Bembridge windows, so the solar shading will only be effective in the morning. A system such as external venetian blinds may be more suitable.


Luke Bembridge – Design Studio – Northern General Palliative Care – Wall to Roof Detail Development 1 of 2 - Page 27 1:5 Flashing/Coping Development – Sketch to Scale Detail

Palliative Care Centre

1 – Water Shedding onto the Green Roof

1

1:10 Wall to Roof – Initial Sketch to Scale Detail

In this iterative sketch to scale detail I changed properly shed water onto the green roof system

2 1

2 – Continuous Metal Flashing South Lane

Based on the issues highlighted in the previous the parapet and under the perimeter ballast of walling/insulation.

2

6

3 – Waterproof Membrane Placement

7

In this iteration the waterproof membrane is p so it is protected from damage as well as allow

P20

3

3

1

Vickers Corridor

A

B

1:10 Wall to Roof – Second Iteration

C P19

-

2

-

Development 1 of 2 - Page 27 1:5 Flashing/Coping Development – Sketch to Scale Detail D

1 – Water Shedding onto the Green Roof

1 – Coping – Green Roof Water Runoff

1

Shown above is a dual angle timber coping – this was specified purely forIn this iterative sketch to scale detail I changed previous dual angled coping to a single angle coping timber that would now aesthetic reasons. However, this enables water to run off away from the properly shed water onto the green roof system – thus preventing storm water run off. 2 green roof system which in turn counteracts one of the great benefits of 1 2 the roofing system which is to catch storm water runoff.

2 – Continuous Metal Flashing

To rectify this a single angle timber coping will be specified. 2 – Waterproof Membrane Issue

2

Based on the issues highlighted in the previous detail I added a continuous metal flashing that runs under the coping, dow P20 the parapet and under the perimeter ballast of the roofing system in order to prevent any water ingress into the stud 1 2 3 4 5 walling/insulation.

78

South Lane

In this iteration the waterproof membrane was run down the parapet and 3 – Waterproof Membrane Placement under the ballast/substrate – The waterproof membrane would eventually be damaged by roots and the ballast layer which would result in rotting of the stud walling due to water ingress. Additionally, it renders the drainageIn this iteration the waterproof membrane is properly placed in the roof construction in that it is ran below the root barrier 3 so it is protected from damage as well as allowing the drainage layer to function as intended. layer underneath useless. In order to correct this a continuous metal flashing should be specified to sit atop of the waterproof membrane where required to protect it. The waterproof membrane should also be run further down the parapet then under the root barrier thus protecting it from damage.

1:10 Wall to Roof – Second Iteration

1 – Plywood Thickness

3 – Secondary Steels & Fixing Issues

1

Roof Plan - Context

I specified 18mm Plywood to act as the structural deck of the green roof sys Plywood would be able to withstand the weight of an intensive green roof (~ avoid the potential outcome of the plywood failing I will be specifying 30mm

1 : 200

I initially specified the 80x80mm steels to be fixed flush in line with the top of the I-Section Beams, this raised the question of how they would be fixed Section Scale 1:25 and if such a fixing would be strong enough to withstands the forces generated by the heavy intensive green roof system.

2 – Secondary Steels/Parapet Anchor Point

It was decided that the 80x80mm secondary steels would sit atop of the frame and be bolted down onto it, thus removing the concerns of the fixings failing & making fixing them much simpler in the process.

1

Shown in this iteration is the required change highlighted in the initial detail the primary frame with the plywood deck fixed atop of them. The parapet is n horizontal batten that is runs the length of the walls, this prevents the parap roof substrate and ballast. 2 – Cement Boards/Additional Insulation

2

As discussed in the floor to wall detail development (p x), the plywood sheat additional stiffness and additional horizontal battens will be added to allow f

3

Development continued on the next page

1 – Plywood Thickness I specified 18mm Plywood to act as the structural deck of the green roof system. This raised the question of whether 18mm Plywood would be able to withstand the weight of an intensive green roof (~100kg/m2 dry and ~100kg/m2 fully soaked). To avoid the potential outcome of the plywood failing I will be specifying 30mm plywood for the deck. 2 – Secondary Steels/Parapet Anchor Point

Top left & right: Luke Bembridge

Shown in this iteration is the required change highlighted in the initial detail – the secondary steels are now fixed on top of Detail 01 the primary frame with the plywood deck fixed atop of them. The parapet is now anchored to the secondary steels byAbove: a Green Roof to Curtain Wall horizontal batten that is runs the length of the walls, System this prevents the parapet from being forced outwards by the green roof substrate and ballast.

Alex Pullen

Left: Jen Williams

2 – Cement Boards/Additional Insulation As discussed in the floor to wall detail development (p x), the plywood sheathing will be changed to cement board for additional stiffness and additional horizontal battens will be added to allow for further insulation to prevent cold bridging.


throughout winter. - Some deciduous trees to increase solar gain in winter.

Pond and Wildlife - Helps to naturally cool - Increases biodiversity - Water has a calming, tranquil sense which helps the wellbeing of occupants. - Nectar-rich plants and bird feeders encourage wild-life

- Creates ecology in otherwise derelict space. - Helps wider spread of biodiversity. - Retains large portion of rainfall, reducing flood risks. - Improves air quality for patients and staff. - Reduces carbon footprint as it improves insulation of the building.

and natural daylight. - Vents and windows improve cross ventilation

heat in winter. - Patient room glazing has TVis of 40% with triple glazing to reduce glare and increase thermal comfort.

Garden room - Biophilic design increases connection to nature, improving wellbeing. - Increases the solar gain of the building. - Open to heat rest of the building. - Close it off and opening the windows to prevent overheating.

Materiality and Insulation Rockwool Insulation Foamglas structural insulation BASF Styrodur XPS Insulation under screed improves efficiency of underfloor heating. 70% Cement replaced with GGBS BASF Styrodur XPS (ODP chemical free polystyrene)

Lansdowne Gardens, Phillips Tracey Arc

Demolished building used as hardcore

Façade is London Yellow Brick, subtle colouring draws attention to greenery

79

Above: Jen Williams Below/Left: Jack O’Hara


80

Image credit: Ben Hall

Year 3/4 Students

Year 3/4 Tutors Jacob Ware Gabriel Tang Andrew Wilson Visiting Tutors ARUP Tom Elliot Bryan Parkin

Eskandar Abushama Clement Asoro Kira Atkin Patrick Back Robert Beeson Jay Bhaker Josh Clark Matt Cooper Joe Dawson Gene Dubovoy Ethan Dunbobbin Ben Hall Dineka Keeton

Joe Lontoc Matthew Marshall Ben Monk Louis Morrish Tom Parker Will Pettifer Rupert Pope Bahador Pour Jafar Elmira Shekari Sukraj Sandhu Katie Wilson Henry Yang


YEAR

3/ 4

The final year of the course is centred on the delivery of a year-long comprehensive design project. Students take a complex brief and produce a broad portfolio of work covering site analysis, concept design, scheme design, structure, components and technical details. The impressive array of work is produced and coordinated using BIM to its full potential. The project is also supported through integrated and applied learning in three other modules. Technical Report ensures that students follow a rigorous technical design methodology. Environment and Technology 3 requires students to always take a sustainable approach to design and to demonstrate this through digitally modelled energy simulation. Professional Practice uses the project to investigate the subjects of fire safety, health and safety and project management. The project is delivered through weekly studio tutorials and supplemented by structural consultations by ARUP, reviews by practitioners and specialist lectures on construction and BIM. A field trip to London at the start of semester two visited new and old projects by Richard Rogers, Norman Foster, Nicholas Grimshaw and BIG - amongst others.

There is never a right answer to the project. We welcome a diverse range of architectural ideas and ambitious approaches to technical design and construction.

Interdisciplinary Practice A collaborative project involving groups of students from: Waterford Institute of Technology, Ireland - WIT; KEA Copenhagen School of Design and Technology - KEA; Sheffield Hallam University - SHU; working on a design development brief for a Gateway Tower Cruise liner terminal for Waterford, Ireland over a three day period. The project is a continuation of 7 years of design collaboration between WIT and SHU and were joined this year by KEA. The project is supported by AutoDesk and CIAT Aspiration and has featured in presentations to AutoDesk University and showreels demonstrating the use of BIM360 Design Collaboration https://www.youtube.com/watch?v=anw0UCzYhOw

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The project this year was to design a mixed-use convention centre at Sheffield railway station, anticipating the regeneration benefits of HS2 and improved connection to London, Birmingham and Leeds. The brief included exhibition spaces, flexible offices and a much-needed open access pedestrian bridge to connect the city across the railway lines.


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Above & top: Patrick Back Below: Ethan Dunbobbin


83

Above & Below: Joe Dawson Right: Matt Cooper


84

Above/Left: Ben Hall Below: Dineka Keeton


Left: Ben Monk Below: Gene Dubovey

85


86 Top: Jay Bhaker Above: Will Pettifer Left: Rob Beeson


Above: Henry Yang Right: Josh Clark Below: Kira Atkin Bottom: Louis Morrish

87


Bauder DSE40 Drainage layer and associated filters.

External Build Up: Internal Side · 100mm thick CLT panel · Pro Clima DA breathable Vapour Control membrane · 2no. layers of 100mm thick NatuHemp insulation on timber I-Studs · 12mm OSB board · 38mm vertical timber battens / ventilated cavity · 12mm OSB board · Standing Seam Zinc Cladding External Side

Environment and Technology

South West Elevation of the room, as outlined by CIBSE are: C-25°C for summer months.

150mm thick exposed CLT floor & wall panels, with additional sealant at panel connections to improve airtightness. Breathable vapour control layer to external face of CLT panel. 2no. laye

ZEDRoof Sola System on 200 trusses - with pannels and d

Bauder Protection / Waterproofing layer over insulation / to insulated upstand in order to prevent water ingress. 2no. layers of 100mm thick Bauder Extruded Polystyrene (XPS) insulation, with low global warming potential.

2no. layers of 100mm thick NatuHemp insulation, installed between vertical timber I-Studs.

alu U-V

North east facing clerestory light to provide additional natural light to help the room achieve 300 lux.

e= 0.1

'Idealcombi Futura +' window system with aluminum powder coated profiles and insulated infill, to perform to a through frame U-value of 0.74 W/m²K. With glazing build as noted elsewhere to achieve 0.6 W/m²K.

7W q.k /m.s

Bauder Protection / Waterproofing layer with insulation under to prevent cold bridging to rear of parapet.

External Wall

170mm thick Bauder Biodivserse substrate layer crushed clay & sand layer with native wildflower planting mat over. U-Value = 0.8 W/m.sq.k

2no. layers of 100mm thick Bauder Extruded Polystyrene (XPS) insulation, with low global warming potential.

Internal Side · 150mm th · Pro Clima Control m · 2no. laye insulation · 12mm OS · 38mm ve ventilated · 12mm OS · Standing External Side

U-Value = ?.?? W/m.sq.k

Bauder DSE40 Drainage layer and associated filters to control rainwater run off and create a SUDS system in a flood risk area.

Bauder Protection / Waterproofing layer over insulation.

U-Value = 0.15 W/m.sq.k

Maintained Lux

40

300

2

Figure 48 - Solar Canopy

LED Lighting

1

Figure 36 - Light Shelf (Perspective)

2475 Window Height

The use of a green wall both internal and externally in a builidng espically in a urban enviroment it can clear the localised eviironment of air poluntats and provide a small soultion to off setting proposed built structures carbon footprint, they also can reduce the ambient temperature, it has also has been noted it increases users well being.

11

3

1

4

Figure 37 - Biophilic Planting

Thickness (mm)

Resistance R-Value (m2K/W)

Conductivity U-Value (W/mK)

CLT Panel

140

1.667

0.1200

130

5.6522

25

305

Thickness (mm)

0.0034

Birch Plywood

15

0.1250

0.023

Plywood Seathing

15

0.1071

2.85

Phenolic Foam

100

2.5000

6.65

Mineral Fibre Slab

140

200

0.65

1.53

Aluminum

15

375

N/A

0.1323 W/(m.K)

Total

285

15

16

17

18

19

20

22

23

24

25

26

27

28

29

30

31

01

05

06

07

100 12 5 2 101 .5 50 90 12.5

20mm Rigid insulation to window head2x layers to prevent of plasterboard thermal bridging

09

10

11

water19 from 20 12infilled 13 with 14 gravel 15 to take 16 excess 17 18 green roof

200x41x1.6mm wall panel section w/ fullfil

Aluminium window profile infilled with mineral insulation wool insulation

21

22

23

24

25

26 to prevent 27 28 thermal 29 bridging 30 31

01

Weather defence board 70mm Cork board insulation

Date: Tue 01/Jul to Thu 31/Jul

Black UV stable breather membrane

20mm Rigid insulation to window cill to prevent Nvelope helping hand brakcet fixed back to

Dry-bulb temperature: (SheffieldEWY.fwt)

Operative temperature: Exhibition Spacethermal (S2a.aps)bridging

weather defence board

Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

100

Underfloor heating within concrete screed Damp proof membrane laid ontop of PIR 25mm Rigid insulation laid ontop of slab 200mm Concrete slab SR1 finish

Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony

18mm paving slabs laid on screed Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony

Figure 1.6 - July Operative and dry-bulb temperature graph of space. (Arnold, 2020).

179 200 370

12 5

2

101 .5

50

90

12.5

12.5

50

12.5

12.5

100

5

150

100 5

50

12 2 150

150

12.5

50 12.5 150 100

12 5

100

12 5

2

101.5

50

100

5

12

2

150

100 12 5 2

150

101.5

12.5

n/a

50mm Rigid insulation to prevent thermal bridging

Weather defence board

70mm Cork board insulation

Thickness (m)

External resistance CODE Soil layer

0.1

8°C - 26°C Vapour Control Layer

12.5mm Weather defence board Breather membrane 70mm Cork board insulation

50mm Air / Vertical Mechslip bracket for brick slips

Nvelope helping hand bracket

n/a

Taylor Maxwell Strata stone cladding panels

Table 1.6 - U- value calculation - Stone wall.

Resistivity (λ)

R-value (m2K/W)

n/a 0.04 SUITABILITY DESCRIPTION 0.21 0.47

Resistivity (λ)tile floor R-value Ceramic covering(m2K/W)

External resistance

n/a

n/a

0.15

1.3

70mm Cork board insulation

Weather defence board

0.0125

0.065

0.19

bracket for brick slips

Cork board insulation

0.070

0.037

1.90

Air

0.050

0.025

2

Thermaroof TR27

0.15

Breather membrane 0.024 6.25

Concrete slab PROJECT

0.15

1.1

0.13

0.0125

0.17

0.07

12.5mm Weather defence board

0.05 0.41 0.12 50mm Air / Vertical Mechslip www.autodesk.com/revit

Project Name

Nvelope helping hand bracket

0.0125

Taylor Maxwell Strata 0.17 0.07stone cladding

n/a

n/a

0.17

U-value

0.13W/m2K

panels

TITLE

Details

0.07

200mm Concrete slab

0.07

Strata stone cladding

0.04

1.26

0.03

Internal resistance

n/a

n/a

0.13

U-value

0.17 W/m2K

No.

Description

CODE STATUS

PURPOSE OF ISSUE

www.autodesk.com/revi PROJECT

25mm Rigid insulation

200mm Concrete slab

EPDM lapped over breather membrane Black UV stable breather membrane

SUITABILITY DESCRIPTION

Date

Ceramic tile floor covering Underfloor heating within concrete screed Damp proof membrane

Figure 1.14 & 1.15 are the CLIENT final thermal graphs of the Owner improved space. Table 1.6 DRAWN BY CHECKED BY DATE Checker Issue Date Author shows the operative temperPROJECT NUMBER SCALE ( @A2 ) 1 : 10 Project Number ature range results from the DRAWING NUMBER REV graphs. When compared to EA07 12.5mm Siniat Plasterboard the CIBSE table 1.5 data the Author 12.5mm Siniat Plasterboard temperatures are now within 1 : 10 Vapour control layer 1°C of the optimum tempera-EA07 200x40mm Timber wall panel w/ fullfil mineral wool insulation tures required for the space. www.autodesk.com/revit 12.5mm Weather defence board The increase in insulation, Breather membrane solar shading and ventilation 70mm Cork board insulation Project Name 50mm Air / Vertical Mechslip to the space greatly improves bracket for brick slips the thermal comfort to occupants of the space whilst Details Nvelope helping hand bracket using just natural ventilation Figure 1.15 - July Operative and dry-bulb temperature graph Figure 1.14 - January Operative and dry-bulb temperature Taylor Maxwell Strata stone cladding panels alone. - final space. (Arnold, 2020). graph - final space. (Arnold, 2020). 12.5mm Plasterboard

Description

25mm Rigid insulation

0.17 0.17

0.20

200x40mm Timber wall panel w/

No.

Underfloor heating within concrete screed 0.04 Damp proof membrane

0.0125 0.0125

Wall panel w/ fulfill insulation

insulation n/afullfil mineral wooln/a

12.5mm Plasterboard

Thickness (m)

Plasterboard

n/a

19°C - 24°C150mm Concrete slab

Material

Plasterboard

12.5mm Siniat Plasterboard

0.005 0.06 0.083 12.5mm Siniat Plasterboard PURPOSE OF ISSUE Vapour control layer 0.012 0.08 0.15

Operative 150mm Thermaroof TRPlasterboard 27 Plasterboard temperatureinsulation Internal resistance 18°C - 20°C50mm Screed laid to falls

Table 1.7 - Results of final thermal graphs.

200x40mm Timber wall panel w/ fullfil mineral wool insulation

150mm Concrete slab

Roof barrier

12mm roof drainage layer Screed 2mm root barrier

12.5mm Siniat Plasterboard Vapour control layer

150mm Thermaroof TR 27 insulation

Roof filter layer STATUS

Roof drainage layer 100mm 0.17 soil & mulch layer

to create pitch on roof

July

50mm Screed laid to falls

Material

5mm0.52W/m2K filter fleece layer

2x layers of plasterboard, VCL

2mm root barrier

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting

12.5mm Plasterboard

n/a

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

12mm roof drainage layer

100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

Table 1.5 - U-value calculation - Green roof detail.

50mm Air gap layer, 150mm concrete slab Nvelope helping hand brakcet fixed back to 50mm screed laid to falls with weather defence board Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers

12.5mm Siniat Plasterboard

12.5mm Plasterboard

U-value

100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

Dry-bulb temperature -10°C - 10°C

Black UV stable breather membrane

Green 1.38roof planting substrate 0.18

12.5mm Plasterboard

Date

50mm Rigid insulation to prevent thermal bridging

12.5

50

90 12.5 12.5

1.1

200x41x1.6mm wall panel section w/ fullfil mineral wool insulation

January

roof planting substrate

0.04

0.14

200mm Conc

12.5mm Plasterboard

90

100 150 50 50 25

100 5 150

Results of final graphs Month

Description

20mm Rigid insulation to window cill to prevent Green thermal bridging

2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

R-value (m2K/W)

0.01

25mm Rigid in

CODE

Project Name

TITLE

CLIENT

SUITABILITY DESCRIPTION

DRAWN BY

STATUS

PURPOSE OF ISSUE

SCALE ( @A2 ) DRAWING NUMBER

12 2

Insulation set below curtain walling profile and between slabs to prevent thermal bridging

150

Aluminium curtain walling fixed to concrete slab and external paving

n/a

within concret Damp proof m

150mm Thermaroof TR 27 insulation

150mm Concrete slab

50mm Rigid insulation to prevent thermal bridging 100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

Vapour Control Layer

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage EPDM lapped over breather layer, 5mm fleece layer, 100mm soil &membrane Black UV stable breather mulch layer, green roof planting membrane 2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

PROJECT

TITLE

CLIENT

Owner

25

50

12

Figure 1.5 - January Operative and dry-bulb temperature graph of space. (Arnold, 2020).

2

Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony

5

Ceramic tile floor covering

101. 5

18mm paving slabs laid on screed

200mm Concrete slab SR1 finish

EPDM lapped over breather membrane Black UV stable breather membrane

50

Insulation to edge of curtain wall frame with mastic seal to end of tiles

12.5

50

Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony

25mm Rigid insulation laid ontop of slab

Vapour Control Layer EPDM lapped over breather membrane Black UV stable breather membrane

EPDM lapped over breather membrane Black UV stable breather membrane

150

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

12.5

90

Underfloor heating within concrete screed Damp proof membrane laid ontop of PIR

Vapour Control Layer

Flashing to head of the window connected to parapet with drip to remove water

n/a

0.20

Internal resistance

50

Insulation set below curtain walling profile and between slabs to prevent thermal bridging

Ceramic tile floor covering

Parapet flashing to edge of clerestory infilled with 50mm rigid insulation

Resistivity (λ)

20mm Rigid insulation to window head to prevent 0.012 1.1 thermal bridging

Concrete slab

2x layers of plasterboard

150

Aluminium curtain walling fixed to concrete slab and external paving

Insulation to edge of curtain wall frame with mastic seal to end of tiles

Thickness (m)

Aluminium window Thermally conduc0.03profile infilled with insulation 2.2 to prevent thermal bridging tive screed

2

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

12

2 x layers of plasterboard, VCL layer, 90mm concrete slab with 50mm screed laid to falls

Vapour Control Layer

Material

20mm Rigid insulation to window cill to prevent Kooltherm K103 0.025 0.018 thermal bridging

12.5

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

200mm Concrete slab

18mm paving slabs laid on screed Rigid insulation laid to falls to allow linear

2mm root barrier

50mm Screed laid to falls

5mm filter fleece layer

25mm Rigid insulation

Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony

External resistance

12.5

Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers

Aluminium window profile infilled with insulation to prevent thermal bridging

100mm soil & mulch layer

within concrete screed Damp proof membrane

Aluminium curtain walling fixed to concrete slab and external paving

Insulation set below curtain walling profile and between slabs to prevent thermal bridging

slot draincalculation to run water to end of balcony Table 1.4 - U-value - Intermediate floor improved detail.

Ceramic tiles Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof

No.

tile floor 2 x layers Ceramic of plasterboard, VCL covering layer, 90mm concrete slab with Underfloor heating 50mm screed laid to falls

remove water

200

Nvelope helping hand brakcet fixed back to weather defence board

50mm Air gap

Operative temperature: Exhibition Space (S2a.aps)

12

2

Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers

20mm Rigid insulation to window head to prevent thermal bridging

Guttering to edge of clerestory construction infilled with gravel to take excess water from

greenroot roof 100mm Thermaroof TR 27 insulation, 2mm barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting

Underfloor heating within concrete Flashing to screed head of the window 25mm Rigid insulation laid ontop of slab

helping hand bracket

Guttering to edge clerestory construction infilled Aluminium curtain wall of profile infilled with with gravel to take excess water from roof insulation to prevent thermal bridging

toPIR parapet with drip to Damp proof membraneconnected laid ontop of 200mm Concrete slab SR1 finish

12.5

Black UV stable breather membrane

Stone cladding to the reveal of the window

insulation Ceramic tile floor covering

Black UV stable breather membrane

5mm filter fleece layer

Taylor Maxwell Strata stone cladding panels

Nvelope helping hand brakcet fixed back to weather defence board

Insulation to edge of curtain wallflashing frame to edge of Parapet with mastic seal to endclerestory of tiles infilled with 50mm rigid

70mm Cork board insulation 50mm Air gap

12.5

70mm Cork board insulation 50mm Air gap Nvelope helping hand brakcet fixed back to weather defence board

Guttering to edge of clerestory construction

08

Date: Wed 01/Jan to Fri 31/Jan

erature: (SheffieldEWY.fwt)

Taylor Maxwell Strata stone cladding panels Nvelope fixed back to vertical timbers

12.5

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging 8

Weather defence board

gravel to take excess water from roof Taylor Maxwellwith Strata stone cladding panels Stone cladding to the reveal of the window fixed back to vertical timbers Aluminium curtain wall profile infilled with 2x layers of plasterboard, VCL layer, 150mm concrete insulation to prevent thermal bridging slab with 50mm screed laid to falls to create pitch on roof 100mm Aluminium curtain wall profile infilled with Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece insulation to prevent thermal bridging layer, 100mm soil & mulch layer, planting

Weather defence board

prevent thermal bridging

100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

150

200x41x1.6mm wall panel section w/ fullfil mineral wool insulation

Intermediate 1.85W/mK2 floor Single ply membrane lapped over breathe memberane 20 W/mK2 40mm RigidWindow insulation to top of wall 1.1 panel to

04

12.5

12.5

100

5

100

5

12

2

150 50

Figure 1.9 - 1:10 Clerestory window detail. (Arnold, 2020).

0.13W/mK2

22 aluminium parapet capping - fixed PPC through to 22mm plywood

03

Black UV stable breather membrane

Ceramic tile flo 200mm Co Underfloor he

100mm soil & mulch layer

12mm roof drainage layer

Flashing to head of the window

70mm Cork board insulation

25mm Rigid

Green roof planting substrate

2 x layers of plasterboard, VCL layer, 90mm concrete slab with 50mm screed laid to falls

insulation

50mm Air gap

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

22mm Marine B grade plywood

Taylor Maxwell Strata stone cladding panels Weather defence boardtimbers fixed back to vertical 70mm Cork board insulation Aluminium curtain wall profile infilled with Black UV stable breather membrane insulation to prevent thermal bridging 50mm Air gap Nvelope helping hand brakcet fixed back to weather defence board to edge of clerestory construction infilled Guttering

100mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting

Parapet flashing to edge of

70mm Cork board insulation

50mm Air / Vertical Mechslip connected to parapet with drip to remove water bracket for brick slips

Weather defence board

2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

12

200

Roof

0.18W/mK2

12.5mm Weather defence board

Breather membrane clerestory infilled with 50mm rigid

100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

40mm Rigid insulation to top of wall panel to prevent thermal bridging

layer, green roof planting

External Wall

02

2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

Addition of clerestory windows for ventilation and to increase light into the rear of the space. Addition of vertical and horizontal solar shading to large glazing to reduce overheating during the summer by preventing excessive solar heat gain. U-values have been improved and technical detailing introduced to reduce the thermal bridging of the space so that heat loss is reduced. The wall to the front of the space has been orientated to optimise the solar shading and alter the A/V ratio of the space to better improve the thermal properties.

control layer

200x40mm Timber wall panel w/ fullfil mineral wool insulation

22mm Marine B grade plywood

Single ply membrane lapped over breathe memberane

50mm Air gap 200x41x1.6mm wall panel section w/ fullfil Nvelope hand brakcet fixed back to mineral woolhelping insulation weather defence board

At this optimised stage, the operative temperature is between 25° and 19° of plasterboard throughout2x layers July.

Initial U-values

12.5mm Siniat Plasterboard

40mm Rigid insulation to top of wall panel to prevent thermal bridging Vapour

Figure 1.7, 1.8 & 1.9 are improved details of the space with continuous insulation to the exterior fabric and vapour control added to improve air tightness. The insulated curtain walling and window systems reduce on thermal bridging and reduce the size of thermal breaks. The increased U-values and thermal detailing of the space help maintain better operative temperatures throughout the year and improve on thermal comfort by reducing drafts. PPC aluminium parapet capping - fixed through to 22mm plywood

Guttering to edge of clerestory construction infilled with gravel to take excess water from roof

12.5mm Siniat Plasterboard

Single ply membrane lapped over breathe memberane

12 2 150

12.5

50 25

50mm Rigid insulation to prevent thermal bridging

root barrier, 12mm roof drainage layer,

01

12

2

12

593

200x41x1.6mm wall panel section w/ fullfil mineral wool insulation

Taylor Maxwell Strata s panels Ceramic tile Underfloor within conc Damp proo

Figure 1.13 - Final section detail of space NTS. (Arnold, 2020).

Improvements of environmental design PPC aluminium parapet capping - fixed through to 22mm plywood

gravel to take excess water from green roof

defence board 2x Weather layers oftoplasterboard Guttering edge of parapet infilled with gravel to take excess water from green roof 70mm Cork board insulation 150mm Thermaroof TR 27 insulation, 2mm

Stone cladding to the reveal of the window

21

12.5mm Plasterboard

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting

Nvelope helping hand b

12.5mm Plasterboard

DRAWN BY 200

Author

No. Ceramic tile floor covering Underfloor heating within concrete screed Damp proof membrane 25mm Rigid insulation

200mm Concrete slab

SCALE ( @A2 )

CHECKED BY

Checker

Description 1 : 10

DRAWING NUMBER

EA07

DATE

Issue Date

PROJECT NUMBER

Date

Project Number

REV

25/05/2020 12:44:11

14

Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony

plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

150mm Concrete slab

25/05/2020 12:44:11

13

18mm paving slabs laid on screed

50mm Screed to falls of 2xlaid layers

Figure 1.12 - Improved floor plan of space NTS. (Arnold, 2020).

100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

Breather membrane Nvelope helping han 70mm Cork board insu Taylor Maxwell Strata 50mm Air / Vertical Me panels bracket for brick slips

insulation

50mm Rigid insulation to prevent thermal bridging

650

12.5mm Weather defen

with 50mm screed laid to falls to create pitch on TR roof27 insulation, 150mm Thermaroof 2mm root barrier, 12mm roof drainage 5mm fleece layer, 100mm soil & mulchTR layer, green roof planting 150mm Thermaroof 27 12mm roof drainage layer 2mm root barrier layer,

12.5

0.12

2x layers of plasterboard

Linear slot drain to run along edge of curtain walling and to drain to guttering to end of balcony

150

150

25mm Rigid insulation laid ontop of slab

12.5

12

30

Aluminium curtain walling fixed to concrete slab and external paving

Insulation set below curtain walling profile and between slabs to prevent thermal bridging

200x40mm Timber w fullfil mineral wool ins

12.5mm Weather de 12.5mm Siniat Plasterb Breather membrane 12.5mm Siniat Plasterb 70mm Cork board in Vapour control layer 50mm Air / Vertical M 200x40mm Timber wal bracket for brick slips fullfil mineral wool insula

100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

5mm filter fleece layer

50mm insulation to prevent thermal bridging 20mm Rigid insulation to window cill Rigid to prevent thermal bridging Guttering to edge of parapet infilled with

12.5

Damp proof membrane laid ontop of PIR

12.5

11

20

Vapour control layer

50mm Rigid insulation to prevent 20mm Rigid insulation to window cill to prevent thermal bridging thermal bridging

layer, 150mmwool concrete slab 100mm soil w/ & mulch layer fullfil mineral insulation

Aluminium window profile infilled with insulation to prevent thermal bridging

12.5

150

10

20mm Rigid insulation to window head to prevent thermal bridging

50

5

25

12 150

200

12

50 150

50

0.17

10

12.5

09

2800 Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof

0.250

50

Nvelope helping hand brakcet fixed back to weather defence board

12.5

08

0.250

200mm Concrete slab SR1 finish

18 The below graphs are a result of thermal analysis of the initial space. The operative temperature is closer to thermal comfort Marine B grade plywood required by the occupants of the 22mm space as this takes into account 16 100x41x1.6mm wall panel section w/ fullfil air temperature, mean radiant temperature and air speed. The drymineral wool insulation Weather defence bulb temperature is the air temperature in board the space. The current 14 70mm Cork board insulation proposals show overheating in summer and too large a range of Black UV stable breather membrane temperature in winter so changes50mm to the Air gapexternal fabrics and open12 Taylor Maxwell Strata stone cladding panels ings are required to better these temperatures. fixed back to vertical timbers

2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof 07

Nvelope helping hand brakcet fixed back to weather defence board

12

12

2

150 50

Table 1.3 - Results of initial thermal graphs.

Taylor Maxwell Strata stone cladding panels fixed back to vertical timbers

50

23°C - 44°C

Rigid insulation laid to falls to allow linear slot drain to run water to end of balcony

Black UV stable breather membrane

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

100

Temperature (°C)

100

8°C - 26°C

5

July

70mm Cork board insulation

25

U-value = Thermal Mass = 18.3kJ/K

January

18mm paving slabs laid on screed

50mm Air gap

12.5mm Siniat Plaste

Aluminium window profile infilled with insulation to prevent thermal bridging

Green roof planting 2x layers of plasterboard, VCL substrate 100x41x1.6mm wall panel section

2 x layers of plasterboard, VCL layer, 90mm concrete slab with 50mm screed laid to falls

Flashing to head of the window connected to parapet with drip to remove water

Weather defence board

200

0.18W/m2K

Operative temperature 3°C - 20°C

100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

Black UV layer, stable breather 5mm fleece 100mm soil & mulch membrane

Taylor Maxwell Strata stone cladding panels

Dry-bulb temperature -10°C - 10°C

Insulation set belowlaid curtain walling profile Rigid insulation to falls to allow linear andslot between to prevent thermal drain toslabs run water to end of balcony bridging

950

22mm Marine B grade plywood

Figure 1.8 - 1:10 Curtain wall jamb detail. (Arnold, 2020).

Figure 1.3 - Green roof detail. (Arnold, 2020). Figure 1.4 - Stone wall detail. (Arnold, 2020). Table 1.2 - Initial U-values.

Month

0.16

Linear slot drain to run along edge of curtain Parapet flashing to edge of walling and to drain to guttering to end of clerestory infilled with 50mm rigid insulation balcony

Addtional layers of sound insulation has been used ground floor construction to redcue sond transmita urban environment (over railway station) all wall roo Green roof

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & 50mm Rigid insulation to prevent mulchbridging layer, green roof planting thermal

100mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting

18mm paving slabs laid on screed slab and external paving

20

40mm Rigid insulation to top of wall panel to prevent thermal bridging

Stone cladding to the reveal of the window

Underfloor heating within concrete screed

Timber Truss

Guttering to edge of clerestory construction infilled with gravel to take excess water from roof

Single ply membrane lapped over breathe memberane

160

25

12.5

50

walling and to drain to guttering to end of 7800Aluminium balcony curtain walling fixed to concrete

PPC aluminium parapet capping - fixed through to 22mm plywood

0.250

2

25mm Rigid insulation laid ontop of slab

Linear slot drain to run along edge of curtain

50

200mm Concrete slab SR1 finish

Ceramic tile floor covering

28

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 12.5mm Plasterboard 5mm fleece layer, 100mm soil & mulch 12.5mm Plasterboard layer, green roof planting

Results of initial graphs

Insulation set below curtain walling profile and between slabs to prevent thermal bridging

150

12

50

100

15

Damp proof membrane laid ontop of PIR

Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof

Aluminium curtain walling fixed to concrete slab and external paving

5

100

Sound Insulation - 9

This is to allow fresh air into space and with the use of a stack

12.5

50 12.5 150

100

Underfloor heating within concrete screed

Figure 40 - Thermal Mass

The external inlet vent is located at the both on of the double

0.0350

90

Guttering to edge of clerestory construction infilled with gravel to take excess water from green roof

12.5 12.5

Underfloor heating within concrete screed

Ceramic tile floor covering

0.1200

100

Flashing to head of the window connected to parapet with drip to remove water

th Nor

The tile will be a timber effect and will be used across the exhibtion space builidng. The internal wall finish will consist of concreate wall panels with a matte brushed finish to reduce surface relefecantacy in the summer and causing glare.

100

Flashing to head of the window connected to parapet with drip to remove water

Parapet flashing to edge of clerestory infilled with 50mm rigid insulation

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

A heat recovvary syste is to used in unicern with th technologies. The heat recovery system is most ad collect heat released from lower levels (ground/stre and need of using eletricity or no renewable enegry the length under both 02 and 03 exhtibtion space to heating canto be used) and also to provide good air in (summer).Through use of best practice standards heat loss and gains other circulation pipes and exte

12.5

100

5

12

2

150

100

5

50

12

2

150

12.5

150

Parapet flashing to edge of clerestory infilled with 50mm rigid insulation

Taylor Maxwellcurtain Strata wall stone cladding panels Aluminium profile infilled with fixed back to to vertical timbers insulation prevent thermal bridging

Internal ceramic floor tiles to act as thermal mass to abosorb solar heat gain (winter).

tion to comply with approved document part E maxim substrate Figure 1.10 & 1.11 show destion value of 62 dB in all internal floors to be achiv been used to meet this value (Appendix 6). 100mm so veloped thermal graphs ofhasthe 5mm filter f space once additional windows Table 8 - Roof U-values TR 27 insulation, 2mm root 100mm Thermaroof Figure 41 - Outlet Vents barrier, 12mm roof drainage layer, 5mm fleece 12mm roof for ventilation and solar shadlayer, 100mm soil & mulch layer, planting Green roof pl substrate 2 x layers of plasterboard, VCL 2mm root b ing were added to the large layer, 90mm concrete slab with 150mm 100mm soilTh & 50mm screed laid to falls glazing to the balcony. The insulation 5mm filter flee effect on the summer heating 50mm Scre 12mm roof dr was reduced and the operative 150mm Co 2mm root bar temperatures now range from 150mm Ther 18.5°C - 24°C, the increased 12.5mm Pl insulation ventilation also largely reduced 12.5mm Pl 50mm Screed the range in temperatures of 20mm Rigid insulation to window head to prevent 150mm Conc the winter graphs. The opthermal bridging erative temperature during Aluminium window profile infilled with insulation 12.5mm Plas to prevent thermal bridging January now ranges from 18°C 12.5mm Plas Figure 1.11 - July Operative and dry-bulb temperature - 22°C which is much closer to 20mm Rigid insulation to window cill to prevent graph -bridging additional windows and solar shading in space. 20mm Rigid insulation to window head to prevent thermal the CIBSE requirements. thermal bridging 12.5mm Siniat Plaste (Arnold, 2020).

Stone cladding to the reveal of the window

Aluminium curtain wall profile with Damp proof membrane laidinfilled ontop of PIR insulation to prevent thermal bridging 25mm Rigid insulation laid ontop of slab Insulation to edge of curtain wall frame 200mm slab with masticConcrete seal to end of SR1 tiles finish

+11.220 Prop Th

Heat Recovry Unit (MVHR) - 10

heat of rise up the doubleVCL skin facade and out of the outlet 2effxect layers plasterboard, vent located parapetslab levelwith as highlighted in figure 45 & in layer, 90mm at concrete 0.0001 160.0000 Guttering to edge of clerestory construction infilled section in figurelaid 44. to Openable windows are also used as used 50mm screed falls with gravel to take excess water from roofto vent in fresh air and outlet stale hot air. N/A 0.1455 W/(m.K)

Table 7 - Intermediate Floor U-values

Nvelope helping hand brakcet fixed back to weather defence board

Insulation to edge of curtain wall frame with mastic seal to end of tiles

Taylor Maxwell Strata stone cladding panels

Nvelope helping hand bracket

10m

Thermal mass materials (Winter Stratagy) - 7

100mm Thermaroof TR 27 insulation, 2mm root facade on the external face (single glazed (4)), 0.140012mm roof skin barrier, drainage layer, 5mm fleece layer, 100mm soil & mulch layer, planting 0.0400

4.0000

Black UV stable breather membrane

Ceramic tile floor covering

0.1394 W/(m.K) Table 6 - External wall U-values

Stone to the reveal of the window 50mm Aircladding gap

Insulation to edge of curtain wall frame with mastic seal to end of tiles

1.8020

N/A

0.15

Black UV stable breather membrane 22mm Marine B grade plywood 50mm Air gap 100x41x1.6mm wall panel section w/ fullfil Taylorwool Maxwell Strata stone cladding panels mineral insulation fixed back to vertical timbers Weather defence board Nvelope helping hand brakcet fixed back to weather board 70mm Corkdefence board insulation

N/A

0.0044

0.35

70mm Cork board insulation

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

Nvelope helping hand bracket

Guttering to edge of parapet infilled with gravel to take excess water from green roof 150mm Concrete slab

4

11

Guttering to edge ofConductivity clerestory construction infilled Resistance Vent locations - 8 . with gravel to take U-Value excess W/(m water R-Value (m2K/W) K)from roof

43.47

Weather defence board

0.0230

0.1800

10

Total

25

22mm Marine B grade plywood 40mm Rigid insulation to top of wall panel to prevent thermal bridging 100x41x1.6mm wall panel section w/ fullfil mineral wool insulation

12.5

ll room for improvement. The July graph is still showing the operative thermal egrees too high. This needs to be further investigated and reduced to achieve al comfort level within the Exhibition Space.

At this optimised stage, the operative temperature is between 23° and 18° throughout January.

25mm Screed

20mm Kingspan Optim-R Flooring System

Fresh air is system dur heat enters through a h stale air.

Top Of Glulam 13131

12 5

Air Cavity Fibre Cement

Layer/Material (Internal - External)

20

memberane

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting

200

Timber Deck

70mm Cork board insulation

50mm Air / Vertical Mechslip bracket for brick slips

50mm Air / Vertical Mechslip bracket for brick slips

During coo ventilation temperatur for stale wa closes off t Lightwell.

2

Cellular Polyurethane

Resistance R-Value (m2K/W)

50

150

Guttering to edge of parapet infilled with gravel to take excess water from green roof

200

Polyurethane Board

12.5mm Weather defence board

150mm Thermaroof TR 27 insulation

Thermal Continuit

By maintaining thermal performance in both sum tables 6,7&8 a high leve passive hosue standard and roof structure. Appe L1A. The thermal contin hexagonal hatch) in both

3

Metal stud partition to be built off CLT floor.

9

Layer/Material (Internal - External)

120

Cellular Polyurethane

head of CLT panel to reduce air transmision through timber fabric CLT Floor Slab (CLT). an example of this can be found in figure 49 in showing the PPC aluminium parapet - fixed Total wall to floor connection. All airtightness messure to be tested capping in through to 22mm plywood post construction tests (air permeabity test) inacordance with approved document part L2A (3.8)) Apeendix 4. ply membrane lapped over breathe Single

layer, green roof planting

2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

Insulation

Breather membrane

50mm Screed laid to falls

12

101 .5

Screed

memberane

Figure 39 - Airtightness CLT Wall

50mm Rigid insulation to prevent thermal bridging

Aluminum – Kalzip

150x40mm Timber wall panel w/ fullfil mineral wool insulation

50mm Rigid insulation to prevent thermal bridging

2

150mm Thermaroof TR27 LPC/FM

100mm Rigid Insulation to Form Gutter Upstand 450mm Glulam Beam

308mm Composite Glulam Beam

As per approved document part L2A states that “To use construction joints with no specific quantification of the thermal bridge values” (“Conservation of fuel and power L2A”, 2014) This has been deminstrated in figures 43 & 44 to reduce thermal bridging and maintian a line of thermal continuity including in figure 43 using a thermal isolation plate to reduce thermal bridging through maintiance walkway. As seen from table 6,7&8 the wall, floor and roof build up is below the required standard for building regulations (as seen from appendix 5) and is below passive house standard as metioned in thermal continuity (11).

40mm Rigid insulation to top of wall panel to A highly rubber EDPM seal tro be used at both base and Figure 1.7 layer, - 1:10 Improved roofdense detail. (Arnold, 2020). Polyurethane Board 5mm fleece 100mm soil & mulch curtain walling floor to prevent thermal bridging

Roof – U Value = 0.07, R Value = 13.5

12.5mm Siniat Plasterboard

70mm Cork board insulation

100

18mm Structural Sheathing

Consealed joint to be flitched with beam to provide support for walkw

150mmDesign Thermaroof TRStrategy27 insulation, 2mm Scenario 02 Final root barrier, 12mm roof drainage layer,

Vapour control layer

Breather membrane

160

Dupont Tyvek Housewrap Breathre Membrane

90mm Thermaroof TR27 LPC/FM

Figure 45 - Overall Enviornmental Cross Section (Scaled)

Thermal Continuity - CIBSE - minimsed thermal bridging - 6

150mm thick exposed CLT floor panel, with moderate thermal mass performance v's concrete or masonry floors - however the lower amount of embodied energy & carbon in the material is Figure 49 - Rubber Seal Layer/Material Thickness Conductivity the 50mm reason for it's use.thermal Thebridging floor will still provide some heat Rigid insulation to prevent PPC aluminium parapet capping - fixed- Internal) (Internal (mm) U-Value (W/mK) through to 22mm plywood Gutteringfrom to edge busy of parapetdaytime infilled with Ceramic Tile 10 294.11 storage hours to be released night. Environment & over Technology 3 - Single Thermal gravel to take excess water from green roof ply membraneAnalysis lapped over breathe B6004024 - Eleanor Arnold

12.5mm Siniat Plasterboard

2mm root barrier

500 CTS

The warm and exits th facing clere this section

15mm Birch Plywood

350mm Glulam Beam

ults are considerably closerfloor toplan those specified Figure 1.1 - Existing of space NTS. (Ar- in the recommended comfort nold, 2020). this has been achieved by reducing the North curtain able 1.5). As discussed, he thickness of the walls and roof. Natural ventilation has also been included July) to try and reduce the internal temperatures to make the space more

24

Kalzip E-Clips to be Fixed to Rigid Insulation Kalzip Roof (NOM Fall)

200mm CLT Floor Slab

Guttering to edge of parapet infilled with gravel to take excess water from green roof

26

Hot Dip Glavanized Carbon Steel Big Foot System Rapid Walkway

Figure 38 - Biomimicry Design

150mm Thermaroof TR 27 insulation, 2mm root barrier, 12mm roof drainage layer, 5mm fleece layer, 100mm soil & mulch layer, green roof planting

12.5mm Weather defence board

Filler Block

120mm Kingspan Kooltherm K103 Floorboard

Airtightness is achived by use of double sided air guard or flexi tape to prevent water ingress and external air through jonts in CLT panels, tape also to be used on all external faces that are support cladding brackets.

50mm Rigid insulation to prevent thermal bridging

12.5mm Siniat Plasterboard

Metal Drip Edge

Aitightness CLT wall - 5

could be improved with further insulation and can be insulation found in table 1.2. Steel – Column • The skylights to the rear of the room help to bring light further into the building but could use more optimisation Insulation for the space itself. x Gypsum low demonstrate, the space has been improved•toDue increase its thermal to the concrete structure of the space there2 is a large thermal massfor to the floors and roof to hold heatPlasterboard during graphs now show a more consistent operative temperature winter and the winter and summer months for night-time cooling.

150x40mm Timber wall panel w/ fullfil mineral wool insulation

Bespoke Insulated Box Gutter

10

Aluminium curtain wall profile infilled with insulation to prevent thermal bridging

Vapour control layer

Extruded Aluminum Ruskin CD50 Dampers Mechnical Louvres to be operated by BMS

2

Detail B

2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

12.5mm Siniat Plasterboard

2.26 x 3.07mm - 0.56 Wire (Dia) Mild Steel Bug Mesh

FFL - 03 (EX) 13510

2x layers of plasterboard, VCL layer, 150mm concrete slab with 50mm screed laid to falls to create pitch on roof

5mm filter fleece layer

50mm Kingspan Thermawall TW55 PIR insulation Board

Top of Glulam

6

10 40 As seen in details A and 300 B and Environmental Technology - Assignment 2 - Ethan Dunbobbin (26016554) the building materials table, insulation has been added to the wall and roof build-ups. This results in better U Values for both systems. They now Thickness mm Conductivity W/(m²K) Density Kg/m³ Areas for of environmental achieve a improvement higher result than design Material The glazing to the balcony is a large area of glazing which Figure 1.10 - January Operative and dry-bulb temperthe •Passivhaus standard requires solar shading to prevent summer over heating. Wall – U Value = 0.08, R Value = 11.23 ature graph - additional windows input into space. (Arnold, 2020). requires. means they now • As an This exhibition space that is largely unoccupiedLightweight there is 50 0.29 1250 furnishing in the space which reduces the temperaCladding – Metal have alittle better thermal tures in the space. Eurobond 240 0.035 30 performance. • U-value’s for the current external walls, roof andEuropanel floor – 240

12mm roof drainage layer

200x200mm (RHS) Square Steel Hollow Section

20mm Kingspan Thermawall TW55 PIR insulation Board to be Backed with 5 mm Aluminum Kingspan KS1000 FL Corner Flashing (Colour; Anthracite Grey) to Provide Thermal Prectection to Glulam Column

18235

7

The selected space to be analysed is the exhibition space which is located on the third floor of the SHU business centre. The space is adjoined to another space with one internal wall and three external walls, the space is within the roof of the building and has an adjoining balcony. Within the middle of the space is an atrium and two skylights which are enclosed by curtain walling. There are large bi-fold doors to the balcony of the space to allow the area to open up fully. The CIBSE guide A - Table 1.5 states that an exhibition space requires a winter temperature of between 19-21°C and a summer temperature of between 21-23°C.

100mm soil & mulch layer

200x200mm Glulam Beam

200mm Kingspan Thermawall TW55 PIR insulation Board

13

5

Exhibition Hall 19-21 21-23 Table1.1 - CIBSE Guide A Table 1.5 data. (CIBSE, 2006).

Green roof planting substrate

Visqueen High Perfomance (HP) Vapour Barrier

Corridor

The use of a tree based structure has been incoprrated into design (structure) the use of using nautre inspied design blures the line of natural ans the built envrioment and disruptes the tradtional way of construction. This benifts both the user and the construction if design properly. The use of green wall could also reduce noise transmitance from ubran environment.

Winter operative tem- Summer operative Air supply rate (L.s-1 Maintained illumi- Noise ratperature range (°C) temperature range (°C) per person) nance (Lux) ing (dB)

Figure 1.2 - Existing section detail of space NTS. (Arnold, 2020).

During war cross-venti room depth v's externa create air fl openings to Lightwell. ( MVHR).

Dupont Tyvek Housewrap Breathre Membrane Top of Parapet 19615

1

Biomimicry Design - 4

natural ventilation must be used to reduce Detail 01 these temperatures to reach the optimum U-Value = 0.15 W/m.sq.k comfort level. Existing (Early design stage) - Scenario 01

U-value = 0.13W/m2K Thermal Mass = 49.2kJ/K

The room has cross-ventilatio with heat reco building tempe operation and

In Summer blinds to be angled at 0o to 30o degrees to prevent excess summer solar gain, internal blinds are used to block excess daylight if required. both the inlet and outlet vent is to be open to allow stach effect and allows for the space to be ventilated. Openable windows on inter skin of the double skin facade to be open/closed by BMS to suit/optumise internal operative temeprature (CIBSE) as highlighted in bule in table 5.

2

Biophilic Planting - 3

demonstrates this impact. There is now a more of a constant temperature between

Figure 1.5 - Stone cladding detail.

Ventilation St

Summer & Winter Stratagy Double Skin Facade - 12 In the winter the external blinds wiil be angled at 30o to 40o degree angle dependt on sun location to allow to heat void of double skin facade and allow daylight to enter, internal blinds to be angled at appropriate angle (dependeped on sun location). outlet vent to be closed to create a thermal buffer in the double skin facade and can be used to maintain internal operative temeprture in the winter.

2300 Ceiling Height

DP4 Meeting Room

Below: Eleanor 23° and 18°.Arnold These temperatures are slightly than recommended and therefore Thermal higher Analysis

U-value = 0.18W/m2K Thermal Mass = 18.3kJ/K

2

8

'Idealcombi Futura +' window system with aluminum powder coated profiles and insulated infill, to perform to a through frame U-value of 0.74 W/m²K.

B

(1) The internal layer of glazing consists of a double glazed curtian wall with U-value of 1.54 W/m2K as mentioned previously. Lower window figure 30 is (openable - tilt & turn operated by BMS) to allow freash air to enter the space (venitaltion Stratagy). The upper window (openable-tilt & turn also operated by BMS) & (T-vis & light transmitacne as mentioned for (double glazing)) All glazing on soth facing facade in 18000mm in length. (2) This layer consist of an internal solar blinds (timber) low reflectancy with a space and blind size the same as the external solar blinds this is to prevent addtional solar in the summer when required. A staggered external blind (4) has been used to allow both summer and winter sun to heat void space of double skin facade(appendix 7), the internal (2) solar blind is a full floor to ceiling height with no gaps to reduce exessive heat reansmission in the summer.

2

the year for eletricity. With the inclsion of the external solar canopy located to the rear of the exhibtion building & also south facing, this would equate to an addtional 300m2 (300m2 + 350m2 x 200W/m2 = 130,00 KW/h per year) & a potential saving of £19,500 per year. (Not including subsidies).

14

thisDunbobbin curtain wall also means that Far right:Adjusting Ethan the wall to window ratio is now less than Environmental crossgraph section 40%. The January below

88

3

This equates to (350 m x 200 W/m = 70,000 kW/h per year) with the curSuspended Metal Frame plasterboard ceiling rent price of £0.15 per kW/h equates to upwards of a £10,500 saving over

Noise Rating (NR)

Table 5 - CIBSE Table (Lux & Operative Tempratures)

1

16mm Argon / 4mm Pilkington Optitherm S3.

th Nor

21-23

Upper window to also make use of a interior light shelf that uses a 4.0mm monolithic polycarbonate panel with a (ice white) translucent finish to reflect incoming daylight off and rebond of reflective interior surfaces to reduce the need for artifical lighting during the day.

internal temperatures during the summer. This is demonstrated in the July graph Right: Dineka Keeton Triple glazing to window system to below. Theachieve operative temperature a through pane u-value of 0.6 line is W/m²K & a light transmittance of 73% Construction detail now more of a constant comfortable as: 4mm Pilkington Optiwhite E / 16mm argon / 4mm Pilkington Optitherm S3 T / temperature.

A

Temp./oC

19-21

Light Shelf - 2

Opening height = 1150mm

A

Temp./oC

South Facing Glazing - 13 The double skin facade is located on the south facing facade the system used consists of four main layer (refer to figure 30 for numbered build-up) the external (outer (4)) layer is a fully single glazed curtain wall (structural deck to parapet level) wall (fixed) with a T-Vis of 90% and a light transmitance of 219 and a thickness of 6.0mm and a U-value of 4.8 W/m2K. (3) consists of an external solar blind (aluminum) reflective to be sapced 200mm apart with 210mm blind size, blinds able to be moved and rotated to the desired/required angle for solar control (summer) or solar gain winter).

throughout the building to have a T-vis of 70% with a light tranmitance of 113 RGB and a thickness of 6.0mm. All double glazing has a U-value of 1.54 W/m2K. Glazing size shown in figure 46.

6150

1

for natural ventilation.

Space

The south facing roof will be taken advantage of with the intergration of PV panels, the panels will be tilted at 33 degress to optumise solar gain. This system will be used to aid mechincal system.The exhibtion building roof has 350m2 of usble space for a solar panel array with a optuium capacity to produce 200 W/m2..

Exhibtion Hall

The curtain wall to the North has now been split into two separate systems and their size has also been reduced (see floor plan Inward opening bottom hung pivot and section A – toA). windows increase air flow into room

Top: JoeAsHamby seen in Section A – A, these changes reduce the amount of daylight that enters Roof structure the building. This in turn reduces the

tion Space

Solar Panels - 14

Insulated (shown dotted) North shutter Facing Glazing - 1 to Lower close attonight to reduce window be fixed glazed (non-openable) to allow light in to space. Upper window (openable) to support cross ventialtion potential heat loss. and allow stale hot air to escape from space. All double glazing

Detail A

Detail 02

Area of Study As per the previous studies (thermal and daylighting) the cross section will be based on the exhbition building cross section location can be seen from figure 58. In acordance with CIBSE guide A: Enviormental design & table 5 the recomened winter passive temeprature should be between 19o & 21o and for summer should be between 21o & 23o as highlighted in blue in table 5. The maintained lux level for the space is highlighted in red (300 lux) across exhibtion space.

Suspended Metal Frame plasterboard ceiling

LED Lighting

ENVIRONMENTAL CROSS SECTION

4

1:20 Scaled Environmental Cross Section -

with ‘Optimised’ Thermal Output

U-Value = 0.6 W/m.sq.k

DAYLIGHT ANALYSIS

2800 Ceiling Height

435 Services Zone

4

Internal light shelf to line through with external to increase penetration of natural daylight deep into room.

1

+14.620 Prop Ro

THERMAL ANALYSIS

175

U-Value = 0.15 W/m.sq.k

Sloped ceiling bulkhead to diffuse and spread light from north east facing clerestory light deep into the room.

450

300mm long CLT fixing screw

Details Owner CHECKED BY

Checker

DATE

Issue D

PROJECT NUM

Project Number

RE


Interdisciplinary Practice Half Way Pint Tri-Varsity 2019 Group 3 KEA - SHU - WIT - UOW

L o r e

DESIGN INTENT: THE PROPOSED BUILDING IS AIMING FOR A NATURAL CORRELATION WITH THE SURROUNDING ECOSYSTEM AND TO HAVE MINIMAL IMPACT ON THE AREA. THE PROPOSED BUILDING PROVIDES AN OBSERVATION DECK, BAR, RESTAURANT, NIGHTCLUB, FUNCTION ROOM AND A SHOP.

ROOF PLAN

RESTAURANT PLAN RENDERED SECTION

RENDERED ELEVATION

WE DECIDED TO EXPOSE AS MUCH OF THE STRUCTURE AS POSSIBLE ALL WHILE USING IT IN AN AESTHETICLY PLEASING MANNER, USING GLULAM POSTS AND LARGE GLAZING PANELS TO CONNECT THE BUILDING WITH THE BEAUTIFUL SURROUNDINGS OF THE SITE.

BAR PLAN

1. Floor

2. Floor

3.Floor

4. Floor

5. Floor

6. Floor

7. Floor

8. Floor

STRUCTURAL MODEL

SITE PLAN

HEAT, WIND AND DAYLIGHT ANALYSIS

Our Analysis shows that our building is ge�ng sufficient natural ligh�ng. The sun is hi�ng the curved fa‐ çade in a perfect angle so that the solar panel cladding will be more efficient.

January‐June Temperature Analysis

From our window analysis we see our building isn't effected by strong winds. The winds ow both up and downstream the river Suir. Wind Analysis—Flow Design

MATERIALS AND SUSTAINABILITY Glulam Beams

COST AND TIME SCHEDULE

CLT Panels As per the project brief the primary structure of the building must be constructed using Glued Laminated Timber, thereafter know as Glulam. Glulam allows for a variety of curved forms for the structure of the building, this gives us a lot of freedom in regards to our curved design. Additionally Glulam possess’ a significantly reduced amount of embodied energy compared to traditional steel beams.

Core elements 2.1.1 As with the Glulam beams, the internal or secondary structure must be constructed using Cross Laminated Timber (CLT), as per the brief. CLT is composed of several overlapping and crossed beams glued together, providing cross bracing through the structure, allowing CLT to act as primary structure in its own right.

Solar Panels

Hydro Turbine A Francis turbine is a reaction turbine, it is the most common water turbine today.

A major factor of our exterior construction shall be the Solar Panel Cladding system shown above.

The largest capacity for the single Francis turbine unit is 6000KW.The rated flow is 0.20m3/s—50.0m3/sThe output power of the turbine is 500kw– 100000kw.It has a high efficiency at partial water flow down

Produced by SolarLab, this system will allow a significant amount of energy required for the building to be generated from its external facade.

CLASH DETECTION

20mm

89

WATERFORD GATEWAY TOWER – GROUP 7 DESIGN

Page 1 of 2


90 Figure 5.3.1. Site visualisation of Nepal Shell-ters

Above: Daniel Black Nepal Shelter

1

Staff

Students

Geoff Olner - Course Leader Dr Gabriel Tang Dr Karam Al-Obaidi Dr Mohataz Hossain Dr Angela Maye-Banbury Frances Robertson Daniela Hawryliuk Dr Julia Udall

Stera Ahmad Hala Al-Hadid Yousaf Al-Marooqi Daniel Black Mark Blest-Hopley Richard Foreman Shreya Modi John Seruyange Kazibwe


Introduction to

Msc. Technical Architecture The MSc Technical Architecture course is a one year Masters course (two year Part time) that provides academic study and practical design work in three primary fields; architectural technology, environmental design and digital design. These are complemented by elective modules that cover professional and interdisciplinary practice within architecture. The course is universal and globally relevant in it’s aims. Many students are international coming from China, Japan, Nigeria, Oman, Spain, Poland, Taiwan and Pakistan and we also welcome part time students from practice. The course culminates with a Major Research Project which is technically focussed research or design led dissertation.

91

Environmental Theory and Practice

This module provides an advanced level of environmental and technical knowledge. It offers an introduction to global environmental issues within the context of technical architecture and promotes a forward-thinking and holistic approach to environmental design, with a core focus on optimising building energy performance. The module investigates the environmental performance of an existing building using advanced software, to gain a deeper understanding of the complex interrelationships that exist between building design and occupant health and satisfaction.

Concepts & Design in Technical Architecture

The Concepts and Design in Technical Architecture module gives students the opportunity to be technically precise, innovative, able to generate and evaluate alternative options and then refine and integrate technical design components for the prototype of a technical response to recent global climate catastrophes - hurricanes in the Caribbean/ Florida Keys, earthquakes in Mexico and New Zealand as well as monsoon flooding experienced in India. To provide post-disaster relief, these structures are to be used within these areas to accommodate people and the community in the wake of future attacks. These structures need to be resilient to the possibility of wind and rain attack, and be lightweight and strong.


or Design 2.3.2. Interior Design

Above & Left: Daniel Black Nepal Shelter

92

tep hen

displaced s without rinting ectthe of

en d

s, and g EFTE. Shigeru ng a erials is equiring

Exterior ABS

2

1

3

3

1

3

Ventilation cowling

3

Outer Roof skin connected with metal ribs 5 9

1 1

Interior ABS

12

6

5

round s.

gher to the rocess

Below: Richard Forman

Kankai River Photo (Mapio,2020)

11

9

7 8

4

Ceiling with sheep’s wool insulation

10

7 5.3.

Site Visual

Roof connections with posi web Joists

Figure 2.3.2.2. Nepal Shell-ter Section Cut

Kankai River, Jhapa used to visualise setting only. Not ideal location.

1.

Honeycomb hatch denotes insulating layer (varies - refer to section 2.4).

6.

2.

Indicative location of preformed storage area in the wall for medical supplies.

3. 4.

Potential storage zones. “Air pockets” Potential uses includes sand for weighing down, storage, and inflatable bubble wrap giving the ability to float. Gravel storage to add weight.

5.

7.

Potential location of underfloor soil vent pipe (SVP) for sanitation (behind curtain). Shallow pier (requires further analysis and determined by the quality of the soil).

8. 9.

Interlocking junction detail (refer to appendix). 25mm wall overlap to prevent water getting inside.

10. 11. 12.

Toolbox storage (3D Warehouse, 2015). Camp bed (3D Warehouse, 2014). Curtain divider (3D Warehouse, 2017).

SIPS panels and glazing

8 Floor Base with frame and insulation

Pontoon mainframe Float base supports

Floatation rings

gely red. ue to med the ction 2.3).

r as a 1:1 design tential actory.

Outer Roof skin connected with metal ribs

Figure 5.3.1. Site visualisation of Nepal Shell-ters

13


APPENDIX

PLAN EXAMPLE 1 7 POD BUILD

CHILDREN’S ROOM MASTER APPENDIX BEDROOM

STORAGE & KITCHEN

RAIN WATER HARVESTING 2D SECTION VIEW

GARDEN 2

LATRINES & SHOWERS

GARDEN 1

PERSPECTIVE SECTION VIEW

ON EXTERIOR WALKWAY

93

Above: Richard Forman

Right: Yousaf Al-Marooqi


Environmental ET SITE ANALYSIS 1.4.

Theory and Practice

N

1.5.7. SOLAR PEAK TIMES

1.6.

N

Below: Hala Al Haddid Prefabricated Assembly

SHEFFIELD WIND ROSE

CULTURAL INDUSTRIES QUARTER

Left: Daniel Black Site Analysis

07 08 September September

05:26

18:30

ARUNDEL STREET AREA

W

E

MARY STREET AREA 09:00

MORTIMER STREET / MATILDA STREET AREA

15:00

09:00

Bottom: Daniel Black Environmental Strategy

MATILDA STREET CENTRAL AREA LEADMILL TRIANGLE AREA S

PERIPHERAL AREA

ANNUAL PEAK (09:00 - 15:00)

Figure 1.4.4. Site Plan.

BOUNDARY OF CONSERVATION AREA

1.5.

N

SOLAR STUDY

1.7.

06:05

05:46

18:00 18:10

W

21 September

E

06:05

effield 375092 67957

USING PHOTOVOLTAICS IN SHEFFIELD Sheffield Estimated Insolation Levels (Data from Gasima & PV Ratings (Dharmadasa, 2018) Efficiency Single PV Jan Feb Mar Apr May June July Aug Sep Oct Nov Dec Totals Totals Position Rate (%) Panel (kWh/m²/y) (1.2x0.9m) (%) 20 March E Levels (Data from Gasima & PV Ratings (Dharmadasa, 2018) Sheffield Estimated 0.63 1.17Insolation 2.14 3.28 4.29 4.47 4.47 3.78 2.61 1.46 0.72 0.47

W Insolation

PV Jan Feb Mar Apr May June July Aug Sep Oct Nov Dec (Gaisma, Efficiency Single 2020) Rate (%) Panel Position Days/month 28 31 30 31 30 31 31 30 31 30 31 365 (1.2x0.9m) (%) 31 kWh/month 19.53 32.76 66.34 98.40 132.99 134.10 138.57 117.18 78.30 45.26 21.60 14.57 Insolation 0.63 1.17 2.14 3.28 4.29 4.47 4.47 3.78 2.61 1.46 0.72 899.60 0.47 N Mono-SI 25% 1.08 95% 5.01 8.40 17.02 25.24 34.11 34.40 35.54 30.06 20.08 11.61 5.54 3.74 230.75 (Gaisma, p-SI 18% 1.08 95% 3.61 6.05 2112.25 24.77 25.59 21.64 14.46 8.36 3.99 2.69 166.14 December 18.17 24.56 2020) A-SI 14% 1.08 95% 2.81 4.71 9.53 14.13 19.10 19.26 19.90 16.83 11.25 6.50 3.10 2.09 129.22 Days/month 28 40.38 31 54.58 30 55.03 31 56.8730 48.09 3132.13 18.57 31 8.8630 5.98 31369.2030 31 CVP 40% 1.08 95% 8.02 31 13.44 27.23 OPV 6% 1.08 95% 1.20 19.53 2.02 4.08 8.26 8.53134.10 7.21 138.57 4.82 2.79 1.3378.30 0.90 45.26 55.38 21.60 14.57 kWh/month 32.766.06 66.348.19 98.40 132.99 117.18 Mono-SI 25% 1.08 S 95% 5.01 8.40 17.02 25.24 34.11 34.40 35.54 30.06 20.08 11.61 5.54 3.74 p-SI 18% 1.08 95% 3.61 6.05 kWh/month 12.25 18.17 24.56 24.77 25.59 21.64 14.46 8.36 3.99 2.69 Estimated A-SI(Q1) 21/12/2019 14%- 20/03/2020 1.08 95% 2.81 4.71 9.53 14.13 19.10 19.26 19.90 16.83 11.25 6.50 3.10 2.09 60.00 N September September CVP 40% 1.08 95% 8.02 13.44 070827.23 40.38 54.58 55.03 56.87 48.09 32.13 18.57 8.86 5.98 OPV W 6% 1.08 95% 1.20 2.02 4.08 6.06 8.19 8.26 8.53 7.21 4.82 2.79 1.33 0.90 E

SITE

Elevation. D.Black

S

(Q4) 21/09/2019 - 20/12/2019

06:05

Table 1.7.1. Estimated Sheffield PV output (Dharmadasa, 2018). By D.Black.

N

05:26

18:30

LISTED BUILDINGS

Totals Totals (kWh/m²/y)

06:05 08:07

15:49

18:10

20 December

Figure 1.4.1. Character Areas (SCC, 2020). Edited by D.Black.

Figure 1.6.1. (Sheffieldwx, n.d.)

Figure 1.5.7. 21/06/20 - 20/09/2020.

N

50.00

20 June

230.75 166.14 129.22 369.20 55.38

365 899.60

21 June

POSITIVE IMPACT

40.00

NEUTRAL IMPACT

Estimated kWh/month

03:46

20:17

60.00

09:00

15:00

09:00 06:05

30.00 18:10

.0m

21 March

06:03

18:12

W

E

06:05

18:10

3D model shown is NOT the location

BOUNDARY OF CONSERVATION AREA

W

40.00

30.00 0.00

N

20.00

Mono-SI p-SI A-SI CVP OPV

(Q2) 21/03/2020 - 20/06/2020

07 08 September September

05:26

18:30

W 06:05

21 September

E

06:05

W

15:00

E

09:00

20 December 09:00

15:00

S

10.00

Mar 17.02 12.25 9.53 27.23 4.08

Apr 25.24 18.17 14.13 40.38 6.06

May 34.11 24.56 19.10 54.58 8.19

June 34.40 24.77 19.26 55.03 8.26

July 35.54 25.59 19.90 56.87 8.53

Aug 30.06 21.64 16.83 48.09 7.21

Sep 20.08 14.46 11.25 32.13 4.82

Oct 11.61 8.36 6.50 18.57 2.79

Nov 5.54 3.99 3.10 8.86 1.33

Dec 3.74 2.69 2.09 5.98 0.90

W

0.00

Jan 5.01 3.61 2.81 8.02 1.20

15:49

18:10

Feb 8.40 6.05 4.71 13.44 2.02

Mar 17.02 12.25 9.53 27.23 4.08

Apr 25.24 18.17 14.13 40.38 6.06

06:05 08:07

06:05

20 March E

May 34.11 24.56 19.10 54.58 21 December 8.19

June 34.40 24.77 19.26 55.03 8.26

July 35.54 25.59 19.90 56.87 8.53

Aug 30.06 21.64 16.83 48.09 7.21

Sep 20.08 14.46 11.25 32.13 4.82

Oct 11.61 8.36 6.50 18.57 2.79

Nov 5.54 3.99 3.10 8.86 1.33

Dec 3.74 2.69 2.09 5.98 0.90

S

Graph 1.7.2. Estimated Sheffield PV output (Dharmadasa, 2018). By D.Black.

S

S

ANNUAL PEAK (09:00 - 15:00) (Q4) 21/09/2019 - 20/12/2019

N

(Q1) 21/12/2019 - 20/03/2020

N

S

1.8.

ANNUAL PEAK (09:00 - 15:00)

N

Feb 8.40 6.05 4.71 13.44 2.02

09:00

Figure 1.5.2. Sheffield Data (Gaisma, 2020).

LANDMARK BUILDINGS

Jan 5.01 3.61 2.81 8.02 1.20

(Q3) 21/06/2020 - 20/09/2020

Mono-SI p-SI A-SI CVP OPV

07 08 September September

05:26 09:00

N

N

E 05:46

18:00 18:10

18:30

Figure 1.4.2. Listed & Historic Buildings (SCC, 2020). Edited by D.Black.

E

S

ANNUAL PEAK (09:00 - 15:00)

N N

S

SITE

20 September

20.00 10.00

Figure 1.5.1. 3D Sun Path - Sheffield (Marsh, 2020).

W

06:05

50.00

06:05

NEGATIVE IMPACT

N

N

SHADOW STUDY

20 June

N

21 June 03:46

20:17

GATEWAYS 06:05

IMPORTANT BUILDING GROUPINGS

e Maps, 2020).

18:10

05:46

18:00 18:10

W

STREETS WITH SPECIAL CHARACTER

W W

21 September

E

05:46

18:00 18:10

18:12 W 18:10

21 March 20 March E

06:03

E

06:05

20 September

W

E

E

06:05

21 September

E

06:05

WAY THROUGH

W

07 08 September September

05:26

18:30

CONSISTENT BLOCKS

06:05

06:05

06:05

06:05

W 18:10

20 December

20 March E

06:05 08:07

15:49

06:05

21 December

09:00

DIFFICULT URBAN AREAS

15:00

BOUNDARY OF CONSERVATION AREA

09:00

06:05 08:07

15:49

S

(Q4) 21/09/2019 - 20/12/2019

(Q1) 21/12/2019 - 20/03/2020 (Q2) 21/03/2020 - 20/06/2020

N

Figure 1.5.3. 21/09/19 - 20/12/2019. N

S

06:05

S

21 December

(Q3) 21/06/2020 - 20/09/2020

N

Figure 1.5.5. 21/03/20 - 20/06/2020.

S

S

ANNUAL PEAK (09:00 - 15:00) (Q4) 21/09/2019 - 20/12/2019 N

S

18:10

20 December

S

20 June

(Q1) 21/12/2019 - 20/03/2020

N

20:17

21 June

N

Figure 1.8.1. 21 September 2019.

Figure 1.8.2. 21 December 2019.

Figure 1.8.3. 21 March 2020.

Figure 1.8.4. 21 June 2020. Page 1 of 5 11 PV PANELS

03:46

06:05

18:10

21 June

20 June 06:05

SITE

06:03

18:12

W

06:05

18:10

E

06:05

03:46

20:17

21 March

20 September

W

E

94

06:05

18:10

06:05

06:05

W

05:46

18:00 18:10

06:05

06:05

21 September

E

W

06:03

18:12

06:05

18:10

W

21 March

E

20 September

W

20 March E

E

1.4.3. Townscape Analysis (SCC, 2020). Edited by D.Black. 4.0. Figure CROSS SECTION SHOWING ENVIRONMENTAL STRATEGIES 15:49

S

18:10

20 December

06:05 08:07

06:05

S

21 December

(Q2) 21/03/2020 - 20/06/2020

The site is located within the Matilda Street Central Area. The building is considered neutral in its impact on the street(Q4)character and it adjacent to 21/09/2019 - 20/12/2019 EXISTING ROOFbuilding groupings. SIMPLE ROOF CONSTRUCTION TO REDUCE important

(Q2) 21/03/2020 - 20/06/2020 (Q1) 21/12/2019 - 20/03/2020

N

REMOVED AND HEIGHT INCREASE BY APPROX. 3 METRES.

(Q3) 21/06/2020 - 20/09/2020

S

S

S

S

(Q3) 21/06/2020 - 20/09/2020

N

Figure 1.5.4. 21/12/19 - 20/03/2020.

WEIGHT ON EXISTING BUILDING

15 PV PANELS 20 June

Figure 1.5.6. 21/06/20 - 20/09/2020.

21 June 03:46

20:17

18:10

U-VALUE 0.11

SOLAR STORAGE

06:05

06:05

06:05

W

06:03

18:12

06:05

18:10

E

20 September

W

E

ROOF LIGHT

GLULAM BEAMS

CAGED LADDER ACCESS TO ROOF FOR MAINTENANCE

S

(Q2) 21/03/2020 - 20/06/2020

RETAINED BRICKWORK WALLS FOR THERMAL MASS

21 March

SOUTH FACING HIGH WINDOWS

CROSS VENTILATION

EXHIBITION HALL DOUBLE HEIGHT SPACE

RISER STACK

IT MEZZANINE

LIFT VENT W/C VENT BEHIND

COMPARTMENT LINE

STAIR 02 EXISTING ESCAPE STAIR RETAINED

S

(Q3) 21/06/2020 - 20/09/2020

DASHED RED LINE DENOTES EXISTING BUILDING HEIGHT

NORTH ELEVATION ALLOWING MAXIMUM LIGHT TO IT ROOMS

IT ROOM

FIRST LEVEL WORKSHOP STAIR 01 FIRST TO SECOND

GROUND LEVEL WORKSHOP

SOUTH FACING HIGH WINDOWS

GROUND FLOOR FIRE ESCAPE

Figure 4.1. Environmental Cross-Section ETP2 Report - Black, Daniel

RISER

LIFT SHAFT

CROSS VENTILATION

CROSS VENTILATION

DOUBLE HEIGHT VOID SPACE

SOUTH FACING HIGH WINDOWS

KITCHEN

RECEPTION

STAIR 01 GROUND TO FIRST

MAIN ENTRANCE FROM MATILDA STREET

Page 4 of 5


Environmental Cross Section In the early morning, sunlight is able to penetrate the atrium to provide natural greenhouse heating for the occupants to enter the building to.

Once the sun has risen into the midday solar intense hours, the direct sunlight is blocked off by louvres therefore preventing any overheating in the atrium.

NE

These large 300mm diameter water tubes extend from the skylight on the roof down through the third floor into the second floor. Water has a high heat retention and acts as a passive sustainable heat source during the summer months. In the winter months the water can be heated to act as a large radiator.

Overlooking Atrium windows Each level has a large glazed wall that into the atrium, this large glaze section maximises the amount of northern light to illuminate each area.

9 am

SW

Scale -- 1:50

Vertical water filled tubes

12 pm

Liquid Skylight

Green Roof

The skylight has an added layer of water cover that can help diffract the light around the area. It also acts as blanket insulator for the room below with the water retains the heat through its thermal mass.

The green roof adds an extra layer of protection to the roof from the elements, therefore extending its lifespan. The roof matches the surrounding area joining the wave of green roofs appearing in the city centre.

Digitial production space, Kitchen & rest area Open Atrium window

Closed Atrium window

Exhibition

The atrium

Midday Sunlight

The atrium is located at the front of the building facing north east. The large glazed front wall allows enormous amounts of even north light to flood the atrium. Afternoon Sunlight

Each level has a large glazed wall that observes the atrium, above the glazed walls are ventilation grills that allow air to flow through into the atrium and rise. The sky light at the top of the atrium then exhausts the hot air as it rises out, generating a stack ventilation air flow.

Biophilic Design Indoor green wall scaling up the sides of the atrium. Vines and plantation fixed to these bio-boards can be seen from all levels of the building. These green walls give the users a rural feeling of being outdoors whilst working in a concrete city, improving wellbeing.

Below & Left: Hala Al Haddid Environmental modelling

FABRICATION WORKSHOP

This space will be filled with computers, so having a cross ventilation combined with a stack ventilation strategy should exhaust out the hot air.

ATRIUM Reception, Admin Support & Toilets

FABRICATION WORKSHOP The fabrication workshop is based on the ground floor on top of a concrete flooring. This is so the vibrations from the machinery do not cause any vibrations throughout the building and are instead transferred into the earth below.

Trombe walls These 300mm concrete walls are in contact with direct southerly sunlight from early morning to late afternoon. In the afternoon the windows then are in direct contact with the low south westerly sunlight. These concrete walls have a high thermal mass and therefore build heat from the direct sunlight throughout the day and release it into the building once the sun has gone. In the late afternoon period, the sun has travelled far enough in a western direction that it is able to finally able to directly shine through the window allowing a green house effect to aid in heating up the space. Combined these two strategies are able to provide passive heating throughout the night.

95

Above: Richard Formon Environmental cross section

DIGITIAL production space


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