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C on ten t Shade& Shadow Access& Movement Lumi nosi t y Possi bl ei dea1& 2 A Fur t heri dea Ref l ect i on Pl an Sect i onEl evat i on& 3D vi ews Opaci t y
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ZahaHadi d' spr oj ect sar er emar kabl enotonl yf orheri nnovat i veway ofhandl i ngt angi bl emat er i al sbut Li ghtst udy al s of orheri magi nat i onr egar di ng t hemedi um ofl i ght . Hert heor i esof f r agment at i onandf l ui di t yar enow Dec i s i venonpar al l el l i nesmar kt he wel l knowndes i gnt echni ques expl os i veener gyofherf i r s tbui l dwhi chenabl edherf or mf i ndi ng. i ng: TheVi t r aFi r eSt at i on( Wei l am However , heradvancesi nus i ng Rhei n, 1993) —al uc i dexpr es s i onof l i ghtt or enderherar chi t ect ur ehave t ens i onswi t hi ns i t uc onc r et ewal l s . of t enbeennegl ect ed—event hough Li ghtl i nesi nt hec ei l i ng, orbet heybecameanes s ent i alel ementi n t weenwal l andgr oundorbet ween r eveal i ngandi nt er pr et i ngherar chi t hewal l andt hef l yi ngr oofr ei nt ect ur e. Thet hr eedecadet r ans i t i on f or c et hel i nearar c hi t ec t ur ewi t h f r om mi ni mall i ghtl i nesatherear l y s har pedges . I nt hei nt er i or , t he Vi t r aFi r eSt at i ont ot hewor l d' st al l l i ghtgapsbet weent hewal l and ThePhaenoSc i enc eCent r e( Wol f s bur g, Thedi agonal bui l di ngs t r uc t ur ehas es tat r i um att heLeez aSOHOs kyc ei l i ngdec ons t r uc tc onvent i onal 2005)wasadec i s i vet ur ni ngpoi nti nHa- beent r ans l at edi nt or hombus s haped s cr aper , whi chcol l ect sanabunbui l di ngs t r uc t ur esaswel l . Even di d' sl i ght i ngi magi nat i on. Thewi ndows wi ndowsf ort hef a ade. I nc ont r as t danceofdayl i ght , s howst her et hedes i gnoft hedi s t i nc t i ves un andl umi nai r esi nt hebui l di ng' ss ur f ac e t oear l i erpr oj ec t swi t hs har pedges , mar kabl edevel opmentofZahaHabl i ndsi nt ens i f yt hel i nearpat t er n s har et hes amef or m, c r eat i ngahol i s t i c Hadi d' sf or msher et ookonc ur ved di d’sl umi nousl egacy. l anguage. Thepr ec i s el i ghtl i nes des i gnappr oac handt husmovi ngon s hapes , mar ki ngat r ans i t i ont of l ui d Li ghtcl os est hegapbet weenar chi emer geasbui l tmani f es t at i onsof f r om Hadi d' sear l i erper i odofl i nesand des i gns . I nor dert of or m ac oher ent t ect ur eandourper cept i on. We hers upr emat i s tpai nt i ngs . Al ext er i ors ur f ac e, t her hombusc ont our s har pc or ner s . Theel evat edc onc r et e s ens ef or msandmat er i al swi t hour t hought heedgesoft hei nt er i orl u- s t r uc t ur egener at esal ar ges hadedar ea, hasal s obeenappl i edt ot heunder r ect l ybutt hr ought her emi nai r esec hot hes har pc onc r et e wi t ht hevi ewt odayl i ghtonones i dei n- s i deoft heel evat edmus eum. Ther eby eyesnotdi f l ect edl i ght . ZahaHadi d' sus eof l i nes , t hes of t , di f f us ei ns i deand t ens i f i est hei mpr es s i onofadar kvoi d. t hevi s i t or sper c ei veahol i s t i cf or mal l i ghtmi ghtappeargr aphi calatf i r s t out s i dei l l umi nat i oni nawayc oun- Asac ount er poi nt , di f f us ec ei l i ngl umi - appr oac henc ompas s i ngbot hdays i ghtwi t hherl i ghtl i nes . Never t he t er ac t st heener gyoft hebui l di ng' s nai r esi nt er venei nt hedi m at mos pher e. l i ghtandar t i f i c i al l i ght i ng. l es s , t hegr anddameoper at edver y f or ms .
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C on ten t Shade& Shadow Access& Movement Lumi nosi t y Possi bl ei dea1& 2 A Fur t heri dea Ref l ect i on Pl an Sect i onEl evat i on& 3D vi ews Opaci t y
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C on ten t Shade& Shadow Access& Movement Lumi nosi t y Possi bl ei dea1& 2 A Fur t heri dea Ref l ect i on Pl an Sect i onEl evat i on& 3D vi ews Opaci t y
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C on ten t Shade& Shadow Access& Movement Lumi nosi t y Possi bl ei dea1& 2 A Fur t heri dea Ref l ect i on Pl an Sect i onEl evat i on& 3D vi ews Opaci t y
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C on ten t Shade& Shadow Access& Movement Lumi nosi t y Possi bl ei dea1& 2 A Fur t heri dea Ref l ect i on Pl an Sect i onEl evat i on& 3D vi ews Opaci t y
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C on ten t Shade& Shadow Access& Movement Lumi nosi t y Possi bl ei dea1& 2 A Fur t heri dea Ref l ect i on Pl an Sect i onEl evat i on& 3D vi ews Opaci t y
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