A
RCHITECTURE
D
ESIGN
PORTFOLIO SELECTED WORKS, 2014 - 2019
ACADEMIC PROJECTS PROFESSIONAL PRACTICE ART DIRECTION PERSONAL PRACTICE
CurriculumVitae EDUCATION St.Sebastian Goan High School Girgaon, Mumbai Batch of 2012 Student Prefect
Kamla Raheja Vidyanidhi Institute For Architecture
What is space? Vasai fort
1st Year
Kishanchand Chellaram College Churchgate, Mumbai Batch of 2014 Theatre incharge
Architectural Design
Decoding Potraits Matharpakdi Sawantwadi Fairytales Sawantwadi
Workshops Limerick Jaydeep mule
Awards Spectrum Theatre 1st prize
Food And Design-Muffadal
Responsibilities
Electives
Class Representative
Bamboo Areen attari
Studytrip Commitee
Theatre Sujay Saple
Andheri, Mumbai
Contact +91 9969948389 Email infoar.shubham@gmail.com hankare44@gmail.com Address 403, Vijaya cottage,14th Zawba wadi, Thakurdwar, Girgaon, Mumbai 400002, Maharashtra, India.
LANGUAGES
English Hindi Marathi (Mother Tongue) Gujarati
24H MATRIX 18th edition
Intach Heritage Award merit in documentation Citation| June 2019 Design Dissertation Colloquium 2019 KRVIA, Mumbai Kurula Varkey Design Forum | KVDF 2019,CEPT Ahmedabad
3rd Year
ACHIVEMENTS
INTERESTS
Theatre Acting Travelling Direction Singing Sketching
Sufi Centre Malvani Museum of the forgotton moon, Lucknow House Of Pandits Bundi
Food Farms Dharavi The Paradoxical Dibba Hampi
The MIne Plug Dehradun
4th Year
Date of Birthday 20th February, 1996
5th year
Ar. SHUBHAM MAHADEV HANKARE
AutoCAD Adobe Photoshop Adobe InDesign Adobe Illustrator SketchUp V-Ray Lumion Revit Basic MS Office
2nd Year
SOFTWARES
Actor And The Audience Yuki Ellias Exploring Practices Dushyant Asher
Theatre Ramu Ramanathan
Intach Heritage Award merit in documentation Lucknow
Spectrum Theatre 2nd prize
Theatre Niketan Sharma
Into The Graveyard, Alang
Theatre and Music Mansi Bhatt Theatre Sujay Saple
Alumni Team Exhibition commitee
Cinema Devdutt Trivedi Theatre Sujay Saple
Theatre Faize jallali
Class Representative ASSA Cricket 2nd place
Internship at andblack design studio, Ahmedabad
Paradoxical Hall Delhi
Put Your Hands Together Bamboo toilets
Tensile Tensigrity Shreya Sen
Studytrip Commitee
Building techniques Jimmy
Citation| June 2019 Design Dissertation Colloquium 2019 KRVIA, Mumbai Kurula Varkey Design Forum | KVDF 2019,CEPT Ahmedabad
Building techniques Jimmy
01
INTO THE GRAVEYARD, ALANG
Design Dissertation
05
MUSEUM FOR FORGOTTEN MOON, LUCKNOW
Sem 4
09
SABHAGRUHA BUNDI
Sem 3
13
PROFFESIONAL PRACTICE, andblack design studio
Sem 8
02
03
THE MINE PLUG, DEHRADUN
THE PARADOXICAL HALL, DELHI
Sem 7
Sem 9
06
07
FOOD FARMS DHARAVI
Sem 5
10
SAWANTWADI FAIRYTALES SEM 1
14
PARALLEL EXISTANCE Competition
WORKING DRAWINGS DHARAVI
Sem 6
11
BUILDING TECHNIQUES KRVIA Other Works
04
PARADOXICAL DIBBA HAMPI
Sem 6
08
MESSURED DRAWINGS LUCKNOW
Sem 4
12
TENSILE TENSIGRITY ELECTIVE
Sem 7
15
PERSONAL PROJECT ART DIRECTION | PRODUCTION DESIGN
PROJECTS
ACADEMIC PROJECTS
01|
INTO THE GRAVEYARD, ALANG
Guide: Jamshed Bhiwandiwalla | Final Year Design Dissertation
This thesis outlines a design project that introduces new prototypical mobile shipbreaking facility to the ship breaking community of Alang that modernises the process of ship breaking by introducing various interconnected system that prevents using the traditional life threatening methods of dismantling a ship that allow for self-sufficiency. The design will be driven by the process of shipbreaking, a highly dynamic approach will be achieved by structural high-tech aesthetics. The main focus will be on the yard zoning which will be designed considering the requirements in the Conventions. Creating familial housing conditions that provide a sense of community and allow families to live and work together which replaces the current housing slums. The housng will be incremental and will be designed in such a way with open spaces for interaction. The project aims at making the process of ship breaking safe for the labourers as well as environmentally safe and creating a hazard free, more productive work environment.
Citation| June 2019 Design Dessertation Colloquium 2019 KRVIA, Mumbai Kurula Varkey Design Forum | KVDF 2019,CEPT Ahmedabad
WE ALL ARE FAMILIAR WITH THE SHIPPING INDUSTRY BUT THERE IS AN UNKNOWN PART OF IT WHICH HAS BEEN IGNORED FOR A LONG TIME AND THAT IS SHIP BREAKING WHEN A SHIP IS BUILT IT HAS A LIMITED LIFE AND WHEN IT GETS OVER IT HAS TO COME
“INTO THE GRAVEYARD” WHAT WE GENERLLY CALL IT AS A SHIP BREAKING YARD.
PROCESS
Alang is a small village of about 5000 population. Before 1983, the village did not have any identity. But today it is weI-known for shipbreaking. Alang is situated on Gulf of Khambhat. It is 45 Kms away from Bhavnagar city and 11 kms from Trapaj Village. Alang-Sosiya ship breaking yard (ASSBY) comprises of 183 plots of different sizes. More than half the plots are of larger sizes which break ship of higher Ldt, while the small size plots are used for breaking ships of lower Ldt. All these plots are developed and owned by Gujarat Maritime Board.
SITE PHOTOS
Actors The ship-breakers are entrepreneurs and business people who supply capital and manage the activities at the yard, starting from the moment of purchase until the last steel plate is sold and driven away from their plot.
HOUSING CONDITIONS
Spontaneous Living There are many open plots of land which are either government owned or private land across the yards. This land is then used by the migrants to self construct their housing using local materials from the ship. Rented Housing This type of housing is a common shelter for most of the migrants and who live for a long period of time.
With the bad working conditions at the yard the workers also face housing problems. Most of the workers live in small shanty’s adjacent to the plots and are in continuous exposure to various toxic substances. Some of the ship breakers provide their workers with land. Some workers are provided with material to built their houses which usually consists of wood and iron sheets from the ship. These shanty are known as Kholis. The house is shared between 10 to 15 workers. Some large Kholis which are collective dormitories is shared on rental basis by 50 to 100 workers and are maintained by other people. A third type of accommodation is the one in which workers stay and pay on monthly rental basis. Few employers also provide residential facilities to their workers but these facilities are reserved for the labour contractors and managers only.
8 AM
7 PM
8 am- The workers leave their house by 7.45 to reach their respective yards on time.
7 pm- After the tea break they work till the bell rings which ends the days work.
11 AM
7. 15 PM
11 am- The workers work on the yard and on board according to thier skills. They get a lunch break at 1 pm
7.15 pm- After the days work they get their cards signed by the supervisior for their wages .
2 PM
7. 30 PM
WORKING CONDITIONS Workers in Alang ship breaking yard are not provided with sheds, thus compelled to work under open sky round the year in difficult working conditions exposed to various hazards. Due to poor conditions at the Alang ship breaking yard workers are exposed to several chemicals and toxic substances such as asbestos, lead paint etc which cause numerous health problems. It is also observed that workers face accidents due to fall, explosion, fires etc. Breaking down of the ship is done by two sets of cutters. One set operating on the ship and other set of cutters operating on the ground. Cranes and lifting machinery are used while cutters operate on the ship. Their utility is minimum when cutters operate on the ground. The unskilled workers in yard carry steel plates on their shoulders.
2 pm- Post lunch work till 4.30 pm 4 PM
4 pm- They get a short break of 30 minutes till 4.30 which is a tea break for them
7. 30 pm- After they leave from the yard the first thing they do is fill thier buckets with water and bathe from the cement bore wells.
Detailed Yard Plan
Material Flow
Alang-Sosiya road
Direct Reuse/ Resale
Shops
Many parts of the ship are designed to perform in the worst conditions imaginable. They are always useful when are in working condition. Here at Alang these parts, which are in perfect working order, are categorized and taken apart. Once those are not working are repaired and repainted in order to make them look and perform as good as new. The reconditioning firms that line the approach road export the equipment like generator, engines, and compressors once these are repaired and painted to make them look as good as new. The area of export is generally limited to China and Middle East, via Bhavnagar port
Slums outside the plot Security cabin Office building and quarters Hazardous material storage Truck weighing machine Auction area for buyers Toilet and storage
LPG storage
Yard cutting zone Heavy cutting zone Segregation and cutting area Cranes for lifting Winch puller Winch chain Inter-tidal zone Discarded ship
Site Plan Yard Section
SECTIONS
SECTION CC’
SECTION BB’
LONG SECTION ELEVATIONAL VIEW
ELEVATIONAL VIEW
ISOMETRIC VIEW
EXPLODED AXONOMETRIC VIEW, HOUSING
EXPLODED AXONOMETRIC VIEW, BREAKER
TECHNOLOGY DRAWINGS Polycarbonate pannels for roofing
Vierendeel girder 25 mm thick solar panels of 2000x1500 mm Metal Gutter 75 x 50 mm box section
Section holding the Gantry Crane Tension griper
+ 18.8 m
150 x 100 mm steel beam
Pully for moving floors Secondary moving cables with hook Section for Gantry movement Tension Cables to hold the slab Tension Cables to hold the moving floor
Polycarbonate pannels for shading Metal staircase Terrace
Metal staircase Louvers Shipping container room
30 x 30 mm wooden screen members + 14.4 m Metal tracks for the movable wooden screen 100 x 75 mm box section welded to the container 45 mm wooden walkway 75 mm C- section to hold the walkway 150 mm box section stringer beam 45 mm wooden tread Steel riser 150 mm box section stringer beam
Profiled steel decking Foldable bridge to reach the ship Metal railing
Metal Railing
Balcony
Tension griper with anchor plate
25 mm wooden flooring 50 x 25 mm channels
+ 11.7 m
Foldable bridge to reach the ship
Section of a ship
Container dormitaries
PVC layer +9m 25 mm wooden flooring 100 mm Glasswool insulation derived from ship 30 mm corrugated sheet of the derived container
Base Plate Wooden doors derived from ship
Air Pump to fill the air bag below
Metal railing
Rubber Air Bags for Ship Movement Balcony
+ 6.1 m
BREAKER WALL SECTION
Wooden vertical Bi-fold manual operating window Toughened glass for light and ventilation Wooden window frame
7 6
5
4
3
2
Tracks for window alignment
1
19 mm plywood window sill
Container dormitaries
Cross Member For Roof
+ 3.4 m 30 mm corrugated sheet of the derived container 100 mm Glasswool insulation derived from ship 50 x 25 mm channels 10 mm Gypsum board
9
Additional structural support 10
11
Glass wool insullation 8
Verticle Bi-fold manually operated window Corrugated sheet of the container
17 14 15
Wooden member moving screen Double skin metal frame
16 13 12
ROOF CONSTRUCTION 1. Roof Frame 2. Trapezoidal Sheet Metal 3. Mineral Insulation 4. Traverse Roof Beams 5. Bottom Flange 6. Vapour Barrier 7. Derived Timber Material Board WALL CONSTRUCTION 8. Profiled Sheet, depth of trapezoidal wave 10mm 9. Zinc - plated wall frame 10. Mineral Insulation 11. Derived timber material board FLOOR CONSTRUCTION 12. Rolled-steel Section 13. Traverse Floor Beams 14. Sub-floor Panel 15. Mineral Insulation 16. Derived timber material board 17. PVC flooring
CONTAINER DETAILS
C- channel to support the window sill 19 mm plywood
Cycle Parking
Storage
Kitchen
30 mm corrugated sheet of the derived container + 0.6 m 150 x 150 corner fitting box section 25 mm screed and 25 mm flooring 100 mm PCC T- section casted in concrete for welding Random Rubble 0 m (G.L) Rammed Earth
HOUSING WALL SECTION
RENDERED VIEWS
MODEL PHOTOS
02|
The MINE PLUG
The MINE PLUG is a Petrology institute .Petrology is the study of rocks and its composition.The institute is placed below the ruins which are conserved and the a part of the ruin is made into a cable car station that connects it to the quarry on the opposite side. The idea of the huge walls was to frame the quarry from all the parts of the institue and the circulation revolves around the walls .The whole idea was to get the view of the quarry from different levels so even the library is made in such a way that the stepped reading pods gives one the view of quarry at different angle. This activates the dead quarry by making it into an institution and aslo becomes a tourist spot that makes tourist use the other route
LOCATION PLAN
There is another route to mussoorie via the Hathipaon village which has the Lambi Deher mines. So the idea is to create a suitable diversion point of attraction allowing them to commute along the longer route.
POP model explaining the idea of the plugin
The LAMBI DEHAR mines is a limestone quarry which was closed in 1996 due various reasons The quaarry still has thesae chamfered mountains of limestone but it is not accessible but can be viewed from a point which has the ruins of the quarry office.
SITE PHOTOS
LOCATION PLAN: Lambi Deher mines is located on the longer route to Mussoorie. The quarry has these chamfered limestone mountains which can be viewed from a point which has the ruins of admin office of the quarry. Lambi Deher mines were closed in 1996. The idea is to activate this dead place by letting people enter the quarry and experience the process of quarrying and the history of the site. Looking at the present scenario of road networks between Mussoorie and Dehradun and considering the traffic along the Mussoorie route The road leading to Mussoorie has lot of tourist spots and hence it takes four hours for an individual to reach mussoorie in peak season..
The idea was to connect the site to the quarry mountain on the opposte side by making a pertrology institute. These connections were tried by making models,sketches and sections
PLAN
FRONT ELEVATION
The views clearly shows how the institute fits in the mountain and how the tall walls act as blinkers thats becomes the frame to the quarry on all levels.The model highlights the three zones hostel, public zone and classrooms.
SECTION AA’
SECTION BB’
SECTION CC’
AXONOMETRIC VIEW
HOSTEL VIEW
ROPEWAY VIEW
DESIGN IMPACT: Mine Plug is a institute placed inside the quarry. The quarry which is closed since 1996 is made accessibile to public helping them understanding the process of quarrying and also helping the students studying petrology to get handson experience of the quarry and carry out experiments in the labs. The ropeway takes you to the chamfered limestone mountain which in a way activates the dead quarry.
03|
THE PARADOXICAL HALL
PRAGATI MAIDAN, DELHI
The nature of a paradox is such that it is counter intuitive, it doesn’t assume an understanding of the original state as given; however it uses it to create its own identity. The idea of the building will be to create a sense of light massing, such that it reveals a paradox of gazing at a much lighter, yet similar in scale of the original structure. The project uses the idea of the existing Hall of nations complex, while staying unaware of it, to create in itself; a paradoxical entity, something that absorbs into itself a range of qualities, whether form, structure or composition that are contrary to those of the original structure. When we talk about the Hall of Nations we always imagine the pyramidal space frame structures, Therefore reimagining the Hall of Nations with the new proposal through the lens of paradox The structure will placed over in the garden area of the new proposal acting as a gayeway giving a visual image on Hall of nations through the void in it. It will be an Exhibition Center and a Public Library that reminds the irreplaceable past of the site..
THE PARADOXICAL HALL
EXPLODED VIEW
P R O C E S S SECTION AA’
AXONOMETRIC VIEW
SECTION BB’
04|
THE PARADOXICAL DIBBA HOUSE OF CULTURE, HAMPI
The nature of a paradox is such that it is counter intuitive, it doesn’t assume an understanding of the original state as given; however it uses it to create its own identity. The idea of the shrine was to create a sense of heavy massing by digging into the Mahanavmi Dibba, exploring its layers; such that after exiting, it reveals a paradox of gazing at a much lighter, yet similar in scale ‘Dibba’. The project uses the idea of the existing Mahanavmi Dibba, while staying unaware of it, to create in itself ; a paradoxical entity, something that subsumes into itself a range of qualities, whether form, structure or composition that are contrary to those of the Mahanavmi Dibba. In creating the ramp, the embedded structure and the double skinned form, the project creates notions of spaces that are presentably opposite to the dibba while still sharing with it their origins. spaces. that are presentably opposite to the dibba while still sharing with it their origins.
THE PARADOXICAL DIBBA P R O C E S S
05|
MUSEUM OF THE FORGOTTEN MOON AT RESIDENCY, LUCKNOW
A part of the history of residency is unraveled to many. Residency not only had history related to British but it also has a past which encouraged art forms like Dastongai- the art of urdu storytelling. The Museum of forgotten moon at residency is a library and a theatre for performing the forgotten tradition of dastangoi and the library does not only reveals the history of residency through writings but also by the way a person is made to interact with books. The ramps offers to experience residency at various levels where the ruins don’t.
MUSEUM OF THE FORGOTTEN MOON AT RESIDENCY, LUCKNOW
06|
FOOD FARMS
SITE DHARAVI YEAR_3 FACULTY_MINAL YERAMALSHETTY
Now,I have lost count on how many times have people exclaimed ‘DHARAVI!’, in disgust when I share a talk about my site visits. The idea of the project is to break the pre-conceived notions of a ‘drenched in dirt’ Dharavi. The site for which,serves to its ultimatum and the building respnds to a sewage treatment plant,tonnes of waste generated and the affected neighbourhoods. Food farms,as the name suggests,is a platform for the people of Dharavi to get to learn the practices of horticulture and urban farming on a household level. Not only does it compost the degradable waste from the site to be used as manure but also serves as a green patch amidst the congested and polluted Dharavi. Wouldnt call it a slum,but its definitely like a gaothan -self sustaining. The building acts as a Transformer in its truest sense and if transform,might as well start at the lowest level possible.
07|
W O R K I N G DRAWINGS
RAILING DETAIL
ELEVATION
DHARAVI TRANSFORMER URBAN FARMS.
PLAN
SECTION
SLAB DETAIL
GREENROOF DETAIL
SLAB DETAIL
08|
JAMA MASJID
MEASURED DRAWINGS
LUCKNOW, 2ND YEAR
Jama Masjid of Lucknow was built in the year 1423 by Sultan Ahmed Shah as a congregational space for all Fridays and auspicious occasions in Lucknow. The en-tire construction of the Masjid is done in yellow sandstone and is an example of Indo-Islamic architecture. The scale of the complex itself makes Jama Masjid one of the biggest landmarks of the city. Raised ona high plinth, the steps that lead to the elaborate entrance, is very prominent. The intricacy, complexity and the richness of the details is commendable. Next to the Jama Masjid, stands the Mal- ka Jahan Imambara. It was as long as the mosque,but smaller in size. Along with the intricately ornamented domes, the pillars of the Masjid have carvings inspired from Hindu and Jain culture.Since the entry for non-namazis was prohibited, the documentation of the mosque was mainly done from outside the mosque. The internal documentation was done by a single elaborated walk through the structure and with the help of pictures.
09|
UNPREDICTABLLE RURAL MARKET THE FAITALE PROJECT _SAWANTWADI YEAR_1 WINTER_2014 FACULTY_KAUSHIK MUKHOPADHYAY
Fairy tales are simple moral tales of innocence, eveil and happily ever afters. But what makes them great reading are the seductive possibilities of the gratiication of all desire, the eternal myths- of perfect beauty, of the cornucpia,of sudden transformations like dust turning into gold, the magic object that will grant every wish. The city its objects and spaces too prmise such miracles. The story becomes a lens to look at Sawantwadi’s own fairy tales woven around its markets, objects and spaces. The first stage was a drawing of the city seem through the fairy tale. The second, the making of a three demensional one is to one space/object/ device exploring the idea
10|
BUNDI
RAJASTHAN YEAR_2 FACULTY_JERRY GEROGE
The proverb was used as a tool to look at the characteristics of the site, that would accelerate the notion of being fearless yet showing its dignity and pride. Some of these spaces are captured through photographs and sketches. The project further developed into a house project.The floating house is a house for thr pandits of the temple in navalsagar lake. The temple is under water during monsoon .so this floating house lets the devotes worship by not entering the temple but by going close to it.So bamboo is used as a light material and the house floats using plastic drums
P R O C E S S
11|
COLLABORATION PROJECTS
UMBRELLA LANTERN
PLANTER
YEAR_2 FACULTY- DUSHYANT ASHER
YEAR_2 FACULTY- SAGARIKA
PAPER TUBE 7 IN 1 FURNITURE YEAR_1 FACULTY- APURVA AND GEORGE
The design are mainly inspired by the projects worked upon till date its a designing process that accelerates the thinking over joineries and various systems. The amalgamation of various materials like woodconcrete and steel is attempted that gives a knowledge about its flexibility. This process aids in designing the intervention to a great extent.
POP MODELS
YEAR_2 WINTER_2014 LUCKNOW STRUCTURE USING POP MODULAR BLOCK
WOODEN JOINERY CUBE
STREET FURNITURE
PECKING HENS
YEAR_1 FACULTY_HUSSAIN INDOREWALA
YEAR_2 FACULTY- DUSHYANT ASHER
YEAR_3 FACULTY_GEORGE
PROFESSIONAL RACTICE
andblack design studio
andblack design studio is lead by Kanika and Jwalant Mahadevwala. They did their post graduation from Architectural Association, London. Following which Jwalant worked with Zaha Hadid Architects and Kanika with Michael Hopkins in London for about 4 years before moving to Ahmedabad.
GSOR
GOPAL SNACK OFFICE RAJKOT Gsor is an office building for the gopal namkeen snack factory. This office is in the factory compound itslef joining the main building.
RENDERED VIEWS
WC (3m x 2m) DN
7.5 m Wide
6.50 m wide ramp (1:7) Interview room (3m x 2m)
Meeting Room (60 ppl) (9x 6m)
Security cabin (2.3x4.7m)
Steel column
opyright of andblack design studio. ation of this drawing should be done with the sion.
between drawings should be reported mmediately.
HR(1+4) (4mx 4m)
HR(1+3) (3mx 4m)
HR(1+3) (3mx 4m)
Meeting Room 01 (4mx4m)
HR(1+3) (3mx 4m)
HR(1+2) (2.5x2.2m) M
9 8
1
10 7
2
11 6
3
12 5
4
Reception
Lift (1.59x 1.9m)
HR(1+3) (3mx 4.8m) Server (2.2mx 5m)
FWC (1.8x3.3m)
MWC (2.5x3.3m)
F
Entrance
Waiting Area (7m x 7.5m)
2.3m Wide Corridor
HR (6.5mx 5m)
HR(1+2) (2.5x2.2m) HR(1+2) (2.5x2.2m)
Rammed Earth wall @300mm thk
Meeting Room 02 (4mx4m)
UP Pantry (3mx2.6m)
Entrance
RO
Projection Above
Steel column
7.5 m Wide
PLAN issue register
project
rev
date
A
02.09.2017
north
Project Title
B
06.11.2017
dwg. no.
rev
C
18.11.2017
A_GSOR_3001
I
D
30.11.2017
E
title
05.12.2017
F
06.12.2017 29.12.2017
GA_Ground Floor Plan
G H
06.01.2018
I
18.01.2018
scale
1:200
N
GENERAL NOTES
rom the drawing.
Training Room (5.2mx 8m)
size
A4
# 405, Abhijyot Sqaure, Off S.G. Highway, b/h Divya bhaskar press, prahladnagar, Ahmedabad 380015. www.andblackstudio.com +91 79 40090650
Detail A Back rest 20 MS steel
Detail B Side rest
FURNITURE DRAWINGS
20 MS Pipe
Reference view
18 mm plywood
18 mm plywood Cushioned fabric
150
50
eq
eq
50
150
12 mm plywood with laminate /PU as per Designer
Inside laminate
700
Laminate/PU as per designer Wood as per designer
Internal structure detail Scale 1:20
Plan Scale 1:20
Wood as per Designer
Detail A Scale 1:5
Mirror thk as per client
Plan Scale 1:10
50 x 75 mm Solid wood block
Reference View
12 mm plywood
50 x 75 mm Solid wood block
100
100 450 150 20
30
A
40
50 100
100
120
450
18 mm plywood Cushioned fabric
12 mm plywood
50
Detail B cushioned fabric
12 mm plywood
20 MS Pipe
40
Wood as per Designer
30 mm dia circular tenon mortise joinery
490
850
20 MS Pipe
Front Elevation Scale 1:20
Side Elevation Scale 1:20
75
30 35
Tenon and mortise joinery detail (A) Scale 1:5
25
1. This drawing is copyright of andblack design studio. Copy and publication of this drawing should be done with the architect's permision.
183
25
Front Elevaton Scale 1:10
2. Any discrepancy between drawings should be reported to the Architect immediately.
Side Elevaton Scale 1:10
rev
1820
drawing is copyright of andblack design studio. py and publication of this drawing should be done with the hitect's permision.
date
A
dd.mm.yyyy
A_HLF_4205
discrepancy between drawings should be reported he Architect immediately.
rev
A
title
Sofa 8
Cushioned fabric
north
Home Lab Furniture dwg. no.
dwg. no.
A_HLF_4210
586
rev
north
Home Lab Furniture
scale
A3
1:20
Wood as per designer
anddesign black studio
size
rev
A
N
Issue register
04.04.2018
183
1450
GENERAL NOTES
date
A
B
1450
3. Do not measure from the drawing.
project
project
Issue register
GENERAL NOTES
148
650
650
Detail B Scale 1:10
40
N
Legs with circular section tapering from 40 mm dia to 25 mm dia
title
anddesign black studio # 405, Abhijyot sqaure, off S.G. highway, prahladnagar, Ahmedabad 380015. +91 79 40090650
Laminate as per designer
12 mm plywood Inside Laminate
b/h Divya bhaskar press, www.andblackstudio.com
Solid wood
1980
size
A3
1760
scale
1:10
Inside laminate
586
Study Table 6
not measure from the drawing.
A
A'
Wood as per designer
Reference view Internal Structure: Plywood and solid frame
75 x 175 solid wood
6 mm plywood 12 mm plywood
Plan Scale 1:20
Plywood frame Coated with fabric and foam attached to wall behind
125
Plan
laminate as per designer
18 mm plywood
Section AA' Scale 1:20
6 mm plywood
Project Name
Front Elevation Scale 1:20
1500
15 15 30 15
Elevation
20
230
125 130
Legs detail Scale 1:5
250
1455
115
60 Plywood frame Coated with fabric and foam attached to wall behind
Chamfer top of leg as per connecting surface of bed.
130
625
20 project
11
Plywood frame Coated with fabric and foam attached to wall behind
250 Issue register
Section AA' Scale 1:5
75 x 175 solid wood
Section BB' Scale 1:20
(355) Size may vary
Side Elevation Scale 1:5
cushioned fabric on plywood frame
250
130
75 x 175 solid wood
130
250
6 mm plywood 12 mm plywood
GENERAL NOTES
60
18 mm Plywood
20
Laminate as per designer
Front Elevation Scale 1:5
30
Plywood frame Coated with fabric and foam attached to wall behind
230
Inside Laminate
B'
(355) Size may vary
Plan Scale 1:5
75 x 175 solid wood
50
121
586
Mirror thk as per client
Side Elevation Scale 1:20
1760
north
Issue register
project
north
FURNITURE DRAWINGS
295
295
130
Cushioned fabric
10 mm MS rod
60
130
10
Cushioned fabric
12 10 Cushioned fabric
330
520
265
430
12 mm Plywood
450
Cushion detail Scale 1:1
50 130 Plan Scale 1:10
30 mm dia wooden legs
335
wooden leaping
295
295
1 mm laminate as per designer
130
295
18 mm plywood
235
wooden leaping
fabric as per designer
485
310
350
295
880
120
150
45
10 mm MS rod
245
400
350
wooden leaping wooden angle
425
430
150
30
Cushioned fabric
400
35
365
530
Wooden Leaping detail Scale 1:1
12 mm plywood
10 mm MS rod
40
Cushioned fabric on 12mm plywood
125
6 35
Reference view
12
Plan Scale 1:5
30
30
Turn at 20 mm radius
600
615
365
12 mm plywood
830
707
Front Elevaton Scale 1:10
435
Wooden leaping
Reference view Seat structure: Plywood frame with cushion and fabric
Side Elevation Scale 1:10
310
Inside laminate Cushioned fabric Laminate as per designer
12 mm plywood
project
rev
date
A
05.04.2018
A
title
dwg. no.
A_HLF_4212
Bed 5 - side table
Plan
C
anddesign black studio
Study Chair 4
Lathe of 60 x 25 mm scale block wooden
north
Home Lab Furniture
title
size
A3
# 405, Abhijyot sqaure, off S.G. highway, prahladnagar, Ahmedabad 380015. +91 79 40090650
b/h Divya bhaskar press, www.andblackstudio.com
Plan
rev
A
A
anddesign black studio
scale
size
1:5
A3
# 405, Abhijyot sqaure, off S.G. highway, prahladnagar, Ahmedabad 380015. +91 79 40090650
b/h Divya bhaskar press, www.andblackstudio.com
B
Front Elevation
Detail A Scale 1:1
Detail C Scale 1: 10
Elevation
Detail B Scale 1:1 Reference view Stucture: Wood as per designer
Plan Scale 1:5
Chamfer edges of member C according to connecting surface of member B
Plan Scale 1:20
rev
A_HLF_4203
1:10
2. Any discrepancy between drawings should be reported to the Architect immediately.
3. Do not measure from the drawing.
dwg. no.
N
. This drawing is copyright of andblack design studio. Copy and publication of this drawing should be done with the architect's permision.
03.04.2018
3. Do not measure from the drawing.
Issue register
GENERAL NOTES
A
north
Home Lab Furniture
date
2. Any discrepancy between drawings should be reported to the Architect immediately.
Section AA' Scale 1:5
Front Elevation Scale 1:5
rev
1. This drawing is copyright of andblack design studio. Copy and publication of this drawing should be done with the architect's permision.
Wood as per designer
25
25
30 mm dia wooden legs
project
Issue register
GENERAL NOTES
N
60
30
12 mm wood as per designer Lathe of 382 x 25 mm wooden block
Detail A
Plan Scale 1:20 Detail A Scale 1: 10
Chamfer edges of member A according to connecting surface of member B and table top
Detail B Scale 1: 10 Chamfer edges of member A according to flooring surface and table top
Detail B
Table top detail Scale 1:1
1. This drawing is copyright of andblack design studio. Copy and publication of this drawing should be done with the architect's permision.
project
Issue register rev A
date
north
Home Lab Furniture dwg. no.
A_HLF_4203
GENERAL NOTES rev
A
N
GENERAL NOTES
Side Elevation Scale 1:20
Elevation 1 Scale 1:5
Side Elevation Scale 1:20
1. This drawing is copyright of andblack design studio.
Elevation 2 Scale 1:5
Leg details Scale 1:5
project
Issue register rev A
date
04.04.2018
north
Home Lab Furniture dwg. no.
rev N
Front Elevation Scale 1:20
Front Elevation Scale 1:20
14|
MATRIX 24
Competition Duration 24hrs
02. The School Of Thoughts T.S.O.T
PERSONAL PROJECT RT DIRECTION
01. Adv Durgesh Kulkarni Office
15|
Adv. Kulkarni Office Mumbai 200 sq.ft Personal Project Status: On going
Project Description
A 200 sq.ft Advocate office with a single room was to be turned into a space with a conference room and a MD cabin with few workstation arrangement outside. Providing additonal storage to equipe the daily matters and law books were the main requirements of the project.
Renderd View
BEFORE A F T E R
16|
ART DIRECTION Set Designing T.S.O.T The School Of Thoughts
Art Direction / Production Design Assisted Art Director Nimish Kothwal, the founder of The School Of Thoughts T.S.O.T Projects worked on: JBL Speakers Swiggy India Ponds Tuborg Lifebuoy India Udaan App Project Photos
AR. SHUBHAM MAHADEV HANKARE KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES
CONTACT NO : +91-9969948389 EMAIL ID: infoar.shubham@gmail.com hankare44@gmail.com