EDU C AT IO 2019 -
2015 - 2019
PROFILE
2012 - 2015
EX P ERIEN
SHUYA IWATA Students of Graduate School of Engineering, Tohoku University
2016 - 2018
2019
/Photographer PERSONAL
AWARDS
D.O.B
09/Oct/1996
Nationality
Japanese
Architecture
Grand Prize July Prize -
Excellence A
Winner - St
Young Prese
CONTACT
July Prize -
Mobile
+81 080 5722 9875
bbtsmmtkhy1009@gmail.com
Skype
live:bbtsmmtkhy1009
Address
#518, Uni E'terna, 2-11-8, Tsunogoro, Aoba-ku, Sendai-city, Miyagi, Japan
SOCIAL NETWORKS
Photography
Architecture
Honorable M
Second Prize
S KIL L S
!" Photoshop
Instagram : @siwawawais Facebook : https://www.facebook.com/iwatashuya Twitter : @1009Iwashu
LUMION
ON Department of Architecture, Graduate School of Engineering, Tohoku University Architecture and Urban design course, Toshikazu Ishida Lab.
1st Prize Winner - Tohoku University Review（08/2019）
Grand Prize - Tohoku University UA Design Studio（07/2019）
Tohoku University ¦ Bachelor of Engineering Architecture courses, department of civil engineering and architecture, Toshikazu Ishida Lab.
Excellence Award - Tohoku University Diploma Design（03/2019）
5 times Grand Prize - Tohoku University Design Studio（2017-2019）
Hokkaido Sapporo Minami High School
CE Mitsubishi Jisyo Sekkei INC, Architects
Part time : Basic design (Town Hall , Television Station , University Facility) Modeling , Presentation department
Nikken Sekkei , Architects
Internship : Bsdic design (Studium , Office)
- The Japan Institute of Architects Tohoku Diploma Design Competition（03/2019）
Urban Design Competition（03/2019）
Award - 5days House Design Championship（10/2017）
tore Design Competition（12/2018）
entation Award - Architectural Institute of Japan Annual Meeting（09/2019） Urban Design Competition（03/2019）
e Photographer of the Year - Moscow International Foto Awards (05/2019)
Mention - International Photography Awards（09/2019）
e - The Editor s Photo Awards Zoom Japan（10/2018）
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InDesign
Lightroom
Premiere Pro
Rhinoceros
FlowDesigner
AutoCAD
Photography
Twinmotion
Grasshopper
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Physical Models Drone Control
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01
Orderly Complex
0
Ph
WORKS
-Reor
06
Other Works
03
Architectural Mediation of Ecological Boundaries
07
02
Photogrphy
hantom of the Final Castle
rganization of the Modern Japanese Castle in the Current City-
04
KANISA la WATU
05
Tetrahedron Concerto
01
Orderly Complex Commercial The complex space designed on the basis of orderl y standards. This architecture was inspired by a model that abstracted the impression of the movie. The facade has been deepened to the inside and the building has an interior space surrounded by diagonal pillars. Exposes internal activities to the outside and introduces external environments to the inside. The architectural interior space, segmented by diagonal columns, determines the nature of the space without walls and induces a variety of human activities.
▶
Film
▶
Concept Model
Space Model
Ⅰ From Film to Space I saw a movie "A Clockwork Orange". Next, I expressed what I felt from there and the impression I received as it was in the concept model, and then I spatialized the concept model.The violent depiction of the clockwork oranges gave a sense of the universality of human nature, and the expression of light shining in the darkness formed the world view. The violent and diffusely reflected light was directly expressed in the concept model.They then analyzed the shape of the concept model and created a spatial model that represented objects and light passing through irregularly. In this way, a new building space was conceived by creating a heterogeneous space, unlike a conventional building space constructed at right angles.
Hirose Riv.
Kawauchi St. Kokusai center St.
Target Site
Sendai City, Miyagi Prefecture, Japan.
Site Map
Ⅱ Selection of the Site In order to construct a spatial model, we were given a site where the attraction of space can be maximized. The site is in front of the exit of Subway Station in Kawauchi Campus of Tohoku University in Sendai City, Miyagi Prefecture, Japan.The site is located on a step of a river terrace and is connected to three different heights.
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ess
Y
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ity ers
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ing
lots
X
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Cam
a
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s es
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fr
Ka
t.
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A
66.1° 61.4°
94.3° 107.5°
90°
30.5°
118.7°
X
▶
33°
108.8° 45° 147.3°
0°
View from Kawauchi St. 58.2°
113.9°100.9° 90° 79.2°75°
48.7°
122°
Y
138.1°
119.7° 107.9°
28.7°
▶
60.2°
0°
View from Tohoku University Campus
Ⅲ Facade Determination The facade determines the impression of architecture. Site conditions determine the facade of each surface. The oblique arrangement of the pillars causes concentration of the eyes. The Diagonal Pillars are equally arranged based on structural rationality.
Ⅳ Facade Internalization A structure is defined by a rule that a facade is determined in each plane and a Diagonal Pillars are formed in the overlapped part of the plane extending from the facade. Therefore, when viewed from the front of the facade, elements other than the oblique-axis elements that appear on the facade are hidden, so that the viewer can see through the facade. On the other hand, if you change your point of view a little, your eyes are immediately blocked. When the body is placed inside the trabecular structure, the view is drawn out in one direction and the assembly of the trabeculae in the other direction forms a wall to divide the space. The complicated space of diagonal pillars is defined by orderly rules.
1. Defined Facade
2. Extend Each Face to Face
3. Superposition
4. Overlapped Faces become Diagonal Pillars
▶
Rotate 15
▶
Rotate 15
▶
Rotate 15
Facilities, Light and Rainwater Ducts
Slab, Skin, Flow Line
Light Ducts Facilities Ducts Rainwater Ducts Each of them is inserted so as to stitch the gap between the Diagonal Pillars as the structure.
Four small cores composed of vertical pillars are placed to support vertical loads that cannot be compensated by oblique pillars. In addition, columns with four small cores at the corners function as large cores when viewed from a macro perspective, increasing the rigidity of the building. On the other hand, the slanted columns are designed to be strong against horizontal loads such as earthquakes.
â…¤ Architecturalization To construct Diagonal Pillars as a structure formed by a certain rule. First, the basic building elements are incorporated into the structure and equipment, and the outline of the building is formed.
A
A
B
C
A
C
A
B A
External Wind Environment Analysis by FlowDesigner Depending on the form of the Diagonal Pillars and buildings, the outside terrace and deck are within the appropriate wind range, providing a place where people can spend a comfortable time.
1F
2F
3F
4F
5F
6F
7F
Midsummer Noon
Midwinter Noon
Student Labouratory
Cafe, Lounge
Commercial
Interior Light Environment Analysis by Lumicept The results of the analysis show that spaces with relatively high illuminance are scattered. They
Lounge, View
Lighting from the rooftop
have high potential as displays and open spaces in commercial facilities.
â…Ľ Environmental Space Potential Environmental analysis using a personal computer is used to derive environmental potential, and appropriate equipment layout and building plans are proposed accordingly.
-1F
1F
2F
3F
4F
5F
6F
7F
A
B
C
D
Stagnation of Space I think there are stagnation in space. However, it cannot be evaluated quantitatively, and it is only a matter of human cognition. Here, as an attempt to show stagnation in space, an analysis of the potential of stagnation by CFD was tried. The A-D4 pattern of wind was passed through the space of the slanted column only, and the part where the wind velocity was 0.5 m/or less was extracted as a line. The more overlapping these lines are, the more stagnant the space is.
â…Ś Cognitive Space Potential The potential for human spatial cognition, which cannot usually be evaluated quantitatively, is analyzed.
EV
EV
Light Duct
Facilities Duct
Facilities Duct Lavatory
Light Duct
Light Duct
Light Duct
Rain Water Duct
Light Duct
Light Duct
Light Duct Light Duct
Light Duct Equipment Room
Facilities Duct
Facilities Duct
Lavatory
EV
EV
Light Duct
Light Duct
Facilities Duct
Floor Plan ¦ 5F 0
1
2
N
5 (m)
Floor Plan
32000
28000
24000
18000
13000
9000
4000
0 mm
-4000
Section Pe
ns ÂŚ 1:600
erspective
N
0 2 4
10 (m)
Interior Perspective ÂŚ Commercial Areas illuminated by light ducts are used as product displays and event spaces
Interior Perspective ÂŚ Student Labouratory A waterfall from a rainwater duct gives students peace of mind
02
Phantom of th
-Reorganization of the Modern Jap
Urbanism/Masterplan/
Sapporo is a grid city with an orderly squ
same urban design method as castle t
historical stratiďŹ cation is lost. Therefore Sapporo in the past, and propose a group
of a Japanese castle as a singular point c
2
he Final Castle
panese Castle in the Current City-
/Residential/Landscape
uare area, but it was once built using the
towns in Japan. Today, however, such
e, we will design an imaginary castle in of buildings that rearrange the elements
created by projecting it to the present.
ホリ幅一間 土居幅三間
御 馬 屋
米 穀 庫
石
Research on the History of Sapporo
ホ リ 幅 一 間
本狩
竪 三 百 間
国
府 分局
Before the development of the land, Sapporo was a vast
横三百間
wilderness where grid cities were built. Today, the city has grown into a city with a population of nearly 2 million, but most of the grid area, which has been a grid since the pioneer days, remains intact. Yoshitake SHIMA, the first Hokkaido Development Commissioner, and Michitoshi IWAMURA, who took over the position,
influenced by Japanese Castle towns.
長六十間
長官邸
判官邸 右一番
五 十 間
左一番
道幅十二間 同
道 幅 十 二 間
大病院
学 校 同 三
三 十 権判官邸 間
権判官邸 十
同
大主典
大主典 同
同
大主典
大主典 同
同 医第一等
医第一等 同
間
銭函道
道幅十間 二 十 間
権大主典
同
同
同
同
同
同
同吏使 部掌
門
長 屋
権大主典
二 十 間
同
同
同
同
刑市 農 部政 政
四 十 間
長 屋
道幅十二間
札 幌 川
門
武華休 四 家族息 十 邸及ノ 間
諸御物 武華休 品米産 家族息 倉并掛 邸及ノ
土居幅三間
本 町 道幅十二間
道幅十二間
道 幅 十 二 間
本 町
町 屋 諸 屋 敷 道
四 十 二 間
土居幅三間
二道 十 七 間幅
白老通
Studies have revealed that their plans have been greatly
長六十間 五 十 間
勇払通
formulated and executed the development plan.
道幅四十間
幅 五 十 十 二 間 間
本 町 道幅十二間
本 町
五 十 間
大橋
正 南
Sapporo Urban Plan(1869）
S
(1)Shape or Size of a block
(2)Road Dimensions (1+2)Allocation and Configuration
(3)Functional Arrangement
両側町
62
62
運送局
62
官庫
Kyoto
B1
12~14
6
62
43
Influence
両側町
20 20 60 20
60 60
12
Edo
B2
空知通
60
5~10
樺戸通 両側町
壱番邸
2.5
病院
42~50
身分順の 武家屋敷配置
42~50
42~50
40 42
2~6
札幌通
B4
製紙所
小主典 小主典
大主典 大主典
大主典 大主典
史生
10 6
60
8
豊平館
小学校
史生
工業局用地
東創成町
西創成町
官用地区 民用地区
A1
渡島通
日高通
爾志通
沙流通
50 12 50
60 12
創成川
津軽通
福島通
上磯通
両側町
A2.1
27 60 6 27 11 60 6
60 幌内通
11
6
20 59 両側町
二石通
薄野遊郭
Sapporo Urban Plan（1875）
11
60
11
A2.2 単位は全て（間）
数字は街区寸法 数字は道路幅
58
城郭、本府等 上級武士 , 高官等 下級武士 , 一般官宅等 町屋 , 民宅等 堀 , 大通り等 主要街道 城郭 , 本府の向き
短冊状敷地割
11
11 6 27 60 27 11 6 60
並列な 官宅配置
Sapporo:B1 Sapporo:B2
新冠通
官位順の 官宅配置
40 42
様似通
浦川通
山越通
有珠通
室蘭通
幌別通
檜山通
12
50
60
Sapporo:A
両側町
後志通（大通り）
胆振川
小主典 小主典
94
60 60
浜益通
Sanbongi
弐番邸 厚田通
Saga
雨龍通
夕張通
上川通
小樽通
本府
短冊状敷地割
53~66
B3
石狩通
Sapporo's relationship with other cities in Japan
類似 一致 変更 変更して引継 引継
Fictional Castle ÂŚ 1869 The castle was designed from the traces of Sapporo in the past.
Projecting the Fictional Castle to Sapporo A singularities are derived from the superposition of the Fictional Castle and the present Sapporo.
Reorganizing the elements of the castle ÂŚ 202X At the singularities, architecture and landscapes are proposed, which are modern reconstructions of castle elements.
N
0
Sapporo City ¦ 1869 + 202X
50
100
300 (m)
Ⅰ
Tenshu
Government Office / Museum
Ⅱ
Sumiyagura
Gallery
Ⅲ
Ninomaru
Library
Ⅴ Ⅲ
Ⅰ
Ⅳ Ⅱ
Reinterpreting the Functions of the Castle For the present Sapporo, five buildings and landscapes will be proposed with important elements extracted from fictional castles rearranged. This will create a singularity in the grid city of Sapporo and reorganize the city.
Ⅳ
Otemon
Housing / Commerce
Ⅴ
Vista
Park
▼ RF
+120000
▼ 25F
+110000
▼ 24F
▼ 23F
▼ 22F
▼ 21F
+86000
▼ RF
▼ 20F
▼ 19F
+77000
▼ 20F
▼ 19F
▼ 18F
▼ 17F
▼ 16F
▼ 15F
+56000
+82000
▼ 14F
▼ 18F
▼ 17F
▼ 16F
▼ 15F
▼ 14F
▼ 13F
▼ 13F ▼ 12F
+46000
▼ 12F
+40000
▼ 11F
▼ 11F
▼ 10F
▼ 9F
+32000
▼ 8F
▼ 7F
▼ 6F
▼ 5F
▼ 4F
▼ 3F
▼ 2F
▼ 1F
+100
▼ -1F
▼ -2F
-10000
▼ GL ±0
38°
155°
142°
105°
23° 158°
65°
38°
144° 142° 37°
23° 25°
144°
155°
25°
25°
143°
25°
115°
158°
105°
75°
37°
75°
115° 75°
105°
115°
65°
142° 38° 142° 38°
105°
115°
75°
Axis Conversion The appearance of the castle tower was defined by replacing the facade of the castle tower with a symmetrical structure.
Office
Museum
Office
Architectural Composition The displacement of the floor occurs by inserting the volume converted from the gable. The lower part will be an office and the upper part will be an office and a museum with a void in between.
①
123 meter high Observatory
②
③
K
二の丸
Overlooking Central Sapporo
View of mountains
The Point at which a Line of Sight from a Distance Reaches
J
Connected to Office Area
⑤
④
三の丸
I
H
北の丸
西の丸
搦手馬出
大手馬出
Spatial Organization of the Equestrian
東の丸
本丸
The Course of The Castle G
F The Experience of Passing Through a Gate
A Exhibition Utilizing Slope of Gable
E
B
北海道 120 万年物語
D
B
D C
A
北海道開拓史
F 札幌開拓史
H
生き物たちの北海道
アイヌ文化の世界
E
A Series of Cross Arrows
Giant Exhibition Utilizing Gable Atrium Space
C
北海道らしさの秘密
城の歴史
I
札幌近代史
K
城の近代史
G
展望テラス
J
展望台
The Course of The Museum
Internal Structure of the Museum The inside of the museum consists of a transformed version of the spatial experience of the castle. The traffic line of the museum is the converted traffic line of the castle.
Interior Perspective ¦ Museum
Interior Perspective ¦ Office
Exhibition ¦ To
onchiku Gallery
Exterior Perspective ¦ Museum
Exterior Perspective ¦ Public
03
Architectural Mediation of Ecological Boundaries
Urbanism/Masterplan/Residential/Landscape Sendai is a Japanese city called The City of Trees
. In the past, Sendai had a close
relationship between the ecosystem and people's lives, but today only superficial greening is done. This plan redefines the distance between ecosystems and people. It brings an ecosystem network into the center of the city. We provide people with an affluent life in which they interact with the ecosystem. This plan presents Sendai, a new city of forests that benefits both the ecosystem and the human activities.
Sendai City Construction
Modernisation
17-18C
World War â…Ą
19C
20C
21C
Castle Town
War Damage
Current Situation
Living in harmony with nature and people
The trees were burnt in the air raid
Sendai is famous for its roadside trees
Weathering Layer Topsoil Gravel Layer Hirose River
Amamiya
Umeda River
Historical Changes in Sendai City
Tu Layer
Dainohara River Terrace
Nakamachi River Terrace
Kamimachi River Terrace
Kamimachi River Terrace
Site Information Sendai is located on a terrace formed by the Hirose River. In Sendai, the gravel layer is an aquifer, the tuff layer is an impermeable layer, and the ground is rich in shallow groundwater, which is the basis of the greenery of the city of forest. Amemiya, the site of this project, is particularly prone to groundwater accumulation and has the potential to become the center of ecological networks.
Nanakita River
Mizunomori Park
Dainohara Forest Park
Umeda River Yohei Swamp
Amamiya Stepping-stone Urban Park
Hirose River
Mt. Aoba Hills
Ecological Network Sendai 2050
Sendai Ecological Network Reorganized around Amemiya
・Urban Ecological Network
・Wide-area Ecological Network
・Regional Ecological Network
Biological Area Continuous Corridor
Core District Biological Area
Core District
Core District
Core District
Core District
Base District
Core District Core District key Corridor
Core District
Core District
Base District
Base District River
Ecological Network
Base District
Need for integrated planning from a broad perspective to a microscopic perspective
Stepping-stone Corridor
Ecological Network Analysis
Terrain and Underground Water Veins Analysis
View from viewing points
Wind Environment Analysis
Site Condition Analysis
Section Curves
Identifying site characteristics through various analysesis for human
Set the cross section curve by random number
beings.
to reect the condition by site characteristics.
Dig the Ground to the Ground Water
Set Cross Section Every 20 m
Molding
A continuous arch beam is formed on the basis of a curved su
t2 = 40mm
t1 = 19mm
X
: Steel-frame
H = 1000mm
H = 990mm
Y
B = 400mm
: CLT
B = 400mm
X
Y
X
Beam Structure
Use beams of two materials according to the span of the arch
Landscape Architecture
The upper part of the landscape is a space for ecosystem and the lower part is for human beings.
Creates a Surface with Connected Section Curves
Diagram
urface deďŹ ned by an axis derived from various site conditions.
Make Arch Beams from Curved Rules
Y
Green corridor lined with zelkova trees
Igneous windbreak with cedar, black pine and bamboo
Green corridor lined with zelkova trees
HOUSING COMPLEX
Zelkova
OFFICE
Lawn open space Lawn open space Kusa cycad, Ezo dandelion, Katakuri Zelkova
Reed Lawn open space
Beech, fir and oak forest
Susuki Reed
Reed
Alder forest Zelkova
Oshu Kai
Pond
Beech, fir and oak forest
Lawn open space
Lawn open space
Lawn open space
MUSEUM
COMMERCE
Lawn open space
MEDICAL Japanese cedar and pine forest Cypress and pine forest
Ax ng Vie
wi
Green corridor lined with zelkova trees
Ao
ba
Ca
stl
eH
on
ma
ru
N
wing Axis Atago-jinja Vie
is
Water intake from the Yotsuya main stream
s A xi g ie w in M
ei s
ou
no
M
at s
u
V
Umeda River
KINDERGARTEN
Soccer Baseball
PRIMARY SCHOOL
Drainage into the Umeda River
Kusa cycad, Ezo dandelion, Katakuri Reed
JUNIOR HIGH SCHOOL
Alder forest Susuki
Lawn open space
Alder forest
School Biotope
DORMITORY
Lawn open space Beech, fir and oak forest Alder forest
Lawn open space Track and Field
Park
Japanese cedar and pine forest
ido
SPORTS CENTER
Biotope
COMMERCE
Cypress and pine forest
Green corridor lined with zelkova trees
クサソテツ
ノウサギ
ニホンカナヘビ
モミ
ブナ
ニホンリス
カルガモ
アカハライモリ
ナツアカネ
コナラ
ケヤキ
カッコウ
カワセミ
アキアカネ
スズムシ
ホオノキ
エゾタンポポ
カタクリ
ススキ
ウグイス
ミナミメダカ
ドジョウ
トウキョウダルマガエル
ハネナガイナゴ
コバネイナゴ
アオスジアゲハ
ミヤマクワガタ
Inhabitable Flora and Fauna
ヨシ
カジカガエル
フクロウ
The lower part is deeply related to the ecosystem, and programs such as housing and schools are inserted. Because the deviation of the beam is small, it connects the ecosystem and human activity by removing the
オフィスエントラン ス
surface between beams. There are mutual benefits, such as the maintenance of Sendai's indigenous species
カフェ
by loosely managing the ecosystem in homes where people have contact with the ecosystem as an extension of
コンビニ
their lives, and in schools where the ecosystem serves as a place for learning. This is the true City of the Trees. アトリウム
オフィスエントラン
エントランスパス
ス
オフィス
オフィス オフィス
Section 0
10
Scale :1/1000 20
50 (m)
Floor Plans 0
10
20
N
Scale :1/1000  50 (m)
2020
Under Construction 2050 This landscape architecture will expand into 2050 by joining beams. The part under construction will be used as a public space with a roof. In the end, 40 hectares of greenery will be planted as a base area for the Ecological Network.
Building Area Expansion
Photovoltaic power generation Used to collect rainwater and drain toilets
Block the northwest monsoon in winter
Vertical green continuity Improvement of green coverage by rooftop greening
Circulation of geothermal heat
Outside green terrace Geothermal heat pump
Wind passes
Coexistence strategy with nature
Achieve a building environment that is in harmony with nature and is suitable for a "green city" by effectively utilizing natural energy
04
KANISA l
Cha
In the hilly region of Rwanda, k
Hills, the church is the center o at the intersection of triangular segment the space, and their
the nature of the space. The d system provide people with
4
la WATU
apel
known as Land of a Thousand
of the local community.Columns grids based on personal space density and height determine
diverse spaces created by this places to pray and interact.
Intimate distance
820mm
610mm
300mm
Type A
Personal distance (far phase)
Personal distance (near phase)
Type C
Type B
X : Units by personal space Unit of personal space is inuenced by Edward s Hall interpersonal distances of man. In this design, the individual personal space is based on a ratio of triangular units. The triangle represents mainly the three main tribal groups of Rwanda and also represents stability, Trinity and convergence.
X Y : Grid by triangular units The triangular units then form a systematic grid which then lays out the three types of units of personal space. This allows people to be able to sit, pray and meditate at different spaces within the chapel and allows for a different level of privacy.
Type A
Type B
Type C
Interior Pe
Triangular grid columns and reective mate
Direction of the cross
max.
Roof outline Column
Vanish
min.
Decrease max.
Direction of the path
Direction of the path
Increase
Column density
X Y-Îą : Columns at grid intersection The gridlines formed by the triangular units form intersecting points where the structural columns are strategically placed. At approaching from the west, the columns are dense , however as one continues towards the nave, the columns are feathered out to resemble reconciliation after the struggle and ďŹ nally the columns disappear at the nave to allow for a large breathing canopy where the most important space of spirituality and peace is placed.There are three main converging points, two of which are tangible and form the direction of the pathways towards the chapel and one that is imaginary that leads towards the direction of the cross, based on the traditional church East/West axis.
erspective
erials provide a variety of spatial experiences
Generally 1800 mm
Generally 2700 mm
Sectio
on ÂŚ 1:250
Z : Height module The height module is based on Sally Augustin writings in
9900
Ceiling unnoticeable
8100
Increases creativity
3600
Crowded feeling
2700
environmental psychology and her book of Place Advantage: Applied Psychology for Interior Architecture. She found that people feel crowded and stressed with a ceiling height less than 2.75 meters and get more creative and relaxed in spaces with higher ceilings. Additionally, people lose the sense of a ceiling when it is over 8 meter.
1800 0 mm
Height increases
Generally 8100 mm
0
2
4
10 (m)
N 0 10 20
50 (m)
Cross
Sacristy
Altar & Presbytery Ambo
Sacristy
Celebrant s Chair Area
Nave
Parvis
N 0 2
4
10 (m)
Roof membrane
Kanisa la Watu (people s church) is a
Beam structure
proposal based on the principle of the church as the forest and the forest as a church and the idea of reconciliation. The dense trees of the forest are mimicked in the design by reflective mirrored columns
Structural columns
of different heights. The primary enclosure of the chapel is a pavilion, lightly and a delicately woven membrane that is derived from the Rwandan traditional basket and also evokes the skyline of the hilly topography
Unit grid and columns
of Rwanda. The appropriation of the natural, historical and cultural context using contemporary means is seen on the use of traditional materials and elements by using local construction techniques to reflect a new attitude of a contemporary form that reflects a strong relationship
Three converging points
Interior Perspective ¦ Nave
with the local environment.
Columns height increment is a symbol
East/West axis. The columns follow a heig
density decrease. At approach, the colu
gradually increases until reaching their m
the altar as the most impo
l of the idea of transcendence from the
ght increment similarly to them following a
umns are at a human intimate scale that
maximum height at the altar. This marks
ortant space of spirituality.
Exterior Pe
A form that blends into the landscape of the h
erspectives
hilly region called Land of a Thousand Hills
05
Tetrahedron
Emergency Ope
At the time of a disaster, the perfo are that materials are easy to m
Therefore, the architecture consists
and a tetrahedral unit made of ba can be exibly manipulated to
5
n Concerto
erations Center
ormance requirements for buildings ove, easy to build, and reusable.
s of a combination of a paper tube
amboo. The unit is expandable and suit architectural applications.
Conc
Our concept stemmed from traditional African patterns. The characteristics of A are reected in our design by creating a tetrahedron structure that appears to b can be arranged in multiple ways to adapt to different conditions or disaster type
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Interior Perspective ¦ TypeA
Exterior Perspective ¦ TypeB
Action Plan The diagram shows the construction process. There is a phase zero that contains all the manufacturing and preparation of materials in addition to setting a general plan and possible locations. When a disaster occurs, project members or volunteers start assembling the units with an estimation of finishing the building in one day. The first building built can act as a planning institution to expand the area of assembly for more disaster units. After the end of the disaster, the structures are dismantled and stored for future emergencies or other building usages. On a micro construction level, wooden beams with plywood are placed first to act as the floor. Some earthwork might happen to flatten the surface. After setting the floor, paper tubes are arranged in a modular manner of 3x3 meters and supported together with beams. A secondary slanted layer of beams is built, and a layer of bamboo is attached to support the thatched roof. Walls are covered either by bamboo sticks or fabric depending on usage. The dismantling process happens in the opposite direction.
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Floor Plan ¦ TypeB
1. Communication Space 2. Medical Space 3. Care Space 4. Restroom 5. Management Office 6. Meeting Room 7. Storage Room
0
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10 (m)
06 Other Works
Museum/Amusement Park
Interior
Housing
Public Space
Eduction
Commercial
07
Photography
Tiefenausdehunug Tokyo/2019
Moscow International Foto Awards 2019
・Architecture Photographer of the Year ・1st Place Winner ・Gold Prize
: Non-Professional Architecture
: Non-Professional Architecture/Cityscapes
・Gold Prize : Non-Professional Architecture/Bridges
International Photography Awards 2019 ・Honorable Mention
: Non-Professional Architecture
Gap of Urban Sky Tokyo/2019
International Photography Awards 2019 ă&#x192;ťHonorable Mention
: Non-Professional Architecture
Outotsu Machinami Sendai/2018
The Editors Photo Award ZOOMS JAPAN 2018 ã&#x192;»Second Prize