Hao_Shuyi | Portfolio Selected Work 2 Year Applicant
2014-2019
shuyi_hao@outlook.com
“ Change, replacement, transience and speed influence every aspect of our lives but the question of how architecture should engage with with this reality remains. � Stephen Bates Permanence
CONTENTS 01 Quayside Fare
Food Market Along The Dock
1-6
University of Liverpool School of Architecture 2017-18 BA3 ARCH 352 Semester 2, STUDIO 2 Instructor: Marco Luliano
02 Flotsam Paradigm
New Addition to Tate Liverpool
7-12
University of Liverpool School of Architecture 2017-18 BA3 ARCH 352 Semester 1, STUDIO 2 Instructor: Marco Luliano, Valentino Capelo, Michael Wilford
03 Organic House
House For An Invented Character
13-14
Xi'an Jiaotong-Liverpool University 2015-16 BEng Architecture Level 1 ARC105 Semester 1 Instructor: Tordis Berstrand
04 Engraved House
Senior Housing in a Park
15
Xi'an Jiaotong-Liverpool University 2015-16 BEng Architecture Level 1 ARC102 Semester 2 Instructor: Marta Anaya
05 Ulan Mulun Park professional Work
16
Company: PLAT ASIA Project Director: Donghyun Jung, Seungbo Ryu Supervisor: Seungbo Ryu
Appendix
17-18
conceptual mapping for the dock area
Albert Dock
City Center
Residential Area
site photo, students eating their lunch
Site
site plan
QUAYSIDE FAIR Food Market Along The Dock
University of Liverpool School of Architecture 2017-18 BA3 ARCH 352 Semester 2, STUDIO 2 Albert Dock: past forward Instructor: Marco Luliano Marco.Iuliano@liverpool.ac.uk A masterplan was made in group before the start of individual project, and, though not used here, it affected my direction to choose the function of my individual project. Group Partner: Nuramirah Binti Mohd, Nur Alia Nadia Binti Raub Jinghong Li, Xinran Li All images and research are individual works.
The Royal Albert Dock, once declined after the Second World War and redeveloped in the 1980s, is now a major tourist attraction in the city of Liverpool. However, though filled with galleries, museums and highend restaurants, it does not provide public gathering spaces. Numerous students from all over Europe visiting the site can only sit on the ground of a small plaza and eat their cold sandwiches; food trucks are lined along the dock but few people choose to stay and eat. Located near the city center and residential neighborhoods, the site is calling for its own urban village.
site photo, food trucks
photos of fillet corners on site
Consolidated Block
Fragmented Block
Fragmented Walls
Clay model exploring the spactial quality created by curved wall fragments
Curved Walls
Bottle Kilns The bottle kilns, or bottle ovens are a type of kiln used for pottery industry, which was once common in England from the time of the industrial revolution in the 18th century to the mid 20th century, and now few remained. The design intention was to recreate the scene-changing the smoke produced by the coal firing boiler to the cooking steam.
The Potteries, Staffordshire (Photo by Š Hulton-Deutsch Collection/CORBIS/Corbis via Getty Images)
The round plan of bottle kiln was modified here with variations on corners, openings and interior partitions, combining with the fragmented wall elements explored before. With the sharp corners people flow will be guided into two different directions and with the fillet corners they will turn to the other side naturally.
experiment of the bottle kiln form
axonometric rendering,
5
4
site
site map, showing site location and main roads
1. Reception area, with cafĂŠ, gift shop, cooking labs and office, the open space in the middle allows small exhibition or public gathering to happen. 2. Public cooking area, with four communal kitchens, eating area and grocery store. It is for local communities and tourists to enjoy cooking together and sharing their handmade food. 3. Food market, where the food trucks on site can gather and form a more concentrated space and allow more gathering to happen. 4. Student canteen, with eating area, distributing area and a kitchen, open to the market for a better atmosphere of eating. 5. Main entrance to the Albert dock, where group of students gather together and start their visiting after getting off the bus.
3
2 1
ground floor plan
current layout of food trucks on site
proposed map of food trucks
axonometric rendering, canteen
section rendering, canteen
axonometric rendering, community kitchen
section rendering, community kitchen
perspective rendering, community kitchen
perspective rendering, food market
site plan
city plan showing the location of Stirling's proposal
site plan of Stirling's proposal
Stirling's Sketch In a famous doodle of the early 1980s, while working on the concept stage for the new Tate Liverpool [Stirling, Wilford & Associates, 1982-88], Stirling sketched an imaginative proposal for the entrance of the new gallery. It consisted of a ship crashing into the side elevation, with all the elements to generate a clear, unmistakable landmark. The sketch shows a surreal proposal, accompanied by an evocative handwritten caption: Albert Dock – L’pool: About 1958? the warehouses of the Dock were full of broken up ships parts – funnels, bridges, propellers… Later the project took a safer rationale and the current entrance was built.
Architectural Symbolism Ship
Chosen by Stirling as an sculptural representation of the once-booming port.
Flotsam
Rather than exhibiting the prosperity of the dock's past, the flotasm, floating together with the vessel in the dock, is telling people the problem we are encountering nowmarine polution.
Above: photo of tug boat, spanopoulos-group.com Below: site photo, flotsam floating in the dock
FLOTSAM PARADIGM
New Addition to Tate Liverpool University of Liverpool School of Architecture 2017-18 BA3 ARCH 352 Semester 1, STUDIO 2 Tate Architecture Studio: imagination, perception and measurable reality Instructor: Marco Luliano, Michael Wilford Marco.Iuliano@liverpool.ac.uk office@michaelwilford.com Individual Work
conceptual collage
Solid carving the void
Rhythm of intersection
Human flow-up and down left: model photo, conceptual model 1 right: cardboard drawing and model photo diagram
Void Compressing the Solid
Rhythm of curves
left: model photo, conceptual model 2 right: cardboard drawing and model photo diagram
Human flow-below the ground
Intepretation of Stirling's Sketch Cardboard drawings and conceptual models were made to explore the clues drawing out from the plan sketch of Stirling’s proposal. The cardboard drawings looked into the relations of solid and void demonstrated in the drawing, the rhythm between lines and the proposed circulation on site. The first conceptual model is a basic composition of solid blocks and line elements with layers. The second one focused more on the tension between the curved sculpture created by Stirling and the building blocks on site, testing more found materials. The final conceptual model combined the patterns explored before and demonstrated two state of flotsam: one is the individuals flowing freely, and the other is all of them gathering together due to the wave force and the change of surrounding space. The process, from flowing individually to gathering in a group, brings us a question:
site plan of Stirling's proposal
site photo, flotsam floating freely
Can people flow and gather like flotsam in the space?
site photo, flotsam gathering together
model photo, final conceptual model
People flow like flotsam
site plan
site collage-exisitng circulation
site collage-proposed circulation after the changes made to the site
-The opened wall and the side entrance activate the plaza area. -A connection between the dock and the river is created. -Visitors coming from two entrances meet at the reception in the middle, which allows a more free-flowing and penetrated ground floor space.
Flow on site/ into the building
perspective drawing, bird eye view of the site with new proposal, ink sketch
Flow in the building and gather in the underground space
long section collage, from the main building to the new addition
process model, placing flotsam to site
process model, combined with the ground floor of TATE Gallery
axonometric drawing, underground space, pencil sketch with material explanation
plan collage, first floor
plan collage, ground floor
plan collage, Basement
plan collage, Basement
perspective rendering, grand staircases leading to the underground addtion
perspective rendering, underground space
serial vegnettes, exploring the underground space, pencil sketches
short section collage, undergrpund space
axonometric rendering
Friedrick Kiesler, Endless House
ORGANIC HOUSE
House For An Invented Character Xi'an Jiaotong-Liverpool University 2015-16 BEng Architecture Level 1 ARC105 Semester 1 A Living Space for Someone Else Instructor: Tordis Berstrand Tordis.Berstrand@xjtlu.edu.cn Individual Work
The events of life are your house guests. Frederick J. Kiesler, ‘The Endless House: A Man-Built Cosmos’, 1962 As Kiesler points out, the living space comes to live and breathe with us through all the things that we do. It is a space that we take charge of and inscribe ourselves into in certain ways. The architect’s challenge is to design this space for someone else – most likely a stranger that s/he has never met.
A fellow student became my client and helped me to invent the “stranger” that I designed for. The design process was, developing models to enclose three chosen scenes of the stranger’s life, determining the levels of the interior spaces and finally situating the living spaces in relation to a ground.
Model photo, negative model for casting the topography
Model photo, final model with topography
Greenhouse
Soft tracing paper was chosen here to express the organic spatial character of a greenhous and a feeling of revolving and growing.
Equestrian Court
Inspired by Mobius Strip, the model explored the movement inside and outside the model surface.
Tea House
This one focused more on the scale difference, penetration and sequence between spaces. photos of paper models and correlated sections, pencil drawing
C
B
A A
B
plan and sections of the organic house-pencil sketch
C
model photo of the combined house-plan view and elevations
Huang, S, land of peach blossom, Qing Dynasty, partial picture
Topography for the organic house My client loves nature, and the fuctions she proposed-greenhouse, teahouse and stable, all revealed this character. Adopting the idea in the Chinese classical painting, I decided to use cave as the main element of my topography design. Here the cave becomes not only a bridge but also a seperation for the house and the outside world.
concept of topography design, water color rendering
section of topography-from city side to the mountain
section of topography-across the tea house, stable and the cave
ENGRAVED HOUSE Senior Housing in A Park
Xi'an Jiaotong-Liverpool University 2015-16 BEng Architecture Level 1 ARC102 Semester 2 Instructor: Marta Anaya gomezanayamarta@gmail.com Individual Work
The site is located on a small hill inside a civic park in Suzhou. Going through the park , the most impressive feeling for me was that you could never know what you would see next due to the variety change of the topography. Therefore the design approach was to echo with the existing topography in the park and maintain the character of exploration in the journey of the interior space.
Sequential Vista
model photos
plan, second floor
section rendering
ULAN MULUN PARK Professional Work
Company: PLAT ASIA Site: Ordos, China Project Director: Donghyun Jung, Seungbo Ryu dh. jung@plat.asia s.ryu@plat.asia Supervisor: Seungbo Ryu Group Member: Lu Yang, Lulu Guo, Jiuhui Wang, Minjia Liu My Role: Planning, modeling and rendering of the park entrance and a restaurant for children in the park Left: master plan produced by Lu Yang Right: rendering produced individually
Along River Ulan Mulun, the park has existed for years but did not attract visitors to come. Our company aims to re-activate the park through a new plan accompanied by an integrated walkway encircling the park, new water landscape and a group of small-scale commercial buildings which drew inspiration from a classical Chinese painting The Vast Land. The landscape and the architecture together tell a story.
axonometric rendering of the children restaurant, first floor
perspective rendering of the children restaurant
APPENDIX
Sketches
Left: Sketches drawn on the train from Liverpool to Fort William in Scotland in 2016. It was in winter so that the beautiful branches could be seen clearly and I was surprised of how various they could be. Right: Water colour sketch of St.Ives Beach, in the very south of England, in the summer of 2017. The town breathes upon the natural landscape.
APPENDIX
Photography Works
Swing with Time, in Tate, London, Nov., 2017
Seville Cathedral from The Clock Tower, Seville, Mar., 2018
The Abandoned, Qingdao, Aug., 2017
Morning Field, on the train from Madrid to Seville, Mar., 2018
See you next time.