ARCHITECTURAL PORTFOLIO SELECTED
WORKS
FROM
2014-17
S I D H A RT H A N _ S A L LY _ PA U L | s i d h a r t h . s p 2 8 @ g m a i l . c o m KAMLA RAHEJA ARCHITECTURE AND
VIDYANIDHI ENVIRONMENTAL
INSTITUTE STUDIES,
FOR MUMBAI
Section AA’
Project Brief:
POLITICS OF PLEASURE GARDENS : LUCKNOW TRANS INSTITUTIONS :
The city of lucknow has many narratives of pleasure-from scented baths around a chapel to labyrinths over mourning halls. The city celebrates these contradictions as natural. The intention of the interventions here is to explore this liminal space where the institutional deconstructs through the dream - where lies the erotic. The projects here will respond through a conceptual apparatus that will be created through a game of ‘Exquisite Corpse’. The game will create the name of an institution and a garden site through random chance. Thus a curresponding phenomenon is found in Lucknow and becomes the project on this juxtaposition. The corpse formed out of the completion of this sentence: (institution/building) for (describer/adjective) (described/noun) at (site)
HOME FOR HEAVY FLOWERS AT DILKHUSHA GARDENS
Y e a r _ 2 W i n t e r _ 2 0 1 6 Lucknow, Uttar Pradesh Guidance by: Rohan Shivkumar P r o g r a m : Dance and Theatre Learning Centre
Axonometry
Section BB’
HOME FOR HEAVY FLOWERS AT DILKHUSHA GARDENS
Located on the outskirts of Lucknow, Dilkhusha gardens suffered heavy damages during one of the wars of 1857 revolt. A summer palace surrounded by a pleasure garden, Dilkhusha gardens since then became a ruined image in the city of Lucknow. The home for heavy flowers devoloped from the typology of tombs and muslim architecture, is trying to recreate the image Lucknow once had. The building here is a thetre with performing art learning space around a courtyard behind it. In the garden, this building stands as a monument that recreates the image of past era of Lucknow.
East Elevation B
A
A’
B’
Y e a r _ 3 Mon s oon _ 20 1 6 Dharavi, Mumbai Guidance by: Soumya Raja P r o g r a m : Arts learning and exhibition centre
MELTING MOULDING AND RESHAPING DHARAVI THE
DHARAVI
TRANSFORMER
Located in the industrial area of Dharavai, compound 13 is a major recycling industry in Mumbai. Major population here being depended on the recycling for living, the nature and the attitude of the spaces are highly mechanical. The word transform is not new to the people of compound 13, conciously or subconsiouslr transforming is what they do for a living. Dealing with numerous and diverse materials in their daily life, my project ‘ Reshaping Dharavi’ tries to enlighten other possiblities of these materials to the residents of Dharavi, by providing a space to experiment and learn with the materials through arts.
PROCESS
MODELS
AND
SECTIONAL
DIAGRAMS
South
Cross
Section
Elevation
West
Elevation
WORKING
Y e a r _ 3 Mon s oon _ 20 1 6 Dharavi, Mumbai Guidance by: Minal Shetty P r o g r a m : Arts learning and exhibition centre
DRAWINGS
Second Floor Plan
First
Floor
Plan
Ground Floor Plan
Cro
oss
Section
Part
Elevation
I n t e r n a l street section
THE TIME MAC H I N E
HOUSE OF MEDIA P r o g r a m : Media Centre Y e a r _ 3 W i n t e r _ 2 0 1 6 Hampi, Karnataka Guidance by: Advait Potnis Located axially opposite to virupaksha temple, Monolithic bull is surrounded by few shrines, pavillions and boulders. The time machine here in Hampi is an extension to the pavillions in the surrounding, its also an orthogonal and starc object tactilely different from the context. Being a media centre the building is transparent, exposing the public activities inside, like in the existing built form in the context. Due to the less interference by the human civilization and the primitive built forms, the site somehow appears to be stuck in time line. The Media centre here houses all the information about Hampi and imagines Hampi in a future scenario. Thus a sense of past, present and future is brought to the site. and time line in both tangible and intangible ways
Third Floor Plan
Second Floor Plan
First Floor Plan
Elevation
Cross section through the entranced lounge
Spaces in and around the building
Cross section through the preview theatre
model
View of Virupaksha Temple from the building
A view from the site
Section through the scaffoldings, exposing the preview theatre and the radio station on right.
Y e a r _ 2 Mon s oon _ 20 1 5 Malvani, Mumbai Guidance by: Shilpa Gore Shah Zameer Basrai
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P O S T C A R D S
THE PEOPLE’S P ROJ ECT
THE COMMUNITY CENTRE Located in Malad, a western sub-urban area ,Malvani is a relocated slum settlement majorly divided into two colonies, namely the New collectors and the Old collectors colony. Project here initiated with an extensive site study and interactions with the residents of the colony. Inspired from their day to day life, postcards were made exploring the spaces surrounded them. After the mappings of the site study, programs were alloted depending on the need of the community. The institutions were imagined and designed on the Proposed Land use map developed by the College design cell. (KRVIA_Design cell)
Site Plan
Ground Floor Plan
First Floor Plan
Second Floor Plan
IN
‘Famous for his landscapes and peasant scenes, Pieter Bruegel the Elder, was a Netherlandish Renaissance painter and printmaker. He was the pioneer of Netherlandish genre painting because his main focus lay on village life, as seen, for instance, in ‘Netherlandish Proverbs’ (1559). The picture brings together 100 proverbs and places them in surroundings that are as real as the people’s behavior, revealed in terse and apposite form by the wise sayings. The individual scenes are played out side by side, without being directly dependent on each other. This is intended to illustrate that we are in a world in which nothing is as it should be. Project here reimagines the city of Bundi through the lens of the above painting. A proverb and its respective image was given to each one in the studio. A similar scenario was picked from the existing fabric of City of Bundi and a house was designed with an interpretation of given image and its proverb.
FOUND
PROVERBS Elder1559
First
floor
plan
COMMONLY
the
plan
PAINTINGS
DUTCH Bruegel
WALL
THE Pieter
floor
BUNDI
Second
Ground
floor
plan
Proverb: Two bears cannot live without each other. As the proverb suggests about interdependence, the house in Bundi is designed as an annex to an existing haweli located in a tight fabric over a street. I imagined the house to be very transparent and open to surroundings,Thus draping around the house with curtains and temporarily disconnecting it from the surrounding context. This house breaks the conventional idea of privacy and make the inhabitants more related and affectionated to the city. The design was to exagerrate the idea of the interdependence of buildings in a fabric to make the spaces more experiencial. The design can accomadate a couple living with at most intimacy, thus replacing even internal walls with curtains to an extend.
Y e a r _ 2 2 0 1 5 _ M o n s o o n Bundi, Rajasthan Guidance by: Kimaya Keluskar Rishi Raj Borpujari INTEGRATED
06 STUDIO
HOUSE FOR A COUPLE
S e c t i o n
THE MECHANISED HUMAN HAND Inspired from the markets of Swantwadi Installation_ Allied Design
Y e a r _ 1 2 0 1 4 _ W i n t e r Sawantwadi, Maharashtra Guidance by: Kaushik Mukhopadhyay Nibedita Mishra
Cut
Plan
of
Sawantwadi Fish Market ( On site Drawings )
Sketches made in the markets of Sawantwadi
Elevation
Of
Sawantwadi
Fish
Market
08 Y e a r _ 2 2 0 1 6 _ W i n t e r Lucknow,Uttar Pradesh
POLITICS OF PLEASURE GARDEN Lucknow Portfolio Jama Masjid of Lucknow was built in the year
1423 by Sulthan Ahmed Shah as a congregational space for all firdays and auspicious occations of Lucknow. The entire construction of the masjid is done in the yellow sandstone and is an example of indo-islamic architecture. The scale of the complex itself makes Jama Masjid on of the biggest landmarks of the city. Raised on a high plinth, the steps that lead to the elaborate entrance, is very prominent. The intricasy, complexity and the richness of details are commendable. Along with the intricately ornamented domes, The pillars of the masjid have carvings inspired from the hindu and jain cultures. Since the entry for non-namazis was prohibited, the documentation of the mosque was mainly done from the outside and internal documentation was done by a single elaborated walk through the stucture and with the help of pictures
Axonometry
NS : LUCKNOW
Long Section
Ground Level Plan
Elevation
LANDSCAPE
DESIGN
RESEARCH, ANALYSIS AND PROPOSAL Y e a r _ 3 20 1 6 - 20 1 7 Manori, Mumbai Guidance by: Shwetha Wagh Chetan Kulkarni
M A N O R I M U M B A I 19.205° N, 72.785° E
Manori can be categorized into a peninsular island with western and southern end facing the ocean and the eastern end facing the creek disconnecting it from the main land of Mumbai.
Description of salient features
of site:
1. Located at the north western part of Greater Mumbai ,accessable from Marve beach of Malad through a ferry or by road from Dahisar. this landmass detached from main Mumbai land is quite known for the development through tourism and are resided majorly by kolis who does fishing for living. 2. Comparitively less urbanised to main land, this place have been briefly mentioned in the city’s development and was widely ignored in the further plans, mentioning as a ‘non development zone’. 3. Though mentioned in the development plans of 1967, 91, 2013-14, Manori is widely mentioned as a ‘no development zone’ 4. Fishing being the prime occupation and access to the sea becomes the major income source. 5. Presence of mangroves throughout the edge enhances the ecosystem and terrain. Instead of providing a development plan on a wholistic level, and disturbing the homeostasis of the terrain and ecosystem, light and small scale interventions, perhaps prototypes can be applied in such a landscape. Considering a bigger context and responding to immediate surrounding can be a better way to develop these areas. A space where there is ahuge possibility of tourism and thus that helping in the economy of a city and a very intricate ecosystem and traditional settlements, An landscape intervention here can be suttle and will enhance the existence of both tourism and villagers. Fishing being the prime occupation of villagers , a provision for parking their boats and integrating a recreational aspect to that will also enhance the tourism along.
Proposed Landscape Intervention
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COLLABORATIVE A L L I E D _ D E S I G N H I S T O R Y W O R K S H O P S E L E C T I V E S B U I L D I N G _ T E C H N O LO G Y
WORKS
A L L I E D _ D E S I G N Dealing with three materials, Concrete, Steel and Wood. The studio had an aim of designing and producing a set of furnitures including a table, chair and a lamp, under the theme of ‘explosion’.
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collapsible
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Collapsable unit for
CONCRETE
PLANTERS
‘EXPLODING’
FURNITURES
lamp
learning kids
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WO RDY P S YC H : An installation made as part of the newspaper art workshop conducted by Manish Nai
FURNITURE
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S Collage made as part of the history writing assignment based on Art deco buildings in the city of mumbai
Comic
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TUBES Poster made in the poetry workshop conducted by Ramnik Singh
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SIDHARTHAN SALLY PAUL â&#x20AC;&#x153;I am 21 , imaginitive, reliable and organised with a good sense of humour and a desire to build my creativity.â&#x20AC;? Interests: Migration | Travelling | Food | Music | Movies | Singing | Sketching
CARRICULUM VITAE O R I G I N Thrissur, Kerala
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Seeking Position as an Architectal Intern from November 2017- March 2018
C O N TA C T _ D E TA I L S 144-Sai Dham, Juhu Circle, Juhu, Mumbai, Maharashtra
email: sidharth.sp28@gmail.com mob: 7506633512 E
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-Currently in the fourth year of Kamla Raheja Vidyanidhi institute for Architecture and Environmental Studies(KRVIA). Affiliated to Mumbai University_B Arch July 2014present -BSS Gurukulam Higher Secondary School, Alathur, Palakkad, Kerala HSC Board Examination 2013- scored 93% SSLC Board Examination 2011-scored 90%
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- Ma l a ya l a m (mother tongue) - E n g l i s h - H i n d i - Sa n s k r i t - T a m i l - Ma r a t h i
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C OM P E T I T I O N S
P U B L I C AT I O N S
-Heritage Awards for Excellence in Documentation, For Documenting Pre colonial structures in Lucknow Hosted by INTACH-Delhi -2nd position all over India -1st postion in central zone.
-KRVIA Annual Newsletter 2016The trans institutions of Lucknow -The Lucknow PortfolioDocumentation of Jama Masjid -The Landscape book_ Collective works from the the 3rd year landscape design studio -KRVIA
S O F T WA R E _ S K I L L S
E L E C T I V E S
-Autocad -Adobe Photoshop -Adobe Indesign -Adobe Illustrator -Sketch up 3d modelling -Sketch up+vray -Rhino -GIS -Microsoft
-Arts elective by Mansi Bhatt 2014_Monsoon -Ecologies of Inclusion by Keya Kunte and Shirish Joshi 2015_Monsoon -Music (Hindustani) by Nandu Dhaneshwar 2015_Winter -Gender Studies by Isha Hans 2016_Monsoon _Urban Ecology by Sandeep Menon 2016_Winter -Social Sustainability by Sangeeta Kapoor, Minal Yerramshetty and Kimaya Keluskar
OT H E R _ S K I L L S -Sketching -Hand rendering(pencil, watercolour,etc) -Model making -Laser cut model making
ink,
TRAINED_SKILLS -Singing (Oriental Karnatic Music- 5yrs) -Violin (Oriental Karnatic music-7yrs)
OTHER_AC HI EVEMENTS -Represented the district in Kerala State School Youth Festival held in Thrissur,Kerala. Participating in Folk Song competion.
W O R K S H O P S -Rental Housing by Lubaina Rangwala 2014_Annual Workshop -Newspaper Arts by Manish Nai 2015_Monsoon Workshop -Poetry by Ramnik Singh 2016_Monsoon Workshop _Social Sustainability by Sangeeta Kapoor 2017_Monsoon Workshop