Silvia Adityavarna Project Portfolio 2012 - 2017 adityavarna90@gmail.com
Silvia Adityavarna Jalan Sugriwa II/8 Blok A2 Jakarta Barat - 11740 T : +62(0)878 8060 7167 E : adityavarna90@gmail.com Printed in May 2017
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SOCIALIZATION SPACE FOR THE SCHIZOPHRENICS Academic Work - 2012
page 16
MUSEUM OF ETHNOGRAPHY | Competition - 2015
page 22
NEW UKI CAMPUS MASTER PLAN | Competition - 2016
page 32
JASINDO TOWER | Competition - 2017
page 36
KARANGRESIK HILLTOP CAFE | Professional - 2016
page 40
GPDI BARADATU CHURCH | Professional - 2015
page 44
KUSUMA LAMPUNG BEAUTY LAB | Professional - 2015-2017
page 46
HIDDEN EXCLAMATION | Architectural Workshop - 2012
page 47
BROADWAY MARKET: A PLATFORM FOR ALL | Architectural Summer School - 2016
page 48
INTERIOR PROJECTS |
socialization space f or the schizophrenics Undergraduate Final Project Universitas Tarumanagara - 2012
Type
: Academic/Individual
Location : Cikini, Jakarta Site Area
: 2.350 m2
Building Area
: 1.820 m2
Tutor
: Iswanto Hartono, ST, M.Arch
Socialization Space for the Schizophrenics tries to explore the relationship between spatial configuration and social interaction. Social interaction is one of the key factors that influence human mental health. People with schizophrenia (PwS) is chosen as the one of the project’s main subject due to its significant need to interact with people in general. PwS found themselves having trouble to interact because of their difficulties to differentiate between reality and delusion. The chosen subject of this project is PwS in their residual stage, which has undergone medication stage. Located at the heart of Jakarta city, the project consists of public and private zones. The public zone, located on the ground story, aim to be open for both PwS and people in general. The challenge is to draw PwS, which have the tendency of being social phobia, to enter the public space in order to interact and socialize. The strategy is to divide the public space into three main sequences: The Gallery, The Observing Corridor, and The Socialization Space. People are moving from spaces that provides less interaction to spaces that provide maximum interaction.
The gallery, as entrance and opening sequence act as a tool for indirect communication. It is showing the artwork such as paintings and poems created by PwS. PwS will be interested to enter the gallery because they want to read and learn the story of people whose share the same thoughts with them. People in common will be drawn by the artwork. This indirect interaction will allow both PwS and people in general to understand each other without communicate verbally. Understanding between both groups is hoped to reduce the social stigma.
SITE AND CONTEXT The design process begin with research in PwS’ perception while socializing (through literature studies) and social interactions that occur in public space (through site observation).
DIAGRAM AS ANALYSIS TOOL The data is combined through analytical diagram. The diagram is used as a tool to relate between the social interactions found in people in general with PwS’ perception. The design process then explores different types of architectural elements that give different perception in determining spatial boundaries, which
social layerinteraction within public space
programmatic layerbuilding functions
FLOOR PLAN SHOWING PROPOSED SPATIAL CONFIGURATION Space organized from less-interaction zones to free-interaction zones. Red lines on drawing are showing movement possibilities in each zones. The gallery and observation space which provide less interaction are designed in a linear-one way circulation. The court acts as socialization space which allows user to move and
EXPLORATION IN ARCHITECTURAL ELEMENTS AND INTERACTION
a.
b.
c.
d.
e.
f.
g.
h.
i.
a. Wall as node and boundary that limit interaction b. Walls creating linear spaces, enhancing movement and limits interaction between visitors c. Walls configuration generates combination between creating linear space and acts as node/ convex space that limit interaction between visitors d. Wall generates convex space e. Semi massive boundary, limits interaction but allow people on both side to be aware of each others’ presence f. Another possibility of (e) g. Convex space without walls as vision boundary, but the ground leveling allows user to maintain their personal space while interacting h. Relationship between spaces that allow interaction and limit interaction: Spaces that has different characteristics are separated with softscape element which both creates boundaries and allowing visual interaction. i. The court allows any possible interaction between user without limitations
“Socialization Space for the Schizophrenics tries to explore the relationship between spatial configuration and social interaction.”
MULTIPURPOSE HALL
MUSIC ROOM
VOCATIONAL TRAINING
OBSERVATION CORRIDOR
ENTRANCE LABYRINTH GALLERY
MULTIPURPOSE COURT
THE ENTRANCE The space sequence begins with an exhibition space, presenting painting, artworks, or poem, created by People with Schizophrenia (PwS). Exhibition space which acts as facade also allows indirect, non-verbal communication between the schizophrenics and visitors. It hoped to grow a sense of understanding and closeness without having to make an eye contact through direct communication: PwS visitor would feel a sense of kinship with another PwS, meanwhile common visitors are made possible to slowly gain understanding and closeness to PwS.
THE GALLERY The gallery organized in labyrinth-alike path, with wall panels in the corners, aim to create a sense of privacy within the public space. The boundaries between public and private are formed by walls as hard boundaries and medium trees and long grass as soft boundaries. The path is designed to avoid direct communication to occur between people within the space.
THE OBSERVATION CORRIDOR The public space moving into spaces with more interaction - but mainly creating a sense of observing activities in public spaces - rather than directly joining an open conversation. Allowing people to slowly understand a strange situation one has never been involved before.
THE MULTIPURPOSE COURT The court act as an open socializing space that allow any activities to occur, just like any other public spaces. The seating around court arrange in random elevation, maintaining an appropriate distance between people while communicating. The court is also acts as a movie watching space, and could be transformed into seating with various elevation, also to maintain a good distance between crowd.
TRANSPROGRAMMING POSSIBILITIES AT THE MULTIPURPOSE COURT
HYDRAULIC SEATING DETAILS
museum of ethnography Budapest, Hungary | Competition (Honorable Mention) | Liget Budapest International | 2015 | Under Studio Graha Akar Karya
Museum of Ethnography design competition, together with another five new cultural institution buildings, is a part of rehabilitation project of Budapest City Park. The objective of the design competition is to look for a design that satisfy the expectation of 21st century museum design while contributing the enrichment of the architectural heritage of Budapest. As far as dialogue with environment is concerned, it is necessary to look carefully at the existing neighborhood and surrounding condition. There area three main factors to look at: harmony with surrounding, contextuality fitness, and building mass proportion.The site is located right between the Dozsa Gyorgy Road as main road and the Budapest City Park. In the proposed design, transparent material used as the ground floor covering presents a sense of openness and strengthen the relationship between exterior and interior. The repetitive building elements of the second and third layer embodying the surrounding urban fabric, as it expresses the questionable poetic nature of the exhibition space.
Type
: Architectural Design Competition
Location : Budapest, Hungary Site Area
: 8.730 m2
Building Area
: 29.500 m2
Basic geometry adjusting the site’s form
Transparent material on the first layer, representing openness and linkage with surrounding, aim to create spatial continuity
Solid material covering on the second and third later, aim to bring out the poeticness of space inside the exhibition area
Repetition of roofs as building pinnacle to maintain continuity of site surrounding’s buildings typology
Cutouts and openings ensure adequate natural daylight to enter the exhibition area
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1. Metal plate Flashing 2. hollow metal 40x40 3. Waterproofing finish 4. Reinforced Concrete 5. U Metal plate for disperse water 6. water dripping Metal Plate 7. Motorized (automatic) window sills 8. Roller bearing (motorized/ automatic) 9. Glass window 12mm 10. rubber (closer for 2 window) 11. Track for motorized sills 12. Mechanical window sills 13. Interlock concrete roof 14. waterproofing membrane 15. Plywood 18mm 16. Trekstang (steel cable) 17. Purlin : C Metal 18. Rafter : Metal Construction 19. U metal for water dripping 20. Reserve drainage pipe 21. gutter metal with waterproofing 22. Rubber for air tight 23. Gypsum board 24. Metal rod for heating conductor (use at winter to melt the snow) 25. Drainage closure 26. Metal Plate 27. Steel elbow for ceiling hanger 28. Ceiling hanger (cable steel) 29. heat Insulation 30. ceiling : gypsum 31. U metal for ceiling ending
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new uki campus master plan Jakarta, Indonesia | Competition (First Prize) | New UKI Campus Master Plan | 2016 | Under Studio Graha Akar Karya
Type
: Master Plan Design Competition
Location : Cawang, Jakarta Timur Site Area
: 87.000 m2
Building Area
: 198.000 m2
Universitas Kristen Indonesia / Christian University of Indonesia aims to be an excellent education institution in Indonesia. After half decade of its establishment, UKI foundation plans to improve their teaching quality through the introduction of a new image of a modern - city campus.
The design scheme intents to create a human-based, comprehensive urban design. The first design stage to analyze the quality of existing master plan design. We conclude two main problems: the lack of clear orientation public spaces that facilitiates student to conduct a group study within campus area.
SPATIAL EXPERIENCES
a place that is integrated with public transportation facilities
a place that represent openness and transparency
a place that has a clear orientation through familiar pattern language
a restoration place that is integrated with natural elements
a place that allows the occurence of social interaction, both direct and indirectly
a place that promotes dialogue and interaction culture
Our strategy is to examine each design elements based on ten Principles of Intelligent Urbanism by Prof. Christopher Benninger. Adjusting to context and the site’s existing condition, the result leads to three main consideration in mass formation design: creating major axis, greenery as connector between buildings, and maximum walkability within the ground level.
Indoor Space Green Area Semi-Indoor / Hardscape Vehicle Path Pedetstrian Path
“Our strategy is to examine each design elements based on Ten Principles of Intelligent Urbanism by Prof. Christopher Benninger. Adjusting to context and the site’s existing condition, the result leads to three main consideration in mass formation design: creating major axis, greenery as connector between buildings, and maximum walkability within the ground level.”
Site Existing
Main access
Chapel as campus’ icon located at the central of the site
Programmatic requirement (volume)
Main access as master plan’s axis, duplication of existing building’s character
Two towers of commercial buildings, represent main gate and strengthening the master plan’s axis
Masses are pushed into site’s perimeter in order to create more open spaces
Greenery as connectors between buildings
Chapel as the main icon of the whole master plan, located at the heart of greenery area, between the public and educational zone.
The green zone acts as a restorative area that accomodate recreative programmes. It enhance social interaction and community liveliness. This green zone located between campus zone and commercial zone. It acts as a neutral space that connects both activities.
SPATIAL ELEMENTS
building heights
greenery
path
pedestrian access from local road
pedestrian access from local road
pedestrian access from medicine faculty pedestrian access from medicine faculty
drop off area
PROGRAM AND CIRCULATION
ab building universitas kristen indonesia Jakarta, Indonesia | Competition (First Prize) | New UKI Campus Master Plan | 2016 | Under Studio Graha Akar Karya
This project is a refurbishment project for AB Campus building as a part of UKI Master Plan project. The design emphasizes on creating public spaces in both ground and secondary level as well as reducing the energy consumption through the establishment of an environmentalfriendly architectural design.
PUBLIC SPACES AS GATHERING NODE AND NATURAL LIGHTING STRATEGY Transforming the existing horizontal-oriented (ribbon) window to vertical oriented opening, allowing more natural light to enter the interior area.
Transforming the existing massive wall partition into half-ventilated partition, allowing more natural light to enter the corridor.
Simulation result using vray render to compare the amount of natural lighting in existing and proposed design.
menara jasindo Jakarta, Indonesia | Competition Entry (Six Best Entry)| Indonesian Institute of Architects | 2017 | Under Studio Graha Akar Karya
Architectural Competition : Type 5.700 m2 : Site Area
36.300 m2 : Building Area Office Tower : Function
MASS FORMATION STRATEGY
PT. Jasindo (Asuransi Jasa Indonesia) is the second largest insurance company in Indonesia and owned by the government. As a company that established in 1973, PT. Jasindo had the plan to refurbish the office building to present a well-establish yet contemporary image. Our proposal is to give another value alongside with the contemporary image itself. The idea is to part the masses vertical and horizontally based on its function. The office are divided into two types of function: The jasindo office and the rented office space. Jasindo office space are placed at the top of the mass, acts as the “head� of another masses, representing a protecting value of an insurance company. Another consideration upon the mass composition is the building orientation as a passive design strategy towards a sustainable building. The service/core function is located at the west side of the building, reducing the amount of heat entering the office space.
BUILDING SECTION 1
BUILDING SECTION II
MOSQUE INTERIOR Mosque as one of the facilities that is offered by this project, located at the podium area. It is opened to public and aim to serve as facilities to surrounding building users as well
LEISURE TERRACE Leisure facilities located at the top of podium floor, shares the same elevation as LRT and flyover road, creating the sense of common ground on the LRT road level
HILLTOP CAFE Tasikmalaya, Indonesia| Professional Work| Studio Graha Akar Karya| 2016 |Proposal/Ongoing
STRUCTURAL DRAWING
THE POLITICAL FUNCTION OF TOWER STEEL PIPE ø 139,8 mm height : 4 m
Hilltop Cafe project is a part of recreational park master plan project in Tasikmalaya, Jawa Barat. This project explores the possibility of a tower to act as a symbol of existence. The Hilltop Cafe is situated on a 8 meters-height hill from the main street. The tower itself is 32 meters in height. The horizontal frame provides LED lighting.
Type
: Architecture
Location
: Tasikmalaya,
: Indonesia Site Area
: 340 m2
Building Area
: 180 m2
STEEL PIPE ø 216,3 mm height: 6 m
STEEL PIPE ø 60,5 mm height: 2 METER STEEL PIPE ø 139,8 mm
STEEL PIPE ø 216,3 mm
STEEL PIPE ø 216,3 mm height : 6 m 5 m from P STEEL PIPE ø 89,1 mm Halo Diameter: 3,2 METER height : 3,2 m
STEEL PIPE ø 139,8 mm height: 4 m STEEL PIPE ø 139,8 mm height: 4 m STEEL PIPE ø 114,3 mm height: 3,2 m STEEL PIPE ø 216,3 mm height: 6 m
STEEL PIPE ø 89,1 mm Halo Diameter: 3,2 METER height : 3,2 m REINFORCED CONCRETE BEAM STRUCTURE 400 X 700
Function : Cafe
CONSTRUCTION PROGRESS
GPdI CHURCH AT BARADATU Baradatu, Lampung, Indonesia | Professional Work | Under Studio Graha Akar Karya | 2015 | Proposal Type
: Architecture
Location
: Baradatu, Lampung
Site Area
: 2.000 m2
Building Area
: 140 m2
Function : Religious Building (Church)
WOODEN LATTICE FACADE
REINFORCED CONCRETE COLUMN
ALUMUNIUM BATTEN ALUMUNIUM BATTEN
GPdI (Gereja Pentakosta di Indonesia/ Pentecostal Chruch in Indonesia is a christian chruch founded in 1921. The proposal is made for GPdI Lampung. It is situated in the paddy field in Baradatu, a remote area of Lampung Province.
reinforced concrete beam
The project comprises of two building masses, one functioned as the church and the other is living space for priests. The church mass is designed as a simple construction yet acts as a humble monument among the landscape. Natural lighting is provided as it strengthen the sacredness of space through the contrast of light and shadow. The interior and exterior boundary is blurred by the usage of vertical composition of wood rod- creating a sense of a solid yet transparent connection between inner space and landscape.`
SITE PLAN + 0.00
INTERIORS
REINFORCED CONCRETE WALL SKYLIGHT
REINFORCED CONCRETE WALL
REINFORCED CONCRETE SLAB
kusuma beauty clinic Lampung, Indonesia | Professional Work | Under Studio Graha Akar Karya | 2015-2017 | Completed Type
: Architecture and Interior
Site Area
: 390 m2
Building Area
: 920 m2
Function : Beauty Clinic
The design aims to create a modern sense by maintaining the consistency of color tone and simple geometry, both in facade and interior elements. The monochomatic color is chosen as it represents a hygienic and elegant image. Kusuma Beauty Clinic is one of the most preminent beauty clinic chain in Indonesia, which not only spreaded in major cities but also in small town and suburban. The Kusuma Beauty Clinic - Lampung branch, is one of the branch that is located in Pahoman, a small town in Lampung province.
S-02
S-01
S-07
JUDUL GAMBAR / DRAWING TITLE :
10
1,700
10
5,175
1,950
2,325
+3.76
TOILET
1
2
S-02
S-01
A
10
5,175
+7.56
RUANG FACIAL PRIA 2
3,330
3,200
350
21 x 180 = 3,780
+7.56
RUANG FACIAL WANITA 2
5,000
4,785
ARSITEK / ARCHITECT :
B
1,350
1,700
+7.56
1,750
2,550
+7.56
FOYER
RUANG FACIAL WANITA 3
RUKO SEVENTH WALK CITRA GARDEN 7 BLOK A3 NO 8 KALIDERES, JAKARTA BARAT 11840 TELP : (021) 2901 8930 | EMAIL : gak.architects@gmail.com
S-03
S-03
1,200
200
DIKELUARKAN UNTUK :
440
C
2,000
1,440
1,880
2,600
+7.56
:
:
D
Benny Suryadi
1,525
DIGAMBAR/ DRAWING BY
sisa
DIPERIKSA/ CHECKED BY
3,200
4,125
4,125
RUANG KERJA
PERENCANA M&E / M&E DESIGN :
4,800
4,090
13,000
GRAHA AKAR KARYA
STUDIO ARSITEKTUR
PERENCANA STRUKTUR / STRUCTURE DESIGN :
2,820
3,550
+3.76
+3.76
3
4
5
NAMA PROYEK / PROJECT NAME :
DENAH LANTAI 3
1,413
1,413
MUSHOLA
S-02
S-01
6
DENAH LANTAI 3
SKALA 1:100
#Site Full Address
KUSUMA LAMPUNG
JUDUL GAMBAR / DRAWING TITLE :
KLIEN / CLIENT
1,700
6,750
5,000
LANTAI 3
11
GUDANG
3,545
+3.78
RUANG VIP 1 595
3,200
NO GAMBAR/ SHEET NO :
3. 1:100
16
+3.78
+3.78
RUANG TUNGGU
4,455
+3.78
RUANG FACIAL WANITA 1
4,800
D
SKALA / SCALE :
3
GSPublisherEngine 0.0.100.100
20
1
21 x 180 = 3,780
+3.78
RUANG VIP 2
1,685
13,000
C
PARAF/ SIGN
1:100
6
JUMLAH GAMBAR/ TOTAL SHEET :
15
1,575 Benny Suryadi
TGL / DATE :
14
RUANG LASER
3,315
+3.78
RUANG FACIAL PRIA
5,000
B
PERENCANA M&E / M&E DESIGN :
:
SECOND FLOOR PLAN 5/8/2017
12
3,200
A
ARSITEK / ARCHITECT :
DIGAMBAR/ DRAWING BY
:
18
3
1
S-02
S-01
NAMA PROYEK / PROJECT NAME :
DIPERIKSA/ CHECKED BY
13
5
4,575
2
3
4
5
6
22,000
DENAH LANTAI 2 SKALA 1:100
GRAHA AKAR KARYA STUDIO ARSITEKTUR RUKO SEVENTH WALK CITRA GARDEN 7 BLOK A3 NO 8 KALIDERES, JAKARTA BARAT 11840 TELP : (021) 2901 8930 | EMAIL : gak.architects@gmail.com
DIKELUARKAN UNTUK :
8
7
6
4,800 1,950
MJ -1.31
CORAL SIKAT : 8.40 *12.8 = 107.52 m2
NO GAMBAR/ SHEET NO :
#Site Full Address
KUSUMA LAMPUNG JUDUL GAMBAR / DRAWING TITLE :
PERENCANA STRUKTUR / STRUCTURE DESIGN :
9
1,150 1,150 420
5,000 1,300
SKALA / SCALE :
2
(tangga bersih) DENAH LANTAI 2
16
5,050 KLIEN / CLIENT
15
±0.00
S-02
S-01
S-07
PARAF/ SIGN
1:100
GSPublisherEngine 0.0.100.100
14
1,575 3,530 Benny Suryadi
6
12
APOTEK
±0.00
:
TGL / DATE :
JUMLAH GAMBAR/ TOTAL SHEET :
FIRST FLOOR PLAN 5/8/2017
13
6
5
RESEPSIONIS
TERAS -0.03
DIGAMBAR/ DRAWING BY
:
3,200
DIPERIKSA/ CHECKED BY
19
2
21 x 180 = 3,780
LOBBY ±0.00
4,800
AREA PARKIR -0.18
13,000
PERENCANA M&E / M&E DESIGN :
DIKELUARKAN UNTUK :
8
7
5,175
±0.00
KISI BATA 8 BUAH
5,000
ARSITEK / ARCHITECT :
MUKA JALAN -1.31
GRAHA AKAR KARYA STUDIO ARSITEKTUR RUKO SEVENTH WALK CITRA GARDEN 7 BLOK A3 NO 8 KALIDERES, JAKARTA BARAT 11840 TELP : (021) 2901 8930 | EMAIL : gak.architects@gmail.com
PERENCANA STRUKTUR / STRUCTURE DESIGN :
9
±0.00
16
S-08 S-08
RUANG DOKTER
15
RUANG TUNGGU
11
R. GENSET & PANEL +0.10
#Site Full Address
KUSUMA LAMPUNG
NAMA PROYEK / PROJECT NAME :
4,700
DENAH LANTAI 1 KLIEN / CLIENT
13
1
2
3
4
5
6
7
DENAH LANTAI 1 SKALA 1:100
GSPublisherEngine 0.0.100.100
17
4
20 1
5,725
4,275
5,000
6,925
12
S-08
S-08
14
5
1,555
(tangga bersih)
1,565
18 3
3,000
150
1,600
10,425
5,000
5,000
5,000
1,750
19 2
5,210 4,460 1,440 9,240
1,140 1,370
7
6
S-08 S-08
17 4
19 2
S-03 S-03
9
8
1,515 11
1,140 1,140
20 1
1,700 3,000 3,825 1,210
5,000 5,000 5,000 5,000 1,750
17 4
2,980 1,520 5,250 2,875
S-03 S-03
18 3
6,715 3,000 5,000
5,000 5,000 5,000 5,000 1,750 8,250
30,000
1,800
S-02
S-01
PARAF/ SIGN
5/8/2017
TGL / DATE :
1:100
SKALA / SCALE :
6
JUMLAH GAMBAR/ TOTAL SHEET :
4
NO GAMBAR/ SHEET NO :
THIRD FLOOR PLAN
the hidden exclamation Jakarta, Indonesia | Jakarta 32 oC Architectural Workshop | RuangRupa Artlab | 2012 | Individual Project camouflage element: plant functional element: space for commodities
plant
planting media plywood 12 mm paint finishing L profile steel 100 x 100 bolt joint hollow steel 40 x 40 cut into half hollow steel 40 x 40 welded joint
plywood 12 mm paint finishing
JAKARTA VS. INFORMALITY Street vendors (or five-foot vendor / pedagang kaki lima in Indonesian) are considered squatters because they operate in illegal sites. They often get evicted by the local officer during some sterilization operation. Ironically, the existance of five-foot vendor, on the other hand, is an ease to Jakarta citizens, allowing them to get a bottle of cold drink or a piece of cigarette everywhere, anytime. This project is an outcome of an architectural workshop that was initiated by RuangRupa, a non-profit art organization. This workshop challenged participants to create a design that is related with informal professions as they are inseperable part of Jakarta’s urban feature.
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London, United Kingdom | Sir Peter Cook Master Class | The Bartlett School of Architecture | 2016 | Individual Project
interior projects
1. s. a. d e n t a l practice Type
: Architecture and Interior
Location
: Green Lake City, Jakarta
Year
: 2015
Site Area
: 16 m2
Function : Dental practice room Status
: Built/Completed
2. c. b. h o u s e i n t e r i o r Type
: Interior
Location
: Green Lake City, Jakarta
Year
: 2015
Area
: 85 m2
Function : Residential Status
: Built/Completed
3. bca innovation room
Type
: Interior
Location
: BCA Headquarter, Jakarta
Year
: 2016
Building Area
: 230 m2
Function : Resting / activity room Status
: Proposal
3. m r s. e l y h o u s e interior Type
: Interior
Location
: Citra Garden, Jakarta
Year
: 2017
Site Area
: 160 m2
Function : Residential Status
: Proposal
3. m r. w i l l y h o u s e interior Type
: Interior
Location
: Green Garden, Jakarta
Year
: 2014
Site Area
: 50 m2
Function : Residential Status
: Built/Completed
Thank You Printed in June 2017