SILVIA GARCÍA ARRANZ
ARC HIT ECT
silviagarciaarranz @hotmail.com
+34675670519 26//07//1993 SORIA,SPAIN
CV Outstanding skills to find opportunity gaps, bring inclusivity into daily life, and successfully develop research and design studio by applying architectural thinking to domains beyond. Experimental architectural and material production, technology, i+D research, ecology, product design, image, branding and virtual space are my goals.
ACADEMIC
The product of a self-awareness of belonging to a worldwide network.
sept 2017 / 2018
Technical University of Madrid (ETSAM) ARCHITECTURE DIPLOMA .
sept 2016 / 2017
TUTOR : MANUEL OCAÑA
Bergen Arkitekthøgskole (BAS) CROSSING BORDERS MASTER COURSE
sept 2011 / 2016
9 / 10
Technical University of Madrid (ETSAM) BACHELOR OF ARCHITECTURE Architecture Diploma 9/10 Studio VIII 9,5 (MH) /10 Studio VII 8,5/10 Studio VI 9/10 9/10 Bioclimatic Architecture
2009 / 2011
Structures III Construction III Structural project Construction project Installations project
Tuition of global honor [second course]
2009 / 2011 sept 2018
INTERNATIONAL BACCALAURÉAT
Monumental Barcelona. Exorcity Arch Attack exhibition at ETSAM. Lapuerta Unit.
jan 2017
Ny Tid. Edition Team in BAS (Bergen Arkitekthøgskole) Fanzine about Refugee Crisis and the role of the architect.
sept 2017
Is this a political statement or just food? OSLO ARCHITECTURE TRIENNALE. THE ACADEMY.Performance&Publication.
sept 2017/ nov 2017
BORDER CROSSING. Spaces of negociation OSLO ARCHITECTURE TRIENNALE.After Belonging.
may 2016
OVNI ETSAM. with honors publication Consumorium (PMH Manuel Ocaña).
jan 2014/ jun 2014
CAMPUS ArchiZinc. Competition Sustainable urban infill in Madrid.
jan 2014
No detail. RAMÓN GÁMEZ architect. Academic publication.
2010-2014
8,5/10 8,5/10 9/10 9/10 9/10
Soria Secondary School IES Castilla TECNOLOGICAL BACCALAURÉAT
PUBLICATIONS &EXHIBITIONS
9 / 10
SUSANA VILLAR Painting and Drawing Exhibition. Oil paintings and drawing exhibition in Soria.
10 / 10 10 / 10
EXPERIENCE
jul 2017 + jul 2018 sept 2016
PoléPolé.
Ghent Belgium
GentseFeesten Organization team.
The Academy Workshop. 14 schools participating in collaboration with AHO and the Oslo Triennale. Discussions include new forms of residence, contemporary states of transit, and the ways in which architecture and design are responding to the transformation of belonging.
sept 2016 jun 2015
Oslo Architecture Triennale.
Norway
Oslo
“Seeking Sanctuary” exhibition in collaboration with BAS (Bergen Arkitekthøgskole)
Norway
CAMPUS ArchiZinc competition by VMZinc.
Madrid Spain
“Increasing urban density: the city on the city, building upwards. Sustainable Building” Bioclimatic Architecture with Javier Neila.
jan 2015 / feb 2015
RAMÓN GÁMEZ architect. Academic publications.Voluntary job at Technical University of Architecture, coping with magazine layout and development.
jul/aug 2013-2014 2011 / 2013
CARLOS GARIJO architect.
2010
Spain
Soria
Spain
COLEGIO MAYOR UNIVERSITARIO MARA
Madrid
EDADES DEL HOMBRE As an unpaid volunteer helped to design, create and also maintain the website. General administrative duties in the office and dealing with English language tourists that visited the temporary expositions.
2009
INTERNATIONAL BACCALAURÉAT
2009
Tutor program to promote inclusion, tolerance and team work at school. IES CASTILLA.Volleyball trainer.
spanish english french
Madrid
Intern architect. Collaboration with regeneration project in Pedestrian Area in Duero River in Soria. Volleyball team trainer. Voluntary work at food collection campaign.
LANGUAGES &OTHERS
Oslo
Spain
Soria Spain
Soria Spain
[mother tongue] [advanced level] Certificate of Advanced English CAE [intermediate level]
Language programs abroad Norway [Bergen] 2016, England [Brighton]2009, France [Toulouse] 2008.
Mac OS & PC
ADOBE CC (Illustrator, Photoshop, InDesign) Autocad Rhinoceros + vRay Sketch Up
Web Creation
Wordpress
Video Edition
AfterEffects Premiere Pro
Hand Drawing
Driving license
Basic Revit gvSIG Relux Office CYPE Cad (Arquímedes)
Oil, watercolour, and sketchig.
Type B
3
5
7
9
1
3
5
9
the
[A0][A1] [A2][A3] [A 1][A 2][A 3][ G ] B
CONSUMORIUM
CIRCULATION
C+E+M
Consumorium is a thesis to improve the Consumption Space : the user should not become a tasteless victim. This work focused on removing impurities. How?
SPACE
MATERIALITY
CIRCULATION
+ analysis +
SPACE
B
MATERIALITY
+ abstraction +
C+S +M
+ genesis+
The aim is that this thesis is to be usefull for the creators of thesesometimes unused spaces.
Through a recognition analysis, it is posible to abstract the CIRCULATION, SPACE and MATERIA properties. Positive properties are abstracted and transfered to create the pure and non-sweetened Consumption Space.
Escala
[A0.1]
B
100m
200m
300m
foco estático foco dinámico
+ análisis +
análisis de parámetros de inducción al consumo en una arteria comercial genérica [Gran Vía] de sofisticado merchandising y comprobadas expectativas de venta.
Velocidad 1m/s ritmo sincronizado
1m/s 0,8m/s
[m/s]
0,7m/s
Frecuencia
ritmo referenciado
[ref/min]
N
N
se proponen tres categorías de estudio [circulación, espacio y materialidad]
[f1] [f1]
[f2]
[p3] [f4] [f3]
[f5]
[p5]
[p8]
[f8]
[f10]
[p9] [p11] [f3] [f4] [f12]
[p12]
[p13]
[f5] [f12]
[f13]
[f15]
[p16] [f5] [f18]
[p18] [f6] [f20]
[p19] [f10] [f22]
[p15] [f7] [f17]
[p17] [f8] [f19]
[f9] [f21]
+LA INDUCCIÓN+ +CIRCULACIÓN OPORTUNISTA+
CIRCULACIÓN
+ritmo sincronizado
[m/s]
+movimiento referenciado [ref/min] +cambio de orientación +foco publicitario estático [fx] 33º
influencia f estático +foco publicitario dinámico [fx] influencia f dinámico +foco referencial +PLIEGUE ACTIVO+
ESPACIO
+pliegue activo
+PIEL ACTIVA+ MATERIALIDAD [p1] [f2]
+piel activa piel activa
Velocidad
c
· onsumorium· Silvia García Arranz
p8 Manuel Ocaña
GRAN VÍA
[m/s]
foco estático foco dinámico
cota 0m
Frecuencia [ref/min]
Gran Vía
CIRCULATION depends on speed and directionality of parameters such as dynamic/static advertising and referential focus. SPACE is represented by the commercial halls and MATERIALITY, by the facade support of Gran Via.
[p2] [f3] [f4]
[p4]
[p6]
[f6] [f7]
[f9]
[f5]
[p10] [f2] [f11]
[f14]
[p14] [f6] [f16]
A0. PRIMARK +NON-INTERRUPTION+
CIRCULATION
+synchronised movement [mX] [dX] +planned deviation
+EGOS+
+ BERMUDAS TRIANGLE +
SPACE
MATERIALITY
+preconceived signs +consumption devices
+artificial light
[sX] [aX]
point focus 1250 lux[pX] point neon 1250 lux [pX]
change in focus
consumption chain spatial compressor
dynamic focus
continuity neon 750 lux
+induced density
natural light filter buffed surface
[cX] [dX]
lux(lx)+ buffed surface
mirror
+echoes
[eX]
(Hz)+ buffed surface
referential focus
buffed surface
100m
N
glass
150m
N N
N
N
N [d1]
[m1]
DATE
[c2]
ManuelOcaĂąa
50m
0m
CIRCULATION depends on speed and directionality of parameters such as dynamic/static advertising and referential focus. SPACE is represented by the commercial halls and MATERIALITY, by the facade support of Gran Via.
TUTOR
static focus
CONSUM orium
P
[a1]
[d3]
[c2] [p2]
[d3]
[m2]
[a2] [c1]
[a7]
[m2]
[d2] [a3] [a6] [s2]
[m1]
[c2]
[a6]
[d4]
[d1] [c1] [a1]
[d5]
[a5]
[a2]
[s1] [d2]
[m3]
[c3] [d4] [c3]
[d1]
2016///Madrid
[p3]
[a6]
[c2]
[p2]
[a5]
[m2]
]
[d3] [d3]
[d1]
50m
100m
150m
average/9,5///WITHhonors ETSAM
0m
cota 16m
[p19]+[p21]
cota 0m
[m2]
CONSUM orium TUTOR ManuelOcaña
0m
DATE CONSTINOUS and NON-INTERRUPTED
PRIMARK
CIRCULATION
2
1
línea recta 0º + pantallas led transúlidas 360º + giro 90º
[m1+m3]
[m3]
movimiento sincronizado
movimiento sincronizado
3 90º+ espacio referenciado
[d3] desvío programado
4 atrio interactivo. inmersión total: storytelling 360º
5 90º = giro de oportunidad
[m3]
[d3]
movimiento sincronizado
desvío programado
cota 0m
2016///Madrid
A
the syncronished movement coagulates in escalators and lifts. The consumer follows the dynamic focus effect (that raises their speed and takes their attention in a longer time), static and referential.
escalera mecánica como escaparate.línea recta 0º
average/9,5///WITHhonors ETSAM
P
+EGOS+
1 templo de consumo. baldaquinos + espacio cúpula
2
ESPACIO
espacio identificatorio. atrio 360º
A PRIMARK
[s1+a2]
[s1]
signo preconcebido
signo preconcebido
3 alienación espacial. compresor espacial+espejos
0m
alienación espacial+ pérdida de noción espacio-temportal. cadena de consumo + filtro de luz natural
[a4]
[a5+a6]
artefacto de consumo
artefacto de consumo
INTERIOR O EXTERIOR DOMINADO
SPACE
4
50m
0m
50m
[a7] [a5] [a7]
[a7]
[s1]
[a3]
[s2]
[a7]
[a3]
[a5] [a4] [s1]
[s2]
[s2]
[a6]
[a2]
cota 16m
cota 0m
[a1]
[p19]+[p21]
A PRIMARK
MATERIALITY Light intensity influences on high reflective buffer surfaces (glass). This induced density disorients the consumer, that lost the space notion, and subordinates to the space.
] +TRIÁNGULO DE BERMUDAS+
MATERIALIDAD
1 inmersión en Espacio de Consumo: luz artificial + superficies pulidas
[d1]
análisis de materialidad percibida por un consumidor que asciende a la primera planta y rodea el atrio.
2 transparencia aparente de vidrio: reflexión proporcional a intensidad lumínica de focos
[d2]
densidad inducida
densidad inducida
3 foco puntual +neón puntual [1250 lux] + neón de continuidad [750 lux]+superficie pulida (vidrio)
[p3+c2=d1]
4 neón puntual [foco de atracción + efecto] + neón de continuidad [circulación no-interrupida]
[p3+c2=d3] densidad inducida
CONSUM orium
P
TUTOR
Infinite appearance that guides the user around a center.
ManuelOcaña
Walls converge during the ascent, creating surprise points due to the limited visual field. Speed depends on artificial light frequency and scale. 20m
40m
60m
80m
ce
ns
o
CIRCULATION
[a2]
as
[na2]
de
sc
[na2]
[d1]
en
so
[d4]
[na1]
[na2]
[d3] [d3]
[na1] ns o ce
ns
o
de
o
ce
sc
[a2]
ns
as
de s
ce
en so
as
[na1]
[a1]
2016///Madrid
Ab
[na1]
[d2]
DATE
INFINITE
[a1]
[a1] compresor espacial
[np2]
[m1]
[np1] [d3]
[m1]
ascenso
[m1]
[na1]
[d2]
[np2] [na1] neón de continudad alta fercuencia
[E2]
[a1]compresor espacial + [na1]neón de continudad alta frecuencia
[na1]
[a2]
descompresor espacial
neón de continudad baja frecuencia [d4]
[nb2]
[E1]
[nb1] [m2]
[m2] [m2]
[E2]
[a2]descompresor espacial + [nb1]neón de continudad baja frecuencia
cota 16m
descenso
average/9,5///WITHhonors ETSAM
[E1] [d1]
CONSUM orium TUTOR ManuelOcaña
DATE
250m
300m
2016///Madrid
[E1]
[nc2]
[nc2] [l2]
[nc3] [b1]
[l2]
[l1]
[E2] [b2]
[l2] [nc3] [b1]
ATRIUM
SPACE
average/9,5///WITHhonors ETSAM
P
The Consumption Space can be able to generate a dome illusory perception by using mannerist techniques such as (trampe l´oil).
250m
300m
G The sum of the three study cathegories[circulation, space and materiality] in established size and proportion in scale XL, M, S, generate Consumption Space.
GENESIS
XL
5