Silvia Siracusano Architecture Portfolio 2018 by Silvia Siracusano

CONTENT â&#x20AC;¢

ARCHITECTURE

CURRICULUM VITAE

SELECTED WORKS: S M L XL

9 19 41 49

FULL LIST OF PROJECTS

ATTACHMENTS: Reference letter Work certificate German certificate level B2

75 76 80

ARCHITECTURE •

respects the Existing and the Nature. Building new architecture only when and where it is needed. One can create something new by reusing spaces, objects, materials.

acts in synesthesia and harmony with the Senses and the Arts: light, video, music, touch, photography, smell ...

preventively studied and thought, intelligent. Resolutive architecture: useful for solving people’s problems, responding to their needs, creating value. Equilibrium between beauty and utility, architect’s ideas and client expectations.

Essential. Simple architecture, but able to express personality, emotions related to places, flavors, people’s way of being.

is a Process. Sometimes finished, sometimes not. Finding charm in the unfinished, too. Architecture is alive, changes, moves.

it’s manual work, building, assembling, Modeling.

says yes to Experimentation, innovation. Continuous exploration and research of existing possibilities and of one’s own abilities.

CURRICULUM VITAE •

PERSONAL INFORMATIONS and CONTACTS name nationality date, place of birth current address mobile phone e-mail address skype ID linkedin divisare issuu

Silvia Siracusano Italian 22-05-1986, Messina, Italy Fontanepromenade 13A - 10967 Berlin, Deutschland +49 (0) 172 8222055 silviasiracusanoo@gmail.com silvia_siracusano linkedin.com/in/silviasiracusano/ silvia-siracusano.divisare.pro/ issuu.com/silviasiracusano/

SKILLS languages

skills and competences

***** ***** **** **

Italian (Native) English (Advanced - CEFR C1 - TOEIC grade 745/790) German (Upper-intermediate level B2 - BSI Exam grade 1-/1 ‘sehr gut’) Spanish (Low-intermediate level B1)

Excellent relational and communication skills acquired studying, working and living abroad for thirteen years. Good proficiency in orgnization, supervision and management of the project. I’m an highly motivated architect with experience in projects on all scales. I have a strong visual attitude and a natural disposition to experiment. I work with passion, precision and sense of responsibility. Being versatile is the most precious achievement of the last years. I enjoy taking the lead and deal with both theoretical and practical challenges. From research and writing to graphics and 3D modelling, I find every working phase to be amusing.

I love

technical skills

Handcrafting, woodworking, walking, biking, cooking, music, travelling, nature, photograpy, cemeteries, simplicity. ***** ***** **** **** **** **** *** *** ** ** *

Autodesk AutoCAD (2D-3D) Adobe Photoshop Microsoft Word - PowerPoint - Excel Adobe Illustrator - Adobe InDesign Graphisoft Artlantis Studio RDF Autodesk Image Modeler - Autodesk Revit Corel Corporation CorelDRAW Autodesk 3D Studio Max - Maxon Cinema 4D - Mc Neel Rhinoceros Graphisoft ArchiCAD - Trimble Navigation SketchUp ACCA software PriMus - ACCA software CerTus

WORK EXPERIENCE January 2016 - July 2017 Marina Stankovich Architekten BDA, Berlin, Deutschland Architect

period employer role

February 2015 - May 2015 Scandurra Studio, Milan, Italy Architect

period employer role

January 2015 - February 2015 SA Architecture, Milan, Italy Architect

period employer role

March 2014 - December 2015 Self employed, Milan, Italy Freelance

period employer role

February 2013 - July 2014 Politecnico di Milano, School of Architecture and Society, Italy Arch. Marco Ghilotti Assistant professor and tutor of Architectural Design Studio 1 September 2007 - December 2015 Architecture firm of Siracusano Aurelio, Messina, Italy Occasional collaborative designer

period employer supervising prof. role period employer role

COMPETITION AWARDS 2017 The Wall Finalist project ‘Wall-in’ 2016 Zentralbibliothek der Stadtbibliothek Köln, Deutschland 2nd price

year competition qualification project name year competition qualification

PUBBLICATIONS and EXHIBITIONS Con-fine Art, November 2017 - May 2018 ‘The Wall’ exhibition, Palazzo Belloni, Bologna, Italy ‘Wall-in’

institution, year specifications project name

Milan Design Week, March 2014 Exhibition for the ‘Fuorisalone’ during the Design Week in Milan, Italy ‘Primitive Future’- Building an ‘iPhone’ table concept from a child’s sketch

institution, year specifications project name

Maggioli Editore, 2014 ‘Punti di Architettura’ Marco Ghilotti

editor, year title author

Maggioli Editore, 2011 ‘OC – Open City International Summer School. Between the city and the river. Architecture of urban relations.’ Bertelli Guya, Roda Michele

editor, year title

Maggioli Editore, 2011 ‘Barcelona. Urban sections. A new skyline for Barcelona’ Bertelli Guya, Dall’Asta Juan Carlos

editor, year title authors

VI European Biennal of Landscape, October 2010 International exhibition in Barcelona, Spain ‘Barcelona vertical landscape. A new ‘gate’ to Barcelona: two multi-functional skyscrapers and the Sagrera station’

authors

institution, year specifications project name

EDUCATION AND TRAINING period institution final grade

2009 - 2012 Politecnico di Milano – School of Architecture and Society – Master’s degree 109/110

period institution final grade

2005 - 2009 Università ‘Mediterranea’ di Reggio Calabria – Architecture – Bachelor’s degree 110/110 cum laude

period institution qualification

September 2017 - April 2018 BSI Language School Berlin Intensive language Course and Certificate German level B2

period institution qualification

November 2013 - September 2014 State Exam for Professional Abilitation of Architects Registered at Italian Architects Association

period institution theme

September 2011 Politecnico di Milano – School of Architecture and Society – Piacenza Workshop ‘International Summer School: O.C. Open City – Living the Street’

period institution theme

September 2010 Politecnico di Milano – School of Architecture and Society – Piacenza Workshop ‘International Summer School: O.C. Open City – Between the River and the City’

period institution qualification period institution theme

June 2008 Università ‘Mediterranea’ di Reggio Calabria – Architecture Workshop in ‘Training and operativeness in coordination of construction site safety’

period institution theme

March 2008 Reggio Calabria Court of Appeals – Magisterial District Office Preparation in ‘Occupational Health and Safety’

period institution theme

March 2008 Comune di Guardavalle – Department of Town Planning and Natural Heritage Workshop ‘Restoration of Guardavalle, Measures to Counter the Decline’

period institution main subjects

February 2010 Wall Street English Rho, Milan TOEIC Certificate English level C1

2000 - 2005 ‘G. La Farina’ Hight School focusing on Humanities - Messina Greek, Latin, Literature, Philosophy, History, Art History. Law and Economy

SELECTED WORKS • S

WALL-IN A crossable wall in Bologna

PRIMITIVE FUTURE Building an ‘iPhone’ table concept from a chlid’s sketch

WALL-IN A crossable wall in Bologna

•

The Wall Competition, Bologna (finalist project) Freelancing Project 2017 Credits: Dario Giordanelli, Vincenzo Siracusano competitionsfordesigners.com/competition/the-wall#finalisti/

‘The wall is an element of division. It marks a boundary and defines a space. The wall is an element of break, an impassable limit or a community perimeter.’ It is necessary to never forget these as its fundamental connotations. Starting from the concept of the city walls, ‘Wall-in’ is a breaking element, it can bring fragments of wall within the city perimeter. This is a new concept of wall, which is in harmonious antithesis with the most common one: on the one hand the old city walls close, enclose, separate. On the other hand the modern walls slip into the most representative centralities of the city, in the form of fragments. The fragments are following some paths from the hinterland, to reach the different project areas where the surface of the street folds in a vertical open/closed wall. ‘Wall-in’ is a wall that separates, but at the same time you can pass trough it, switching from the apparent enclosure to the paradigm of the threshold. It is a wall that encloses, but it creates new and unusual spaces in its ‘external-inner’ public space. ‘Wall in’ is consisting in a simple modular structure, holed by passages. Their stylized frame is a symbolic representation of the holing present in the classical architectures of the city of Bologna: the old gates of the city, the porticos, the ‘finestrella’, the facades of the main monuments, but it also refers to the most significant contemporary buildings. ‘Wall-in’ is a long and thin wall, with two several features, depending on the side from which it is observed (a sort of Giano bifronte): from the external side it is blue, this tends to attract the observer’s attention, which is captivated by this new element of apparent separation of the urban environment. This tool comes from the baroque era in which, especially in Bologna, the piazza’s open space was used for temporary theatrical uses as ‘stage’, changing the spatial configuration. From the inside it has an antiglare glass covering: this allows to a visual continuity, despite the presence of the wall. When it is placed in the center of a square, it reflects it and makes it look entire, when placed under a portico it doubles the space perception, or, in general, it doubles the view of a monument. _index of figures: 01_bologna city perimeter and ‘wall-in’ concept 02_used materials 03_’wall-in’ in several areas of the city 04_axonometric view of ‘piazza maggiore’

The wall is four meters high and it is made of septa with the following modules: two, three, four and six meters. Inside every septum one or more revolving windows-doors opens. This makes it versatile and suitable for being built in different areas. The wall has a trapezoidal section (at the base 50 cm; at the top 15 cm) and a very light structure, easy to transport and assemble on site. All the used materials are not expensive and easy to find on the marketplace.

plastic cans full of water to give weight to the structure. dim: 35x35x94 cm, capacity 100 lt.

plywood panel with an adhesive antiglare glass covering on the outside. structural section bars (the vertical-trapezoidal are all of the same dimension).

structural metallic cylinders with linchpins to open the revolving doors-windows. 25 cm depth plasterboards for the doors-windows (blue painted or glass covered).

steel plates to fix the structure. waterproof blue plywood panels.

painted

The wall, in almost all cases, interferes with the main characteristic of the city of Bologna: the porticos. The mirrored side always reflects the most important monument of the concerned area (the â&#x20AC;&#x153;finestrellaâ&#x20AC;?, the gates of the city, the Basilica of San Petronio, the two towers, etc). The blue side is always visible from the visitor-citizen access-entrance.

PRIMITIVE FUTURE Building an ‘iPhone’ table concept from a chlid’s sketch

•

Exhibition for Milano Design Week Freelancing Project 2014 In co-operation with Eugenio Bulotta siabbottoni.com/fantacentrica-i-bambini-committenti/

The exhibition was an idea of Simone Abbottoni under his initiative Fantacentrica promoted by Milano Makers Association, in Sharing Design. The event was co-produced by Comune di Milano and sponsored by the Association for Industrial Design (ADI). Fantacentrica exhibited table designs by 4th grade children from Massa Finalese school (Finale Emilia, MO). This was a result of a fantasy furniture design class. The final show had 58 drawings and 6 tables, put together by a team of craftsmen, designers, programmers and architects. The table theme was chosen because is the most social furniture of all. People gather round the table to eat, talk, play, work. From the unprejudiced children’s point of view, traditional craftsmen and digital makers can actually sit at the same table, forgetting about the different technicalities. The ‘Primitive Future’ table has been conceived by Eugenio Bulotta and hand made with love togheter with Silvia Siracusano. It is a unique piece. Heavy, uncomfortable, engaging and challenging. A primitive iPhone, a wooden criticism to the digital age, to the endless information, to the limitless choices. Four hundred strips of fir compose a monolithic object by the apparent simplicity, which may prove only to those who, with patience, will be among the winners secret, rediscovering their own physicality within its limits.

_index of figures: 01_exploded axonometric and axonometry 02_significant plan 03_facade 04_C-C’ section 05_view from the top and main facade 06_ A-A’ section 07_ B-B’ section 08_exhibition pictures from ‘fabbrica del vapore’

01 09

A’

B’

C’

06 03

08 08

SELECTED WORKS â&#x20AC;¢ M

THE GARDEN OF SILENCE Cinerary temple inside the cemetery of Pavia

GIPRAG Library and special rooms for the Goethe Institute in Prague

THE PARASITE Transformation of an abandoned building to a jewelery shop

THE GARDEN OF SILENCE Cinerary temple inside the cemetery of Pavia

•

Competition for the new ‘Tempio Socrem’ in Pavia (8th qualified) Freelancing Project 2015 Credits: Dario Giordanelli, Paolo Nordi socrempv.it/nuovo_tempio/graduatoria_tempio.pdf

The project idea stems from the desire to build a space that at the same time is the burial worthy for more than five thousand people and a snug place, dedicated to the visit to the deads. The meeting between these two realities takes place inside the New Socrem Temple, called ‘Garden of Silence’. The archetypal figure chosen is the ‘garden’, enclosure in the large enclosure of the Monumental Cemetery of Pavia. The site, surrounded by cemetery chapels and large historicist porticoes, is located near the threshold point between the nineteenth century cemetery and the modern one, where there is the construction of the first Socrem Temple. The design choices aim at defining a silent place, where to carry out the rituals of pietas, in which the dialogue takes place between the closed interior site of the ashes and the outside of the open spaces of the Monumental Cemetery. The relationship between interior and exterior is mediated by the architecture of the New Temple, a square-shaped (20x20 meters) monolithic building, with a reinforced concrete structure and external cladding in the same material. The choice is inspired by the plastic experiences of the late architectures of the masters Le Corbusier and Louis Kahn, as well as the brutalism that places it in clear relation with the modern part of the Monumental Cemetery. The design and the composition use the geometry of the golden ratio for the definition of the plan, the elevations and the generating section; respecting the height of the nineteenth century cemetery, used as a reference upper limit of the elevation of the building. The facades of the Garden of Silence, marked by two holes in correspondence of the South and North entrance, and a window in the eastern one, support a cover in the same material, reinforced concrete, whose shape is detached by 30 centimeters from the perimeter walls, allowing the natural light to penetrate. The separate elements determine a ‘critical distance’ between the parts, composing a particular scan of the architectural elements. The roof structure has a large hole in correspondence with the internal inclined plane, where different plant species will be placed.

_index of figures: 01_aerial view of Pavia cemetery 02_masterplan 03_ examples of green evolution in the seasons cycle 04_ generative design schemes and atmosphere pictures 05_ground floor plan and A-A’ section 07_underground floor plan and B-B’ section 07_exploded axonometric and views

SITO DI PROGETTO

winter

NUOVO TEMPIO SOCREM

autumn

TEMPIO SOCREM ESISTENTE

30,00 cm

50,00 cm

27,00 cm

summer

layout cellette

spring

B 21

The internal space is entirely covered with Carrara marble, material used for most of the gravestones in the cemetery of Pavia. The mono-material effect of the interior space emphasizes the unitary perception of the succession of environments, giving a particular atmosphere. The ground floor is characterized by the presence of the large wall, the inclined vegetable plane and the beginning of the descent path to the basement. The wall that externally is seven meters high, tapers inwards reaching the height of five. In addition to accommodating the columbari of the cells, the septum runs through the entire section, identifying itself as a wall equipped path inside by the technological utilities and the mechanical lifts of the elevators towards the basement, increasing the general quality of accessibility of the architecture. The large inclined plane, with a triangular section, is an element, enclosed, snug and although inaccessible and not walkable (if not for maintenance) it articulates, defines and determines the unfolding of the space. This suspended plate represents the changeability of time in the physical manifestation of the different blooms throughout the year. In the combination of the many climbing plants, flowers of different chromatic variations will adorn the space of the new temple. The connecting element between the two floors is represented by the path of the ramps, clad in Carrara marble. This space of relationship, which develops around the inclined green plate, has a slope of 8% and a width of three meters, thus ensuring full accessibility for the disabled and a convenient descent/ascent for all users. Cells are arranged along the walls and on the floor that make up the path space.

A-Aâ&#x20AC;&#x2122;

B-Bâ&#x20AC;&#x2122;

esempi di evoluzion verde nel ciclo delle sta

This design solution allows, in addition to gaining space for the burials, an integral perception and fruition of the space underlining the unity and coherence of the Garden of Silence. Natural light penetrates from above and spreads up to the final ramp that leads to the basement where a large window facing east fully illuminates the last part of the descent. The basement opens into the large Room of Time, which reduces the square of the plan to thirteen meters per side, offering the possibility of gaining perimeter space useful for service and warehouse functions. This interior represents the symbolic and compositional heart of the whole architecture. The marble claddings and the dimensional devices determine a direct relationship with the other elements and a fundamental diversity. The different dimention brings perception towards a more domestic environment, despite the extended linear development. The burials are arranged on the walls with the possibility of having cells on the ground, rereading the tradition of the burial floor in the worship places and ossuaries. The internal light is modulated by north/south bands from the separation between the floor above and the western wall, and the distance between the floor and the part of the floor bounded by the suspended green floor. This second distance is the result of a relationship in section between two directions, partly divergent, that develop in space following the lines of a large triangle that empties and redistributes the compositional weights within the generating section. On the horizontal surface there is a reflecting tank of water with an egg shape. This element reinterprets the topos of the cosmogonic egg, emblem of the dialectic relationship between micro and macrocosm, symbol of life and rebirth.

50,00 cm

27,00 cm

30,00 cm

sezione B-Bâ&#x20AC;&#x2122; - scala 1:100

A-Aâ&#x20AC;&#x2122;

B-Bâ&#x20AC;&#x2122; pianta piano interrato - scala 1:100

schemi generativi di pro

The Wall

The Path

The Room of Time

GIPRAG Library and special rooms for the Goethe Institute in Prague

•

Renovation of the existing structure and new interior design MSA Marina Stankovic Architekten BDA, Berlin 2016 stankovicarchitekten.de/

The library of the Goethe-Institute Prague is updated to modern standards, without loosing sight of the building’s history. The library is divided in six major areas: entrance, reading room, language room, meeting room, coffe corner and exhibition area. All high shelves in the reading room are relocated alongside the walls, the resulting space in the centre can now be used for different purposes. Flexible furniture can be reconfigured according to the current use, varying from ‘regular’ reading and learning to smaller events. The language corner is interpreted as a separate cabinet with single workspaces to allow for concentrated studying. The library’s entrance area is remodelled into a welcoming lounge with a coffee corner, inviting to linger, meet and read. The exhibition space (‘Themenraum’) is located right next to the lounge. A modular steel ‘scaffold’ provides a flexible solution for various different exhibition concepts.

_index of figures: 01_library floor plan 02_perspectives from the project phase 03_main library area 04_main entrance of goethe institut 05_check-in to the library 06_corridor and reading room 07_reading room (language corner) 08_exhibition room (themenraum)

Faltung Format DINA3 INDEX

GEZ.

DATUM

12.05.2016

18.05.2016

24.05.2016

14.06.2016

23.06.2016

13.07.2016

10.08.2016

15.11.2016

ÄNDERUNG

OK FFB ± 0.00 cm - Teppichfliese - Spachtelmasse - Bestandsfussboden

Bibliothek Goethe-Institut Prag

45 1.2

BAUHERR:

71 1.8 3.3

Regal 5 Fachböden

Regal 1 Fachboden

2 0.8 5 0.8

OK FFB ± 0.00 cm

runde Deckenbeleuchtung siehe Lichtplanung

0.97

1.03 3 23

screen

LOCAL ARCHITECT:

3.32 8

LA Trockenbau 55 mm Ständerwerk / GK 2-lagig

0.66

T_R1

027

1.87 6

DAF-09 1

1.1

07_1

1.7 6

DAF-07 1 0.97

1.69

1.69 Ecklösung 0.66 0.63

DISP

L 0.97

0.97 1

1.1

1.8

Raum 103 / 27,3 m² Deutsch Lehren + Lernen

5_AA

2.84

GIP

Glasanlage zweiflügelig

DAF-01

TOILETTEN

1.28

1.22 6

1.34

DAF-1

0.97 1

0.92

Goethestr. 2-3 Aufgang B D-10623 Berlin Germany T +49 30315053-17 F +49 30315053-19 mail@stankovicarchitekten.de www.stankovicarchitekten.de

/ LE

DAF-04

ITEN

DAF-05

OK OK FFB RFB ± 0.00 Bode (Estr cm - Teppnaufb ich Best - Spac ichfli au: and) - Best htelm ese -2 cm ands asse fußb oden

DAF-03

1.2

DURCHGANG 3,2 m²

0.89

DAF-06

stankovic architekten BDA prof. b. arch. marina stankovic dipl-ing tobias jortzick

0.79 0.82

1.34

1.1

DAF-12

0.5

Teppich

1.07

0.4

2 0.0

0.63

5 h 2.00m

RA AN UM 11 EN KOMM 5 / 40 TD EC EN / ,6m² KE N

GIPR_5_AA_DT_R103a_1041

0.94 0.97

± 0.80 m

0.3

0.4

0.97

0.26

0.97 1

0.64

0.97

0.62

KIN -01 / 3 Regalböden 0.28

0.28

1 0.97

0.34

0.89

0.44

0.2

Kaffeeecke

T +420 224 220 025 M +420 602 330 693 jana@aukett.cz www.aukett.cz

Scha

uen

60,5

5_AA

60,5

T_R1

06_1

60,5

028/

llung

0.26

DAF-13

1 0.97

0.97

0.26

0.97

60,5

GIP

0.3

sste

0.97

60,5

0.4

0.13

0.46

0.49

Sitze 60,5

GIPR_5_AA_DT_R115_1042 4.66

4.51

1.6

TOILETTEN

60,5

± 0.40 m

Raum 103a / 26,8 m² Kinder - und Jugend

Aukett s.r.o. Ing.arch. Jana Lehotská Janáčkovo nábřeží 471/49 150 00 Praha 5 Česká republika

60,5

vorh. Tür

1.99

a 0.97 1 DAF-10

rket

Bodenaufbau: - Teppichfliese - Spachtelmasse - Bestandsfußboden

a 0.97 1 DAF-08

1.99

Te ppich

0.94 0.97

a a

OK FFB ± 0.00 cm OK RFB (Estrich Bestand) - 2 cm

Goethe-Institut Prag Masarykovo nábřeží 32 CZ - 110 00 Praha 1 Tel.: +420 221 962 215

ARCHITEKT: marina

Rolloanlagen

Bod we teil

Griffleiste

1.34

1 Gru-01 Stauraum / Einbauschrank Achsmaß 1000 mm

² m 4,1 / 2 UM 7 A 10 NR nd) E sta UM PP 0 cm kett (Ben RA RU FFB ± 0.0elag Parsaniere G OK enb ise zu

0.9

er il d dte me an nah aß

st Be ge tzm nla hu ra sc Tü nd Bra

3.8

Parkett

GIP

GIPR_5_AA_DT_R103_1039/1040

GIP

5 R_

1.375

1.025

0.4

1.368

1.13

0.5

1.348

0.9

Regal 2 Fachböden

1.2

Regal 4 Fachböden + 1 Displayboard

D A_

Arbeitsfläche

27 1.0

- Teppichfliese - Spachtelmasse - Bestandsfussboden

Stauraum Regal (optional 1 Fachboden)

1029

60,5

e 0.97

SWITCH / KOPIERER 3,2 Aufstellfläche m²

0.97

1 Bib-04 1 Displayboard / opt. Ausziehbare Multimediawanne Achsmaß 1000 mm

0.82

63cm x 80cm Switch

1.06

1.09 2.12 1

0.97

1 Bib-06 opt. ausziehbare Multimediawanne Achsmaß 1000 mm

Bib-13

0.57 0.54

2.3 2.27

0.57

1 0.97

0.54

1 0.97

Bib-07

0.87 0.84

Informationstresen

1.78 4

Prästentationsregal & Schrank

2.02

2.3

66 0.15

1.51

3.19 3

Bib-17

0.57 0.54

0.7 0.3

0.28 0.26

Bib-14

0.97

2.3 2.27

1.24

0.97

Bib-18

0.57 0.54

ALLE MASSE MÜSSEN VOR ORT GEPRÜFT WERDEN!

0.62

0.97

0.91

Bib-19

Magnettafel

0.15

Wandregal

2.56 2.53

Bib-19

0.57 0.54

WERKPLANUNG VORABZUG

0.75

1.66

0.97

1.13

1.16

Bib-19 1 0.97

1.6

h 2.50m

Bodenaufbau: - Teppichfliese - Spachtelmasse - Bestandsfußboden

GIPR_5_AA_DT_R105_1032/1033

0.57

4.51

1 0.97

Glasanlage zweiflügelig

RAUM 105 / 25,2 m² BERATUNG AUSKUNFT

0.9

Zeitschriften / Präsentationsmöbel Bib-08

RFID Scanner

0.3 6

1.3

0.91 0.95

Bib-12 Konstruktion wie Bib-11

0.6

a 0.88

0.3

1 0.97

ich

9 1.2 1 1.3

OK FFB ± teilw nbela 0.00 cm eise g Park zu sanie ett (Bes ren tand)

05 Pa_103 rket 0 t 1.1

OK FFB ± 0.00 cm OK RFB (Estrich Bestand) - 2 cm

18.68 0.42 0.39

T_R1

0.28

1.1

0.26

0.3

5_AA

Tepp

Kopierer Rollbox (begehbar)

Bib-05 opt. ausziehbare Multimediawanne Achsmaß 1000 mm

Lesen

RA UM LO UN 106 / TH GE 49m EM ² EN / RA UM Bode

0.28

GIP

_A R_5 GIP 031 _1

3.93

0.97 1

2.03

Bib-11 Standregal, h= 238 cm, Sockel, h=10 cm Material: MDF beschichtet Fachböden 25mm HPL Beschichtung Wangen 28mm Melamin Beschichtung Farbe nach Farbkonzept Architekt Lochbohrungen in Wangen oberer Abschluss fugenlos

0.6

Literatur

0.97

0.6

0.57

0.97

2.02

Standregal, h= 238 cm, Sockel, h=10 cm Material: MDF beschichtet Fachböden 25mm HPL Beschichtung Wangen 28mm Melamin Beschichtung Farbe nach Farbkonzept Architekt Lochbohrungen in Wangen oberer Abschluss fugenlos

0.97

0.3

GIPR_5_AA_DT_R104_1043

0.97 1

6.18

0.97 1

a 2.94

T_R

A_D

0.6

OK FFB ± 0.00 cm OK RFB (Estrich Bestand) - 2 cm Bodenaufbau: - Teppichfliese - Spachtelmasse - Bestandsfußboden

736

e 0.97

6.84

RAUM 104 / 127,2m² AUSLEIHBESTÄNDE

1.6

e 0.97 1

0.3

0.1

e 0.97 1

0.6 0.3

e 0.97 1

4.51

0.6

e 0.97 1

0.3

0.91 0.95

e 0.97 1 Bib-03 Displayboard / opt. Ausziehbare Multimediawanne Achsmaß 1000 mm

0.6 0.3

0.97

e 0.46 0.49

0.57

0.97

0.91 0.88

GIPR_5_AA_DT_R105_1034

1 0.97

6.568 a

e 0.97 1

Bib-02 Displayboard

3.51

Bib-01

e 0.97 1 4.63

1 0.97

0.26

e 0.97 1

0.26

e 0.97 1

0.97

e 0.58 0.61 0.97 1

0.97 1

DISP

1.8

GIPR_5_AA_DT_R104_1038

1.89

1.899

1.893

19.322

1.893

MAßSTAB:

F 99

PLAN:

Grundriss 1OG

1.11 4

GIPR_5_AA_DT_R104_1035

GIPR_5_AA_DT_R104_1036/1037

1.893

1:50 1.893

1.891

1.247 3.376

1.079 1.079

DATUM:

15.11.2016

BLATTGROßE:

A1 PLANNUMMER/INDEX:

GIPR_5_AA_GR_E1_1001_V_G

Faltung Format DINA3 Übergross

In this project I worked on the design of every single piece of furniture, down to the detail. I took care of the organization of the project, not only in its planning and modeling, but also through the execution of diagrams, time schedules and costs calculations. I followed and supervised the execution work. I took care of the correspondence with the various companies involved, listened to the client’s requests and coordinated the carrying out of the works, from the carpentry to the electric ones, from the laying of new floors, to the choice of new solutions for lighting or shading. I faced any running change with seriousness and checking with extreme care that everything was performed according to the highest standards.

Faltung Format DINA3 INDEX

GEZ.

DATUM

24.05.2016

04.08.2016

ÄNDERUNG

Bibliothek Goethe-Institut Prag BAUHERR:

Goethe-Institut Prag Masarykovo nábřeží 32 CZ - 110 00 Praha 1 Tel.: +420 221 962 215

ARCHITEKT: marina

stankovic architekten BDA prof. b. arch. marina stankovic dipl-ing tobias jortzick

Goethestr. 2-3 Aufgang B D-10623 Berlin Germany T +49 30315053-17 F +49 30315053-19 mail@stankovicarchitekten.de www.stankovicarchitekten.de LOCAL ARCHITECT:

Aukett s.r.o. Ing.arch. Jana Lehotská Janáčkovo nábřeží 471/49 150 00 Praha 5 Česká republika T +420 224 220 025 M +420 602 330 693 jana@aukett.cz www.aukett.cz

WERKPLANUNG VORABZUG ALLE MASSE MÜSSEN VOR ORT GEPRÜFT WERDEN!

PLAN:

Axonometrie Eingangsbereich MAßSTAB:

BLATTGROßE:

1:50

DATUM:

PLANNUMMER/INDEX:

04.08.2016 GIPR_5_AA_DT_RE9_1045_V_A Faltung Format DINA3 Übergross

Faltung Format DINA3 INDEX

GEZ. SS

DATUM 13.07.2016

ÄNDERUNG this is not the final version

Bibliothek Goethe-Institut Prag BAUHERR:

Goethe-Institut Prag Masarykovo nábřeží 32 CZ - 110 00 Praha 1 Tel.: +420 221 962 215

ARCHITEKT: marina

stankovic architekten BDA prof. b. arch. marina stankovic dipl-ing tobias jortzick

Goethestr. 2-3 Aufgang B D-10623 Berlin Germany T +49 30315053-17 F +49 30315053-19 mail@stankovicarchitekten.de www.stankovicarchitekten.de LOCAL ARCHITECT:

Aukett s.r.o. Ing.arch. Jana Lehotská Janáčkovo nábřeží 471/49 150 00 Praha 5 Česká republika T +420 224 220 025 M +420 602 330 693 jana@aukett.cz www.aukett.cz

WERKPLANUNG VORABZUG ALLE MASSE MÜSSEN VOR ORT GEPRÜFT WERDEN!

PLAN:

Axonometrie Themenraum MAßSTAB:

BLATTGROßE:

DATUM:

13.07.2016

PLANNUMMER/INDEX:

GIPR_5_AA_DT_R106_1028_V

Faltung Format DINA3 Übergross

horized additions making

old terrace with a glass

h the building, further

ian material, which is a

ts invisible. the new ‘parasite’ glass

, resembling the shape of

THE PARASITE Transformation of an abandoned building to a jewelery shop

•

Bachelor thesis in Construction and Management Architecture ‘Mediterranea’ University of Reggio Calabria Individual work 2009

d for future maintanance,

y materials used and ad-

insulation and energy ef-

profiles 03_ ground floor plan,

, axonometric view and current

ed project 06_ first floor plan plan 08_ first floor plan 09_

tructural design 12_ structural

e old and the new structure 14_

ss window 15_ structural detail

f the ceiling 18_ section A-A'

s section 21_ longitudinal sec-

owcase 23_ perspective view of

ed longitudinal section 26_ ax-

The project involves the renovation of a building in Reggio Calabria’s City center. The building was delapidated, and had unauthorized additions making the structure an eye sore. The facade was then re-designed filling in the old terrace with a glass structure that ‘paraciticly’ integrates with the building, further re-enforcements made this possible. The interior of the building uses white Corian material, which is a flexible and smooth product, making the joints invisible. Consistent with the new use of jewelery shop, the new ‘parasite’ glass instilation is made up of large glass-windows, resembling the shape of a giant diamond. Utmost care and attention to detail is desired for future maintanance, technologically with environmentally friendly materials used and advanced technologies, wall sections with high insulation and energy efficiency all duely applied.

_index of figures: 01_ground floor plan and main facade of the proposed project 02_ ground floor plan 03_cross section 04_longitudinal section 05_axonometric views of the structure 06_external perspective view 07_perspective view of the internal stairs with showcase and of the jewelry store 08_second floor plan 09_structural detail of the angle 10_detail of the junction between the old and the new structure 11_structural detail of the angle 12_section A-A’ with detail of the hydraulic lift 13_rooftop plan with structural design 14_detail of the supporting structure in steel box of the glass window 15_detail of the seismic joint 16_detail of the ceiling 17_section B-B’

05 01

02 07

20 03

0421

06 24

07 23

08 10

12 09

13 10

14 11

12 18

13 11

TASSELLO GIREVOLE - KNAUF INTERASSE DI FISSAGGIO 500 MM

PROFILO ANGOLARE 30x30 CD 60x27x0600. UD-PROFILO 28x27

PROFILO PORTANTE CD 60x27x06

PROFILO ANGOLARE 23x75 INTERASSE DI FISSAGGIO 500 MM

14 15

15 16

16 17

17 18

SELECTED WORKS â&#x20AC;¢ L

THE SNAKE Central City Library of Cologne

•

Competition ‘Zentralbibliothek der Stadtbibliothek Kölln’ (2nd price) MSA Marina Stankovic Architekten BDA, Berlin 2016 stankovicarchitekten.de/

One of the main design principles of the 1979 library building is to provide a democratic openness through transparency. A principle translated into architecture by open plan floors and a sequence of indoor and outdoor spaces, providing a wide variety of visual relations between the different areas of the library. Our intention is to establish an entity between the library’s areas. The design is using the façade as a horizontal connection between the different library zones, providing a multifunctional working- and reading space for the users. The vertical connection between the different floors is established by stacking the makerspaces; the use of radiant colours makes these areas visible even from the urban space. These interventions create a new identity without subordinating the present character of the building. Furthermore we re-organised and cleared up the shelf areas – providing a single standard for their height, geometry and position. The shelves can be combined differently, creating more flexibility. Seats are scattered alongside the façade in the bookstorage, creating comfortable zones for relaxed reading. The relationship between the façade and the core zone has become differentiated by the position of the racks and the interspersed loose furniture. The working- and reading area alongside the façade is designed in a modular way – 5 different modules can be rearranged in multiple combinations. The arrangement of these elements reacts to the different demands of the library zones, e.g. concentrated reading areas or a dynamic and playful surrounding in the children section, providing high quality solutions for diverse reading and working habits. _index of figures: 01_composition schemes 02_cross section 03_mobility schemes 04_makerspaces connections 05_underground floor plan (storage and special device) 06_ground floor plan (agorà) 07_first floor plan (children, family, free time) 08_exploded axonometric 09_focus on the fourth floor makerspace (music, media, culture) 10_focus on the first floor library (children, family, free time) 11_focus on the ground floor entrance area (agorà, lounge, check-in) 12_second floor plan (literature, travel, languages) 13_third floor plan (science, gaming, making) 14_fourth floor plan (music, media, culture, cafè) 15_different types of bookshelves 16_fourth floor section (music, media, culture) 17_third floor section (science, gaming, making) 18_ground floor section (agorà, lounge, check-in) 19_ view of the fourth floor with makerspace 20_fourth floor plan (services, terrace, art music and architecture, theatre dance and film, media, makerspace) 21_third floor plan (services, politics statistics and sociology, natural science, school center, makerspace) 22_ground floor plan (service points, check-in, rental/self-storage, wardarobe, collection, research workplaces, cofee bar, magazine area, reading) 23_longitudinal section

Community areas, a café, an auditorium, exhibition and conference facilities are established in special positions within the library building, e.g. in the ground floor lobby. The existing suspended ceiling follows the extension grid and transforms this system in a very prominent design feature. As we propose to keep and emphasis the ceiling structure, size and structure of all new interior elements follow the existing extension grid. The circulation area is defined by a new carpet and a revised ceiling grid. Whereas the floor colour is repeated on all floors, the ceiling grid will be backlit in different colours, providing easy orientation and guiding the user through the library. The light intensity and with it the colours’ radiance will vary between the different areas on one floor – creating an immaterial distinction between different usages and further aiding orientation. Only special areas will be spatially divided. The new makerspaces – active areas, inviting users to follow engage in various activities – will be separated from the regular reading areas by coloured glass walls. Technical installations, the colour choice and surface qualities follow simple principles and can adapt to future changes in the modular design. Special meeting or working surroundings are provided on the ground floor and on the fourth floor. These situations are created solely by using the modular furniture pieces. These spaces supplement the regular working and reading areas alongside the façade. All necessary light outlets, plugs, as well as a pull out privacy screens are integrated in these pieces of furniture.

15 ACTIVE AREA

QUIET AREA

REPRESENTATIVE AREA/ ENTRANCE

REPRESENTATIVE AREA ENTRANCE

ACTIVE AREA

QUIET AREA

SELECTED WORKS • XL

SKU GREEN CAMPUS A new sostainable university campus in Savannakhet, Laos

PERCEPTION OF FORM BETWEEN NATURE AND ARTIFICE Redevelopment of the Piacenza hub: the new “City of Youth”

SKU GREEN CAMPUS A new sostainable university campus in Savannakhet, Laos

•

Final report for executive design, project under construction MSA Marina Stankovic Architekten BDA, Berlin In co-operation with C+A Coelacanth and associates, Japan 2016 PERS PEC TIV E stankovicarchitekten.de/

A ERIA L __________________________________

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

C+A MSA Design Consortium

Highlighting the beauty and biodiversity of the site‘s natural assets was the main concern while creating a campus in the forest. The ‘genius loci’ of the site was retained in order to create a green experience for the campus users, by offering perspective views into the forest, while creating a sense of place and enclosure within the campus. The campus is designed to create a compact compound with all advantages of creating a distinct place in the forest with inner courtyards and connecting walkways. The canopies connecting the various faculty buildings also house academic infrastructure, connect the faculty buildings and become a flexible learning space for all faculties. They become a network of ‘learning streets’ for students and teachers to meet. Agricultural garden patios within the faculties, contain water features, protected outdoor spaces and at the same time offer a variety of greenery to mitigate the climate. A botanical path weaving through the campus becomes a learning experience about the indigenous vegetation, where as a ‘Champa Tree Alley’ along the central axis of the university showcases the different varieties of this species across the campus. The compact, dense urban form has the advantage of reducing the project’s impact on the site, minimizing building materials, and allowing for the campus to be kept vehicle-free, since all facilities are within comfortable walking distance. The faculty buildings are proposed as a highly flexible system that allows for adaptations for changing needs. The structural system is designed so that partitions and department layouts can easily be modified.

_index of figures: 01_local project area 02_general masterplan 03_campus functional schemes 04_masterplan sport facilities and housing 05_section sport facilities and housing 06_masterplan campus 07_section campus 08_view from the main path of the campus 09_sport facilities and housing ground floor plan 10_sport facilities and housing sections 11_view from the campus entrance 12_campus ground floor plan 13_campus sections 14_faculty building axonometry 15_faculty building floor plan 16_faculty building section 17_ERC education resource center axonometry 18_ERC education resource center floor plan 19_ERC education resource center section

N T RY | R EG I O N

_________________________ Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

2 . 1 SI T E LO CAT I O N ______________________________

REGIONAL CONTEXT

URBAN CONTEXT

VEGETATION

Phou Xang HE National Bio-Diversity

THAILAND

VIETNAM

SAVANNAKHET PROVINCE

Savannakhet (Kaysone Phomvihane) District: On the future SKU site and around the limits of town, more or less densely forested areas and wetland systems are still present. They play an essential role in water and nutrient management and supply for the district‘s agriculture and are increasingly fragmented by deforestation and urbanization. A proposal for a long-term natural resource protection plan may include the preservation or reforestation of forested zones and/or connceting biodiversity corridors.

economic corridor

site

rivers and lakes or ponds economic corridor (EHEC) special economic zone (SEZ)

mekon

SKU project site forested area wetland systems / agriculture city center since 1970 city center until 1970 historical center (french colonial) existing higher education facilities

Dong Phou Vieng National Bio-Diversity

g river

01 THE GREATER MEKONG SUBREGION ECONOMIC CORRIDORS

THE PROVINCE‘S NATIONAL PROTECTED AND BIODIVERSITY CONSERVATION ZONES

The current focal point of development in the Mekong Basin is the

Savannakhet Province: The country‘s largest province, bordering

GMS cooperative development project led and largely financed with Vietnam in the west and separated from Thailand by the Open labsBank.and informalMekong bookable offices and by the Asian Development river in the east. The Second Thai–Lao Friendship Bridge meeting rooms provide students and Initiated in 1992, the goal of the GMS project is to deepen the over the Mekong connects Mukdahan Province in Thailand with economic integration of the with Mekong countries with each other and the provincial capital Savannakhet („City of Paradise“, also known teachers the opportunity to work trans-disciplinarily. Generally resources are with the global economy. The corridors include the construction of as Kaysone Phomvihane) in Laos. The province still features an all-weather regional transportation network and electric power extensive forested zones, three of which are currently under shared pooled among grid. These measuresand are also designed to facilitate increased protection: the Phou Xangdepartments. He National Biodiversity Conservation trade and tourism, environmental protection, and assistance to Area in the north, Dong Phou Vieng National Protected Area to the health and human resources development. (orange southeast, and Xe Ban Nuan National Sun shading isSavannakhet achieved through theBiodiversity useConservation of external double-skin building screens, star) is located at the crossroads of the east-west and central Area to the south. corridors. The East-West Economic Corridor will link the port of green well Da Nang, Vietnam,screens, on the South China Sea,as to Burma’s deep- as tree planting. water port of Mawlamiyne (Moulmein) on the Bay of Bengal, some 1,400 kilometers across the entire width of the Greatermaterials and construction techniques, reduce the need for High quality building Mekong Subregion. Main infrastructure projects in the region include a second Lao-Thai friendship bridge linking Savannakhet maintenance and increase the life span of the campus buildings. and Mukdahan built in 2006, as well as road and railway networks from Vietnam through Laos and Thailand to Burma. The urban and architectural concept for the new SKU campus design is offering: - Diversified modern learning spaces: classrooms, lecture halls, flexible and informal learning areas, ‘bump’ circulation spaces, recreational and social spaces - A multi-media fit campus - A compact, green pedestrian campus favouring connectivity, interdisciplinary, informal interactions, and user well-being - Extensive hands-on learning spaces such as labs, ‘edible gardens’, agricultural testing areas, flexible learning area adapted for practical activities, and a multifunctional ‘learning street’ Both urban and architectural designs thoroughly take the specific tropical climate into consideration, offering a high amount of porosity in the volumes of the buildings, securing natural ventilation to create climate adaptive buildings. 5.1 SITEPLAN 1:10.000 _____________________________________ C+A MSA Design Consortium

| 10

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

FULL SITE 304 Ha

SPORT FACILITIES TEACHER HOUSING Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

S_T_ _ _E_ _S_ _T_ _I_ M AT E ________ UNIVERSITY CAMPUS 74 Ha

SKU PHASING SCHEME CURRENT DESIGN Reduced ERC Cafeteria 3 Lecture Halls Faculty Space

3,414 sqm 200 sqm 360 sqm 1,565 sqm

Foodcourt Maintenance Facilities

FACULTIES +ACADEMIC INFRASTRUCTURE

STUDENT HOUSING 1,260 sqm 500 sqm

8 Laboratories 1 Lecture Hall Faculty Space

1,778 sqm 140 sqm 1,125 sqm

Agriculture Food Science Sciences Engineering Linguistics Information and Technology

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

6 . D ES I GN REF EREN C ES ______________________________________

6.3.5 CANOPIES

ulty has a number of classrooms proportionnally to the udent capacity. Classroom space is kept in the vicinity of nd administration.

e laboratory constructions demand more technical effort, centralised in one building.

N Faculty Buildings

5,463 sqm

PHASE 1

C+A MSA Design Consortium

t of SKU will safeguard the research-integrated engineering nd teaching approach based on Massachussetts institute of (MIT) initiative `Conceive - Design - Implement - Operate his requires providing special spaces turned to circulation etween faculties and shared common facilities.

functionality of the entire campus is a priority regarding the hallenge.

* this is a reduced drawing_ refer to scale drawing in appendix 9.1.1

| 35

FUTURE EXTENSION Foodcourt Maintenance Facilities Ceremony Hall 4 Lecture Halls

ERC / Library Cafeteria 3 Lecture Halls

4,979 sqm 200 sqm 360 sqm

1,260 sqm 500 sqm 2,295 sqm 868 sqm

8 Laboratories 1 Lecture Hall Center of Life Long Learning Center of Excellence

1,778 sqm 140 sqm 158 sqm 967 sqm

President Building Academic Club

2,343 sqm 390 sqm

ciple, areas that support formal and informal learning and tion at various scale are fostered in the project

Faculty Buildings

12,998 sqm

PHASE 2 The canopies of the project are developed on different levels and built with different materials. These are light and translucent, offering a covered pathway connecting all the buildings from rains. On the sides of the Faculty Buildings they become part of the Flexible Learning Areas (FLA). At the entrance area, next to the President Building the roof creates a welcoming gesture and various scale and sizes. This becomes a ceremonial space for welcoming university guests and celebratory occasions.

| 28

C+A MSA Design Consortium

| 60

!#&#''#()%*+,'-&%./-*01+!%"2'3+!*.%'4*)%'-'4+5-4)%.+637"#*-2'+8.29%"* :;<8,!+=6!>?@+;@=+!>A6+8B68 !"#$%&'(()(*$+,-./0(12$

! " #$ % $& " ' ( ) * +,-. ( /" ( /0" . ( /0) 1 ( -+" ) +1* 23 /

$%&'(%)*(%+,-./0%120-23 4.56%748,%+,-./0%.0%-59:,14%42%12;<3./84%%=>?%>0+%.4%.-%024%3,;32+51>9=,%?.48254%48,%>5423.->4.20%2@%&'()*(%120-23 4.56

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Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

INNER CA M PU S A REA __________________________________

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

5.5 S TU DENT C ENTRE AREA ____________________________________________ 5.5.1 GROUND FLOOR PLAN - STUDENT CENTRE 1:1000

C+A MSA Design Consortium

| 38

SPORT FACILITIES

STUDENT HOUSING

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

5.5 STUDENT CENTRE C+A MSA Design Consortium

* t h i s i s a r e d u c e d d r a w i n g _ r e f e r t o s c a l e d r a w i n g i n a p p e n d i x 9 . 1 . 5 | 41

__________________________________

5.5.2 SECTIONS - STUDENT FACILITIES 1:1000

SECTION D-D_SPORT FACILITIES

Swimmingpool

A C

Sport facilities

SECTION E-E_SPORT FACILITIES

Soccer field

Student dormitories

Swimmingpool

Existing Building

SECTION F-F_STUDENT HOUSING

Student dormitories C+A MSA Design Consortium

Student dormitories

10 *this is a reduced drawing_ refer to scale drawing in appendix 9.1.6

| 42

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

MAIN ENTRANCE PE RSPECTIVE _________________________________________________

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

5 .4 CAMP US ___________________

5.4.1 GROUND FLOOR PLAN - CAMPUS 1:1000 FRUIT TREES + GARDENS

C+A MSA Design Consortium

| 34

FACULTYÂ´S COURTYARD

CHAMPA TREES

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

5. 4 C AMPUS ___________________

C+A MSA Design Consortium

*this is a reduced drawing_ refer to scale drawing in appendix 9.1.3

5.4.2 SECTIONS - CAMPUS 1:1000

F E

| 39

A C

SECTION A-A_ THE COURTYARDS

FLA

Faculty Courtyard

FLA

Food Court

FLA

Faculty Courtyard

FLA

Education Resurce Center

SECTION B-B_ MAIN AXIS

FLA

Faculty

FLA

Tech Cluster

FLA

Faculty

FLA

Administration Building

SECTION C-C_ MAIN AXIS

Tech Cluster C+A MSA Design Consortium

Central Canopy

Faculty

Courtyard

Faculty

Existing Building

*this is a reduced drawing_ refer to scale drawing in appendix 9.1.4

| 40

Natural light

Facade S-N

Natural Light from North

Semi-outdoor space

Cut Direct Gain by Facade Skin

Natural Ventilation

S-N

open window

Double-skin facade The porosity of the building provides both ventilation and natural light avoidingDouble-skin heating by strong facadesunlight.

Void for natural ventilation Small void invites natural airflow to the inside of buildings. Void for natural ventilation

The porosity of the building provides both ventilation and natural light avoidingroom heating by strong sunlight. Small meeting

Small void invites natural airflow to the inside of buildings.

Views into the small meeting rooms create a lively atmosphere in the courtyard. Small meeting room Views into the small meeting rooms create a lively atmosphere in the courtyard.

Facuty room

Facuty room Classroom Large stair A large stair becomes an open amphitheatre. Large stair

Classroom

large stair FlexibleAlearning areabecomes an open amphitheatre. The “FLA” is a flexible space that allows numerous uses such as Flexible informallearning learning,area small The outside humidity load and the humidity loads caused by occupants inside the buildings will not be seminars, exhibitions, etc.moving air inside class room will accumulated with this semi-technical solution. Theevents permanent slow increase the level of comfort Theof teachers “FLA”andisstudents. a flexible space that allows numerous uses such as informal learning, small seminars, exhibitions, events etc.

flexibility

flexibility faculty: small room

meeting: small room

faculty: small room

classroom: big room

Savannakhet University, Second Strengthening Higher Education Project

6.1 FACULTY BUILD ING _____________________________________ faculty: small room

meeting: classroom: smallbigroom room

C AbeM P U S D E S I G N A N D S I T E P R E P A R A T I O N The outside humidity load and the humidity loads caused by occupants inside the buildings will not accumulated with this semi-technical solution. The permanent slow moving air inside class room will increase the level of comfort of teachers and students.

faculty: small room

classroom: big room

6.1.3 GROUND FLOOR PLAN 1:200

Faculty Building

classroom: big room

C+A MSA Design Consortium

| 47

Faculty Building

RFL +12.00

2FL +8.00

1FL +4.00

GFL +1.00

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

6_ _ ._ _1_ _ _FA CU LT Y BU I L DI N G ______________________________ 6.1.4 SECTIONS 1:200

RFL +12.00

RFL +12.00 2FL +8.00

2FL +8.00 1FL +4.00

1FL +4.00 GFL +1.00

C+A MSA Design Consortium

| 49

GFL +1.00

COURTYARD Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

6 . 1 FA CU LT Y BU I L DI N G

_____________________________________

6.1.4 SECTIONS 1:200

RFL +12.00 RFL +12.00

2FL +8.00 2FL +8.00

1FL +4.00 1FL +4.00

GFL +1.00 GFL +1.00

FLA CONNECTING BUILDING COURTYARD C+A MSA Design Consortium

| 50

56 RFL +12.00

RFL +12.00

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

6 . 2 E D U C AT I O N R E S O U R C E C E N T R E ________________________________________________________ 6.2.1 AXONOMETRY

Beam Pillar - Large span Structure allowing evolution of uses. Partitions wall are non-bearing walls.

Small working room Views into the small meeting rooms create a lively atmosphere Thick facade The building is air conditioned and isolated.

Screening of buffer zone The shaded area offers views on the forest while being protected by direct sunlight

Open reading space

C+A MSA Design Consortium

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Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

6 .2 ED U CATION RE SO URCE CE N T RE ________________________________________________________

6.2.4 GROUND FLOOR PLAN 1:200

storage / back offices

lockers 9.1

lecture hall

journal display computer pool

open stack

9.1

information

37.7

open stack exhibition 9.1

return machine

9.1

9.3

12.7

62.3

C+A MSA Design Consortium

| 54

Savannakhet University, Second Strengthening Higher Education Project

CAMPUS DESIGN AND SITE PREPARATION

6 . 2 E D U C AT I O N R E S O U R C E C E N T R E ________________________________________________________ 6.2.5 SECTION 1:200 | PLANS 1:500

cleaning

lecture hall

information

single work

3FL +12.00

single work

group work

copy room

lecture hall

kitchenette

RFL +17.00

group work

information openstack 400 m² cafeteria

openstack 410m²

open stack 16.5

2FL +8.00

atrium

openstack 340 m²

FOREST

FLA 1FL +4.00 lecture hall 3f N

GFL +1.00

cleaning

information

informationinformation

openstack 400 m²

openstack 320m² openstack 410m²cafeteria

openstack 410m²

openstack 340 m²

Single work

single work

openstack 300 m²

openstack 340 m²

group work Group work

single work

copy room

Single work

information

lecture hall

single work

copy room single work

lecture hall

kitchenette

lecture hall

copy room

copy room balcony

kitchenette

lecture hall

group work

information openstack 400 m² cafeteria

PERCEPTION OF FORM BETWEEN NATURE AND ARTIFICE Redevelopment of the Piacenza hub: the new “City of Youth”

•

Master Thesis in Architecture and Urban Design Politecnico di Milano Individual work 2012 politesi.polimi.it/handle/10589/72964/

The Youth City project takes place in a brownfield site of Piacenza. This project is intended to bring order to the area by structuring a multi-use complex to enrich the upcoming community. The guidelines are derived from alignments structured upon and taken from the city, the adjacent industries, nature and history. The project is divided into public and private areas and deliberately takes the distance from the city, like an island. The two main access points are clearly identifiable and correnspond to a redevelopement of the station square and the area where once was the General Market. From there, two routes stem, leading into the new settlement system, thus evoking a modern interpretation of ‘cardo’ and ‘decumano’. This hypothetical settlement has two renatured systems directly opposing each another: the new Rifiuto canal (rifiuto literally means ‘waste’) constructed to respawn the Po river, and a green strip to replace the former A21 highway leaving the remaining industrial complex isolated. The overall design reinterprets the theme of perception of form in architecture, which ideally leads to Gestalt figures.

_index of figures: 01_project exploded axonometric 02_general masterplan 03_project model 04_masterplan 05_current state 06_detailed scheme: roads, layers, green areas and intended use 07_project montage 08_urban sections 09_ plan level 0 10_ plan level +1 public spaces 11_longitudinal section museum/auditorium 12_ plan level 0 public spaces 13_north-east facade museum/auditorium 14_bird’s eye view 15_east facade 16_section along the public spaces 17_section along the residences

01 19

04 13

09 05

10 06

07 11

08 12

09 14

10 16

11 26 17

25 13

14 18

20 15

16 21

17 22

FULL LIST OF PROJECTS •

2018

• 33sqm apartment in Berlin

2017

• • • • • • •

‘Wall-in’ - The Wall Competition, Bologna (finalist project) Municipality Offices in Görlitz - Competition New City Library and Civic Center, Jena - Competition New residential and commercial building in Pragerstraße, Leipzig Covered terrace as extension to a detached house, Bötzow Renovation of a residential building in Hornstraße, Berlin Renovation of a residential building and loft conversion in Ebersstrasse, Berlin

2016

• • • • • • •

University Campus in Jena - Competition Library for the Goethe Institut in Riga Library for the Goethe Institut in Prague Library for the Goethe Institut in Windhoek - Competition University Campus in Savannakhet, Laos New residential building with shops in Kurt Eisner Straße, Leipzig Public library of Köln - Competition (2nd price)

2015

• ‘Il Giardino del Silenzio’ - Competition for the new ‘Tempio Socrem’ in Pavia (8th qualified) • Architectural details and small design for Palladio Museum, Vicenza • Apartments and lounge bar in Via Archimede, Milano

2014

• Art Nouveau Attic - Private apartment in Messina city center • Primitive Future - Building an iPhone table concept from a chlid’s sketch - Exhibition for Milano Design Week • Cathedrals in Sicily - Comparing Duomo of Messina to Duomo of Palermo and Duomo of Monreale

2012

• Perception of Forms between nature and artifice - Redevelopment of the Piacenza hub: The new City of Youth - Master Thesis

2011

• Piacenza Youth City - Workshop ‘OC - Open City Summer School’, Piacenza • Energy efficiency and technologycal solutions - A new eco-friendly residential block run on renowable energy in Piemonte • Restoration and preservation - A new use for the Sant’Eustorgio church’s cloisters, Milan

2010

• From the city to the river - Strategies to redevelop a large area of Piacenza - Workshop ‘OC - Open City Summer School’, Piacenza • Barcelona vertical landscape - A new gate to Barcelona: two multi-functional skyscrapers and the Sagrera railway station • The Post-Expo - A new urban settlement bordering Milan city center

2009

• The Parasite - Renovation and reuse - Tranformation of an abandoned building to a jewelery shop, Reggio Calabria - Bachelor Thesis

2008

• Measures to counter the decline - Workshop ‘Restoration of Guardavalle’ • Modular Buildings - Architectural composition of ‘triads’ of residences, Reggio Calabria

2007

• House adapted to its place - Detached house with views over the Strait of Messina, Messina • Reuse design - Design of several objects from waste materials

1999

• Design and construction of the Dream house, mini-competition at the middle school ‘Mazzini’, Messina (1st price)

ATTACHMENTS â&#x20AC;¢

REFERENCE LETTER

WORK CERTIFICATE

GERMAN CERTIFICATE LEVEL B2

REFERENCE LETTER •

ARBEITSZEUGNIS

Frau Silvia Siracusano war vom 04.01.2016 bis 22.06.2017 in unserem Architekturbüro beschäftigt. In dieser Zeit erstreckte sich ihre Tätigkeit hauptsächlich auf die Planung des Masterplanes des “ Universitätscampus Savannakhet University in Laos‘‘ für 4600 Studenten mit 42.900m² BGF. In der Bearbeitung des Masterplanes wurden folgende Arbeitsschwerpunkte von Frau Siracusano geleistet: entwurfliche Lösungsvarianten für diverse Realisierungsphasen zeichnerisch und kalkulatorisch und Entwicklung von Präsentationsdokumenten in Abstimmung mit den projektleitenden Architekten. In umfangreichen Planungs‐ und Abstimmungsgesprächen mit dem Bauherrn und den Fachplanern wurden zudem Kostenoptimierungsprozesse entwickelt, die parallel in die Entwurfsplanung eingearbeitet wurden. In der Zeit von Januar 2016 – April 2016 erstreckte sich Frau Siracusanos Tätigkeit zudem auf die Bearbeitung des Wettbewerbes Zentralbibliothek der Stadtbibliothek Köln, einen Einladungswettbewerb über zwei Phasen, der mit einem 2. Platz prämiert wurde. Bei der Aufbereitung der Unterlagen für die Wettbewerbspräsentationen war Frau Siracusano zu jedem Zeitpunkt sehr sicher und schnell im Umgang mit allen computergestützten Werkzeugen. Frau Siracusano ist eine fachlich sehr qualifizierte, hoch motivierte, ausdauernde und außergewöhnlich belastbare Mitarbeiterin. Alle ihr anvertrauten Aufgaben hat Frau Siracusano in kürzester Zeit selbstständig strukturiert und diese sehr gründlich und mit größter Zuverlässigkeit stets zu unserer vollsten Zufriedenheit umgesetzt. Insbesondere durch ihre freundliche, höfliche und stets zuvorkommende Art, war Frau Siracusano bei Vorgesetzten, Kollegen, Bauherren und Fachplanern gleichermaßen sehr anerkannt und geschätzt und hat sich innerhalb kürzester Zeit in unser Planungsteam integriert. Wir danken Frau Siracusano hiermit nochmals für ihre überaus engagierte Mitarbeit bei Marina Stankovic Architekten BDA in Berlin und wünschen ihr bei ihrer Tätigkeit als Architektin weiterhin viel Erfolg in der Zukunft. Berlin, 08.01.2018

Prof. Marina Stankovic

Dipl.‐Ing. Tobias Jortzick

Inhaber GbR: Prof. B. Arch. Marina Stankovic + Dipl.-Ing. Tobias Jortzick * Steuer-Nummer.: 13/542/73696 Finanzamt Charlottenburg

WORK CERTIFICATE •

Praxisnachweis

Frau Silvia Siracusano war vom 04.01.2016 bis 22.06.2017 in unserem Architekturbüro beschäftigt. In dieser Zeit war Frau Siracusano mit nachfolgend aufgeführten Aufgaben betraut: ‐ Objekt Zentralbibliothek der Stadtbibliothek Köln Josef‐Haubrich‐Hof 1 50676 Köln Wettbewerb. 2. Preis. Bearbeitung der ersten und zweiten Phase. Renovierung des bestehenden Gebäudes. Arbeitsphasen vom Konzept bis zur Innenarchitektur. Leistungsphasen (gem. § 3 HOAI) Zeitraum Gesamtbearbeitungsdauer 2 vom 04.01.2016 bis 26.01.2016 0.8 Monate 2‐3 vom 28.03.2016 bis 29.04.2016 1 Monat ‐ Objekt Neubau Wohn‐ und Geschäftsgebäude Kurt Eisner Straße, 102 04275, Leipzig Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer 5 vom 29.01.2016 bis 04.02.2016 0.25 Monate ‐ Objekt Universitätscampus Savannakhet Laos Masterplan für einen neuen Universitätscampus in Laos. Koordinierung der Generalplanerleistung. Bearbeitung von der Zwischenabgabe bis zur Endabgabe des Projekts. Zeichnungen , Berechnungen und Diagramme, Broschüre, Organisation und Zusammenarbeit mit den beteiligten lokalen Büros. Leistungsphasen (gem. § 3 HOAI) Zeitraum Gesamtbearbeitungsdauer 1‐2‐3‐4 vom 05.02.2016 bis 19.02.2016 0.5 Monate 1‐2‐3‐4 vom 20.05.2016 bis 30.06.2016 1.25 Monate ‐ Objekt Bibliothek des Goethe‐Instituts Windhoek Wettbewerb.

Innenarchitektur der Bibliothek. Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer 2 vom 22.02.2016 bis 10.03.2016 0.75 Monate ‐ Objekt Bibliothek des Goethe‐Instituts Masarykovo nábř. 32, 110 00 Nové Město, Prag Neues Innenraumdesign für die Bibliotheksräume. Zeichnungen aller Möbel, Organisation, Berechnungen und Diagramme, Termine und Überwachung vor Ort. Leistungsphasen (gem. § 3 HOAI) Zeitraum Gesamtbearbeitungsdauer 1‐2‐3‐4‐5‐6‐7‐8 vom 11.03.2016 bis 25.03.2016 0.45 Monate 1‐2‐3‐4‐5‐6‐7‐8 vom 04.05.2016 bis 19.05.2016 0.5 Monate 1‐2‐3‐4‐5‐6‐7‐8 vom 01.07.2016 bis 12.08.2016 1 Monat 1‐2‐3‐4‐5‐6‐7‐8 vom 30.08.2016 bis 25.10.2016 2 Monate ‐ Objekt Büro Portfolio Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer x vom 15.08.2016 bis 29.08.2016 0.35 Monate x vom 16.12.2016 bis 23.12.2016 0.25 Monate ‐ Objekt Bibliothek des Goethe‐Instituts Torņa iela 1, Centra rajons LV‐1050, Rīga Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer 1‐2‐3 vom 26.10.2016 bis 25.11.2016 1 Monat ‐ Objekt

Wettbewerb neuer Universitätscampus Jena Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer 2 vom 28.11.2017 bis 10.12.2017 0.45 Monate ‐ Objekt

Sanierung eines Wohngebäudes und Dachneubau Ebersstraße, 3 10827, Berlin Das Projekt umfasst die Erstellung neuer Wohnungen als Dachaufstockung sowie die Sanierung der Gemeinschaftsbereiche im Gebäude. Studien, Entwurf mehrere Nutzungsoptionen, Berechnungen und Diagramme, Zeichnungen, dreidimensionales Modell. Leistungsphasen (gem. § 3 HOAI) Zeitraum Gesamtbearbeitungsdauer 1‐2‐3‐4‐5 vom 12.12.2016 bis 15.12.2016 0.15 Monate 1‐2‐3‐4‐5 vom 01.02.2017 bis 30.03.2017 2 Monate 1‐2‐3‐4‐5 vom 16.05.2017 bis 22.06.2017 1.25 Monate ‐ Objekt Renovierung eines Wohnhauses Hornstraße, 3 10963, Berlin Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer 3 vom 02.01.2017 bis 16.01.2017 0.5 Monate ‐ Objekt Überdachte Terrasse als Anbau an ein Einfamilienhaus Bötzow Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer 3 vom 17.01.2017 bis 23.01.2017 0.25 Monate ‐ Objekt Neubau Wohn‐ und Geschäftsgebäude Pragerstraße, 63 04317, Leipzig Leistungsphasen (gem. § 3 HOAI) Zeitdauer Gesamtbearbeitungsdauer 3 vom 24.01.2017 bis 30.01.2017 0.25 Monate 3 vom 31.03.2017 bis 07.04.2017 0.25 Monate ‐ Objekt Neue Stadtbibliothek und Bürgerzentrum Engelplatz 07743, Jena Wettbewerb. Arbeit vom Konzept bis zum endgültigen Entwurf.

Leistungsphasen (gem. § 3 HOAI) 2

Zeitraum Gesamtbearbeitungsdauer vom 10.04.2017 bis 15.05.2017 1 Monat

‐ Objekt Wettbewerb Landratsamt Görlitz Leistungsphasen (gem. § 3 HOAI) 3 Berlin, 08.01.2018

Prof. Marina Stankovic

Zeitdauer Gesamtbearbeitungsdauer vom 25.05.2017 bis 22.06.2017 1 Monat

Dipl.‐Ing. Tobias Jortzick

GERMAN CERTIFICATE LEVEL B2 â&#x20AC;¢