In The Bleak Midwinter - for SSAA, flute, & violin by Mark D. Templeton

Page 1

MTN004

US $2.25

.

for SSAA, Flute, & Violin

Music by

Arranged by

Š 2010 by Mark Templeton at www.MTchoralmusic.com


2

Gustav Holst’s In the Bleak Midwinter was written at the request of Ralph Vaughan Williams, the editor of the English Hymnal. Holst used Christina Rossetti’s popular poem, written in 1872, for the text. The carol was first published in the English Hymnal in 1906 and quickly became a favorite among congregations. The frigid northern landscape that Rossetti paints with her text combined with the divinely melancholy nature of Holst’s melody provides the perfect backdrop for the winter holidays. The first and last sections of this arrangement incorporate the same melody and major key as the original, but the middle section, while in a minor mode, juxtaposes Holst’s melody with one of the most beloved chant melodies from the Gregorian chant repertoire, Ave Maria. The original chant, shown below, can be sung in conjunction with the piece. This unique arrangement will be exciting for any women’s chorus to sing. The flute and violin parts can be played by any two C-instruments.

Vocal Ranges

1.

In the bleak midwinter frosty winds made moan, Earth stood hard as iron, water like a stone; Snow had fallen, snow on snow, snow on snow, In the bleak midwinter long ago.

3.

Angels and archangels may have gathered there, Cherubim and seraphim thronged the air; But only his mother in her maiden bliss Worshipped the Beloved with a kiss.

2.

Our God, Heav'n cannot hold him nor earth sustain; Heav'n and earth shall flee away when he comes to reign: In the bleak midwinter a stable place sufficed. The Lord God Almighty Jesus Christ.

4.

What can I give him poor as I am? If I were a shepherd I would bring a lamb, If I were a Wise Man I would do my part, Yet what I can I give him, give my heart.

Latin

Translation

Áve María, grátia pléna, Dóminus técum. Benedícta tu in muliéribus, et benedíctus frúctus véntris túi, Iésus. Sáncta María, Máter Déi, óra pro nóbis peccatóribus, nunc et in hóra mórtis nóstrae. Ámen.

Hail Mary, full of grace, the Lord is with thee; blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.


3

Commissioned by Womansong in Charleston, WV

In The Bleak Midwinter for SSAA chorus, Flute, & Violin (or two C intruments) Music by Gustav Holst (1874-1934) Arranged by Mark Templeton

Text by Christina Rossetti (1830-1894)

œ œ œ œ

Tenderly {q = c 80}

& b c Œ

Flute

œ œ œ œ

P œ œ œ œ

Tenderly {q = c 80}

& b c Œ

Violin

P b c w &

˙

P

Œ

˙

Œ

Tenderly {q = c 80}

Soprano 1

˙

œ œ œ œ

w

œ œ œ œ

w

˙

˙

œ œ

P œ . œJ

w

Ah

In

P b c w &

Soprano 2

˙

˙

œ œ œ œ

˙

˙

Ah

P b c & w

Alto 1

˙

˙

˙

Ah

&b c

Alto 2

P

˙

˙

˙

˙

Ah

Fl.

& b

Vln.

& b

7

S1

& b œ.

j œ œ

Ó

œ

fros - ty wind made S2

& b œ.

j œ œ

œ

fros - ty wind made A1

A2

&b

˙

&b ˙

˙ ˙

p œ

˙

7

p

moan,

earth

moan,

earth

P ˙.

w ˙.

œ

œ

œ œ œ œ œ œ

˙

œ J

œ œ

˙

stood hard as

i

œ J

œ œ

˙

stood hard as

i

œ

w

œ œ

˙

œ œ

˙

-

-

˙

œ

œ

œ

˙

œ œ

œ.

œ ˙ J

œ œ

œ œ

œ œ œ.

ron

wa - ter like

˙

œ œ œ.

ron

wa - ter like

˙

wa

˙

wa

© 2006 by Mark Templeton at www.MTchoralmusic.com

˙

˙ w

˙

˙

œ

œ

oo

œ œ

œ œ œ oo

˙

˙

the Bleak mid - win - ter

p

œ

oo

P

w

oo

œ

œ.

w

w

œ J

œ.

w

˙

˙

œ.

7

˙

p ˙.

the Bleak mid - win - ter,

P œ . œJ In

˙ -

-

ter

˙

ter

˙ ˙ >œ

˙.

j œ ˙ a

˙

stone;

j œ ˙ a

P

˙

stone;

œ œ ˙

like a stone;

œ œ ˙

like a stone;


4

In The Bleak Midwinter

13

Fl.

& b 13

Vln.

& b

œ. P œ.

F b & œ.

13

S1

œ œ J œ œ J

˙

œ

œ

œ

j œ œ œ

œ

snow had fal - len,

S2

F b & œ.

A2

&b &b

F ˙.

œ

Fl.

& b 19

Vln.

& b

œ

˙

snow

had

fal

˙.

œ

˙

F

had

œ œ œ. œ œ œ œ

-

fal

-

œ w J ˙

long,

A2

&b

˙

long,

˙

˙

snow

on

˙

œ œ on

snow

Œ

w

˙

on

œ

P

long

˙

œ œ

a

a

bbbb -

F Œ œ œ

bbbb

-

w

go.

Our

œ

œ

œ œ œ œ œ œ

˙

p

w

P œ. in

the bleak mid - win - ter,

w

P œ œ

in

snow,

snow,

œ

œ œ J

œ

œ œ J

œ

œ

œ

in the

P

˙

œ

j œ œ

œ.

in

œ

œ

œ œ J

œ

can - not

œ œ

heav'n can - not

œ

œ œ can - not

F ˙

Our

˙

˙

˙

˙

˙

˙

bleak mid - win - ter,

œ

˙

˙

œ

œ

the bleak - mid - win - ter,

œ

˙

œ

œ

œ

˙

˙

œ

œ œ

œ œ

nor

earth

su

˙.

God heav'n

Ó

œ œ

˙

the bleak mid - win - ter,

snow;

F Œ œ œ.

Our God,

œ

w

P

F ˙ >˙

go.

p œ

w

*

œ

P œ.

snow,

œ

œ J

œ.

œ ˙

˙

˙

˙

bbbb ˙ œ œ

long

on

snow

len,

a - go.

˙

˙

our God, heav'n

& b œ œ œ . œj w &b ˙

len,

bbbb

œ œ œ J

œ œ œ œ

˙

bbbb

˙.

snow

a - go.

long A1

˙

bbbb Ó œ œ

œ œ

œ œ œ œ

˙

& b œ œ œ . œj w long

S2

œ.

˙

19

S1

˙

snow on snow,

œ

snow

19

œ

œ œ

snow on snow,

j œ œ œ

snow had fal - len, A1

œ

˙

œ

˙

hold him,

˙

˙

œ.

hold

him,

nor

œ

˙

hold him,

˙.

God,

* Melody taken from Gregorian Chant, Ave Maria

earth su -

œ œ

nor

earth

˙

heav'n can

-

j œ œ œ

œ œ

œ

˙

su

-

˙

not

-


5

In The Bleak Midwinter

bb & bb

25

Fl.

25

Vln.

&

bbbb

˙

œ

b & b bb ˙

œ

œ

œ

heav'n and

b & b bb w

A1

œ

˙.

œ

heav'n

bb &bb w

S2

A1

A2

˙

˙

œ œ

a - way

œ

when he

and earth shall flee

œ

œ and

œ

œ œ

earth shall flee a - way

œ

bleak mid - win -ter

a

j œ œ

œ

˙

œ œ

the bleak mid - win - ter a

œ

œ ˙

œ

bleak mid - win -ter

a

œ

F ˙

in

˙.

œ

œ

œ

˙

œ œ

˙ ˙.

sta - ble place suf - ficed

œ œ œ œ

˙.

˙

w

sta - ble place suf - ficed

the bleak

mid

-

win

œ œ œ

˙

w

œ

-

˙

œ œ

œ œ

œ œ

the

Lord

God in

œ

œ.

the

Lord

œ

œ œ

the

-

-

œ œ œ J

ter,

F œ

to reign: in

stain;

˙

œ œ

˙.

œ

˙

œ œ

car

˙

-

nate,

˙

God in

car - nate,

œ œ

œ œ ˙

Lord God in

w

reign:

œ œ

w

sta - ble place suf - ficed

œ œ œ œ

to

su

œ

w

˙

˙

˙

in

j œ w

comes

earth

œ œ œ œ

œ

when he

nor

œ

reign:

œ.

œ

œ

F œ

˙.

when he comes

˙

˙.

w

to

œ

œ

˙.

œ

œ œ

comes

œ

a - way

œ

œ

˙

j œ ˙

œ.

œ ˙

œ

b & b bb Ó

˙

˙

b & b bb œ œ

the

œ

œ

˙

bb &bb œ œ

˙.

˙.

bb & bb Ó

in

œ

œ

œ

the

˙

œ

bb œ œ & bb

bbF b & b œ.

œ œ J

œ

œ ˙

30

30

S1

flee

him,

30

Vln.

œ

w

hold

Fl.

œ

earth shall

heav'n

stain;

A2

œ

œ

˙

˙

œ.

stain;

b & b bb

œ

w

stain; S2

œ

w

25

S1

œ

car - nate,

˙.

Je -

œ -

-


6

In The Bleak Midwinter

bb & bb

36

Fl.

bb & bb

36

Vln.

˙

œ œ

w

˙

˙

w

b & b bb ˙

f> œ ˙

36

S1

Je S2

-

A2

b & b bb

-

-

œ œ œ œ

Je -

bb &bb -

˙

-

w

sus

b & b bb œ œ œ . Je

A1

œ œ

-

Christ.

An -gels

sus Christ.

-

˙

œ œ

˙

- sus Christ.

w

sus

Christ.

>œ œ

>˙

œ

œ ˙ > œ ˙ >

œ

An -gels

and

˙ >

Ó.

bb & bb

Œ

b b b >œ . Jœ œ b &

S1

œ

che - ru - bim and

S2

b > & b b b œ . Jœ œ

œ

j bb & b b œ. œ œ >

œ

che - ru - bim and

A1

che - ru - bim and

A2

&

bbbb

j œ. œ œ >

œ

che - ru - bim and

>œ . œ >œ œ J se - ra - phim

>œ . œ >œ œ J

se - ra - phim

>œ . œ > Jœ œ

se - ra - phim

j œ. œ œ œ > >

se - ra - phim

˙

œ œ

˙.

throng - ed the

œ.

throng - ed

the air;

œ.

j œ ˙

throng - ed

œ œ

˙

throng - ed

j œ œ

œ

have ga - thered

œ

œ

˙.

P

P

F œ

air;

j œ w

œ œ

œ

œ

œ

arch - an - gels may have

bb & bb

42

œ œ J

have ga - thered

œ.

œ œ >

but

œ

F œ.

the

air; but

˙

œ œ

˙

air;

ga - thered

œ

œ

œ œ

F œ œ-

the

œ

œ

w

but

˙

œ

have ga - thered

œ.

> œ œ

42

Vln.

œ œ J

and arch - an - gels may

42

Fl.

œ.

and arch - an - gels may

An -gels

f

>˙

œ

An -gels

f

>œ œ

and arch - an - gels may

f> œ ˙

j œ w

>˙

œ

œ

his

œ

mo - ther

j œ œ œ his mo - ther

œ œ his

œ œ

mo - ther

F ˙

but

w there,

˙

˙

there,

w there,

w there,

œ ˙

œ

˙.

œ

œ ˙

œ

on - ly,

in

˙

˙

on - ly,

œ ˙ on - ly,

˙.

œ

in

œ

his


7

In The Bleak Midwinter

bb & bb

48

Fl.

48

Vln.

&

œ

œ

œ

œ

˙ bbbb

˙

b & b bb œ œ œ œ b & b bb œ œ œ œ in her maid - en

A1

A2

bb &bb

mo

bb ˙ b & b

54

Fl.

-

˙

b b ˙. & bb

Vln.

b & b bb ˙

A1

A2

bb &bb b & b bb

with

-

-

w

poco rit.

w

poco rit.

w

a

kiss.

˙ n˙

a

œ

˙

kiss.

w

with

˙.

-

w

a

œ œ ˙

œ

˙

˙

œ œ ˙

˙

œ œ

˙

w

-

ed

with

œ œ

œ œ

˙

˙

˙

kiss.

œ ˙. a

œ J

œ œ

œ œ

wor

-

œ ˙.

w

with

˙.

shiped

w

kiss.

ly

œ œ œ œ

" b

a tempo

" b

a tempo

Œ

P œ œ œ œ P

a tempo P " b Nw

-

a kiss,

œ œ œ œ

œ œ ˙

˙

œ œ ˙

shiped the

œ œ œ œ ˙

kiss,

with

œ

wor

Œ

with

the be - lov - ed

˙.

a

œ œ œ . œj w

œ œ ˙

w

˙

with S2

w

wor - shiped the be - lov - ed

œ

on

˙

b & b bb œ œ ˙

œ œ

œ.

poco rit.

˙

˙

w

˙ œ

œ œ

wor -shiped the be - lov

54

S1

œ œ

w

ther

˙

˙

bliss,

bliss,

˙

54

œ

˙.

her maid - en

˙

œ

bliss,

b & b bb œ œ œ œ

œ

œ w

˙

her maid - en S2

œ

w

˙

48

S1

œ

˙

Œ Œ

˙

be

-

a kiss,

lov - ed

œ œ œ œ

w

œ œ œ œ

w poco rit.

˙

˙

˙

œ œ

w

˙

˙

œ œ œ œ

˙

˙

˙

˙

˙

w

˙

˙

˙

˙

w

Ah

P " b Nw

Ah

P " b w "

Ah

P b ˙

Ah

˙

˙


8

In The Bleak Midwinter

61

Fl.

& b 61

Vln.

& b

S2

P & b œ.

What can I

œ œ œ J can I

P & b œ.

j œ œ œ

What

A2

a tempo

What

A1

P &b Œ œ œ œ œ œ ˙

61

S1

j œ œ œ

What

give

him,

˙

˙

give

him,

can I

him,

˙

œ œ

Fl.

Vln.

& b

Œ

67

S1

&b œ œ

œ

I would S2

&b œ œ

A1

œ. I

A2

&b

˙ I

j œ

a

œ

would bring, I'd

˙ would

lamb;

j œ ˙

bring

œ

P

˙.

bring a

œ.

I would

&b

œ

as

as

˙

I

as

I

œ œ œ J

Œ œ œ œ œœ œ œ œ œ

˙

If I were a

œ œ œ J

w

œ.

am?

If

˙

œ.

j œ œ œ

If

I were a

œ.

j œ œ œ

˙

am?

w

am?

˙

I were a

If

I were a

shep

-

herd,

˙

˙

shep - herd,

˙.

shep

œ

-

herd,

œ œ ˙

shep - herd,

œ

P œ. œ œ œ J

˙

œ œ ˙

œ.

œ J

F œ œ. œ œ œ J

œ œ ˙

œ.

wise man,

I

˙

œ œ

œ œ

I would

do my part;

œ œ

˙.

œ œ œ œ

If

˙

lamb;

œ œ ˙

bring a lamb;

œ œ ˙

I

œ œ

poor

>œ

˙

I

j œ œ œ

œ.

67

am?

as

poor

him,

poor

œ œ œ œ

67

& b

˙

poor

give

give

œ œ œ œ œ.

œ œ œ œ

can I

P & b œ.

˙

bring a lamb;

I were a

F j œ. œ œ œ If

I were a

F j œ œ. œ œ If

F œ

If

I were a

œ

œ œ

I

were a

wise

˙ man,

œ

œ œ

˙.

œ œ

˙

˙

œ J œ œ

˙

˙

would do my part;

˙.

˙

œ œ

œ œ

wise

man,

I would

do my part;

˙

˙

œ œ œ œ wise

man,

I

would

œ

yet

œ

yet

œ yet

do my part; yet


9

In The Bleak Midwinter

73

Fl.

& b 73

Vln.

& b

œ.

p œ

œ

œ.

œ

œ

œ

œ

w

œ

œ

œ

œ

w

j œ œ

œ œ

œ

œ

œ

œ

I

I

give

him,

give

œ œ J

œ

˙

˙

œ

P œ.

I

give

him,

j œ œ

œ

˙.

I

I

give

œ.

j œ œ

œ

˙

p

P & b œ.

&b

œ

œ œ

I

P

what A2

œ

˙ œ

P & b œ.

&b

œ

˙ œ

what

A1

œ

œ

what

S2

œ

œ

œ

73

S1

œ J

what

I

can

can

can

can

I

my

œ

j œ w my

j œ œ

œ.

him,

œ

give

him,

heart,

my

heart,

77

Fl.

& b

Ó

Ó

77

Vln.

& b

P b & ˙

77

S1

what

S2

P b & ˙

what

A1

P b & ˙

what

A2

&b

P ˙

what

rit.

˙

˙

˙

I

can

I

˙

˙.

œ

w

I

can

I

give

˙

˙

˙

can

I

˙

˙

can

I

I

œ I

œ

˙

˙

˙.

œ

give

˙

give

˙

give

my

˙ ˙ ˙

w

my

w

my

˙

w

˙

give

heart,

˙

my

˙

˙

w

heart,

œ.

give

œ

give

œ J

˙

my

pU w heart.

pU w

heart.

pU w

heart.

pU w

heart.

U ˙

π U ˙ π


10

Flute - In The Bleak Midwinter Mark D. Templeton

œœœ œ œœœ œ œ œ œ œ w Œ &b c Œ P 10 œ. œ œ œ ˙ ˙ ˙ œ œ œ. œ ˙ ˙ J J &b P œ. œ œ œ ˙ J &b p

œ ˙ bb b œ œ œ & b 24

bb &bb 31

œ ˙ 7

bb &bb 38

51

&

bbbb

œ

˙

œ œ

œ œ œ. œ w J

˙

17

œ œ œ œ ˙

œ œ œ œ

˙

œ œ

œ œ œ œ œ œ ˙ Ó. P ˙

˙

œ œ w

8

œœœ œ œ œ œ œ w b Œ & 58

72

&b

˙.

œ œ œ . œJ œ p

˙

˙

œ œ

˙

˙

˙

œ. œ œ œ J P

œ œ œ. œ w J

© 2006 by Mark Templeton at www.MTchoralmusic.com

œ

œ œ œ œ œ

œ œ ˙. ˙

œ œ œ œ œ ˙ ˙

œ

œ œ œ œ œ œ ˙ Œ P

œ œ ˙

œ œ ˙

œ œ œ œ ˙.

˙

bbbb Ó ˙

œ . œJ œ œ p

4

Tenderly {q = c 80}

œ œ w œ œ œ œ ˙ œœ œ b Œ œ P

w

a tempo

poco rit.

˙

˙ 4

œ œ œ œ Ó

π


11

Violin - In The Bleak Midwinter Mark D. Templeton

Tenderly {q = c 80}

œœœ œ

&b c Œ 9

&b 16

&b

˙

P

˙

˙

˙

œ

œœœ

p

œœ œ œ œ œ

b b ˙. b & b

œ

˙

˙

w

b b ˙. &bb

œ

˙

˙

w

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© 2006 by Mark Templeton at www. MTchoralmusic.com

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Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templeton’s music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request.

Other choral music composed and arranged by Mark Templeton SATB, a cappella SATB, Soprano Solo, & Organ/Piano SATB, Soprano Solo, & Piano or String Quartet Double choir (SATB, SATB) & Organ/Piano SATB & Piano (also available for SAB) SA(T)B, Flute, & Piano TTBB, a cappella TTBB, a cappella SATB, a cappella SSATTB, a cappella SATB, a cappella (larger work) SATB divisi, a cappella (larger work)

For more information about these songs and other compositions by Mark Templeton visit www.MTchoralmusic.com


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