Missa Brevis - for TTBB chorus, a cappella - by Mark Templeton by Mark Templeton

MTN043

US $6.99

for TTBB chorus, a cappella

Composed by

Arranged for and the

ÂŠ 2015 by Mark Templeton at www.MTchoralmusic.com

REX, REQUIEM……………………………………………………………………………………….5 Rex, requiem Ricardus da, pater atque pius rex.

O King, give Richard thy rest, Father and King.

Lex, legume vitam aeternam ilida, quia tu lex.

O Law, give him the eternal life of law, For thou art Law.

Lux, lucem semper concede illi, bona qui es lux.

O Light, give ever unto him thy light, For thou art Light.

Pax, pacem illi perpetuam dona, es quoniam pax.

O Peace, give unto him eternal peace, For thou art Peace. Angilbert (c. 740-814)

II.

KÝRIE……………………………………………………………………………………………..……8 Kýrie eléison Chríste eléison Kýrie eléison

III.

PSALM 23……………………………………………………………………………………………..11 1. 2. 3. 4. 5. 6.

IV.

Lord have mercy Christ have mercy Lord have mercy

The Lord is my shepherd; I shall not want He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.

SÁNCTUS……………………………………………………………………………………..………14 Sánctus, sánctus, sánctus, Dóminus Déus Sábaoth. Pléni sunt coéli et térra glória tùa. Hosánna in excélsis. Benedíctus qui vénit in nómine Dómini Hosánna in excélsis.

Holy, holy, holy, Lord God of Hosts. Heaven and earth are full of thy glory. Hosanna in the highest. Blessed is He who comes in the name of the Lords Hosanna in the highest.

A PRAYER OF ST. BENEDICT…………………………………………………………………….18 O Gracious Holy Father, give us Wisdom to perceive thee, Diligence to seek thee, Patience to wait for thee, Eyes to behold thee, A heart to meditate on thee, And a life to proclaim thee; Through the power of the Holy Spirit, Of Jesus Christ Our Lord, Amen. St. Benedict of Nursia (c. 480-547)

VI.

VII.

AGNUS DÉI………………………………………………………………………………..………….21 Agnus Déi, qui tóllis peccáta múndi: miserére nóbis.

Lamb of God who takest away the sins of the world, have mercy upon us.

Agnus Déi, qui tóllis peccáta múndi: miserére nóbis.

Lamb of God who takest away the sins of the world, have mercy upon us.

Agnus Déi, qui tóllis peccáta múndi: dóna nóbis pácem.

Lamb of God who takest away the sins of the world, grant us peace.

THE CHORISTER’S PRAYER……………………………………..………………………...…….25 Bless, O Lord, us Thy servants who minister in Thy temple. Grant that what we sing with our lips we may believe in our hearts. And what we believe in our hearts we may show forth in our lives. Through Jesus Christ our Lord. Amen. The Choristers' Prayer is attributed variously to Sir Sydney Nicholson (1875-1947), the RSCM's founder, or to Cosmo Lang, Archbishop of Canterbury (1928-42)

The term Missa Brevis translates as “short mass.” It is derived from the mass of the ordinary (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei) but with some movements removed. Many composers from the renaissance to the modern era have composed settings of “short masses.” The nucleus of my setting, the Kyrie, Sanctus, and Agnus Dei, is taken from the Missa XVII Adventus et Quadragesima (Mass for Advent and Lent – found on the following page). Each of these three movements includes an incipit (intoning chant) before each phrase mirroring the original chant. Regardless of differing performance practices, the diamond shaped notes of the incipits should be sung slightly faster than the round notes. All three movements contain changing meter but the measures have no written time signatures. This should help to visually create fluid chant-like phrases without always feeling a strong beat at the beginning of each measure. The bookends of the mass, Rex, Requiem and The Chorister’s Prayer, are identical musically except for the Amen section of the latter. Both movements were composed in memory of a mentor and dear friend of mine, Dick Young. The text Rex, Requiem, originally titled Epitaphium Angilberti (The Epitaph of Angilbert), was written by Angilbert (c. 740-814) for his own headstone. I have substituted the name Angilberti for the Latin translation of Richard, Ricardus, to pay homage to my friend. Although this mass was not intended to be a requiem, the first movement lends itself to that genre. One can personalize the Rex, Requiem by replacing a different name as I did, or the movement can be omitted altogether. The Anglican-chant style of Psalm 23 and the anthem, A Prayer of St. Benedict, compliment the overall ethos of the mass. All the movements are quiet reflective settings that can be sung individually but are best performed together. This Missa Brevis is suited well for a liturgical service and equally for a concert performance. The vocal lines are fluid, and the ranges are conservative making this an easily accessible work. Your choir will thoroughly enjoy singing this reverent setting.

Missa XVII Advéntus et Quadragésima

MARK TEMPLETON, born 1974, is an American choral composer, conductor, and countertenor. Templeton’s music has been described by the Boston Music Intelligencer as “charming and entertaining, playing with homophony and polyphony, and having a winning way with neo-romantic sweet dissonances.” Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. His music for men’s voices, including When I Hear Her I Have Wings, has been performed across the world at various international festivals and ACDA conventions. Templeton is also a sought after performer and clinician. He currently sings countertenor with Vox Populi, Delaware's professional chamber choir. He resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States, where he is the director of choral activities, music theory, and music composition. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request. Image on front cover: back door to St. John’s Episcopal Church, Charleston, WV.

In loving memory of Dick Young

I. Rex, Requiem

Text: Angilbert (c. 740-814) Epitaphium Angilberti

Slowly h = 50

Tenor 1

# # # 4Pw V 2

˙-

Rex,

Tenor 2

# # # 4P V 2 w

˙˙-

Rex,

Bass 2

Rex,

Organ optional

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F ### ˙ . V

# # # F˙ .

F ? # # # ˙˙ .. pa

F ? ### œ œ ˙

pa - ter

# # ˙. V # ˙˙ .. F ? # # # ˙œ . œ ˙ 5

˙-

˙˙

ww ..

˙ ˙

˙ w

˙-

que

pi - us

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˙-

ter at - que

pi - us

œœ ˙œ œ ˙œ œ

˙˙ .

ter at - que

at - que

œœ ˙œ œ œ œ œ˙ œ œ œ˙ œ œ˙ œ

w rex.

us rex.

˙-

˙˙

˙˙˙ .

˙˙ œ ww w

pi - us poco rit.

œ œ

car

˙-

œ œ

car

œœ œœ

œœ œ

w˙

rex.

P w

Lex,

a tempo

w˙

P w˙

dus,

˙-

car - dus

n ˙-

œ œ ˙-

˙-

˙˙

car

dus

˙ ˙ ˙

˙˙

n ˙˙

˙˙

œ˙ œ

w˙

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œ œ

car - dus

dus,

n˙

œ œ

le - gum vi - tam

œ œ ˙˙

car - dus

˙-

le - gum vi - tam

œ œ

le - gum vi - tam

˙-

le - gum vi - tam

Lex,

P ˙

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Lex,

dus,

car - dus,

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a tempo

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car

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poco rit.

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re - qui - em

ter at

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re - qui - em

œ ˙

re - qui - em

P ? # # # 42 w P ? ### 4 2 ˙

re - qui - em

Rex,

Bass 1

Mark D. Templeton (b. 1974)

for TTBB chorus, a cappella

œ œ ˙ae -

œ- œ

ter - nam

˙-

ae -

ter - nam

œ œ ˙-

ae -

˙ ae -

˙ ˙

ter - nam

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n ˙˙

œ˙ œ ˙˙

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œ œ ˙ ˙ ˙

˙˙

I. Rex, Requiem

poco rit.

### ˙ .

œ œ

qui - a

lex,

œ œ

qui - a

lex,

œ œ

qui - a

lex,

lex.

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da,

qui - a

# # ˙. V # œ œ ˙ œ ˙˙

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w˙

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li da,

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de,

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con

n ˙-

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a tempo

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a tempo

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F œ œ ˙ li

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bo - na

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I. Rex, Requiem

poco rit. 17

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˙ es

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U ˙ œ ww

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lux.

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qui

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poco rit.

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es lux.

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cem

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P ? # # # ˙-

P ? # # # ww do 21

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˙-

na,

quo - ni - am

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quo - ni - am

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pax.

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per - pe - tuam

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rit.

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II. Kyrie ###

Freely

Cantor or Small Section

### p ˙ V 2

Slowly

h = 60

Ky - ri

### p ˙ V

p ? ### ˙

Ky - ri

? ### 2

Organ optional

V 8

w˙ ..

Ky - ri

˙ p

˙˙

? ### ˙w . ˙ . 7

Can.

###

p ˙

Ky - ri

˙ -

Freely

h = 60

Chri - ste

# # # F˙ wV F ? ### ˙ w

Chri - ste

˙ -

w w

œ aœ ˙

˙w n ˙ ˙˙

i - son.

- le -

- i

w˙

n ˙-

son.

- i - son.

˙ w˙ .

˙ n˙ n˙

- le -

œœ

n˙

œ ˙

- i - son.

- le -

œœ a œœ ˙ w ˙

œ w- .

wœ œ œ œ ˙œ œ œ

˙˙ n ˙˙ w

œ w-

wœ œ ˙ -

- le -

˙ n ˙˙

n W˙ w .

˙ n ˙˙ n ˙˙

œ ‚ ‚ ‚ œ ‚ ‚ œ œ œ œ w w

- le

i - son.

p ˙ œœœ œ œ œœ ˙ ˙ ˙ ˙

-˙ œ œ w

p ˙ ˙ ˙

˙ œœ˙ ˙

˙ œ w. -

F ? # # # ˙ ˙- œ œ ˙w ˙ ˙ w

## ˙ w ˙˙ ˙œ œœ ww˙ ˙ V # ˙˙ ww F ? ### ˙ ˙ œ œ ˙ ˙ w w ˙ w 8

e -

Chri - ste

e -

- le

œ œ œ œ œ œ œ ˙

e -

-˙ ˙

e -

œ œ œ

œ œ ˙

# # # F˙ w-

Chri - ste

Slowly

e -

˙˙

e -

œ œ œ ww -

˙˙

œ ‚‚‚œ ‚ ‚ œ œ œ œ w

œ œ œ œ ˙.

### œ ˙

Chri - ste

Mark D. Templeton (b. 1974)

for TTBB chorus, a cappella

œ a œ ˙ œ w-

n˙ i

˙ ˙ -

son.

nw.

son.

˙ ˙ -˙ ˙

i - son, e - le - i

p ˙w n ˙ wœ œ ˙ œ ˙ ˙ n ˙ n ˙˙

˙ ˙ ˙ ˙

˙˙ wœ œ œ œ œ˙ œ œ w˙ . ˙ ˙ n ˙˙ p w˙˙ n ˙˙ wœœ a œœ ˙˙ œœ w˙ ˙ n ˙˙ n ˙˙˙

n Ww .

i - son, e - le - i

n w-

˙˙ ˙˙ ˙˙ ˙˙

son.

n w-

son.

n Ww n ww

U ww

II. Kyrie 14

Can.

###

œ œ œ ˙

Slowly

h = 60

P ? ### ˙ w Ky - ri

###

Ky - ri

˙ P # ? ## ˙ ˙ V

Can.

###

p œ w

œ ˙

˙w

˙˙ ˙˙w

˙ w

œ œ

ww˙

wœ œ ˙

œw œ ˙

œ œ ˙

œw œ ˙ œww ˙

˙ œ œ

Ky - ri - e h = 60

˙˙ wœ œ p œ ˙˙w n ˙˙

œ œ ˙

œ aœ ˙

œ w-

le -

n˙

- i

le -

- i

le -

œ œ ˙œ œ œ w˙ . ˙ œœw a œœ ˙˙

œœ ˙w

˙.

œ w

œ œ w

F ? ### ˙

Ky - ri

F ? ### ˙ ˙

˙ w

wœ œ ˙

˙w

˙˙

w˙ ˙

ww˙

wœ œ ˙

˙ w

son.

W U

n W˙ w . wW u

œ ‚‚‚œ ‚‚ œ œ œ œ w

œ œ ˙

Ky - ri

˙ n ˙˙ n ˙˙

p ˙

˙.

son.

˙ n ˙˙

- i - son.

n ˙- w .

œ ˙ ˙ n˙ n˙

### F ˙ V

˙ ˙

## V # ˙ F # ? ## ˙ ˙

œ w- .

- i - son.

p ˙

Ky - ri

le -

- le

e -

wœ œ ˙

(e)

i - son.

p ˙w n ˙

œw œ ˙ ww

p ˙ ˙

œ œ ˙

œ œ w

p ˙ œ œ œ œ œ œ œ ˙ ˙ ˙ ˙

˙ w

œ w

˙ -

œ ˙ œ œ

Slowly

Freely

### F ˙ V 22

P ? ### ˙ ˙ ˙ w ˙ ˙ w œ œ 15

### P ˙ ˙ ˙ . ˙ V Ky - ri

### P ˙ ˙ w ˙ V Ky - ri

œ ‚‚‚œ ‚ œ œ œ œ w ‚

Ky - ri - e

œ œ ˙

Freely

i - son.

(e)

œ w

(e)

œ œ w

œ ˙

p œ w.

œ œ ˙ œ ˙

(e)

œ œ

wœ œ ˙

œw œ ˙

œww ˙

p ˙ ˙ w.

œw œ ˙

˙w

˙˙

w˙ ˙

˙w w

œw œ ˙

wœ œ ˙

(e)

˙ p ˙ w.

œ œ

œw œ ˙

wwœ ˙

II. Kyrie

## ˙ V # 26

### ˙ V e

? ### w e

œ œ œ œ œ œ œ ˙ -

˙ -

? # # # ˙w n ˙ e

## ˙ V # ˙ 26

? # # # w˙˙

œ aœ ˙ -

le -

œ ˙ -

le -

˙w .

œœ

˙w

œ wœ a œœ ˙˙

˙ - i

son.

˙ n ˙-

˙ n˙

- i - son,

˙ n˙ -

e - le - i

˙-

e - le - i

- i - son,

W ˙

le -

wœ œ œ œ ˙œ œ œ

n ˙˙

œ w- . -

œ w-

wœ œ ˙ -

e - le - i

n w-

son.

W w

son.

˙˙

W ˙

n˙

n Ww

n ˙˙

˙˙

nW W

W -

W W

III. Psalm 23 Mark D. Templeton (b. 1974)

for TTBB, a cappella In the style of Anglican Chant

### f w V

T1 T2

1. The

? ### w w f

B1 B2

# # # pw w V

˙˙

Lord is my

˙˙

ww ˙ ˙ ˙˙

w w

˙˙

### F ww V

? ### w w F

w w p

˙˙

w w

œœ ˙˙

˙˙

˙ ˙

œ œ

˙˙ . . P

want.

ww ˙˙ ˙˙

˙˙

˙ ˙˙ ˙

œ œ

˙˙ ˙ ˙˙ œ˙

ww P

œ œ

˙˙ ˙˙ ˙˙

F wœ ˙ .

(normal time)

˙˙

˙˙ ,F ˙˙ ..

˙˙ œœ

˙˙ . . F

œ œ

˙˙ of

death,

˙˙

˙w F ˙˙

˙ poco rit.

˙˙

staff they

˙ ˙

˙˙

ww (normal time)

œœ œœ

w w F

be - side the still waters.

He leadeth me in the paths of righ- teous - ness for his

I will fear no evil: for thou art with me; thy rod and thy

not

He lead - eth

Fw w

P ww

, p ww

shall

(chanting)

4. Yea, though I walk through the valley of the sha - dow

ww p

˙w

P ˙˙ ..

in green pastures;

˙˙

˙œ œ ˙˙ ˙˙

œœ ˙˙ ..

soul:

# # # pw Nw V ? ###

w w F

˙˙ ˙˙

3. He re - storeth my

? ### w w f

˙ ˙˙

2. He maketh me to lie down

### f w V

shepherd;

(normal time)

? # # # ww p

Fw w

w w

˙˙

com - fort

˙ ˙

˙˙

poco rit.

ww me.

w w

˙. #˙

name's sake.

˙˙

III. Psalm 23

f w

###

˙˙

w w

˙˙

5. Thou preparest a table before me in the presence of mine enemies:

? ### V

# # # Fww

w w f

, œ ˙ œ œ œ ˙˙

Thou anointest my head with oil; my

cup

, œ ˙ œ ˙

? ### w w F

# # # P˙ . ˙. V

˙˙

(normal time)

œœ ˙˙ ..

run - neth

˙˙

˙ ˙

ov - er.

˙ ˙

œ˙ ˙ . ˙ (normal time)

œœ

˙˙

wœ ˙ .

6. Surely goodness and mercy shall follow me all the days of

life:

˙˙

˙w

? ###

˙. ˙. P ### P ˙˙ .. V

œœ œ œ

˙˙

house of the

˙˙

˙ ˙

˙˙ ˙˙

˙˙

p ww

Lord

for

rit.

˙ ˙

rit.

˙˙

Glory be to the Father and to

? ### w w f

œ œ

And I will dwell in the

? ### ˙ . ˙. P ### f w V

˙˙

w w

the

Son,

˙˙

ww -

er.

w w p Fw w

˙œ œ ˙˙

And

the

˙˙

w w F

w w (normal time)

˙˙

Ho - ly

˙˙

œ˙ ˙ . # ˙ Spi - rit.

˙˙

III. Psalm 23

# # # Pw Nw V

(normal time)

˙˙ ˙˙

As it was in the be - gining is now and ev - er

? ###

ww P

### F ˙˙ .. V

ww œœ ˙˙

World with - out end.

? ### ˙ . ˙. F

œ œ

˙ ˙

˙˙ , ,

A -

˙˙

rit.

shall be,

˙˙ ˙˙

rit.

˙˙

œœ ˙˙ ..

˙w -

˙ ˙

˙ -

˙˙ p U ww

- men.

˙˙

ww p

IV. Sanctus Mark. D. Templeton (b. 1974)

for TTBB chorus, a cappella

Freely

? ### ˙ ˙ œ w

Cantor or Small Section

San

# # # pw . V 5

Slowly

###

p Ó ˙ ˙ ˙

Sanc -

Sanc

p ? ### Ó w

Organ optional

Sanc

# # w. V # Ó ˙ ˙ ˙˙ p # ? ## Ó w ˙ w.

###

- tus,

˙- ˙

˙ ˙ tus,

w˙ ˙ w˙ ˙

Do - mi - nus

? ### W W

## V # W˙ w . ? # # # wW W

F Ó ˙- ˙ ˙ F w-

Do - mi - nus

Sanc

˙ ˙

w ˙

De -

˙w ˙ ˙w.

mi - nus

˙˙

˙˙ ˙˙

w ˙

˙˙

œ˙ œ w˙

- us

˙. - us

˙ œ œ œ œ ww ˙

tus,

Sanc

U w

p Ó w

tus,

Sanc

tus,

Sanc

˙œ œ ˙˙ U w˙ ˙ w ˙ u w

f ˙ w Sa

œ œ ˙

f œ ˙ ˙ ˙ -

˙˙

˙w

f ˙˙ . ˙ œ w ˙ ˙

˙ -

˙˙

œ˙ œ ˙˙

- tus,

tus,

˙ ˙

w -

˙- ˙

tus,

˙. œ w

tus,

˙w ˙ w˙ ˙ w˙˙ . œ ˙

w w

p œ œ ˙ ˙ U w -

˙.

œ œ ˙ -

˙˙ .

pU œ w

pU w

oth.

w -

˙ -

œ ˙.

˙ -

poco rit.

ba - oth.

˙ ˙ w

w. ˙ Ó ˙ ˙˙ p Ó ww . ˙

p Ó w.

˙ ˙ w

˙ ˙

Sanc -

f˙ ˙ ˙

p U ˙ ˙ œ ˙ œ Ó ˙ ˙ ˙

œ w˙

- us

p w.

- tus,

- us

œ œ w ˙

œ œ œ œ w

˙ ˙

w ˙ Ó P Ó ˙

F Ó ˙ w

Sanc

W˙ w .

˙-

De -

w˙˙ . œ wW ˙ W u

w w

Do- mi-nus De - us Sa

w ˙ ˙ U

P Ó ˙ w

F Ó ˙- ˙ ˙

sanc - tus,

w -

Sanc

œ œ œ œ ˙ œ ˙ œ œ œ ‚‚œ œ w

P Ó ˙ ˙. œ w

sanc - tus,

Do - mi - nus

ctus

˙ ˙

P Ó ˙ w

sanc - tus,

tus,

Sanc -

˙ . œ w-

San

P w

˙-

tus,

˙ ˙ œ w

ctus,

? # # # w-

F Ó ˙- ˙ ˙

sanc - tus,

San

˙ ˙ w

p ? ### Ó w. 5

ctus,

h = 60

Sanc

œ œœ˙ w

w -

oth.

œ œœ ˙ ˙ œ U ww ˙. p U œ˙ œ ˙ w ww ˙ w

IV. Sanctus 17

œ œ œ œ ‚‚ œ œ œ œ ˙ ‚‚œ œ œ œ œ œœœœœ œ˙ œ œ œ w

? ### œ œ œ œ œ œ ‚ ‚ œ œ œ œ œ œw Freely

Ple- ni sunt

V V

### P w

Ple

## ˙ V # w P # ? ## ˙ . 20

### F w V

glo

sunt

˙ ˙

sunt

cae

˙.

? ### Ó

F ˙

glo

? ### Ó

F ˙

˙˙

w˙

˙ -

œ œ ˙

˙.

n˙

ple - ni

ple -

w -

w˙

nœ œ

- ni

œ œ

li,

sunt

cae

san - na

in ex - cel - sis.

ter -

sunt

cae

ter

n ˙w

a ˙˙

˙w.

œ œ

˙.

œ œ ˙

glo - ri - a

- a,

˙˙ w˙

glo - ri

˙ a

˙w

˙œ œ

œ˙ œ ˙˙

˙ -

˙. - a.

˙˙ .

˙ œ ww

˙ ˙

˙˙ .

W˙

f˙

f œ Ho

˙˙

f w ˙

f ˙

˙˙ œ œ˙ œ

˙ œ

œ w

ter - ra

ter

- a.

œ œ œ

˙.

˙ œ ˙

glo - ri

- ra

˙˙ .

tu -

sunt cae - li

œœ œœ ˙˙ œ œ

œ ˙ a˙

- a,

nœ œ

tu - a.

œ œ ˙

- a

glo - ri -

˙˙

glo - ri -

˙ œ

ri -

## V # Ó

cae - li,

sunt cae - li,

œ w

œ w˙

glo - ri - a

cae

F ˙

## V # wÓ F # ? ## Ó

ni sunt

˙ ˙.

Ple

Ple - ni

P ? ### w

ter - ra

h = 60

# # # P˙

Slowly

P ? ### ˙ .

cae - li et

w -

œ œ ˙ ˙

˙ -

˙˙

˙w

œ˙ œ ˙˙

IV. Sanctus 28

### ˙ -

## . V # ˙ -

? ###

san

œ œ ˙ -

san

˙.

## ˙ V # ˙.

san

P˙ ˙

na,

P œ w

nœ œ

P ˙

## V # wÓ P ? ### Ó

Be - ne -

œ œ ˙

˙.

ho - san -

œœ œœ ˙˙

˙w

˙.

- dic

tus

qui

tus

dic - tus

- dic - tus

qui

w˙

˙w

˙ a˙

w˙

nœ œ

˙˙

˙w

ex - cel

sis.

W˙ w . U

œ œœ œœ ww

san - na

qui

˙ F ˙

F Ó ˙

nit

˙˙

˙œ œ ˙˙

w˙

œ˙ œ

w ˙

w w

ve - nit

nit

in ex - cel - sis.

F w

œ œ ˙

œ œ œ œ ‚‚ œ œ œ œ ˙ ‚‚œ œ œ œ œ œ w

w˙ .

- cel - sis.

in ex - cel

˙˙ . ˙ œ ˙ a w˙

a˙

˙-

œ œ

sis.

œ œ œ

œ œœ n w˙

in no - mi - ne Do - mi-ni.

san

w -

ex -

˙.

- san - na

œ œ

w˙

cel

- na in

n˙

ho -

œ ˙ aw

œ œ œœœœœ œ œ ˙

? ### Ó

˙ œ

- dic

? # # # Ó P˙

ne -

Be - ne -

h = 60

### Ó P V ˙

ho - san - na,

P œ ˙w ˙

˙w.

ho - san - na,

˙˙ .

Be - ne - dic - tus qui ve - nit

Slowly

œ œ ˙

na,

Freely

### P w V

œ ˙

na,

? ### œ œ œ œ œ œ œ œ ˙ œ 35

P ˙.

œ œœ ˙w

? # # # œ˙ œ ˙˙ 32

P ˙ ˙

œ w san

? ### ˙ 28

œ œ ˙

w Ó F Ó

˙ -

nœ œ no - mi -

F ˙

w˙

nœ œ

IV. Sanctus

### ˙ V

## V # ˙

? ### ˙

˙˙

## V # ˙˙

mi - ne

### w

## V # ˙

san - na,

? ### ˙

san - na,

? ### w

œ w

f ˙

mi - ni.

˙˙ .

˙ œ ww

˙˙

œ œ ˙

cel

œ œ ˙

˙.

ho - san -

n˙

w ho -

˙ œ

œ ˙ a˙

w -

san

˙.

œœ œœ ˙˙

˙˙ . ˙ œ ˙ a ˙˙

? # # # ˙w

n ˙w

œ œ

- na, ho - san - na

- san - na,

œ œ ho

˙˙ .

f w ˙

˙ ˙

## w V # ˙ 43

˙ ˙

˙w.

œ œ ˙ -

˙ -

˙˙

˙w

œ˙ œ ˙˙

san

˙˙ .

san

˙w.

ex -

ho-san- na

˙˙

W˙ w .

œ œ˙ œ

ww .

œ œ œ w.

- cel

w. cel

cel

˙w .

w w.

œ ho -

˙ ho -

na,

˙˙ .

P œ ˙w

sis.

pU W sis.

n Ww w ˙

˙ -

P œ w

pU W

W -

na,

œ œœ ˙ w

œ˙ œ ˙ ˙

P ˙. P˙

˙. -

na,

P ˙

œ w -

˙.

œ œ ˙

f œ ˙

˙.

Do - mi - ni.

˙œ œ

œ˙ a œ ˙˙

? # # # ww 43

f˙

mi - ni.

œ aœ ˙

œ œ ˙.

? ### w

mi - ne

pU W sis.

W W p

W W

˙ œ ˙

V. A Prayer of Saint Benedict for TTBB chorus, a cappella

Text by St. Benedict (480-547 C.E.)

With Devotion h = 66 Tenor 1

### 4 P V 2 w O

Tenor 2

### 4 P V 2 w P ? # # # 42 w

P ? ### 4 2 w

w w

? ### ˙

? # # # ˙-

## ˙ V # ˙

? # # # ˙˙

cieve thee,

˙-

˙˙

˙˙ ˙˙

Ó Ó

P œ- œ ˙ .

ho - ly

˙- .

P ˙-

Di -

˙.

œœ œœ ˙˙ ..

˙. ˙.

Fa - ther,

œ ˙-

ly Fa - ther

˙-

˙ ˙.

˙ œ ˙˙

˙˙

˙˙ .

œ ˙˙ ˙

˙˙

ho - ly

œ œ œ to

œ ˙

˙-

F ˙

F w Ó

˙thee,

seek

li-gence

seek

œœ œ˙ œ

w˙

œ œ ˙

#˙. w

œ ˙ œ ˙

give

seek

œ œ # ˙- .

- li-gence

Fa - ther

œ ˙ œ ˙

F ˙

give

Di - li - gence

P˙.

ly Fa - ther

Di - li - gence

˙-

Pœ œ ˙.

cieve thee,

˙˙

cieve thee,

## V # ˙

˙-

gra - cious

## 4 V # 2 ww P ? # # # 42 w w

# # # ˙-

gra - cious

Organ optional

˙-

gra - cious

Bass 2

˙-

gra - cious

Bass 1

˙-

Mark D. Templeton (b. 1974)

give

F ˙

give

˙˙

wis

˙˙.

˙˙

Pa - tience

F w-

˙˙

F w˙

tience

˙w. w

to per -

œ œ

dom

to per -

œ œ

˙ -

dom

to per -

˙ . œ ˙ œ œœ œœ ˙˙

wait

Pa - tience

thee,

œ œ œ

w w

Pa - tience

thee,

˙.

to per -

œœ œœ

œ œ œ w- .

˙.

F˙

œ œ

dom

F˙

˙˙ . ˙ œ

œ ˙

wis - dom

œ w

œ w w

˙-

F˙

w˙

wis

˙.

thee,

˙- .

wait

œ œ w to

wait

œ œ˙ œ ˙

˙œ œ

ww. ww

˙ for

for

w for

w ˙ ww

V. A Prayer of Saint Benedict

P w- .

### W V 10

###

thee,

Eyes

P ˙-

W thee,

? # # # w-

thee,

? # # # wW

V V

### ###

poco rit.

w on

thee,

? ### w

p ˙ b˙

? ### w

p nw

p w

###

poco rit.

w˙

? # # # ww

be - hold

thee,

˙.

˙-

f ˙

œ œœ

˙˙

˙ ˙

œ œ

nw ˙

P œ œ ˙-

nw.

P œ œ w-

w. w.

p n ˙w

be - hold thee,

and a

n ww . . b˙

ww ..

Life,

and a

Life,

a tempo

˙w ww

˙ ˙

w- .

Heart

life

˙˙ ˙ a˙

˙w

˙ ˙

w w

˙˙

me - di - tate

˙˙

me - di - tate

˙-

œ œ w

pro - claim

w- .

pro - claim

˙˙

˙w .

˙ ˙

˙˙

˙ ˙

me - di - tate

˙ to

˙˙

˙ ˙

life

˙˙

me - di - tate

˙œ œ

w. w

w n˙

˙-

n w˙

˙ a˙

P œ œ wœœ œœ P œœ œœ

œ œ ˙

Heart

f ˙. ˙ œ

˙ to

Life,

P œ œ wand a

thee,

n ˙f œ

a tempo

p w thee,

n˙

Heart

˙.

˙w . w P N˙. ww ˙.

f ˙

œ n w-

Eyes

## V # W W

˙-

N˙.

P w-

to be - hold thee,

Eyes

? ### W

œ œ

P w-

f˙

to be - hold thee,

Eyes

thee,

œ œ

˙-

pro - claim

œ œ w ˙ w

V. A Prayer of Saint Benedict

### w V

F ˙.

###

thee.

Through

thee.

? ### w ? ###

Ó Ó

thee.

˙. Ó F Ó

? ### w w

# # # Ó P˙ V 24

P ? ### Ó n ˙ P ? ### Ó n ˙ ## Ó V # nw 24

? ###

pow'r

the

F œ

F œ-

œ œœ

˙-

Je - sus

the

pow'r

˙-

pow'r

Je - sus

˙-

Je - sus

w˙

n n ˙˙

˙˙

the

œœ

˙˙

œ œ

˙ w

pow'r

wChrist

Christ

˙. ˙

sus

n w-

our

Lord.

n w-

our

ho -

˙˙.

ho -

our

ho -

œ ˙ -

˙. -

Lord.

W Lord.

w. w

- ly

spi - rit,

- ly

˙-

- ly

nw.

A -

our

Lord.

n ww

aW W

n ww

n Ww .

W W

W Ó

˙˙

pU W

- men.

nw.

A -

- men.

pU W pU W

˙ nw.

˙˙

- men.

W A -

pU W

rit.

Ó Ó

spi - rit,

˙˙

A -

spi - rit,

Ó P ˙

˙ . œ ˙ œ œœ œœ ˙

spi - rit,

œ œ œ

˙ -

œ œ

˙˙ . ˙ œ

Christ

ho -

Through the

## V # ww

Through the

# # # n wV

Through the

thee.

F œ

˙.

W W p W W

˙ P Ó

VI. Agnus Dei for TTBB chorus, a cappella

Cantor or small section

A - gnus De - i,

Slowly

### P w.

### P w

P ? ### w . A

? ### P w. A

# # w. V # w P # ? # # ww ..

gnus

˙ ˙

gnus

### ˙ . V -

gnus

? ### w -

? # # # ww

tol - lis

De -

˙˙

w w

mun - di,

˙ œ˙ œ ˙

pec - ca - ta

F w

- i,

F Ó ˙ w -

- i,

qui

- i,

qui

FÓ ˙ w

W W

- i,

W˙ w . wW W

Pw Ó

-˙ w P˙

mun-di:

˙ œ œ w.

P Ó w

mun - di, mun - di:

˙ œ œ w.

P Ó w

mun - di, mun - di:

# W˙ w . ww

w˙ . w

˙˙ œœ œœ w . w.

Ó˙

P Ó

œ œ œ œ w-

f˙ ˙

tol

lis

pec

œ w-

- lis

pec

w - lis

œ œ ˙- ˙ f ˙- . -

˙ -

f w-

w lis

pec

œ œ w˙ ˙ ˙

f ˙w.

˙œ œ ˙œ œ ww ˙ ˙

˙w.

˙ ˙ ˙

se - re - re

˙˙

˙ ˙ ˙

œ ww

U -

˙ ˙ ˙

bis.

œ œ w-

˙ ˙ ˙

no -

se - re - re

˙˙

˙w ˙ ˙˙

- bis.

˙ ˙

˙ ˙ ˙ ˙

- bis.

˙- w .

œ˙ œ ˙

˙˙ w˙ ˙

no -

se - re

se - re - re

˙ ˙ ˙

w˙ ˙

pec

tol

˙ ˙ ˙

˙- ˙

tol -

˙w ˙

w ˙ Ó F Ó ˙

no - bis.

f˙- ˙

œ ˙

qui

mi -se - re - re

tol -

F- . Ó ˙ ˙

œ œ œ œœœœœ w

mun-di:

˙ ˙

qui

˙ w.

œ œ w

# ˙- w .

# # ˙ ˙ œ ˙w ˙ V # ˙. 10

De -

œw w

˙ ˙ ˙

˙˙

mun - di:

De -

# # # ˙ ˙ ˙- ˙ ta

˙ ˙ ˙

Organ optional

qui

h = 60

Mark D. Templeton (b. 1974)

œ ˙ œ œ œ œœœ œ w ˙ œ œ

## ˙ œ œœœw V # Freely

bis.

W˙ w .

wW W u

VI. Agnus Dei 17

Can.

Freely

A - gnus De

Slowly

### P V w A

P ? ### w A

? ###

P w

gnus

## V # ˙ ˙ P ? ### w w

˙ ˙ ˙

De -

gnus

? ### w -

˙˙

De -

? ### w -

? # # # ww

˙˙

- i,

W˙ w .

œ˙ œ ˙

wW W

mun -di,

qui

mun -di:

˙ œ œ w.

mun - di, mun - di:

˙ œ œ w.

mun - di, mun - di:

# W˙ w . ww

w˙ . w

˙˙

œœ œœ

ww ..

˙w

tol

lis

pec

f˙.

œ w-

- lis

pec

P w

- lis

œ œ ˙- ˙ -

f w-

tol

lis

pec

˙ ˙

œ œ w˙ ˙

f . w˙

˙œ œ ˙œ œ ww

˙ ˙ ˙

˙˙

˙ ˙ ˙

˙˙

˙ ˙ ˙

bis.

œ œ w-

˙ ˙ ˙

˙˙

w˙ ˙

˙ ˙

˙˙

- bis.

˙ ˙

se - re - re

- bis.

˙- w .

no -

˙w

œ ww

no -

se - re

se - re - re

˙ ˙ ˙

w˙ ˙

se - re - re

˙ ˙ ˙

P Ó

Ó ˙

P Ó w

œ œ œ œ w-

f˙ ˙

˙w.

Pw Ó

-˙ w P˙

w ˙ Ó F Ó ˙

bis.

pec

tol -

F Ó ˙- w

˙- ˙

œ ˙

qui

f˙- ˙

tol -

F Ó ˙- ˙ .

mi -se - re - re

qui

- i,

F Ó ˙ w -

œ œ œ œ œ œ œ œ w

mun-di:

˙ ˙

qui

- i,

# ˙- w .

# # ˙ ˙ ˙w ˙ V # ˙. œ 26

˙˙

pec - ca - ta

˙ w.

œw w

- i,

˙œ œ ww

mun - di:

œ œ œ œ œ œ œ w F w

œ œ w

# # # ˙ ˙ ˙- ˙

### ˙ . V

tol - lis

˙ ˙ ˙

qui

h = 60

œ ˙ œ œ ˙

œ œ œ œ œ œ w

### P V ˙ ˙ ˙ 20

###

œ˙ œ ˙

bis.

W˙ w .

wW W u

VI. Agnus Dei 33

Can.

V 36

### ˙

Freely

A - gnus De

# # # pw .

# # # pw V

˙˙

### ˙ . V ? ### w -

gnus

# # # ˙ ˙ ˙- ˙

gnus

# # w. V # w p ? # # # ww ..

gnus

p ? ### w . 36

gnus

˙ ˙

p ? ### w .

qui

tol - lis

Slowly h = 60

œ ˙

œ œ ˙

œ œ œ œ w

mun - di:

? ### w -

De -

˙˙

˙ œ˙ œ ˙

W - i,

mun -di,

- i,

wW W

˙- w

p ˙ do

p w

mun -di:

˙ œ œ w. ˙ œ œ w.

mun - di, mun - di:

# W˙ w . ww

w˙ . w ˙˙ œœ œœ

ww ..

p Ó

˙ -

lis

pec

œ w-

- lis

pec

lis

F w-

œ œ w˙ ˙

F ˙w.

œ œ ˙- ˙ F˙- . ˙ -

˙ ˙ ˙

pec

˙˙

˙ ˙ ˙

no - bis

pa -

œœ w

˙ na

pa -

˙ w.

- cem.

w. w.

˙ ˙

˙˙

W˙ w .

˙˙

œ˙ œ ˙

ww . w.

no - bis

˙˙

˙w ˙

˙ ˙

cem.

˙ ˙ ˙

w˙ ˙ ˙˙ ˙˙

bis

w˙

œ ww

˙ ˙ ˙

˙˙

˙ ˙ ˙ ˙

˙- ˙

pec

no - bis

˙ ˙ ˙

Ó ˙

˙w.

pw Ó

˙ ˙

cem.

F ˙- ˙

˙œ œ ˙œ œ ww

˙w

# # ˙ ˙ ˙w ˙ V # ˙. œ

F- ˙ ˙

w - lis

tol

w ˙ Ó P Ó ˙

œ œ œ œ w-

tol -

qui

W˙ w .

œ ˙

qui

tol

PÓ ˙ w

mun - di, mun - di:

qui

do - na no - bis

tol -

P Ó ˙- ˙ .

˙ ˙

P Ó ˙ w -

- i,

œ œ œ œ œ œ œ œ w

mun-di:

qui

˙ w.

pec - ca - ta

P w

œ œ w

# ˙- w .

˙ ˙ ˙

œw

? # # # ww

˙ ˙ ˙

œ œ œ œ œ œ œ w

cem.

w P ˙ A -

P w ˙

VI. Agnus Dei

P ˙

## V # Ó

P ˙-

###

A -

? ### Ó ? ### ˙ -

## V # Ó

A -

˙ -

W -

˙ -

n w-

˙- .

œ ˙-

- men,

œ ˙ -

- men,

˙.

œ a

a -

˙-

men,

˙˙

˙w

n Ww

˙. œ

˙ œ

˙˙ .

men,

? ### ˙

A -

P ˙.

pU W

molto rit.

˙.

œ w

˙- .

œ w

˙W ˙.

˙œ

- men,

w w œ

- men,

œ œ

men,

˙˙.

men,

˙ œ

w˙

pU W

men.

˙ a

men.

pU W pU W

men.

W W p

W W

In loving memory of Dick Young

VII. The Chorister's Prayer Text attributed variously to Sir Sydney Nicholson (1875-1947) or Cosmo Lang (1864-1945)

(Bless, O Lord, Us Thy Servants) for TTBB chorus, a cappella

Slowly with Devotion h = 54 Tenor 1

### 4 P V 2 w

˙-

Bless,

Tenor 2

Bless,

Bass 2

Bless,

Organ otpional

## V # 42 ww . P ? ### 4 w . 2 ˙

F ### ˙ . V 5

# # # F˙ .

F ? # # # ˙˙ .. mi

˙ ˙

˙-

Lord,

ww ..

˙ w

in thy tem

mi - ni - ster

œ ˙ # # ˙. œœ œœ œ V # ˙˙ .. F ? # # # ˙ . œ ˙ œ œ˙ œ œ

˙-

˙ ˙

ple.

œ ww

in thy tem

œ œ

˙-

in thy tem

ple.

œ œ œ œ

w˙

˙˙ . ˙

˙˙ œ ww w

œœ œœ

poco rit.

vants, thy

thy ser

œœ œœ

œœ œ

w˙

ple.

P w

˙-

Grant

P ˙

Grant

P w

Grant

aa tempo tempo

w˙

P w˙

n ˙-

œ œ

œ œ ˙˙˙-

œ˙ œ

w˙

œ œ ˙˙ ˙

œ œ

w ww

œ œ

who

vants, who

n ˙˙

that what we

˙˙

˙-

˙˙

that what we

ser

˙˙

that what we

œ œ

who

œ œ

ser - vants,

thy

that what we

Grant

P ˙

vants, thy

ser - vants,

vants, thy

thy ser - vants,

œ œ

˙-

a tempo

˙w.

˙-

œ œ

in thy tem

˙ us

poco rit.

ni - ster

Lord,

˙˙

us thy ser

œ œ

œœ ˙œ œ œ œ œ œ

œ œ

Lord,

œ ˙

ni - ster

us thy ser

œ œ œ œ œ

F ? ### œ œ ˙ 5

œ œ

Lord,

P ? # # # 42 w . P ? # # # 42 ˙

Bless,

Bass 1

### 4 P V 2 w.

Mark D. Templeton (b. 1974)

ser - vants,

who

˙˙ ˙

n˙

œ œ ˙-

sing

with our lips

œ œ ˙-

sing

with our lips

œ- œ we

˙ we

œ œ ˙-

sing

with our lips

œ œ ˙ -

sing

with our lips

œœ

n ˙˙

œœ

˙˙

œ˙ œ

œœ

˙˙

œ œ

˙ ˙

26 VII. The Chorister's Prayer

### ˙ .

œ ˙-

may

## V # œ œ ˙

be-lieve

˙-

may be - lieve

? ### ˙ .

œ ˙-

may

be-lieve

? ### ˙

œ œ

in our hearts,

in our

hearts,

# # ˙. V # œ œ

˙ œ

˙˙

œœ

˙w

? # # # ˙˙ .

˙ œ

˙˙

### w .

###

œ œ

lieve

in our

hearts,

œ œ

lieve

? # # # ˙-

in our

? ###

˙ in

lieve

# # w. V # w. 13

? ### ˙ w

˙˙

œ œ

our

˙ ˙

w- .

hearts,

œœ œ

w˙

, p ˙

our

˙ our

our hearts.

poco rit.

w˙

w˙ .

˙hearts

n ˙-

œ œ

our

hearts

w- .

our

œ ˙

hearts

˙˙

n ˙˙

œ˙ œ

w˙

F˙ . may

F. ˙

˙ be -

˙-

be -

˙˙

˙ ˙

œ œ

show forth

in our

œ œ œ ˙

may

show forth

F œ œ ˙

˙. ˙˙ ..

œ ˙

may

F˙ . ˙.

˙˙ ˙

p ˙˙

˙-

show forth

˙˙

be -

may

hearts

a tempo

˙-

And what

ww œ w˙

, p ˙

be -

And what

˙.

our

hearts.

œ œ

˙-

And what

wœ œ œ œ

hearts,

œœ œœ

, p ˙

a tempo

hearts.

œ œ œ œ w

w ˙

our

our hearts,

œ œ

in our

hearts,

be - lieve

lieve

hearts,

˙-

in our

œ œ

may

œ œ

in our

, p ˙

poco rit.

œœ wœ œ œ œ

show

forth

œ ˙ œœ œœ œ œ˙ œ

F ˙œ . œ ˙ œ œ˙ œ ˙œ œ

27 VII. The Chorister's Prayer

poco rit.

lives.

## V # ˙

### w

our

our lives.

? ### ˙

poco rit.

? # # # ˙˙˙ .

# # # Pw V 21

P ? # # # wA

Ó fw

˙˙ œ

U w

U men,

U w

Christ

˙-

sus

˙˙ ..

˙˙

˙-

Christ

our

Lord.

˙-

˙˙

˙w

˙ w

A -

p ˙-

Lord.

w˙

n˙

w˙

f˙

A -

A - men,

p ˙-

w w

W p Ó

˙A

A - men,

a tempo

n ˙-

A - men,

p˙˙

men.

˙˙

men.

w w

men.

W ˙˙ ˙˙

www w

A -

˙ ˙

˙ n ˙˙ ˙˙

n www w

f- . w

˙˙˙ ˙

Ó Ó f w. Ó

f˙

A -

f˙

A -

, ,

- men.

decresc.

W Ó

˙-

n˙

, ,

Lord.

w our

our

Christ

Lord.

wœœ

˙-

our

Christ

Je - sus

p W

men,

˙-

sus

˙-

a tempo

men

Ó f w

men,

decresc.

Through Je - sus

U w

poco rit. ## V # a ww P ? # # # ˙w ˙ 21

f˙

˙- .

Through Je

P ? # # # ˙-

Through

### P V a w-

f ˙

aa tempo tempo

˙- .

Through Je

lives.

poco rit.

our

## w V # ˙

lives.

U ˙ œ ww

? # # # ˙˙ .

f˙

a tempo

˙ -

˙˙

28 VII. The Chorister's Prayer

### ˙ V

### ˙ V -

? ### ˙ -

## ˙ V # ˙

? # # # œ˙

###

œ œ -

˙-

˙? ### œ œ -

˙. -

œ œ ˙

ww ˙

A -

men,

n w-

? ### W Ó

˙w.

P œ ˙w

˙˙

w- .

w. -

n www

˙˙ ˙

rit.

n www

w. ww

˙ ˙

w Ó.

W W

www.MTchoralmusic.com

a tempo

men,

˙˙ ˙

W Ó

π W

men.

n˙

www

men,

n˙

men,

˙ -

π W

men,

men.

pA W

w w

men.

W w

men,

poco rit.

n w-

p w-

men.

˙ œ

˙˙ .

A - men,

men,

P œ w-

men,

˙.

˙˙

A - men,

˙w

- men.

œœ

p w

a tempo

P˙

poco rit.

P ˙- .

men,

˙.

w˙

? ### W Ó V

###

men,

P ˙

rit.

? ### Ó

men,

˙-

men.

π W π

W W W π W