2017 - 2019
PORTFOLIO
sirina law
TA B L E O F CO N T E N T S
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
BIOGRAPHY
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01 - T H E C O W O
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02 - I S A R CA M P U S
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03 - S LO M A
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04 - SY N T H E T I C F U T U R E S L A B
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W AT E R C O LO R
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BIOGRAPHY
Sirina is currently an Architecture student at Cal Poly San Luis Obispo on track to graduate in 2021. She was born and raised in Hong Kong for 11 years before she moved to Cupertino, California for middle and high school. Her passions were always more geared towards the artistic side. She dances, plays a Chinese instrument at senior homes as a volunteer, and she loves working with kids at an art school back at home. Even though she hasn’t really gotten the chance to pick up any of those in college, being able to express her creativity and working at studios for architecture has definitely satisfied her artistic needs here in college.
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
THE COWO [ PA R A D I S E , CA ]
W R & S P R 2019
The Paradise Coworking Center aims to stimulate and encourage growth with the combination of knowledge and economy. While also creating a variety of spaces to empower teens and young adults to grow in their entrepreneurship interests, this center will serve as a downtown business and social hub for working professionals and larger space for town gatherings.
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01 T H E
COW O W R & S P R 2019
[ PA R A D I S E , CA ]
DESIGN CONCEPT The form of the Paradise Coworking Center is designed to be a response to the proposed conditio n of the new downtown and it’s thoroughfares. By opening up the building towards the anticipated high population density faces, the coworking center invites both people walking through downtown and The Food Habitat across the street.
FORM DEVELOPMENT by program
by additive
by opening up
PROGR AM DIAGR AM birch st.
birch st. cafe gathering lounging
aerial view public almond st.
semi public
almond st.
learning speakers
gathering circulation we-work (group)
we-work meeting rooms
private
we-work (individual) learning
aerial view
almond
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
st.
aerial view
EAST SECTION
FLOOR PL ANS
DN DN
DN UP
N O R T H E L E VAT I O N
UP
E A S T E L E VAT I O N
UP UP
UP UP
DIAGR AMS
heavy timber
terra cotta
columns beams girders trusses
terra cotta
2nd Floor
concrete slab floor plates
glazing aluminum
1st Floor
circulation
structure
materiality
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RENDERS pedestrian walkway
side courtyard
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
middle courtyard
common space
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QR CODES FOR RENDERS
side courtyard
middle courtyard
common space
interior
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
entry lobby
entry lobby
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PHYSICAL MODEL 1/4th scale
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
ISAR CAMPUS [ T R A ST E V E R E , R O M E ]
FA L L 2019
The main goal for designing an institutional building for the international Society for Art, Architecture and Archaeology of Rome (ISAR) is to encourage the education of Rome’s cultural heritage by the public.
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02 I S A R
C A M FAPL LU2019S
[ T R A ST E V E R E , R O M E ]
DESIGN CONCEPT The main goal for designing an institutional building for the international Society for Art, Architecture and Archaeology of Rome (ISAR) is to encourage the education of Rome’s cultural heritage by the public. The ISAR campus is to prioritize the user experience of pedestrians with it’s intentional L shaped form, framing the sidewalk and the bridge over the Tiber River. While the public is able to enjoy the public facilities of the first two floors of the ISAR campus, the exhibition is also located by the river’s edge to allow the public to enjoy and appreciate the Tiber river.
FORM DEVELOPMENT atrium
alternating floor plates around atrium
open space for public S
S
pantheon
chiesa di sant’ ignazio di loyola
galleria colonna
piazza venezia
S w
w
campo de’ fiore
w
E N
N
alternating floor plates around atrium
parco del colle oppio
foro romano
ponte sisto
E
E
basilica di san bartolomeo all’Isola
N
colosseo
basilica di santa maria in Trastevere
alternating floor plates around atrium
overall building form
palatino
ISAR campus
basilica santi giovanni e paolo
circo massimo
S
S
S w
chiesa di san francesco a ripa
w
w
porta portese
E
E
E
50m
N
N
N
0m
200m 100m
FLOOR PL ANS UP UP
UP
UP
UP
CAFE LOBBY FAMILY APT
LECTURE HALL
WORKSHOPS
DORMS
LIBRARY
WORKSHOPS scale = 1:500
ADMIN OFFICES
UP
MEETING ROOMS
BR
BR
BR
BR
BR
STUDIO APT
BR
UP
scale = 1:500
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
UP
scale = 1:500
UP
scale = 1:500
UP
scale = 1:500
UP
SITE PLAN
INTERIOR
EW
sect
NS sectio
n
ion
125m 0m scale = 1:1000
500m 250m
E A S T E L E VAT I O N
EW SECTION
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PHYSICAL MODEL 1:500 scale
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
SLOMA [ S A N L U I S O B I S P O, CA ]
S P R I N G 2018
To apply the knowledge we’ve learned with program organization and entry threshold from our precedent study and designs from our widgets to redesign the existing Museum of Art in San Luis Obispo; also known as SLOMA.
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03 S L O M A
[ S A N L U I S O B I S P O, CA ]
S P R I N G 2018
DESIGN CONCEPT Walking to the building from the mission, along Monterey Street, I wanted to design the museum with a leaning posture. I wanted to design the west of the museum most engaging because it was going to be viewed by those driving, turning the corner to Broad Street. As they approach my museum that has a leaning sensation over them and turn the corner, they would be able to experience the other side of the building that is more expressive. By emphasizes my posture, Aggressive, on the corner of the property line, I hope to draw curiosity from drivers but also create a suspense for pedestrians that are approaching from the other side of the museum.
FORM DEVELOPMENT aggresive
tilt
LONGITUDINAL SECTION
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
additive
additive
slice
compress & mirror
TRANSVERSE SECTION
FLOOR PL ANS
archive
storage
plan 4
PROGR AM DIAGR AM
0
2
4
8
10
aller
plan 3 0
2
4
8
10
d ati r hive
GA L L E RY C I RC U L AT I O N
t ra
plan 2 0
2
4
8
10
monterey street
admin
store
lobby
gallery
restroom
plan 1 0
2
4
broad street 8
10
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PHYSICAL MODEL 1/8th scale
1/8th scale
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
1/16th scale
1/16th scale
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
SYNTHETIC FUTURES LAB [ S A N L U I S O B I S P O, CA ]
FA L L 2017
To design a Synthetic Futures Lab in the space between Giuseppe’s Cucina Rustica and the kitchen supply shop next to it. The space is also known as the Rose alley, which is an alley that’s 12 ft by 100 ft.
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04 S Y N T H E T I C [ S A N L U I S O B I S P O, CA ]
FUTURES LAB
FA L L 2017
DESIGN CONCEPT
SITE PLAN
The methodology I used as an inspiration for my Synthetic Futures Lab design was to juxtapose the noun conglomerate and the feeling of expansive. With curves to bring natural light into t he building. In addition to the subtractive element of concaving and convexing to create an atrium at the center of the building. I experimented with the intersection of curves to help create concaving and convexing curves that would allow natural light to bounce inside the space as well as being a driving factor of how the interior space was carved out. Although the building form is a product of convect and concave curves piecing together, it allows for light to fill up the space with the open atrium in the center as well as the curved floor plates.
FORM DEVELOPMENT
C I R C U L AT I O N DIAGR AM
PROGR AM DIAGR AM
R E C E P T I O N
&
T E C H N I C A L
L I B R A R Y
E X H I B I T
M U LT I P U R P O S E
C O M M U N I T Y F A C I L I T Y
L A B O R A T O R Y
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
R O O M
S T O R A G E
FLOOR PL ANS
UP
TRANSVERSE SECTIONS
UP
UP
S E C T I O N
2
S E C T I O N
UP
S E C T I O N
3
UP
4
UP
UP
UP
LONGITUDINAL SECTION
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PHYSICAL MODEL mycelium
S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
WAT E RCO LO R [ R O M E ST U DY A B R O A D ]
FA L L 2019
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M
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S I R I N A L A W / CA L P O LY S LO / S I R I N A L A W @ G M A I L .C O M