Sjoerd Willem Bosch
Delft University of Technology Architecture portfolio 2018
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Sjoerd Willem Bosch H: Oude Delft 231, Delft t: +316 58941935 E: swbosch97@gmail.com B: 06-08-1997 N: Dutch
Education 2017 - 2018 2016 – now 2015 – now 2009 – 2015 2009 – 2015
Awards
Minor Arkitektskolen Aarhus (DK) BSc Honours Program TU Delft (NL) BSc Architecture and the Built Environment. TU Delft (NL) Pre-university education N&T (VWO) Zernike College Haren Technasium Zernike College Haren
2017
Work Experience 2018 - now
2016 - 2017 2015 2013 - 2015
Language Native Professional Beginner Beginner Beginner
Student Assistent: Master Architecture TU Delft Studenttutor first years students TU Delft Service employee Albert Heijn Supermarket, Delft Cashier Albert Heijn Supermarket, Groningen
Extracurricular 2016 - 2017
2016 – 2017 2015 – 2016 2011 – 2015
Skills
Modelmaking Rhinoceros Autodesk Revit ArchiCAD SketchUp AutoCAD Grasshopper Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Lightroom VRay
Initiative and designer of SPOT Vogelbescherming Nederland Oerol 2017 Festival (Terschelling, NL) BKTravel Committee D.S.B.G. Stylos. External Affairs First year Committee D.S.R. Proteus Eretes Promotion Allround volunteer Basketball association Exercitia ’73 Eelde
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2nd design in the category Culture and History “Werkende Werkstad” , pitch
Dutch English French German Danish
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INTERESTS Handdrawing Collages Sketching Watercolor Photography Gardening Cooking
01 The Frame this architectural device shapes and interacts with the immediate subjects. the frame stages relationships between subjects on an intimate scale. minor
Playing Innocent: Action, Agency, Architecture Arkitketskolen Aarhus (DK)
tutors
Naina Gupta Joel Letkemann
collobaration
Kornelius KjĂŚrvik, Ida Thallaug and Laura Qvist September 2017 - December 2017 3rd year (exchange) student
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From story to device The Frame started with a short story written by J. G. Ballard “The last world of Mr. Goddard”. The story is used as an intellectual inspiration source to extract a narrative from. This narrative is evolved to an intervention in the courtyard of the Arkitektskolen Aarhus. In a group of four The Frame is developed through five hybrid phases where individual proposals, group work and negotiations of other interventions form an complex research project. The last world of Mr. Goddard is a short story about an almost retired man who has a box where he can see “his world” from above. The compulsory control of his routines in combination with the loneliness in “his world” created a framework for us to create thia intervention. The main investigation was how much of an actual, materialized, frame do you need to frame something particular? And how does this framing device relates to its surroundings? The Frame is framing existing elements of the courtyard which the spectators will experience by moving around and through the object.
#1 Models and Mock-Ups
#2 Representation in drawings
#3 Mapping
1 Motion vs. Perfect picture
2 Ultimate Corner
3 Continious structure
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Axonometric view: Joinery and Details
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The Grid fs The Frame in the Courtyard
Framing the corner : the ultimite shaped point
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Levelling and floating from the ground
Detailling and working on site
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02 SPOT Expedition EXPEDITION PROJECT ON BEHALF OF VOGELBESCHERMING NEDERLAND FOR OEROL 2017. BIRD WATCHING SHELTER INSPIRED BY SENSE OF PLACE 2018. Own intitative, organization, design and realization
COLLOBARATION
Lennart Aben, Dries Brøns, Savanne van Harrewijen, Chiem Hollander, Sophie Koopman. Jasmijn Ponssen and Bob Spitz December 2016 - June 2017 2nd year student
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SPOT Oerol At Oerol Festival 2017 I have initiated, designed, manufactured and built up an installation on behalf of the Vogelbescherming Nederland. An architectural study, included engineering processing, external affairs and logistics, on behalf of an external institute. Right on top of the old dike, where the polder and the sea can be captured in one glance, the installation SPOT is located. The visor of SPOT is directed at the polder, where a big spectacle awaits. Colonies of terns and gulls are screeching to be seen. UP – HORIZON - DOWN SPOT can be characterized like an observation post for whoever is passing by. Three corridors capture three different perspectives of the typical polder-life at the island of Terschelling. The ďŹ rst corridor focuses on the life in the air: gulls. The middle one is a stand which captures the bigger image of a polder: farms, cows and forests in the background. Here we have had tutorials where we explained the audience how to perceive the landscape and introduced them to bird watching. The last corridor is focussing on the life of a single bird: downscaling the audience to overthink a life of a chick.
VOGELVLUCHT
POLDERZICHT
WEIDEGANG
VOGELVLUCHT
POLDERZICHT
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WEIDEGANG
Building process in Delft and on site, Terschelling (NL)
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Three corridors, three perspectives, three positions on a dike
Š SPOT
“Spotters” interact with binoculars and professional bird watchers
© Alex Hamstra
03 Niemand is een binnenmens design of transformation and new dwelling housing in existing (social) housing neighbourhood osdorp, amsterdam (NL). BACHELOR TU DELFT BK4ON4
tutor
Maria Haag May 2017 - July 2017 2nd year student
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Modern WoMan Today’s social housing complex is a forgotten field in dwelling architecture. During the reconstruction in the 1950’s, neighbourhoods like Osdorp in Amsterdam West, were created for the ‘modern man’. A healthy, liveable space on bikeable distance of the city was the main goal. This same dream comes a live in the project Niemand is een Binnenmens After more than fifty years we still are looking for those places within a stone’s throw of big cities. Space for (urban) nature, playing and social contact. In Osdorp I focussed on one of those post-war housing complex. Beside the pure renovation of the building itself, this plan focuses on creating a collective space where residents share facilities and meet each other in common kitchen gardens, shared storage/laundary spaces and playgrounds. The current social housing stock exist of mainly small houses around sixty square meters. By rearranging the stock to a diversity of houses from 30m2 up to 170m2 there will be a mix of all kind of family’s.
Situation
Playground section
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0 1 2 3
research Facade supports stability Interior walls determine grid No space for social interaction Repetition cause no identity
construction Current openings: 2600mm Oppurtunity for bigger windows Big doors to garden Remaining floors access to balconies
inside/outside Identity front doors by contrast with brickwork Enlarge openings for light New rhythm facade
appearance Brickwork follows openings Space for detailling and ‘brickfields’ Small veranda’s Brick floats away à la Aldo Rossi
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or
maisonnettes 2 1st floor maisonnettes 2 ground floor
studio 1 ground floor
maisonnettes 1 1st floor
maisonnettes 2 1st floor
maisonnettes 1 ground floor
maisonnettes 2 ground floor
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maisonnettes 1 ground floor
Dwelling plans
Model playgrounds and kitchengardens
maisonnettes 1 1st floor
View to kitchengardens over playgrounds
A
Extensief substraatsysteem (60 mm) Drainage-element (25 mm) Beschermingslaag EPDM (5 mm) Isolatiemateriaal PIR (90 mm) Isolatiemateriaal PIR (90 mm) Beton (250 mm) Verlaagd plafond (90 mm) Vurenhouten regels (18 mm) Gipsplaat (18 mm) Stucwerk (9 mm) Rc-waarde = 7,36 (m2.K)/W
14250
11400 1
8550 1
Winddrukgereguleerd ventilatierooster DUCO Externe zonnewering Ventilatierooster Drievoudig glas U-waarde 0,7 W/(m2.K)
Prefab beton balkon (lengte = 2400mm) Isokorf 80mm
5700 1
Bestaand bakstenen gevel Open stootgevel Bestaande beton latei Baksteen strips
Afwerklaag bijvoorbeeld Houten vloer (25 Gietvloer, vloerverwarming (50 mm) Isover geluidsisolatie (50 mm) Beton (250 mm) Verlaagd plafond (90 mm) Vurenhouten regels (18 mm) Gipsplaat (18 mm) Stucwerk (9mm)
2850
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1000mm
04 Werkende Werkstad A vision on “Het land van Hoboken”, Rotterdam (NL). The heart of culture and knowledge connected by motion.
BACHELOR TU DELFT BK3ON3
tutor
Harald Schout November 2016 - January 2017 2nd year student
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Leading Charachters Rotterdam is a city well-known of its diversity in professional soccer teams, architecture, nationalities and cityscapes... Those extremes intrigued me during the orientation of my vision of Rotterdam. Self-created abstract characters introduced me to a variety of perceptions of the city of Rotterdam: . Those imaginary characters are based on how people move and use their city according to their specific priorities. Each character gave me leads to how to create a vision for the “Rotterdammer”, in all its appearances. Culture meets Health “Het land van Hoboken”, the area from the Museumquarter to Erasmus MC and to the river the Maas deals with a complex history, dense car traffic infrastructure and a lot of study and culture opportunities. The project Werkende Werkstad focuses on the connection by motion and the Rotterdammer as the main character in the urban fabric. Different solutions are created for bicycling and other slow-speed movement to encourage people to use and experience space in an new dimension. A so-called highspeed-bikelane will connect the neighbourhoods around the Museumquarter with each other.
sitting object erasmiaans gymnasium
Analyze and proposal for sitting object beside Erasmiaasans Gymnasium
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High speed bicycle lane Maas
Hihgspeed-bikelane along the Maas
mapping as red thread through design process
#1 routes, history and locations
#2 Zoning and urban fabric
#3 Sketches, qualities
Mixed media section
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