junkyard lipstick│ASHTON NYTE│BREED OF WAR
Issue 2
WACKEN 2013 CLIFF’S JOURNEY
CYNTHIA JOY
LADIES OF METAL
CONTENTS THE SIXTH STRING 06
JUNKYARD LIPSTICK
14 VAN COKE KARTEL 22 BREED OF WAR 26 AGATHODAIMON 32 38
MERCENARY FATAL SMILE
THE SINGULARITY 45 ASHTON NYTE 49 PAUL’S CORNER
THUNDERFUCK 53 METALMORPHOSIS
INK & BEAUTY 58
JOHN MAXX
66
CYNTHIA JOY
REVIEWS 72
ALBUM REVIEWS
THE EDGE 76 COUNTESS ELIZABETH BATHORY 78
WACKEN 2013 - CLIFF’S JOURNEY
FROM THE EDITOR Each year there are more great albums being released, and some bands just never disappoint. If you turn the pages of this issue, you will find out exactly what that means! Some Sleaze, heavy metal, and some good old Afrikaans rock with a twist. It’s almost October, and this year will soon be coming to an end. Sometimes you just have to take a breath while your life passes you by and appreciate the things that make each year worth it. Music definitely plays a huge role for everybody in that aspect. So catch a breath and listen. Thanks to everyone who read the first issue of S.K.O.A Magazine, we hope you enjoy what the second one has to offer. \m/
Editor In Chief Riaan Jooste Associate Editor Zoey Els Contributing Writers Leon Calvyn Kemp Clifford Crabb Graphic Artist Brendon Nox Paul’s Corner Paul Hodgson
Photo by: Melissa Doherty MCD Photography
junkyard Junkyard Lipstick is a group of ladies who have been rocking it since September 2011, and have not stopped since! Their music incorporates many different genres which allow them to create something unique in their own right. With hardhitting drums, powerful guitar riffs, slick-slapping bass lines and some power glam metal on the vocal front, this is a combination that cannot be missed! Blasting all the way from Cape Town, Junkyard Lipstick took the time to do an interview with us, discussing their influences and exactly what Junkyard Lipstick is about.
lipstick
Photo by: Melissa Doherty MCD Photography When and how was Junkyard Lipstick formed? Luci: Junkyard Lipstick was born early 2011 out of clichéd inspiration obtained from watching The Runaways, and a ‘why the hell not’ attitude. TazzO: Junkyard Lipstick was formed in 2011 by Luci Villain. I auditioned as a guitarist for the band in July and we played together until April 2012
when the line-up changed. I took over on vocals, Jacky Rood on Bass and Loo Gore on Guitar joined to complete the band. We’ve been going and kicking ass ever since.
CY.STR. I had auditioned to play guitar for JL a year earlier but didn’t get the part. When the previous lineup decided to leave, Tanya and Luci remembered me from that audition and asked me if I was still keen to join. I actually can’t believe it’s been a year already. Good Times.
Loo: Tanya and Luci had been jamming with the old line-up for about a year before Jacky and I joined. Our current line-up has been What’s the story behind the name together for about a year now. Luci Junkyard Lipstick? and Tanya contacted Jacky after seeing her perform with her previous band Luci: We wanted a name that
to say that it works.
Junkyard Lipstick has a very different sound compared to other female bands, which different genres do you incorporate in order to get the unique sound you have? Luci: The fact that each member in the band has different influences contributes to our unique sound. Our influences ranges from Power and Glam metal on the vocal front, death & black metal in guitars, progressive metal in bass lines and on the drumming side, I love playing punk and thrash. Combining these can be risky but it works for us because we want to be unique and sound original unlike many other bands that are OK with sounding exactly like their influences.
“
Inspiration is everywhere; you just have to be aware of it.”
represented something raw and rough but still feminine. The brainwave came while I was watching a Juliette and the Licks performance. She was wearing bright lipstick and we could relate to her bad ass attitude.
that’s rough yet feminine so I guess the name represents what we’re all about in that way.
TazzO: We all have very different musical tastes which we bring to the table. Loo is into Black Metal and she’s also a classically trained pianist. Her guitar riffs are very intricate and there’s a lot going on there which very much influences the way we write. Luci loves Thrash Metal and this can be heard in her style of drumming which is energetic and very fast paced. Jacky is a big fan of Jazz and Progressive Rock which you can pick up in her bass lines, they’re extremely groovy, to the point where I’ve had them stuck in my head for days. I love Classic Rock and Opera and that comes across when I sing. We fuse it all together which gives us our sound. I think it’s really awesome because it’s so unique and isn’t that the point, really? Loo: We’re not trying to sound like anything specifically. And we don’t work towards any particular genre we’d like to fall under. Although each of us has completely different tastes in music, one thing brings us together. Metal. Each of us has a special relationship, appreciation and understanding of metal.
Loo: I had someone come up to me after the Emelyth Arts expo gig in Gauteng. He was like “Junkyard TazzO: Those two words contrast each Lipstick! That’s so perfect, that’s other quite nicely, don’t they? You’ve exactly what you guys are”. I didn’t got a Junkyard which is dirty, dusty really know how to take it because, and gross and then you have Lipstick imagine an actual lipstick you’d find at From a lyrical point of view, where which is a girl’s best friend. If you put a junkyard. It would be pretty gross. does your inspiration come from? the two together you’ve got something Haha. But I think he was just trying
TazzO: Sometimes it comes from a story or current event we hear about on the news or read in the paper. Other times it can be inspiration from a TV series, a conversation we may have had with someone or personal experiences. Inspiration is everywhere; you just have to be aware of it. Luci: Inspiration comes in many forms. Previously, our old material was pretty much about what pissed us off but I think we’re moving into a direction where our content, together with our heavier sound, tells you a story; serious at times but not lacking in sense of humour. I love to write horror and gore themed songs; local myths and legends, cannibals and cults. Social and political circumstances also provides inspiration on the more serious front and, as females, I think we can add more emotion to social topics such as abortion, eating disorders and sex trafficking.
Who are some of your favourite allgirl bands? Loo: Cortina Whiplash! TazzO: I love Vixen and Girlschool which are all-female bands that were big in the 80’s. They’re still going today which is great. I also love what Cortina Whiplash is doing, they’re really awesome and making a name for themselves. Luci: Metaladies.com has been one of my favourite sites to discover allfemale band. I’ve been listening to a lot of South American all-female bands that are just so freaking good and it’s truly inspirational to know that there are other females in the world kicking some serious butt. My favourites are Nervosa, Vocifera and Valhalla from Brazil; and Mystica Girls from Mexico.
There are very few all-girl metal bands in South Africa, why do you think that is? TazzO: This is actually quite a
difficult question to answer, in the sense that there could be so many reasons. Perhaps one reason could be that Metal isn’t a genre that most girls want to go into musically. The more popular music genres amongst girls are usually Pop, Indie and Folk orientated. Another reason might be fear of the unknown and what other people might think of you. Some people would rather not be judged so they won’t do what they love or want to do in case they stand on someone’s toes which is rather sad. Also, another reason could be that the metal community in South Africa is still very small. Mind you, there are some female fronted bands out there that are kicking ass which is fantastic. Luci: South Africans are conservative and metal heads are still seen as “devil worshippers”. Pop culture has invaded our radio waves and TV screens. Throw in the belief that women are supposed to be ladies (not tomboys) and/or be “barefoot, pregnant and in the kitchen”. This combination has led to narrow mindedness and sheep mentality and really bad Afrikaans pop songs/music videos. Metal has always been a rebel’s genre and our scene is also small due to demographical challenges. More and more women are popping up in the metal scene but I hope that it grows even more, especially on the instrumental side as opposed to vocals only. My hope has always been that JL can inspire other girls to play guitar, drums or bass and just jam for the hell of it; to mosh and head bang with reckless abandon. Don’t just be the token “hot girlfriend”, enjoy the music and be inspired.
For people who haven’t seen Junkyard Lipstick’s live shows, what can they expect? TazzO: Awesomeness and music that will make you want to lose control!
From left to right: Louise “Gore” Gorman (Guitar) Tazz-O (Vocals) Jacky Roodt (Bass) Lucinda Villain (Drums)
loads of energy from our vocalist Tanya and perhaps too much concentration from our bassist and guitarist but we’re working on that. Stage performance and creating a presence are definitely something that comes with time but ultimately sit back if you have to and listen to the music. Feel it, embrace it and get lost in it. Our current setlist consists of older material and brand new songs which vary from fast punk to thrash metal. For our future gigs expect even heavier songs though as that is the direction the band’s flowing into.
Loo: Loud, fast, angry music with a touch of humour.
What have been some of your favourite experiences as a band in the last few years?
Luci: A mixture of tempos and head banging from me, flavoured with
TazzO: We played Rock the River during the New Year of 2012/13
Photo by: Melissa Doherty MCD Photography which was a lot of fun and it was also one of our biggest crowds. We had these t-shirts that we spray painted our logo on and I threw them out into the crowd during our set. The crowd loved it and after we had finished playing, I not only saw a lot of people wearing them but I had so many others asking me if we were selling them or had any spares. So many people stopped me that night to compliment us as a band and that was really special for me. We recently did a small tour up in Johannesburg and Pretoria which was also fantastic. I’d really love to play there again. Luci: The Women in Metal gig and our Gauteng gigs was really great. When the crowd’s interactive it really helps to settle the nerves and to have even more fun.
What are some of the bands’ interests and hobbies? Luci: I love reading horror, suspense and crime novels; watching series like CSI, Hannibal and The Fixer. I’m a sucker for political and legal dramas. My husband and I like playing board games, especially 30 Seconds. Girlie indulgences include watching top model and reading Cosmopolitan religiously. I’m also a gym bunny and love Pilates & Yoga.
outfits that have been floating around in my head and I’m hoping to sell those, too. I do volunteer work which is great. A good game of Sims always makes me happy- oh, and singing along to 80’s pop and power ballads! It’s not only fun but it’s also a great stress reliever. Try it, it’s impossible to feel down after doing that!
Loo: I spend most of my free time trying to learn how to play guitar. I go for lessons and watch video tutorials. I used to be pretty good at playing the piano but I have neglected that quite TazzO: Apart from playing guitar a bit since high school. Otherwise… and singing, I also love practicing I love documentaries. My favourites Kung-Fu and boxing (which I’ve are about nature and evolution, been doing for eight years now) and watching Kung Fu movies. I also write science and space stuff. Music documentaries are rad, too. I think I stories and I’m currently working on prefer documentaries because I’m too a children’s book. I recently decided to learn how to sew properly so I can lazy to read. I’ve read a few Richard Dawkins books which are cool. I make some of the dresses and little
also watch quite a few TV series. My Favourites include the Mighty Boosh, Workaholics, The Inbetweeners (UK) and Adventure Time.
Do you have any live shows coming up in Johannesburg? TazzO- We did a small tour there during the weekend of the 31st of May till the 2nd of June this year. We played Boston Rock Lounge and we really enjoyed it. We’d love to go back as soon as possible so please invite us! Luci: Unfortunately nothing planned for now as we are still trying to get our finances in order.
Where can fans listen to your music and read up about Junkyard Lipstick? Our website, www.junkyardlipstick. com has all the info you need. Other links where you can interact with the band: Facebook: www.facebook.com/ junkyard.lipstick Twitter: @Junkyardlipstic YouTube: http://www.youtube.com/ user/JunkLipstick E-mail: junkyard.lipstick@gmail.com Soundcloud:https://soundcloud.com/ junkyard_lipstick/bioterror FREE DOWNLOAD!
How does the Johannesburg and Cape Town metal scene differ in your experience?
packed! People there are very friendly which helps makes one feel more at ease. I also couldn’t believe how warm it was for winter! Luci: To me it seemed like there were more metal heads in JHB than in CT. The crowd really enjoyed us in JHB so perhaps they’re more openminded and supportive, they were friendly and we received a really warm welcome. We definitely sold quite a bit of merchandise and also saw a lot people wearing local band shirts which show a great spirit of camaraderie. But it’s difficult for us to compare things like attendance or scene politics as we were only there for 2 gigs and each band/scene has their iffy things to deal with. Our hometown has been the testing ground for us evolving from simple pop punk to heavier punk/metal so perhaps people in Cape Town don’t know yet that our sound has changed. We do have the few dedicated fans here that support, head-bang and really get into; and that number of people is growing. In terms of attendance though, it’s hit and miss dependant on the time of the month and of course our lovely weather.
To all the ladies out there that are looking to tear it up like Junkyard Lipstick has, what advice would give them?
TazzO: If music is in your heart and you want to rock out, don’t let anyone TazzO: It’s difficult to give a completely stop you. Keep positive, practice accurate description because we only every day and believe in what you spent the weekend there. I did notice do because if you don’t, who will? Be that the crowds are very energetic and yourself and stay unique to everything about you, don’t try and imitate what live music is well supported. I was exists already, you’ll just end up being amazed at how far you have to travel a poor man’s version or a second rate just to go to somewhere! In Cape artist. Play, conquer and own! Town, we complain if a venue is half an hour away and most of the time, Luci: Find the balance between people won’t travel so far and that often determines how big your crowd taking it seriously and having fun. It’s really important to have some is going to be that night, whereas in kind of admin/organization skills Johannesburg, we were driving to venues that were an hour and a half to to get your band out there, do a two hours’ drive, yet the venues were presskit; answer e-mails in due time but most of all practice, practice and
practice. As a musician I feel I will never be as good as I want to be, there’s always something new to learn, take the constructive criticism and compliments; take chances and ask questions; stay humble and always remember that not everyone will like you, and that’s ok too.
Thanks for doing this interview for S.K.O.A Magazine’s second issue. We are thrilled to have you ladies on board! Any last words? Luci: “It’s the size of your heart, not the length of your hair” – Suicidal Tendencies’ Join the Army Loo: Stay gold ponyboy TazzO: Thank you S.K.O.A! We have some awesome shows coming up. If anyone wants to get us something, we love pink unicorns, jelly babies, Gatsby’s and Lindt dark chocolate with chilli. Oh and I can do the splits. ;P
“Play, conquer and own!”
Photo by: Jaco S. Venter
DO IT AGAIN....
Photo by: Jaco S. Venter
It all started back in April 2003 with the formation of Fokofpolisiekar. They took South Africa by surprise with the notion of an alternative Afrikaans band, and along with the name, the conservative Afrikaners did not approve. But this of course did not stop them from pursuing their careers. Their song “Hemel Op Die Platteland” from their first EP “As Jy Met Vuur Speel Sal Jy Brand” made history when it was the first Afrikaans song to be playlisted on national radio station 5fm. On March 13 2007 Wynand Myburgh announced the hiatus of Fokofpolisiekar, in local Afrikaans newspaper Rapport. He stated the following “All of us want to do our own thing, such as Johnny who wants to start producing, and Francois and myself who are doing our own solo projects.” This lead to the formation of Van Coke Kartel. Francois Van Coke and Wynand Myburgh formed Van Coke Kartel in 2007 . Guitarist Jedd Kossew and drummer Jason Oosthuizen joined as full members in 2010. Since then Van Coke Kartel has been making a name for themselves and they are definitely one of the best Afrikaans rock bands in South Africa. They released their self-titled debut album “Van Coke Kartel” in December 2007, with their follow up album “Waaksaam En Wakker”, which was released in September 2008. Since then they have been very active in the industry; releasing two more albums, “Skop Skiet En Donner” in 2010, and “Wie’s Bang” in 2011. Their highly anticipated fifth studio album has fans on the edges of their seats, and is due for release on October 4, 2013. This album is titled “Bloed, Sweet En Trane” and will definitely be the most talked about Afrikaans rock album in 2013. We caught up vocalist Francois Van Coke about the new album, and their experiences over the years in this exclusive interview.
BLOED, SWEET & TRANE
You are one of the most successful rock bands in South Africa, what has the journey been like for Van Coke Kartel?
In South Africa our fans are passionate and loyal, the international audiences are interested and they sometimes really get into it!
➢ 27 Sep – Wie’s Baden, Bloemfontein ➢ 28 Sept – Mystic Boer, Potchefstroom ➢ 4 Oct – Live, The Venue, Durban ➢ 5 Oct – Red Door, Pietermaritzburg ➢ 8 Oct – Café Barcelona, Elardus Park Your highly anticipated fifth studio ➢ 9 Oct – Barnyard, Vereeniging The journey has been intense and ➢ 10 Oct – Rockabillies, Edenvale album titled “Bloed, Sweet En full of Bloed, sweet & trane. Me and Wynand started the band in 2007 when Trane” is due for release on October ➢ 11 Oct – Town Hall, Johannesburg ➢ 12 Oct – Arcade Empire, Pretoria Fokofpolisiekar took a break for about 4th, 2013, what can fans expect ➢ 18 Oct – Mercury Live, Cape Town 8 months. We just needed to make from this album? ➢ 19 Oct – Klein Libertas Teater, more music. It was tough at first, but Stellenbosch we kept at it. In the beginning it was It is a rock album, but I think we ➢ 25 Oct – Stones Boksburg just me and him writing all the songs are pushing the boundaries within ➢ 26 Oct – Rhapsody’s, Centurion and we got other musicians involved the genre. There elements of punk, on our albums and playing live. After progressive rock and even metal on After that we are still playing shows all our third album that was produced by the album. Influences from the 70’s, over the place and hitting the garden Peach van Pletzen we needed a good 80’s, 90’s and now. It is a collection route for a tour in December. If people lead guitarist and drummer to play of songs about the realization that want the details, just go to www. what was on the album. We found 2 love, friendship, music and playing vancokekartel.co.za amazing musicians in Jedd and Jason music with others make you a part and they joined the band around the of something, even if you are pretty What is something unique or end of 2010, since then we have had insignificant in the greater scheme of interesting that people might not the set-up that we were looking for. things. know about Van Coke Kartel as Now 2 albums down the line since they individuals? joined we are completely happy with What’s the greatest thing about our latest offering and ready for some working in the music industry? Wynand is our manager and booking more. It was tough at times, but we all agent while being the bass player in the love playing music and creating music, My dream was to play music for a band. Jason has been playing drums and until that changes we will be doing living and I am doing it now. full time since he was 15 years old. Jedd this as Van Coke Kartel. used to be a professional poker player Every song by Van Coke Kartel and I am a massive rugby fan, but You guys have had the opportunity means something from a lyrical miss most of the matches cause I am to tour internationally, what have stand point, what message are you traveling or playing. been some of your most memorable trying to convey through experiences during that time? “Bloed, Sweet En Trane?” What are some of your proudest moments in your careers so far? Playing to 10 000 people on a beach There are no messages. The lyrics at the Hohaiyan festival in Taiwan on the album are very personal and I think the proudest moments are was pretty insane, you can’t really hopefully people can relate to that. when you have just finished an album top that. Every international tour is and can play it to your friends and see special, cause you see places that you What’s your take on the South that they are enjoying it. I don’t think haven’t seen or don’t see that often. African music scene? any award can replace that. That is We have toured through the whole what we are doing at the end of the day, of South Africa multiple times in the I think the scene is pretty healthy and last 5 years, so to see different places there are good bands, but it is definitely creating music. are special. In June we played in De entering a new phase after MK has Melkweg in Amsterdam. It is an gone online. Hopefully the good bands If you could sum up your amazing venue, where massive bands experiences over the years in one will keep on playing and the fans will have played before, in an amazing city keep on supporting good music. word, what would it be? and the show was great. Obviously opening for one of the biggest rock FUUUCKKK With your album due for release bands of all times, Metallica, was a soon, do you have any tour great experience but that was on home Thanks for being a part of our schedules in the works? soil. second issue, we wish you continued success on your new album. Do you Yes, we are launching the album with What are the international have any final messages for your a tour all over South Africa, I am not audiences like, compared to local fans? sure when this is going out, but here fans? are the dates. Love you!
BREED OF WAR
NWOAHM
FROM LEFT TO RIGHT Jesse Sidders (bass) Ross Mitchell ( Lead guitar & vocals) Steven Swanky (Drums & Vocals)
Lately
we’ve noticed
Canada
showcasing some insane talent on the metal front.
is the perfect example of that.
They
Breed Of War
bring definite thrash metal to the table with a modern
twist; igniting jaw clenching anticipation for success on their behalf.
Once
you’ve heard this
combination of thrash and death metal, it will send the blood coursing through your veins. were recently fortunate enough to set up an interview with the band and see
We Breed Of War
from their prospective. If you’ve never heard of this band, do yourself a favour and go check them out.
Earth
shattering riffs, combined with talent and a passion for metal, nothing is going to stop these guys from rising to the top!
How long have you all known each other? What’s the story behind the formation of Breed Of War? Breed of War originally started as a project led by guitarist/ vocalist Ross Mitchell. Ross was looking for a few friends to jam with, and went through many member changes over the original years of the band. By 2012 Ross had been playing with bassist Jesse Sidders for a few years, as they were high school friends. At that point, they decided to get serious. Ross and Jesse put an ad out in a local paper looking for more musicians. Drummer Steve Swanky was the first to answer and joined the band in late 2012. Guitarist Alex Morales answered the ad a little later, and became a permanent member of the band in April 2013.
You guys are from Calgary, Alberta. What’s the metal scene like in Canada?
10 bands to 1 fan. This has created an atmosphere of incredible talent with no support to back the budding bands. Many of our largest local bands fail due to this issue.
What genre would you classify Breed Of War as, and what made you guys choose this particular genre? We would classify our music as Thrash Metal, more in the modern sense than the 1980s style. As a band we don't intend on only writing trash metal songs. Despite our personal genre preferences, as a band, our natural inclination is to create this type of music.
How can fans-to-be gain access to your music? Do you have any albums or EP’s out?
Who are some of your favourite bands in Canada and across the world? Our favorite local bands would be Divinity, Every Hour Kills, Archelaos, Vile Insignia, Blackest Sin & Pervcore. Across Canada: Strapping Young Lad, 3 Inches of Blood, Crimson Shadows, Beneath The Massacre, BEYOND CREATION, Cryptopsy, Quo Vadis, West of Hell.
What’s the ultimate goal for Breed Of War? Our goal is to become a professional, international touring band. Everyone in this band has a great passion for music, and we want to share that with everyone we can.
Thanks for being part of S.K.O.A Magazine’s second issue, is there We currently have one EP out entitled anything else you guys would like "Blood", as well as a single entitled to say about the band?
"Reborn". Both of these releases can be found for free, or donation, on our Check us out on Facebook, download While the metal scene in Canada Bandcamp, Reverbnation, Facebook our music for free & help support spans the entire nation, it seems to & Soundcloud Pages. Links: http:// your local talent! be routed out of Quebec & British breedofwarofficial.bandcamp.com/, Columbia. Most of the big name http://www.reverbnation.com/ bands you know and love are founded breedofwar, https://www.facebook. out of these two. Here in Calgary, com/BreedofWarOfficial, https:// Alberta things are a little different. soundcloud.com/breed-of-war-official Our scene is based entirely of musicians and bands, with a ratio of
OTHER GREAT BANDS FROM CANADA
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WWW.FACEBOOK.COM/THREEINCHESOFBLOOD
WWW.FACEBOOK.COM/THREATSIGNAL
HTTP://BREEDOFWAROFFICIAL.BANDCAMP.COM/ HTTP://WWW.REVERBNATION.COM/BREEDOFWAR HTTPS://WWW.FACEBOOK.COM/BREEDOFWAROFFICIAL HTTPS://SOUNDCLOUD.COM/BREED-OF-WAR-OFFICIAL
In the end, the music should count anyway, not the label that’s tagged to it.” FROM LEFT TO RIGHT Sathonys (Guitar & Clean Vocals) Till Ottinger (Bass) Ashtrael (Vocals) Thilo Feucht (Guitar) Manuel Steitz (Drums)
In Darkness It is quite inspiring at times to find a band that does exactly what appeals to them and don’t get bothered by what anyone might think. Taking a chance to follow a different path, or to tread where no-one has gone before, can be a long and gruelling process to say the least. It’s almost too easy to just play it safe and to fall in line with whatever the rest might be doing. Though it often gets accepted by the majority despite that it has little impact in the long run because of that. Or instead of following your own creative vision, to get side-tracked or even overwhelmed by an outsider’s opinion, causing one to live another person’s dream instead of your own.
some financial assistance with their second and more polished demo ‘Near Dark’. Soon after they signed with Nuclear Blast and was scheduled to start working on their first debut album ‘Blacken the Angel’. This was a rather problematic time for the band due to Vlad’s short visit to his home country Romania, which turned into a massive problem when he was denied permission to enter into Germany again. Akaias from the band Asaru was the one to contribute vocals on this particular album. After this Agathodaimon had the pleasure to do some extensive touring before entering the studio once again to work on the follow up ‘Higher art of Rebellion’.
This brings us to Agathodiamon. I must say that this band sticks out like a sore thumb. It is quite apparent that they couldn’t care less to be compared to any other band. Following their own formula, which is meticulously crafted, they have somehow created their own eccentric blend. Their roots stems from deeply within the Black Metal genre but with a bit of a twist to it. It’s infused with so much more, beautiful layers of electronic synthesizers, moody Doom Metal passages with even a gothic overtone, which is quite prominent within the sound that is Agathodaimon.
Up until now Agathodaimon has pushed out many brilliant albums including their milestone album ‘Serpent’s Embrace’ which included fantastic tracks such as ‘Cellos for the insatiable’, ‘Light reborn’ and my personal favourite, ‘Limbs of a Stare’. This album showcases them at the top of their game. Followed by their 2009 release ‘Phoenix’ an even further evolution in sound proves that this band just keeps evolving and reveals new layers to their already dark and diverse sound. Finally their long awaited album entitled ‘In Darkness’ has recently been released and this does not disappoint one bit. I have been hooked on it ever since… Actually I would go as far as saying that it’s most definitely one of the top Metal albums that 2013 has to offer.
It hasn’t always been a smooth and easy ride for Agathodaimon. Despite facing many line-up changes and conflicts due to musical differences, they have made the best out of their situation and developed a sound unlike any other. We had the pleasure of getting an interview with Sathonys, who has been a member of Agathodaimon’s formation took place in 1995 Agathodaimon right from the beginning, since and their first demo ‘Carpe Noctem’ was soon 1995. to follow in 1996. They received much positive feedback and Century Media granted them Photo by: Natalia Kempin
Black Metal has always had its requirements to be met, in regard with its raw sound and visual elements; it is rather easy for a band to get labeled incorrectly or to be passed off as not to be “true” Black Metal. What type of feedback do you get as a band due to the wide variety in Agathodaimon’s music? Well, in the early days, there’s been lots of discussions about commercial aspects, trueness and stuff like this- getting death threats was normal, hehe. But I think meanwhile everybody should know that we don’t claim to be true Black Metal. We see Black Metal as the main influence, but I also always mentioned that in my opinion, Black Metal is a form of music that also allows a big amount of artistic freedom, I do see Black Metal as kind of an approach to music in general. But my definition surely does collide with those of others, so we don’t really use the term “Black Metal” that often. In the end, the music should count anyway, not the label that’s tagged to it.
have on the creative force behind Agathodaimon? When we were separated from Vlad in the early days that was a hard thing to deal with, as I considered him as the creative motor of the band, while I rather took care of business aspects. When other musicians left, it was easier to get over it, although some changes of course were rather sad, like Akaias leaving to move to Norway. It always takes time to get on track, so every line-up change is something I would like to have avoided. But, at least we got a great line-up at meanwhile, and I hope it will last for many years to come!
“Daimones”; so it’s also winking to the narrow-minded Black Metal guys.
What aspect of being in an extreme metal band is most enjoyable? The studio/recording facet or playing live, especially since Black Metal has had some notorious episodes on and off stage? Studio recordings suck. Giving birth to a song is like giving birth to a child, it hurts. I rather enjoy playing live, getting feedback, and “feeling” the songs on stage.
How would you envision the future progress of your band, within the next five years or so?
The word Agathodaimon has a few meanings to it. How would the band Oh, I don’t know. There’s no master translate it in their own words? plan, we simply try to continue what What does it mean to you?
Oh well, I had a lengthy explanation on our website years ago, about all possible meanings of the word. I bet no one ever read it in its entirety. There are too many aspects to mention- but, I’ll give you a random Germany has delivered numerous one, and that is about the so-called amounts of powerful names within “Riddle of the Agathodaimon”, that’s the Black Metal scene such as about an old riddle from ancient Agathodaimon, Dark Fortress, Greece, and it’s said that the one who Falkenbach and Nargarot. How is is able to solve it will be initiated the general relationship with the to the wisdom of the gods. Many Norwegian counterparts? scholars tried to solve it, but it seems impossible to do as it’s not 100% Well, we’re not a very social band, sure how to translate it to a modern so there aren’t close connections to language. So it will remain a secret Norwegian bands. I remember that obviously. Same as a secret message Fenriz of Darkthrone once sent me we hid in the artwork of one of our a postcard to wish good luck when previous albums, hehe. Whatever, we played Wacken in 1998 or 1999, we do see this riddle as a synonym but that’s about it. About the names to strive for perfection- trying to you mentioned, you shouldn’t forget give your best, but knowing that Endstille, Lunar Aurora, Negator or perfection can’t be reached. It’s not Secrets Of The Moon, by the way. And possible to write the perfect song, Nargaroth… well, the band has a very but you can come close to it, and ambivalent image here in Germany. we try to give our best. Also there’s We can’t take them seriously. been an ambivalent aspect to the name- Agathodaimon actually means After almost two decades the “good demon”, but comes from a band has had a few member time when even Homer (not the guy changes; what effect does that from Simpsons…) did call the gods
we did start with “In Darkness”. Right now it seems the next album might become more aggressive. But it’s too early to say. We’ll try to take care of it soon, and of course do lots of gigs.
What was your inspiration for the new album “In Darkness” with regards to a slower, more gothic atmosphere during the middle era of the band? Also in respect of the purer Black Metal beginnings like the album “Blacken the Angel? After “Phoenix”, we decided we should put more attention to the atmosphere of the album. That it has a partially slow feel to it is a coincidence- I did plan to contribute a real slow song, as I do love Doom Metal quite a lot, and this turned out to be “Höllenfahrt der Selbsterkenntnis” (which actually also partly is taken from an unfinished tune we worked on during the early days of the band!). And then Thilo came up with “Somewhere, Some when”, which is also quite slow. But we also had many fast parts, some being the fastest we ever did. Therefore I think it really fits to our discography. I wonder how it would have been
received if it would have had the same and influences, like we do. Question production as “Blacken The Angel”, as is, is it still Black Metal then? Or is I do see many parallels. modern Black Metal perhaps the same like in old days, just having a more The new track “Favorite Sin” came modern (sound-wise) production? as quite a pleasant surprise to me, Honestly, I don’t care. As I mentioned, especially with its mood-filled Blues it should be the music that counts, overtone, not to mention the lyrics not the discussion whether it’s true, making it a beautifully crafted modern or retro. I don’t give a fuck to piece. Who is the mastermind be honest!
behind this piece?
That’s actually Vlad and me- even after Vlad left the band, we met here and there to discuss songs. And I guess in 2006, we had a rehearsal session and did work on some pieces. And the opening (acoustic) riff I couldn’t forget since then, so I reworked it, added some more riffs and heaviness… I’m also much into Alice In Chains for example, and they were maybe also an inspiration here.
I always wondered if the purple tone in Agathodaimon’s artwork has been a decision since the early days, it’s quite a shift away from all the black and white that most metal bands incorporate. Has this been done for that reason? Well well, please change purple to blue. Although I like playing with words, we didn’t want to have Deep Purple as color, hehe. The artworks are meant to be blue, and its part of our concept to keep it like this. There are many aspects to it, but as you imagined, we wanted to show that we’re not only focused on Black Metal, but also incorporate other styles- as long as it fits the music, and has a dark touch to it. That’s where the blue color comes from ;) And that’s a reason why “Phoenix” wasn’t blue all the way- I didn’t see it in the true tradition of the band.
How would you define Modern Black Metal in 2013? Can Black Metal be modern? I think Black Metal is rather anachronistic. But you can mix it with other styles
Thank you for taking the time to do this interview. Interview by Leon Calvyn Kemp for S.K.O.A. Magazine. Thanks for the opportunity, and good luck with the magazine!
It’s not possible to write the perfect song, but you can come close to it, and we try to give our best”
Sathonys
Photo by: Natalia Kempin
THROUGH OUR DARKEST DAYS be able to adapt to survive and “ Youto should do it for your own sake because you love it.”
From left to right: Martin Buus (Lead Guitar) Peter Mathiesen (Drums) Renè Pedersen (Vocals & Bass) Jakob MØlbjerg (Guitar) 183 (Drums)
There is a much more to Denmark than meets the eye. It might only be a relatively small Scandinavian country with a population that just exceeds the 5.6 million mark, but it’s the place where Legos come from. Well, it’s where Lego hq is located to be more exact. It’s also the country where the legendary Mercyful Fate stems from. And I won’t forget to mention the pretty boys of pop, Michael Learns to Rock. The metal scene in Denmark is relatively small but they have quite a respectable amount of great metal bands worth mentioning. This article introduces one of these bands. They have been at the forefront of the Danish metal scene since their first release back in 1993 with a demo named ‘Domicile’. In 1997 they were signed to the record label ‘Serious Entertainment’ that gave them the opportunity to release their debut album ‘First Breath’ which was released within 1998. After this they followed with a string of fantastic albums
such as ’11 Dreams’ and ‘The Hour that Remains’, to name a few. After the release of ‘Architects of Lies’, the band experienced some difficult times when about half of the band mates dropped out due to inner conflict. They regrouped and jumped into a new album named ‘Metamorphosis’ which took a slightly different direction than some of their past albums. Now finally in 2013 they did it once again with the brand new album, (7th studio album) ‘Through our darkest days.’ This is the album that ties it all together, merging the old with the new and exploring some further terrains. We had the pleasure of catching up with Jakob MØlbjerg, to have a chat and to hear what is currently happening in the world of Mercenary. Jakob has been a part of Mercenary since 1995. So if there is anyone who can explain the inner workings of the band, he is just the guy to speak to.
Photo by: Nuno Alexandre keyboards, so it’s a very big help to do that. So I think we are improving our writing and preparation process of every album.
What is the main influence or inspiration behind the latest Mercenary Album “Through our darkest days”? It’s difficult to pinpoint one exact inspiration. Well, I think on the previous album “Metamorphosis” we wanted to try something new and make it sort of a minimalist album without a lot of layers and make it very direct and strong. We wanted to write songs that were meant to be played live. And this time the main inspiration for the album was basically to look back on all of our previous albums and try to use the elements that we like the most, and bring it together with the direction we took on “Metamorphosis”. So it’s some what of a ‘looking back’ album or ‘greatest hits’.
What have been the most memorable moments on the last tour?
After being on the Metal scene for quite a long time, do you find that it gets easier for a band? In terms of the preparation before entering the studio to work on a new album? Yes, I think when we are a bunch of people together, whether it’s in the music business or otherwise, you just get to know each other and you get to know the work load and get to handle it better. This time we were rather well prepared; we had spent a year writing the songs. We actually recorded most of the guitar parts in our rehearsal room in order to save time and to be more focused in the studio. I think, for us at least, it’s a big help to know each other and to work on the material in studio because we have lots of layered vocals, guitars and
We did a tour in 2011 and we did this with Nevermore and Symphony X, and on the last evening of that tour was a show in Holland. That was very memorable for several reasons, first of all there was a great audience and we had a great show. But we also knew there was tension within the Nevermore band, and we always have been big fans of those guys so we felt that it was probably the last time the band was going to perform together with that lineup. That was very special, and a weird feeling. During the Symphony X show all the bands got invited on stage and we fooled around and sang along on one of the songs. So that was one night that stood out in particular.
After listening to “Through our darkest days” there is an even a stronger sense of a progressive element compared to some of the previous albums.
How has the songwriting been approached this time round? Well, on the one hand we wanted to really do what we are best at, and try to get at the very core of that, but not in a minimalist sense like on ‘Metamorphosis’ where we tried to use less layers and vocals. We found that the core was to probably overdo things a bit, to make it a bit cheesy, if you will, like doing lots of layers of vocals and so on. So that was in a way our mindset in terms of songwriting, arranging the songs and the production. That kind of shifted the whole thing that we wanted it to be bigger, bolder and slightly more symphonic, but still with the sense that they are serious songs.
How do you as a band stay motivated after so many years? There are always new obstacles and situations, we have not been very lucky in terms of line-up. We had to change lead singer twice and that’s probably not a very healthy thing for a band to do in terms of keeping the fan base. But on the other hand it’s what is necessary for the band to survive. My point of view has always been to look at the next step and to look at what we can do now to improve things, and see how we can improve the relationship with the fans. If things just remained the same there would be no more challenges. Just writing music and releasing it, then it probably wouldn’t be too motivating to do, but I think we have been through some challenging times and that is also a big motivation.
In 2009 this band went through some big changes and Rene Pedersen took on the role of the lead vocalist, do you feel that this had a profound effect on the way that the band works as a unit now? Yea, definitely a lot, we were six people and tried to have it as a democracy, like being one group and discussing everything and not having
one band leader. But it just didn’t work out because people had different mindsets. So when we had the lineup change we sort of got past all that. I think being four people instead of six makes everything so much easier, and we were also agreeing more on which direction we wanted to take, for example, stage appearance and so on. So I think it makes us stronger as a unit and everything is more focused now.
I won’t say we have an ultimate goal. It’s always about the next step. Some musicians I know would say the greatest goal is to just make a living out of music. But I have never seen that as a very constructive goal at all, because then it becomes your job. A lot of bands who are making a living out of it, maybe tour for six or eight months a year to do it, and then it’s probably not a matter of passion anymore. Then it’s about having to do it to pay rent and getting by. For me it’s much more important to keep the passion alive and do it to the extent You are one of the most notorious that you can have music in your life metal bands to have come out of as you grow older. The average age in Denmark so far, but would you Mercenary now is above thirty, and say that it has an advantage or now it’s something other than being disadvantage, or would you have in your twenties without having other preferred to have been stationed in commitments. So I think for me the a country such as America? ultimate goal is always to build and to improve things and, of course to make No, I think the American scene is music that you are passionate and feel probably really brutal. Not in terms of honest about. Of course you want the the music, but it terms of recognition. music to have an impact on the world We are quite privileged in a place like and for people to like it, and then it is Denmark. There is a lot of support a success. We don’t have an ultimate from the government if you have a goal like sales or whatever, but if we show and you need to go to another could get a gig with Metallica it would country. You would receive money probably be the closest thing haha. to cover your expenses and as a band that’s very beneficial. I think that in How does the metal scene differ in America or other countries, it’s too Denmark compared to the rest of much of a raw marker condition. If you got money you could do it, and if Europe? you don’t you are fucked. If you had to The scene is quite small actually, I live in a van and tour all the time, it’s truly really tough. Then you probably think for our size we have been able to want it so much, so maybe it’s a good put out some pretty good music, also bands like Amaranthe, Hatesphere, thing for some bands. But I think a lot of bands could have grown to be a Pretty Maids and Mnemic who were all on the rise five to seven years big band and just called it quits way too early. So I think in Denmark it’s a ago. There are some bands with a clearly recognizable style so I think really privileged thing having a band it’s quite good for a country our size. here. On the other hand the scene is quite small here, so when you release It’s interesting because in the 90’s most bands played straight Death an album we typically play eight to ten shows to cover the whole country. Metal; that was how I experienced it, at least. But now I think bands There isn’t really airplay on the radio are much more diverse and they are or coverage in the media, so it’s all willing to take a chance, so I think underground being in such a small that is very healthy. I guess in time it country. At least to some extent the will show if the younger scene will be media outside of Denmark is much able to do that as well. Ten years ago more open to Hard Rock. we could actually get a record deal and an advance to cover our album What is the band’s ultimate goal? recording, and it seems today like people are even paying to release their
own albums. So it might end up that the only bands releasing albums are the rich kids, so I don’t know if that aspect is very healthy.
What advice could you give to new up and coming metal bands? I think you have to do it for yourself, people should be very careful about making any ultimate goals, like saying we want to make a living or money out of it. You should be able to adapt and be passionate about the music and see where it goes. You shouldn’t have a fixed mindset going into the music business about what you should and shouldn’t accomplish, because it’s very easy to get disillusioned. You should be able to adapt to survive and to do it for your own sake because you love it.
So don’t set your expectations too high? It’s great to have high expectations, but sometimes too high expectations could be destructive, because then you realize that you’re not going to sell a million albums….because nobody does that, so just adapt those goals to how it is in 2013
Hopefully we can one day see Mercenary perform in South Africa, are there any future plans for this? I hope so. We were in touch with some organizers about five years ago. But that has been the only time we have been in contact. I hope somebody that reads this interview would be willing to contact us and set up a show.
Thank you for taking part in this interview. You’re welcome, it was a nice interview so thanks a lot, take care. Interview by Leon Calvyn Kemp for S.K.O.A Magazine
Photo by: Nuno Alexandre
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It’s great to have high expectations, but sometimes too high expectations could be destructive”
W O H S EAK
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Sleazy heavy metal at its best! Sweden has a lot to offer on the metal front, and Fatal Smile are a shining example of that. This band has been going at it for a long time, and they’ve definitely left their mark. They started work on their debut album in summer 2001, and the album titled “Beyond Reality” was released early 2002. Since then there has been no place to go but up! After a change in the line-up in 2006, they now roll with the complete set. Their latest album titled “21st Century Freaks” was released on May 14, 2012, and man, let me tell you, it’ll blow your mind. Their first single from the album was “Welcome To The Freak Show” and, deservingly, went gold in June 2012. This album was self-made, produced by Mr. Y, engineered and recorded by Philty, and mixed by the pair
together. On the three year anniversary of the death of legend Ronnie James Dio, Fatal smile paid tribute by releasing their single titled “For The Last Line” in memory of Dio, and the legacy he left behind. The band’s music video for the song “Welcome To The Freak Show” was definitely one of the best video’s I’ve seen, incorporating every aspect of that dark carnival feel, with the freaks, the weirdo’s and the twisted. Sleazy does it\m/ We were lucky enough to get an interview with Fatal Smile. We spoke to their vocalist “Blade”, discussing their experiences over the years, what fans can expect from their crazy live performances, and everything Fatal Smile is about. As the band would say, “Let the Freak Show begin.”
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it´s like a venom you can´t live without”
PHOTO BY TALLEE SAVAGE GRAPHICS BY MATTIAS SAVAGE
Th
om as Voc Blad als e
Alx Bas s
PHOTOS BY TALLEE SAVAGE GRAPHICS BY MATTIAS SAVAGE
Fatal Smile has been going for 10 years, and in 2007 the entire line-up of the band was changed, how would you say the band has changed since then?
Who are some of the bands that you grew up with, and did they have a big effect on the genre of music you make?
Whatever we do in life is affected by Everything! A band is its members, the fabric moulded by experience the chemistry between them and the and it´s undeniable. I probably haven´t done much in life that music they make! hasn´t been inspired by something saved deep within. Who left those Since the release of your patterns in my fabric is a question third studio album “World I can´t answer though. Probably Domination”, you guys have mostly idiots like me and my peers. toured with some phenomenal I believe we´ve had the great fortune bands, what are some of your of touring with most of them, like most memorable moments? Dio, WASP and Queensryche, and hanged with our heroes at festivals I´ll never forget drinking doctor’s backstage. I have probably gotten alcohol in our tour bus with the them a beer of something so that Finnish guys in Lordi; or when debt is all paid ha ha. Queensryche didn’t show up for the show in Switzerland until we´d During one of your gigs in started playing. Luckily they had rentals that had been delivered, and Copenhagen, bassist Alx we had already opened all the cases, shattered his knee when falling built their stage, and sound checked off the stage, for those who haven’t been fortunate enough to so they could just jump off the bus see a live Fatal Smile show, what and onto the stage, and play so can people expect? nobody noticed. But how Ronnie James Dio introduced himself is what’s affected A bunch of drunk motherfuckers going totally nuts!!! me the most. And of course some fires, smoke Doing long tours together means and brimstone! And a display spending a lot of time together, of powerfulness… is that even a sharing hard and happy moments, word…? celebrating birthdays and stuff. We´ve made friends for life that are We have some great songs and live we get all into them and totally important to us today. explode, literally! Some say it´s It has been proven that no matter pretty cool! what transpires, Fatal Smile will Fatal Smile has a very unique still continue writing songs and bringing out albums, what keeps style in terms of what you guys wear for live shows, music videos, you motivated and inspired? photo shoots etc. What would you describe it as, and what To this question I have always answered butt naked women and inspires it? booze, but today I´ll be more serious and go with: each other! I think we Our looks come from the first video do this for our brotherhood. We we made for the first single of the have a seriously good time with each album we´re touring for. Right now other, at least a very happening time, our live show is basically the video and it´s like a venom you can´t live for “Welcome to the Freakshow” without. taken to the stage. In that video we´re freaks and so we are live as
well. For the next album I think we´re gonna be angels! Or little frogs jumping around on one leg….
Would Fatal Smile ever consider a trip to South Africa if given the opportunity? Absofuckinglutely! As a matter of fact we were delighted to find out we were booked at a festival there last year and really disappointed when it was cancelled. We were looking forward to going on a safari to catch some foxes and squirrels. That would be something! Perhaps even moose? I truly hope we´ll get another opportunity to go to South Africa! That would be fucking awesome! Or at least see a moose? Ha ha ha… no seriously… How´s your food? Hot? Damn I´d like to try some!
Thank you for taking part in the second issue of S.K.O.A Magazine, anything else the band would like to add? Thank you very much for having us in your shiny publication! It´s an honour! A real fucking treat would be if you South Africans would buy our fucking album so that promoters would think we´re huge down there and book us for an entire tour round your domains! That would be fucking great! So the message is: Buy our stuff, request our songs on radio and rock clubs, spread our shit on Facebook and shit! We want to get our asses over there! And also... Peace & love and take care folks!
Yxan r a t i Gu
thy l i h P s Drum PHOTOS BY TALLEE SAVAGE GRAPHICS BY MATTIAS SAVAGE
ASHTON NYTE
Photo by: Rose Hemlock
Considered to be a pioneer of alternative music in South Africa singer, songwriter, composer and producer Ashton Nyte, now based in the U.S.A is ready for a new artistic chapter. After 8 Awakening and 5 solo albums the stylistic diverse Ashton is about to release ‘Moederland’, a 13 track album composed in Afrikaans. We spoke to him about paying homage to his heritage, life in the US, touring and the future. You have often been compared to both David Bowie and Johnny Cash with your baritone vocals. What are your views on that?
I’ve been fortunate that both my solo work and work with The Awakening has enjoyed a relatively warm international reception over the years. The Awakening has always had wonderful support in the US, Germany, UK and a slew of other European countries. Scene-wise, South Africa certainly tries harder and is ultimately more successful than most of what I’ve experienced in the US though. Maybe it’s our hunger, or our exquisite red wine but we seem to have a deeper appreciation for art and artists, generally speaking.
Your fans know you as a diverse artist, and ‘The Valley’ had an alternative country feel to it. What inspired this?
As a fan of both of those artists, I do find the comparisons rather flattering, It was just something I wanted to do. I try to stay true to where I’m thank you. at artistically, although I’m sure it confuses people from time to time. Your latest and much anticipated I often try to strip away layers (or new ‘Afrikaans’ album is to be add others) to reveal something released soon. Please tell us more more vulnerable or authentic or just about ‘Moederland’, and will it be different. The Valley was one of those an exclusive South African release? stripping down moments. And I have a fabulous cowboy hat that needed a There is something surreal that soundtrack. happens when you’ve been away from home for an extended period of time. What was it like performing on “Moederland” is certainly a product Voice of America? Any other festivals of my renewed appreciation for my or gigs you will always treasure? home country. It has been pretty inspiring to literally find a new voice, It was pretty daunting knowing that with the Afrikaans debut. Lyrically over 60 million people were listening the album hopefully pays homage to - but I’ve always enjoyed a crowd ;-). the Afrikaans language and it’s unique Conversely, we played a tiny show influence and expression, especially in in a shotgun-style bar in Louisville the context of poetry and prose. The Kentucky during The Valley tour, album will be available worldwide in where we practically performed in October, at long last. the crowd, as there was no stage. The immediacy was invigorating! Have you once again played and I’ve been touring the States in one recorded most of the instruments form or another since 2004 and it’s yourself on the new album? still rewarding to simply be able to do it. There are certain towns (like Yes I played and sang it all, with the New Orleans) that are so inherently exception of the beautiful duet vocals magical, that the show is just a bonus on “Lukas”:-). and then there are other towns (like LA) where the show had better be You have been based in the US since spectacular ;-).
2009. What is the scene like, and what was the response to your music over there?
The new Awakening – Anthology XV is out, and then you also have a new EP planned for later this year. Will these be available through Intervention arts or do you have a distribution deal set up? Anthology XV is currently only available digitally via iTunes, Amazon etc or from our official website. We will press up physical copies, should we be able to tour SA in the foreseeable future. All my work is ultimately available via Intervention Arts. Oh and the EP may have morphed into an album...
In spirit of your creative surges, you also have a new project planned. Can you tell us more about this? Only that it has been in the works for a decade :-). So yes it’s gone through a few changes but has a strong enough identity of its own to warrant its own space in the universe. I must confess I am very excited about it.
With ‘ The Valley’ you toured extensively, do you have any tours planned for the near future, and might this include a trip to South Africa? We hope to be announcing some tour dates soon for both The Awakening and my solo work. As it currently stands, there is a chance I will be in SA for some solo shows in December but we are planning a full Awakening tour for early 2014!
What does future plans include, any last words for your fans? My immediate future is filled with various artistic outpourings and some glorious collaborations. Thank you to any and everybody who has ever listened to one of my songs or come to one of my shows - you are truly, truly appreciated! Oh and please visit www.ashtonnyte.com and www.theawakening.com ! Ashton x
PAULS CORNER
R E N R O
C S ’ L U A SONG CHOICE P Paul Hodgson Photo by: Chan Shisler and Carel Scheepers
Our trusty van that we’ve been driving all around America for the last two years or so has finally been retired. The first time we went over to America we had a six-week tour, and hired this van for $4000 from another band in LA. It was a big old Dodge Ram from the 90’s, and we drove about 14,000km that tour. When we went back for the next tour we contacted the same guys about renting the van again, and they offered to sell it to us for $3600, so that was a good deal. We drove this van all around America and Canada for the next two years, each trip was always between 10,000km and 15,000km. America is BIG and drives between cities are usually between 7 hours and 12 hours. So we did a lot of driving in that van. On our last trip it finally gave up the ghost. It had been slowly dying, at the end of each tour something else had broken. The brakes failed a few times. The gearbox packed up, the suspension was stuffed and the air-con once worked for about week. So driving through the desert was a lot of fun with no aircon. We’ve also driven through snow storms and a narrow, twisting snow-covered mountain pass. That van had literally been everywhere! We had to drive from LA to Boston, Detroit and finally to NY to fly home. We suspected the van wouldn’t survive such a long journey, and we knew we’d have to get rid of it once we made it to NY. Unfortunately we didn’t even make it through Nevada. The radiator finally blew in a small town outside Vegas called Mesquite. We had to hire a van to continue the journey, and then our sound engineer Grant Bez had to drive the van back from NY to Vegas on his own.
(as we do with every album, it seems we’ll never learn!) there’s also always the last minute process of deciding on which songs get to make the album. We always record between 15 and 20 songs and only 12 or so can be on the album. Obviously not all the songs turn out the way you had imagined. Sometimes they turn out better, and sometimes they turn out worse. For example, on this album we’ve been working on a song called “Heartbreak Horison” for ages, and we’ve even been playing it live. It was always expected to be the first single. There’s quite a nice version we did at SXSW this year on YouTube, but somehow the recorded version didn’t come out that great. I sometimes find you can actually ruin a song by overworking it, like trying to impose one speed across the entire song instead of letting it speed up and slow down as happens when it’s played live. Or trying to add too much to it; too many guitars, strings and synths and choirs and stuff. Often those things can make a song awesome, but sometimes they can take away what made it special. So unfortunately “Heartbreak Horison” isn’t making it onto this album, none of us were totally 100% happy with the way it turned out, but we haven’t given up on it. It’s a great song, and we’re definitely gonna give it another bash as soon as we can.
There’s always a bit of a debate between the 4 band members, our manager and our producer about which songs should be on the album (and of course the various opinions of our wives, girlfriends, friends and family.) Obviously you have your personal favourites, but the producer also has his opinion and our manager wants strong radio singles, songs that are good for movie and TV synchs, etc. So eventually we It’s a long story, and I did a blog post recently if you have to settle on what we can all agree is the best want to read about it in more detail, check it out collection of songs for the album, and sometimes here: http://paulhodgson777.wordpress.com your favourite song doesn’t make the album. We are planning on one day releasing a “B-sides” collection When we landed back in South Africa we got to of all the various finished and half-finished songs work on finishing our latest album. We’d recorded we’ve built up over the last couple of years. most of the songs already, but just some bits and pieces needed to be completed. We also ended up The album is finished now, we’ve settled on the best doing one last song with Jon Savage that made the songs, got all the artwork sorted and it should be album, a very last-minute song that actually turned out by the end of September. We think it turned out out really well. We’ve also included the mashlab pretty well, and hopefully you all enjoy it. song “Sleepwalker” that we did with Jon Savage and Khuli Chana on the album, another surprise song Until next time, cheers! that turned out better than we expected. Besides leaving our artwork to the last minute
METALMORPHOSIS 1994 for Thunderfuck ‘Zine
interview
‘Democracy’ is aimed at all the fuckin’ corrupt politicians who speak loads of bullshit to get elected, and do less than fuck-all to improve the world around us, never living up to those promises.
Will there be a national tour in support of the album?
You just released your mini album ‘Embrace Your Creation’ on the Inhouse label. How was it received? So far the response has been most positive, it has a lot more direction and feel than our rehearsal demo ‘The Spawning’. We’ve had unbelievable interest from already 34 different countries
We’d love to, but members of the band have day ‘9 to 5’ lives, so it’s difficult to tour. We’ll try reach out and play in as many places as possible. Our home town comes first, Pretoria and the Vaal are almost certainties, while Durban and Cape Town are still in the pipeline.
METALMORPHOSIS
As you would know we stand for antiwar and anti-violence. Some of the songs are very personal and inspired by the fucked up world we have created. ‘Embrace Your Creation’ is if you could imagine being a small child in a war torn country, having your family killed in front of you and trying to live and cope with it.
Your favorite gig? Our gig in Durban with Carcass. It ripped! We played in this absolute dive. It was packed and the crowd was let out of the asylum for the night. They were moshing and diving before we even struck the first note. Transforming bad energy into good? Metal has many advantages. Energy wise? Mmm, bad energy into good? Well, I think it is all a matter of a person’s perception. Metal has negative and positive energy. Personally it is an outlet for all my negative stress.
At the moment metal is going through yet another resurgence in You possess a lot of anger on stage, popularity, your view on this? why is that?
It’s my way of getting the point across. The songs we play are personal and I’m passionate about what we write, I have The production is pretty thick and very deep feelings about the songs. This meaty. Was it done entirely by emotion spills over Phillip Nel or did the band coand comes to the fore. produce? It’s not a pretentious thing. It’s fuckin’ real. Phil ‘flew’ the desk. We very much Just my way of saying went with his decisions. Yet he always ‘fuck you warmongers, asked if we were happy with what he you corrupt ones, see was doing. He’s a task master and how fucked our world knows his stuff. really is’. Different song, different behaviors.
What inspired most of the songs on the album?
and ol’ Blue eyes Frank Sinatra.
What other bands do you admire? Personally I have many favorites. I dig most types of music. My current favorites are Slayer, Pantera, Prong, Bodycount, WASP, Carcass, White Zombie
Metal’s always been popular. Only in this country fans are fucked. I’ve traveled abroad and seen bands play live. There you’ll see a Bon Jovi fan
Any word to the ‘Sleaze Patrol”? To all we’ve partied with and spat on, you rule and remember Long Live The Loud!
e Th e v i L g n o L Loud!”
METALMORPHOSIS
at a Slayer show, or a Sepultura fan at a Poison gig. Over here you’re a faggot if you like Bon Jovi. All fans are divided ‘cause not many rockers attend a metal gig and vice versa. We will have a lot more exposure if people opened their minds. So what if you dig Death and Rock and Grunge!
Tattooing has been practiced for centuries in many cultures, particularly Asia, and spread throughout the world. Today it has become a very popular form of expressing yourself, a form a memorabilia or even a fashion statement. In this article we will be looking at its origin, and how it has changed from then to now. The word “tattoo” originates from the Polynesian word “Ta” which means to strike something. Another word it originates from is the Tahitian word “Tatau”, which means to mark something. It has many different words in each culture, but the word “Tatau” was introduced into modern English as a loan word, and its pronunciation was changes to “Tattoo”. The methodology of tattooing has profoundly changed over the years. If you look back at a method called “Tā Moko”, which was a permanent face marking by “Māori”, the indigenous people of New Zealand, and you look at modern methods of tattooing, it has changed drastically. Modern methods and techniques allow for a range of previously impossible designs and colours within tattoo art. Back then these markings were considered to be sacred, whereas today it is perfectly common to get tattooed.
Tattoos are now a true from of art, and talented people all over the world who pursue this art, are responsible for creating masterpieces people will treasure forever. There are so many historical significances in tattooing, and the fact that it is incorporated into a modern life style, as a form of expression and not a form of repression, is a truly great realization as to how far we have come. So the next time you get tattooed, whether it is the completion of a piece you have already started with, or even if it your first tattoo ever, do some research on the origin of this art form and your appreciation for it will grow. It might also inspire you to get a piece done that you will treasure for the rest of your life. In the spirit of this art form, S.K.O.A Magazine feature incredibly talented tattoo artists from all over the world in every issue. On the next page you will find one of these artists. We were fortunate enough to get into contact with John Maxx for an interview. He originates from Bucharest, Romania, and by the looks of his work, it is not premature to say that he will have continued success in this profession for many more years to come.
Tattoos were also forcibly applied. A well-known example of this was back in 1941, in the Nazi concentration camps during the holocaust. It was called the identification system, where the Nazis introduced the practice of tattooing in Auschwitz. They used it as a method of identifying the bodies of registered prisoners in the concentration camps. During registration, they would pierce the outlines of the identification numbers in to the prisoner’s arms. References – Wikipedia, the free encyclopaedia
When did you decide to pursue the art of tattooing, and what were you doing before that?
When I am not tattooing I like spending my time doing sports like wake boarding, fishing, enduro, bike driving in general, and boat rides in the summer. In the winter I love snowboarding. All these activities relax me a lot and allow me to clear my mind. I have to say I don’t have too much free time cause most of my time I tattoo, and I love it most of all.
For me personally tattooing is more than a job, it’s a lifestyle and it’s a way of life. It’s the best life I can imagine. Don’t get me wrong I decided to start tattooing in it’s not easy, working hours are 2001 when I had the offer from exhausting sometimes, and after someone to teach me in exchange work you have to keep practicing for some paintings on the walls and draw as much as you can of his tattoo shop. At first I was to improve your style, but the excited to learn something new, rewards you have are amazing. You something connected with the art can travel the whole world, see of drawing but as I started to learn wonderful places and meet a lot of more, the more I loved it, and now What would you say your good people and amazing artists, after 12 years I still love it every favourite style of tattooing is? Do inspiration is at every glance. day more and more. you get to do it often? Thanks for being a part of How long did you do your My favourite style of tattooing is S.K.O.A Magazines second issue, apprenticeship for? realistic and surrealistic. I love it, any last words? and for the last two years I’ve tried I did my apprenticeship for almost to do only this style. In the last I want to thank you for your one year with more than one artist. year I am thankful I have a lot of appreciation. It’s an honour to be I tried to learn from everyone I customers that appreciate my style part of this new project. I will try met. I spent a lot of hours watching allowing me to do only works that my best every day more and more, others tattooing, and reading about I love doing. This way I can try and and I wish you all the best in the tattooing everything I could get enjoy the most of my works and future. my hands on, which in that time give my clients the best results I was very hard to find especially in can. my country . What’s a typical day in your What tattoo parlour do you profession like? work for, and what can people expect when they go there to get A typical day in my work, well tattooed? in the last year it’s not so typical because I travel a lot in guest In the beginning I started to spots and conventions, and every work for the tattoo parlour that I place is different. I meet a lot of did my apprenticeship in, it was new people and a lot of very good called Planet Tattoo and it was in artists. When I am in my shop a Bucharest, but now it doesn’t exist typical day is coming to work at anymore. I worked there for one eleven, or twelve. I meet with the and a half years, and after that I client, we speak about the project, opened my own shop with a friend and we change or design together of mine called BodyArt, and we his ideas and mine, and start to had that shop together for nine work sometimes even until 10 o years. Two years ago we decided clock in the evening. to go separate ways so I opened another shop alone called Radical Can you describe what tattooing Ink. means to you personally, and what people who are interested What are some of your hobbies in pursuing the profession can and interest when you’re not expect? tattooing?
CYNTHIA JOY LADIES OF METAL
Meet Cynthia Joy; a talented and beautiful model and spokesperson for Ladies of Metal. For those of you who don’t know what Ladies of Metal is, go check out their Facebook page and website. Help support them the way they have been supporting the metal scene. We were fortunate enough to interview Cynthia Joy recently, and find out exactly what Ladies of Metal are about. We also got to know Cynthia a little bit better. When did you decide to pursue modelling? I began modelling on and off at the age of 17, but didn’t really start to get so involved and serious about it until last year. I actually always assumed I’d spend my life doing photography, and I still may! I see myself as a versatile artist. Modelling is one of the few mediums I practice with. What are some of your hobbies or interests? I play a ton of video games. Right now, I’m super addicted to Final Fantasy XIV (I play on Behemoth as Acacia Wormwood if anyone else plays!) but I also really enjoy keeping to myself and being alone. On the opposite side of that spectrum, I love hanging out with my friends, husband, and loved ones whether it’s going to shows, being outdoors; I want to do everything all the time, so my hobbies and interests are varied. You are one of the many models for Ladies Of Metal, what is Ladies Of Metal? When did you become a part of it? Ladies Of Metal is an agency made up of girls who work to promote the hardcore/metal scene in a positive light. We model merch, work events, promote any way we can. We really just take our love for the music scene onto a more pro-active level. I’ve been a part of LOM since June of 2012 and have loved every second of it! I’ve met such amazing people and made lifelong friends because of LOM. I’m very, very blessed and grateful to be one of them. Where can people get in contact with you if they would like to book you for an event? You can request me through the LOM website by visiting http://www.theladiesofmetal.com/booking.html! What are some of the events that you have been a part of? I just wrapped up two major summer metal festivals; I
had the privilege of working alongside Born Of Osiris during the Rockstar Mayhem Energy Festival with helping promote and run their meet and greet. I also had the opportunity to work The All Stars Tour for Set 4 Lyfe Apparel. Every event is such a great experience. I love connecting with fans and being reminded of how passionate people are about music. Do you have any advice for young girls out there trying to make it in the modelling industry? Be sensible and realistic. It’s very easy to get caught up in the glamorous image modelling portrays. Don’t do anything you’re not comfortable with no matter what people tell you. It’s so easy for someone to get a girl to take their clothes off for the promise of some extra money or a little bit of publicity. Just remember, those things will eventually go away, your actions won’t be as easily forgotten. Also, always be proud but humble, headstrong and relentless. With these qualities, you’ll be a force to be reckoned with. Thank you for being a part of S.K.O.A Magazine’s second issue, is there anything else you would like to mention? Thank you very much for giving me this opportunity! I think it’s very important that we, as artists, continue to push the boundaries of the norm and expand further into society’s cookie-cutter image of beauty. It will be nice to some day blur those lines where people who choose to dress or act the way they truly want won’t be looked down on.
REVIEWS A MUST HAVE ALBUM TO ADD TO YOUR COLLECTION
Carcass Surgical Steel Carcass is back and tighter than ever. Glorious riffs and more blast-beats on the drumming front. There’s the melodic suss that’s characterized their work since Necroticism set the standard back in 1991, with the morose bounce and classic rock harmonies of Swansong, all tied together with the classy, weighty crunch of Heartwork. Surgical Steel is their finest hour packed with an insane amount of dynamics and unmatched intensity. If you had any doubts about a stripped down record or any anticipation of Carcass moving backwards into their old grinding ways, you can lay those thoughts to rest. Surgical Steel is the most anticipated metal album of 2013, and it doesn’t disappoint! alongside one of the best vocal performances in modern thrash. The deluxe edition comes with a bonus disc of rerecorded classics.
are ahead of their game, and stand out head and shoulders above much else that is to offer out there. This album is a listening experience cemented in quality, a brilliantly crafted blaze of melodic ingenuity, and must have for all fans of Melodic Death Metal.
Annihilator Feast Annihilator is only getting better, and with ‘Feast’, their strongest album since ‘King of The Kill’ they surprise with some moments you won’t see coming. ‘Feast’ has everything from thrash to funk, and even a ballad in the form of ‘Perfect Angel Eyes’. This album presents every aspect that works with the band, clean melodic guitar melodies, thrashing riffs and beautiful lead-lines from Jeff waters. The man can lay down some crazy sweeps. Feast is a great assault of technical thrash
Deals Death Point Zero Solution Everything about this album impresses, the technical skills, production and structure. Deals Death has that something special, and with Point Zero Solution they force you to take notice. The vocals are brutal in true Swedish Death Metal style, melodic atmosphere and riffs that will grab you by the throat and demand your respect. They
DevilDriver Winter Kills Dez and the Boys of DevilDriver are back with a vengeance. The new album “Winter Kills” is an excellent return to form. From the word go, melody to the focus of the album and much more catchy
than the predecessor “Beast”, which was the heaviest and fastest of their career to date. Dez’s vocal evolution has been nothing but spectacular over the years in studio and live, and on “Winter Kills “ are impressive and captivating. The rest of the Band is as tight as ever with blistering drum blasts, devastating and groovy riffs with melody mixed that DevilDriver are best known for. Yet, as always they have been constant over the years and with this newest offering they rose above the rest, and created an album that any fan can enjoy. “Winter Kills “is their 6th release and is one of the DevilDriver classics. This is DevilDriver at its best and one of my favourite albums of the year. It is an excellent album for new fans to get into DevilDriver. Out now on Napalm Records.
Five Finger Death Punch The Wrong Side Of Heaven & The Righteous Side Of Hell: Vol 1 If an album’s opening track has guest vocals by legendary “Judas Priest” front man Rob Halford, then you know you’ve got another thing coming. With further guest artists on some of the tracks featuring: Maria Brink, Tech N9ne, Max Cavalera and Jamey Jasta, the album measures up to its predecessors, and then some. I thought it’s their best work yet: still as angry, tight, and intense and kick-ass as always. Vocals and lyrics are pissed-off, emotional and thought-provoking. The music is strong and well-balanced; and this winning formula has carried FFDP to this point. Most definitely the kind of album everyone can relate to. The special edition has an additional live set that I found almost better than its studio counterparts. Every song is spot-on, vocally and
musically, and the cover of “Bad Company” is true to the original, but more FFDP. An excellent addition to an already well thought-out and performed show. This special edition is a must-have for fans of their previous albums, and a fantastic introduction for anyone not familiar with FFDP. Look out for vol. 2 with bonus DVD scheduled for release soon!
Kreator Dying Alive “Dying Alive” was released on August 30 via Nuclear Blast. The set features the band’s sold-out homecoming show in Oberhausen, Germany, on December 22, 2012, after an extensive 45-day European tour in support of KREATOR’s “Phantom Antichrist” album. Expect the usual Kreator-no holds barred concert – fast and heavy. The quality of the recording is fantastic, KREATOR set a hefty piece of a set list, letting their local fans immerse themselves with blood, sweat and tears over their new album’s tracks, mid era trackers alongside the older classics like “Endless Pain”, “Pleasure To Kill”, “People Of The Lie”, “Betrayer”, “Extreme Aggressions” and “Flag Of Hate / Tormentor”. “Dying Alive” is a destructive feast, nothing more, nothing less.
Michael Monroe Horns And Halos Monroe is a bit of a legend in the whole melodic hard sleaze
rock, thanks to his time with Hanoi Rocks. He’s a good songwriter, singer, musician (playing several instruments including saxophone), and surrounds himself with top notch talent. Horns and Halos is Monroe’s ninth solo album, Horns and Halos, with his talented crew of musicians, keeps Michael Monroe on a winning streak. This is classic Monroe, and authentic and entertaining melodic hard rock, glam, punk, and sleaze.
Ministry From Beer To Eternity Obviously Al Jourgensen’s current state of mind has had a lot to do with this album, and he is still as twisted, opinionated and gifted as he’s ever been. It’s typical “Ministry” from political messages, sadistic and angry, combined with the Electro/ industrial-Guitar sound that made them popular in the first place. I thought it a fantastic return to form, reminiscent of “Psalm 69 “, and a vital addition to any Ministry fan’s collection. With all the Cover, Remix and Rework albums that came before “Relapse” and this album, “From Beer To Eternity “; This newest instalment is relevant as well as brilliant “Ministry “ style.
Newsted Heavy Metal Music Last year, Jason Newsted announced the formation of Newsted, and they released
the ‘Metal’ EP earlier this year. Now they return with their debut full-length, ‘Heavy Metal Music,’ with Newsted on vocals/bass, Mike Mushok and Jessie Farnsworth on guitars, and Jesus Mendez on drums. The results are heavier and better than anything Metallica’s done in over 20 years, Newsted is beastly! Catchy songs with influences ranging from Motörhead to Sabbath. Heavy Metal Music is a blunt statement of intent: metal — nothing more, nothing less.
Satyricon released “The Age Of Nero “, which is a long time considering the band has released 7 albums in almost 15 years. Satyricon’s Selftitled album is unmistakably Satyricon; from Satyr’s guitar sound and vocals, to Frost’s double-bass rumble. The band has evolved and matured over the years like a fine wine. From Track one “Voice Of Shadows” the album feels very organic and flows beautifully, morphing from atmospheric to complex Black Metal, like “Walker Upon The Wind “ and “ Ageless Northern Spirit “. “Satyricon “ is very catchy and is the next instalment in the “Volcano/Now Diabolical/ The Age Of Nero “ collection. So if you are a fan of “I “, “ Demonaz “or “Moonspell give it a spin and Turn it up LOUD! Self-Titled album is out now on Nuclear Blast and iTunes.
Placebo Loud Like Love Loud Like Love is the sound of a band maturing in a way with which Placebo are clearly comfortable. From the moment you press play, it is unquestionably obvious that this is Placebo. It’s the band’s prettiest, most polished, synthetic work to date. The band work through track after track of modern alternative rock, never deviating from their sharp, bittersweet sound, but nothing on Loud Like Love is as strong as what has come before it. It’s honest and more expressive than the slow expulsions of angst of their earlier releases. After sitting in the dark corners of goth and grunge-inspired alt-rock for over a decade, Placebo now sound more pop than ever and comfortable with it.
Satyricon Satyricon It’s been 5 years since
Tarja Colours In The Dark Here it is the long awaited album by Tarja Turunen; ex-” Nightwish “. Following up on her success of “My Winter Storm” (2007) and “What Lies Beneath “(2010) Tarja returns with her new hard rock/ symphonic metal album “Colours In The Dark”. Mixed and Mastered by Tim Palmer (Pearl Jam, U2). “Colours In The Dark “ has lots of depth and atmosphere but with heaviness that will bring a smile to the face any Tarja fan. The album captures her artistic growth as a vocalist and composer, and her impressive vocal range at its best. “Colours In The Dark “ is addictive and sticks in your head like only Finnish hard rock/ metal can. This album is definitely Tarja’s best release to date, and I can honestly say that I can’t wait to see what the future holds. “Colours In The Dark” is a must have for any Tarja fan. REVIEWS BY: RIAAN JOOSTE BEATA MEYER SHI-ANG
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Serial Killer No.2 WEDNESDAY SEPTEMBER 25, 2013
Countess Elizabeth Báthory The Blood Countess
Most female serial killers are less likely to commit violent murder since the preferred method is poison, and they will be more likely to kill for gain as opposed to pleasure. This particular female serial killer does not fall under the latter. Her incredibly gruesome murders made her infamous, and since her death, inspired literature, music, films games and toys. Films from 1970 all the way through to 2013 have been made about the Countess, or in some way have been inspired by her character. There have also been songs written about the Countess by bands such as Venom, Countess Báthory” and Slayer with their song “Beauty Through Order” from the album titled “World Painted Blood”.
peasants, who were lured in by false promises of high paid work as maids in the castle. According to witness testimony, the Countess and her accomplices tortured their victims; severe beatings were administered, their hands were burned or mutilated, flesh was bitten off of their faces, arms and other body parts, victims were frozen or starved to death, and the use of needles was also mentioned in court.
The Countess’ rank precluded her from standing trial but subsequent to the conclusion of the investigation she was sentenced to life imprisonment, and was locked up in two sets of rooms, with small gaps left open for ventilation, and the passing of food. She was imprisoned for four years until her death on August Countess Elizabeth Báthory was 24, 1614. She was found dead in her born to the Báthory family in room, but the exact date of death was the kingdom of Hungary. She is undetermined due to the fact that years have passed since then, and the labelled as the most prolific female serial understanding of the coagulation rate there were plates of food left untouched. killer in history, and has become known in human blood would make it rather She was buried in the church of Csejte, by her epithet “Blood Countess”. After impossible to bath in blood for the act of but her body was later moved to her her husband’s death on January 4, 1604, retaining youth, the legend has become birth place of Esced, due to angry she was accused of collaborating with villagers protesting her burial place. She very popular. four other people in the tortures and was interred at the Báthory family crypt. murders of hundreds of girls, with one In 1610 King Matthias II, assigned witness estimating the body count at 650 György Thurzó, who was the palatine In 1817, the witness accounts on victims. Due to her rank, Elizabeth was of Hungary, to investigate. He then Elizabeth Báthory were released for neither tried nor convicted, though she ordered two notaries to collect evidence the first time, though copies had been was immediately imprisoned in Csejte leaked in 1765. These witness accounts in March 1610. Between 1610 and Castle, upper Hungary, now in Slovakia, 1611 the notaries collected testimonies never mentioned anything relating to where she was kept prisoner until her blood bathing. Though the allegations from more than 300 witnesses. The death four years later. The total estimate trial testimonies included four of the were never proven, the story of of victims was never established. Elizabeth Báthory still persists in pop defendants, staff that worked in the culture and has inspired many folklores castle, as well as thirteen witnesses. There have been legends written and tales for the imagination. about the Countess; that she bathed According to all the testimony her in the blood of virgins as a way to victims were young adolescent girls. References – Wikipedia the free Encyclopaedia retain her youth. Although many Most of them were the daughters of
1560-1614
After 25 hours of flying, airports, customs, passport control and a rather invasive frisking from the German airport police (no, mein herr, I didn’t try smuggle drugs under my hair!), I eventually made it to a little rock ‘n roll hotel just off the Rheeper bahn in Hamburg. This is the place where I would spent 2 nights drinking heavily with team South Africa, Switzerland and Australia before making the last part of my mammoth journey to a little farming town 100km north of Hamburg called Wacken! I have made this journey many times before (eight times to be precise), and it still gets me every time when we enter the main road in Wacken. You see hordes of people from all over the world, dressed in black, greeting each other with the devil horns, and all heading in the same direction, under the huge banner overhead made by the town’s people that reads WELCOME METALHEADS! Then it dawns on me, I’m at Wacken. The biggest Heavy Metal festival in the world. For the next four days I’ll be with roughly 75 000 head-bangers; drinking, partying and celebrating the spirit of true heavy metal. This is where all genres under the metal umbrella join forces; old school rockers embrace the modern metal youngsters; fans of Thrash, Death, Black, Speed, Power, Doom, Stoner, Prog, Epic and so on unite and partake in the same unifying mind set, philosophy and life style. THIS IS HEAVY METAL, THIS IS OUR MUSIC, THIS IS OUR TIME, FUCK THE WORLD. I crack open a beer and it feels good! Although I was enjoying the view, and the beer was going down a treat, I realised that I didn’t have much time to waste, even though the festival only officially kicks off tomorrow. The annual Wacken metal battle competition was about to start in the tent stage, and I had a very keen interest in this year’s competition as Cape Town thrashers Infanteria would be flying the flag for South Africa in this hotly contested competition consisting of metal bands representing 40 countries! So as quick as I could I put my tent up, donned my Infanteria t-shirt, gathered up some friends and made for the bullhead city circus tent , and wow, if the bands I saw that day are the future of heavy metal then the future certainly looks good. Infanteria gave a stellar performance and really did SA proud! China, Romania, India, Japan and Ireland really impressed me but it was Canada’s power metal heroes, Crimson Shadows, that would take the final honours and, boy, did they deserve it! They ended up walking off with a Nuclear Blast record deal and sponsors worth more than my house, and car. After
the last band the tent was transformed into the world’s biggest metal karaoke event. After singing our faces off and a few more beers, I went to bed and slept soundly Thursday got off to a quiet start; I spent some time walking around just absorbing the sights and sounds of this majestic occasion, then ambled off to the metal market. As usual, I spent way too much money on the absolute obscene amounts of heavy metal paraphernalia, including CD’s, vinyl’s, every metal band T shirt under the sun, patches, studded accessories and absolutely everything and anything a metal head from the arse end of Africa, can only dream of acquiring. I had to take it easy, as beer in Europe is flipping expensive, and there was still three days left. So I offloaded my shopping into my tent and relaxed in (most likely the world’s biggest) beer garden and enjoyed a few (overpriced) pints before the main stages opened at 3pm. Thursday evening was an old schooler’s dream with Skyline, Thunder, Annihilator, Deep Purple and Ramstein, all in succession, and, rather predictably, I was in my element; head-banging and singing along to all the above mentioned, and then having to bum Stopain’s from my brother just to cope with my abused neck and feet, and soldier through the rest of the evening. This for me was crowned off by an in form Deep Purple that totally blew my mind, and to be quite honest, after a show like theirs I wondered to myself how anything in the days to come would top this. I went to bed a very happy man! Friday morning kicked off with the coldest shower known to mankind, followed by a cup of coffee and a cheese roll with Robbie (Agro bassist), and two members from Chrimson Shadows . We exchanged cultural stories and discussed Canadian metal until it was time to run off and torture my feet and neck some more at “The True Metal Stage” and “Black stage” respectively. Gojira, Pretty Maids, PowerWolf, Grave Digger Anvil and Doro were outstanding, myself, and 99% of the attendees agreed that Sweden’s Sabaton were the absolute highlight of the whole day! Joakim Brodin has got to be the best front man in modern metal, and the rest of the band backed him to the hilt during their set of well-chosen metal anthems. It became apparent to me why their 2012 release “Carolus Rex” reached the coveted mile stone of becoming the biggest selling metal album from Sweden of all time. Surpassing legends like In Flames, Hammerfall and Hypocricy, Sabaton are on their way
to even greater heights, and after witnessing them live it was the musical genius combined with over-the-top it’s no wonder at all! theatrics and the 40 plus years of experience of the one and only Alice Cooper that, to no one’s surprise, The only low light of the day was witnessing an stole the show! Then straight after the ‘Coop, was the exhausted and sedated looking Lemmy leaving the band I had been looking forward to seeing the most, stage after only four songs into Motörhead’s set. We Nightwish. I was lucky enough to have already seen all knew that he was performing against his doctor’s Nightwish with Tarja back in 2005, and let me assure orders, but Lemmy is Lemmy, and nothing but you, Floor Jansen (new Nightwish singer) is the respect to him for giving it his best. Sadly, he could perfect fit. Although she had a massive task at hand not continue, and was taken to the hospital where he she commanded like a warrior of steel, and delivered would spend the night under observation. After the a vocal performance that would have made Tarja and Motörhead shock I had to clear my mind with a few Annette feel rather average, thus winning the hearts beers, and I was chilling in the back stage press area of all the sceptics! They finished off their set with “I where I was lucky enough to meet up, and share a Wish I Had An Angel” and then filled the sky with a beer with, another bunch of Canadians; Anvil’s Lips magnificent fireworks display. and Rob Reiner. And they are as humble and cool as they were in the movie. This totally lifted my spirits It was in that moment that I realised the festival was and rounded off my evening leaving, me going to bed drawing to a close, and although rather inebriated, a happy man. I was mindful of the fact that I would still have to get up at 5am to get to the airport, and was quite Saturday morning had me getting up rather early, as overcome with emotion. I was spent! So, I wiped I had to make my way to the tent stages again to see away the tears, took a deep breath, downed my last my all-time favourite German hard-core band, Hate ale and slowly walked away from the stages through squad! But while getting ready, Robbie reminded the giant bull head, over the rainbow bridge, and me that we had to do an interview with a German finally got into my tent. I went through the motions TV channel documenting AGRO’s previous Wacken and emotions, just smiling and reminiscing with performances, and the history of South African my ears still ringing from the massive PA, and that metal. I missed Hate Squad, but as soon as we were overwhelming feeling of contentment that only a done I was able to get to the huge tent and watch festival of this magnitude can offer! My final thoughts NWOBHM legends, Chrome Molly, who played a just before I nodded off were; this is Wacken! This is fantastic show and really set the tempo for the rest of HEAVY METAL. THIS IS WHAT I LIVE FOR, and I the day. After Molly, I went back stage to find out how slept very happily! Lemmy was doing, and to my absolute joy, I heard that he was fine, and just needed to take a break for a while. With time to kill I went to the Wackinger village; a Viking village situated between the tent stages and the main festival area. As fate would have it I walked past the Wackinger stage and witnessed what would turn out to be a huge highlight for me; a two-piece medieval band called Pampertut. I never understood a single word that they sang, but their vibe was so awesome it totally hooked me, and I enjoyed every one of their lute and hurdy-gurdy driven folk songs. I had to buy their CD straight after their show. Then off to the True and Black stages again; where I was to spend the rest of my time till well after sunset. Lamb of God, Devil Driver, Ugly kid Joe, Danzig and Agnostic Front all entertained their massive crowds. Die Apokalyptischen Rieter, Sonata Arctica, Anthrax, Faun, Rage and Trivium all really impressed me, but Written by: Clifford Crabb