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May‘10 Issue 03
Artist Interview:
Tattoo Virgin
Artist: Dan Ibarra
Victim: Christina Rodriguez
Advisory
Recommended for
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We don’t want your Mama calling us!
Issue 3
Articles
Contents
pg28
Editor’s Words.....................pg.6 Ink of the Issue...................pg.7 Tattoo Virgin....................pg. 20 Mexican Tattoosv............pg.28
Articles Jake Bevil: if you aint in it, your out of it....pg. 10 Slingin Ink Tattoo Expo.................................pg.08
pg20
Music Ink: The Child Forgives and Creates...pg.22
Calendar May................................................. pg 12 June.............................................. pg. 14
Visit us at slingininkmagazine.com
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MySpace: /slingininkmag
Cover model: Samantha Cuellar Photography: Pixel Play Studio Makeup & Hair: Pixel Play Studio Wardrobe by: TZ Fashion
www.slingininkmagazine.com Distributed by South Texas Distribution
pg07
Contributors If you ain’t in it,
Jesse Alvarado
pg10
Editor
Slingininkmag@aol.com /Jessejaymz
THE CHILD FORGIVES & CREATES
Rick Benavides
Publisher
rgvbenavides@yahoo.com /rgvbenavides
Mark Del Bosque
Design
Redstarmail@gmail.com /omnicononline
Nina Llamas
Writer/ Sales
You’re out of it!
/thismausoleum
Jayme Black
pg22
Lead Writer
/jaymewicked
Patrick Garcia
Writer/ Editor
Tattoo Expo
Slingin’Ink
/goodbarlovesyou
Your Name Here Be a part of our team. Upload your content on our web page
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All letters sent to Slingin’Ink will be treated as unconditionally assigned for publication and copyright purposes and as such are subject to edit and comment editorially. Please ensure that all photos and slides have credits attached. Please send copies not originals as we can not return any unsolicited photographs. No responsibility can be assumed for unsolicited materials. The views expressed in this magazine by the contributors are not necessarily those of the publishers. While every effort is made in compiling Slingin’Ink, the publishers cannot be held responsible for any effects therefrom. Reproduction of any matter contained in Slingin’Ink is prohibited without prior permission. Adverts and Advertisers appearing in Slingin’Ink carry no implied recommendation from the magazines or from the publishers.
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Editor’s Words D
ear Readers, Welcome back to another kickass issue of Slingin’ Ink Magazine! In this issue, we are celebrating “La Batalla de Puebla” or as you drunks know it, “5 de Mayo”!! J/K! We would like to express our deepest appreciation to all of our readers who submitted their Mexican inspired tattoos for this issue. We would also like to continue to encourage all of our readers to submit their ink for future issues of Slingin’ Ink Magazine. As you may have noticed, there was only two months between our last issue and this one. That is due to the demand of our readers, who felt that three months was too long to wait for us to release another awesome issue. We will now be publishing every two months. This one’s for you guys! You can return the favor by giving our advertisers the business they deserve for making this magazine possible. We cannot express how much we appreciate their participation in the magazine! If you guys take care of them , they will in turn take care of us…it’s an awesome cycle! Slingin’ Ink Magazine would like to welcome our newest advertisers: Trevino’s Lounge in San Juan, Underground Tattoo in San Benito, Sinners and Saints and the guys at El Super Guapo Kustoms in McAllen. Welcome to the Slingin’ Ink Family! And last, but not least, I’d like to remind you guys about our awesome website slingininkmagazine.com. Feel free to submit comments or
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photos of your latest ink for our tattoo contest and our local tatts section. Slingin’ Ink Magazine is available for viewing on all Android and Google phones with the ISSUU app. For those of you who are interested in modeling for Slingin’ Ink Magazine, email me at slingininkmag@aol. com for more information. Thanks again. Keep reading and we’ll keep putting’em out!
www.slingininkmagazine.com Email: Slinginginkmag@aol.com
Ink of the Issue Think you have what it takes to win? Prove it by sending us your best tattoo pictures. 1st place gets a $100 gift card and a Slingin Ink T-Shirt Email us at Slingininkmag@aol.com
Beto Salazar by Adrian > Lazov
Submitted by Chris De Leon
Submitted by Big Worm
>
3rd Place
>
2nd Place
1ST Place
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k n I n i g n Sli O P X E o Tatto
T
here was a quiet murmur of artists greeting old friends and vendors setting up their booths as I walked into the event center Friday morning. By the afternoon the tattoo guns began to buzz alongside heavy metal guitar chords and festivities that permeated the venue. This year, the Slingin’ Ink Tattoo Expo (not associated with your new favorite tattoo mag, Slingin’ Ink Magazine) was held in a new location: the San Antonio Event Center. It was a nice change of pace, but the new locale still needed some getting used to. Parking was a major issue and the Church next door, being the good Christians they claim to be, decided to have over 200 cars towed for parking in their lot, even though they weren’t using it.
Like most conventions, this one was full of camaraderie and invites to after parties, it was also a great place to learn and get some tips from fellow artists. Local attending artists and shops were Vermilyen Tattoo, John Perez, El Loco Tattoo, and Underground Tattoo to name a few. Other big names included Myke Chambers, Dan Henk, and Miss Inkaholic. Some of our friends from RudeChix (L.A.), Aztlan (Dallas), Martini, House of Pain (Laredo), A Touch of Asia (LA), and H2Ocean were there too. The convention offered plenty of things to do: you could get inked, look at beautiful art, or grab a bite to eat from
one of the many food vendors outside. You could also grab an ice cold beverage (BEER!) from vendors and check out the huge outdoor stage that was pumping live entertainment. Acts included Enigma, the Human Suspension by Side Show, and music by Audiomouth, Dragonfly, Days of the New, Seven Mary Three, Montrose, and Snake Skin Prison. The tattoo contests included Best Chest Piece, Full Back, Full Sleeve, Tribal, Neck, Color Small, Color Large, Traditional, Black and Grey Small, Black and Grey Large, and best of all, the Worst Tattoo! The convention wasn’t as big as it usually is, which you could easily blame on the new venue. But those who attended, including yours truly, had a blast meeting new people and chilling with old friends. Make it a point to attend next year’s! More info at
www.slingininktattooexpo.com
If you ain’t in it, You’re out of it An Interview with Jake Bevil
By Jayme Black
the cover of American grizzly sooner than you think. Boom.
drove to Brownsville to see the man who had popped my tattoo cherry: I Jake Bevil. He was no longer the scruffy looking skinny kid who tattooed me 8 years ago; he was now a scruffy man who has become a reputable,
Jayme: Of all the tattoos you’ve done, which one has the most meaningful story attached to it? Jake: I only have a few tattoos that mean anything to me, so whatever the clients tattoo means to them, more power to them, you know? I think that since L.A. and Miami stink popped up people think that tattooers want to hear about all their emotional attachments to their newest “tat” when really, think about it, if u had to go to work and hear fifty times a day about someone’s kid dying in a freak SeaWorld accident resulting in a portrait of their kid with angel wings harpooning Shamu in the back as they ascend into the clouds waiting to be welcomed into the afterlife, and so on and so forth. What do u say to that? I sympathize, but I’m no psychiatrist....get me? Most artists I think would agree with me. Whatever happened to getting a tattoo just cause it’s bad ass?!
traditional tattoo artist. Jake is part owner of Ol’ Skool Tattoos in Brownsville, Texas. A down to business kind of man who isn’t big on talking while he works, all his focus goes to the tattoo at hand. Jayme: How long have you been tattooing? Jake: I’ve been tattooing for about 8 years but I only claim the last 3 to 4 years. (He said this with a smile.) Jayme: Did you have a formal apprenticeship? Jake: Apprenticed for a little over a year under the sometimes not so watchful eye of Phil “the bigger figure” Moskal at BLACK CAT TATTOO back in 2000. Jayme: What drew you to traditional tattoos? Jake: Traditional tattoos look tough. I think a skull with a top hat is way cooler than some devil demon thing eating a baby. Traditional tattoos can be seen from across the room, and when done well, I think, are just about the classiest form of tattooing besides the classic black and gray you see in gangster style tattoos and traditional Japanese tattoos as well. Western tattoos started with traditional designs - I like the whole nostalgia aspect of it also. Bright bold color, bold lines, lots of black. These tattoos hold up well over time, and they’re just cool. Jayme: Tell us a little bit about the hard work you put in and challenges you faced when opening your shop. Jake: Just the usual headaches in opening any business, I guess. Add a couple of break ins, knife fights, dice games gone bad and its all gravy baby. Jayme: What keeps you tattooing? Jake: Tattooing is fun as hell, and as long as I have fun doing this and strive to always learn and push myself to do better, I’m gonna keep on keepin on. Plus bills keep coming and the nude modeling hasn’t quite panned out, but I’ve been thinking of a few “body mods” that I think are gonna fix that right up for me. And if this interview works out the way I plan you may see me on
Jayme: What’s one of the funniest tattoo stories you can think of? Jake: I was tattooing my buddy’s leg, the calf area, when he farted in my face. I promptly ran a long line down to the bottom of his foot. Yeah, I also hid a wiener in my friend punk rock Bob’s tattoo and told him about it later after losing a lot of money and a free tattoo to him in a late night dice game. Then I stabbed him with a dirty fork. What up Bob! Jayme: How do you think the tattoo industry
has evolved since you started tattooing? Jake: The tattoo industry is booming...and busting at the seams with people who want to make a buck off what we have worked hard at preserving. Too many people who aren’t in the industry don’t see and don’t care about the hours upon hours of hard work and dedication tattooers have put into their craft. I think shops should be owned and operated by artists or former artists. A “businessman” who opens a shop will drive down prices to make money by volume, sacrificing quality (so will scabs, you know who u are) or have twenty dollar Tuesdays or happy hour tattoo pricing, fuck off. Go back to selling weed or whatever it is you did before you thought it would be cool to be a “tattoo guy”. Those are the kind of people that ruin our industry. tattooing used to be close, information was not easy to come by, doors weren’t as open as they are now- this kept people that shouldn’t be in it, out of it. All the mystique is gone from tattooing. Everyone knows everything about what we do and its soooo easy. “If u ain’t in it, you’re out of it” Jayme: What are some things you like to do when you aren’t Jake the tattoo artist? Jake: (He laughs) Tattooing is what I do, not who I am. I paint, chill, dominate gangster rap battles, run the block like Neno Brown, oh yeah - and I fish a lot.
Jayme: Any advice for customers looking to get their 1st tattoo? Jake: Don’t bargain shop, and do your homework. An artist who’s into the tattoo you want will get it done the way you want. Or get it in jail. “Everyone gets the tattoo they deserve” Jayme: What’s the most valuable thing you’ve gained from tattooing? Jake: Met a lot of cool people and made a lot of good friends. All in all I feel lucky to be a tattooer and to have people that back me up as well as people who are into what I do. Jayme: Is there anything you would like to add? Jake: Thanks to all my clients- you guys are way cooler than anyone else’s clients fo sho! Then a shout out to the homies that inspire me or helped me out whether you knew it or not, Phil “the vanilla gorilla”, Eddie (cock fight!) Gomez, CREEPER ONE (DTB!), Eddie Loco, John “Too Tall” Perez, Chris de Lion, Sambonee, Dan tha man, Adrian, R.I.P. Jeremy B. and finally my grrrrrrl who gots my back, yo. And thank YOU for reading all my b.s. ha! Seeing Jake after all these years was great. We sat and laughed for a good while during the interview and reminisced about how I almost passed out on him during my first tattoo and shared a few stories. Good times and good memories.
Jayme: Is there anyone out there that you’re particularly proud to have put your work on? Jake: My brother (two times fool!) and sister, raw dog, gery Jerry, dickface Justin, cuzz Chris, Phil “Mr. Potato Head” Moskal, baby doll(yeaah grrrrrrrl!!!) and anyone who got a tattoo from me that liked it...you said particularly, right? Hahaha! Jayme: Who are your influences? Jake: Bert Grimm, Sailor Jerry, Stoney St Claire, the Squid Billies, Chris Trevino, Popeye, Underdog, Slayer, the Homies (brrrrrrrrrrrrrrrrp!!!!!!!!!) Jayme: What do you think you would be doing with your life if you had never gotten involved in tattooing? Male model, bull fighter, pirate, a unicorn, international man of mystery, exotic dancer, plumber, hair farmer. [I passed him my number so he can let me know if he starts that exotic dancer gig hahaha] Jayme: What does your family think of what you do? Jake: At first they were skeptical but now they are down with it cause I don’t have to bug them for money anymore. Haha. Jayme: As far as client/artist relationships go, how much do you really want to know about your clients? Jake: Some clients have become good friends, but I don’t get too personal. Jayme: Do you have any word of advice for aspiring tattoo artist? Jake: The last thing the world needs is one more “tattoo artist”. Re-evaluate your life; it’s not TV and all that glitter ain’t gold baby. And if you don’t take that advice, get a REAL apprenticeship, shut up, pay your dues, do some dirt, mop some floors, then we can talk.
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Photography By: Pixel Play Wardrobe provided by: TZ Fashion Hair and Make up: Pixel Play
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Photography By: Pixel Play Wardrobe provided by: TZ Fashion Hair and Make up: Pixel Play
Local Tatts
Submitted by Albert Garcia
Joseph Gaitan
Submitted by Albert Garcia
Ben Benavidez
Marco Castaneda by Jarr Ramon
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Virgina Carmona
Chris De Leon
Submitted by Chris De Leonv
Albert Garcia
Delfina Villareal
Local Tatts
Joey Danger by Texas Javi
Albert Garcia
Chris De Leon
Submitted by Big Worm
Albert Garcia
Submit Your ink @ Slinginginkmagazine.com
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Adrian Mac
Ceci
Eddie
Mon- Sat 1-9 pm 2030 N Cage Blvd Pharr, TX (956) 787-7351
www.myspace.com/buenasuertetat2
www.buenasuertetattoo.com
Artist:
Spike (PERFECT INK)
Shop: El Loco Tattoo Age: 21 by Jayme Black hristina“Chrissy” Rodriguez came to the Rio Grande Valley on a whim just to see family and get away from the fast paced life in New York. She was eating dinner with her family when her cousin, Adam, and his wife started to show her their new tattoos. Chrissy was in awe of the work and announced that she should get a tattoo as well. Adam got the ball rolling by calling Dan Ibarra at El Loco Tattoo to make arrangements for his lovely cousin to get her very first tattoo with Spike, who was guest- spotting at the shop. Chrissy trusts Adam with her life and knew he would not let anything harm her. She wasn’t too nervous about where she was getting her tattoo done; the only thing she was nervous about was how it felt. People told her to get a heart or a star. “Something small, something simple,” they told her. But Chrissy figured that if she was going to do something life changing like getting a tattoo she’d better do it right. She didn’t want something frivolous, she wanted something special.
C
St. Anthony is what she wanted. St. Anthony, the patron saint of the lost. Chrissy had been praying most of her life to St. Anthony for guidance and stronger faith in God. Dan took her to the back of the shop to help her find the right design. Once it was found, Spike got to work on the stencil. Due to her profession, Chrissy had decided to get tattooed on her lower back. She needed to make sure the tattoo could remain
Artist:
Christina Rodriguez
jOB: oFFICE mANAGER Age: 33
concealed during her work hours while also being somewhere she could easily show her family and friends. Chrissy was shaking like a leaf but calmed down the first two hours in to her tattoo session. Then she began to move. Moving is not a good thing when you are getting tattooed. Music was changed from metal to Latin fusion to help calm her nerves. The pain was intense for her and she didn’t feel comfortable
at all. She took something for the pain and wanted to listen to 70’s disco music. Chrissy is a sweetheart, but I think the music was more painful than the tattoo at that point. After all the pain, St. Anthony emerged in a tattoo that Chrissy loved. “Spike did an amazing job and I hope God continues to bless him and his talent” says Chrissy. Right now she is happy with just the one tattoo but if she ever changes her mind she will go to Spike again. Her advice to tattoo virgins looking to get inked is to ask someone you trust who has tattoos for guidance. Go check the shops they tell you about and follow your heart. Chrissy went back to New York that very day. A visit with the family and a new tattoo made everything seem right for her.
THE CHILD FORGIVES & CREATES… by: Patrick A. Garcia
I
s one of the biggest bands in the valley nobody’s ever heard of. Or at least that’s what they seem to think, and perhaps justifiably so. Just consider their positions on stage. Imagine you’re a member of their 6 to sometimes 9 member band, holding either a saxophone, guitar, trumpet, or bass. Behind you are stacks of torn, cranked amplifiers and in front of you is a bewildered audience. Some of the audience leaves– perhaps it was way too loud, or perhaps they were waiting to hear vocals, which, throughout each 9-minute song, were blatantly absent. But many stay, and regardless of the crowd’s reactions and the band’s potential insecurities, the truth is this band is quickly gaining momentum for being one of the largest, loudest, and most misunderstood instrumental groups in the local music scene. With our without vocals, this band is being heard. I had the opportunity to take a walk outside with Nico (N) and Leo (L), the band’s guitarist and sax player, and ask some questions. Here’s what they had to say. Is there a meaning behind the band name?
Why has there been a choice to maintain an instrumental focus? N: None of us could sing so it was a lot easier for us to play without words. We never really liked to use standard song structures, either. What’s weird though is I had never familiarized myself with the instrumental bands prior to being in the band. It was Tom who said we sounded like Mogwai and Explosions in the Sky. I had never listened to them. If anything, my appreciation for instrumental music came from bands like the Doors who created long, vocal-less soundscapes when doing imrpov. How do you feel you guys get received as an instrumental band? N: People tell us they love it, but as far as from other bands around here, I don’t know if there’s any love. At first people seemed into it, but they eventually lost interest. We didn’t know if it was because of the lack of vocals. Lately we’ve tried to add vocals because it felt right. It’s gotten a really good response.
N: Our former guitarist, Zeke, came up with it based off some of Nietzsche writings. I liked it. I’ve always been a fan of I’ve noticed that. The band approaches vocals like a bands with really long names. [i.e.-godspeed you black emperor traditional chorus with everyone singing without mics. Is that / this will destroy you] intentional? Ah. And how did the band start out?
N: At first it was. We wanted to project from ourselves to ourselves, as if we were communicating to each other as a unit without thinking about whether or not the audience could hear us. Now we’re trying to use mics to make it a part of our sound.
N: Tom and I we’re in a band that I had gotten released from for not conforming to the Thursday/Thrice emo style of music that was really big back then. Luckily, Tom and I remained close and ended up dabbling on guitar together. It went from there. We’ve been through so many members because it’s hard Well at least everyone is singing, and that’s a lot of you. On for people to commit. But we have something we’re happy that note, why so many members? with.
“We’re like the X-men; people fear what they don’t understand.” L: Well, why not? Right on. N: It gives it a family feel and it’s eye candy. Seeing a lot of people on stage adds an element to the band. Plus it’s great for writing. Everyone puts in a bigger piece to a puzzle. Cool. Now, if you could describe your band as an animal, what type of animal do you think you’re band would be?* N: A Lochness Monster, in a sense. When people see us it’s a surprise, they take something from it, but then just never come out again or we just don’t end up getting booked for a while. Maybe people don’t get it. Don’t you think the culture down here has anything to do with the attitude towards this style of music? L: Generation wise, we all seem to be very close. We’re open to what we’re doing. Some other generations seem to be behind the page, and I think there’s some resistance to it. But this is evident in any culture. Right. I suppose it seems natural for society: if we don’t know or comprehend something we often tend to disapprove it. L: Definitely. We’re like the X-men; people fear what they don’t understand. *this question is stolen, shamefully, from Annie Solis.
The Child Forgives & Creates is: Nico – Guitar, Tom – Guitar, Janette – Flute/keys, Leo – saxophone, Fabian – trumpet, Matt – drums, Kenny – bass Check out their music at:
myspace.com/thechildforgivesandcreates
Tattoo & Piercing 956.533.6115
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ByJayme Black
T
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here is a huge misconception that Mexicans have only been tattooing for a hundred year. The fact is that tattoos in the Mexican culture date back to the early 1300s and perhaps before that. Both the Aztecs and the Mexica, along with other Mexican native tribes used tattoos as ornamentation and as a way to intimidate foes during battle. Tattoos were thought to be a symbol of courage. Pete has an Aztec face tattooed on his arm. He got it to remind of who is and where he comes. It was a way of him carrying his culture with him and embracing him. Pete feels he lost some of his culture when his family moved from Mexico to the Rio Grande Valley. Most Mexican-Americans feel like they lose their culture over the years and as they assimilate into the U.S. Aztec symbols represent closeness to Mexico for them. The Aztec influence on the Mexican culture is quite strong. If you look at tattoos today, many Mexicans, both those residing in the United
States and Mexico, have strong religious beliefs and generally Mexican tattoos focus on religious figures of the Catholic church . Among the most popular are Christ, various saints and predominantly, the Virgin Mary, known in Mexico as La Virgen de Guadalupe. Other popular images are the praying hands, the crucifixion, Jesus Christ, angels, or a rosary. All these symbols are a dominant tattoo theme here in the Rio Grande Valley. Most Mexican-Americans hold a special place in their hearts for the Virgin Mary. She represents unconditional love, motherhood and comfort for those who are in need. You will also find the dagger through the heart, as a classic piece of tattoo design that has withstood both the test of time and the whim of fashion but has remained very popular among the Mexican-Americans. Like all enduring symbols, it is as relevant
today as when it was first done, managing to successfully capture both our attention and our emotions. In many Christianthemed tattoos, it is a popular variation of the Catholic Sacred Heart of Mary, representing the grieving Mother of Christ, often called the Lady of Sorrows. The rosary is a Mexican traditional devotion of the Catholic Church which is used for prayer and meditation and is a common tattoo to represent a person’s faith or a memorial to someone close to them who has passed away. Angels are a symbol of devotion, spirituality, and faith. They can also be a figure of guidance and protection. Eva has an angel holding a baby between her shoulder blades. She had a miscarriage. It was a very depressing time in her life and she became very withdrawn from her husband and two children. Her husband took her a local tattoo convention and she got her tattoo. It was a healing process for her providing closure. The tattoo allowed her to say goodbye to her baby and it helped her to reconnect with her faith in that God would make everything alright again. Tattoos help Mexican-Americans express their pride, strong religious beliefs and their love for their culture. They are proud to show their tattoos and represent.
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