Lilly Loots the Louvre by Drew Thomas (update 031317)

Page 1

y l l i L

h t s e t o l o l o

u v re



y l l i L

l o ot s t h e

l o uv r e

Dreamed up & illust rated by

s a Drew T h o m


Papa- H

He

lo

t a s k o

ar t

is

rator at th u c t e r a G n et a

h e t w o r r e l v d o , l l a

t he

nb r in gs

ty

so

me


o m

wh

eum

dy

Mus

n i ll i h ig b on a

L

os

om

e

d n a of it h

r e v e s l l te

An

o b y

. s e l ge

en. h w d n t a i e d a


The best is when he tells me why the art was made

and why each piece of ar t is

. l so s p e c i a


I want to be a

curator

too one day!


Papa-H has an important trip to P a r i s and Papa-T and I get to go with him!

My dads say

now that I’m Eleven, I’m ready to go to Paris for some c u l t u r e . I say I’m ready to go to Par is fo r some a d v e n t u r e !


P a p a - H s ays c a r r y - o n

i s t h e o n l y wa y t o t r a vel.

an’t get eve c u o y t ry t h in ha t g in s y a Papa-T s

carry-o n.

I agree with

them both!


P

i s , r a


Here I ! e com I tr ied to

w n o d up side between my dads

most comfortable. was t h e

sleep

ne... a l p e on th


e ! i l Que l l e fo

! Qu o i

D ’ o U v e n e z- v

? s ou


Au secours!

E H E H

OH NO!


The Lace Make r, also by

Johannes Vermeer?

Perfect! Not too big, not too small, not too lonely... She’s p retty.

. . t h Ju g st ri


Papa-H

says

t his was

made wit h a

c a m e r a o b s c u r a : A box that let t he ar t ist see just like a c ame ra does, but b e f o r e t h e r e was e v e r a

photograph!

That’s why it has some blurry areas.

e a r s. a l i k I e blurry


uv

re

!

No

..I’ll . w

n i Perfect! I’m

e h t

Lo

Now to avoid the guards and the laser beam secur ity system as I make my

t h e L a c e M a k e r on t he top floo r of T H E R I C H E L I E U W I N G . way up to

Got to be on my toes!

od o G

! s p o O Guards!

t hing

. I wo k c a re bl


No

Just lift h e r

f f o

of

e h t

w

.. . . . d n a l nai

Got her !!!

he great es T !

No way back to the tunnel so it’s over t he rooftops like Carey would. Fo rtunately, I b rought a r o p e wit h a hook fo r exactly t his kind of dramat ic emergency.

pe. a c



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