S H A I N A
L U C I A
S A D I
A sound strikes making memories rush in like a spring breeze. A color emerges, now trapped in your retina revealing unexpected sensations. A streak of light creating warm patterns of glow on your body. Layers of skin pressing against that rough yet poetic wood that holds you in your place without reproaching its forced metamorphosis by man. All this, the result of design. A design that possesses as a spine the importance of experience, occupant experience. I want to create a design that makes you feel, and manifest feelings that will make you remember. After research and basic observation throughout my education I have recently come to the powerful yet simple realization that what impacts people is simply what makes them feel, and you feel things because you have senses. I want to become an expert in learning how to manipulate architectural qualities to trigger a persons emotions. Materials, form, sound, scale and light all complementing each other in a harmonious, quiet composition. Always respecting history, context and function. I want to be able to grow each day into this philosophy of creating sensory design, buildings that speak to our feelings and carry a quiet yet powerful presence and soul. I say quiet because I want these sensations to occur almost on an unconscious level. I want you to be able to feel things, yet not know why they are happening, I want the manipulation of these architectural qualities to be embedded into the space, woven seamlessly, as if without effort, as a ballerina spins on her point with perfect precision, not showing the pain she feels in her feet. An affective bond between environment and individual. A special connection, this is what I strive for.
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urbano restaurant
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23
montauk sustainable residence
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29
cork lamp luminaire
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just bee corporate headquarters
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41
mme bovary restaurant
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nature structure installation
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children’s art museum
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CONTENTS ///
MUSEUM 01 Studio IV 2013 Location Jersey City, New Jersey Square Footage 33,200
CHILDREN’S ART MUSEUM
Senior Thesis The goal of the museum is to contribute to free expression, free play, and education of different art forms though curiousity and discovery by the stimulation of the senses. A place where children can appreciate art in a fun and interactive way. The architecture and design act as the medium of communication between the user and activity.
OCCUPANT EXPERIENCE
STIMULATION OF SENSES
ARCHITECTURAL QUALITIES
CURIOSITY
DISCOVERY
MATERIAL
FORM
SOUND
LIGHT
TEXTURE COLOR
SHAPE
ACOUSTICS
CONTRAST VISUAL TEXTURE
HEAR
SEE
FEEL
ART VISUAL PERFORMING APPLIED
03 /
N
E
W
S
site
response to street
newer buildings / steel and glass
response to city fabric
residential / historic buildings / brick - concrete
response to site restrictions
RIGHT /// site plan
LEFT /// building study model
/ 04
LEFT /// building entry, with outdoor/indoor bench system that creates a connection between people inside and outside.
4
LEVEL 2 FLOOR PLAN 1 2 3 4 5 6 7
bridge art ground exhibit a women’s restroom men’s restroom family restroom theatre exhibit space b
5 6
3
1 UP DN
2
UP
UP
7
3’ 6’
LEVEL 1 FLOOR PLAN 1 2 3 4 5 6 7 8 9 10
reception shop lobby storage storage snack bar stroller parking/coat room women’s restroom men’s restroom family restroom
9
12’
24’
10
8
2 1 7 3
UP
6
UP
UP
5
4
3’ 6’
05 /
UP
DN
DN
12’
24’
ABOVE /// building section
3
LEVEL 4 FLOOR PLAN 1 lookout 1 2 cafe 3 lookout 2
2
1
DN
3’ 6’
LEVEL 3 FLOOR PLAN 1 2 3 4 5 6 7 8 9 10 11
bridge exhibit space c women’s restroom men’s restroom family restroom exhibit space d exhibit space e office a office b office c storage
4
5
12’
24’
7
3
1 DN
6 2
DN
9
8
10
11
DN
3’ 6’
12’
UP
24’
/ 06
ABOVE /// program and circulation diagrams
entry / lobby
vertical
shop
horizontal
main circulation service exhibit space office food
07 /
Walking through the building is a stimulating experience thanks to the materiality conditions. Transparencies, contrast of form, color and light help spark curiosity in the occupant keeping them engaged. Walking towards the theatre you recieve a glimpse of the performance, as well as other exhibits from other levels. These slits were designed to spark intrigue.
ABOVE /// view from bridge towards theatre on second level
/ 08
ABOVE /// exterior north elevation
ABOVE /// exterior south elevation
Building material selections come from the analysis of the site surroundings. The three main components are concrete, glass and wood.
ABOVE /// exterior west elevation
09 /
ABOVE /// building exterior view
/10
The security system embeded into the architecture blends seamlessly acting not only as security, but also as an intractive digital painting that reacts to the materials in the bag you submit for scanning.
ABOVE /// security system walkthrough
11 /
8° 41.9
32' - 11 3/4"
9'
-5
"
WALL
0"
PACING LIGHTS
2' - 0"
1' - 0’’
COILS
4' - 1"
6' - 6"
3' -
24' - 9 1/2"
12' - 0"
Software would detect material clasifications and release colors onto the screen in reaction to this, creating an abstract digital painting, that can be printed at the gift shop to take home as a souvenir.
/ 12
The reception desk is made of concrete, a material very often seen in urban Jersey City. The desk not only functions for reception, but also as a bench system which is hovered by a block of chalk board for children to liberally express and play while waiting for the purchase of admission.
REBAR AS REQUIRED
REBAR AS REQUIRED
POURED CONCRETE COUNTER 2’’ DIAMETER POUREDWITH CONCRETE COUNTER WITH 2’’ DIAMETER OPENINGS FOR CONDUIT AS REQUIRED EVERY 3’’AS O.C. OPENINGS FOR CONDUIT REQUIRED EVERY 3’’ O.C.
13 /
ABOVE /// view of reception area
/ 14
Bird sculptures hang from the ceiling, coming to life when pulled from the second level. Children from below will have their interest sparked as they observe the movement, creating a sensory connection between floors.
The change in flooring is not just an aesthetic condition. The design of the floor in the sitting area of the lobby is meant to educate children about color. The form is divided into sections of primary colors, and at the intersections the mix of these two colors is revealed.
15 /
The lobby is a very interactive and engaging environment for children to explore and feel curious about the space that surrounds them.
The elevator facade is covered with round screens that showcase portraits of the children attending the museum. This series of portraits continues up onto each floor creating an art installation that engages children with a sense of discovery to seek for their face. The photos would be taken at the entry of the museum, and displayed randomly on one of the screens.
ABOVE /// view of lobby area
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TIMELINE
STONE AGE
EGYPTIAN
GREEK
ROMAN
MEDIEVAL
RENAISSANCE
MANNERISM
BAROQUE
NEOCLASSICISM
FAUVISM
CUBISM
ART GROUND AN ART HISTORY PLAYGROUND
ROMANTICISM
REALISM
IMPRESSIONISM POSTIMPRSSIONISM
FUTURISM
SURREALISM
ABSTRACT EXPRESSIONISM
POSTMODERNISM
ART GROUND IS AN EXHIBIT THAT FOCUSES ON ART HISTORY EDUCATION IN AN INTERACTIVE AND FUN WAY. EVERY COLOR CROSS REFERENCES TO A DIFFERENT TIME PERIOD IN ART HISTORY. TO FIND A CERTAIN PAINTING STYLE TO LEARN ABOUT, EACH CHILD WOULD LOOK FOR THE COLOR CORRESPONDANT TO IT, AND THEN FIND IT IN THE PLAYGROUND. CHILDREN WOULD HAVE TO CLIMB AND SEARCH FOR THE SCREEN THAT CONTAINS THE INFORMATION ABOUT PAINTINGS FROM A CERTAIN TIME PERIOD. WITH THE AID OF HEADPHONES, PAINTINGS WILL BE EXPLAINED IN STORYTELLING FORMAT. THIS EXHIBIT WILL NOT ONLY ENTICE CURIOSITY, BUT IS ALSO EDUCATIONAL AND FUN.
ART GROUND is an exhibit that focuses on art history education in an interactive and fun way. Every color cross references a distinct time period in art history. To find a certain painting style to learn about, each child would look for the correspondant color, and then search for it in the playground. Children would have to climb and discover the screens that contain the information about the painting with the aid of headphones. Paintings will be explained in story-telling format. The exhibit will not only entice curiosity, but is also educational and promotes physical activity.
ABOVE /// study model and sketches of exhibit
17 /
ART GROUND AN ART HISTORY PLAYGROUND
ROMANTICISM
REALISM
IMPRESSIONISM POSTIMPRSSIONISM
FAUVISM
CUBISM
FUTURISM
SURREALISM
ABSTRACT EXPRESSIONISM
POSTMODERNISM
ABOVE /// view of ART GROUND exhibit on level 2
UP DN
UP
UP
DN
DN
UP
/ 18
PERFORMING ARTS
MOVEMENT
The Theatre design is inspired by the movements of a performer, capturing the esscence of performing arts, whether it be the unfolding of sounds in music or the energy of a dancer. The sculptural piece surrounds the audience, not only adding aesthetic purpose, but also contributing to acoustics, as they are created with sound reflecting and absorbing materials. ABOVE /// theatre study models
19 /
While sitting in the theatre you are hugged by sculptural movement. The sculptural piece made of wood would reflect sound, and the carpet on the floor as well as the acoustcal panels backing the stage would absorb sound, contributing to the acoustics of the space.
PRODUCED BY AN AUTODESK STUDENT PROD
ABOVE /// sculptural element of theatre
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ABOVE /// view of level 4 cafe
DN
21 /
CHILDRENS ART MUSEUM OF JERSEY CITY
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02 Collaborative Studio 2013 Location Bowery, New York City Square Footage 1600
URBANO RESTAURANT AND BAR The restaurant reflects the urban and energetic lifestyle of the city it nestles into. NYC is basically an urban set of grids, which at some points interlock. The plan is a reflection of this grid interlock. URBANO is a hip and eclectic spot to kick back and enjoy a drink or a meal. The industrial and raw finishes help portray urbanization, and the modern approach to the design makes it feel very now. Different seating accommodations, some more social and some more private give nice diversity for the customer to choose from depending on what kind of evening they are seeking to experience.
U R B A N O
The restaurant is divided into two sections: bar and sit down tables. These two sections are represented by grids, that change orientation. The angleded grid from the bar area interlocks with the grid from the seating area, thus representing the grid interlock of the urban city.
ABOVE /// site plan
25 /
ABOVE /// floor planks diagram
1 4 2
3 5
1.5’ 3’
6’
12’
FLOOR PLAN 1 2 3 4 5
bar communal seating stairs seating kitchen space restroom
ABOVE /// view of restaurant interior
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ABOVE /// interior elevations
The bar area offers traditional and unconventional seating options, including concrete stairs. In NYC people often sit in public staircases for eating, reading and relaxing. This brings that little part of the city into the restaurant to experience it in a new light.
ABOVE /// furniture and light fixture design
27 /
Tables are designed to contain an opening for menu storing.
ABOVE /// exterior elevation
B A B Y
S P I N A C H
S A L A D
Crisp Bacon, Caesar Dressing, Sourdough Croutons
O R G A N I C C H I C K E N M I L A N E S E
D AY
Garden Lettuces, Smoked Tomato Vinaigrette
A R T I S I N A L
C H E E S E S
A Selection of 5 Handmade Cheeses
S M O K E D H A M C I A B AT TA
T H E
U R B A N O
&
B R I E
S P E C I A L S
O F
Shaved Apples
15
F I R E
A N D
I C E
O Y S T E R S
3 Raw with Mignonette Granite, 3 Wood Oven Roasted with Garlic Confit and Herbs 12
S W E E T
O N I O N - A P P L E
S O U P
Gruyere “Croque Monsieur”, Apple Foam, Walnut Oil 13
L I B E R T Y
H A L L
B E E T
S A L A D
Mache, Candied Walnuts, Shepherd’s Basket Cheese, Carrot 12
W I N T E R
S E A R E D
S M O K E D
S C A L L O P S
S TA R T E RS
S E A
B A S S
O R G A N I C
C O U S
C O U S
R O A S T E D
C H I C K E N
R I G AT O N E T T E Late Harvest Eggplant, Roasted Tomato, Capers, Black Olives, Local Ricotta
C AVAT E L L I
Y E L L O W
F I N
G R I L L E D
L O C A L
P O R K
L O I N
Apple Rosemary Puree, Apple Pommes Anna, Sweet & Sour Cabbage
T U N A
Watercress & Radish Salad, Compressed Cucumber & Pear, Citrus - Sesame Vinaigrette
H O R I AT I K I
M O R O C C A N
Field Squash Puree, Liberty Hall Broccoli, Roasted Garlic, Kale, Gingerbread 24
29
12
L O C A L
Roasted Carrots, Carrot-Cashew Mole, Yogurt 27
S W O R D F I S H
H A N D - M A D E
S E A R E D
U R B A N O 9 1 0 8 4 9 5 7 2 1
S A L M O N
Lobster Bouillabaisse, Saffron Potatoes, Smoked Eggplant, Parsley 26
Short Rib, Butternut Squash, Pepper Cress, Tartufo Shepherd Cheese 16
H A L I B U T
H I D D E N FJ O R D
Crispy Red Quinoa, Romanesco Cauliflower, Pearl Onion, Spiced Blood Orange Reduction 29
Shaved Fennel, Pea Tendrils, Extra Virgin Olive Oil 15
C O A S T
Byaldi of Fennel, Potato, Red Onion & Leeks, Leek Puree, Pancetta Vinaigrette 27
Sweet Organic Carrot, Curry Spice, White Raisin, Pine Nuts
15
E A S T
M E
G R E E N S
Local Greens, Squash Terrine, Tewksbury Cheese, Shaved Apple, Cranberry 16
29
ENT R E ES
M E N U
W I N E
33
L A N C A S T E R
S I R L O I N
S T E A K
Wild Mushroom Bread Pudding, Black Garlic, Red Watercress
S A L A D
Garden Lettuces, Oven Dried Tomatoes & Red Onion, Feta Cheese, Oregano Puree
29
S E A R E D
C R E S C E N T
D U C K
Udon Noodles, Snap Peas, Micro Peas, Carrot, CoconutChai Infused Broth
LEFT /// packaging design
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03 Studio II 2013 Location
Montauk, New York Square Footage 2,980
MONTAUK SUSTAINABLE RESIDENCE Project selected to be presented at Kean University Research Days Inspiration for the concept was taken directly from the site surroundings, specifically the ocean. When we think of sustainability we often refer to nature. The movement of the ocean in particular its waves are what drove the design of this sustainable residence, in plan, elevation, and color selections. Waves and their movements were analyzed to create a harmonious design that blends seemlessly into the site, integrating sustainable design solutions. To create the design a 9 block system needed to be implemented to create the general volume of the residence integrating the basic elements of the earth: sky, ground, and sea.
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRODUCED BY AN AUTODESK STUDENT PRODUCT
WAVE ANALIZED HORIZONTALLY
PLAN
SUSTAINABILITY
WAVE ANALIZED VERTICALLY
ELEVATION
PRODUCED BY AN AUTODESK STUDENT PRODUCT
A phased design approach was used. Nine blocks complete the square footage. The basic form of the building was taken from how waves are seen in plan.
The form and movement of the wave in vertical form is reflected in the design of the ceilings and roof when seen in elevation.
Integration of three basic elements of earth: sky - cleresotry windows; natural light ground - green wall; making plants part of building sea - direct connection to ocean; building form
31 /
T CEN ADJA
TY PER
PRO
CLIENT PROFILE
Y PERT PRO
Taking this into consideration the home was designed with aging in place concepts and asthma triggers were identified to implement
OCEAN
T CEN ADJA
The client is a 45 year old, professional woman that works from home as a writer and publisher. She plans to use this residence as her retirement home and will live there during her aging years. Her 14 year old son, who has sever asthma, resides with her on alternate weekends, and most of the summer months.
SETBACK LINE
OCEAN SITE PLAN
ABOVE /// scale model
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12
11
D
W
7
3
DW
10
OVEN
REF.
6
4
9
1
1
2
8 5
13
14 2
2’
4’
8’
16’
FLOOR PLAN
Level 1 0' - 0"
ABOVE /// north section SECTION 2 SCALE: 1’=1/8”
Level 1 0' - 0"
ABOVE /// west section
SECTION 1 SCALE: 1’=1/8”
33 /
1 2 3 4 5 6 7 8 9 10 11 12 13 14
living room dining room kitchen powder room utility room pantry laundry room master bedroom master bath bedroom a guest studio office outdoor dining deck
ABOVE /// view of living room interior
The interior reflects the soothing and calming effects of watching the ocean with direct access to natural light through clerestory windows and a nana wall that opens fully to create an indooroutdoor environment, directly connecting the basic elements of earth into the space.
/ 34
The concrete waves on the east wall create pockets for planting that will later grow to cover the wall. This helps to insulate the building and improves outdoor air quality. PRODUCED BY AN AUTODESK STUDENT PRODUCT
35 /
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRODUCED BY AN AUTODESK STUDENT PRODUCT
The building takes advantage of passive strategies such as orientation and vegetation placement. The roof overhang allows shade in the summer and sunlight to directly enter in the winter. Low-E glass saves energy by enabling the sun’s short wave energy to enter the building and at the same time prevents internal warm air from leaving the room.
low flow plumbing fixtures; motion sensored faucets
bamboo flooring; structural insulated panels
low voc’s; cross ventilation
low-e glass; building orientation for passive solar; strategic vegetation placement; energy star appliances
rainwater harvesting tank
green wall
/ 36
04 Architectural Lighting 2012 Materials cork, basswood, paper Dimensions 8’’H x 4’’L
LUMINAIRE CORK LAMP The Cork Lamp is a play on positive and negative space as well as geometry. Recycled wine corks create the basic shell, giving an unexpected use of material. The material was kept raw to let the natural stains of each individual cork create a facade that not only creates a natural pattern, but tells a story.
p am
CORK
The basic shape resulted from the manipulation of a rectangle, creating different positive and negative space options. The use of the three principal geometric shapes were used: squares, triangles and circles.
ABOVE /// natural stains create pattern of lamp facade
39 /
ABOVE /// when the lamp is turned on, the facade changes drastically creating a bold monochromatic pattern and distinction between negative and positive space
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05 Studio II 2013 Location Santa Monica, California Square Footage 3,900
JUST BEE CORPORATE OFFICES JUST BEE is a retail store that sells women’s shoes. The branding concepts promote the idea of expression through fashion, specifically through footwear. Beehives were analyzed in form, color and texture to create an environment that reflects the natural forms of nature for the retail space. The principal of contrast was used through the materials and finishes, which was born from the juxtaposing conditions of rough and flaky beehives in contrast to the actual soft and silky honey that it contains. The use of KIMBALL furniture was required to create the corporate headquarters.
RETAIL MOOD BOARD
JUST
bee
The custom display system was inspired by the beehive, and the randomness that the holes create when honey is in some of them and not in others. The cavities in the wall system create this randomness and hold the goods as if they were the honey. The display also serves as a divider and a coat rack on the opposite side.
43 /
retail
HEADQUARTER OFFICES
sales
R
marketing design
S M D
LEFT /// The layout for the office headquarters is mainly inspired by the production of its products and the cycle of producing a product, from schematic design to its final purchase by the buyer. The configuration of the main benching systems are organized in a way so that they reflect the product cycle from initial design to actual sales.
2’
VIEWS & DALYLIGHTING
Daylighting and views were taken advantage of by placing the programs near ABOVE /// Daylighting and views were taken windows, so every worker will have acces to direct sunlight and ventilation.
advantage of by placing the programs near windows, so every worker will have acces to direct sunlight and ventilation.
4’
8’
16’
COLLABORATION WITHIN SPACE
The design entices collaboration dedicating various spaces for this purpose and selecting/// furniture within itselfentices promotes this asset, creating thus a very ABOVE Thethat design collaboration productive work environment.
dedicating various spaces for this purpose and selecting furniture that within itself promotes this asset, creating thus a very productive work environment.
/ 44
RECEPTION & WAITING AREA
ABOVE /// view of reception area at Corporate Headquarters
The waiting area exhibits a custom designed display system which helps educate workers and visitors on the latest shoe designs the company has produced.
The reception area in the Corporate Headquarters keeps up with the harmony and principles of the retail space, with a reclaimed wooden reception desk painted to the hue of the logo to ensure the identity of the brand and anchoring it with off center lighting and bold signage in the background.
low flow fixtures
building reuse; material reuse; rapidly renewable materials
low voc’s; daylighting and views
45 /
BENCHING AREA
ABOVE RIGHT /// Custom metal dividers for Kimball HUM benching systems
The packaging design gives importance to the product by displaying it in a transparent container. The packaging is made of sustainable products such as cork and recycled plastic.
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06 Collaborative Studio 2013 Location Bowery, New York City Square Footage 3,000
MME BOVARY RESTAURANT AND BAR The restaurant design reflects the duality and various facets of Emma Bovary. She dreams of the purest, most impossible forms of love and wealth, ignoring whatever beauty is present in the world around her. This is reflected in the design principally by contrasting use of materials and color selections, giving importance to mirrors and windows as symbols of her possibility of escape that she never obtained.
In the novel Madame Bovary, Emma prefers the dream world to the real world, being trapped in a duality of life. Being a middle-class woman she spent her entire life in an attempt to escape from this middle-class existence with dreams, love affairs, and false pretensions.
49 /
4
2
5
3
1
1.5’ 3’
6’
12’
FLOOR PLAN 1 2 3 4 5
entry bar dining kitchen space restroom
/ 50
ABOVE/// view of restaurant entry The restaurant entry hall compresses the space to make you feel slightly uncomfortable before you enter the restaurant and recieve a feeling of openness. This feeling of enclosement is a reflection of Emma’s feeling of being trapped in a world she wanted to escape.
51 /
The furniture and lighting was designed in collaboration with industrial design student to contribute to the design aesthetic, which has a rich and luxurious feeling.
/ 52
ABOVE /// dining area west elevation Mirrors are an important component of the restaurant, seen repeatedly as a reminder of your reflection.
ABOVE /// bar south elevation The back bar design was inspired by a corset. A corset is a symbol of sensuality and eroticism, as well as social status, all very present symbols in Madame Bovary’s life.
53 /
ABOVE /// website design
ABOVE /// view of restaurant interior
ABOVE /// view from left to right: menu, business card, wine bottle label
/ 54
NATURE
07 Collaborative Studio 2013 Location Union Square, New York City
STRUCTURE ARCHITECTURAL INSTALLATION NATURE STRUCTURE is a clear representation of natures struggle to find balance in our cities. Nature fights to find itself in the cracks and holes of our developed world, while humans fight for excess and consumption ignoring natures cry. The containers represent the man made element, all the piled junk that surrounds us, and how nature is trying to desperately weave into it. Nature is trying to adapt to us when we should be trying to adapt to nature. The project acts as a reminder for humanity to learn from nature and not work against it, because in the end we are only working against ourselves.
PROTECT WHO WE ARE PROTECT
NATURE
ABOVE /// study model of installation
LEFT /// sketches of basic mass pile allowing walk-through access
57 /
The installation would be located crossing the walkway that cuts the center of UNION SQUARE park in New York. This way people would feel obligated to walk under it, creating a more intimate and memorable experience. The installation is about creating an experience as much as it is a message.
/ 58
The basic structure is made of 4 welded container parts. They are shown in a piled form to abstractly represent excess. Each container part contains at least one glass opening to spark viewers curiosity as they can look inside.
phase I
59 /
phase II
The installation is dynamic since it changes appreance with time. Plants grow through and around the containers becoming part of the installation. Animals will naturally approach the installation also becoming part of the whole.
phase III
phase IV
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2013
The sidewalk under the installation would be painted with biodegrable paint that informs the pedestrian. Each block contains a fact involving humans excessive ways and how this is hurting nature. This will help people reflect and take consciousness as they relate to the installation.
PROTECT WHO WE ARE PROTECT NATURE
FROM APRIL 1ST TO OCTOBER 17TH Union Square park, New York, NY
Simple way to start the change. Plant a tree. NATURE STRUCTURE is a clear representation of natures struggle to find balance in our urban cities. Nature fights to find itself in the cracks and holes of our developed world, while humans fight for excess and consumption ignoring natures cry. The containers represent the man made element, all the piled junk that surrounds us, and how nature is trying to desperately weave into it. Nature is trying to adapt to us when we should be trying to adapt to nature. The project acts as a reminder for humanity to learn from nature and not work against it, because in the end we are only working against ourselves.
"Nature fights for balance, and humans fight for excess and consumption."
Pedestrians will be handed a seed bag to grow a tree at home, or where they choose. This is an easy way to get the community involved in helping with the effort to help save nature, as we ultimately save ourselves. 61 /
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