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Gough on piano and Lorenzo Branca on flute and hardiscovered Corinne Mammana’s incredibly monica. The album includes an eclectic mix of reimagsmooth vocals while listening to Norah Jones mu- ined standards, originals, rock and Broadway. sic on YouTube. I was pleasantly surprised at my find “Corinne sings soulfully and emotionally, making an and spent the next few hours searching for every video impressive appearance.” -Jazz Life Magazine (Japan) I could find. Jump ahead to January 2020, we contact“A jazz vocalist that some how finds that sweet spot ed her people for an interview and the rest is history. that so many have come close to hitting but didn’t quite hit.” -Midwest Record
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Praised by JazzTimes for “superb technique”, American “Her voice seems capable of pushing away storm clouds and darkness. We need this right now.” jazz singer, songwriter, arranger, recording artist and Michael Doherty bandleader Corinne Mammana is passionate about preserving the music of the past while placing her own personal spin on the American Songbook, as well as popular tunes from the past few decades. With creative arrangements sung in a sophisticated and soothing style, fans have described Mammana’s voice as a cross between Norah Jones, Jane Monheit and Stacey Kent. Her debut EP “Under an August Moon” (2016) received national praise and an interview with AXS who said, “Mammana loves the music of the past, but she just might be the voice of the future.” Mammana’s much anticipated first full-length, self-produced album Yes, No, Next was released in April 2020 featuring the legendary Gene Perla on bass, Ian Froman on drums, Sean Authors and Artists Magazine · 18
