MVFF45 Program

The California Film Institute and Mill Valley Film Festival are located in Marin County, California, on the traditional, ancestral, and contemporary homelands of the Coast Miwok, Pomo, and Wappo peoples. This includes the Southern Pomo and Graton Rancheria Tribes. These tribes were removed or displaced from their lands. We recognize this history and the harm to present-day Coast Miwok, Pomo, and Wappo peoples and to their ancestors. The California Film Institute commits to moving forward from a place of authenticity and working with present-day tribes to elevate their stories, history, and present-day legacy through film.

LAND ACKNOWLEDGEMENT

The Valley Film Festival is presented by the California Film Institute, a 501(c)(3) nonprofit that also owns and operates the Smith Rafael Film Center, presents DocLands Documentary Film Festival each May, and offers CAFILM Education programs throughout the year. © Copyright 2022. All rights reserved. No portion of the Mill Valley Film Festival program may be duplicated in any form without written consent from the Mill Valley Film Festival and/or the California Film Institute.

Mill

From the Director ................................................... 4 Opening Night: Glass Onion .................................. 6 Tribute: James Gray ................................................ 8 Mind the Gap Award: Women Talking .................. 10 Centerpiece: Till ..................................................... 12 Directors Night ...................................................... 14 Tribute: Brendan Fraser ......................................... 16 Spotlight: Daniel Giménez Cacho .......................... 18 Spotlight: Noah Baumbach ................................... 20 Spotlight: Nikyatu Jusu ......................................... 22 Closing Night: The Good Nurse ............................24 Tickets + Navigating MVFF45 ...............................26 CAFILM Membership .............................................28 Sponsors ............................................................... 30 Donor Circle ...........................................................32 Rafael Donors ........................................................ 34 Schedule Overview ............................................... 36 Initiatives + Sections ............................................. 40 Behind the Screens ................................................42 Mind the Gap ........................................................ 4 6 Active Cinema + İVive el ciné! .............................. 48 MVFF Education + Family Films ........................... 50 MVFF Music + Strands ...........................................52 Film Notes ............................................................. 54 Sponsors ..............................................................224 MVFF45 Staff .......................................................228 CAFILM Board of Directors + In Memoriam........230

Don Delillo’s White Noise. (And you will never look at a supermarket the same way again after witnessing Adam Driver, Greta Gerwig, and their movie family on their shopping forays.)

return, each with an outdoor element. Speaking of outdoors, 2022 marks the Festival’s return to Mill Valley’s Outdoor Art Club.

We’re back. After an almost completely streamed 2020 Mill Valley Film Festival and a smaller theatrical footprint with our hybrid festival in 2021, our world is getting back to normal. It feels great to be back and to be going big with a festival that balances anticipated award releases with sublime discoveries, pure entertainment with films that will make you think, domestic gems and international fare, and indelible narratives and gripping Wedocumentaries.willwelcome festival-goers not just at our home bases at the Smith Rafael Film Center and the Sequoia Theatre but we are also returning to the Lark in Larkspur and adding shows at Berkeley’s BAMPFA and San Francisco’s Roxie Theater along with an online component. We will host live shows at Mill Valley’s Sweetwater Music Hall, and our signature parties

4

We have so many returning filmmakers this year that it almost feels like we are mounting a class reunion. Among them, local auteur Rob Nilsson, a festival favorite since year two of MVFF, finishes his Nomad Trilogy with Faultline. Martin McDonagh—last here with Three Billboards Outside Ebbing, Missouri — reunites In Bruges stars Colin Farrell and Brendan Gleeson in the Aran Islands beloved of his plays for The Banshees of Inisherin. When last here, Noah Baumbach charted the dissolution of a relationship with Marriage Story (MVFF42). Now, he focuses on the whole family while sending up academia and consumer culture with his adaptation of

We have returning directors that are really stretching the boundaries of what cinema can do. Not to give any of their movie magic away but required viewing not just for their content but for their innovations are Alejandro González Iñárritu’s (Biutiful, MVFF33) Bardo, which employs special effects in ways we haven’t seen before, and Darren Aronofsky’s (Variety Contenders, MVFF37) The Whale, which transforms actor Brendan Fraser—the recipient of MVFF 2022 acting honors-into a 600-pound man. Many of the films I’ve just discussed will be in the MVFF spotlight as Big Nights. We are still finalizing guests as I write FROM THE DIRECTOR

I’ve always believed that films that are made well—be they drama, comedy,

peers to the polls. Women in an isolated community respond to domestic abuse in Sarah Polley’s riveting Women Talking. Documentarian Evgeny Afineevsky immerses us in Ukrainian in battleground in Freedom on Fire: Ukraine’s Fight for Freedom. We continue to program the best of international fare. Two of my favorites this year are Maryam Touzani’s The Blue Caftan, a romantic drama from Morocco, and The Swimmers, Sally El Hosaini’s fictional rendering of swimmer Yusra Mardini’s incredible story as a Syrian refugee with Olympic dreams. And though we have retired the 5@5 moniker, the festival is still offering a wealth of shorts programs for your enjoyment. We continue to offer education programs to Bay Area youth, showcase the work of Latinx filmmakers with ¡Viva el cine!, celebrate women filmmakers with our Mind the Gap panels and activities, and amuse parents and kids alike with our family films.

5 this, but among the Big Nights are ones dedicated to Rian Johnson’s sequel to Knives Out (MVFF42), James Gray’s hotly anticipated Armageddon Time, Laure de Clermont-Tonnerre’s elegant and erotic Lady Chatterley’s Lover, and Tobias Lindholm’s The Good Nurse, starring two festival favorites, Jessica Chastain (The Debt, MVFF33) and Eddie Redmayne, feted for his performance in The Theory of Everything at MVFF37.

Mark ExecutiveFishkinDirector | Founder California Film Institute

Two other films tapped for Big Nights are examples of how MVFF brings the world and its concerns to you. Both, in their very different ways, concern race. Chinonye Chukwu’s (Clemency, MVFF42) Till relates the story of Emmett Till through the eyes of his mother, Mamie Till Mobley, while Nanny —director Nikyatu Jusu is the recipient of the MVFF Award for Feature Debut—looks at race, immigration, and class through the lens of a psychological thriller. The festival adds to the debate over reproductive freedom with Phyllis Nagy’s drama Call Jane. Diane Robinson’s documentary The Young Vote looks at youth-led initiatives aiming to get their

documentary—that are entertaining, that are relevant to our lives, that fearlessly tackle difficult subjects or merely make us giggle will draw in an audience. It has been a tough two-and-a-half years where it sometimes felt like we would never see full theaters again. I am happy to see that fading into our collective rearview mirror and to be able to bring you the best of what Hollywood and international and independent communities have to offer once more in a big way with a festival that aims to dazzle.

Rian Johnson US 2022 139 min IN PERSON

7

US SPONSOR

OPENING

Let’s just say that Rian Johnson has outdone himself in his wonderful new Knives Out (MVFF42) romp, bringing together a to-die-for ensemble of actors who portray a group of sometime friends—disruptors all—summoned to an exotic, futuristic island hideaway. Their mega-rich one-time leader and eccentric-genius comrade Miles (Edward Norton) has a game set up: to solve the mystery of his murder. Of course each guest has a motive, and all know each other well enough to glean what those murky motives might be. It’s looking like a weekend of fun, luxury, and designer cocktails. But curiously, Benoit Blanc (Daniel Craig), the best detective ever, has somehow landed an invitation, too. And where Benoit goes, murder is likely to follow. Buckle up as this amazing cast takes us on a riotous ride leading to a smashing climax. Irreverence abounds, hilarity ensues, one-liners are delivered with aplomb (Kate Hudson!), the uber-cool reigns (Leslie Odom Jr.), and the question remains: Whodunnit?? —Zoë Elton NIGHT ONION: A KNIVES OUT MYSTERY

DIRECTOR

Rian KateLeslieKathrynJohnsonHahnOdomJr.Hudson

GLASS

SECTION

Vickie Soulier

Thursday, October 6 . 6:00pm . Sequoia . Rafael PROGRAM + GALA: $110 Member / $125 General PROGRAM ONLY: $50 Member / $55 General SIMULCAST HOUSE: $40 Member / $45 General GALA ONLY: $60 Member / $70 General GALA: Marin Country Mart | 9:00-11:30pm

DIRECTOR James Gray US 2022 115 min IN PERSON

Saturday . October 8 . 6:30pm . Rafael PROGRAM + RECEPTION: $70 Member / $55 General PROGRAM ONLY: $40 Member / $45 General

Acclaimed writer-director James Gray fashions his own family memories into a wistful, exquisitely performed character study, taking on race, class, and the American Dream. Banks Repeta stars as Paul, a white kid living in Queens in the early 1980s, hoping to break free of his parents’ working-class suburban life and become an artist. But when he befriends Black classmate Johnny (Jaylin Webb), Paul gets a very different education. The filmmaker behind devastatingly intimate dramas such as Two Lovers works with perhaps his finest ensemble—Anne Hathaway and Jeremy Strong play Paul’s weary parents, with Anthony Hopkins as his affable grandfather—to excavate our current affairs. Many directors look back at their childhoods with honeyed nostalgia; Gray spits in the eye of such rose-tinged reminiscences, exploring our shared culpability in cre ating a nation whose dreams of a better tomorrow seem to drift ever out of reach. —Tim Grierson

World Cinema

9

TRIBUTE: JAMES GRAY

ARMAGEDDON TIME

Nancy P. and Richard K. Robbins Family Foundation

James Gray SECTION

SPONSOR Wareham Development

MIND THE GAP ENSEMBLE AWARD WOMEN TALKING

ONLY

Powerful, committed performances by an extraordinary ensemble—including Frances McDormand, Judith Ivey, Rooney Mara, Claire Foy, Jessie Buckley, and Ben Whishaw—take us deep into the lives of a group of women as they confront a life-and-death decision: To remain in silence, or to leave in exile. Much of the action occurs in the confined setting of a village barn in their isolated Mennonite colony—located somewhere both far from our modern world and too painfully close for comfort— where the women gather secretly to determine a course of action in the wake of an urgent crisis that has affected all of their lives. In the supremely capable hands of director Sarah Polley ( Away from Her , Stories We Tell ), Miriam Toews’ best-selling novel unfolds as a deeply human drama driven by extraordinary performances in this profound, moving film. Based on true events, Women Talking is an exhilarating paragon of collective organizing and female agency that may well be the prescient wake-up call for our times. —KD Davis

INITIATIVE Mind

Gap SPONSOR Marin FoundationCommunity

Sunday . October 9 . 5:00pm . Rafael

PROGRAM : $35 Member / $40 General

DIRECTOR Sarah Polley US 2022 104 min

IN PERSON

PROGRAM + RECEPTION: $65 Member / $70 General

Frances McDormand SECTION Cinema the

US

11

US 2022 85 min IN PERSON Chinonye

SECTION US Cinema INITIATIVE Mind the Gap SPONSOR Marin FoundationCommunity Tuesday . October 11 . 7:00pm . Sequoia

Visually striking and moving, Till centers the story of Emmett Till through the experience of his mother, Mamie Till Mobley. It’s a powerful choice, revealing the journey of a mother for whom grief becomes action—and whose action changes history. Danielle Deadwyler as Till Mobley is brilliant, and leads a terrific cast, including Jalyn Hall, who exudes a confi dent charisma as Emmett, Whoopi Goldberg, and Frankie Faison. It feels as though director-screenwriter Chinonye Chukwu ( Clemency , MVFF42) empowered her cast to go deep in an incredibly truthful way, creating a breathtaking drama that confirms all the promise of her earlier work with sure-handed artistry and insight. The emotional integrity of the cast is a great counterpoint to the wonderfully cinematic experience that she creates, with a confidence and style that recalls classic American film. This is a story both timeless and timely, as full of love as it is of grief. —Zoë Elton Chukwu Chukwu Deadwyler

TILLCENTERPIECE PROGRAM + RECEPTION: $65 Member / $70 General PROGRAM ONLY: $35 Member / $40 General SIMULCAST HOUSE: $20 Member / $25 DIRECTOR Chinonye

13

Danielle

THE WONDEROUR BROTHERS

Police will stop at nothing to hide their misconduct in this look back with anger at the murders of Abdel Benyahia and Malik Oussekine in 1986 Paris. French director Rachid Bouchareb ( Days of Glory , MVFF29) infuses this true story with the solemn air of a procedural, delivering a drama of cleansing fury.

OUR BROTHERS

DIRECTOR

OUR BROTHERS: Wednesday . October 12 . 7:00pm . Rafael

Florence Pugh ( Little Women ) is pitch-perfect as an English nurse in 19th-century Ireland engaged to watch over an Irish “fasting girl” claiming to subsist solely on “manna from above.” Beset by her own demons, the nurse’s fate becomes tied to that of the girl, whose potential saintliness is valued far over her own life.

World Cinema

NORTHmin SECTIONPREMIEREAMERICAN

15

Rachid Bouchareb France 2022 92

OUR BROTHERS

Sebastián Lelio

DIRECTOR

US, UK, Ireland 2022 102

THE WONDER: Wednesday . October 12 . 7:00pm . Sequoia

SECTIONPREMIEREWESTminCOAST

World Cinema STRAND Spirit THE WONDER

DIRECTORS NIGHT

THE WONDER

OUR BROTHERS + THE WONDER

TRIBUTE: BRENDAN FRASER THE WHALE

PROGRAM + RECEPTION: $80 Member / $90 General

PROGRAM ONLY: $35 Member / $40 General

US Cinema STRAND Spirit SPONSOR Jennifer MacCreadyCoslett Thursday . October 13 . 7:00pm . Sequoia

Hinging on a career-defining performance from Brendan Fraser, The Whale is an emotionally resonant tour de force, by turns funny and devastating. Fraser plays Charlie, a 600-pound online writing teacher and fragile gay man stricken by grief. Confined to his dead-end Idaho apartment, Charlie ticks off his days binging on pizzas as visitors cycle in and out: an enabling caregiver (Hong Chau), a wayward missionary (Ty Simpkins), an angry-as-hell daughter (Sadie Sink), and an alcoholic ex-wife (Samantha Morton). Samuel D. Hunter brilliantly adapts his award-winning 2012 play, plumbing the complex nooks and crannies of religion, loss, sexuality, and literature. Ever sensitive to Fraser’s vulnerable and commanding performance, visionary director Darren Aronofsky (Variety Contenders, MVFF37) proves an ideal match for the material, giving it edge, humor, and unsentimental heft. —Randy Myers Darren Aronofsky US 2022 117

SIMULCAST HOUSE: $25 Member / $30

Brendan Fraser SECTION

DIRECTOR

INPREMIEREWESTminCOASTPERSON

17

19

PROGRAM + RECEPTION: $65 Member / $70 General

Friday . October 14 . 6:00pm . Rafael

SPOTLIGHT: DANIEL GIMÉNEZ CACHO

DIRECTOR GonzálezAlejandroIñárritu Mexico 2022 174 min IN PERSON Daniel Giménez Cacho SECTION World Cinema INITIATIVE İViva el ciné! SPONSOR Daniel

BARDO: (OR FALSE CHRONICLE OF A HANDFUL OF TRUTHS)

PROGRAM ONLY: $35 Member / $40 General

Named for the Buddhist concept of a transitional state between death and rebirth, and subtitled “False Chronicle of a Handful of Truths,” this witty epic from multiple-Oscar ®-winning director Alejandro G. Iñárritu ( Biutiful , MVFF33; The Revenant ) centers on Silverio (Daniel Giménez Ca cho), a renowned journalist and documentary filmmaker who returns to Mexico after a successful sojourn in the US. It appears that our hero is undergoing a midlife crisis of Felliniesque proportions, as he grapples with his identity, childhood memories, familial relationships, and even his two countries’ histories, in progressively surreal and outrageous vignettes. In Silverio’s world, imagination consistently subverts reality, and Iñárritu and his collaborators, including cinematographer Darius Khondji, make the transitions appear fluid and seamless. Iñárritu’s first production in his native Mexico since his celebrated feature debut Amores perros in 2000, Bardo resonates as a personal statement about the world and the artist’s place in it. —Richard Peterson Kenyon and Michelle Marchetta Kenyon

ONLY:

PROGRAM $40 Member / $45 General

21

US

SIMULCAST $25 Member / $30

SECTION US Cinema STRAND Grow SPONSOR Kaiser Permanente Sauturday . October 15 . 7:00pm . Rafael

Noah

136 min IN

PROGRAM $70 Member / $75 General

WHITE NOISE

DIRECTOR Noah

SPOTLIGHT: NOAH BAUMBACH

Writer-director Noah Baumbach dazzles in his first film since his acclaimed Marriage Story (MVFF42 Ensemble Award) with this exquisite, epic adaptation of Don DeLillo’s 1985 National Book Award-winning novel. It is a towering achievement that folds satires of academia, consumerism, and fear of death into an exploration of the family, a theme Baumbach has so brilliantly mined throughout his career in such films as The Squid and the Whale (MVFF28) and Margot at the Wedding (MVFF30). At a Midwestern college, middle-aged Jack (Adam Driver) is a superstar professor who pioneered the field of Hitler studies. He and his fourth wife Babette (Greta Gerwig) share brainy, verbal children from their various marriages in a happy household but one threatened by both internal and external forces. Don Cheadle adds a striking supporting turn as Murray, a professor starting a new field of Elvis studies with whom Jack shares kinship and friendly rivalry. —Pam Grady Baumbach 2022 PERSON Baumbach

HOUSE:

+ RECEPTION:

23

DIRECTOR Nikyatu Jusu US 2022 97 min IN PERSON Nikyatu Jusu

SPOTLIGHT: NIKYATU JUSU NANNY

Anna Diop

SECTION US Cinema INITIATIVE Mind the Gap SPONSOR Destino Fund Saturday . October 15 . 6:00pm . Sequoia

PROGRAM + RECEPTION: $65 Member / $70 General PROGRAM ONLY: $35 Member / $40 General

Nikyatu Jusu’s evocative debut feature is an immersive encounter with the duality of the immigrant experience. Anna Diop plays Aisha, a recent Senegalese immigrant who spends her days caring for the child of a wealthy New York couple while making plans to bring her young son to the United States. As she navigates her increasingly strenuous work envi ronment, the West African water deity Mami Wata and Anansi the Spider begin to haunt her. Jusu’s deft exploration of the spiritual and emotional implications for a woman struggling to find the balance between two worlds comes to life in Diop’s stunning performance and DP Rina Yang’s dynamic cinematography. The film beautifully incorporates West African spirituality and femininity into the contemporary horror genre, creating a unique portrait that unites the ancient with the new. —Osinachi Ibe

Tobias

Eddie

CLOSING NIGHT

US

Based on a true story, Tobias Lindholm’s multi-faceted feature is a dazzling shapeshifter that successfully operates on a variety of levels: as a psychological thriller, as a damning indictment of health-care bureaucracy, and as a showcase for two of our finest actors, Jessica Chastain and Eddie Redmayne. As mild-mannered, socially awkward new-hire nurse Charles Cullen, Redmayne’s ambidextrous performance is an astonishing feat, a perfectly calibrated portrait that’s shattering to behold. Counterbalancing that is Chastain’s nuanced, committed turn as his principled and hardworking fellow nurse, Amy Loughren, a single mom suffering from her own health crisis. Jody Lee Lipes’ somber cinematography further ex pands on The Good Nurse ’s sobering themes, illustrating the shadows that can haunt the psyches of those around us. —Randy Myers

Tobias

SECTION US Cinema SPONSOR Jackson PartnersSquare Sunday . October 16 . 5:00pm . Sequoia . Rafael PROGRAM + PARTY: $85 Member / $95 General PROGRAM ONLY: $50 Member / $55 General SIMULCAST HOUSE: $35 Member / $40 General PARTY ONLY: $45 member / $50 General PARTY: Mill Valley Depot Plaza | 7:00-10:00pm

THE GOOD NURSE

DIRECTOR Lindholm 2022 121 min

IN PERSON Lindholm NnamdiRedmayneAsomugha

25

Festival Box Offices open 1 hour prior to the first screening start time of the day and close 15 minutes post the last screening start time of the day, at each respective venue while screenings are scheduled.

CINÉARTS SEQUOIA

BAMPFA

VENUES

26

25 Throckmorton Ave, Mill Valley

ROXIE THEATER

for LATINO ARTS

OUTDOOR ART CLUB 1 W Blithedale Ave, Mill Valley

SWEETWATER MUSIC HALL

Purchase tickets anytime at PREMIERmvff.com/ticketsPATRON + ABOVE Sept 9 DIRECTOR’S12:00pmCIRCLE + ABOVE Sept 10 12:00pm

GUIDELINES + RULES

except those at BAMPFA, Roxie Theater, and Sweetwater Music Hall have a priority seating in the following order:

SMITH RAFAEL FILM CENTER

BAMPFA 2155 Center St, Berkeley

19 Corte Madera Ave, Mill Valley

3117 16th St, San Francisco

2155 Center St, Berkeley

1118 Fourth St. San Rafael

Outside food and beverage is not permitted in any of our venues. BAMPFA has a zero food and beverage policy.

Oversized bags, with the exception of medical equipment and childcare bags, will not be allowed inside of any of our venues. All bags 12” x 12” x 6” and smaller will be permitted in. Please plan appropriately.

SMITH RAFAEL FILM CENTER

OUTDOOR ART CLUB

1 W Blithedale Ave, Mill Valley

LARK THEATER

549 Magnolia Ave, Larkspur

2868 Mission St, San Francisco

The use of cameras or recording devices is strictly prohibited during screenings.

549 Magnolia Ave, Larkspur

ROXIE THEATER 3117 16th St, San Francisco

TICKETS + NAVIGATING MVFF45

To ensure the best experience possible and guarantee your admittance, please arrive and be in line at least 30 minutes prior for all of your scheduled screenings and events. Seat saving is not allowed. All programs

CAFILM MEMBER TICKET SALES

Cell phones and other notification devices should be turned completely off while attending screenings or events.

BOX OFFICES

A B C RUSH

Reserved Seats: Please DO NOT sit in a reserved seat unless it has been arranged for you by name, badge type, or specific indication on your ticket. Please DO NOT stand next to a reserved seat in hopes of them being released. For venue safety and fire code, all aisles must be clear unless actively walking to or from your seat.

LARK THEATER

MISSION CULTURAL CENTER

1118 Fourth St. San Rafael

Oct 7 - 15 10:00am - 8:00pm

ONLINE PASS General $145 CAFILM Members $105

Sept 13 12:00pm

Outdoor Art Club

ONLINE PROGRAM

OUTDOOR ART CLUB

CONTENT ADVISORY

Oct 7-15 10:00am - 9:00pm

Please bear in mind that our films are making their first entrances into the world before public audiences. Note that, unlike commercial cinema, the majority of our films are not yet rated. We thank you for bearing that in mind as you make your choices.

CAFILM Streaming Room open to California residents only

Oct 16 10:00am - 5:00 pm

All ticket orders are final. No refunds, exchanges, substitutions, or reprints. MVFF is not responsible for lost, stolen, forgotten, or damaged tickets. We will refund your ticket(s) if you are unable to attend a screening due to your (or anyone in your household) COVID exposure, or due to community conditions that require a screening or event cancellation. Please contact help@cafilm.org to request a refund.

Single film online admission: General $8 | CAFILM Members $6

MVFF45 ONLINE PASS

ENTRY REQUIREMENTS

Shorts Programs $10.00

Premier Patron, Cinema Benefactor, and Donor Circle receive a complimentary Online Pass.

27

FILMMAKER LOUNGES

Oct 7-15 10:00am - 9:00pm

Oct 16 10:00am - 5:00pm

Masks will be required for all indoor MVFF45 events, unless actively eating or drinking. Masks are strongly encouraged for outdoor events.

General $16.50

Smith Rafael Film Center

Students $8.00 (student ID required)

Badge Pickup will not be available Opening Night, Oct 6

Seniors (65+) $15.00

When we run out of advance tickets for an in-theater program, tickets will no longer be available for purchase ahead of time and “At Rush!” will appear on the online ticketing page — but this doesn’t necessarily mean we are sold out. Sometimes we can release a limited number of tickets on the day of the program online at noon and/or at the theater 15 minutes before showtime. For the latter option, we recommend joining the rush line 45 minutes before showtime. At the venue, rush tickets are available on a first-come, first-served basis.

Special events will have pricing specific to each event

GENERAL PUBLIC

RUSH TICKETS

CAFILM Members $14.00

MARK FISHKIN ROOM @ SMITH RAFAEL

REFUND POLICY

TICKET PRICES

Youth (12 and under) $8.00

Stream our online program on your computer, laptop, iPad, tablet, or mobile device at watch.cafilm.org or download the CAFilm App on your Roku, AppleTV, or Amazon Firestick.

Oct 1 - 5 11:00am - 5:00pm

All MVFF45 badges, tickets, and CAFILM Day Passes with an L enjoy access

Sept 11 12:00pm

Oct 16 10:00am - 5:00pm

ACCESS TO LOUNGES:

The MVFF45 Online Pass offers access to the festival’s online program of 20+ films, filmmaker conversations, and Q&As. Act fast! Some films may have limited capacity and therefore have the potential to sell out.

ALL CAFILM MEMBERS

BADGE PICKUP

With membership to the California Film Institute every night is an Occasion

28

CAFILM MEMBERSHIP

The California Film Institute relies on the support of our wonderful members to run the Mill Valley Film Festival, show amazing films year-round at the Christopher B. Smith Rafael Film Center, and promote exceptional independent filmmakers in our community. Become a CAFILM member to keep the magic going all year long with free screenings of upcoming films, access to exclusive member events, and our lowest ticket prices on films and events!

Premier Patrons receive all of the benefits of Director’s Circle, plus earliest access to film tickets, invitations to exclusive events, and entry into the MVFF Filmmaker Lounge. $680

DONOR CIRCLE

For the festival fan, Director’s Circle members receive even earlier access to MVFF tickets and a place in our early entry line, along with all the perks of Film Fan membership. $345

CINEMA BENEFACTOR

Get behind-the-scenes access! With all of the Premier Pa tron perks, plus invitations to even more events, free tickets to films, and complimentary concession coupons at the Ra fael Film Center. $1,300

Want even more? Explore our All-Access levels in the Do nor’s Circle. By joining the vibrant Donor Circle community you will deepen your knowledge and appreciation of inde pendent film through exclusive access and opportunities, while supporting a world-class independent film nonprofit Yourorganization.involvement

ASSOCIATE

To learn more about our Donor Circle levels visit cafilm.org/donor

DIRECTOR’S CIRCLE

Perfect for the solo film lover, who loves watching films at the Smith Rafael Film Center or online, and receiving invita tions to our exclusive member screenings. $80

PREMIER PATRON

All of the perks of Associate membership, but for two! Perfect for couples or two friends who love to see amazing films together. $130

FILM FAN

29

at the Donor Circle level enables CAFILM to provide a platform for internationally acclaimed, estab lished and emerging filmmakers to share their stories with our community, offer free programs to thousands of diverse Bay Area students each year, deliver tangible results in gender equity in film, support the sustainability, maintenance, and programming of a historic art house theater, and champion independent filmmakers to make impact nationwide.

CAFILM FRENCH SPONSORCINEMA SILVERSIGNATURECIRCLEMAJOR

CHRISTOPHER B. SMITH FAMILY VICKIE SOULIER

30 SPONSORS

PREMIER MEDIA

VAN and LYDIA MAROEVICH

GOVERNMENT SUPPORT

HELLMAN FOUNDATION

FESTIVAL CIRCLE

MAJOR FOUNDATION SUPPORT

GRUBER FAMILY FOUNDATION

NANCY P. and RICHARD K. ROBBINS FAMILY FOUNDATION

NATIONAL

31

COUNTY OF MARIN ENDOWMENT FOR THE ARTS

JENNIFER COSLETT MACCREADY

DANIEL KENYON and MARCHETTA KENYON

GRUBER FAMILY FOUNDATION

HENRY TIMNICK PLATINUM

KAMALA GEROUX-BERRY and DAVID BERRY MAGGIE O’DONNELL and JOSH FLOUM

MOBLEY FAMILY FUND

GORDON MICHAELCHRISTINERADLEYA.SCHANTZandSUSANSCHWARTZ FUND

JONATHAN and DEBORAH PARKER

JIM BOYCE TRUST and KRIS OTIS KEN and JACKIE BROAD FAMILY FUND DESTINO FUND

LEADERSHIP

NANCY P. and RICHARD K. ROBBINS FAMILY FOUNDATION

32 DONOR CIRCLE

VICKIE SOULIER INVESTOR

MICHELLE

CHRISTOPHER B. SMITH FAMILY

SILVER

SUSAN and WILLIAM BEECH SUSAN BOLLE MARC and ROBIN BUSSIN JOE and SUE CARLOMAGNO KEVIN and CHRISTINE CHESSEN JOY CHIK and TOM LARSON TOM COHEN and KRISTI DENTON COHEN JOEL and JUSTINE COOPERSMITH GAYLE DONSKY and MORTON STEIN CATHERINE and PETER FLAXMAN GERALD L. and SHEREE A. FRIEDMAN

THE JAY PRITZKER FOUNDATION ROBERT SCHROEDL ERIC SCHWARTZ and MAGDA WESSLUND JANN STANLEY and SOREN DALSAGER MONA STEINBERG LIVIA PATRICIASTONETANOURY BRONZE JANE BAY THE NEWTON and ROCHELLE BECKER CHARITABLE TRUST - DAVE and ANN PECKENPAUGH BECKER

MICHELLE GRIFFIN and TOM PARKER MICHELE CRNCICH HODGE and JEFF HODGE RICHARD J. IDELL and SUSAN KORNBLATT IDELL ELISABETH and HOWARD JAFFE RAY and CARLA KALISKI CAROLINE LABE ELLEN ROSEMARYCYNTHIALORINGMARAMandKEVIN MCNEELY HARRISON MONAHANMILLERPARKER, INC. ANDREW PESA ANDRA DR.LORNEROBERTACONSTANCEMUNTEANUOCLASSENO’NEALEandILONAPARKERSANFORDROSENBERG and MEDIA RESEARCH ASSOCIATES STEVE SUSANRIFFKINandJOEL SKLAR VISRA ZACHCAMEOVICHIT-VADAKANWOODandMARLIESZEISLER

NANCY ABODEELY ALICE CATHYLINDAFRIENDSJAMESSTEPHENKENNETHCATHERINECLAREJANK.C.WILLAANDREETOMMARGARETMAUREENBOBGRISWOLDPAMELADENNISHEIDIMICHAELSTEPHANIESHANACORNINGCHRYSTIEDIMARCODYETTandRICHARDSONP.FISCOandPOLITEFISCOFAMILYFUND,andALEXGRISWOLDGROPERHAASandBARBARAHARRISONandJOHNJANSHESKIJEFFERSON-STOKESandSTEVELAUCKandJESSICALINKMCCAMYMCKOWNandVERAMEISLINandMARYMIZROCHMOCHIZUKIofPRODUCTIONSMORGANandROBERTNOURAFSHAN

33

DISTINGUISHED BENEFACTOR

HENRY TIMNICK

MARIN COMMUNITY FOUNDATION SAN RAFAEL REDEVELOPMENT AGENCY BENEFACTOR MARCIA PACIFICLUCASFILMLUCASLTDTHEATRES CORPORATION

KATZ FAMILY FOUNDATION CONTRIBUTOR

BELLEBYRON FOUNDATION and SUSAN LOWE BERNARD OSHER FOUNDATION and LOIS TUKMAN LABORATORIESS

THE

PATRON

MEL

34 SMITH RAFAEL DONORS

CHRISTOPHER

HENSEL PHELPS CONSTRUCTION CO

ED

DOLBY

MARGARET E. HAAS

JENNIFER COSLETT MACCREADY

DIRECTORS CHAIR B. SMITH

BILL and MARY POLAND

THE EGAN FAMILY RAFAEL CONVALESCENT HOSPITAL PHILIP A. SCHAEFER

PINEWOOD FOUNDATION

PACIFICNORTHERNMARINLUTHERBARBARAK.C.ANDKATHRYNELLENMICHAELJ.NANCYGERALDDANILTHEHAMBRECHTDOUGLEONARDCHINOOKDUTTRESTAURANTandROBINEBERandJANEFERGUSONandQUISTHAYDONFAMILYDAVIDERESTAURANTHELLERG.HOYTTK.HUDSONPATRICKandIRENEM.HUNTandROXANNEKLEINJANEKUTTENE.JOHNSONPETERCULVERandSTEVELAUCKBROWNLEIBERTBURBANKSAVINGSAIRPORTERTRUSTTELESIS

JOSEPH and EDA PELL

35 SUPPORTER

DOUG CARLSTON and TOMI PIERCE

BANK OF AMERICA FOUNDATION BLOCKBUSTER, INC

TOM and DIANE DURST SUNITA

BANK OF MARIN

MARK CAZENAVE II

JIN and LINDA ZIDELL SUSAN and RICHARD IDELL JOHN and BETH ALLEN ANDREW and KATHLEEN VARLOW NANCY and RICH ROBBINS MACQUARIE CARLAFOUNDATIONGROUPEMILandRICH SILVERSTEIN

PETER and CATHERINE FLAXMAN ERIC A. SCHWARTZ

THE FRED GELLERT FAMILY FAMILYKENNANETTEROBERTSUSANMICHAELOFMARINDONGRUBERFOUNDATIONFAMILYFOUNDATIONandDONNAKELLEHERCOUNTYBOARDSUPERVISORSandSCHWARTZandGRISWOLDandJACKIEBROADFUND

FRIEND

AUTODESK, INC

IntimacyMasterclassCoordinator 11:00am We Dream of Robots 12:00

Return to Dust 3:30

FRIDAY OCT 7

Deconstructing Karen 1:45 Passengers of the Night 3:00 Corsage 1:30 Body Parts 4:00 The Pupils 5:45

Provo 1:00 The Young Vote 3:30 Call Jane 12:00

Banshees of Inisherin 3:30

Searching for Sugar Man 2:30

The Pupils 1:00 Charcoal 4:00 Freedom on Fire 11:00am

TÁR 3:00 Mother and Son 4:00 Turn Every Page 5:00

The Grab 6:00 Charcoal 7:00 BansheesInisherinof 7:00 Provo 7:30 OneShorts:andOnly 8:15

Glass Onion: A Knives Out Mystery 6:00

36

The Young Vote 12:00

The Quiet Epidemic 2:00 Santos–Skin to Skin 5:15 Call Jane 2:45 Descendant 3:00 One Fine Morning 4:00 Broker 7:00 Body Parts 3:00 Lady Chatterley’sLover 7:00

Rodeo 6:00 Living 7:00 MTG WomenAwardTalking 5:00 Descendant 7:00 One Fine Morning 7:00 Home Somewhereis Else 7:00

Town Destroyer 8:00 Passengers of the Night 6:00 ArmageddonTribute: Time 6:30

SUNDAY OCT 9

Chile 1976 7:00 The Son 7:00

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAEL BAMPFA LARK

THURSDAY OCT 6

Oink 11:00am

TÁR 11:00am Whina 12:00

Shorts: Free to be Me 11:00am Finding Her Beat 12:00

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAELSEQUOIA RAFAEL

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAEL BAMPFA LARK

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAEL

The Residents Doors 7:00pm Show 8:00pm

THURSDAY OCT 13

The Blue Caftan 2:00 Bonnie Blue 3:00 PaintingShorts:Pictures 3:45 Tukdam 6:30 The Wonder 7:00

SATURDAY OCT 8

The Young Vote 3:00

SUNDAY OCT 16

John Santos + Friends Doors 8:00pm Show 9:00pm

Shorts: The EnvironmentalistsNew 8:15

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAEL

Living 2:30 Freedom on Fire 3:30 Holy Spider 4:00 Xalé 6:30 The Art of Eating 7:00

The Grab 1:00 The Quiet Epidemic 1:15 Alcarràs 2:00

SATURDAY OCT 15

TBA 12:00 TBA 12:00 EO 2:00 Mother & Son 3:00

Centerpiece:Till 7:00 Faultline 7:30

SWEETWATER

Town Destroyer 1:00 Charcoal 4:00 Triple Trouble 7:00

Member Screening: The Unknown Country 5:15 We Dream of Robots 5:00 Argentina, 1985 6:45 Xalé 7:15

Rodeo 4:00

Finding Her Beat 11:00am

TBA 12:00 Argentina, 1985 11:00am Unknown Country 2:30 Deconstructing Karen 3:00

The Pupils 11:00am

Sunnyland 7:00

The Lost King 6:00

Our Brothers 7:00 My Policeman 8:00

THE ROXIE

37

TUESDAY OCT 11

WEDNESDAY OCT 12

Santos–Skin to Skin 4:00 Nanny 7:00

MONDAY OCT 10

TBA 12:00

Shorts: Skyfall 7:30

38

My Policeman 2:30

Erin’s Guide to Kissing Girls 4:00 Tukdam 5:00 Bardo 6:00 Still Working 9 to 5 7:30

The Art of Eating 2:00 The Son 3:30 Broker 4:00

Shorts: Rolling in the Deep 1:00 Plan 75 4:00 The Pupils 12:00 Elemental 2:00 Boy from Heaven 3:15

FRIDAY OCT 14

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAEL BAMPFA LARK

THURSDAY OCT 13

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAEL BAMPFA

Four Samosas 12:00

Hi De Ho Show 7:00

SATURDAY OCT 15

Nanny 6:00

TBA 11:00am TBA 12:00am

Our Father, the Devil 6:00 Path of the Panther 7:00 Alcarràs 7:00

The Swimmers 2:00 Sophia 3:00

AnimationShorts:for All 11:00am Lost King 12:00 Path of the Panther 11:00am

Return to Dust 11:30am Chile 1976 2:30

Our Brothers 3:00 LUNAFESTShorts: 4:00

Tribute:The Whale 7:00

Close 6:00 Causeway 7:00

White Noise 7:00 Close 8:00 Corsage 7:00

Bonnie Blue 4:00 Fantastic Negrito 7:00

SEQUOIA SEQUOIA RAFAEL RAFAEL RAFAEL BAMPFA LARK

The Blue Caftan 4:00

Shorts: Strangers by Nature 8:15 Elemental 7:15

Our Father, the Devil 11:00am Home Somewhereis Else 12:00 Town Destroyer 1:15 Sophia 2:00

Erin’s Guide to Kissing Girls 2:00

Plan 75 4:00 Santos–Skin to Skin 7:30 Whina 1:00

SUNDAY

Decision to Leave 7:00 Fantastic Negrito 3:00

OCT 13

PLEASE NOTE: Times, dates, and venues are subject to change or adjustments. Consult mvff.com for up-to-the-minute information.

SATURDAY

Four Samosas 11:00am Boy from Heaven 12:00

OCT 8

SATURDAY

BEHIND THE SCREENS: REEL LIFE: HISTORY ON FILM 11:30am

PARTY: OINK AFTERPARTY 12:30pm Free with film ticket

SATURDAY

BEHIND THE SCREENS: STATE OF THE INDUSTRY 11:00am

TALK BACK: THE QUIET EPIDEMIC 4:15pm

SATURDAY

OCT 13

THURSDAY

BEHIND THE SCREENS: POWER OF PERSONAL DOCUMENTARY FILMS 3:30am

SUNDAY

BEHIND THE SCREENS: MISREPRESENTATION: WHEN THE FILM INDUSTRY GETS IT WRONG 1:30pm

OCT 8

Shorts: Truths (and Spoofs) From Youths 11:00am Causeway 12:00

OCT 16

SATURDAY

OCT 15

TALK BACK: ELEMENTAL 4:00pm

BEHIND THE SCREENS: VARIETY’S TEN SCREENWRITERS TO WATCH 11:00am

OUTDOOR ART CLUB

OCT 13

SUNDAY OCT 16

THURSDAY

EO 2:00 The Good Nurse 5:00 Oink 2:00 The Good Nurse 5:00

OCT 15

SEQUOIA RAFAEL RAFAEL RAFAEL BAMPFA LARK

She Said 1:00 Turn Every Page 4:00 Still Working 9 to 5 11:30am

OCT 8

SUNDAY

SEQUOIA

TALK BACK: DECONSTRUCTING KAREN 3:30pm

OCT 16

OCT 9

MIND THE GAP: THE UNKNOWN COUNTRY An exploratory filmmaking process 12:00pm Free with ticket

BEHIND THE SCREENS: ACCESSIBILTY SCORECARD IN EXHIBITION 1:00pm

TALK BACK: THE YOUNG VOTE 2:00pm

OCT 15

SUNDAY

ALL EVENTS FREE

SUNDAY

MIND THE GAP

ACTIVE CINEMA

A platform for inclusion and equity, committed to helping marginalized filmmakers break through the gatekeeping that has long made the industry exclusionary and help undo a harmful history of defaults

A showcase of Latin American, Latinx, and Spanish-language stories, connecting audiences with a diversity of cultures, identities, and histories explored through the magic of Withcinemasupport

RODEO

A forum for films united in their commitment to explore the world and its issues, engage audiences, and transform ideas into action

We believe that film has the power to inspire and activate. MVFF Initiatives are a call to action through screenings, panels, partnerships, masterclasses, and mentorship opportunities.

¡VIVA EL CINE!

40

Sponsored by XFINITY

LAUGH

Love, like, lust, passion, romance. Full THEspectrum!BLUE CAFTAN BODY PARTS LADY CHATTERLEY’S LOVER MOTHER AND SON

53

Winner of the Golden Bear award at the Berlin Film Festival, Carla Simón’s gorgeous drama is a warm-hearted, multi-generational portrait of a Catalan family struggling for their peach orchard’s survival. At the film’s opening, the family faces eviction when the land’s owner decides to replace the trees with solar panels. Simón was hailed as a vibrant newcomer in 2017, after her luscious evocation of childhood and loss, Summer 1993 (MVFF40). Alcarràs adds further proof that she’s a talent to watch: The new film hums with conflicts large and small, from encroaching technology and the decline of traditional farming to the brutally cyclical nature of farmers’ lives, forever pegged to fickle weather and subject to cli mate change. Captured in gently sensuous, sun-filled cinematography, and enriched by spirited slice-of-life writing for an incredible ensemble of non-professional actors, Alcarràs celebrates families in their emotional infinitude, and life in its bittersweetness and implacable fullness. In Catalan and Spanish with English subtitles —Ela Bittencourt

DIRECTOR Carla Simón Italy 2022 120 min US Cinema

Spain,

55

SECTIONPREMIERE World

STRAND Grow INITIATIVE İViva el cine! Mind the Gap ALCARRÀS Monday . October 10 . 2:00pm . Rafael Thursday . October 13 . 7:00pm . BAMPFA

.

Julio Strassera (Ricardo Darín), Luis Moreno Ocampo (Peter Lanzani), and their young legal team to charge the heads of the country’s bloodiest military dictatorship with crimes against humanity. Under constant threat and menace, the lawyers race against time and all odds as they wage an unprecedented David-vs-Goliath battle to bring justice to the junta’s victims. Mitre portrays these gripping events with great suspense and gallows humor, blending archival footage with impressive reenactments from a spec tacular ensemble. By imparting valuable lessons of historical accountability, Argentina, 1985 ignites our sense of justice. —João Federici

Ricardo Darín SECTION Cinema Ltd 1985

One of the most significant legal trials in Argentina’s history serves as the basis for Santiago Mitre’s (Paulina , The Summit ) new feature, arriving at MVFF fresh from its Venice Film Festival world premiere. This riveting drama begins in 1983 when, after finally re-establishing democracy from decades of military coups, President Raúl Alfonsín authorizes prosecutors

. October 10 .

57

DIRECTOR Santiago Mitre Argentina, US 2022 140 min IN PERSON

World

Monday 6:45pm Rafael

Tuesday . October 11 . 11:00am . Rafael

ARGENTINA,

INITIATIVE İViva el cine! SPONSOR Lucasfilm,

Nancy P. and Richard K. Robbins

World Cinema SPONSOR

59

Wareham Development

James Gray SECTION

Family Foundation

Acclaimed writer-director James Gray fashions his own family memories into a wistful, exquisitely performed character study, taking on race, class, and the American Dream. Banks Repeta stars as Paul, a white kid living in Queens in the early 1980s, hoping to break free of his parents’ working-class suburban life and become an artist. But when he befriends Black classmate Johnny (Jaylin Webb), Paul gets a very different education. The filmmaker behind devastatingly intimate dramas such as Two Lovers works with perhaps his finest ensemble—Anne Hathaway and Jeremy Strong play Paul’s weary parents, with Anthony Hopkins as his affable grandfather—to excavate our current affairs. Many directors look back at their childhoods with honeyed nostalgia; Gray spits in the eye of such rose-tinged reminiscences, exploring our shared culpability in cre ating a nation whose dreams of a better tomorrow seem to drift ever out of reach. —Tim Grierson

DIRECTOR James Gray US 2022 115 min IN PERSON

ARMAGEDDON TIME

Saturday . October 8 . 6:30pm . Rafael

“I don’t know how to do anything else,” M.F.K. Fisher once said of her writing, in a feat of understatement. San Francisco director Gregory Bezat’s well-balanced documentary reintroduces this great mid-century pioneer of culinary literature, who invented a genre with her stylish observations on food and elevated cooking from humble domestic chore to celebration of life. Beyond her gastronomical musings, Fisher also wrote about place, loss, poverty, making do during wartime, and passion in all its forms. Weaving together archival interviews with Fisher, select readings from her oeuvre, endearingly expressive photographs, and commentary from eloquent admirers such as Alice Waters and Jacques Pépin, the film brings its subject fully to life as a person of depth, knowledge, and appetite. A flavorful and respectful appreciation, The Art of Eating also serves as an affirming primer on how to acquire worldliness and make it a way of being. —Ravinder Kingra Gregory Bezat

Create AVAILABLE TO STREAM

DIRECTOR

THE ART OF EATING: THE LIFE OF M.F.K. FISHER

Tuesday

. October 11 . 7:00pm . Rafael Thursday . October 13 . 2:00pm . Sequoia

Docs

US 2022 85 WORLDmin SECTIONPREMIERE

61

STRAND

63

DIRECTOR Martin

114 INVITEDmin GUEST Kerry

While civil war rages across Galway Bay, another kind of battle bursts forth on the tiny island of Inisherin when fiddler Colm (Brendan Gleeson) severs his friendship with dairy farmer Padraic (Colin Farrell). Done with his irrepressible pal’s banal chatter, Colm is so serious about calling it quits that he threatens dire consequences should Padraic speak to him. With this acerbic, 1920s-set black comedy reuniting his In Bruges stars Gleeson and Farrell, Martin McDonagh ( Three Billboards Outside Ebbing, Missouri , MVFF40) completes the Aran Islands trilogy he began in the theater with The Cripple of Inishmaan and The Lieutenant of Inishmore . The cast, including Barry Keoghan as the local constable’s dim-wit ted son and Kerry Condon as Padraic’s worldly sister, is top-notch in a film full of sharp observations about rural life and the challenge of human connection. Farrell is a stand-out as a simple man left befuddled and hurt by his friend’s betrayal. —Pam Grady McDonagh UK, US 2022 Condon OF INISHERIN

Friday . October 7 . 7:00pm . Rafael Sunday . October 9 . 3:30pm . Lark

Ireland,

SECTION World Cinema STRAND Laugh SPONSOR Gruber FoundationFamily THE BANSHEES

Friday . October 14 . 6:00pm . Rafael

BARDO (OR FALSE CHRONICLE OF A HANDFUL OF TRUTHS)

Named for the Buddhist concept of a transitional state between death and rebirth, and subtitled “False Chronicle of a Handful of Truths,” this witty epic from multiple-Oscar ®-winning director Alejandro G. Iñárritu ( Biutiful , MVFF33; The Revenant ) centers on Silverio (Daniel Giménez Cacho), a renowned journalist and documentary filmmaker who returns to Mexico after a successful sojourn in the US. It appears that our hero is undergoing a midlife crisis of Felliniesque proportions, as he grapples with his identity, childhood memories, familial relationships, and even his two countries’ histories, in progressively surreal and outrageous vignettes. In Silverio’s world, imagination consistently subverts reality, and Iñárritu and his collaborators, including cinematographer Darius Khondji, make the transitions appear fluid and seamless. Iñárritu’s first production in his native Mexico since his celebrated feature debut Amores perros in 2000, Bardo resonates as a personal statement about the world and the artist’s place in it. —Richard Peterson Kenyon and Michelle Marchetta Kenyon

DIRECTOR GonzálezAlejandroIñárritu Mexico 2022 174 min IN PERSON GonzálezAlejandroIñárritu SECTION World Cinema INITIATIVE ¡Viva el cine! SPONSOR Daniel

65

67

In Salé, Morocco, Halim (Saleh Bakri, Costa Brava , Lebanon ) and his ailing wife, Mina (Lubna Azabal, Adam), own and operate a made-to-measure dress shop. Halim handcrafts caftans with an attention to detail and an eye toward durability prized by his customers. Similarly, Maryam Touzani’s film dives richly and intimately into the lives of its characters when Halim and Mina, facing a backlog of orders, take on young apprentice Youssef (Ayoub Missioui). As Mina becomes increasingly bedridden, a developing connection between the two men creates internal conflict for the mild-mannered tailor. Avoiding heated melodrama, Touzani instead sews together her story of the marital bond and an unusual romantic triangle with intimacy and great tenderness. The Blue Caftan shows the complexities and profundities of enduring love with a deeply stirring res olution and a trio of expert performances. In Arabic with English subtitles —Rod Armstrong Touzani BLUE CAFTAN (LE BLEU DU CAFTAN)

Wednesday . October 12 . 2:00pm . Sequoia Friday . October 14 . 4:00pm . Lark

DIRECTOR Maryam

Morocco 2022 124 CALIFORNIAmin PREMIERE SECTION World Cinema STRAND Heart THE

BODY PARTS Saturday . October 8 . 3:00pm . Lark Sunday . October 9 . 4:00pm . Rafael

Stunt coordinators prevent injuries on movie sets, but who protects the cast during those vulnerable moments of shooting a “sex” scene? In this wide-ranging primer on the perils of being female in Hollywood, veteran documentary director Kristy Guevara-Flanagan ( Wonder Women! The Untold Story of American Superheroines , MVFF35; What Happened to Her , MVFF39) and producer Helen Hood Scheer interview stars including Jane Fonda and Rosanna Arquette, among others, about their experiences shooting nude scenes for TV and movies. They describe the pressure they’ve felt to get naked on camera and the danger these intimate scenes pose, from predatory scene partners to the endless availability of images on the internet. Deftly illustrated with movie clips stretching back to Eadweard Muybridge’s motion studies, Body Parts is part film-history lesson on the dominance of the heterosexual male gaze and part clarion call for employing intimacy coordinators across the industry. It neither shies away from uncomfortable conversations nor ignores imagemakers trying to set a higher, more inclusive bar on set and on screen. —Shari Kizirian FlanaganGuevara2022 min IN PERSON Heart INITIATIVE

Mind the Gap

86

69

DIRECTOR Kristy

Kristy FlanaganGuevaraSECTION Docs STRAND

US

CALIFORNIAmin PREMIERE SECTION Docs AVAILABLE TO STREAM

Bestor Cramn US 2022 86

71

Wednesday . October 12 . 3:00pm . Sequoia Saturday . October 15 . 4:00pm . Rafael

BONNIE BLUE: JAMES COTTON’S LIFE IN THE BLUES

DIRECTOR

Largely credited with introducing the blues to rock audiences, Grammy-winning singer, harmonica player, and songwriter James Cotton gets a fitting tribute in this vibrant documentary portrait. Born on a plantation in Tunica, Mississippi, James Henry Cotton picked up his mother’s harmonica as a youngster and taught himself to play. His talent and drive brought him to the attention of blues great Sonny Boy Williamson, an eventual mentor, and to Chicago, where Cotton played harmonica with Muddy Waters for 12 years. A dazzling, three-decade-plus solo career inspired him to reimagine how the blues could be received and appreciated. Cotton, who died in 2017, speaks via unearthed video interviews in Bestor Cram’s insightful film, while interviews with Cotton’s contemporaries, including Buddy Guy, Billy Branch, and Steve Miller, further flesh out the artist’s profile. Fiery live sets and impressive archival footage reveal the depth and wonder of Cotton’s talent. —Wilfred Okiche

73

Sweden

In the latest from Swedish-Egyptian director Tarik Saleh ( The Nile Hilton Incident ), Tawfeek Barhom plays a naive religious-scholarship student thrilled to be at Cairo’s prestigious Al-Azhar University—until finding himself pulled into a cascade of murders, conspiracies, and paranoia. The ensuing labyrinthine plot lets Saleh explore the tumult of jockeying for influence between religious and ostensibly secular institutions in Egypt, and the insidious corruption that’s endemic to both. With a strong cast and a point of view that’s somehow at once artfully detached and deeply committed, Boy from Heaven mixes moviemaking styles familiar from the likes of Terry Gilliam’s dark comedies and John le Carré’s spy dramas, fashioning a film that’s as much a biting satire as a political thriller. More than ten years after the Arab Spring, this story is as timely as ever, and relevant no matter where in the world you live. —Zaki Hasan

Tarik

SECTION World Cinema STRAND Trailblazers SUPPORT FROM Consulate General of Sweden

Tarik

Saturday . October 15 . 3:15pm . Sequoia Sunday . October 16 . 12:00pm . Rafael

DIRECTOR Saleh 2022 125 min US PREMIERE IN PERSON Saleh

BOY FROM HEAVEN

DIRECTOR

Hirokazu Kore-eda South Korea 2022 129

75 Song Kang-ho deservedly won Best Actor at this spring’s Cannes Film Festival for his performance in writer-director Hirokazu Kore-eda’s latest bittersweet exploration of the de facto families we form across our lives. In Broker , he plays Sang-hyeon, who operates a black market business with his pal Dong-soo (Gang Dong-won), selling infants left at baby box es to parents looking to adopt. But when one of the mothers, So-young (Lee Ji-eun), has second thoughts about surrendering her child, the men work with her to find a good home for the infant. Filming in South Korea for the first time, the acclaimed Japanese auteur (whose Shoplifters , MVFF41, won Cannes’ 2018 Palme d’Or) has crafted a road-trip drama full of gentle observations about the ways in which we all sometimes feel abandoned—and how the search for home can be a perpetual quest. — Tim Grierson

SECTIONmin World Cinema

Saturday . October 8 . 7:00pm . BAMPFA Thursday . October 13 . 4:00pm . Rafael

BROKER

77

When Joy (Elizabeth Banks), a contented suburban housewife, has need for an abortion, she finds herself trapped by a medical establishment indifferent to her survival — until she stumbles upon the Janes. Carol screenwriter Phyllis Nagy directs this fictionalized account of the clandestine Chicago-based group that provided safe, affordable abortions beginning in the late 1960s before Roe v. Wade became the law of the land. Shot in Super 16mm, it has the look and feel of a contemporaneous indie. The warm heart of the film is Joy, who slowly awakens to the struggles facing women as second-class citizens — denied not just their own bank accounts but also any agency in their own healthcare decisions. With tenderness and humor, Call Jane portrays Joy and her allies in all their flawed glory, offering hope and inspiration as the fight for reproduc tive freedom takes on new and compelling urgency. —Shari Kizirian

DIRECTOR Phyllis Nagy US 2022 121 min IN PERSON Phyllis RobbieElizabethNagyBanksBrenner SECTION US Cinema STRAND Trailblazers INITIATIVE Mind the Gap CALL JANE Saturday . October 8 . 2:45pm . Rafael Sunday . October 9 . 12:00pm . Lark

US 2022 92 SECTIONmin US Cinema INITIATIVE

Friday . October 14 . 7:00pm . Sequoia Sunday . October 16 . 12:00pm . Sequoia

79

Lila Neugebauer’s moving portrait of healing and friendship follows Lindsay (Oscar ®-winner Jennifer Lawrence), a soldier recovering from a serious injury at home in New Orleans but anxious to redeploy to Afghanistan. When she meets James (Brian Tyree Henry, If Beale Street Could Talk , MVFF41), a kindhearted mechanic reeling from a tragic and life-alter ing accident of his own, the pair forms an unexpected bond. The actors are phenomenal, beautifully inhabiting Lindsay and James’s intimate and tender relationship with grounded and nuanced performances. Making a remarkable feature debut, veteran theater director Neugebauer infuses this emotionally profound drama with a deep sense of compassion and understanding. Causeway highlights the quiet power in exposing our vulnerability and allowing ourselves to meaningfully connect with others, and in so doing, healing our deepest wounds. —Celeste Wong

Lila

CAUSEWAY

DIRECTOR Neugebauer Mind the Gap

SECTION World Cinema INITIATIVE ¡Viva el cine! Mind the Gap SUPPORT FROM Consulate General of Brazil CHARCOAL (CARVÃO) Friday . October 7 . 7:00pm . Sequoia Saturday . October 8 . 4:00pm . BAMPFA Saturday . October 15 . 4:00pm . Roxie

INUS1072022minPREMIEREPERSON

This dry satire poignantly depicts a society full of contradictions, in which religion, faith, life, and death all become entwined in flexible moral dilemmas. The utterly fearless ensemble delivers astonishing performanc es, and the sharp direction confirms Markowicz as a talent to watch. In Brazilian Portuguese, and Spanish with English subtitles —João Federici

Writer-director Carolina Markowicz’s evocative debut is the kind of film that makes you love cinema more than ever. Irene (Maeve Jinkings, Aquarius , MVFF39), her husband Jairo (Rômulo Braga, Blue Blood , MVFF38), and their son live in Brazil’s rural outskirts and work in a small backyard charcoal factory. That simple, quiet life changes when the family allows treacherous nurse Juracy (Aline Marta, Memory House ) to use their house as a hideaway for fugitive drug lord Miguel (César Bordón, Wild Tales ).

81

DIRECTOR Carolina Markowicz Brazil, Argentina

Carolina Markowicz Maeve Jinkings

83 Manuela Martelli’s debut feature is the poignant story of a wealthy, upper-middle-class housewife suddenly shaken into painful political awareness. As Carmen starts to renovate her beach house, the local priest asks her to help him hide a young fugitive from the law. This charitable act soon alters the leisurely tempo and comfortable atmosphere of Car men’s everyday life, plunging her into a state of unremitting tension. A subtle yet persistent aura of claustrophobia envelops the film, effectively communicating the terror of Chilean General Augusto Pinochet’s persecution of leftist activists and underground fighters who opposed his military junta. Hyper-attentive to textures and lyrically paced, Chile 1976 is a piercing work of portraiture. Aline Küppenheim gives a captivating, pitch-perfect performance as a woman forced out of her complacency, whose compassion draws her into a web of secrets, lies, and danger. In Spanish with English subtitles —Ela Bittencourt

SECTIONPREMIERE World Cinema STRAND Trailblazers INITIATIVE ¡Viva el cine! Mind the Gap CHILE 1976 Saturday . October 8 . 7:00pm . Rafael Thursday . October 13 . 2:30pm . Rafael

DIRECTOR Manuela Martelli Chile, Argentina, Qatar 2022 95 min US

85

Both a coming-of-age story and a deft inquiry into how boys struggle to process their feelings, Close is a movie about grief and denial, love and acceptance. Dambrine and De Waele, making their big-screen debuts, movingly play kids becoming aware of the emotional challenges that the wider world has in store for them. —Tim Grierson

Belgian director Lukas Dhont explores the delicacy of boyhood and the shifting dynamics of male friendship with heartbreaking intimacy in his assured sophomore feature. The winner of the Grand Prix at this year’s Cannes Film Festival, Close chronicles the bond between 13-year-olds Léo (Eden Dambrine) and Rémi (Gustav De Waele), who seem insepara ble—until their connection provokes teasing by classmates, leading to tragedy. Dhont, the director of the acclaimed trans drama Girl , collaborates with his sensitive young actors to create an indelible snapshot of adolescence so quietly profound and entrancing that it resembles a dream.

CLOSE

Lukas Dhont Belgium, Netherlands, France 2022 105 BAYminAREA PREMIERE IN PERSON Lukas Dhont SECTION World Cinema

Friday . October 14 . 6:00pm . Seqoia Saturday . October 15 . 8:00pm . Rafael

DIRECTOR

87

CORSAGE Sunday . October 9 . 1:30pm . Rafael Saturday . October 15 . 7:00pm . Lark

DIRECTOR Marie Kreutzer Austria,

Magnetic star Vicky Krieps ( Bergman Island , MVFF44) vividly inhabits Empress Elisabeth of Austria in writer-director Marie Kreutzer’s ( The Ground Beneath My Fee t) examination of the beloved, restless, and occasionally scandalous 19th-century ruler at midlife, a performance for which Krieps won Best Actress at Cannes’ Un Certain Regard. In this whimsical portrait, the woman known as “Sissi” is coming to terms with turning 40 and feeling constricted — as much by her social role in her dysfunctional marriage to the emotionally distant Emperor Franz Joseph I (Florian Teichtmeister) as by the corset that lends the film its name. Using a cool palette and a preference for understatement, Kreutzer deftly renders the social realities of the period, while offering fresh insight on the plight of a woman trapped by the beauty of her public image. With complex intel ligence and verve, Krieps refreshes our notions of female regality, and of costume drama. In German, French, English, and Hungarian with English subtitles —Ananya Kumar-Banerjee

Marie Kreutzer SECTION

World Cinema INITIATIVE Mind the Gap

INVITED1132022Germany,France,LuxembourgminGUEST

Sunday . October 9 . 6:00pm . Rafael Sunday . October 16 . 7:00pm . BAMPFA

South Korean auteur Park Chan-wook continues his transformation from ace provocateur to mature master with this elegant Hitchcockian thriller about obsession and the mysteries of the human heart. Park Hae-il plays Hae-joon, a dedicated detective investigating the puzzling death of a man who fell from a mountain, and the deceased’s eerily enigmatic wife, Seo-rae (Tang Wei), a prime suspect. The more time Hae-jonn spends with the woman, the more he finds himself under her spell — but can she be trusted? The winner of the Best Director prize at the Cannes Film Festival, Decision to Leave sees Park moving away from the graphic shocks of Oldboy and The Handmaiden (MVFF39) while retaining his consider able skill at keeping an audience off-balance. Gorgeously shot and expertly crafted, it will pull you into a vortex from which, as Hae-joon learns, there is no escape. In Korean with English subtitles —Tim Grierson

DECISION TO LEAVE

89

SECTIONPREMIERE World Cinema

DIRECTOR Park Chan-wook South Korea 2022 138 min US

.

. October

US

.

Patty Ivins Spect 2022

DIRECTOR

.

INITIATIVE Active Cinema Mind the Gap

Monday 11 3:00pm

73 SECTIONmin Docs

DECONSTRUCTING KAREN

. Rafael

Sunday October 9 1:45pm Sequoia

The nonprofit Race2Dinner aims to challenge liberal white women on their biases and blind spots about racism in America — one dinner at a time. Shot months before the COVID-19 lockdown and racial awakening of 2020, this documentary from director Patty Ivins Spect and executive producer Anna Paquin finds a group of Denver-area white women volun teering to break bread at one such event and discovering they may have bitten off more than they can chew. As Race2Dinner founders Regina Jackson and Saira Rao share their lived experiences in Black and Brown skin, the film follows a course from initial pushback, defensiveness, and anger to — remarkably — listening, understanding, and growth. Spect also shows the work behind the work, as Jackson and Rao expand Race2Dinner to other areas of the country, opening up a vital new ave nue to hold difficult but urgent conversations with the power to change hearts and minds. —Kris Chesson

The Oct 9 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 3:30pm. Join us to continue the conversation!

91

Henry Timnick

DESCENDANT

SECTION Docs

Saturday . October 8 . 3:00pm . Rafael Sunday . October 9 . 7:00pm . Rafael

Margaret Brown’s important and thought-provoking documentary may prompt a reevaluation of everything you’ve been taught about slavery and the Jim Crow era. In 2018, marine archaeologists uncovered the long lost remains of Clotilda, the last known US slave ship, along the riverbanks of Mobile, Alabama. While many have focused on the ship’s discovery, Brown turns her lens on the residents of Africatown, a community founded by survivors and their descendants—people long denied the freedom to speak about their family history for fear of retaliation. By giving them the opportunity and agency to tell their stories, Brown crafts a powerful testimonial highlighting the effects of the slave trade on modern Black Americans, and accords the Clotilda survivors the respect denied them during their lifetimes. Interspersed throughout the film is footage of the last known survivors of the Clotilda shot by famed writer, filmmaker, and anthropologist Zora Neale Hurston. —Bri’anna Moore Brown US 2022 109 Brown STRAND Spirit INITIATIVE

Mind the Gap SPONSOR

93

INVITEDmin GUEST Margaret

DIRECTOR Margaret

95

The Oct 15 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 4pm. Join us to continue the conversation! Cinema Development P. and Richard K. Robbins Family Foundation

SPONSOR Wareham

DIRECTOR Trip Jennings US 2022 79 BAYminAREA PREMIERE SECTION Docs INITIATIVE Active

ELEMENTAL: REIMAGINING OUR RELATIONSHIP WITH WILDFIRE

Nancy

Narrated by award-winning actor David Oyelowo, Elemental is equal parts frightening in its imagery and compelling in its thesis. As conceived by director Trip Jennings, this engrossing documentary about the devastating impact of wildfires, and the science deployed to combat them, offers viewers a new perspective on the raging infernos that have be come far too common threats to forests, homes, and entire communities. Packed with new and archival footage of the devastation wrought by fire run amok (notably, the 2018 Paradise, CA, Camp Fire), the film juxtaposes those stark and sobering images with interviews from an array of scientists, academics, and other experts who propose a potentially counterintuitive approach to bringing these blazes to heel. Most importantly, while Elemental illustrates the seriousness of the problem, it also underscores how — with forethought and care — we might achieve real solutions. —Zaki Hasan

Friday . October 14 . 7:15pm . Lark Saturday . October 15 . 2:00pm . Sequoia

DIRECTOR

Jerzy Skolimowski

97

Revered Polish filmmaker Jerzy Skolimowski creates a new way of seeing the world in a film that chronicles nature’s beauty alongside human kindness and cruelty, from a donkey’s point of view. While comparisons are inevitable to Robert Bresson’s conceptually similar 1966 masterpiece Au Hasard Balthazar , this extraordinary tale is its own beguiling beast, playing with color and sound to render our silent protagonist’s journey across Poland and Italy an entrancing, hyper-vivid odyssey. Recent documentaries such as Gunda and Cow have sought to illuminate the lives of animals without resorting to cloying anthropomorphism, and EO , the winner of this year’s Cannes Jury Prize, takes this approach to the next level. Through this donkey’s expressive eyes, and its alternately hypnotic, whimsical, and disturbing adventures, the film illustrates how mad and magical everyday life can be—and that’s before Isabelle Huppert shows up near the end for a riveting, scene-stealing cameo. —Tim Grierson

Poland, Italy 2022 86

SECTIONPREMIEREWESTminCOAST World Cinema STRAND Laugh EO Wednesday . October 12 . 2:00pm . Rafael Sunday . October 16 . 2:00pm . Sequoia

99

INVITEDPREMIEREWESTminCOASTGUESTS

DIRECTOR Julianna Notten Canada 2022 89

Julianna Notten

SECTION Family STRAND Create INITIATIVE Mind the Gap AVAILABLE TO STREAM ERIN’S GUIDE TO KISSING GIRLS Friday . October 14 . 4:00pm . Sequoia Saturday . October 15 . 2:00pm . Lark

More than anything, Erin’s Guide to Kissing Girls is a tender, insightful, and refreshingly witty ode to Gen Z. This feature debut from queer writer-director Julianna Notten follows Erin (Elliot Stocking), an earnest middle-schooler and comic-book enthusiast who wants nothing more than to experience her first kiss. When she meets Sydni (Rosali Annikie), an effortlessly cool, rebellious ex-child star, Erin is instantly smitten. What follows is a delightful and compassionate observation of a young girl exploring her identity and unapologetically asserting her place in the world. The film pokes fun at Millennials’ obsession with iced coffee and cats, offers funny takes on Comic-Con cosplay ideas, and depicts the popular kids trying (and failing) to be socially conscious. Most importantly, Erin’s Guide highlights just how sensitive and welcoming Gen Z can be. Note: Includes one instance of mild profanity . Age 11+ —Aurora Amidon

Elliot Stocking

This locally made doc packs a lot of life into 90 minutes — specifically, the super-sized life of Xavier Dephrepaulezz, better known as Grammy-winning Oakland bluesman Fantastic Negrito, and his journey from early isolation as a Black Muslim kid in rural Massachusetts to Bay Area star with a global fanbase. Along the way, the story of a singular musi cian unfolds and we meet a misfit, maverick, drug dealer, punk innovator, urban farmer, and vulnerable bandleader. With powerful musical artistry and his own wry charm, Fantastic Negrito dishes on his relationship with his emotionally brutal father; being a “recovering narcissist;” the perils of the music industry; and the painful art of self-reinvention. A pivotal event in his thirties led to a rebirth of sorts and allowed him to embrace his own identity in an unexpected way — which led to the glorious present-day iteration of the “undeniable energy” that continues to drive him. —Celia C. Peters

101

DIRECTORS Yvan CaprilesFranciscoIturriaga,Núñez US 2022 93 WORLDmin SECTIONPREMIERE Docs STRAND Trailblazers FANTASTIC NEGRITO: HAVE YOU LOST YOUR MIND YET? Saturday . October 15 . 7:00pm . BAMPFA Sunday . October 16 . 3:00pm . Lark

Rob Nilsson US 2022 154

103

SECTION US

DIRECTORS

This latest feature from celebrated Bay Area filmmaker Rob Nilsson is the third installment in his breathtaking Nomad Trilogy (after Arid Cut , MVFF42, and Center Divide , MVFF44). The film kicks off with Rail and his girlfriend Mitra on a motorcycle headed for Northern California in search of a long-lost father. They’re joined by three friends forced to hitchhike when their truck gives up. Lost in a burnt-out forest, they face dehydration and death while Rail and Mitra move on through a drought-ridden wasteland trying to find a man no one knows. Under majestic skies and amidst transcendent natural wonders, these colorful wanderers uncover truths about unsettled modern life in our divided country. It’s exciting to see Nilsson in full control of the medium, crafting a hypnotic experience about the raw, messy intimacy of family and the global impact of today’s conflicted society. Equal parts shocking and calming, Faultline is its own rare breed of independent film, a gritty and beautiful cinematic poem. —Brendan Peterson

Rob Nilsson Cinema

INVITEDWORLDminPREMIEREGUEST

FAULTLINE

Tuesday . October 11 . 7:30pm . Rafael

Dawn Mikkelson, Keri Pickett US 2022 89 INVITEDmin GUESTS

Docs INITIATIVE Mind the Gap SPONSOR Marin JournalIndependent FINDING HER BEAT Sunday . October 9 . 12:00pm . Sequoia Tuesday . October 11 . 11:00am . Sequoia

105

Josie Smith-Weir SECTION

Dawn Mikkelson, Keri MeganPickettChao Smith Tiffany Tamaribuchi

DIRECTOR

Right before pandemic lockdown 2020, eighteen leading Japanese and North American women taiko drummers realize their shared dream with the groundbreaking performance, HERbeat: Taiko Women All-Stars. In this full-bodied, male-dominated artform, they weave together their own joyful rhythms and styles to thunder through the taiko world and be yond. HERbeat is the brainchild of international taiko champion Tiffany Tamaribuchi, of Sacramento Taiko Dan, and Jennifer Weir, of St. Paul’s TaikoArts Midwest. With a cinema-verité style, Finding Her Beat captures the group’s pressure-cooker rehearsals as performers bridge cultural and creative differences while also fighting exhaustion and flu. Highlights in clude Chieko Kojima’s dance-drumming style designed for women, Kaoly Asano’s taiko as a healing force, and the presence of San Jose Taiko’s local hero PJ Hirabayashi. Relentless rhythm carries them all through the thrilling Leap Day show and heralds a new era for women in taiko. In English and Japanese with English subtitles —Carol Harada

DIRECTOR Ravi Kapoor US 2022 80 SECTIONmin US Cinema STRAND Laugh

Set in suburban L.A.’s “Little India,” Ravi Kapoor’s quirky heartfelt indie caper comedy follows Vinesh, aka Vinny (Venk Potula), a wannabe hiphop artist who works in a sari shop by day. Aimless and heartbroken, he’s never gotten over Rina (Summer Bishil), the girlfriend who dumped him three years ago. Now she’s about to marry someone else, but Vinny is determined to win her back. Gathering a ragtag trio of accomplice pals, including a Bollywood superfan (Nirvana Patnaik), an amateur journalist (Sharmita Bhattacharya), and a snack-happy computer nerd (Sonal Shah), Vinny targets the grocery store owned by Rina’s dad for a heist. The plan? Swipe her dowry diamonds from the store safe and ransom them back to him. The logic? Maybe not exactly airtight. The result? A sweet, misguided adventure hilariously touching on Indian-American identity, self-worth, and second chances at love. —Ravinder Kingra

107

Saturday

SAMOSAS

FOUR

. October 15 . 12:00pm . Rafael Sunday . October 16 . 11:00am . Rafael

SECTIONmin Docs

DIRECTOR

Evgeny Afineevsky

UK, Ukraine, US 2022 118

FREEDOM ON FIRE: UKRAINE’S FIGHT FOR FREEDOM

Saturday . October 8 . 11:00am . Lark Tuesday . October 11 . 3:30pm . Sequoia

It’s one thing to read articles on Russia’s war against Ukraine or see brief snippets of the destruction on social media. It’s something else entirely to feel like you’ve been dropped into a brutal military assault while it’s happening, which is exactly how documentarian Evgeny Afineevsky makes you feel with this portrait of a nation fighting for its life. A sequel to his Oscar ®-nominated 2015 doc Winter on Fire , this compelling, youare-there dispatch chronicles Russian president Vladimir Putin’s aggression against the Ukrainian people and its aftermath, with previously unseen footage of bombings, violence, and mass evacuations interspersed among testimonials from witnesses and survivors. Afineevsky also pays tribute to the extraordinary character of his fellow citizens, from a standup comedy show which mocks the Russian Army to doctors setting up makeshift sanctuaries to everyday people shouting down Russian soldiers. This is what bravery and resistance looks like. —David Fear

Bank of Marin

SPONSOR

109

GLASS ONION: KNIVES OUT MYSTERY

111

Let’s just say that Rian Johnson has outdone himself in his wonderful new Knives Out (MVFF42) romp, bringing together a to-die-for ensemble of actors who portray a group of sometime friends—disruptors all—summoned to an exotic, futuristic island hideaway. Their mega-rich one-time leader and eccentric-genius comrade Miles (Edward Norton) has a game set up: to solve the mystery of his murder. Of course each guest has a motive, and all know each other well enough to glean what those murky motives might be. It’s looking like a weekend of fun, luxury, and designer cocktails. But curiously, Benoit Blanc (Daniel Craig), the best detective ever, has somehow landed an invitation, too. And where Benoit goes, murder is likely to follow. Buckle up as this amazing cast takes us on a riotous ride leading to a smashing climax. Irreverence abounds, hilarity ensues, one-liners are delivered with aplomb (Kate Hudson!), the uber-cool reigns (Leslie Odom Jr.), and the question remains: Whodunnit?? —Zoë Elton Soulier

A

Thursday . October 6 . 6:00pm . Sequoia . Rafael

DIRECTOR Rian Johnson US 2022 139 OPENINGmin NIGHT IN PERSON Rian KateLeslieKathrynJohnsonHahnOdomJr.Hudson SECTION US SPONSOR Vickie

Based on a true story, Tobias Lindholm’s multi-faceted feature is a dazzling shapeshifter that successfully operates on a variety of levels: as a psychological thriller, as a damning indictment of health-care bureaucracy, and as a showcase for two of our finest actors, Jessica Chastain and Eddie Redmayne. As mild-mannered, socially awkward new-hire nurse Charles Cullen, Redmayne’s ambidextrous performance is an astonishing feat, a perfectly calibrated portrait that’s shattering to behold. Counterbalancing that is Chastain’s nuanced, committed turn as his principled and hardworking fellow nurse, Amy Loughren, a single mom suffering from her own health crisis. Jody Lee Lipes’ somber cinematography further ex pands on The Good Nurse ’s sobering themes, illustrating the shadows that can haunt the psyches of those around us. —Randy Myers Lindholm

113

US 2022 121 BAYminAREA PREMIERE IN PERSON Tobias Lindholm Eddie NnamdiRedmayneAsomugha SECTION US Cinema SPONSOR Jackson PartnersSquare THE GOOD NURSE Sunday . October 16 . 5:00pm . Sequoia . Rafael

DIRECTOR Tobias

115 This gripping, of-the-moment documentary connects some of the dots in humanity’s oldest struggle: the fight over resources. With an elegant, eye-opening throughline, filmmaker Gabriela Cowperthwaite ( Blackfish ) focuses on Bay Area investigative journalist Nathan Halverson and his team’s mission to make sense of the curious connections they uncover when exploring a Chinese company’s purchase of one quarter of America’s pigs. The probe leads to disparate locations — Arizona, Saudi Arabia, Zambia, Crimea — with links to the world’s food supply. We learn that as climate change has begun ravaging the planet, a small group has methodically and covertly planned for the worst-case scenario of food shortages and famine. Halverson and his team work bravely, talking to key players, some of them dangerous, in search of a larger truth that re lates directly to tonight’s evening news. Thankfully, after outlining a grim big picture, Cowperthwaite leaves us with reasons for hope. —Celia C. Peters DIRECTOR CowperthwaiteGabriela US 2022 104 INVITEDmin GUEST CowperthwaiteGabriela SECTION Docs STRAND Grow INITIATIVE Mind the Gap SPONSOR Wareham Development Nancy P. and Richard K. Robbins Family Foundation THE GRAB Friday . October 7 . 6:00pm . Sequoia Monday . October 10 . 1:00pm . Sequoia

117

DIRECTOR

The Hi De Ho Show is back! In this only-at-MVFF tradition, host and maestro John Goddard curates and comments on music clips from his personal collection. This year it’s all women, all the time—as Goddard shines the light on the first 50 (or so) years of women in pop, jazz, big band, country, and blues. In performances both eye-popping and heart-wrench ing, expect the stylin’ or sultry, the soulful or sinful in this selection of dames, divinities, and the occasional diva. Whatever the genre, Goddard explores the sometimes autobiographical subtexts that seep through interpretations by some of the great singers and make those performances transcendent and timeless: Think Stand By Your Man , Strange Fruit , By Myself —worlds of experience channeled through a three-minute song, by singers who bare their souls with no regrets. Don’t miss this once in a lifetime experience, whether you’re a first-timer or Hi De Ho fan of many years standing. —Zoë Elton John Goddard US 2022 90 STRAND

SECTIONmin US Cinema

Create

HI

DE HO SHOW Saturday . October 15 . 7:00pm . Sequoia

119

HOLY SPIDER

Ali

106

Tuesday . October 11 . 4:00pm . Rafael

PREMIERE SECTION World Cinema STRAND Trailblazers

Filmmaker Ali Abbasi follows up his acclaimed 2018 fantasy romantic drama Border (MVFF41) with a tense and unapologetically feminist procedural based on actual events. Zar Amir Ebrahimi won Best Actress at Cannes for her portrayal of Rahimi, an Iranian journalist on the case of a serial killer who, in striking down sex workers, insists he is doing God’s work. Inspired by real-life murderer Saeed Hanaei, who slew 16 women in 2000 and 2001, Holy Spider evokes Zodiac and other engrossing crime thrillers, in which the search for a perpetrator doubles as a commentary on societal ills. Abbasi crafts a seemingly straightforward detective story, gripping and unsettling in equal measure, before unveiling a dark surprise in its second half, building and heating the drama nearly to a boiling point. Ebrahimi plays Rahimi with ferocious determination in her portrayal of a crusader determined to bring a bad man to justice. In Iranian languages with English subtitles —Tim Grierson

BAY

Denmark

DIRECTOR Abbasi 2022 min AREA

DIRECTORS

PREMIERE

SECTION Docs STRAND Create INITIATIVE ¡Viva el cine! AVAILABLE TO STREAM HOME IS SOMEWHERE ELSE Sunday . October 9 . 7:00pm . Lark Friday . October 14 . 12:00pm . Sequoia

Carlos Hagerman Jorge Villalobos Mexico, US 2022 87 BAYminAREA

INVITED GUESTS

121

Set against the perennial immigration debate in the United States, this animated documentary goes beyond rhetoric to give voice to those who’ve experienced the inhumane consequences of official policy. Each of three stories is presented in its own imaginative visual style: The crayon-scribbled world of a child conveys the tale of an 11-year-old US citizen whose undocumented father is detained; a painterly watercolor canvas limns the situation of two teenaged sisters living on opposite sides of the US/Mexico border; and the plight of a slam poet-activist raised in smalltown Utah and deported to a country he never knew is rendered in bold colors as his words unify all three vignettes. The exquisite artistry of the differing styles serves each storyteller well, adding layers of nuance and restoring humanity to headlines. At times fanciful, as when a cut water melon transforms into a swimming pool of pink water, this dazzling work is always heartfelt. —Shari Kizirian

Carlos Hagerman Jorge Villalobos

Laure de Clermont-Tonnerre’s tastefully understated, elegantly updated version of D.H. Lawrence’s novel has bountiful pleasures on offer beyond the eroticism of its subjects. Emma Corrin ( The Crown ; My Policeman , MVFF45) plays a radiant Connie Chatterley who’s nobody’s fool — and no man’s “Lady,” either. An avid reader and intellectual from a family of free-thinking bohemians, Connie, in de Tonnerre’s depiction, is no isolated, sexually obsessed aberration wandering the grounds of Wragby Estate. Instead, she exists within a dynamic, socially stratified network of women, including her independent-minded sister Hilda (Faye Marsay) and her husband’s nurse Mrs. Bolton (Joely Richardson), both of whom empathize with Connie’s search for self-discovery and liberation. The attraction between Connie and Wragby’s groundskeeper, Oliver (Jack O’Connell), is electrified with desire, but also develops — despite their class differences — into a relationship between equals that offers hope, and true partnership, for both. —KD Davis

DIRECTOR Laure Clermont-Tonnerrede UK, US 2022 105 INVITEDmin GUEST Laure Clermont-Tonnerrede SECTION World Cinema STRAND Heart INITIATIVE Mind the Gap SPONSOR Jennifer MacCreadyCoslett LADY CHATTERLEY’S LOVER Saturday . October 8 . 7:00pm . Sequoia

123

This beautiful drama, written by Kazuo Ishiguro ( The Remains of the Day ) and directed by Oliver Hermanus ( Moffie ), poses a question: How does a repressed and ineffectual bureaucrat respond when he learns he has only six months to live? Mr. Williams is the most buttoned-up of individuals, but he decides that the time has arrived to assert himself, change a few lives, and inspire a few others—quietly, of course. As played by the incomparable Bill Nighy, Mr. Williams’ every muted tic, soft breath, and forlorn expression says more than words can convey. This is someone filled with regret for a life not lived and a future he won’t have. With stunning camera work, wonderful performances, and a beautiful sadness that is never morose, Living examines what happens when a man realizes he has long avoided the very things that give his life meaning. —David Riedel

DIRECTOR Oliver Hermanus UK 2022 102 CALIFORNIAmin PREMIERE SECTION World Cinema SPONSOR Coldwell Banker LIVING Sunday . October 9 . 7:00pm . Sequoia Tuesday . October 11 . 2:30pm . Sequoia

125

DIRECTOR Frears

127

In 2004, Philippa Langley ( Sally Hawkins , Spencer , MVFF44) takes her son to see a production of Richard III . She becomes intrigued by the story of the malformed king who, per Shakespeare’s play, was a “usurper” to the throne. The deeper Langley dives into the history of the disgraced regent, the more she believes that a posthumous Tudor smear campaign sullied his good name. She vows to discover Richard’s unknown burial site and restore his reputation. No one believes her—until, after suffering the sneers and insults of scholars, the mockery of city officials, and the bewilderment of friends and loved ones, she convinces archeologists to dig up a car park in Leicester. The rest is history, and legendary British director Stephen Frears recounts this stranger-than-fiction shaggy-dog story with an eye toward placing its real hero front and center—with help from the extraordinary Hawkins. It’s a restoration tale in more ways than one. —David Fear

Stephen

UK 2022 108 SECTIONmin World Cinema SPONSOR Pharmaceutical,BioMarin Inc. THE LOST KING Wednesday . October 12 . 6:00pm . Sequoia Saturday . October 15 . 12:00pm . Sequoia

DIRECTOR Léonor Serraille France 2022 116 CALIFORNIAmin PREMIERE SECTION World Cinema MOTHER AND SON Friday . October 7 . 4:00pm . Rafael Wednesday . October 12 . 3:00pm . Rafael

129

Spanning twenty years, Léonor Serraille’s beautifully sweeping second feature follows Rose (Annabelle Lengronne), who moves from the Ivory Coast to France in 1989 with her two sons Jean and Ernest. Presented in triptych form, each section explores one of these three richly-scripted characters. In the first section, Rose, independent and forthright upon her arrival in Paris, resists being tied to a man until paramour Thierry (Thibaut Evrard) woos her to Normandy. This shift in locale prompts the first shift in perspective, centering on teenage Jean (Stéphane Bak), the eldest son, and the challenges of adolescence. In the film’s final segment, focus turns to Ernest (Kenzo Sambin and Ahmed Sylla) as he tries to reconcile the distance he feels towards his mother and brother. With warmth, humor, and terrific performances, especially from Lengronne, Mother and Son is a masterful portrait of diasporic familial bonds and the complexities of parenthood. In French with English subtitles – Rod Armstrong

Wednesday . October 12 . 8:00pm . Rafael Friday . October 14 . 2:30pm . Sequoia

The events of the past impact a married couple’s present when a long-estranged friend moves into their home after a stroke in Michael Grandage’s elegant adaptation of Bethan Roberts’ novel. The film glides effortlessly between past and present as the reason for Tom’s (Linus Roache) resentment, when his wife Marion (Gina McKee) becomes caregiver to Patrick (Rupert Everett), gradually emerges. In 1957, titular Brighton bobby Tom (Harry Styles), teacher Marion (Emma Corrin, The Crown), and museum curator Patrick (David Dawson) are mates but it is a complicated relationship full of secrets that only gradually emerge after Tom and Marion marry. Then Patrick runs afoul of England’s laws against homosexuality and disappears into prison. Written by Ron Nyswaner (Oscar ® nominee, Philadelphia ), the film teases out how an era’s social dictates and legal ities changed three lives. Nuanced performances, exquisite production design, and evocative pop songs set the scene for this emotionally resonant drama. —Pam Grady

131

MY POLICEMAN

DIRECTOR Michael Grandage UK, US 2022 113 SECTIONmin World Cinema

DIRECTOR Nikyatu Jusu US 2022 97 min

IN PERSON Nikyatu Jusu

Anna Diop SECTION

US Cinema INITIATIVE Mind the Gap SPONSOR Destino Fund NANNY Saturday . October 15 . 6:00pm . Sequoia Sunday . October 16 . 7:00pm . Roxie

Nikyatu Jusu’s evocative debut feature is an immersive encounter with the duality of the immigrant experience. Anna Diop plays Aisha, a recent Senegalese immigrant who spends her days caring for the child of a wealthy New York couple while making plans to bring her young son to the United States. As she navigates her increasingly strenuous work envi ronment, the West African water deity Mami Wata and Anansi the Spider begin to haunt her. Jusu’s deft exploration of the spiritual and emotional implications for a woman struggling to find the balance between two worlds comes to life in Diop’s stunning performance and DP Rina Yang’s dynamic cinematography. The film beautifully incorporates West African spirituality and femininity into the contemporary horror genre, creating a unique portrait that unites the ancient with the new. —Osinachi Ibe

133

After the first screening of the film, stroll across the street for fun festivities featuring food, drink, games, arts & crafts—and hot dogs (and veggie dogs) for all! Halberstad

DIRECTOR Mascha

SECTIONPREMIEREWEST72BelgiumNetherlands,2022minCOAST Family INITIATIVESTRAND Mind the Gap Laugh SPONSOR Bellam StorageSelf&Boxes OINK Saturday . October 8 . 11:00am . Sequoia Sunday . October 16 . 2:00pm . Rafael

Saturday, October 8 | 12:30-2:00pm | OAC | Free with film ticket

OINK AFTERPARTY

This delightfully Dutch stop-motion-animated feature is the story of Babs, a nine-year-old steadfast vegetarian who desperately wants a pet puppy. Instead, her long-lost grandfather Tuitjes arrives unexpectedly from America (sporting a hilarious cowboy-western twang of an accent) and gifts her a piglet, whom she names Oink. His porcine charms are di minished only by frequent flatulence and fondness for the vegetables in mom’s beloved garden. Babs’ meat-free mom doesn’t trust Tuitjes, what with the town’s King Sausage Contest coming up and his checkered past as a disgraced former contestant. Much comedic mayhem ensues involving Babs’ heroic efforts to train Oink, who has a knack for pooping— spectacularly—at all the wrong moments. More Roald Dahl than Babe or Charlotte’s Web , this is at heart a sweet love story between a girl and her pet, with a clever message about animal cruelty sure to satisfy both herbivores and carnivores alike. —Jeff Campbell

135

France 2022 112 CALIFORNIAmin PREMIERE SECTION World Cinema INITIATIVE Mind the Gap ONE FINE MORNING (UN BEAU MATIN) Saturday . October 8 . 4:00pm . Rafael Sunday . October 9 . 7:00pm . BAMPFA

137

Mia

DIRECTOR Hansen-Løve

Even more moving for eschewing excess drama, writer-director Mia Hansen-Løve’s subtle film is a bittersweet exploration of how the vicissitudes of fate and the passage of time shape identities. Sandra (Léa Seydoux), a translator and single mom, shares responsibility with her sister and mother for her father, a former philosophy professor (Pascal Greggory) suffering from a neurodegenerative disease. Moving between visits with her dad, her work, and time with her daughter, she encounters an old friend, Clément (Melvil Poupaud). When their platonic relationship gives way to romantic desire, Sandra rediscovers a part of herself, but their future remains uncertain. Cinematographer Denis Lenoir’s limpid 35mm cinematography effectively captures the breezy Paris parks, light-filled apartments, city streets, and bleak institutional interiors the characters navigate, and beautifully complements Hansen-Løve’s ability to evoke the changing seasons and rhythms of daily life. —Kate MacKay

139

France, Algeria 2022 92 NORTHmin INVITEDPREMIEREAMERICANGUEST Rachid

Police brutality receives considerable media attention during our current Black Lives Matter moment, but French director Rachid Bouchareb’s ( Days of Glory , MVFF29) drama serves notice that it’s been a social ill for far too long. Looking back with anger at the cruel murders of Abdel Benyahia and Malik Oussekine in 1986 Paris, Our Brothers has the solemn air of a procedural, following Oussekine’s older brother Mohamed (Reda Kateb) as he tries to determine what happened to Malik, and discovers police who will stop at nothing to hide their misconduct. An Oscar ® nominee and a producer of The Insult (MVFF40), Bouchareb uses this sobering true story, set against a backdrop of student protests for higher-educa tion reform, to examine how the killings resulted from police arrogance and incompetence, and how law-enforcement officials conspired to bury the truth. Drawing a straight line between past and present, Our Brothers is enraging, but its fury also proves to be cleansing. In French with English subtitles —Tim Grierson Bouchareb Bouchareb

SECTION World Cinema STRAND Spirit OUR BROTHERS (NOS FRANGINS) Wednesday . October 12 . 7:00pm . Sequoia Thursday . October 13 . 3:00pm . Rafael

DIRECTOR Rachid

DIRECTOR Ellie Foumbi 2022 108

INVITEDPREMIEREWESTminCOASTGUEST

US

SECTION

141

US Cinema INITIATIVE

A complex work of inescapable power, this provocative debut, which won the audience award for Best Narrative Feature at the Tribeca Film Festival, announces Cameroonian-American filmmaker Ellie Foumbi as a major talent to watch. With a star-making turn by Babetida Sadjo at its center, Our Father, the Devil is a beguiling interrogation of trauma and its lingering aftereffects. Years after violent conflict shattered her life in Africa, Marie Cissé (Sadjo) has found refuge working as the head chef in a retirement home in small-town France. She isn’t prepared for the flood of emotions that erupt when a new priest, Father Patrick (Souléymane Sy Savané), arrives at her workplace and she recognizes him as a terrifying figure from her traumatic past. Foumbi holds her characters — and audience — to account, diving deep into the darkest corners of the human heart, and emerging with an intellectually stimulating dissection of revenge, power, victimhood, and the redemptive potential of love. In French with English subtitles —Wilfred Okiche

Ellie Foumbi

OUR FATHER, THE DEVIL (MON PÈRE, LE DIABLE)

. October 13 . 6:00pm . Rafael Friday . October 14 . 11:00am . Sequoia

Thursday

Mind the Gap

143

Saturday . October 8 . 6:00pm . Rafael Sunday . October 9 . 3:00pm . Sequoia

THE PASSENGERS OF THE NIGHT

The dissolution of a marriage is always difficult, and it’s even more so for Elisabeth (the iconic Charlotte Gainsbourg, radiant), in early 1980s Paris. She’s never been in a relationship with anyone but the husband who’s left her for another woman; her two children will soon leave the nest, and she’s never held a job. But when she nabs a position working for the host (Emmanuelle Béart) of the late-night call-in radio show she listens to, her fortunes begin to change. As the decade progresses, Elisabeth comes into her own, as do her kids in part due to their embrace of Talulah, a mysterious young drifter (Noée Abita). At once low-key and sweeping in its scope, reminiscent of Boyhood in its expansive slice of ordinary life, director Mikhaël Hers’ astutely-observed, compassionate and warm-hearted drama draws fine work from its veteran and emerging French talent. It’s also got a killer soundtrack of vintage Europop faves. In French with English subtitles —Dennis Harvey Cinema STRAND Spirit

DIRECTOR Mikhaël Hers France 2022 111 USminPREMIERESECTION World

US

Eric Bendick

Jim Boyce Trust and Kris Otis AVAILABLE TO STREAM

145

SECTION Docs

. Rafael Saturday . October 15 . 11:00am . Rafael

PREMIERE INVITED

In the southern Everglades, a wildlife photographer, veterinarians, ranchers, conservationists, and indigenous people join forces to track and protect the endangered Florida panther. In this moving documentary, stunning images of the big cats spur the movement to restore a majestic keystone species as well as dwindling wilderness. While National Geo graphic ’s Carlton Ward, Jr. employs camera traps to capture thrilling video and still portraits of panthers and other marshland creatures, biologists track the elusive wild felines, vets rehabilitate them after car strikes, and ranchers preserve working land and prevent overdevelopment. Creating wildlife corridors through ranch lands and nature preserves is the longterm plan. Through Ward’s art, the Florida panther and the swampland itself speak eloquently of their right to continue. A gripping tale of surviv al, Path of the Panther offers hope that we can follow our love of beauty and nature toward better stewardship of the Earth. —Carol Harada

STRAND Grow INITIATIVE Active Cinema

SPONSOR

Thursday 7:00pm

. October 13 .

PATH OF THE PANTHER

DIRECTOR Eric Bendick 2022 88 CALIFORNIAmin GUEST

147 Chie Hayakawa’s feature debut, which premiered at Cannes, puts our ageist society under a microscope. This dystopian drama may provoke comparisons to 1970s-era classics Logan’s Run and Soylent Green but while exploring similar themes, Hayakawa’s tender and visionary film resonates uniquely. In a chilling near-future, the Japanese government offers money to senior citizens willing to self-euthanize. Veteran actor Chieko Baisho stars as Michi, a woman considering whether to accept the stipend and end her life. Juxtaposing Michi’s story with those of a gung-ho salesman for the program (Hayato Isomura) and a struggling young mother (Stefanie Arianne), Hayakawa weaves a tapestry of dispa rate souls, all affected by death, sometimes in unexpected ways. Plan 75 gently ponders modern society’s tendency to shun the elderly and our fear of mortality; by quietly condemning such attitudes, Baisho’s bittersweet performance is a triumph. In Japanese with English subtitles —Tim Grierson DIRECTOR Chie Hayakawa Japan 2022 112 min US SECTIONPREMIERE World Cinema STRAND Spirit PLAN 75 Friday . October 14 . 4:00pm . Rafael Saturday . October 15 . 4:00pm . BAMPFA

Writer-director-star Emma Thatcher makes an arresting feature debut with this idiosyncratic love story that’s also a bitingly funny ode to the oddities of the American Midwest, and a lesson in forgiveness. After learning her estranged Mormon father is on his deathbed, self-destructive Liz (Thatcher) leaves her Chicago home, friend-with-benefits Geoffrey (Hunter Bry ant) in tow, meaning to give the old man a piece of her mind one last time. What follows is an offbeat road movie, chock-full of witty dialogue, unexpected revelations, and beautiful handheld camerawork that recalls the films of Kelly Reichardt in its grainy golden-hour undertones. It’s difficult to think of another up-and-coming filmmaker as self-assured as Thatcher as she steadily navigates a delicate tightrope of difficult themes and tonal shifts. At once insightful and wistfully funny, the trip to Provo is a journey worth taking. —Aurora Amidon Preceded by the short film Small Gay Tragedy #1 (Rose Schlossberg, 4 min): When Rose finds new queers in her small town, she can’t believe her eyes.

DIRECTOR Emma Thatcher US 2022 86 INVITEDmin GUESTS Emma Thatcher Sarah Franke the Gap

SECTION US Cinema STRAND Heart INITIATIVE Mind

149

Friday . October 7 . 7:30pm . Rafael Sunday . October 9 . 1:00pm . Rafael

PROVO

151

Shorts STRAND Laugh the (LE PUPILLE)

INITIATIVE Mind

From the very first frames of Alice Rohrwacher’s Pupils , “a film clumsily and freely based on a letter the writer Elsa Morante sent to her friend Goffredo Fofi,” it’s clear we’re in for an original, whimsical, wonderful 37 minutes in the company of the rebellious little girls at a Catholic boarding school in Italy. It’s Christmas, it’s wartime, things are scarce. The Mother Superior, played by the marvelous Alba Rohrwacher, Alice’s sister and long-time collaborator ( The Wonders , Happy as Lazzaro ) rules over her charges with a strict and unyielding eye. Desires both pure and selfish are navigated. There’s the nativity play, requests for prayers from these innocent girls, and an irresistible red cake—temptation abounds! Gorgeously rendered in Super 16mm, filmmaker Rohrwacher’s sublime imagination and exquisite artistry once again prove her one of the most original cinema artists of her generation. We invite you to experience this gem of a film as our gift: Screenings are free, but you will need to get a ticket! In Italian with English subtitles —Zoë Elton

Saturday . October 8 . 1:00pm . Rafael Sunday . October 9 . 5:45pm . BAMPFA Wednesday . October 12 . 11:00am . Sequoia Saturday . October 15 . 12:00pm . Lark

Gap SUPPORT FROM Italian InstituteCultural THE PUPILS

DIRECTOR Alice Rohrwacher Italy 2022 37 SECTIONmin

DIRECTORS Lindsay MurdochWinslowKeys,CraneUS 2022 101 BAYminAREA PREMIERE SECTION Docs INITIATIVE Mind the Gap Active Cinema AVAILABLE TO STREAM THE QUIET EPIDEMIC Saturday . October

. Rafael

153

.

While true to its title in tone, directors Lindsay Keys and Winslow Crane-Murdoch’s documentary probe into the medical establishment’s denial of chronic Lyme Disease is a declarative bombshell. Woven through with heart-rending stories of long-term sufferers, The Quiet Epidemic presents a history of the debilitating illness, along with a litany of its many easily misdiagnosed symptoms. The film’s main focus is the abrupt official about-face on the idea that chronic Lyme even exists, government agencies’ flat-out negation of the disease coinciding with explosive profits from federally funded research patents and the growth of managed care. The paper trails are impressive, but the heart of this investigation is the devastation that bureaucracy has wrought on the afflicted. Through interviews and archival footage, we are witness to the decades of frus tration, demonization, and denial of care that patients continue to face. —Edward Dunn

The Oct 8 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 4:15pm. Join us to continue the conversation! 8 2:00pm 1:15pm

. Sequoia Monday . October 10 .

China

US SECTIONPREMIERE

RETURN TO DUST

Friday . October 7 . 3:30pm . Sequoia Thursday . October 13 . 11:30am . Rafael

DIRECTOR Ruijun

World Cinema STRAND Heart SPONSOR Jim Boyce Trust and Kris Otis AVAILABLE TO STREAM

155

131

One of the most talked about films from this year’s Berlinale competition, Ruijun Li’s Return to Dust is an unusually tender love story of middle-aged strangers pushed into marriage by their respective families. Ma Youtie (Renlin Wu) is a quiet, hardworking man and the least loved of five brothers, while Cao Guiying (Hai-Qing) is a disabled, infertile woman long mistreated and isolated. Eager to be rid of these perceived burdens, their families arrange for the couple’s union. Despite injustice, poverty, and the odds stacked against them, Ma and Guiying discover their luck in sharing a life together. With a serenity expressed by few words and an exquisite visual palette, Li brings a peaceful contemplative atmosphere to the heart of the drama. Set in rural China and infused with the beauty of the four seasons, Return To Dust is a delicate portrait of outcasts who find in each other the hope, love, and companionship they never knew was possible. In Mandarin with English subtitles —João Federici Li 2022 min

Lola Quivoron kicks up major cinematic dust with her riveting feature debut. Julia, a young woman in love with motorbikes and addicted to speed and dangerous thrills, takes her swagger to the limit to infiltrate an all-male pack of riders. Newcomer Julie Ledru plays Julia with unnerving toughness as a woman who will do anything to ride, even master minding a bold heist to prove herself to local kingpin Domino (Sébastien Schroeder), who runs a crime ring from inside jail. A top prizewinner at Cannes, the film relates a passionate story of single-minded dedication and nonconformity, while condemning the misogynistic underpinnings of biker culture. Julia stands out as a solitary figure in a man’s world, yet she’s fully in tune with another woman’s plight, putting her own safety at risk as she becomes increasingly protective of Domino’s wife and child. Raphaël Vandenbussche’s intimate cinematography, punctuated by adrenaline-pumping scenes that build to a stunning finale, make Rodeo a high-octane ride you will never forget. In French with English subtitles —Ela Bittencourt

DIRECTOR Lola Quivoron France 2022 105 min US INVITEDPREMIEREGUESTS Lola AntoniaQuivoronBuresi SECTION World Cinema STRAND Trailblazers INITIATIVE Mind the Gap RODEO Sunday . October 9 . 6:00pm . Sequoia Monday . October 10 . 4:00pm . Rafael

157

US 2022 75 CALIFORNIAmin PREMIERE SECTION Docs STRAND Trailblazers INITIATIVE ¡Viva el cine! Mind the Gap MUSIC SATURDAYSHOWOCT8

159

DIRECTOR Kathryn

Sweetwater Music Hall 8:00pm / Show 9:00pm 5:15pm

SPONSOR Marin Magazine AVAILABLE TO STREAM SANTOS–SKIN TO SKIN Saturday . October 8 .

JOHN SANTOS + FRIENDS

. Sequoia Friday . October 14 . 7:30pm . BAMPFA Sunday . October 16 . 4:00pm . Roxie

Doors

Bay Area music legend and activist John Santos takes center stage in this documentary thrumming with rhythm, passion, and cultural reflection. Known as a “keeper of the Afro-Caribbean flame,” the seven-time Grammy nominee percussionist and bandleader grew up on the rhythms of his Puerto Rican and Cape Verdean heritage. Charting his rise from early gigs to a short-lived stint with Santana to the formation of his own prolific sextet and collaboration with a host of international Latin Jazz greats, Santos – Skin to Skin builds a brilliantly energetic portrait of a hard-working musician and educator as dedicated to preserving and expanding Afro-Latin music as he is to navigating the politics of culture, social equality, and racial injustice. Live performances, archival footage, commentary by jazz luminaries, and an intimate glimpse of his family bring Santos and his life’s mission into vital focus. —Deanna Quinones Golden

Detroit-born Sixto Rodriguez may be the best singer-songwriter you’ve never heard of. Though a respected early 1970s folk musician, he faded into obscurity after his first two albums failed to sell. In fact, it almost seemed as if he winked out of existence. But in South Africa, Rodriguez— sometimes called the “Sugar Man” after one of his songs—became a hero, and when the Apartheid government banned that song his legend only grew. Malik Bendjelloul’s Oscar ®-winning documentary tells the uplifting story of how one person can galvanize a people, even without knowing it. Plus, Rodriguez’s songs are genuinely great, his clever lyrics performed with a voice that mixes Bob Dylan’s raspiness with the sweet ness of Bread’s David Gates. Searching for Sugar Man is that rare movie that tells a great story and feeds the soul. —David Riedel

DIRECTOR Bendjelloul FROM of

SONY PICTURES CLASSICS: ANNIVERSARY SCREENING SEARCHING FOR SUGAR MAN

161

Consulate General

US 2012 86 SECTIONmin Docs SUPPORT

Sweden

Malik

Friday . October 7 . 2:30pm . Sequoia

US 2022 135 SECTIONmin US

STRAND Create INITIATIVE Mind the Gap SPONSOR

SHE SAID

163

Christine A. Schantz

Sunday . October 16 . 1:00pm . Rafael

A poignant testament to the power of investigative journalism, She Said captures the journey of New York Times reporters Jodi Kantor (Zoe Kazan) and Megan Twohey (Carey Mulligan) as they uncover harrowing accounts of sexual harassment and assault perpetrated by Harvey Weinstein—and the powerful Hollywood machine that enabled and protected him for decades. Based on the book by Kantor and Twohey, this heart-racing and emotional drama highlights the journalists’ unflinching tenacity in the face of institutional barriers and resistance, brilliantly captured with nuance and complexity by Kazan and Mulligan. Aided by an exceptional ensemble cast, acclaimed director Maria Schrader spotlights the remark able courage of the women who came forward as well as those who helped bring their stories to light. This game-changing story marked a momentous shift in Hollywood and beyond, and serves as a reminder of the ever-relevant impact and importance of uncovering the truth and amplifying otherwise silenced voices. —Celeste Wong Maria Schrader Cinema

DIRECTOR

Writer-director Florian Zeller returns with an adaptation of the second play in his family trilogy, which—like his 2020 Oscar ®-winning film The Father (MVFF43)—examines the seismic effect of sickness on everyone involved. Peter (Hugh Jackman) is settling into life with wife Beth (Vanessa Kirby) and their beautiful baby boy. In contrast, Nicholas (Zen McGrath), his teen son from his previous marriage, isn’t doing so well; according to Peter’s ex, Kate (Laura Dern), he’s extremely moody and angry. Without realizing the extent of Nicholas’ issues, Peter and Beth invite him into their home, hoping a new environment will improve his mindset. Anchored by an incredible performance from Jackman, Zeller’s portrait of a parental nightmare never exploits the subject of mental illness. —David Fear Zeller UK, France

165

DIRECTOR Florian

US,

2022 123 CALIFORNIAmin PREMIERE SECTION World Cinema THE SON Friday . October 8 . 7:00pm . Lark Thursday . October 13 . 3:30pm . Sequoia

An exploration of brilliance and frailty in the pursuit of artistic perfection, Crystal Moselle and Jon Kasbe’s documentary follows ingenious but unsettled roboticist David Hanson as he and his team struggle to create Sophia, the most lifelike artificial intelligence ever built. Although at odds with investors, short of funds to live his own life, and dealing with a seemingly never-ending series of glitches in Sophia’s development, Hanson’s belief never wavers, even as pressure mounts to deliver a final product ready for the consumer marketplace. Equally fascinating is Sophia itself, which bristles at being the center of attention at showcases for potential backers, even while assuring audiences that it’s designed to help, not harm, people. A portrait of an uneasy inventor who just wants to work rather than deal with a world pushing and pulling at him, Sophia is a sharp study of the possibilities and limits of the human imagination. —David Riedel

DIRECTORS Moselle Kasbe 2022 GUESTS Moselle Kasbe the

Gap

167

Jon

US

Jon

SECTION Docs STRAND Trailblazers INITIATIVE Mind

89 CALIFORNIAmin PREMIERE INVITED

Crystal

SOPHIA

Friday . October 14 . 2:00pm . Rafael Saturday . October 15 . 3:00pm . Rafael

US

CALIFORNIAmin PREMIERE INVITED

SECTION Docs STRAND Laugh INITIATIVE Mind the Gap STILL WORKING

169

DIRECTORS Camille Hardman Gary Lanee 2021 95 GUESTS Gary LarryLaneeLane 9 TO 5

Friday . October 14 . 7:30pm . Rafael Sunday . October 16 . 11:30am . Lark

The iconic 1980 screwball feminist revenge comedy that put the plight of women office workers on blast steps back into the spotlight in this fun and fascinating documentary. While directors Camille Hardman and Gary Lane investigate why 9 to 5 was made, how its production unfolded, and the film’s impact, they also depict the long struggle for the ratification of the Equal Rights Amendment. Stars Jane Fonda, Lily Tomlin, and Dolly Parton demonstrate their delightful and potent onscreen chemistry in insightful vintage footage and present-day interviews. Co-star Dabney Coleman and others involved in the film and later TV and stage adaptations also appear in this eye-opening film that reveals just how far we have – and have not – come in 40 years. And while the subject matter is serious, the documentary shares the light-hearted tone that made 9 to 5 such a smash. —Celia C. Peters

It’s no easy feat to capture the enigmatic, dreamlike magic of childhood in movie form, but Xavi Medina does just that with his feature debut. The filmmaker wrote, directed, shot, and edited this tale of five-yearold EZ (Isabella Wilkie), who lives in a Miami trailer park and has one simple goal in life: to see the ocean for the first time. Medina’s ambling and contemplative cinema-verité style recalls the hazy, colorful wonderment of Sean Baker’s The Florida Project (MVFF40), accentuated by an incisive undercurrent of poverty and the immigrant experience. In this tender drama’s focus on EZ’s boundless imagination, and in its insightful compassion for inattentive parents simply doing the best they can, Sun nyland brims with its own unique humanity — setting Medina apart as one to watch. —Aurora Amidon

DIRECTOR Xavi Medina US 2022 77 INVITEDPREMIEREWESTminCOEASTGUESTS Xavi MariaMedinaCotarelo SECTION US Cinema INITIATIVE ¡Viva el cine! AVAILABLE TO STREAM SUNNYLAND Monday . October 10 . 7:00pm . Sequoia

171

US 2022 134 SECTIONmin World Cinema INITIATIVE

173

Yusra Mardini cherished one goal: To swim for Syria’s Olympic team. But that aspiration seemed dashed when her homeland’s civil war made her a refugee. Sally El Hosaini’s second feature, after her lauded 2013 debut My Brother the Devil , chronicles the incredible real-life story of Yusra (Nathalie Issa) and her sister Sarah (Manal Issa), as they make the perilous trek from the suburbs of Damascus to start life (and training) anew in Berlin. An idyllic candy-colored poolside childhood gives way to a meaner palette of life on the run in an epic drama that portrays these tough-minded teenagers’ courage in fleeing in an overcrowded dinghy, spending hours bobbing in the sea beside it to keep it afloat, and later, drawing attention to the worldwide refugee crisis. Through it all El Hosaini never lets us forget that these are simply girls like any others, with dreams. —Shari Kizirian El Hosaini Mind the Gap

THE SWIMMERS

DIRECTOR Sally

Saturday . October 15 . 2:00pm . Rafael

DIRECTOR Todd

SECTIONmin World

TÁR

A transcendent Cate Blanchett brilliantly portrays Lydia Tár, one of the greatest composer-conductors who never lived: a genius, an EGOT, and the first ever female chief conductor of a major German orchestra. We see her navigate a life, both public and private, centered in the international world of classical music: the Juilliard students who dismiss Bach as misogynistic; the hangers-on who want her number; the young, upcoming Russian cellist; her daughter, her partner (Nina Hoss). In this delicious slow burn of a film, writer-director Todd Field has created a profound and inventive character study, exploring power and fame, passion and paranoia with a wily sensibility. Blanchett’s spectacular performance takes us deep into the life that underscores this complicated, fascinating character—her phenomenal talent, her relationships, her manipulativeness, everything. Watching her conduct is amazing: She takes it on, body and soul, as only a great artist can. —Lily Buchanan Field 2022 158 Cinema STRAND Create SPONSOR Dolby Laboratories

US

175

Friday . October 7 . 3:00pm . Rafael Saturday . October 8 . 11:00am . Rafael

Chinonye Chukwu

SPONSOR Marin FoundationCommunity TILL Tuesday . October 11 . 7:00pm . Sequoia

Chinonye

US

Visually striking and moving, Till centers the story of Emmett Till through the experience of his mother, Mamie Till Mobley. It’s a powerful choice, revealing the journey of a mother for whom grief becomes action—and whose action changes history. Danielle Deadwyler as Till Mobley is brilliant, and leads a terrific cast, including Jalyn Hall, who exudes a confi dent charisma as Emmett, Whoopi Goldberg, and Frankie Faison. It feels as though director-screenwriter Chinonye Chukwu ( Clemency , MVFF42) empowered her cast to go deep in an incredibly truthful way, creating a breathtaking drama that confirms all the promise of her earlier work with sure-handed artistry and insight. The emotional integrity of the cast is a great counterpoint to the wonderfully cinematic experience that she creates, with a confidence and style that recalls classic American film. This is a story both timeless and timely, as full of love as it is of grief. —Zoë Elton

IN PERSON

DIRECTOR Chukwu 2022 85 min

177

Danielle Deadwyler INITIATIVE the Gap

SECTION US Cinema

Mind

Is art’s role to provoke or placate? What happens when it no longer reflects current societal views? These questions and many more were the subject of hot debate when Victor Arnautoff’s thirteen-panel mural “The Life of Washington” became an object of local controversy, then a media firestorm. On display since San Francisco’s George Washington High School opened in 1936, it offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide. (The Iroquois dubbed him “Town Destroyer.”) But some present-day students, parents, and observers found those depictions racially offensive, calling for the work to be removed or destroyed. Would doing so be a “redaction of history,” “identity politics gone off the rails”—or a justified blow to a lingering American “colonized men tality” as well as ongoing “traumatization” of young minds? Longtime Bay Area documentarians Alan Snitow and Deborah Kaufman interview historians, artists, activists, and GWHS students to probe a fascinating microcosm of today’s culture wars. —Dennis Harvey The first screening will be followed by a panel discussion with the filmmakers and special guests to be announced. Docs

DIRECTORS Alan DeborahSnitowKaufman US 2022 55 WORLDmin INVITEDPREMIEREGUESTS Alan DeborahSnitowKaufman SECTION

179

INITIATIVE Mind the Gap AVAILABLE TO STREAM TOWN DESTROYER Saturday . October 8 . 8:00pm . Sequoia Friday . October 14 . 1:15pm . Rafael Saturday . October 15 . 1:00pm . Roxie

The Residents have existed over half a century now as one of the singular cultural enigmas of our times: An unclassifiable arts collective-slash-rock band who’ve racked approximately 100 albums and countless memorable stage shows, yet whose members’ identities remain a well-kept secret. Among aficionados, nothing in a vast back catalog remains more sought after than Vileness Fats, a 1970s-era cult movie intended to end all cult movies, left unfinished and unreleased after several years’ work. Its surreal weirdness inspired (and is excerpted in) this brand-new feature project. A skateboarding priest turned plumber (Dustin York) fears a plague of moon fungus and other possibly paranoid perils as he navigates a San Francisco that’s part German Expressionist nightmare, part noir mystery, and all Residents-tial referencing. Shot in high-contrast black-and-white by cinematographer Frazer Bradshaw, this bizarro enterprise is dedicated to late cast member (and longtime vocal collaborator) Gerri Lawlor.

US Cinema MUSIC THURSDAYSHOWOCT13

181

Sweetwater Music Hall

Doors 7:00pm / Show 8:00pm

AVAILABLE TO

STREAM

Saturday . October 15 . 7:00pm . Roxie

—Dennis Harvey Flynn, The Residents

THE RESIDENTS

TRIPLE TROUBLE

DIRECTORS Homer

CALIFORNIA PREMIERE US 2022 84 SECTIONmin

TUKDAM – BETWEEN WORLDS

Wednesday . October 12 . 6:30pm . Rafael Friday . October 14 . 5:00pm . Rafael

SECTION Docs STRAND Spirit AVAILABLE TO STREAM

Is it possible to die in a consciously controlled way? The Tibetan Buddhist tradition of “tukdam,” a practice of meditating at the deepest level of consciousness right before death, has been shown to delay rigor mortis and other post-mortem decay for days or even weeks. The bodies of those in tukdam remain warm and in the meditation position even af ter they are declared medically dead. Through interviews with Western scientists, Tibetan medical professionals, the Dalai Lama, and respected bhikkhus, Donagh Coleman’s fascinating documentary explores current research into the practice, in which the cessation of brain function, breathing, and heart activity is not necessarily life’s clear-cut end but in stead a pliant threshold. The researchers run into challenges as they try to apply modern science to ancient tradition, delving ever deeper into a universal mystery, and testing our most ardent assumptions about the relationship between body and mind. In English and Tibetan with English subtitles —Kris Chesson

Finland, Ireland, Estonia 2022 91 NORTHmin

INVITEDPREMIEREAMERICANGUESTS

DIRECTOR Donagh Coleman

183

Donagh Coleman

Lizzie Gottlieb

US

112 CALIFORNIAmin PREMIERE INVITED

SECTION

Friday . October 7 . 5:00pm . Rafael Sunday . October 16 . 4:00pm . BAMPFA

Fifty years, five books, four thousand eight hundred and eighty-eight pages…and counting. Lizzie Gottlieb’s gripping documentary focuses on the intersecting life’s work of her father, writer and editor Robert Gottlieb, and biographer Robert Caro, author of the Pulitzer Prize-winning The Power Broker: Robert Moses and the Fall of New York and the influen tial multi-volume The Years of Lyndon Johnson . The energetic Gottlieb edited hundreds of books over the course of a career that included tenures as editor-in-chief at Simon and Schuster, Alfred A. Knopf, and The New Yorker . But the magnitude of his collaboration with Caro provides Lizzie Gottlieb with the pretext to document her erudite subjects. Com bining compelling first-person accounts with the observations of fellow writers, editors, loved ones, and fans, she demonstrates the enduring significance of these meticulously crafted, voluminous histories to understanding the use and abuse of power in the US in the 20th century and beyond. —Kate MacKay

TURN EVERY PAGE – THE ADVENTURES OF ROBERT CARO AND ROBERT GOTTLIEB

185

Docs STRAND Create INITIATIVE Mind the Gap

DIRECTOR Lizzie Gottlieb 2022 GUESTS

187

DIRECTOR Morrisa Maltz US 2022 85 BAYminAREA PREMIERE INVITED GUESTS Morrisa Maltz Lainey VanaraShangreauxBearkillerTaing SECTION US Cinema STRAND Spirit INITIATIVE Mind the Gap THE UNKNOWN COUNTRY Monday . October 10 . 5:15pm . Sequoia Tuesday . October 11 . 2:30pm . Rafael

Morrisa Maltz’s staggering second feature is a thousand things at once. It’s an ode to the mysteries of the American Midwest, a joyous meditation on modern Native American life, a seamless amalgam of fiction and documentary, and an unflinching reflection on grief. Reeling from a loved one’s recent death, Tana (Lily Gladstone), a young Native wom an, embarks on a solo road trip from Minnesota to the Texas-Mexico border. Along the way, the fictional Tana interacts with real, delightfully idiosyncratic figures, making for a Nomadland-style documentary-feature hybrid, full of tactile, stranger-than-fiction touches. The characters, the ubiquitous looming mountains, the striking neon-bathed rest stops and motel rooms, all are expressed with an overwhelming feeling of humanity. The Unknown Country is a breathtaking and deeply personal ac count of growth amidst an uplifting search for one’s place in the world. —Aurora Amidon

189

DIRECTOR Pablo

Uruguay

NORTHmin INVITEDPREMIEREAMERICANGUEST Pablo

A determined group of teenagers from the Uruguayan countryside tackles math, science, and the physics of friendship as they conquer the world of robotics. We Dream of Robots showcases the hopes and dreams of young people whose rural daily lives inspire them to embrace the challenge of building a better future for all. Imagine having no cell phone but learning to assemble and program a robot. Imagine walking or biking three hours to school, then staying an additional three hours to brainstorm robotic solutions to local flooding. The film documents the journeys of two teams from such humble origins that vie for glory against 70 other squads in the first robotics competition ever held in Latin America. The collaboration, commitment, national pride, and creative spark these kids share will lift your heart—and may just send you scurrying for a robot-building kit of your own. —Deanna Quinones Casacuberta 2021 84 Casacuberta

SECTION Family STRAND Trailblazers INITIATIVE ¡Viva el cine! AVAILABLE TO STREAM WE DREAM OF ROBOTS Sunday . October 9 . 12:00pm . Rafael Monday . October 10 . 5:00pm . Rafael

Darren

191

US 2022 117 INPREMIEREWESTminCOASTPERSON

Brendan

Fraser SECTION US Cinema STRAND Spirit SPONSOR Jennifer MacCreadyCoslett THE WHALE Thursday . October 13 . 7:00pm . Sequoia

Hinging on a career-defining performance from Brendan Fraser, The Whale is an emotionally resonant tour de force, by turns funny and devastating. Fraser plays Charlie, a 600-pound online writing teacher and fragile gay man stricken by grief. Confined to his dead-end Idaho apartment, Charlie ticks off his days binging on pizzas as visitors cycle in and out: an enabling caregiver (Hong Chau), a wayward missionary (Ty Simpkins), an angry-as-hell daughter (Sadie Sink), and an alcoholic ex-wife (Samantha Morton). Samuel D. Hunter brilliantly adapts his award-winning 2012 play, plumbing the complex nooks and crannies of religion, loss, sexuality, and literature. Ever sensitive to Fraser’s vulnerable and commanding performance, visionary director Darren Aronofsky (Variety Contenders, MVFF37) proves an ideal match for the material, giving it edge, humor, and unsentimental heft. —Randy Myers

DIRECTOR Aronofsky

DIRECTORS James PaulaRobertson,NapierWhetuJones New Zealand 2021 112 NORTHmin SECTIONPREMIEREAMERICAN World Cinema STRAND Trailblazers INITIATIVE Mind the Gap WHINA Sauturday . October 8 . 12:00pm . Rafael Friday . October 14 . 1:00pm . Lark

193

This inspirational film reveals the extraordinary life of New Zealand’s Dame Whina Cooper, a courageous Māori woman whose lifelong activism on behalf of her people ranks her among the most influential proponents of nonviolent civil disobedience in the 20th century, on par with Mahatma Gandhi and Martin Luther King Jr. Directors James Napier Rob ertson and Paula Whetu Jones’ biographical drama explores the complex personal and political life of a community activist who would come to be known as “Te Whāea-o-te-Motu” or “Mother of the Nation.” Embodying such a heroic individual is no easy task, but three actors rise to the challenge of portraying Whina, including the iconic Rena Owen ( Once Were Warriors ), Tioreore Ngatai-Melbourne ( Hunt for the Wilderpeople ), and the amazing Miriama McDowell, who commands the screen as Cooper in her middle years. Whina passionately recounts an essential chapter of national history, and will leave you wanting to tell everyone you know about this phenomenal individual. —Bri’anna Moore

195

Sauturday . October 15 . 7:00pm . Rafael

US

136

SECTION US Cinema STRAND Grow SPONSOR Kaiser Permanente

Writer-director Noah Baumbach dazzles in his first film since his acclaimed Marriage Story (MVFF42 Ensemble Award) with this exquisite, epic adaptation of Don DeLillo’s 1985 National Book Award-winning novel. It is a towering achievement that folds satires of academia, consumerism, and fear of death into an exploration of the family, a theme Baumbach has so brilliantly mined throughout his career in such films as The Squid and the Whale (MVFF28) and Margot at the Wedding (MVFF30). At a Midwestern college, middle-aged Jack (Adam Driver) is a superstar professor who pioneered the field of Hitler studies. He and his fourth wife Babette (Greta Gerwig) share brainy, verbal children from their various marriages in a happy household but one threatened by both internal and external forces. Don Cheadle adds a striking supporting turn as Murray, a professor starting a new field of Elvis studies with whom Jack shares kinship and friendly rivalry. —Pam Grady

WHITE NOISE

DIRECTOR Noah Baumbach 2022 min IN PERSON

Noah Baumbach

Mind

SPONSOR Marin FoundationCommunity

DIRECTOR Sarah Polley

WOMEN TALKING

Sunday . October 9 . 5:00pm . Rafael

SECTION

197

Frances McDormand US Cinema INITIATIVE the Gap

Powerful, committed performances by an extraordinary ensemble—including Frances McDormand, Judith Ivey, Rooney Mara, Claire Foy, Jessie Buckley, and Ben Whishaw—take us deep into the lives of a group of women as they confront a life-and-death decision: To remain in silence, or to leave in exile. Much of the action occurs in the confined setting of a village barn in their isolated Mennonite colony—located somewhere both far from our modern world and too painfully close for comfort— where the women gather secretly to determine a course of action in the wake of an urgent crisis that has affected all of their lives. In the supremely capable hands of director Sarah Polley ( Away from Her , Stories We Tell ), Miriam Toews’ best-selling novel unfolds as a deeply human drama driven by extraordinary performances in this profound, moving film. Based on true events, Women Talking is an exhilarating paragon of collective organizing and female agency that may well be the prescient wake-up call for our times. —KD Davis

US 2022

104 min IN PERSON

Sebastián Lelio

INPREMIEREWESTminCOASTPERSON

199 Sebastián Lelio ( A Fantastic Woman , MVFF40) directs this gripping adaptation of Emma Donoghue’s ( Room , MVFF38) revisionist historical novel set in her native Ireland. It’s been a decade since the Great Famine when a million died from starvation and a million more fled the country. Now, a “fasting girl” in Ireland’s countryside has stopped eating, claiming to subsist solely on “manna from above.” The town’s leaders summon an English nurse (Florence Pugh) to help sit a two-week vigil, watching for proof of saintliness or fraudulence, the child’s well-being be damned. Then, beset by her own demons, the nurse’s fate becomes tied to that of the girl. Accompanied by an eerie soundtrack with the power to beckon ghosts, and shot by Ari Wegner ( The Power of the Dog , MVFF44) in a stunning series of Rembrandt-lit rooms and cloud-eclipsed landscapes, The Wonder summons the medieval, when condemnation and beatification threatened the same earthly outcome. —Shari Kizirian

US, UK, Ireland 2022 102

THE WONDER

World Cinema SPONSOR Gordon Radley

Sebastián Lelio SECTION

Wednesday . October 12 . 7:00pm . Rafael

DIRECTOR

. October

Monday 10 7:15pm 6:30pm

. Rafael Tuesday . October 11 .

. Rafael

.

201

Acclaimed Senegalese director Moussa Sene Absa ( Madame Brouette , MVFF26) unites ancient and contemporary modes of storytelling in this visually stunning and emotionally resonant tale of familial love, loyalty, and diaspora. The drama centers on Awa, a 15-year-old student, and her twin brother (and confidante) Adamo, who dreams of a better life in Eu rope. When their beloved grandmother arranges for their Aunt Fatou to marry a relative whom Fatou detests, the results of this forced union bear consequences not only for the unhappy couple, but for the community — and, most gravely, for the twins. Sene Absa’s beautifully crafted film is as steeped in traditional African storytelling as it is rooted in contemporary Senegalese life. Among its many innovations is the appearance of two choruses of narrators: one male ( les griots ) and one female ( les griottes ). But at its heart, Xalé is young Awa’s story, brought to life with an amazing performance from newcomer Nguissaly Barry. In Wolof with English subtitles —Bri’anna Moore

DIRECTOR Moussa Sene Absa Senegal 2022 101 min US PREMIERE IN PERSON Moussa Sene Absa SECTION World Cinema XALÉ

203

As the United States teeters toward theocracy, it is painfully clear that the stakes in the upcoming midterm elections are nothing short of the life, liberty, and pursuit of happiness promised to all of the nation’s peoples. The hope of preserving democracy largely depends on turnout at the ballot box. So, why don’t more Americans vote? First-time filmmak er Diane Robinson’s documentary profiles four youth-led initiatives that address this conundrum among the nation’s most reluctant voting bloc: 18- to 29-year-olds, who exercise their franchise far less than any other age group. The head of the youth voting drive for Women’s March Action, a Black Lives Matter activist, a Dreamer registering voters in the Latinx community, and underage Floridians trying to revamp their state’s party primaries share theories and strategies for motivating Gen Z and Millennial citizens with the power to change outcomes – if they show up on election day. —Shari Kizirian

DIRECTOR Diane Robinson US 2022 67 CALIFORNIAmin PREMIERE INVITED GUEST Diane Robinson SECTION Docs STRAND Trailblazers INITIATIVE Mind the Gap Active Cinema AVAILABLE TO STREAM THE YOUNG VOTE Saturday . October 8 . 12:00pm . Sequoia Sunday . October 9 . 3:30pm . BAMPFA Monday . October 10 . 3:00pm . Sequoia

The Oct 8 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 2pm. Join us to continue the conversation!

MY NAME IS FEAR

Saturday . October 15 . 11:00am . Sequoia

AVAILABLE

205 Puppies, babies, and bears, oh my! We’ve once again scoured the globe for the best collection of animated short films for audiences of every age to enjoy. Funny characters and curious kids mingle with gentle lessons about kindness to animals, why not to be afraid of being afraid, how dandelions are born, and so much more: Kayak (Solène Bosseboeuf, Flore Dechorgnat, Tiphaine Klein, Auguste Lefort & Antoine Rossi, France 2021, 6 min), Andy "A Dog’s Tale" (James Wheless, US 2021, 8 min), Bench (Rich Webber, UK 2020, 2 min), Kiko and the Animals (Yawen Zheng, France/Switzerland 2020, 7 min), My Name Is Fear (Eliza Płocieniak-Alvarez, Germany 2021, 5 min), The Most Boring Granny in the Whole World (Damaris Zielke, Ger many 2022, 7 min), Patouille and the Parachute Seeds (Inès Bernard-Espina, Mélody Boulissière & Clémentine Campos, France 2021, 6 min), Salt (Alicia Scott Nichols, US 2020, 6 min), Winter Sleep (Katerina Karhankova & Alexandra Majova, Czech Republic 2020, 7 min), Wolf and Cub (Marvin Bynoe, US 2021, 8 min), Step by Step (Fanny Paoli, Anabelle David, Emma Gach, Claire Robert, Julie Valentin, & Thēodore Janvier, France 2021, 7 min). Nonverbal and in English Age 5+ Total program 70 min —Joanne Parsont

TO STREAM

ANIMATIONSHORTS FOR ALL

MY NAME IS MAALUM

We all can feel a little awkward or insecure sometimes, but the inspiring young people featured in this international selection of short films set fine and admirable examples of how to believe in yourself—regardless of what others might think or say. It’s a fun and eclectic mix of animation, live-action, and documentary (sometimes all in one film), as well as a time ly reminder for all of us to respect one another’s differences: Giovanni (Marco Di Gerlando & Ludovica Gibelli, Italy 2021, 5 min), Comic Escape (Alphonso McAuley, US 2021, 15 min), How I Got My Wrinkles (Claude Delafosse, France 2022, 12 min), Just Johnny (Terry Loane, Ireland 2021, 19 min), Stairs (Zoljargal Purevdash, Mongolia 2020, 12 min), Mama Has a Mustache (Sally Rubin, US 2021, 10 min), My Name Is Maalum (Luísa Copetti, Brazil 2021, 8 min). In English and various languages with En glish subtitles Age 9+ Total program 81 min —Joanne Parsont

207

AVAILABLE TO STREAM

FREESHORTSTO BE ME

Sunday . October 9 . 11:00am . Sequoia

CLOSE TIES TO HOME COUNTRY

AVAILABLE TO STREAM

209

LUNAFESTSHORTS® Thursday . October 13 . 4:00pm . BAMPFA

Eight short films that empower and inspire. How to Be at Home (Andrea Dorfman, 5 min): An animated poem reflects on coping with pandemic isolation. Close Ties to Home Country (Akanksha Cruczynski, 15 min): An immigrant dog-walker finds connection in the hearts of the pets she cares for. Generation Impact: The Coder (Samantha Knowles, 7 min): A teen girl designs a mobile app to help kids stay connected to their incarcerated parents. Proof of Loss (Katherine Fisher, 14 min): When a fire takes their home, a father and daughter must salvage what remains. When You Clean a Stranger’s Home (Sharon Arteaga, 7 min): A first-generation high-schooler describes what she and her mom learn about people when cleaning their homes. Between the Lines: Liz at Large (Abi Cole, 5 min): Meet first Black woman cartoonist in The New Yorker’s history. Wearable Tracy (Emily McAllister, 12 min): A woman’s social experiment connects her with fellow city dwellers who’d otherwise be strangers. To the Future, With Love (Shaleece Haas & Hunter Jimenez, 7 min): A nonbinary trans teen animates a self-portrait of feeling caught between expectations and dreams. Total program 80 min

SPONSOR LUNA

THE ENVIRONMENTALISTSNEW

AVAILABLE TO STREAM

Narrated by Sigourney Weaver, The New Environmentalists — from Malawi to Peru (US 2022, 30 min) is the latest in the Mill Valley Film Group’s Emmy Award-winning series about the dedicated recipients of the Goldman Environmental Prize who all have a common goal: safeguarding Earth’s nat ural resources while fighting for justice in their communities. Earth’s natural resources while fighting for justice in their communities. Evan-Marie Petit’s Pomo Land Back: A Prayer from the Forest (US 2022, 7 min), created in collaboration with the Coyote Valley Band of Pomo Indians, aims to honor the vital movement towards indigenous-led stewardship and repatriation of California forests. In Ben Derico’s Hasta la Última Gota ( Until the Last Drop ) (US 2022, 17 min), the citizens of Chile’s drought-afflicted Petorca Province fight to legislate water as a human right while enormous agribusi nesses leech the vital resource from their community for profit. Nancy Kelly’s I’m a Burner (US 2022, 3 min) looks at how the Mountain Maidu tribe has managed forest fires for generations by thinning excess fuel build-up with prescribed burns. In Josh Izenberg and Brett Marty’s Eco-Hack! (US 2021, 17 min), biologist Tim Shields quits traditional observational biology, instead adopting direct intervention methods to prove that innovation, technology, and imagination may be the last hope for saving the planet. Total program 74 min —Kelly Clement

THESHORTSNEW ENVIRONMENTALISTS

Monday . October 10 . 8:15pm . Rafael

211

ANNE

ONESHORTSAND

213 “I’ve been here before. Every feeling, every word. I’ve imagined it all. You never know if you never try…” Tales of artistry, creativity, and empathy cover a lot of ground in these memorable shorts. Owen Klatte’s remarkable Of Wood (US 2022, 7 min) is a stop-motion tribute to the history of wood, his chosen animation medium. Anna J. Takayama’s The Voice Actress (Japan 2022, 15 min) reveals the rigors of anime auditioning for an older actor in a younger person’s landscape. April Moreau’s funny and searing Hysterical (US 2022, 15 min) chronicles a stand-up comic’s journey as she steels herself to perform while dealing with a personal trauma. Desirée Abeyta’s Anne (US 2021, 10 min) examines casting for an important role and how lessons from history can speak to new generations today. A writer must explore the dangers of self-expression under a totalitarian regime in Hamid Mohammadi’s stop-motion The Past (Iran 2021, 7 min). And in Callie Bloem and Christopher J. Ewing’s clever Written By (US 2021, 15 min), fictional characters have some startling real-world epiphanies. A broad variety of storytelling modes brings laughs and keen insights in this collection. Total program 69 min —Sterling Hedgpeth AVAILABLE TO STREAM

ONLY Friday . October 7 . 8:15pm . Rafael

FOR THE BEES

PAINTINGSHORTS PICTURES

215 Wednesday . October 12 . 3:45pm . Rafael

“Filling up my heart with golden stories…. Who adds some spice to the rhythm of life?” Bay Area filmmakers present true-life tales of extraordinary individuals in this program. In Chloë Fitzmaurice’s For the Bees (US 2021, 16 min), Yemeni refugee Kahled pursues beekeeping in Oakland. Perry Gershkow’s The Baker (US 2021, 9 min) introduces Matthew Jones, a renowned San Francisco baker who crafts artisanal breads while wrestling with obstacles wrought by the pandemic. Under looming threat of closure, and with phantoms of the past and future bleeding into the present, the caretakers of San Francisco’s historic queer bars carry on in Drew de Pinto’s Last Call (US 2021, 4 min). In Gabriel Diamond’s Strangers In Boxes (US 2021, 6 min), activists from more than 15 countries— all strangers—meet online during COVID, connecting with each other in surprisingly profound ways. In Subei Kyle’s short Ramini (US 2022, 12 min), we experience the day-to-day life of a water buffalo farm in Tomales Bay. Sculptor Dana King’s hands and activist Fredrika Newton’s memories come together to build a new monument—a bust of Black Panther Party leader Huey P. Newton—in A.K. Sandhu’s For Love and Legacy (US 2022, 20 min). Total program 68 min —Kelly Clement

STREAM

AVAILABLE TO

CARDIFF

STREAM

AVAILABLE TO

217

Saturday . October 15 . 1:00pm . Rafael

ROLLINGSHORTS IN THE DEEP

“Throw your soul through every open door. Count your blessings to find what you look for.” These short films by talented British female directors use a variety of genres and styles to tell contemporary stories. Hailing from one of the most vibrant LGBTQ communities in the UK, Sarah Smith’s joyously campy Cardiff (UK 2022, 25 min) follows a single gay man who falls in love with his married friend’s lover. Katya Ganfeld’s edgy, aesthetically arresting Mirror Mirror (UK 2022, 15 min) explores a heartsick woman’s journey into an unknown reality. In Caitlin McLeod’s poignant One Like Him (Jordan/UK 2022, 15 min), a man seeks confrontation with a childhood friend while being forced to relive painful memories of his past. Reflecting on deeply human themes with hilarity, intimacy, and surreal thrills, these daring films captivate. Total program 60 min —Danielle Owens

NO GHOST IN THE MORGUE

SKYFALLSHORTS

Thursday . October 13 . 7:30pm . Rafael

AVAILABLE TO STREAM

“Hear my heart burst again. For this is the end. I’ve drowned and dreamt this moment.” These powerful stories highlight the intersection of identity and mortality in touching ways. A school teacher must face some urgent family news in a dangerous COVID world in Farhad Pakdel’s Everything Will Be All Right (Canada 2022, 16 min). Lives put on the line in the name of space exploration get their due in Simon Cottee’s touching, animated The Pioneers (Canada 2021, 10 min). In Marilyn Cooke’s No Ghost in the Morgue (Canada 2022, 16 min), a medical student finds herself in an unlikely internship. A trip to the beach carries some real emotional weight for a lesbian couple in Luisa Dantas’s Rip Tide (US 2022, 13 min). Miriam Hitchcock’s lovely and impressionistic No Time (US 2022, 3 min) is a meditation on building a better world by urgent example. And a futuristic job interview takes a surprising turn in Casimir Nozkowski’s All Will Become Clear at the Point of Contact (US 2021, 7 min). Join us for this poignant and life-affirming array of stories, wonderfully conveyed. Total program 66 min —Sterling Hedgpeth

219

BRASIER

221 “I’ve never seen the sky this color before. It’s like I’m noticing everything a little bit more.” These short films are vivid, beautiful, compassionate, and unforgettable. A normal medical procedure becomes a nightmare of Kafka-meets-Cronenberg proportions in Grace Gregory’s shocking, timely Earthworm (US 2022, 14 min). In Emilie Mannering’s stunning Brasier (Canada 2022, 19 min), two siblings find that new dynamics in high school have unexpected reverberations. In Brenton Gieser’s gorgeous Gabriel (US 2022, 14 min), a grieving mother seeks some kind of closure with her son’s killer. And in Carlos Ormeño Palma’s elliptical The Distance of Time (Peru 2021, 19 min), the slipstream of memory tells a moving tale of loss and love for a gay couple. The stories are short but the emotional terrain they traverse is epic in this extraordinary collection. Total program 66 min —Sterling Hedgpeth AVAILABLE TO STREAM

STRANGERSSHORTS BY NATURE

Friday . October 14 . 8:15pm . Rafael

I DON’T RIDE MY BIKE ANYMORE

SHORTS : TRUTHS (AND SPOOFS) FROM THE YOUTHS

Sunday . October 16 . 11:00am . Sequoia

This year’s collection of peer-reviewed, youth-produced short films showcases an international cohort of storytellers working in animation, documentary, comedy, horror, and drama. It’s an inspiring display of emerging young talent from as close to home as Mill Valley and San Rafael, and as far afield as Indonesia, China, Germany, and Korea: A Stellar Vacation! (Noah Shin, US 2022, 5 min), A Date with Kino Redfield (Tony Heffernan, US 2022, 10 min), I Don’t Ride My Bike Anymore (Gabriel Perez, US 2021, 8 min), Silver (Haley Stemmons, US 2022, 2 min), The Queen’s Closet (Cameran Grace Ford, Ava Wolf & Joe Tourk, US 2021, 8 min), The Dilemma: Extra-Curricular Institutions in China (Huanshuo Wang, China 2022, 15 min), Stache Society (Olive Corine Read, US 2022, 6 min), Underwater Basket Weaving (Parker Bladow, US 2022, 5 min), Merry Go Round (Ella Fields, US 2022, 14 min), The White Rose (Ian Kim, US 2021, 3 min), Harmony with Upstairs (Sunmin Yang, Republic of Korea 2021, 14 min), Midnight Smoker (Jeremy Gautama, Indonesia 2022, 1 min), Schattendachs (Louis Hartmann, Germany 2022, 2 min). In English and various languages with English subtitles Age 11+ Total program 91 min —Joanne Parsont

AVAILABLE TO STREAM

223

San Rafael Marin County

224 SPONSORS

MAJOR MEDIA

HOTEL PARTNERS

TOMMY LAU PHOTOGRAPHY

SPECIAL

OFFICIALSUPPORTSERVICE PROVIDERS PROMOTIONAL PARTNERSCREATIVE PARTNERS

PHOTOGRAPHY

225

ALLISON LEVENSON

226 SPONSORS

EVENTS PARTNERS

227 BARTENDERS UNLIMITED BRIGHT EVENT RENTAL BRUNO’S ITALIAN DELICATESSEN CASA DJCRAKERJACKCLUBHOUSEMANANACARAVANDJSRICHFACTOR DRIVER’S MARKET EL HUARACHE LOCO ILLUMINATE EVENTS JOHNNYLILACDOUGHNUTS&LIME LITTLE LOUIE’S CAFE & CATERING MARIN EVENT LIGHTING MILL VALLEY FLOWERS NOTHING BUNDT CAKE PLAYA RESTAURANTREVIVE SCHRAMSBERG CHAMPAGNE SLANTED DOOR GROUP

ALEX MURPHY Box Office Assistant Manager

KELLY CLEMENT Documentary Programmer

MVFF EDUCATION

JULIA GRINBERG Guest Services Manager

EXECUTIVE

FEARON DEWEESE Sponsorship Integration Manager

ASHLEY EDWARDS Venue Manager

DIANA SÁNCHEZ MACIEL

COURTNEY DOYLE Development Associate

OSINACHI IBE Mind the Gap Manager

World Cinema Programmer + ¡Viva el Cine! Manager

MARIBEL GUEVARA Active Cinema Manager

DAN ZASTROW Technical Director

Director of Programming

Director of Development

MARK FISHKIN

DEVELOPMENT

BEAU BLANCHARD Corporate Development Manager

KAREN DAVIS

PAUL HEGARTY Production Manager

MARCUS PUN Clips Editor

KAITLYN RYAN Operations Manager

MELANIE NICHOLS Education Program Manager

JOÃO FEDERICI

Founder + Director MVFF Executive Director + Founder CAFILM

MARAYA MARLOWE Guest Services Coordinator

PAUL IGAZ Curriculum Developer

PAUL KELLOGG Production Assistant

DEREK PETRILLO House Manager

JOANNE PARSONT Family Films Programmer

JOANNE PARSONT Director of Education

OPERATIONS

MAUREEN GALLIANI Executive Assistant

NICOLE ALVAREZ Venue Manager

SHAKIRA REFOS Behind the Screens Manager

DAEL MORWITZ House Manager

Director of Operations

SAV SINGH Theater Operations Coordinator

NATASHA HOOVER Box Office Manager

GORETE NOVACK Programming Support

CHRISTINE FUJIKI Membership Manager

ANTHONY DOYLE Production Assistant

Senior Programmer, World Cinema

DANIELLE OWENS Programming Coordinator

SHAKIRA REFOS Education Outreach Manager

MARIA JANELLI Ed Tech Consultant

BRI’ANNA MOORE Programming Associate

LUCY LAIRD Box Office Assistant Manager

NADINE JOHNSON House Manager

STERLING HEDGPETH Programming Manager + Shorts Programmer

LIANA BENDER

Deputy Director

DERRICK DOVER Membership Administrator

Film Educator/Programmer

MICHAEL M c LLRAITH Line Manager

CELESTE WONG US Indies Programmer

PROGRAMMING

ZOË ELTON

SAMANTHA CARLSON Guest Services Coordinator

DANE CALLIHAN

DAVE FEIFERIS

TIFFANY COLLINS Box Office Assistant Manager

CASSIE CONKLIN House Manager

MVFF45 STAFF

AMY HARTMAN Line Manager

KATHERINE PERTUSO Marketing + EngagementAudienceManager

CATY ZICK Line Manager

YVONNE FOX

Video Tech + Content Manager

JESSE DUBUS Exhibition Media Manager

COURTNEY BUFFINGTON Design + Brand Manager

ROD ARMSTRONG ELA BITTENCOURT LILY JOÃODAVIDZOËEDWARDKDKELLYKRISJEFFBUCHANANCAMPBELLCHESSONCLEMENTDAVISDUNNELTONFEARFEDERICI

CELESTEDAVIDDEANNARICHARDBRENDANCELIAJOANNEDANIELLEWILFREDRANDYKATEBRI'ANNAANANYASHARIRAVINDEROSINACHISTERLINGZAKIDENNISCAROLGRIERSONHARADAHARVEYHASANHEDGPETHIBEKINGRAKIZIRIANKUMAR-BANERJEEMOOREMACKAYMYERSOKICHEOWENSPARSONTC.PETERSPETERSONPETERSONQUINONESRIEDELWONG

YVONNE FOX

WRITERS

MARIELL RAHMANI Events Team

JONATHAN KIEFER Publications Managing Editor

DANTA HAY

JON OLSEN Line Manager

DANIEL DÍAZ

PAM GRADY TIM

RACHEL GOLD Events Coordinator

Opening + Closing Night Manager

SHAYNA YASUHURA Marketing + EngagementAudienceManager

LAURA AUSTIN Finance Manager

SARA HECKADON MFR Lounge Coordinator

AILEEN FOWLER

BRIAN LEHMAN Publications

OLLIE ECO Marketing Designer

NORMAN MELLO IT Manager

JAN KLINGELHOFER Program Consultant

MFR Lounge Manager

AURORA AMIDON

SMITH RAFAEL FILM CENTER

Director of Marketing + Audience Engagement

MICHELE THARP Marketing Manager

Special Events Manager

RICHARD PETERSON Director of Programming DAN ZASTROW General Manager

EVENTS

REMA SAYGE

MARKETING + PUBLICITY SHELLEY SPICER Director of Publicity + Media Relations ERIN MCINNIS Publicity Manager

OAC Hub Manager

CHRISTA GATEWOOD Events Team

GRIFFIN COUILLARD Projectionist NORMAN JOHNSTON Projectionist

OAC Lounge Coordinator

ISABEL FONDEVILA

KALA SHAH Community Outreach + Promotions Coordinator

GRIFFIN COUILLARD Projectionist

MIMI CUNNINGHAM

DAMIAN BURFORD OAC Lounge Coordinator

FINANCE

PAM GRADY Copy Editor

NORMAN JOHNSTON Assistant General Manager

WELLINGTON BOWLER

RICHARD J. IDELL (Secretary )

ANN BREBNER (1923-2017)

CAFILM BOARD OF DIRECTORS

DR. JOEL SKLAR

DANIEL KENYON

JONATHAN PARKER (Co -Vice President )

JANN STANLEY ZACH ZEISLER (Treasurer )

FOUNDING BOARD

SUSAN SCHWARTZ

RITA LOISMARKCAHILLFISHKINKOHLSHORE

EMERITUS BOARD

KENNETH BROAD (President )

JENNIFERJACQUIKEROESLOPEZCOSLETT

230

SKIPMICHAELERICMARYANDREWKCROXANNEMICHAELPEGGYGRUBERHAASKLEINKLEINLAUCKMCGUIREPOLANDSCHWARTZSCHWARTZWHITNEY

KURT MAGGIECATHYMOBLEYNOURAFSHANO’DONNELL(Co -Vice President )

AMY

GARY HENRYCHRISTOPHERGORDONMEYERRADLEYB.SMITHTIMNICK

HONORABLE BARBARA BOXER STEWART BOXER DRUSIE DAVIS JEFF PETERFISHERFLAXMAN

RITA CAHILL SID BRUCEGANISKATZ (1947-2022)

MACCREADY (Board Chair )

ADVISORYHONORARYBOARD

ROBERT GREBER LINDA

BRUCE KATZ

Mary Hrize (1946-2022) came to us in 2006 as a volunteer and quickly became a part of the fabric and heart of CAFILM. Mary was a gift to us all. She did it all, working at MVFF, spending hours in the office, and working countless receptions at our theaters. Mary’s grace and beautiful warm smile touched everyone she encountered. She was so loved and will be missed.

MARY HRIZE

IN MEMORIAM

Entrepreneur, innovator, walker and founder of the Rockport Shoe Company and the Samuel Hubbard Shoe Company, Bruce Katz (1947-2022) was a long-time Board member of CAFILM, where his brilliant mind helped push us to consider ways that we might do or see things differently. It was through Bruce that the sailing yacht Juliet, an exquisitely built, 144-foot superyacht, came to be the location for two intimate, iconic MVFF-hosted parties at the Cannes Film Festival. This ketch perhaps embodied much that Bruce brought into the spheres of his life, harmonizing design, function, and technology into something both entirely new and entirely timeless, and driven by a love of life and its adventures.

231

Dear friends of the Calfiornia Film Institute we lost this year.

John Korty (1936-2022) was a consummate independent filmmaker whose career encompassed myriad genres, from comedy and social drama to animation and documentary. He was a pioneer of Bay Area filmmaking, and his 1960s Stinson Beach studio directly inspired the “northern migrations” of George Lucas and Francis Ford Coppola. The recipient of an Oscar ® and multiple Emmys, this principled artist was honored at the first Mill Valley Film Festival in 1978 and in an extensive Rafael retrospective in 2011.

JOHN KORTY

SHEILA BENSON

Sheila Benson (1930-2022) was film critic at Mill Valley’s Pacific Sun when the fledgling Mill Valley Film Festival launched, until a few years later when the LA Times realized what a gem she was and brought her work to a national level. Sheila was that rare being, a lover of film and a true critic—not reviewer! Her life and work were informed by her take-no-prisoners intellect, her deep knowledge of cinema and literature, her brilliance, and her wily wit. She gave MVFF the amazing gift of its first quotable quote, that first year: “The little festival that could.” A great one, Sheila, much beloved in this community.

Turn static files into dynamic content formats.

Create a flipbook

Articles inside