IN PERSON

DRAWING n n n n

Beginning Drawing

In-person classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio. View portfolios of work by our instructors at SmithsonianAssociates.org/art instructors.

Color Stories Journal

This course, a valuable introduction for beginners, teaches the basic skills needed as a strong foundation for drawing. Working with a variety of materials and techniques, including charcoal and pencils, students explore the rendering of geometric forms, volume, and perspective, with an emphasis on personal gesture marks.

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IN PERSON: Tues., April 18–June 6, 10:30 a.m.; George Tkabladze; details and supply list on website; Ripley Center; CODE 1V0-0RQ; Members $255; Nonmembers $285

Drawing on the Right Side of the Brain

Popular theory holds that the right brain is primarily responsible for the intuitive understanding of visual and spatial relationships. This class improves the way people see and record objects on paper by working through a set of visual exercises that help build the ability to draw.

IN PERSON: Wed., April 19–June 7, 2:30 p.m.; Shahin Talishkhan; details and supply list on website; Ripley Center; CODE 1V0-0RR; Members $235; Nonmembers $265

PAINTING n n n n

Introduction to Indirect Oil Painting

Cézanne-inspired Still Life Compositions

The vibrant medium of oils was a favorite of Impressionist artists because of its luminosity and color layering effects. Working from stilllife arrangements reminiscent of Cézanne’s in-studio sessions, learn to achieve the brilliant and subtle effects characteristic of the medium.

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Still Life with Apples and Peaches by Paul

Cézanne,

1905

IN PERSON: Sun., April 23–May 7, 11 a.m.; Sandra Gobar; details and supply list on website; Ripley Center; CODE 1V0-0SE; Members $185; Nonmembers $205

Explore your relationship to individual colors and how they connect to facets of your life. Practice simple, playful acrylic painting techniques incorporating all the colors of the spectrum, plus black and white. Then, begin to record personal stories in a journal to use every day.

By Sushmita Mazumdar

IN PERSON: Tues., May 9–June 6, 6:30 p.m.; Sushmita Mazumdar; details and supply list on website; Ripley Center; CODE 1V0-0TP; Members $165; Nonmembers $195

MIXED-MEDIA n n n n

NEW CLASS

Mixed-Media Constructions

Take your mixedmedia ventures in a new direction with 3D constructions using wood, personal mementos, old jewelry, metal fixtures, photos, and other found objects. Experiment with molding objects from air-dry clay, along with techniques such as weaving, image transfers, and stitching with cord.

By Sharon Robinson

IN PERSON: Tues., April 18–May 23, 6:30 p.m.; Sharon Robinson; details and supply list on website; Ripley Center; CODE 1V0-0TR; Members $215; Nonmembers $245

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines

Fundamentals of Abstract Collage

Collage is an amazingly versatile art form with no limit when it comes to techniques and materials. In this beginner-level course, learn about tools, adhesives, materials, and appropriate bases for supporting a collage.

IN PERSON: Sat., April 29–June 17, (no class May 13 and May 27); 1 p.m., Sharon Robinson; details and supply list on website; Ripley Center; CODE 1V0-0TS; Members $235; Nonmembers $265

OTHER MEDIA n n n n

The Ancient Art of Henna Tattoos

Henna tattoos reflect an ancient and beautiful practice of body art. Explore the form’s history as you learn to apply simple traditional Indian henna designs.

IN PERSON: Sat., June 24, 12:30 p.m.; Sharmila Karamchandani; details and supply list on website; Ripley Center; CODE 1V0-0UV; Members $65; Nonmembers $75

Tempered Glass Mosaics

FIBER ARTS n n n n

Abstract Embroidery

In Person

Learn to apply the principles of abstract art to making embroidery. Develop a free-flowing approach to embroidery that emphasizes form, color, line, texture, pattern, composition, and process.

IN PERSON: Tues., May 2–23, 10 a.m.; Heather Kerley; details and supply list on website; Ripley Center; CODE 1V00TW; Members $115; Nonmembers $135

SCULPTURE n n n n

Figure Sculpture

By George Tkabladze

Students examine the materials and processes for sculpting a portrait, torso, or full figure using a live model. They learn clay sculpture techniques focused on tool use, armatures, anatomy, and proportions and have the opportunity to explore their own individual styles.

IN PERSON: Tues., April 18–June 6, 6:30 p.m.; George Tkabladze; details and supply list on website; Ripley Center; CODE 1V0-0SS; Members $285; Nonmembers $315

Clay Portrait

Develop basic sculpting skills in this introduction to the concepts and techniques of sculpting the human head. Create copies of a plaster cast portrait or sculpt from a live model. Hands-on practice helps students develop skills in using different techniques and tools and understanding proportion and problemsolving.

By Bonnie Fitzgerald

Tempered glass, also known as crash glass, creates a jewel-like surface and adds some pizzaz to a finished mosaic piece. Combine collage and mosaic techniques using an overlaying technique that incorporates printed imagery, tissue paper, foils, stamps, metallic papers, glitter, and Mylar.

IN PERSON: Sat., June 17, 10:30 a.m.; Bonnie Fitzgerald; details and supply list on website; Ripley Center; CODE 1V00UU; Members $85; Nonmembers $95

IN PERSON: Tues., April 18–June 6, 2 p.m.; George Tkabladze; details and supply list on website; Ripley Center; CODE 1V0-0SR; Members $285; Nonmembers $315

By George Tkabladze

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines

On-Location Photography

Introduction to Photography

Whether you want to work in digital or film, this course offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition. Critiques of assignments enhance the technical skills you learn.