Smithsonian Associates December 2024 program guide

Join a Community of Lifelong Learners

Learning has always been synonymous with the Smithsonian. And if the joy of learning enriches your life, we invite you to join Smithsonian Associates and be among the first to know about outstanding programs every month. You’ll appreciate the stimulating and entertaining range of offerings inspired by the wonders of the Smithsonian and covering the full scope of the humanities, sciences, and arts. Join experts in everything from archaeology to literature and history to high-tech espionage and zoology as they share insights, discoveries, and innovative ideas.

Unlike the Smithsonian’s museums, Smithsonian Associates receives no federal funding and relies on individual contributions to help bridge the gap between program expenses and registration revenues. That vital support ensures we’re able to continue what we do best: creating engaging learning experiences that open the Smithsonian’s world of knowledge to audiences across the country.

Please consider becoming part of that community of lifelong learners at: SmithsonianAssociates.org/levels

Levels of Support

Your support expands your learning, and the current benefits listed here are designed to enhance your experience.

Associate ($50) Priority registration and discounts, invitations to selected no-fee programs, the print edition of Smithsonian Associates’ informative and lively monthly program guide.

Champion ($80) All the above and:

Up to four discounted registrations per program, priority consideration for waitlisted programs.

Promoter ($100) All the above and:

A subscription to the award-winning Smithsonian magazine, special rates for the purchase of limited-edition fine-art prints created for Smithsonian Associates’ Art Collectors Program.

Advocate ($175) All the above and:

An advance digital copy of the monthly program guide, two complimentary program registrations.

Contributor ($300) All the above and:

Advance registration opportunity for Smithsonian Summer Camp, recognition in the Smithsonian Associates program guide’s annual donor listing

Patron ($600) All the above and:

Four complimentary registrations to a headliner program, a copy of the Smithsonian Annual Report.

Sponsor ($1,000) All the above and:

Reserved seating at in-person programs, dedicated concierge phone line for inquiries and registration.

Partner ($2,500) All the above and:

Invitation for two to attend the prestigious annual Smithsonian Weekend, recognition in the Smithsonian Annual Report.

Benefactor ($5,000) All the above and:

Recognition as a sponsor of a selected program, priority seating at all in-person programs.

Bonus: Contributions at the Advocate level and higher include membership in Smithsonian Associates’ Circle of Support.

Dear Friends and Members,

Taking a cue from this month’s cover image, Smithsonian Associates staff raise our voices in a chorus of gratitude to our members and supporters. We hope that your holidays and the months beyond are enhanced by the many joys of music.

Whether your heart is uplifted by the songs of Rodgers and Hammerstein (p. 18), the orchestral power of Russian masterworks (p. 19), intimate chamber music (p. 21), or a memorable tune from the movies (p. 22), you’ll find a program that hits just the right note. Concerts of the Smithsonian Chamber Music Society (p. 12) and the Smithsonian Jazz Masterworks Orchestra (p. 15) are perfect ways to warm up a winter day. And you can also deepen your knowledge of music theory guided by conductor Ernest Johnson (p. 20).

We can’t wait to turn the page to 2025 and begin to celebrate Smithsonian Associates’ 60th anniversary with you. Stay tuned for dynamic programs and events to spark curiosity, conversations, and connections throughout the year.

With warmest wishes,

Frederica R. Adelman, Director adelmanf@si.edu

Marybeth Kelley

Shiconia Bryant

Samantha S eetz

Robert Sa eli

Lorna Maragh

Elizabeth Moloney

Diane Ki ower

Ri ard Wilson

Ra el Shanbla Patricia Dwyer

Noah Falk

Mi elle Welker

Andrea Hartman

Louis Davis

Pamela Coke

Rhonda Jones

Heather Jaran

Robin mstrong

Nicole Parisi

Brigi e Bla ere

Alexandria Reyher

Leah Connolly

Samuel Game

Laurie McDonald Lauren Rosenberg

Kevin Holmes

Kathryn Fuller

John Dee Jessica Grimes

Djuna Strong

Evan line Boers

Roxana Estrada

Olubunmi Shabi

Ni ole Andonegui

Mary Mclaughlin

Morgan Kuster

Leila Farrer

Karli Landis

Ian Leahy

December 2024

Lauren Lyons Krystal Waters

Elizabeth Pai

Karen Cadogan

Diana Matson

Ashley Thwea

Imelda Bautista

Ricardo Garcia

Courtney Kuzem ak

Emma Miller

Dennis Smoot

Smithsonian Associates In Person

We invite you to join us for selected in-person programs, concert series, and studio arts classes and workshops in our nation’s capital, as well as walking tours, full-day study tours, and overnight tours.

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

Tea Traditions of Taiwan: A Taste of the Alishan Region

Fri., Dec. 6

Tea and the ritual of its consumption are an integral part of life in Taiwan, and the region of Alishan produces some of the world’s most sought-after teas. Tea connoisseur Hung, ChungLun performs a tea ceremony and explains how it represents the spirit of the nation’s culture. A tasting of teas from Alishan follows. Presented in partnership with the Taiwan Tourism Administration. (see p. 17)

A Dinner at Moon Rabbit Sun., Jan. 26

At Moon Rabbit restaurant, chef Kevin Tien oversees a menu that features contemporary takes on classic Vietnamese dishes. A dinner designed for Smithsonian Associates’ guests celebrates the Lunar New Year, a time when food carries particular significance for Vietnamese families. (see p. 21)

Cheese 101: A Guide from Cheesemonster Sun., Feb. 9

Studio Arts

Have you ever found yourself pondering cheesy thoughts: What makes certain cheeses smell, look, or taste the way that they do? And where are the best places to find them locally? Join Alice Bergen Phillips, founder of Washignton, D.C.’s Cheesemonster, for an investigation that serves up all the answers—and a tasting, too. (see p. 23)

Let your creative side shine in a wide variety of hands-on classes led by professional artists. (see pp. 41–43)

Sapporo-Style Ramen: A Regional Rage

Tues., Feb. 25

Ramen has been one of the most common foods in Japan for decades and it continues to surge in popularity in the United States. At Washignton, D.C.’s Haikan restaurant, chef Katsuya Fukushima and Daisuke Utagawa break down the distinctive components and characteristics of Sapporo ramen, demonstrate its preparation, and then invite you to sit down for an authentic ramen lunch. (see p. 25)

The Axelrod String Quartet

Sat., Dec. 14, 3:30 p.m. and Sun., Dec. 15, 3:30 p.m.

Sat., Jan. 25, 3:30 p.m. and Sun., Jan. 26, 3:30 p.m.

Music by Schubert, Mozart, Mendelssohn, and Bruckner (see p. 12)

Masterworks of Five Centuries

Sat., Dec. 7, 3:30 p.m. and Sun., Dec. 8, 3:30 p.m.

of Orlando

and William

Tours

Discover expert-led tours that offer one-of-a-kind travel experiences. And get a preview of our 2025 lineup of overnight tours. (see pp. 51–55)

12)

Smithsonian Chamber Music Society

Music

Gibbons

Byrd

Johann Sebastian Bach: Sonatas for Violin and Obbligato Harpsichord (see p.

2024–2025 Concert Season Sun., Dec. 15

Jazz and the Armed Services (see p. 15) Smithsonian Jazz Masterworks Orchestra

Unless noted, all programs are presented on Zoom; listed times are Eastern Time. Online registration is required.

Operation Dynamo: The Miracle at Dunkirk

The 2017 film Dunkirk was a rousing success and presented an eager audience with the famous evacuation of British forces from France in May and June 1940. But absent in the film’s telling of the story is the historical context, argues Kevin J. Weddle, a distinguished fellow at the United States Army War College. There is much more to Dunkirk, and its lead-up and aftermath are just as exciting as the evacuation itself.

The full picture of Operation Dynamo is a mix of perseverance, hope, tragedy, chance, and deliverance. Weddle examines the planning and execution of the desperate boatlift—which saved most of the British Expeditionary Force to fight again—and analyzes its overall strategic impact on the continuing war effort.

Tues., Jan. 7, 6:45 p.m.; CODE 1K0-543; Members $25; Nonmembers $30

Gen. George S. Patton

Patton Through the Eyes of His Adversaries

Gen. George Patton, “Old Blood and Guts,” is one of the most renowned leaders in American military history, known for both his expertise in mobile tank warfare and his brash behavior and mercurial temper. He is remembered as an officer with few equals and attained legendary status while commanding corps and armies during World War II.

But the judgments of Patton’s enemies—many of whom were also veteran masters of mobile warfare—were often markedly different than the conventional portrait. Harry Yeide, a national security adviser and the author of Fighting Patton, exposes the German perspective on how and why they lost their battles with Patton’s forces.

Thurs., Jan. 16, 6:30 p.m.; CODE 1H0-847; Members $20; Nonmembers $25

Churchill and Eisenhower: A Unique Friendship

From World War II through the Cold War, Winston Churchill and Dwight D. Eisenhower maintained a friendship unlike any other in history. The alliance and camaraderie forged between the Lion and the General defeated Nazism and kept communism at bay. Although occasionally testy, their connection remained close until Churchill’s death in 1965.

Historian Mitchell Yockelson discusses the personal story of these heads of state and their lasting influence on the world.

Mon., Jan. 27, 6:30 p.m.; CODE 1H0-845; Members $20; Nonmembers $25

The Irish and the American Revolution

Men of Irish heritage played crucial roles in fighting the American Revolution. Irish Americans sided with the patriots against the British Army in overwhelming numbers and shouldered muskets at Lexington and Concord, during the Battle of Bunker Hill, and at every other significant military encounter over the eight years of war. Their numbers included officers, thousands of enlisted men, and even spies—notably Hercules Mulligan, a major character in the musical Hamilton. Historian Richard Bell explores the Revolution from the perspective of the Irish and their American descendants. He reconstructs the history of English and Irish antagonism; the role of Roman Catholic faith in decisions about loyalty and affiliation; and the political and economic impact of the American Revolution on Ireland itself.

Mon., Dec. 2, 6:30 p.m.; CODE 1M2-358; Members $25; Nonmembers $30

British troops line up on the beach at Dunkirk to await evacuation

Gen. Dwight D. Eisenhower and Winston Churchill

The Death of General Montgomery in the Attack on Quebec, December 31, 1775 by John Trumbull, 1786

Martin Van Buren

America’s First Politician

The principal architect of the party system and one of the founders of the Democratic Party, Martin Van Buren’s unparalleled skills as a political strategist won him the nickname “The Little Magician”— and a series of increasingly high-profile offices that led to the presidency. In his rise, he sought consensus and conciliation, bending to the wishes of slave interests and complicit in the dispossession of America’s Indigenous population.

Van Buren scholar James M. Bradley depicts the struggle for power in the tumultuous decades leading up to the Civil War as he charts the eighth president’s ascent from a tavern in the Hudson Valley to the White House, concluding with Van Buren’s late-career involvement in the antislavery movement.

Bradley’s book, Martin Van Buren: America’s First Politician (Oxford University Press), is available for purchase.

Tues., Dec. 3, 6:45 p.m.; CODE 1K0-527; Members $20; Nonmembers $25

Declaration of the Rights of Man and of the Citizen, by Jean-Jacques-François Le Barbier, 1789

Foundations of Freedom

The Documents That Shaped America and France

The late 18th century was a period rife with revolutionary fervor and transformative ideas that altered the course of history. The American Declaration of Independence and the French Declaration of the Rights of Man and of the Citizen did more than address specific grievances or abstract ideals: They were radical manifestos that proclaimed new principles of governance and human dignity and challenged centuries-old political and social structures. Historian Alexander Mikaberidze explores these groundbreaking documents and the individuals who dared to imagine a new order that ignited flames of liberty that spread throughout the world.

Thurs., Dec. 5, 6:30 p.m.; CODE 1M2-360; Members $25; Nonmembers $30

Linear A and B: Keys to Mycenaean Greece

When classicist Michael Ventris deciphered the Linear B script in 1952, he shed light on all aspects of the world of Late Bronze Age Greece, sometimes referred to as “Mycenaean” Greece, and immediately enhanced our understanding of its politics, economy, society, and religion.

Linear B was itself a reuse of an earlier script, Linear A, which was primarily employed on Crete from 1800 to 1450 B.C.E. Though the secrets of this “Minoan” writing system remain undeciphered, we can learn a great deal from it. Classicist and archaeologist Dimitri Nakassis explores both scripts and highlights what they can tell us about life in the Aegean during the second millennium B.C.E.

Thurs., Dec. 5, 6:30 p.m.; CODE 1H0-837; Members $20; Nonmembers $25

How Italian Immigrants Transformed America

Since the days of Christopher Columbus and the earliest European explorers, Italians have made their way to American shores. But only since the late 19th century have Italian immigrants by the millions made a major impact on American culture. Writer and lecturer Adam Tanner tells a personal story of sleuthing in the archives of Southern Italian villages to uncover the ancestry of his grandfather, who moved to the United States at the peak of this immigration boom to become a professional violinist. His broader narrative considers how Italian Americans changed our popular culture, politics, and, of course, food.

Fri., Dec. 6, 12 p.m.; CODE 1NV-113; Members $25; Nonmembers $30

Read more about programs in this guide on our website. Search by code or date. Expanded program descriptions, presenters’ information, and more at SmithsonianAssociates.org.

Linear B tablet from the palace at Pylos, 13th century B.C.E.

Italian merchants on Mulberry Street ca. 1900

Harriet Beecher Stowe and the Civil War

Though the publication of Uncle Tom’s Cabin in 1852 is considered by some a factor that helped propel the nation into the Civil War, its author has generally been thought of as having little engagement with the conflict itself. One historian claimed Harriet Beecher Stowe averted her gaze during the war, satisfying herself by writing domestic essays—but nothing could be farther from the truth.

Author and scholar Robert S. Levine addresses key moments in Stowe’s career from 1852 to 1870, focusing on the Civil War period with a discussion of her letters, novels, and essays, including her fascinating piece on the Black activist Sojourner Truth, which Stowe published in the Atlantic at the height of the war. He provides a new picture of Stowe as a vigorous exponent of interracial democracy long after the publication of Uncle Tom’s Cabin.

Tues., Dec. 10, 6:45 p.m.; CODE 1K0-529; Members $25; Nonmembers $30

The Secrets of Père Lachaise Cemetery

Nestled among bustling streets in the heart of Paris, the iconic Père Lachaise cemetery harbors stories of intrigue, artistic brilliance, and cultural significance. Established in 1804, Père Lachaise is not merely a resting place for the departed but a testament to Parisian history itself.

Unravel the cemetery’s secrets and celebrate its role as a sanctuary of memory and reflection with art historian Madeline Díaz. She highlights the graves of notables including Oscar Wilde, Marcel Proust, Édith Piaf, Eugène Delacroix, and Jim Morrison; explores the cemetery’s architectural styles from Gothic tombs to elaborate Art Nouveau memorials; and delves into the symbolism and rituals associated with death in French culture as manifested in elaborate funerary art and poignant epitaphs.

Fri., Dec. 13, 12 p.m.; CODE 1H0-836; Members $20; Nonmembers $25

Thomas Becket: A Martyr for All Seasons

On December 20, 1170, the most notorious murder of the Middle Ages took place in Canterbury Cathedral: Archbishop Thomas Becket was killed by four knights of King Henry II, who had (apocryphally) spurred them to act by exclaiming in exasperation, “Who will rid me of this troublesome priest?”

What was so troublesome about Thomas Becket? Historian Jennifer Paxton explores how the archbishop fell afoul of his king for both personal and political reasons and ignited a political dispute that convulsed church and state for almost a decade. She also looks at why Becket’s violent death turned him from a lightning rod for controversy into the most important saint in Europe, one whose cult led to the creation of the most famous pilgrimage in English literary history, Chaucer’s Canterbury Tales.

Wed., Jan. 8, 6:30 p.m.; CODE 1M2-362; Members $30; Nonmembers $40

The Great San Francisco Earthquake and Fire

On April 18, 1906, San Francisco was nearly destroyed by a massive earthquake and ensuing devastating fires. What occurred during the catastrophe known as the Great San Francisco Earthquake and Fire was beyond the experience of the city’s residents. Violent shocks punctuated the strong shaking, which lasted nearly a minute. The earthquake’s immediate impact was disastrous, but what followed was even more horrific.

Houses on Howard Street (now South Van Ness Avenue), damaged by the 1906 earthquake

Historian John A. Martini brings stories of the disaster to life using seldom-seen photographs of the earthquake damage, the fires that followed, and the massive relief efforts led by the U.S. Army that aided the victims.

Wed., Jan. 8, 7 p.m.; CODE 1NV-115; Members $25; Nonmembers $30

Père Lachaise Cemetery

Harriet Elizabeth Beecher Stowe by Alanson Fisher

Depiction of the murder of Thomas Becket, ca. 1390, in the De Grey Hours

The Warsaw Ghetto’s Secret Savior

Irena Sendler and the Fight for Innocent Lives

In October 1940, German officials decreed that all Jewish residents of Warsaw must move into a designated area, creating the Warsaw Ghetto. The grim and overcrowded enclave sealed off by a 10-foot wall topped with barbed wire was home to over 400,000 Jews crammed into just 1.3 square miles. The dire conditions, compounded by insufficient food allotments, led to the deaths of 83,000 individuals from starvation and disease by mid-1942.

Amidst this darkness, Irena Stanisława Sendler, a Polish social worker and nurse, emerged as a beacon of hope. Operating through a secret network, Sendler courageously rescued more than 2,000 Jewish children from the ghetto. Despite being arrested, tortured, and sentenced to death in the infamous Pawiak prison, she remained steadfast, never revealing the whereabouts of those she saved. Historian Ralph Nurnberger sheds light on the extraordinary bravery of Irena Sendler, who risked everything for the children of the Warsaw Ghetto.

Thurs., Jan. 9, 6:45 p.m.; CODE 1D0-076; Members $25; Nonmembers $30

The Roads to Rome

Routes for Conquest, Trade, and Creativity

Over the 2,000 years since many European roads were built, they have been walked by crusaders, dictators, writers, refugees, and artists. Historian Catherine Fletcher reveals how these roads have functioned as channels of trade and travel and routes for conquest and creativity, transforming cultures across Europe. Fletcher tells the stories of her travels from Scotland to Cádiz to Istanbul and Rome, sharing histories of nations and empires that have risen and fallen.

Her new book, The Roads to Rome: A History of Imperial Expansion (Simon & Schuster), is available for purchase.

Tues., Jan. 14, 12 p.m.; CODE 1CV-054; Members $25; Nonmembers $30

A Century of Tomorrows

How Imagining the Future Shapes the Present

For millennia, predicting the future was the province of priests, prophets, astrologers, and seers. Then, in the 20th century, futurologists emerged, arguing that data and design could make such forecasting a certainty. Historian Glenn Adamson offers insight into how the world was transformed by such forecasts of the future—whether in the imagining of new cities, the projection of novel technologies, or the pervasive anticipation of economic and political risks.

His new book, A Century of Tomorrows: How Imagining the Future Shapes the Present (Bloomsbury), is available for purchase.

Wed., Jan. 15, 7 p.m.; CODE 1CV-055; Members $25; Nonmembers $30

Göbekli Tepe and Karahan Tepe

Unraveling the Mysteries of Humanity’s Earliest Monuments

Three decades ago, archaeologist Klaus Schmidt and his colleagues found a buried treasure trove of megaliths at Göbekli Tepe in southeastern Turkey, some dating back more than 11,000 years—far older than any similar structures found elsewhere. These intricately carved pillars were adorned with sophisticated animal reliefs and mysterious symbols that suggest a complexity of thought and artistry previously unimagined for the Neolithic era. Since then, surrounding sites including Karahan Tepe have begun to share their secrets.

Turkish tour guide Serif Yenen delves into the captivating stories of Göbekli Tepe, Karahan Tepe, and neighboring stone hills.

Wed., Jan. 22, 12 p.m.; CODE 1J0-426; Members $20; Nonmembers $25

Irena Stanisława Sendler

Göbekli Tepe archaeological site in Sanliurfa, Turkey

Langley and Manly and Orville and Wilbur

Who Would Be the First To Fly?

In the fall and early winter of 1903, two highly gifted, motivated, innovative, and courageous engineering teams were pushing toward a once-unimaginable goal: to be the first to fly. One was a pair of brothers—Orville and Wilbur Wright. The other was composed of a mentor, Dr. Samuel Langley, secretary of the Smithsonian, and his brilliant assistant, Charles Matthews Manly.

While not officially a race, each team knew that the other was closing fast on solving the greatest engineering problem of the age. We know who won—but do we know why? Writer and filmmaker Paul Glenshaw tells the story of the epic competition.

Wed., Jan. 22, 6:45 p.m.; CODE 1K0-539; Members $25; Nonmembers $30

Levittown

A Prototype Emerges

Early in 1947, hundreds of contiguous acres of Long Island, New York, were operating as potato farms. Before the end of that year, 350 new homes occupied part of the site. Four years later, Levittown was complete, with more than 17,000 homes, paved streets, utilities, schools, and shops.

Bill Keene, lecturer in urban studies and architecture, explores how developers such as the Levitts and other visionaries pioneered the creation of large-scale suburbs as he delves into this transformation that revolutionized residential and suburban planning.

Thurs., Jan. 23, 7 p.m.; CODE 1CV-056; Members $25; Nonmembers $30

Lincoln vs. Davis

Emancipation’s Roots in a Rivalry

Confronted with the most violent and challenging war ever waged on American soil, Abraham Lincoln appeared to be ill-suited to the task of outwitting his formidable opponent, Jefferson Davis. But he ultimately summoned the courage to issue as a “military necessity” a proclamation freeing the 3.5 million enslaved Americans without whom the South could neither feed nor fund their armed insurrection. The new policy doomed Davis’s rebellion—which was in dire need of support from Europe, none of whose governments would dare to recognize rebel “independence” in a war openly fought over slavery. Presidential chronicler Nigel Hamilton discusses an untold story of the Civil War: how two Americans faced off as the fate of the nation hung in the balance—and how Lincoln came to embrace emancipation as the last best chance to save the Union. Copies of Hamilton’s book Lincoln vs. Davis (Little, Brown and Company) are available f or purchase.

Tues., Jan. 28, 6:45 p.m.; CODE 1L0-613; Members $20; Nonmembers $25

How Horses Shaped Human History

Horses altered the course of human history, says archaeologist William T. Taylor. He traces their origins and spread from the western Eurasian steppes and discusses their domestication, the invention of horse-drawn transportation, and the significant shift to mounted riding. Drawing on archaeozoology, Indigenous perspectives, ancient DNA, and other new research, Taylor highlights the discoveries that place the horse at the inception of globalization, trade, biological exchange, and social inequality.

His new book, Hoof Beats: How Horses Shaped Human History (University of California Press), is available for purchase.

Wed., Jan. 29, 12 p.m.; CODE 1J0-432; Members $20; Nonmembers $25

First successful flight of the Wright Flyer by the Wright brothers in 1903 at Kitty Hawk, North Carolina

Levittown houses in 1958

The Hanoverians

The Germanic Invasion of the British Monarchy

When Queen Anne of Britain died in 1714, the question of royal succession became a matter of political drama. Her successor was George of Hanover—a distant relative who was unknown to the British people. Historian Carol Ann Lloyd-Stanger follows the long and complicated reigns of the four kings named George, who overcame an uprising, navigated a Parliament seeking more power, and provided family drama equal to that of the Tudors. She also explores the long-term impact of the Hanoverians as their final monarch, Victoria, ushered the nation into the modern era.

How the New World Became Old

The Deep Time Revolution

During the 19th century, Americans were astonished to learn that North America was once stalked by dinosaurs and other terrifying beasts. Prehistoric fossils revealed that the New World—and the Earth itself—was far older than previously thought, rooted in what is now known as “deep time,” the concept that the planet is billions of years old, in contrast to the 6,000-year timeline suggested by Biblical interpretations.

Thurs., Jan. 30, 6:30 p.m.; CODE 1M2-365; Members $30; Nonmembers $40

White House Wordsmiths Presidents and Their Speechwriters

Presidential speechwriters provide a unique lens through which to view the nation’s chief executives. Learning about how presidents prepared their speeches and who helped them can reveal much about their views of the job. Author Robert Schlesinger explores the evolving role that presidential speechwriters have played over the last century and by extension how presidents have approached the bully pulpit. He also reveals the origin of some of the best-remembered pieces of presidential rhetoric.

Tues., Feb. 4, 6:30 p.m.; CODE 1T0-015; Members $20; Nonmembers $25

The discoveries sparked profound changes in science, literature, art, and religion. Historian Caroline Winterer, author of How the New World Became Old, traces the rise of the powerful idea of deep time by examining how naturalists, explorers, engineers, and ordinary Americans unearthed a history more ancient than anyone could have imagined.

I

N SI DE S C I ENCE

Mon., Feb. 3, 6:45 p.m.; CODE 1D0-081; Members $20; Nonmembers $25

Benedict Arnold

Betrayal and Loyalty in the American Revolution

The name Benedict Arnold endures as the definition of a traitor. Alexander Hamilton spared no sympathy toward the Continental Army general’s spying for the British, calling it “the blackest treason” he could imagine.

The question of course is why did he do this? Historian Richard Bell surveys the life and times of the most famous turncoat in American history; the reasons for his treason; and the larger problems of betrayal and desertion that dogged the Continental Army throughout the War of Independence.

Thurs., Feb. 6, 6:30 p.m.; CODE 1M2-367; Members $25; Nonmembers $30

President Barack Obama and aides Carol Browner, David Axelrod, and Jon Favreau working on a speech in June 2010

Mammuthus primigenius (Blumbach), National Museum of Natural History

Benedict Arnold by Thomas Hart

Arms of the Hanoverian kings of the United Kingdom (1816–1837)

Ancient Egypt’s A-List

Power, Empire, and Propaganda

Egypt, one of the superpowers of the ancient world, produced a culture and system of government that endured for more than 3,000 years. Its people believed in the reciprocal nature of divine rule: The king or queen ensured economic prosperity and defended against all threats. In return, the subjects were devoted to the royal family, comforted by the belief that divine wisdom and justice inspired their ruler. However, was that assumption a valid one?

Egyptologist Jacquelyn Williamson draws from recent archaeological evidence to examine four of Egypt’s most influential rulers—Khufu, Senwosret III, Tutankhamun, and Cleopatra—and the impact and darker aspects of their reigns.

Sat., Feb. 8, 10 a.m.–3 p.m.; detailed program information on website; CODE 1M2-368; Members $80; Nonmembers $95

The Battle of Iwo Jima: “Uncommon Valor”

For five weeks in early 1945, Iwo Jima became the site of some of the most brutal fighting in World War II’s Pacific Theater. This tiny island was a key target for U.S. military planners: Capturing it would prevent the Japanese from using its airstrips to launch attacks against the American B-29 bombers flying missions to the Japanese home islands and would deliver a blow to the country’s morale. On February 19, 70,000 U.S. Marines landed on Iwo Jima, facing fierce resistance from 21,000 Japanese defenders in fortified positions. After five weeks of savage close-quarters combat and 7,000 Marine deaths, the United States captured the island. The battle’s intensity led Fleet Admiral Chester Nimitz to remark, “Uncommon valor was a common virtue.”

Historian Christopher Hamner draws on primary sources from the American and Japanese sides to explore the struggle in depth, covering its strategic significance to the United States’ effort against Imperial Japan; its consequences for the Pacific War’s final phase; and its importance to Americans’ memories of the Second World War.

Wed., Feb. 5, 6:45 p.m.; CODE 1D0-082; Members $25; Nonmembers $30

Benjamin Franklin the Scientist

Benjamin Franklin was one of the preeminent scientists of his time. He conducted cutting-edge research on electricity, ocean currents, chemical bonds, and plants. But today Franklin is often remembered more for his political prowess than his scientific creativity.

Franklin’s political life cannot be understood without giving proper credit to his scientific accomplishments, argues author Richard Munson. He offers a compelling portrait of a shrewd experimenter, clever innovator, and visionary physicist whose fame opened doors to negotiate French support for American independence.

His book Ingenious: A Biography of Benjamin Franklin, Scientist (W.W. Norton) is available for purchase.

Mon., Feb. 10, 6:45 p.m.; CODE 1J0-433; Members $20; Nonmembers $25

What time does the program end? Unless noted, Smithsonian Associates programs run 1 hour 15 min.–2 hours, including Q&A

Black granite statues of the pharaoh Senwosret III, circa 1850 B.C.E.

Raising the Flag on Iwo Jima by Joe Rosenthal, 1945

Benjamin Franklin Drawing Electricity from the Sky by Benjamin West, 1816

After Caesar

The Last Years of the Roman Republic

The assassination of Julius Caesar in March of 44 B.C.E. was meant to safeguard the Roman Republic from perceived tyranny. Instead, this grisly murder inadvertently set off a chain of events leading to the establishment of the autocratic Roman Empire.

Historian Colin Elliott, host of the weekly Pax Romana Podcast, explores the conspiracy that led to Caesar’s murder, examines the ensuing chaos, and traces how one man’s death sparked a civil war, ultimately extinguishing Rome’s nearly 500-year-old republic. He discusses the unintended consequences of political violence, the profound transformation from republic to empire, and ponders timeless lessons on power, ambition, and the fragility of political systems.

Tues., Feb. 11, 6:45 p.m.; CODE 1K0-551; Members $25; Nonmembers $30

The Celtic World: Ancient and Modern

The heritage of the ancient Celts is still felt in the modern world. Historian Jennifer Paxton of Catholic University of America traces how perceptions and knowledge of the Celtic peoples have changed over the centuries, and how their legacies affected culture and politics in the nations and regions linked by language and traditions (Ireland, Scotland, Wales, Brittany, Cornwall, and the Isle of Man) commonly known as the Celtic Fringe—as well as in the wider world. As our understanding of these peoples continues to evolve, Paxton examines the impact of new ideas on our contemporary fascination with all things Celtic.

Sat., March 1, 10 a.m.–3 p.m.; detailed program information on website; CODE 1M2-373; Members $80; Nonmembers $95

Eleanor of Aquitaine: The Legend and the Reality

Eleanor of Aquitaine is the stuff of legend: first queen to go on a Crusade (supposedly dressed as an Amazon), queen of the Courts of Love, and royal prisoner who made grand appearances at Christmas courts. But how much is true? Tudor and Renaissance scholar Carol Ann Lloyd-Stanger considers the ways the legends have grown from the real life of the woman who managed to become queen consort of England and France in the Middle Ages. Lloyd-Stanger unfolds Eleanor’s story as she evolves from young woman to the wife of King Louis VII of France and explores the reality of her joining him on that famous Crusade. Learn how a subsequent marriage to the heir to the English throne brought increasing power and influence to her and her sons, even as she was shuttled from prison to prison at the command of her husband, Henry II. And examine how after his death she shaped the reigns of two of England’s most famous kings: Richard the Lionheart and King John.

Wed., March 26, 6:30 p.m.; CODE 1M2-376; Members $30; Nonmembers $40

The Treaty of Paris

America’s Future on the Brink

Signed in November 1783, the Treaty of Paris ended the War of Independence and created the United States of America. It is one of the most important founding documents in the country’s history, but it is also the least well-known and most misunderstood. Over months of negotiation, teams of delegates from the United States, Great Britain, and France pushed and pulled to secure every advantage. When the ink was dry, the United States had secured rights to all land east of the Mississippi River that was north of Florida and south of Canada, as well as important fishing rights and the restoration of property and prisoners of war. Historian Richard Bell argues that the Treaty of Paris was a triumph for U.S. diplomacy that reset relations with Britain but also damaged the U.S.–French alliance irreparably and left Native Americans, loyalists, and fugitives from American slavery to fend for themselves. Tues., March 11, 6:30 p.m.; CODE 1M2-374; Members $25; Nonmembers $30

The Death of Julius Caesar by Vincenzo Camuccini, 1805

Queen Eleanor by Frederick Sandys, 1858

U.S. ARMY

The Gundestrup Cauldron, a silver vessel with Celtic influences from the pre-Roman Iron Age Irish step-dancing

The Treaty of Paris (unfinished) by Benjamin West, 1783

Unless noted, all programs are presented on Zoom; listed times are Eastern Time. Online registration is required.

Fall Wine Adventures

Spend a fascinating evening expanding your knowledge of wine as you travel the world with sommelier Erik Segelbaum in a series of delectable wine-tasting adventures. Each immersive program includes a curated personal tasting kit to enhance the experience.

DEC 13 Burgundy Like You’ve Never Experienced

Burgundy is one of the most complex and expansive wine regions on the planet. It is here that thousands of years of careful study of terroir have yielded an amazingly detailed and hyper-complicated classification system of wines, vines, and vineyards. This deep dive explores the how, why, and what of Burgundy. Taste some exciting wines from appellations that producers see as the future of their region.

Fri., Dec. 13, 6 p.m.; CODE 1L0-602; Members $70; Nonmembers $80

Wine-tasting kit information: The cost includes a curated personal tasting kit with enough wine for one person to sample the full lineup of wines. Additional participants must register individually to receive their own tasting kit, which is an essential component of the workshop. Kits are available during two scheduled pick-up times the day before the program and the day of the program, 12–5 p.m., at Shilling Canning Company (360 Water Street SE, Washington, DC; Metro: Navy Yard-Ballpark station, Green line). Patrons receive additional wine tasting kit pick-up information by email prior to the program

Due to state and federal laws, Smithsonian Associates cannot ship wine kits. However, SOMLYAY may be able to provide kits to participants outside the Washington, D.C., area (who must cover shipping costs). Please contact erik@thesomlyay.com for more information.

Thinking About Philosophers

Contemplating Rousseau

The ideas of Jean-Jacques Rousseau, one of our most influential philosophers, have significantly shaped political theory and the understanding of the social contract ever since the 18th century. Georgetown professor Joseph Hartman explores his thinking about scientific and cultural advancement and his impact.

Wed., Dec. 4, 6:45 p.m.; CODE 1J0-394C; Members $25; Nonmembers $30

Our programs...your time

Registered for a Smithsonian Associates online program but missed it because of a schedule conflict? Wish you could take a second look at a presentation you loved? Associates Encores offers the answer to these questions—and more.

Visit SmithsonianAssociates.org for more information

Jean-Jacques Rousseau

In Person

Smithsonian Chamber Music Society

2024–2025 Season

The 48th season of the Smithsonian Chamber Music Society features musical masterpieces from the late-16th to the early 21st centuries, played on some of the world’s most highly prized musical instruments. The repertoire ranges from acclaimed masterpieces to obscure gems by all-but-forgotten composers.

Kenneth Slowik, SCMS artistic director and recipient of the Smithsonian Distinguished Scholar Award, again curates a series of pre-concert talks one hour prior to many of the programs, shedding light on the glorious music and the lives and times of the featured composers. Concerts take place in the National Museum of American History’s intimate Nicholas and Eugenia Taubman Hall of Music and St. Mark’s Episcopal Church on Capitol Hill.

For a full season overview visit SmithsonianAssociates.org/scms

The Axelrod String Quartet: Stradivarius and Amati

Sat., Dec. 14, 3:30 p.m. and Sun., Dec. 15, 3:30 p.m.

Schubert: Quartet in G Minor, D173

Mozart: Quintet in C Major, K515

Mendelssohn: Quintet in B-flat Major, Op. 87 with guest violist Joan DerHovsepian

Sat., Jan. 25, 3:30 p.m. and Sun., Jan. 26, 3:30 p.m.

Schubert: Quartettsatz in C Minor, D703

Mozart: Quintet in D Major, K593

Bruckner: Quintet in F Major, WAB 112 with guest violist Steven Dann

Masterworks of Five Centuries

Sat., Dec. 7, 3:30 p.m. and Sun., Dec. 8, 3:30 p.m.

Johann Sebastian Bach: Sonatas for Violin and Obbligato Harpsichord

Catherine Manson, violin; Kenneth Slowik, harpsichord

New this season: Select concerts take place at 3:30 p.m. For concert schedules, repertoire, individual concert registrations, and bonus offerings for subscribers visit SmithsonianAssociates.org/scms

All programs and artists subject to change. Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

Kenneth Slowik, James Dunham, Marc Destrubé, and Mark Fewer

Winter Wine Adventures

A TOP SOMMELIER'S GUIDE TO WINE

Spend three fascinating evenings expanding your knowledge of wine as you travel the world with sommelier Erik Segelbaum in a series of delectable wine-tasting adventures. Each immersive program includes a curated personal tasting kit to enhance the experience.

JAN 24 A Tour of America’s West Coast Wine Regions

Many consider the West Coast to be the epicenter of fine wine. Indeed Washington, Oregon, and California produce some of the world’s most highly coveted wines. This in-depth exploration includes tastings of some of the best wines from the upper Pacific Northwest to lower California and all points in between.

FEB 21 Wines of Campania: Where Fire Meets Water on Italy’s Amalfi Coast

There are few more beautiful wine regions than Campania, a gorgeous stretch of volcanic coastline that includes Capri and the Amalfi and Positano coasts. Home to the now-extinct Mount Vesuvius stratovolcano, the mineral-rich soils of this magical region coupled with proximity to the Mediterranean are the most significant factors influencing the distinctive terroir. From fresh, bright, and mineral whites like Falanghina, Greco, and Fiano to the intense and brooding reds like Aglianico and Piedirosso, there’s something for everyone here.

MAR 21 A Global Celebration of Women in Wine

It is scientifically proven that women have better senses of taste and smell than men, so it should come as no surprise that some of the most delicious and coveted wines in the world are made by them. In celebration of Women’s History Month, explore a delicious selection of wines made or managed by some of the most important women in the industry. This global tasting is sure to surprise and delight as we raise a glass to the women who are changing the wine world for the better.

3-session series: Fri., Jan. 24, Fri., Feb. 21, and Fri., March 21, 6 p.m.; CODE WINE2025; Members $180; Nonmembers $210

Individual sessions: Fri., Jan. 24 (CODE 1L0-615); Fri., Feb. 21 (CODE 1L0-616); Fri., March 21 (CODE 1L0-617); 6 p.m.; Members $70; Nonmembers $80

Wine-tasting kit information: The cost includes a curated personal tasting kit with enough wine for one person to sample the full lineup of wines. Additional participants must register individually to receive their own tasting kit, which is an essential component of the workshop. Kits are available during two scheduled pick-up times the day before the program and the day of the program, 12–5 p.m., at Shilling Canning Company (360 Water Street SE, Washington, DC; Metro: Navy Yard-Ballpark station, Green line). Patrons receive additional wine tasting kit pick-up information by email prior to the program

Due to state and federal laws, Smithsonian Associates cannot ship wine kits. However, SOMLYAY may be able to provide kits to participants outside the Washington, D.C., area (who must cover shipping costs). Please contact erik@thesomlyay.com for more information.

High School Classics Revisited

Beloved

Joseph Luzzi, a professor of literature at Bard College, revisits and provides new perspectives on works that typically appear on high school reading lists.

A searing account of a former slave woman, Sethe, and her relationship to a mysterious figure whom she associates with her lost daughter, Toni Morrison’s Beloved provides insight into the horrors of slavery as well as the ways in which past personal trauma can continue to haunt the present. Luzzi considers the cultural, historical, and social issues in the novel; explores the brilliance of Morrison’s prose; and explains how and why she emerged as one of the most important American novelists of the last half century.

Mon., Dec. 9, 6 p.m.; CODE 1J0-415 Members $20; Nonmembers $25

Othello

Few of Shakespeare’s tragedies are as admired today as his theatrical masterpiece Othello from around 1603. Luzzi delves into the play’s key elements, including its representations of race, inquiry into human emotions (especially jealousy), and powerful poetic language. He pays special attention to how Othello illuminates historical issues of its time, in particular, European contact with non-Christian cultures and the age’s anxieties over “otherness” in all its forms.

Tues., Dec. 17, 6 p.m.; CODE 1J0-417; Members $20; Nonmembers $25

In the French Kitchen: Yesterday and Today

French gastronomy has long been the benchmark for the world’s finest cuisine, one rooted in a national heritage that has always focused (sometimes obsessively) on everything that is put on the table. Susan Herrmann Loomis, author, cooking teacher, and French culinary expert, leads a lively tour through the centuries that showcases the rich history of a unique and beloved cuisine and the influences that shaped it. From the roots of foie gras (surprisingly, in Egypt) to buttery croissants (merci, Marie Antoinette), she unlocks the mysteries and delights of a selection of iconic foods and their origins and why they remain favorites—and shares how to make a few of them.

Tues., Dec. 3, 6:30 p.m.; CODE 1M2-359; Members $25; Nonmembers $30

John Huston

The Director Who Would Be King

The memorable films of John Huston are difficult to categorize. There were noir-ish thrillers; rugged dramatic adventures; stylistic and stylized biographies; adaptations of challenging literary and theatrical works; and even occasional comedies. For 46 years he masterfully navigated the Hollywood system, offsetting conventional commercial assignments with uncompromising personal projects. Huston’s films are stories of triumph and suffering, of anti-heroes and sociopaths, alcoholics, adventurers, and lusty rebels.

Huston was a larger-than-life figure whose Hemingwayesque legend sometimes threatens to overshadow his cinematic achievements. Film historian Max Alvarez celebrates them in a tribute to one of cinema’s greatest directing artisans.

Tues., Jan. 28, 6:30 p.m.; CODE 1K0-541; Members $30; Nonmembers $40

Read more about programs in this guide on our website. Search by code or date. Expanded program descriptions, presenters’ information, and more at SmithsonianAssociates.org.

Susan Herrmann Loomis

John Huston as Noah Cross in 1974’s Chinatown

In Person

Smithsonian Jazz Masterworks Orchestra

2024–2025 Concert Series

Under the artistic direction of maestro Charlie Young, the Smithsonian Jazz Masterworks Orchestra (SJMO) has celebrated some of the greatest jazz music throughout its 34-year history as one of the crown jewels of the National Museum of American History.

Sun., Dec. 15 | Jazz and the Armed Services

In the 1910s, First Lieutenant James Reese Europe infused elements of jazz into military music, and today most branches have an official jazz ensemble. SJMO’s season-opening concert salutes military jazz bands and the role they play in inspiring American troops; fostering patriotic support; and promoting national interests at home and abroad. The program includes “Memphis Blues” by W.C. Handy and Carl Wolfe; “American Patrol” by E.H. Meacham and Glenn Miller; and the “Armed Forces Medley.”

Sat., Feb. 15 | Claude Thornhill and the Subtle Side of Jazz

Making its debut in 1940, the Claude Thornhill Orchestra introduced a new and innovative texture to Big-Band jazz. In contrast to the established orchestras of the era—including those of Benny Goodman, Glenn Miller, Count Basie, Tommy Dorsey, and Duke Ellington—Thornhill’s ensemble introduced “cool” to the genre with its unconventional instrumentation. The concert includes selections including “Jeru” by Gerry Mulligan; “Buster’s Last Stand” by Gil Evans; and “Snowfall” by Claude Thornhill.

Sun., April 6 | Jazz at the Cotton Club

Harlem’s Cotton Club opened its doors to jazz from 1923 to 1940. Launching the careers of Jimmie Lunceford, Cab Calloway, Duke Ellington, and many others, this uptown cabaret was instrumental in providing a home base for orchestras cultivating the fabric of modern music. SJMO features music from these legendary big bands including “The Mooche” by Duke Ellington and Irving Mills; “Harlem Camp Meeting” by Harry White and Cab Calloway; and “Organ Grinder’s Swing” by Will Hudson, Mitchell Parish, and Irving Mills.

Sat., June 14 | Jazz Rides the Rails

Led by A. Philip Randolph, the Brotherhood of Sleeping Car Porters was organized in 1925 to fight the substandard treatment and working conditions of African Americans in Pullman car service. To celebrate the centennial of this historic railroad labor union—the first of its kind—SJMO presents music highlighting railroads across America. Concert selections include “Last Train from Overbrook” by James Moody; “Blues in the Night” by Harold Arlen; and “9:20 Special” by Earle Warren, Bill Engvick and Jack Palmer.

Individual concerts: Sun., Dec. 15 (CODE 1P0-869); Sat., Feb. 15 (CODE 1P0-870); Sun., April 6 (CODE 1P0-871); Sat., June 14 (CODE 1P0-872); Members $30; Nonmembers $40

Please note: All concerts feature the full orchestra and take place at 7 p.m. at Baird Auditorium in the National Museum of Natural History. Program content is subject to change.

Smithsonian Jazz Masterworks Orchestra in concert

Charlie Young

W. B. Yeats and the Ireland of His Time

William Butler Yeats, one of the greatest poets of the 20th century, was a key figure in the Irish Literary Revival, the cultural movement that preceded the country’s political independence from Britain. Influenced by important English poetic precursors, Yeats later became immersed in Irish material and political realities, transforming his style from ornate mysticism to acute social commentary. In his extraordinary late work these elements combine with personal preoccupations to create some of the most memorable images in modern literature.

Lucy Collins, editor of the Irish University Review and an associate professor at University College Dublin, explores the cultural politics of early 20th-century Ireland as the crucible within which Yeats’ work was formed and examines how the political and the personal combine in some of his greatest poems.

Wed., Dec. 4, 6:30 p.m.; CODE 1H0-843; Members $20; Nonmembers $25

Celebrating Robert Frost: An American Poet

More than 50 years after his death, Robert Frost remains one of the most beloved and critically respected poets of all time. Winner of four Pulitzer Prizes, Frost was a groundbreaking artist and cultural icon, a rural sage who became America’s “national poet.” His poetry suggested how small encounters between the individual and the natural world could often be construed as metaphors for the larger themes of the human condition.

Author Daniel Stashower delves into Frost’s life and legacy as he journeys down the road less traveled with one of America’s great originals, and actor Scott Sedar brings the poet’s words to life with readings from his most celebrated works.

Thurs., Jan. 23, 6:45 p.m.; CODE 1D0-078; Members $20; Nonmembers $25

Classical Sounds of Christmas

From sleigh bells and sugarplums to the mystical beauties of the Nativity, December is alive with the music of Christmas. Popular speaker and concert pianist Rachel Franklin revisits this most beloved holiday repertory, picking additional selections to explore how classical Western composers created a canon of both secular and sacred experiences that are now deeply rooted in our collective expectations of the season.

Join Franklin as she unwraps the stories behind works by composers including Bach, Handel, Sibelius, Tchaikovsky, Francisco Guerrero, Rimsky-Korsakov, Britten, Vaughan Williams, Humperdinck, Duke Ellington and Billy Strayhorn, and many others.

2-session series: Thurs., Dec. 5 and 12, 12 p.m.; detailed program information on website, CODE 1K0-528; Members $50; Nonmembers $60

Chilling Holiday Folklore

These days, the December holidays usually center on joyous magic and celebrations of the good in the world. Traditionally, however, the winter season also ushers in the terrors of the dark and the cold, teaching us to bar doors and whisper warnings. Folklorists Sara Cleto and Brittany Warman explore an array of chilling holiday folklore from around the world, beginning with the German Krampus who visits children who don’t make the “nice” list. Hear tales of the Icelandic Jólakötturinn, a gigantic cat that devours naughty children, and learn how to best the Welsh Mari Lwyd, a skeletal horse with a taste for song and poetry.

Thurs., Dec. 5, 12 p.m.; CODE 1J0-420; Members $20; Nonmembers $25

W. B. Yeats

Brittany Warman and Sara Cleto

In Person Tea Traditions of Taiwan

A Taste of the Alishan Region

Tea and the ritual of its consumption are an integral part of life in Taiwan, and the southwestern region of Alishan is home to the producers of some of the most sought-after teas in the world, including oolongs. Tea connoisseur Hung, Chung-Lun delves into the significance of the tea ceremony and brings Alishan to life, describing its verdant tea farms, high mountains, and ancient forests. He concludes by performing a traditional tea ceremony. Following the program, enjoy a reception with a tasting of regional Alishan teas. The event is moderated by Sojin Kim, curator of the Smithsonian Center for Folklife and Cultural Heritage.

Fri., Dec. 6, 2 p.m.; Ripley Center; CODE 1T0-013; Members $30; Nonmembers $35

Presented in partnership with the Taiwan Tourism Administration

One Hundred Years of Solitude

A Modern Epic:

Gabriel García Márquez’s One Hundred Years of Solitude

Gabriel García Márquez’s One Hundred Years of Solitude consistently makes the lists of the “best novels of the 20th century.” With Joseph Luzzi, professor of literature at Bard College, explore the novel’s depiction of the colonial experience, its use of magical realism, the role of the supernatural in the narrative, and the qualities that give the book’s language its beauty and inventiveness.

Sat., Dec. 7, 10 a.m.–3 p.m.; detailed program information on website; CODE 1J0-414; Members $80; Nonmembers $95

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

The Food of the Indian American Diaspora

What is Indian food in America today? Food writer and journalist Khushbu Shah answers the question in her new cookbook, Amrikan: 125 Recipes from the Indian American Diaspora Drawing on her Indian American background, her travels in the United States, and the history and food-adaptation patterns of Indian immigrants, she showcases how Indian American food has its own unique identity.

The dishes in Amrikan (UM-ree-kan—it’s “American” with a South Asian accent) are neither fully Indian nor fully American in their origin, reflected in recipes as diverse as saag paneer lasagna and Keralan fried chicken sandwiches. In conversation with Helen Rosner, food writer at The New Yorker, Shah discusses the inspiration behind the book and some of her favorite recipes. Copies of Amrikan (W.W. Norton & Company) are available for purchase, courtesy of Bold Fork Books. Mon., Dec. 9, 6:45 p.m.; CODE 1L0-610; Members $20; Nonmembers $25

Radio City Music Hall: Forever Spectacular

When the doors of Radio City Music Hall opened in 1932, New Yorkers entered a new world: a dazzling Art Deco fantasy of an entertainment palace far removed from the drab realities of the Great Depression. With its Hollywood films and lavish stage shows, what came to be known as “The Showplace of the Nation” has given generations of audiences a place to escape from the everyday and dream.

Actor Tim Dolan, owner of Broadway Up Close tours in New York City, explores the Music Hall’s stories, secrets, traditions, and trivia, illustrated by rare photos that bring its excitement and glamour to life. He surveys the history of this iconic theater; the origins of the beloved Christmas Spectacular, in which the Rockettes have been kicking up their heels since 1933; and the equally spectacular Rockefeller Center holiday tree lighting.

Mon., Dec. 9, 7 p.m.; CODE 1NV-108; Members $25; Nonmembers $30

GABRIEL GARCÍA MÁRQUEZ

WANG,

RUEI-SIANG

Jaggery and fennel Rice Krispie treats

Interior of Radio City Music Hall

Khushbu Shah

Hung, Chung-Lun

The Art and Science of Joy

The disappointments, challenges, and sorrows of life—layoffs, divorce, anxiety over the state of the world, illness, and the death of a loved one—can leave us hurting and isolated. Journalist Steven Petrow has lived through all these and arrived at a surprising conclusion: Joy is always present in our everyday routines, in ties to those we care about, even in our grief. We can learn to find joy in the darkest of days, he says. All we need is a road map.

In a conversation with Todd Doughty, author of Little Pieces of Hope: Happy-Making Things in a Difficult World, Petrow draws on personal experiences, research, and interviews with experts to describe the many expressions of joy and how to find, cultivate, and share it.

His new book, The Joy You Make: Find the Silver Linings—Even on Your Darkest Days (The Open Field), is available for purchase.

Thurs., Dec. 12, 6:45 p.m.; CODE 1K0-535; Members $20; Nonmembers $25

The Library as Refuge and Labyrinth

In 15th-century Europe, members of the cultural elite, including Petrarch, Machiavelli, and Montaigne, assembled personal libraries as refuges from persecutions and pandemics. These were known as Renaissance studiolos (or “little studios”). Andrew Hui, associate professor of literature at Yale-NUS College, Singapore, tells the story of these spaces dedicated to selfcultivation and reveals how they became both a remedy and a poison for the soul. He also draws parallels with our age of information surplus.

Hui’s new book, The Study: The Inner Life of Renaissance Libraries (Princeton University Press), is available for purchase.

Thurs., Dec. 12, 6:45 p.m.; CODE 1J0-422; Members $20; Nonmembers $25

The Monkees, 1966

Rockin’ TV

From Elvis to the Monkees

Beginning in the mid-1950s, rock music found a surprising home on mainstream television. Programs hosted by Milton Berle, Steve Allen, and Ed Sullivan featured a variety of rock musicians, including Bill Haley & the Comets, Fats Domino, and especially Elvis Presley, who appeared on all three shows to galvanic response. Then the appearance of the Beatles on “The Ed Sullivan Show” in 1964 changed the face of pop culture, leading to an explosion of televised rock, from prime-time variety shows like “Shindig” to the sitcom antics of “The Monkees.”

Media historian Brian Rose presents a lively survey of how rock and television grew up together.

Mon., Dec. 16, 6:30 p.m.; CODE 1J0-416; Members $20; Nonmembers $25

Rodgers and Hammerstein

80 Years of Something Wonderful

Craftsmen, dramatists, perfectionists, melodists, and unlikely partners, Richard Rodgers and Oscar Hammerstein II not only changed the American musical, they changed us too. Now their songs of love and heartbreak, walking through a storm, a beautiful morning, paradises lost and found, and being human are always there beside us.

Filmmaker and cultural historian Sara Lukinson offers an abundant sampling of clips— including selections from such shows as Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music—in a moving and joyful evening that celebrates the magic of Rodgers and Hammerstein.

Tues., Dec. 17, 6:45 p.m.; CODE 1K0-533; Members $25; Nonmembers $30

Richard Rodgers and Oscar Hammerstein II

Steven Petrow

Screamin’ and Hollerin’ in The Sound and the Fury

Faulkner’s Masterpiece and the Mississippi Delta Blues

In September 1929, four weeks before William Faulkner published The Sound and the Fury, the singer-songwriter Charley Patton released a record with the eerily parallel title “Screamin’ and Hollerin’ the Blues.” In radically different media—avant-garde Modernist fiction and popular African American folk song—Faulkner and Patton mobilized similar imagery, language, themes, and experimental formal devices to depict their shared Mississippi world.

Tim A. Ryan, author of Yoknapatawpha Blues: Faulkner’s Fiction and Southern Roots Music, explores the provocative and illuminating relationships between The Sound and the Fury and Patton’s Mississippi Delta blues—as well as Faulkner’s complicated and often-conflicted lifelong engagements with Black musical traditions.

Tues., Jan. 7, 6:30 p.m.; CODE 1H0-846; Members $20; Nonmembers $25

Your Medical Data, For Sale

Most people realize that Internet platforms such as Google and Facebook gather vast amounts of personal data to target advertising and products. Fewer know that the health care system also scoops up our most intimate medical secrets to sell commercially to companies that have nothing to do with our treatment or billing.

Adam Tanner, an associate at Harvard’s Institute for Quantitative Social Science and author of Our Bodies, Our Data: How Companies Make Billions Selling Our Medical Records, examines how this lucrative international business extends to doctors, hospitals, pharmacies, and insurers—and even labs that test blood and conduct other deeply revealing tests. Tanner offers insights into how we can best balance the promise big data offers to advance medicine and improve lives while preserving the rights and interests of every patient.

Wed., Jan. 8, 12 p.m.; CODE 1NV-116; Members $25; Nonmembers $30

The Glory of Russian Masterworks

Tchaikovsky, Mussorgsky, Rimsky-Korsakov, Rachmaninoff, Prokofiev: Russia has provided us with some of the most exciting and original music in the repertoire today. Vibrant colors, explosive energy, and passionate emotional drive characterize the works of these composers. Yet this tradition seemed to spring from nowhere barely 150 years ago, expanding meteorically in breadth and national confidence over an amazingly short period.

As she explores the riches of Russian concert works, popular speaker and concert pianist Rachel Franklin combines lecture and piano demonstrations to also trace the turbulent historical movements that acted both as backdrop and engine for this fascinating musical evolution.

6-session series: Thurs., Jan. 9–Feb. 13, 12 p.m.; detailed program information on website; CODE 1K0-538; Members $150; Nonmembers $170

Hollywood’s Star System and How It Works

From Mary Pickford to Meryl Streep

For more than a century, Hollywood has relied on star power as the most reliable way to draw an audience. Media historian Brian Rose traces the history of movie stardom, from the days when film actors weren’t even identified by name to when Mary Pickford became the first real film star, and on to the Golden Age when Hollywood manufactured stars like Judy Garland, Mickey Rooney, and Lana Turner. He explains how actors like Jack Nicholson, Meryl Streep, and Denzel Washington ushered in a new definition of stardom during the last few decades.

Mon., Jan. 13, 6:30 p.m.; CODE 1J0-421; Members $20; Nonmembers $25

Mary Pickford

Charley Patton, 1929

Sergei Rachmaninoff in 1910

Further Explorations in Music Theory

With conductor Ernest Johnson

This advanced course builds on Introduction to Music Theory and is intended for individuals who read music and can visually and aurally identify the basic elements of pitch, rhythm, and form. Using audio and score examples from many musical genres, content includes an analysis of melody and harmony in greater depth and detail and includes weekly assignments in ear-training, sight-reading (singing with solfege), improvisation, and composition, as well as instructor-led musical dictation. Computer software is introduced to notate compositional assignments, including a subscription to the Noteflight Learn instructional software program. Limited to 25 participants.

8-session series: Wed., Jan. 15–March 12, 6:30 p.m. (no class March 5); detailed program information on website; CODE 1P0873; Members $235; Nonmembers $260

UNESCO World Heritage Sites

Paleolithic Cave Art

There are 1,223 UNESCO World Heritage Sites. each one offering a glimpse into the evolution of complex civilizations, empires, and religions. In this monthly series, historian Justin M. Jacobs gives an in-depth overview of both well-known and lesser-known locations.

The prehistoric art painted on the walls and ceilings of the caves at Altamira in Spain and Lascaux and Chauvet in France offer tantalizing clues about the origins of humankind and the development of abstract thought. Jacobs analyzes recurring motifs and patterns in Paleolithic cave art, examines why and how such images were created, and revisits some of the leading theories about their meaning.

Thurs., Jan. 16, 6:45 p.m.; CODE 1J0-425; Members $20; Nonmembers $25

Samarkand

Chinese Oracle Bones

The oracle bones (ox bones and tortoise shells used for divination) found in Yinxu represent the earliest surviving records of Chinese script and have yielded unique insights into customs during the reign of the Shang dynasty. Jacobs recounts the history of the accidental discovery of what was once thought to be dragon bones and provides a new picture of Chinese civilization at the dawn of history—one filled with human sacrifice, communion with the supernatural world, and powerful women involved in military campaigns.

Wed., Feb. 12, 6:45 p.m.; CODE 1J0-431; Members $20; Nonmembers $25

Over the past 2,000 years, the city of Samarkand—located in what is now Uzbekistan—has absorbed the wealth and labors of Sogdian merchants, Manichean priests, Islamic astronomers, Mongol khans, Timurid emperors, Russian czars, and Soviet officials, all of whom attempted to use it as a base from which to conquer Central Asia. Jacobs analyzes the cultural achievements of each of these historical groups.

Wed., March 12, 6:45 p.m.; CODE 1J0-440; Members $20; Nonmembers $25

Conductor Ernest Johnson

Bison Magdalenian polychrome rock painting, the Altamira caves

Oracle bone with inscription

The Avenue of Mausoleums at Shah-i-Zinda in Samarkand, Uzbekistan

Henry James’ The Portrait of a Lady

The Great Anglo-American Novel

Henry James’ The Portrait of a Lady from 1880–81 is considered one of the greatest works in American literature, though its American-born author, Henry James, lived for long stretches in Europe, particularly England. Joseph Luzzi, professor of literature at Bard College, offers a fresh look at this enduring classic by examining James’ gorgeous use of language, his profound understanding of human psychology, and his keen insights into differences in national and cultural traditions. Luzzi also discusses James’ gift for literary characterization, especially with his protagonist, Isabel Archer, one of the most compelling personalities in literature.

Sat., Jan. 25, 10 a.m.–3 p.m.; detailed program information on website; CODE 1J0-427; Members $80; Nonmembers $95

A Dinner at Moon Rabbit

Celebrating Lunar New Year

The nationally celebrated Moon Rabbit restaurant in Washington, D.C., features modern cuisine that salutes and reinterprets regional Vietnamese dishes. Chef Kevin Tien, a 2024 James Beard Award finalist, oversees a menu that features cutting-edge takes on classic favorites, with an homage to his mother’s and grandmother’s recipes.

Tien’s menu specially designed for Smithsonian Associates’ guests also has a family inspiration. It celebrates the Lunar New Year, a time when Vietnamese families gather over food to honor their ancestors, review the past year, and pray for health and prosperity in the coming one.

The ticket price includes a four-course dinner and non-alcoholic drinks. Wine, beer, and cocktails are not included but can be ordered separately.

Sun., Jan. 26, 6 p.m.; CODE 1L0-614; Moon Rabbit, 927 F St. NW; Members $150; Nonmembers $175

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

Masterworks of Chamber Music: Intimate Beauties

Chamber music, perhaps the most subtle and intimate form of musical expression, has inspired many great composers to create some of their most sublime works. Originally designed for the private enjoyment of its players in a drawing room, it is now heard in recital and concert halls throughout the world.

Classical music and opera expert Saul Lilienstein explores and analyzes some of the chamber repertoire’s greatest masterworks by Mozart, Beethoven, Schubert, Brahms, Dvorak, Bartok, and Shostakovich. Each weekly talk is highlighted by music and video recordings.

5-session series: Tues., Jan. 28–Feb. 25, 12 p.m.; detailed program information on website; CODE 1M2-364; Members $110; Nonmembers $130

Saul Lilienstein

In Person

Can Money Buy Happiness?

Buddhist and Western Perspectives

Modern critics of free-market capitalism have long complained that it promotes economic growth at the expense of virtue and happiness. But does the capitalist model for alleviating poverty force us to choose between the useful and the good? Is some measure of unhappiness simply the price we pay for human progress?

Though it may seem an unlikely source, the Buddhist tradition offers us a useful conceptual framework for thinking about this question, asserts Steven M. Emmanuel, chair of the philosophy department at Virginia Wesleyan University. He finds many places in the canonical literature where the Buddha speaks directly to the benefits and the dangers of wealth acquisition as it pertains to happiness. These texts describe an ennobling form of economic activity that is not only compatible with moral and spiritual growth but promotes the conditions for a peaceful, prosperous, and happy society.

Wed., Jan. 29, 6:30 p.m.; CODE 1K0-557; Members $30; Nonmembers $40

Writing the Family Story

Your family is unique in all the world, but how do you best tell its story? Whether you’re starting with boxes (or electronic folders) of photos, diaries, news clippings, recipes, and other mementos or whether memories themselves are your main material, documenting a family history can be daunting. But it can be done well and meaningfully and shared with the people you love for decades to come.

Mathina Calliope, a writer, editor, teacher, and writing coach, shares the tools and guidance you need to move from daunted through motivated and on to accomplished. You’ll learn to begin and finish one manageable element of your project and then confidently create a plan to move toward completing and distributing your one-of-a-kind family story.

4-session series: Mon., Feb. 3, 10, 24, and March 3, 6:30 p.m. (no class Feb. 17); detailed program information on website; CODE 1H0-849; Members $100; Nonmembers $120

The Bhagavad Gita

Ancient Wisdom for Today’s World

The Bhagavad Gita is one of the most beloved sacred texts of the world. Graham M. Schweig, a professor of religion and published translator of the Bhagavad Gita, illuminates some of the exquisite passages in this Hindu philosophical poem and examines their rich narrative context.

He provides an overview of the story behind the text and its major themes and reveals how a work created around the 2nd century addresses the universal problems of the human condition today: the intrinsically conflicted soul and the mix of happiness and suffering, goodness and evil, and beauty and horror the world holds.

Tues., Feb. 4, 6:30 p.m.; CODE 1M2-366; Members $25; Nonmembers $30

With a Song in My Heart

A History of Singing in the Movies

From the moment movies learned to talk, they learned to sing. Audiences in 1927 were electrified when they heard Al Jolson belting out top tunes of the day in The Jazz Singer, and since then great vocalists have been star attractions in Hollywood musicals.

The film industry showcased performers like Judy Garland, Bing Crosby, Lena Horne, and Frank Sinatra with creative techniques ranging from elaborate production numbers to imaginative camerawork. Media historian Brian Rose looks at the ways Hollywood has captured its star vocalists and provided an invaluable record of indelible performances.

Wed., Feb. 5, 12 p.m.; CODE 1J0-430; Members $20; Nonmembers $25

A 19th-century illustrated Sanskrit manuscript from the Bhagavad Gita, composed ca. 400 B.C.E.–200 B.C.E.

Lena Horne singing "Why Was I Born?" in the film Till the Clouds Roll By (1946)

Buddha Daibutsu, Kamakura, Japan

In Person

Cheese 101

A Guide from Cheesemonster With tasting

Have you ever found yourself pondering deeply cheesy thoughts: What makes certain cheeses smell, look, or taste the way that they do? How do I serve them? What do I look for when shopping for cheeses? And where are the best places to find them locally?

Join Alice Bergen Phillips, founder of Cheesemonster, a woman-owned mobile cheese catering and education business in Washington, D.C., for a lively investigation that serves up all the answers—and a tasting, too. Whether you’re interested in exploring a certain style or region, finding new favorites, or just want a great introduction, you’re certain to up your cheese knowledge and have a great time as you learn.

Sun., Feb. 9, 2 p.m.; Ripley Center; CODE 1L0-622; Members $80; Nonmembers $95

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

Botanical Gardens: A World Tour

Indulge in a colorful midwinter escape as horticultural expert and tour leader Keith Tomlinson leads a series of virtual visits that highlight the beauty of notable botanical gardens around the world including sites in Germany, the East and West Coasts of the United States, and Morocco. Vibrant visuals explore how each garden takes a unique approach to design and interpretation as they all celebrate plant collections, conservation, education, and the distinctive environments and landscapes in which they all bloom.

FEB 9 Frankfurt’s Palmengarten and Washington, D.C.’s United States Botanical Garden

FEB 16 South Carolina’s Brookgreen Gardens and Anima Garden in Morocco

FEB 23 The Huntington Botanical Gardens in San Marino, California, and the Los Angeles County Arboretum and Botanic Gardens

3-session series: Sun., Feb. 9, 16, and 23, 4 p.m.; CODE 1NV-BOT; Members $60; Nonmembers $75

Individual sessions: Sun., Feb. 9 (CODE 1NV-119); Sun., Feb. 16 (CODE 1NV-120); Sun., Feb. 23 (CODE 1NV-121); 4 p.m.; Members $25; Nonmembers $30

Swiftonomics: The Economics of Taylor Swift

In 2023, Taylor Swift’s Eras Tour became the highest-grossing tour of all time, with revenue exceeding $1 billion. While Swift clearly benefits the most, the tour also gave a financial boost to host cities around the world and a wide range of industries.

Economist Kara Reynolds, a self-described Swiftie, explores the unique economic issues associated with Swift and her impact on the music industry. Reynolds also examines the consequences of market power as she explains how the Eras Tour helped prompt the Department of Justice antitrust lawsuit against Ticketmaster/Live Nation.

Wed., Feb. 12, 7 p.m.; CODE 1CV-057; Members $25; Nonmembers $30

The Huntington Botanical Gardens

Anima Garden, Morocco

Los Angeles County Arboretum and Botanic Gardens GARDEN IMAGES COURTESY OF KEITH TOMLINSON

Taylor Swift, Eras Tour concert

The Fine Art of Yogic Awareness

The paintings and sculptures of yogic art reflect a worldview that is infinitely expansive. They capture a sense of life that is simultaneously human and divine, providing a glimpse of what it might feel like to merge with the infinite. This realm of spacious awareness is deeply rooted in the heart of all yogic practices.

Certified yoga therapist Linda Lang leads an immersive two-part exploration of some of the philosophical foundations of yogic awareness. Through lectures and guided meditation, participants investigate topics including the symbolism of the Sanskrit sacred syllable “om,” ideas of embodiment, and yoga’s paths to an enlightened and illuminated sense of self. (Sessions focus on contemplation and meditation and do not include physical postures.)

2-session series: Thurs., Feb. 13 and 20, 12 p.m.; detailed program information on website; CODE 1NV-122; Members $50; Nonmembers $65

The Allure of Aphrodisiacs

A Sensual Culinary History

Throughout history, many cultures have attributed aphrodisiac qualities to a wide range of ingredients, often entwining culinary delights with sensual allure. Food historian Francine Segan delves into this intriguing topic, tracing the evolution of aphrodisiacs from ancient Egyptian times through the Middle Ages, Renaissance, and into contemporary society.

Discover the foods reported to have unleashed passion in figures such as Cleopatra, the Marquis de Sade, and Casanova, as well as the stories behind fascinating aphrodisiacs like frog saliva, believed to boost virility; rhinoceros horns, a symbol of potency in various cultures; and luxurious delicacies such as oysters, truffles, and caviar, each carrying a legacy of romance and desire. To enhance the experience, Segan provides registrants with classic aphrodisiac recipes to explore the world of food and passion in their own kitchen. Thurs., Feb. 13, 6:45 p.m; CODE 1D0-084; Members $20; Nonmembers $25

Voices of Abolition

From our country’s birth, slavery was a point of contention. Founding Fathers such as John Adams pointed out the contradiction of holding individuals in bondage in a society claiming “all men are created equal and endowed with the rights of life, liberty, and the pursuit of happiness.” But despite the divisiveness of the issue, a full-scale abolitionist movement did not get underway until the 1830s. When it did, African Americans were at the forefront. However, except for Frederick Douglass and Harriet Tubman, their contributions are not widely known today. From debates over colonization to moral persuasion and outright violence, these voices of abolition helped shape and maintain the movement. Kelly Hancock of the National Civil War Museum examines several of the lesser-known activists and their efforts to end slavery and achieve equality under the law.

Costume Design in Film: The First 60 Years

Film historian Max Alvarez leads a stylish journey through six decades of cinematic costume design, from the earliest days of Hollywood in the 1910s to groundbreaking work from the 1970s and beyond. Through rare archival material, including remarkable preliminary costume sketches from the hands of the greatest costume artists in history, film fashionistas can find a greater understanding of the process of designing clothes for actors from sketchpad to soundstage.

Consider how costume artistry throughout movie history has enhanced our memories of unforgettable films: the gray suit designed by Edith Head for Kim Novak in Vertigo, Irene Sharaff’s massive hoop-skirted dress for Deborah Kerr in The King and I; William Travilla’s pink gown and gloves for a diamond-bedecked Marilyn Monroe in Gentlemen Prefer Blondes; Cecil Beaton’s spectacular “Ascot Gavotte” fashion show in My Fair Lady; and the Montmartre chic of Walter Plunkett’s black-and-white outfits for the Beaux Arts Ball in An American in Paris. You know the costumes. Now get to know the creators behind them.

Thurs., Feb. 20, 6:30 p.m.; CODE 1K0-552; Members $30; Nonmembers $40

Wed., Feb. 19, 7 p.m.; CODE 1NV-123; Members $25; Nonmembers $30

Frederick Douglass

Audrey Hepburn on the set of My Fair Lady

The Love Potion by Evelyn de Morgan, 1903

Dostoevsky’s Crime and Punishment

Exploring the Human Conscience

Fyodor Dostoevsky’s Crime and Punishment frequently makes the lists of greatest novels ever written. A masterful combination of philosophical and psychological inquiry, the novel explores the turmoil of the antihero Raskolnikov as he plots and commits a grotesque crime. Joseph Luzzi, a professor of literature at Bard College, discusses the storytelling techniques and historical, cultural, and intellectual contexts that inform Dostoevsky’s literary vision.

Sat., Feb. 22, 10 a.m.–3 p.m.; detailed program information on website; CODE 1J0-435; Members $80; Nonmembers $95

Orchestrating Greatness

Movies, Their Music, and the Oscars

Experiencing a great film score can have a life-long impact. Composers such as Bernard Herrmann, Max Steiner, Ennio Morricone, and John Williams have engraved iconic scenes into our collective memory with their extraordinary music, even if the rest of the movie might have faded.

Over the years the Oscars have seen some of the greatest moments in film music history. Just ahead of the latest presentation, concert pianist and film-music fanatic Rachel Franklin leads an immersive journey through 90 years of award-winning movie scores, accompanied by her grand piano and a wide collection of fascinating film clips.

Mon., Feb. 24, 6:30 p.m.; CODE 1K0-553; Members $30; Nonmembers $40

A Night at the Oscars

The Academy Awards will be announced on March 2. Get ready by joining Washington City Paper film critic Noah Gittell for an evening that focuses on all things Oscar, from Academy Awards history and trivia to discussions of this year’s nominations and behind-thescenes stories. He also sorts through all the story lines, rumors, and gossip. Plus, cast your vote for the winners in several major categories. The most accurate predictions are eligible for prizes after the awards are presented.

In Person

With Lunch

Sapporo-Style Ramen: A Regional Rage

Ramen has been one of the most common foods in Japan for decades and it continues to surge in popularity in the United States. Japanese foodies take their ramen very seriously: There are approximately 32 distinct regional variations in the country, and just a few of those can be found stateside.

Sapporo is one of the most competitive ramen markets in Japan, with more than 1,000 ramen shops in the city. At D.C.’s Haikan restaurant, chef Katsuya Fukushima and Daisuke Utagawa cover the distinctive ingredients and characteristics of Sapporo ramen—including a rich Chintan stock; thick, chewy, and flavorful aged noodles; and preparation in a wok. They offer a demonstration of its preparation before inviting you to sit down for an authentic ramen lunch.

Tues., Feb. 25, 12 p.m.; Haikan, 805 V St., NW (U Street/African American Civil War Memorial/Cardozo Metro, Green/Yellow line); CODE 1L0-619; Members $85; Nonmembers $100

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

Fri., Feb. 28, 7 p.m.; CODE 1J0-438; Members $20; Nonmembers $25

Rachel Franklin

Fyodor Dostoevsky by Vasily Perov, 1872

“Sleeping Beauty”: Once Upon a Dream

“Sleeping Beauty” is one of our most famous and most often retold fairy tales. It has a long, complicated past and can even be connected to the Greek myth of Hades and Persephone, which tells of the beauty of nature undergoing a temporary death in the autumn and returning to life with the arrival of spring. Folklorists Sara Cleto and Brittany Warman explore “Sleeping Beauty,” delving into how people tell the story around the world, what changes it has undergone, and how it has been retold to tackle new ideas in recent times. The program includes the opportunity for participation by attendees.

Tues., Feb. 25, 6:45 p.m.; CODE 1J0-428; Members $20; Nonmembers $25

New York City in the 1930s

Overcoming the Great Depression

In many ways New York City was both a paradigm of the suffering of the Great Depression and an engine of recovery. As the mayoralty moved from playboy Jimmy Walker to “The Little Flower,” Fiorello LaGuardia, and the presidency from Herbert Hoover to FDR, the process of recuperation began, as the city reaped the benefits of New York-focused policies and projects of the New Deal. The spectrum of popular culture ranged from films like Busby Berkeley’s backstage musical extravaganzas to hard-hitting social commentary in plays supported by the Federal Theatre Project such as The Cradle Will Rock, while the songs people heard on the radio ranged from “We’re in the Money” to “Buddy, Can You Spare a Dime?” Cultural historian George Scheper explores the moods of the times as reflected in the cultural crosscurrents of literature, music, stage, and screen, with escapist entertainment counterbalanced by strong currents of social realism and social engagement.

Thurs., Feb. 27, 6:30 p.m.; CODE 1M2-372; Members $30; Nonmembers $40

A History of Hollywood Censorship

From the Hays Code to X-Rated Movies

From the beginnings of motion pictures in the 1890s, some civic authorities have felt they needed to be regulated to protect innocent young minds and discourage immorality. To counter the growing establishment of film censorship boards by cities and states, Hollywood eventually created the 1934 Hays Code, which set up strict rules of language and conduct for films. In 1968, the code was replaced by a voluntary ratings system. Yet 50-plus years later, that system continues to have its own problems. Media historian Brian Rose looks at the long history of movie censorship.

Wed., March 5, 6:30 p.m.; CODE 1J0-439; Members $20; Nonmembers $25

Rehearsing for the Federal Theatre Project production of The Cradle Will Rock

Sleeping Beauty by Henry Meynell Rheam, 1899

Thou Shalt Not, protest photo by Whitey Schafer illustrating the Hays Code’s strictures

Unless noted, all programs are presented on Zoom; listed times are Eastern Time. Online registration is required.

Rediscovering Lucy: Our Fossil Forebearer

The discovery in 1974 of the fossil skeleton known as Lucy was a monumental event in human origins research. To mark its 50th anniversary, learn more about this 3.2-million-year-old find and the significance of Lucy’s species, Australopithecus afarensis, from paleoanthropologist Rick Potts, head of the Smithsonian’s Human Origins Program and the Peter Buck chair in human origins at the National Museum of Natural History.

Then hear from paleo-artist John Gurche, who reconstructed Lucy’s body for the museum’s David H. Koch Hall of Human Origins. He illustrates how he built it and why the face, hands, and feet of the species are unlike those of any human or ape living today. He also explains the ways in which comparative anatomy can be used to reconstruct an extinct form, such as bringing Lucy back to life.

Tues., Dec. 3, 6:45 p.m.; CODE 1L0-609; Members $25; Nonmembers $30

What the Chicken Knows

More than celebrity connects Harry and Megan with Jennifer Garner, Julia Roberts, and Lady Gaga: They all keep chickens, and theirs are among some 10 million home flocks in the U.S. today. For more than two decades, naturalist, adventurer, and author Sy Montgomery nurtured a flock of her own. Each of her backyard birds had an individual personality (outgoing or shy, loud or quiet, reckless or cautious) and connected with her in their own way.

Drawing on personal stories and science, Montgomery offers a look at traits that make a chicken a feathered phenomenon—such as walking, running, and pecking only hours after leaving the egg; the ability to create relationships, remember the past, and anticipate the future; and communicating information through at least 24 distinct calls.

Montgomery’s newest book, What the Chicken Knows: A New Appreciation of the World’s Most Familiar Bird (Atria Books), is available for purchase.

Wed., Dec. 18, 6:45 p.m.; CODE 1K0-536; Members $20; Nonmembers $25

“Owl” Night Long

Exploring the Ultimate Nocturnal Avian Predator

Much folklore surrounds owls. To some, they symbolize wisdom. To others, they are harbingers of death. To the naturalist, they are one of the most finely honed predators the world has ever known. Why do owls fly silently? What exactly is an owl pellet? Can owls really turn their heads completely around? Find the answers to these intriguing questions as master falconer Robert Johnson delves into the evolutionary and behavioral adaptations that make owls so extraordinary in the animal kingdom.

Thurs., Jan. 9, 6:45 p.m.; CODE 1J0-423; Members $20; Nonmembers $25

The Geology of Georgia O’Keeffe’s New Mexico

The dramatic landscapes of northern New Mexico captivated Georgia O’Keeffe and were often depicted in her work. The artist had homes in Abiquiu, in the Rio Grande rift, and Ghost Ranch, situated on the edge of the scenic Colorado Plateau. Though separated by just 20 miles, they are worlds apart from a geologic perspective.

New Mexico geologist Kirt Kempter examines the history of the area, which spans more than 300 million years and includes rock layers from ancient rivers, oceans, and sand dunes and also surveys the forces that shaped its modern landscape.

Mon., Jan. 13, 7 p.m.; CODE 1NV-117; Members $25; Nonmembers $30

A lifelike reconstruction of Lucy by John Gurche

Orphan Mesa, New Mexico

Recent Discoveries in the Deep

Dark Oxygen, the Rare Biosphere, and a $17 Billion Shipwreck

Deep ocean exploration has come a long way since 1882, when Jules Verne published Twenty Thousand Leagues Under the Sea. As 2025 approaches, we’ve moved far beyond science fiction when it comes to unraveling the secrets of the ocean’s depths.

Using an extraordinary suite of tools, marine scientists and explorers are returning with stunning knowledge about the universe beneath the waves: fantastical new species; astonishing insights into how Earth’s life-support systems work; and high-resolution seafloor maps that reveal hidden landscapes and buried treasures that even Verne could never have dreamed of—including a 17th-century Spanish galleon carrying a cargo some estimate to be worth more than $17 billion. Journalist and author Susan Casey dives into the latest discoveries in the deep ocean, offering a glimpse of the tantalizing mysteries that still lie on its floor.

Tues., Jan. 14, 6:45 p.m.; CODE 1K0-537; Members $25; Nonmembers $30

Should We Go Extinct?

Should we bring new humans into the world? Or would it be better off without us? These days it’s harder than ever to watch TV or scroll social media without contemplating these questions, says philosopher Todd May

Drawing on his newest book, May, who served as an adviser to the TV series “The Good Place,” discusses reasons for and against the continuation of our species: whether the positive and negative tallies of the human ledger are comparable and what conclusions we might draw about ourselves and our future—or lack thereof.

Copies of Should We Go Extinct? A Philosophical Dilemma for Our Unbearable Times (Crown) are available for purchase.

Tues., Jan. 14, 6:45 p.m.; CODE 1L0-612; Members $20; Nonmembers $25

A Natural History Road Trip

Badlands to Yellowstone

The Last Bison

By the late 19th century, American bison (or buffalo, as they were erroneously referred to then) had been reduced from herds of tens of millions to a few hundred individual animals scattered over the most remote parts of the West. In 1888 William T. Hornaday, chief taxidermist at the Smithsonian Institution, set off to hunt some of the very last bison to create a display before they vanished forever. Yet far from hastening its extinction, Hornaday became integral to saving the species.

For his 2017 documentary for the Smithsonian Channel, wildlife filmmaker Steve Nicholls travelled through the American West to discover how such an abundant creature could stand on the brink of extinction and how a few influential people helped save it. Focusing on figures like Hornaday, Nicholls explores both the history and future of the American bison.

Wed., Jan. 15, 12 p.m.; CODE 1K0-540; Members $25; Nonmembers $30

Join naturalist Keith Tomlinson on a virtual Great Western adventure that spans from South Dakota to the mighty heights of Yellowstone. He highlights geology, wildlife, biogeography, wildlife, conservation initiatives, native peoples, and recreational opportunities along the way. Begin at the colorful Badlands National Park, move on to Mount Rushmore, and then to the grand volcanic monolith of Wyoming’s Devils Tower. Adventuring farther west, take in the remote Cloud Peak Wilderness, crown jewel of the often-overlooked Big Horn Mountains, and conclude at Yellowstone National Park, with its extraordinary ecology balanced delicately atop one of the world’s largest volcanic calderas.

Wed., Jan. 15, 7 p.m.; CODE 1NV-112; Members $25; Nonmembers $30

The Argus, a remotely operated vehicle (ROV) used for deep-ocean exploration

Birding in a Winter Wonderland

We know that birds fly south for the winter, but while our neotropical summer breeders return to the tropics, many other species find their way to winter homes in temperate North America from their Arctic breeding grounds. Most are ducks, geese, and swans, but the seasonal visitors also include songbirds, shorebirds, and raptors. Winter is also a great time to observe rare vagrant birds that have flown out of range and need to refuel before continuing their journey.

Naturalist Matt Felperin shares valuable tips on how to make the most of winter birding in the mid-Atlantic region. Learn why so many species stay here for the winter instead of flying further south and discover some new locations to observe our winter snowbirds—complete with detailed photos. Get ready to put on your snow pants and parka and enjoy one of the most rewarding and magical times for birding.

Wed., Jan. 22, 7 p.m.; CODE 1NV-118; Members $25; Nonmembers $30

Welcome to Mars

Why are we so fascinated with Mars, our neighbor in space? The Red Planet is so like Earth in some ways and so utterly different in others. Spacecraft from NASA and the European Space Agency are scrutinizing every bit of its globe from orbit to determine the planet’s geologic history. And two of NASA’s robotic rovers, Curiosity and Perseverance, continue their decade-long quest for evidence that Mars was once much warmer, wetter, and more hospitable to life than it is today.

J. Kelly Beatty, senior editor for Sky & Telescope magazine, leads an examination of Mars from afar and up close. Learn where to locate it in the night sky and get a sense of what can be seen of it through a backyard telescope. Hear the latest updates on our current and future exploration of Mars and delve into the real odds of finding life there.

Thurs., Feb. 20, 6:45 p.m.; CODE 1L0-620; Members $20; Nonmembers $25

The Space Shuttle’s Legacy

Advice on Living Longer from the Blue Zones

With WebMD’s John Whyte

In some areas of the world, called Blue Zones, the people who reside there live longer than the average person. Many of them have lower rates of cancer and heart disease, their stress levels are minimal, and their happiness levels rate high.

So what do these people living near or in several towns in California, Greece, Japan, Costa Rica, and Sardinia have in common? Find out what you can do to better align your lifestyle with those of Blue Zone inhabitants—without having to relocate. Should you drink a glass of wine with dinner every night or walk 10,000 steps daily? John Whyte, WebMD’s chief medical officer, shares practical tips for longer lives—in your zone and beyond.

Mon., March 3, 6:45 p.m.; CODE 1K0-554; Members $25; Nonmembers $30

The space shuttle was America’s iconic spaceship for 30 years, lifting 355 astronauts into orbit and teaching NASA how to work expertly in space. The shuttles spent 1,323 days in orbit and deployed 180 satellites, payloads, and space station components. Thirty-seven shuttle missions built and supplied the International Space Station. NASA astronaut Tom Jones looks at the shuttle’s legacy through the eyes of the more than 130 fellow space fliers he interviewed for his book Space Shuttle Stories (Smithsonian Books). Signed copies of the book are available for purchase.

Wed., Feb. 26, 7 p.m.; CODE 1CV-058; Members $25; Nonmembers $30

A vesper sparrow

Mars and its moon Phobos, captured by NASA’s Hubble Space Telescope

Space shuttle Discovery at the Smithsonian’s Steven F. Udvar-Hazy Center

John Whyte

Unless noted, all programs are presented on Zoom; listed times are Eastern Time. Online registration is required.

World Art History Certificate elective: Earn ½ credit

Roman Gaul

Roman Gaul, the area of southern France that today includes Provence, is an important repository of Roman culture. Gallic writers long kept the classical Roman literary tradition alive, and many of the amphitheaters, aqueducts, and other Roman works built in Gaul still stand.

Art historian Christopher Gregg explores the history and the remains of various sites, including the Amphitheater of the Three Gauls; the Barbegal watermill (the only known large-scale Roman milling facility); a remarkably preserved cargo ship from the Rhone; and a variety of beautiful sculpture and mosaics.

Mon., Dec. 2, 6:30 p.m.; CODE 1H0-838; Members $20; Nonmembers $25

World Art History Certificate elective: Earn ½ credit

The Cave Temples of India

Cave temples at sites such as Ajanta, Ellora, Elephanta, and Badami are notable not just for their antiquity and religious significance but also for the ingenious, sophisticated techniques used to excavate them from the sides of mountains. Robert DeCaroli, an art history professor at George Mason University, examines what is known about the history of these Jain, Buddhist, Hindu, and Ajivika temples and monasteries, how they were made, what was required to maintain them in antiquity, and how they are being protected today.

Tues., Dec. 3, 12 p.m.; CODE 1J0-418; Members $30; Nonmembers $35

World Art History Certificate elective: Earn ½ credit

New York and the Birth of American Modernism

During the Progressive Era (1886–1920), New York City became a shaping force of America’s national culture. It was a period that saw the advent of the Ashcan School painters in Greenwich Village; the Armory Show of 1913; Edward Steichen’s 291 Gallery; and the replacement of Beaux-Arts monumentality by skyscraper Modernism.

Cultural historian George Scheper explores the impact of the era, as well as the subsequent Jazz Age New York of F. Scott Fitzgerald. During the 1920s, intellectual and political ferment helped to bring a new spirit of artistic openness and social commitment to American culture, reflected in the paintings of John Sloan and Florine Stettheimer, the poetry of Edna St. Vincent Millay, and the architecture of Daniel Burnham’s Flatiron Building.

Mon., Dec. 9, 6:30 p.m.; CODE 1M2-361; Members $30; Nonmembers $40 Flatiron Building

World Art History Certificate elective: Earn ½ credit

Cultural Diplomacy and Ancient American Art: 1930–1950

In the late 1930s and early 1940s the United States saw an explosion of exhibitions of art and artifacts from the pre-Columbian Americas. As World War II loomed, America promoted cultural diplomacy with its hemispheric neighbors as part of the Pan-Americanism movement, which sought to create greater international understanding and collaboration.

One of the largest such exhibitions was 1940’s “Twenty Centuries of Mexican Art / Veinte Siglos de Arte Mexicano,” which took over the newly completed Museum of Modern Art. Though mounted during a moment of tension between the two nations, the show was the talk of New York, with portions of the exhibit traveling to other cities over the next few years. Ellen Hoobler, William B. Ziff Jr. curator of art of the Americas at Baltimore’s Walters Art Museum, explores the idea of cultural diplomacy and the important role art can play between nations. Tues., Dec. 10, 6:45 p.m.; CODE 1L0-611; Members $20; Nonmembers $25

Statue of Coatlicue, National Museum of Anthropology in Mexico City

Cave painting of Bodhisattva Padmapani in Ajanta, ca. 2nd century B.C.E.

Gallo-Roman statue of a Gaul warrior with Roman clothes and weapons

Art-full Fridays | Live from Italy, with Elaine Ruffolo

World Art History Certificate elective: Earn ½ credit for each

Elaine Ruffolo, a Florence-based Renaissance art historian, examines the rich heritage of Italian art and architecture

Power and Splendor: The Princely Court of Mantua

After the fall of the Roman Empire, Italy splintered into a patchwork of small territories, each with its own political system. Frequent violence erupted as powerful families battled for control of cities. By the 13th century, it became common for these regions to be ruled autocratically by single princes, and by the 15th, most of Italy was organized around princely courts.

Among these the city-state of Mantua stands out for its remarkable transformation under the Gonzaga family from 1328 to 1707. Despite their often-tyrannical rule and focus on warfare, the Gonzagas significantly elevated Mantua’s status through their patronage, ushering in a golden age of the arts and architecture. Ruffolo traces the Gonzagas’ reign and the dynamics of court life in a city that remains a vibrant testament to its Renaissance legacy.

Fri., Dec. 13, 12 p.m.; CODE 1D0-075; Members $25; Nonmembers $30

Written Word, Painted Image

How Books Inspired Renaissance Art

At the heart of the Renaissance was the deep connection between literature and visual art, with the written word significantly shaping painting and sculpture. Epic poems, classical texts, humanist treatises, and folk stories provided the period’s artists with themes, narratives, and philosophical foundations. This interplay between literature and art fostered a cross-pollination of ideas, driving the transformative spirit of the era and accelerating the rebirth of visual and intellectual creativity. Ruffolo delves into these literary sources and uncovers the intricate connections between text and image.

Fri., Jan. 24, 12 p.m.; CODE 1D0-079; Members $25; Nonmembers $30

Florentine Splendor: The Pitti Palace and Boboli Gardens

Florence’s imposing Pitti Palace was chosen by Cosimo I de’ Medici and his wife Eleanora of Toledo as the grand ducal residence in 1549 and it soon became the new symbol of the Medicis’ power over Tuscany. Its severe façade belied the riches found inside: More than a home, it was a repository for great art.

Today the palace is divided into several sections, including the Palatine Gallery, Treasury of the Grand Dukes, and the beloved Boboli Gardens. Ruffolo offers a virtual visit to the Palatine Gallery, where she highlights a selection of painting masterpieces and discusses the extraordinary objets d’art, followed by a stroll through the gardens.

Fri., Feb. 14, 12 p.m.; CODE 1D0-085; Members $25; Nonmembers $30

The Birth of Venus by Sandro Botticelli, 1485

Pitti Palace in Florence

Writing Workshops

Mary Hall Surface

Looking Out, Looking In A Reflective Writing Workshop

Experience the power of reflective writing guided by the founding instructor of the National Gallery of Art’s popular Writing Salon, Mary Hall Surface. These reflections can become creative fertile ground for memoir, poetry, and more. The workshops have a limited enrollment to maximize interaction among the instructor and students.

Step into the Expressionist paintings of the fascinating early 20th-century German artist Gabriele Münter. Slow down, look closely, and reflect as you explore the window as a metaphor for shifting perspectives in our lives. Designed for writers of all levels, the workshop invites you to look outward at paintings and to look inward through writing.

Tues., Dec. 3, 10 a.m.; CODE 1K0-531; Members $40; Nonmembers $45

Write Into Art

Creative Writing Inspired by Visual Art

Bridges of Light and Time

A Reflective Writing Workshop

Immerse yourself in the colors, light, and forms of Claude Monet’s exquisite The Japanese Footbridge to explore the bridge as a metaphor for the thresholds and journeys of our lives. Designed for writers of all levels, and for the curious, the workshop invites you to look outwardly at art and to look inwardly through writing. These reflections can become creative fertile ground for memoir, poetry, and more.

Tues., Jan. 14, 10 a.m.; CODE 1K0-550; Members $40; Nonmembers $45

The Japanese Footbridge by Claude Monet, 1899

Discover how visual art can inspire creative writing and how writing can offer a powerful way to experience art. In a series of five online workshops, explore essential elements of writing and styles through close looking, word-sketching, and imaginative response to prompts. The sessions spotlight a diverse range of visual art chosen to inspire writers of all experience levels to deepen their process and practice.

FEB 4 Story: Imagine Possibilities

FEB 11 Character: Discover Dimensions

FEB 18 Place: Layers Unveiled

FEB 25 Time: Flashbacks, Fast-Forwards, and Foreshadows

MAR 4 View: From Above

5-session series: Tues., Feb. 4–March 4, 10 a.m.; CODE 1K0-544; Members $175; Nonmembers $185

Individual sessions: Tues., Feb. 4 (CODE 1K0-545); Tues., Feb. 11 (CODE 1K0-546); Tues., Feb 18 (CODE 1K0-547); Tues., Feb 25 (CODE 1K0-548); Tues., March 4 (CODE 1K0549); 10 a.m.; Members $40; Nonmembers $45

The Farm by Kenjiro Nomura, 1934

People in the Sun by Edward Hopper, 1960

World Art History Certificate elective: Earn ½ credit

The Radiant World of Pierre Bonnard

The enthusiastic critical and popular response to recent Pierre Bonnard exhibitions organized by museums in Texas and Washington, D.C., speaks to the luminous beauty of the artist’s work and to the hunger for such beauty in the complicated world in which we live.

Bonnard’s life straddled the 19th and 20th centuries, and his work inhabits a space—and creates a link—between Impressionism and Modernism. One of the greatest colorists, Bonnard created portraits, landscapes, and interiors built of luscious brushwork and informed by an artistic freedom that allowed him to envision the world in a dreamlike, personal way unbound by constraints of visual realism or academic artistic conventions. Art critic and adviser Judy Pomeranz explores Bonnard’s vision, life, and influences and the world in which he lived.

Wed., Dec. 11, 6:45 p.m.; CODE 1K0-532; Members $25; Nonmembers $30

World Art History Certificate elective: Earn ½ credit

The Civil War and American Art

The Civil War had as profound and lasting an impact on American art as it did on American culture. Both genre painting and landscape painting were fundamentally altered by the war and its aftermath.

Eleanor Jones Harvey, author of The Civil War and American Art and senior curator at the Smithsonian American Art Museum, explores the “metaphorical war.” Landscape painters, notably Frederic Church and Sanford Gifford, conveyed the mood of the nation as storms rise and volcanos erupt in their paintings, while genre painters Winslow Homer and Eastman Johnson addressed the issue of slavery and asked hard questions about what kind of nation would emerge from the conflict.

Mon., Dec. 16, 6:30 p.m.; CODE 1K0-534; Members $30; Nonmembers $40

The Potentials of Design

How Architecture Can Address Global Issues

By the year 2100, there are predicted to be 10 billion people on the planet, 2 billion more than now. This population explosion is an opportunity to build a more ecologically healthy and equitable world centered on well-designed communities with new forms of affordable, sustainable housing, says architect Vishaan Chakrabarti. Drawing from his latest book, Chakrabarti argues that caring for the character and culture of communities can be the key to solving urgent global and political challenges.

Chakrabarti’s new book, The Architecture of Urbanity: Designing for Nature, Culture, and Joy (Princeton University Press), is available for purchase.

Wed., Dec. 11, 6:30 p.m.; CODE 1T0-012; Members $20; Nonmembers $25

What time does the program end? Unless noted, Smithsonian Associates programs run 1 hour 15 min.–2 hours, including Q&A

Woman with a Dog by Pierre Bonnard, 1891

The Girl I Left Behind Me by Eastman Johnson, ca. 1872

Vishaan Chakrabarti

World Art History Certificate elective: Earn ½ credit

Postmodern Architecture

Building the Unexpected

Postmodern architecture emerged during the second half of the 20th century in a reaction to and rejection of the International Style and the dogmas of Modernist design. Architects broke free from the restraints of individual traditional styles and found new inspiration in a mix of them, creating combinations of bright colors and asymmetrical shapes interpreted in a variety of materials.

Modern architecture specialist Bill Keene surveys the threads linking the elements of this approach to design, seen in such works as I.M. Pei’s pyramid at the Louvre; Philip Johnson’s AT&T building in New York City; Frank Gehry’s “Binoculars Building” in Los Angeles; Michael Graves’ Portland Building; and the work of the Philadelphia firm Venturi, Scott Brown and Associates. Each design is distinct, but all reject the formal for the unusual, the colorful, and the unexpected.

Wed., Dec. 18, 7 p.m.; CODE 1NV-114; Members $25; Nonmembers $30

World Art History Certificate elective: Earn ½ credit

Glass in America: From Tiffany to Chihuly

From the late 19th century to the present, American glass has undergone remarkable transformations. Art historian Jennie Hirsh explores that dynamic history, from the Arts and Crafts movement’s artisanal glass to the streamlined designs of the Art Deco era, the mid-century modern movement’s minimalist and functional aesthetics to the innovative techniques and styles of contemporary glass art.

World Art History Certificate elective: Earn 1 credit

She considers the influential contributions and enduring legacies of key figures such as Louis Comfort Tiffany, Frank Lloyd Wright, Harvey Littleton, Dominick Labino, and Dale Chihuly. Hirsh also explores various glassmaking techniques; traces the development of the American Studio Glass movement; and highlights top destinations for experiencing American glass art today.

Fri., Jan. 10, 12 p.m.; CODE 1D0-077; Members $20; Nonmembers $25

Great Cathedrals and Basilicas of Italy II

Off the Beaten Path

Art historian Sophia D’Addio of Columbia University follows up her 2023 exploration of Italian cathedrals and basilicas in several major cities by going off the beaten path. In a full-day seminar, she focuses on four sites of great importance located in the regions of Umbria, Emilia-Romagna, and Le Marche: the churches of Assisi, Orvieto, Parma, and Loreto, which represent some of Italy’s greatest repositories of sacred art.

Built during the Romanesque, Gothic, and Renaissance periods, these majestic places of worship—several of which became major pilgrimage destinations—were adorned with complex fresco cycles and sculptural programs executed by some of the most renowned artists of their respective periods.

Sat., Jan. 11, 10 a.m.–3 p.m.; detailed program information on website; CODE 1M2-363; Members $80; Nonmembers $95

The British Secret Intelligence Service building at Vauxhall Cross, London

Peacock Vase by Tiffany Glass and Decorating Company, 1901

Inverted glass sculpture at Chihuly Garden and Glass

Chapel of San Brizio, Duomo, Orvieto

World Art History Certificate elective: Earn ½ credit

Giotto and the Visual Vernacular

Giotto di Bondone revolutionized the field of Italian painting in the 14th century by breaking with the predominant Byzantine style, filling his paintings with expressive character types, landscapes, vibrant colors, and complex visual arrangements. In fact, Giotto’s naturalistic treatment of religious subjects might be defined as a sort of visual vernacular.

Italian Renaissance art expert Rocky Ruggiero explores works such as the Ognissanti Madonna, the frescoes in Florence’s Church of Santa Croce that depict St. Francis’ life, and the extraordinary frescoes in the Scrovegni Chapel.

Wed., Jan. 15, 6:30 p.m.; CODE 1J0-424; Members $30; Nonmembers $40

Read more about programs in this guide on our website. Search by code or date. Expanded program descriptions, presenters’ information, and more at SmithsonianAssociates.org.

World Art History Certificate elective: Earn 1 credit

Renaissance Florence and Venice

An Artistic Tale of Two Cities

Florence and Venice were both rich, confident, and magnificently beautiful cities—powerhouses of Renaissance creativity. Yet they were vastly different in their character and artistic, intellectual and political aspirations. Art historian Nigel McGilchrist explores the tale of these two cities and the artists they nurtured, particularly the contrasting geniuses of Leonardo da Vinci, Michelangelo, and Titian. He examines why so much suddenly happened in the hitherto insignificant town of Florence; why, after three generations of achievements by Leonardo and Michelangelo, the city abruptly fell from artistic preeminence; and why the spirit of the Renaissance came to Venice much later and in such a different form.

Sat., Jan. 25, 10 a.m.–3 p.m.; detailed program information on website; CODE 1M2-371; Members $80; Nonmembers $95

World Art History Certificate elective: Earn ½ credit

Stealing the Mystic Lamb

The Story of the World’s Most Coveted Masterpiece

Jan van Eyck’s Ghent Altarpiece is arguably the most influential painting ever. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it linked the Middle Ages and the Renaissance. A forerunner of Realism, it was the first major oil painting and the most famous artwork in Europe when it was completed in 1432.

Across the tumultuous centuries, this 12-panel work has been attacked by iconoclasts, used as a diplomatic tool, ransomed, hunted by the Nazis and Napoleon, rescued by Austrian double agents, and stolen a dozen times. Noah Charney, an author and art historian, highlights the extraordinary story of this altarpiece.

Wed., Jan. 29, 6:30 p.m.; CODE 1H0-844; Members $20; Nonmembers $25

Ghent Altarpiece, 12 interior panels

Madonna Enthroned (Ognissanti Madonna) by Giotto

Venice, the Grand Canal, and Basilica Santa Maria della Salute

Mary Magdalene; detail from Madonna and Child with Two Saints by Giovanni Bellini, 1490

World Art History Certificate elective: Earn ½ credit

The Saintly Guardians of Venice

The Virgin, the Evangelist, and the Gift-Giver

Venice, with its shimmering canals, majestic palaces, and intricate mosaics, has long captivated the imagination of travelers and historians alike. But behind its architectural splendor and rich cultural tapestry lies a deeply spiritual heritage, embodied by the saints whom the Venetians have venerated for centuries. During the Middle Ages and Renaissance, saints were regarded with profound reverence. Their physical remains and associated relics were believed to possess spiritual significance and to carry political, economic, and diplomatic influence. These items conveyed powerful messages, guiding the course of history in ways both seen and unseen. Historian Dennis Romano explores the crucial roles of the Virgin Mary, Saint Mark, and Saint Nicholas in shaping Venice’s identity, highlighting the magnificent churches, paintings, and sculptures commissioned in their honor.

Fri., Jan. 31, 12 p.m.; CODE 1D0-080; Members $20; Nonmembers $25

World Art History Certificate core course: Earn 1 credit

The Art of India: From the Indus Valley to Independence

Ever since its origins in an ancient civilization along the Indus River, the complex culture of South Asia has given rise to some of the world’s most remarkable artistic creations. Robert DeCaroli, professor in the department of history and art history at George Mason University, highlights the artistic traditions and historical changes in the Indian subcontinent from the earliest archaeological evidence to the onset of colonialism.

Sat., Feb. 1, 10 a.m.–4 p.m.; detailed program information on website; CODE 1J0-429; Members $90; Nonmembers $110

World Art History Certificate elective: Earn ½ credit Brutalism

in Washington, D.C.

Amid the Cold War, urban renewal efforts ushered in a Brutalist phenomenon that reshaped Washington, D.C., in the mid-20th century. Many high-profile public buildings were designed and constructed with exposed structural elements and building materials, including concrete, brick, steel, and glass. They were viewed as cost-effective and efficient, but many haven’t aged well, and public reaction continues to debate their architectural significance.

Architecture professor Angela Person and photographer Ty Cole are curators of “Capital Brutalism,” currently on view at the National Building Museum. They provide an overview of the exhibition, which explores the history, current state, and future of seven polarizing buildings and the Metro system. Person and Cole highlight archival documents, drawings, construction photographs, architectural models, and contemporary photographs to provide context and shed light on the buildings’ stories.

Mon., Feb. 3, 6:45 p.m.; CODE 1L0-618; Members $20; Nonmembers $25 Presented in collaboration with the National Building Museum

Madonna dell'Orto by Giovanni de Santi, Chapel St. Mauro

Taj Mahal, completed in 1643, Agra, India

J. Edgar Hoover Building

Kumara/Kartikeya with a Kushan devotee, 2nd century

World Art History Certificate elective: Earn 1 credit

Spanish Art and Architecture: A Treasury of Delights

The art and architecture of Spain as seen in the works of El Greco, Goya, Velázquez, Picasso, and Gaudi offer a window into the influences that define the country’s history and national identity. Art historian Joseph Cassar highlights artworks and structures that exemplify Spain’s distinctive cultural heritage. His survey encompasses El Greco’s expressionistic and mystical altarpieces for churches in Toledo; the realistic portraiture of Velázquez and bold and powerful creations by Goya and Picasso; the magnificent Galician cathedral of Santiago de Compostela; the opulent Nasrid residences of the Alhambra at Granada; Gaudi’s Sagrada Familia cathedral, an inventive recasting of Gothic traditions; and other works.

4-session series: Wed., Feb. 5–26, 10:30 a.m.; detailed program information on website; CODE 1K0-542; Members $100; Nonmembers $120

World Art History Certificate elective: Earn 1 credit

Seeing History Through Artists’ Eyes

Artists such as Picasso, David, and Goya came to grips with the political upheavals of their day with heroic and searing images that elicit our admiration or moral outrage. Picasso’s Guernica is more than a fractured scene of the horror, pain, and chaos during the bombing of a Basque town. It is also an indelible political statement about the tragedies of modern technological warfare, especially the indiscriminate killing of civilians. Jacques-Louis David’s The Death of Marat and Napoleon Crossing the Alps paint the French Revolution and Napoleonic wars in heroic, mythic terms. But Francisco Goya’s The Third of May 1808, is a scathing indictment of those wars.

This interplay between artistic expression and social and political content is a complex one. Art historian Judy Scott Feldman looks at four historical turning points and the artists who responded to religious, social, and political upheaval with powerful artworks that continue to resonate today.

4-session series: Wed., Feb. 5–26, 6:45 p.m.; detailed program information on website; CODE 1L0-621; Members $105; Nonmembers $125

World Art History Certificate elective: Earn ½ credit

Preachers, Pyres, and Pants

Artistic Censorship, 1300–1600

Throughout the centuries, iconic works of art have been banned, destroyed, and altered in efforts to control what is seen and how it should be understood. The period between 1300 and 1600 was a particularly tumultuous time, with fierce debates over morality, beauty, and the role of art. In the Bonfire of the Vanities—stoked by preacher Girolamo Savonarola— artworks deemed morally suspect were cast into flames. The destruction of “idols” and whitewashing of church interiors during the Reformation also exemplify how religious and cultural shifts can obliterate centuries of artistic achievement.

Art historian Joseph Forte examines the historical roots, motivations, and consequences of censorship, highlighting the tensions surrounding both the rebellious Caravaggio and the “divine” Michelangelo. In Michelangelo’s case, the nudity in his The Last Judgment was so pervasive that a papal commission tasked his friend Daniele da Volterra with covering it—earning him the nickname “The Pantsmaker.” Thurs., Feb. 6, 6:45 p.m.; CODE 1D0-083; Members $20; Nonmembers $25

Casa Batlló roof detail by Antoni Gaudí

The Last Judgment by Michelangelo, 16th century

PRADO, MADRID ROYAL MUSEUMS OF FINE ARTS OF BELGIUM

The Death of Marat, 1793, by Jacques-Louis David

The Third of May 1808 by Francisco Goya, 1814

World Art History Certificate elective: Earn ½ credit Divine

Drama: The Gods in Love

Through classical texts like Hesiod’s Theogony and Ovid’s Metamorphoses, along with artistic portrayals on vases and in marble, we can today piece together the romantic entanglements of Greco-Roman deities. Despite their divine status, the gods of these myths grappled with feelings remarkedly human in nature, such as desire, jealousy, and the quest for revenge.

Art historian Renee Gondek delves into Greco-Roman tales of love, lust, and woe as reflected in both ancient and contemporary artworks depicting passionate couples such as Zeus and Leda, Eros and Psyche, and Apollo and Daphne.

Thurs., Feb. 6, 12 p.m.; CODE 1T0-014; Members $25; Nonmembers $30

World Art History Certificate elective: Earn ½ credit

Camille Claudel: A New Look

Camille Claudel was recognized as a genius in her own time, and the details of her dramatic life—her relationship with August Rodin and the 30 years she spent confined against her will in a mental institution—have inspired movies, plays, a novel, a musical, and a ballet.

An exhibition seen at the Art Institute of Chicago and the Los Angeles County Art Museum in 2023 and 2024 re-evaluated all aspects of Claudel’s career, from her early portraits to nature studies to her most important allegorical and mythological subjects, as well as the artistic emulation that flowed between Claudel and Rodin. Art historian David Gariff discusses the extraordinary success that Claudel achieved despite the many barriers facing women artists, particularly sculptors, at the turn of the 20th century.

Fri., Feb. 7, 12 p.m.; CODE 1H0-848; Members $20; Nonmembers $25

World Art History Certificate core course: Earn 1 credit

Understanding Contemporary Art

From Pop to Pluralism and Beyond

Marble sculpture “Vertumnus and Pomona” by Camille Claudel, 1905

Avant-garde American art of the 1960s was dominated by two contradictory impulses. One group of young artists returned to representational art with a cool and decidedly modern twist known as Pop. Concurrently, the so-called Minimalists created a new kind of abstraction, paring down their works to a few carefully considered colors and forms.

Beginning in the 1970s, artists explored an enormous range of new materials, techniques, and styles. That pluralistic experimentation encompassed forms from conceptual and Super-Realistic art to environmental and performance art, all of which still resonate today. Art historian Nancy G. Heller looks at the roots and later influences of radical American art from the last five decades.

5-session series: Tues., Feb. 11–March 11, 6:30 p.m.; detailed program information on website; CODE 1M2-369; Members $110; Nonmembers $130

Read more about programs in this guide on our website. Search by code or date. Expanded program descriptions, presenters’ information, and more at SmithsonianAssociates.org.

The Abduction of Europa by Jean François de Troy, 1716

Miss Lillian, 1977, by Andy Warhol

Jeff Koons’ sculpture “Puppy” in front of the Guggenheim Museum, Bilbao

Camille Claudel, 1881

World Art History Certificate elective: Earn ½ credit

The Miracle of Brunelleschi’s Dome

The octagonal dome that was to crown Santa Maria del Fiore, the cathedral begun in Florence in 1294, presented the most daunting architectural puzzle of the age to architect Filippo Brunelleschi: how to raise the highest and widest vault ever attempted. The logistical problems were staggering. How could this enormous octagonal structure be made self-supporting? How could the tons of masonry be lifted more than 200 feet and laid into place with micrometric accuracy?

Ross King, author of Brunelleschi’s Dome: How a Renaissance Genius Reinvented Architecture, examines the strategies developed by Brunelleschi as he worked from 1420 to 1436 to successfully execute what remains the world’s largest masonry dome.

Thurs., Feb. 13, 6:30 p.m.; CODE 1H0-850; Members $20; Nonmembers $25

World Art History Certificate elective: Earn ½ credit

Dishing on Presidential China

As part of the most visible household in the nation, china used in the White House offers a comprehensive overview of the changing styles, tastes, and modes of entertaining across almost 250 years of American history. Philadelphia Museum of Art curator David Barquist explores the history of the porcelain tableware chosen by American presidents and their families for public and private dining. Barquist’s examples include Martha Washington’s “States” china, derived from Benjamin Franklin’s design for colonial Pennsylvania currency, and a Wedgwood state service chosen by Edith Kermit Carow Roosevelt in 1903 to harmonize with the renovation of the White House during Theodore Roosevelt’s presidency. Wed., Feb. 19, 6:30 p.m.; CODE 1J0-434; Members $20; Nonmembers $25

World Art History Certificate core course: Earn 1 credit

Introduction to American Art

From the glorious vistas of American landscape painting to the bold splashes and strokes of Abstract Expressionism, American artists have captured the nation’s enormous energy and tumultuous growth. Art historian Bonita Billman introduces major artists and movements in American painting from the late 18th century to the present, revealing the connection between historical changes and artistic choices.

5-session series: Thurs., Feb. 20–March 20, 12 p.m.; detailed program information on website; CODE 1M2-370; Members $110; Nonmembers

World Art History Certificate core course: Earn 1 credit

Enduring Themes in Western Art (Part II)

Over the centuries, major themes in art continue to appear and reappear. The nude, history, fantasy, and animals are a few notable examples that artists have interpreted in styles ranging from the naturalistic to the surreal. Art historian Joseph Cassar examines important masterworks within these genres and offers a new way to understand and appreciate the similarities among—and the uniqueness of—the artists and the cultural norms that influenced their choices.

4-session series: Wed., March 5–26, 10:30 a.m.; detailed program information on website; CODE 1K0-555; Members $100; Nonmembers $120

$130

Niagara by Frederic Edwin Church, 1857

Ice cream plate from the Hayes presidential service, Haviland & Co., ca. 1880

The Night Watch (detail) by Rembrandt van Rijn, 1642 Young Hare by Albrecht Dürer, 1502

Lesser-Known

Museums and Churches of Italy

World Art History Certificate elective: Earn ½ credit credit for each

In this ongoing series, Renaissance art expert Rocky Ruggiero spotlights the significant collections of sometimes-overlooked museums and churches throughout Italy.

Santa Maria Novella

The Basilica of Santa Maria Novella, completed in the 14th century in Florence, is the city’s principal Dominican church. Located next to the main railway station, the church, cloisters, and chapter house contain works by some of Italy’s most notable Gothic and early Renaissance artists, including Brunelleschi, Giotto, Giambologna, Ghiberti, Masaccio, and Ghirlandaio. Ruggiero highlights this lesser-known church and museum and its treasures.

Mon., Feb. 24, 6:30 p.m.; CODE 1J0-436; Members $30; Nonmembers $40

Museo dell’Opera del Duomo (Cathedral Museum) Siena

The Museo dell’Opera del Duomo, or Cathedral Museum, in Siena, Italy, houses works of art and architectural fragments that were formerly in, or a part of, the Duomo of Siena (Siena Cathedral). These include a number of Italian Gothic sculptures by Giovanni Pisano and his school from the façade of the cathedral; the Maestà of Duccio di Buoninsegna, which was the altarpiece for about 200 years; and works by Ambrogio and Pietro Lorenzetti. Ruggiero highlights this lesser-known museum and its treasures.

Wed., March 19, 6:30 p.m.; CODE 1J0-441; Members $30; Nonmembers $40

World Art History Certificate elective: Earn ½ credit

How the Ninth Street Women Conquered the Art World

The label Abstract Expressionists conjures up images of a rowdy boys’ club at the Cedar Tavern, but a group of long-overshadowed women artists made important contributions to this avant-garde movement—and are finally getting their due.

Most notable are five painters whose work was featured in the groundbreaking Ninth Street Art Exhibition of 1951 in Greenwich Village. Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler—the so-called “Ninth Street Women”—covered enormous canvases with energetic, slashing brushstrokes, emphasizing the raw and unrestrained process of artistic creation and revealing their emotions in an abstract, yet powerful, way. Art historian Nancy G. Heller examines their art and their lives, relationships with their male counterparts, and the obstacles they overcame to claim their place in a changing art world.

Tues., March 25, 12 p.m.; CODE 1M2-375; Members $30; Nonmembers $40

Tutti Frutti, 1966, by Helen Frankenthaler

What time does the program end? Unless noted, Smithsonian Associates programs run 1 hour 15 min.–2 hours, including Q&A

Santa Maria Novella

Virtual reconstruction of the front panel of Duccio's Maestà

IN PERSON

In-person classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio. View portfolios of work by our instructors at SmithsonianAssociates.org/art instructors.

DRAWING

Beginning Drawing

This course teaches the basic skills needed for a strong foundation for drawing. Working with a variety of materials and techniques, including charcoal and pencils, students explore the rendering of geometric forms, volume, and perspective, with an emphasis on personal gesture marks.

TWO IN-PERSON OPTIONS: Tues., Jan. 14–March 4, 10:30 a.m. (CODE 1E0-0QG); Tues., Jan. 14–March 4, 6 p.m. (CODE 1E0-0QH); George Tkabladze; Ripley Center; Members $275; Nonmembers $310

Drawing on the Right Side of Your Brain

Take this drawing fundamentals class as your first step in learning to draw. You learn to translate that stunning image in your mind or what you see in front of you onto paper, building a strong foundation for your drawing or painting practice.

IN PERSON: Sat., Jan. 18–March 8, 10:15 a.m.; Shahin Talishkhan; Ripley Center; CODE 1E0-0SD; Members $275; Nonmembers $310

World Art History Certificate elective: Earn ½ credit Techniques in Modernist Painting

Experiment with a variety of Modernist painting styles such as Cubism, Suprematism, and Abstract Expressionism. Through a series of exercises, including still-life setups and model sessions, learn practical applications of the concepts and techniques of Modernism.

IN PERSON: Sat., Jan. 18–March 8, 2:30 p.m.; Shahin Talishkhan; Ripley Center; CODE 1E0-0SE; Members $280; Nonmembers $315

By Shahin Talishkhan

Beginning Oil Painting

In this course, gain the technical background and experience you need to get started as a painter. Lectures, demonstrations, and experimentation introduce the medium of oils. Working from museum masterpieces, still-life arrangements, or your favorite photos, explore basic techniques, including color-mixing, scumbling, and glazing.

SOLD OUT

IN PERSON: Sun., Jan. 19–March 9, 10:15 a.m.; Shahin Talishkhan; Ripley Center; CODE 1E0-0ST; Members $275; Nonmembers $310

Intermediate Oil Painting

Expand on your technical background and grow your practice as an oil painter. This class provides students with the opportunity to work on personal projects, set up a still-life arrangement, and explore figure painting from a live model. Unfurl your style with support and feedback from the instructor.

By Shahin Talishkhan

MIXED MEDIA

Painting and Collage

SOLD OUT

IN PERSON: Sun., Jan. 19–March 9, 2:30 p.m.; Shahin Talishkhan; Ripley Center; CODE 1E0-0SU; Members $280; Nonmembers $315

Combine traditional painting techniques with collage to produce pieces with texture and depth. Experiment with both collaging into painted surfaces and painting on collaged surfaces. This is an excellent opportunity to further develop unfinished watercolor or acrylic paintings.

IN PERSON: Sat., Jan. 18–March 1, 1 p.m., no class Feb. 8; Sharon Robinson; Ripley Center; CODE 1E00SC; Members $185; Nonmembers $210

By Sharon Robinson

Romare Bearden

Works on Paper from the 1960s and Beyond

While Romare Bearden worked in many mediums from oil and watercolor to printmaking, he is best known for his mixed-media collages and photomontages. After looking at Bearden’s works of art, students try their hand at creating Bearden-inspired mixed-media compositions.

IN PERSON: Sun., Jan. 19–Feb. 9, 11 a.m.; Sandra Warren Gobar; Ripley Center; CODE 1E0-0SS; Members $140; Nonmembers $165

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FIBER ARTS

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Knitting for Beginners

Learn the fundamentals of knitting, including casting on, basic knit and purl stitches, increasing, decreasing, and binding off. Students learn by practice and may start a knitting project during class.

IN PERSON: Tues., Feb. 4–March 11, 2:30 p.m.; Ann Richards; Ripley Center; CODE 1E0-0QP; Members $155; Nonmembers $190

OTHER MEDIA

Mosaic Jewelry

Learn the techniques needed to create fine mosaic jewelry as you make silver-plate mosaic pendants using mosaic gold, smalti, semiprecious stones, stained glass, millefiori, and more.

IN PERSON: Sat., Feb. 22, 10:15 a.m.; Bonnie Fitzgerald; Ripley Center; CODE 1E0-0SF; Members $95; Nonmembers $110

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SCULPTURE

By George Tkabladze

By Bonnie Fitzgerald

Figure Sculpture

Learn clay techniques and gain an understanding of the human body, gestures, and expressions as you sculpt a portrait, torso, or full-figure piece by working from life. Focus on tool use, armatures, anatomy, and proportion and explore individual style.

IN PERSON: Tues., Jan. 14–March 4, 2 p.m.; George Tkabladze; Ripley Center; CODE 1E00QJ; Members $315; Nonmembers $350

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PHOTOGRAPHY

Introduction to Photography

Whether you want to work in digital or film, this course offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition.

TWO IN-PERSON OPTIONS: Tues., Jan. 14–March 4, 3 p.m. (CODE 1E0-0QL); Tues., Jan. 14–March 4, 6:30 p.m. (CODE 1E0-0QK); Andargé Asfaw; Ripley Center; Members $245; Nonmembers $280 By Andargé Asfaw

NEW CLASSES

By Joe Yablonsky

Indoor Macro Photography

Macro photography isn’t just for the summer. Discuss and practice the tips, tricks, and techniques to take incredible macro photos of cut flowers, houseplants, jewelry, abstracts, and kitchen utensils in the warmth of your home using light from your windows.

IN PERSON: Tues., Jan. 14 and 21, 6:30 p.m.; Joe Yablonsky; Ripley Center; CODE 1E0-0QM; Members $90; Nonmembers $115

The Exposure Triangle

Learn to capture the depth of field, motion effects, and exposure you want by quickly making camera adjustments in the field. Topics covered include ISO, apertures, shutter speeds, exposure modes, metering modes, exposure compensation, and histograms. Also discussed is how to photograph highcontrast scenes.

By Joe Yablonsky

IN PERSON: Tues., Jan. 28–Feb. 18, 6:30 p.m.; Joe Yablonsky; Ripley Center; CODE 1E0-0QN; Members $160; Nonmembers $185

On-Location Photography

Learn to capture this vibrant capital city and sharpen your way of thinking about shooting outdoors in a course that focuses on deploying a minimal amount of equipment and a lot of fresh perspective. Emphasis is placed on what happens before the shutter release is pressed and on truly previsualizing the photograph.

IN PERSON: Sun., Feb. 2–March 9, 1:45 p.m.; Joe Yablonsky; Ripley Center; CODE 1E0-0SX; Members $195; Nonmembers $230

Empress of the Blues, 1974, by Romare Bearden

By Joe Yablonsky

Do you want to sharpen your technical and artistic abilities?

Smithsonian Associates Studio Arts' new Coffee and Critiques can help. Prepare to share two or three of your artworks for feedback and technical advice from teachers who are professional artists.

Coffee and Critiques

Artworks in 2-D Media

Grab a cup of coffee or tea and join Smithsonian Studio Arts instructor Nick Cruz Velleman for a members-only smallgroup critique focusing on artwork in 2-D media. Be prepared to receive constructive feedback, ask questions, and discuss art theory and practice.

ONLINE: Sun., March 9, 10 a.m.; CODE 1E0-0TC; Members $45

IN PERSON

Coffee and Critiques

Artworks in Watercolor

Join Smithsonian Studio Arts instructor Lubna Zahid for a members-only small-group critique focusing on artwork in watercolor. Coffee and light refreshments are provided for this special event.

IN PERSON: Sun., March 23, 10 a.m.; Ripley Center; CODE 1E0-0TD; Members $45

Coffee and Critiques

Artworks in Oil Paint

Join Smithsonian Studio Arts instructor Shahin Talishkhan for a members-only small-group critique focusing on artwork in oil paint. Coffee and light refreshments are provided for this special event.

IN PERSON: Sun., March 23, 10 a.m.; Ripley Center; CODE 1E0-0TE; Members $45

Online classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio. View portfolios of work by our instructors at SmithsonianAssociates.org/art instructors

ART THEORY AND PRACTICE

Color Theory and Practice

Explore the basics of color theory including temperature, value, and harmony-creating color schemes. In three hands-on projects, learn to use a color wheel with tinting and toning, color charts, and color harmony studies.

By Theresa Otteson

ONLINE: Mon., Jan. 13–Feb. 10, 6:30 p.m., no class Jan. 20; Theresa Otteson; CODE 1E00QB; Member $165; Nonmember $190

Hues in Harmony

Color Mixing and Maximizing Your Palette

Refamiliarize yourself with the fundamentals of color theory while learning a new approach to mixing color. Gain a deeper understanding of complementary color relationships so that you can more intuitively mix colors and harness color harmonies to better express depth as well as the contrast between light and shadow.

By Nick Cruz Velleman

ONLINE: Thurs., Jan. 16–Feb. 13, 10 a.m.; Nick Cruz Velleman; CODE 1E0-0RQ; Members $190; Nonmembers $225

Visual Journaling: Creativity Workout

In an afternoon of artistic experimentation designed to strengthen creative muscles and deepen skills in visual expression, explore five modes of visual thinking: working from memory, observation, imagination, narrative, and experimental approaches.

ONLINE: Sat., Feb. 1, 1 p.m.; Renee Sandell; CODE 1E0-0SL; Members $80; Nonmembers $95

By Renee Sandell

Color Theory and Chroma-psychology

Learn how to make color choices in your art to bring out a reaction from the viewer. Use a color wheel to clarify your understanding of color basics and then create color combinations with pencils for a practical understanding of color theory.

ONLINE: Thurs., Feb. 20, 1 p.m.; Lori VanKirk Schue; CODE 1E0-0RW; Members $55; Nonmembers $70

Developing Your Creative Practice

Drop the burden of creating a finished product and focus instead on developing your ideas. Begin to deal with procrastination, creative blocks, flow, problem solving, and finishing within the support of a stress-free environment and build confidence alongside other students on the same journey.

By Kate Lewis

ONLINE: Mon., Feb. 3, Feb. 10, Feb. 24, and March 10, 10:30 a.m.; Kate Lewis; CODE 1E0-0QE; Members $215; Nonmembers $240

DRAWING

By Lori VanKirk Schue

Drawing with Chalk Pastels

Learn how to work with chalk pastels to create dynamic artworks in any genre. Demonstrations of techniques are the main focus, along with the history and versatility of the medium. Students work in their favorite genre: portrait, still life, abstract, or landscape.

ONLINE: Thurs., Dec. 5 and 12, 1 p.m.; Lori VanKirk Schue; CODE 1E0-0NK; Members $95; Nonmembers $120

Beginning Drawing

This course teaches the basic skills needed for a strong foundation for drawing. Working with a variety of materials and techniques, including charcoal and pencils, students explore the rendering of geometric forms, volume, and perspective, with an emphasis on personal gesture marks.

ONLINE: Mon., Jan. 13–March 17, 6 p.m., no class Jan. 20 and Feb. 17; Josh Highter; CODE 1E0-0SY; Members $260; Nonmembers $295

World Art History Certificate elective: Earn ½ credit

Drawing Light and How the Masters Did It

Learn the strategies Rembrandt, Daumier, Cézanne, and Vermeer used to harness light in their images. Participants investigate how these masters manipulated light to unify, intensify, and give dimension to their images. In-class exercises focus on using graphite to draw studies of masterworks.

By Nick Cruz Velleman

ONLINE: Tues., Jan. 14–Feb. 18, 10 a.m.; Nick Cruz Velleman; CODE 1E0-0QR; Members $225; Nonmembers $260

World Art History Certificate elective: Earn ½ credit

The Mark of van Gogh

This introduction to Vincent van Gogh’s accomplishments in drawing pays particular attention to his unique and instantly recognizable touch. Participants investigate how his imaginative mark making forms his images. Inclass exercises revolve around drawing studies of his masterworks to develop students’ own mark making and vocabulary of stroke.

By Nick Cruz Velleman

ONLINE: Tues., Jan. 14–Feb. 11, 2:30 p.m.; Nick Cruz Velleman; CODE 1E0-0QQ; Members $190; Nonmembers $225

Digital Drawing Fundamentals

By Mike O’Brien

Learn to use the iPad, Apple Pencil, and Procreate for illustration and animation. With this minimal toolset, artists can create a wide range of visuals. Students get an introductory lecture on the basics of digital art production, demonstrations, and experience drawing in Procreate on an iPad.

ONLINE: Wed., Jan. 15, 6:30 p.m.; Mike O’Brien; CODE 1E0-0RA; Members $60; Nonmembers $75

NEW CLASSES

Digital Drawing: Advanced Techniques

By Mike O’Brien

Intermediate Drawing

Procreate for iPad contains powerful features that can be intimidating. This 3-hour workshop guides students on how to use advanced techniques in the software to create an animated photo illustration.

ONLINE : Wed., Jan. 22, 6:30 p.m.; Mike O’Brien; CODE 1E0-0RH; Members $60; Nonmembers $75

Participants refine and expand their drawing skills through studio practice in traditional media. Sessions focus on classic subject areas such as landscape, portrait, and figure; warm-up exercises, critiques, and demonstrations are included.

ONLINE: Tues., Jan. 14–Feb. 18, 10 a.m.; Josh Highter; CODE 1E0-0QS; Members $205; Nonmembers $240

All About Graphite

By Lori VanKirk Schue

A simple graphite pencil offers a world of possibilities. Techniques are demonstrated and discussed through simple exercises using graphite materials ranging from soft to hard. Learn ways that graphite is used from being encased in a pencil to flexible putty.

ONLINE: Thurs., Jan. 16 and 23, 1 p.m.; Lori VanKirk Schue; CODE 1E0-0RN; Members $105; Nonmembers $130

Drawing with Silverpoint

Silverpoint drawing uses a silver stylus on specially prepared paper to produce delicate lines. Initially silver-gray, the drawing tarnishes when exposed to air, resulting in the characteristic warm brown tone. Learn the history of silverpoint, the materials required, and the process for this technique used by artists like Leonardo da Vinci.

ONLINE: Thurs., Feb. 6 and 13, 1 p.m.; Lori VanKirk Schue; CODE 1E0-0RU; Members $105; Nonmembers $130

By Lori VanKirk Schue

By Desarae Lee

Drawing Techniques

Line, Shape, and Shading

Learn how to create power and emotion in your drawings by manipulating line, shape, and value. These basic buildingblocks of art can change the meaning, mood, and tone of your work.

ONLINE: Thurs., Feb. 6 and 13, 7 p.m.; Desarae Lee; CODE 1E0-0RV; Members $85; Nonmembers $110

Drawing Techniques

Composition and Abstraction

Rediscover your childlike joy of mark-making as you explore artistic composition—how to combine elements to create a pleasing whole. These lessons inform your continued art practice, whether toward or away from more realistic drawing.

ONLINE: Thurs., Feb. 20 and 27, 7 p.m.; Desarae Lee; CODE 1E0-0RX; Members $85; Nonmembers $110

Drawing Techniques Perspective

Recreating what you see in three-dimensional space on paper can be a challenge. Learn how to use size, placement, detail, and value to create the illusion of depth. Then, using lines that recede to the horizon, explore linear perspective and create objects that visually jump off the page.

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PAINTING

ONLINE: Thurs., March 6 and 13, 7 p.m.; Desarae Lee; CODE 1E0-0SB; Members $85; Nonmembers $110

Elegant and Whimsical Letters in Watercolor

The art of stylized lettering adds a distinctive element to journal pages, greeting cards, envelopes, and invitations. This class, suitable for all skill levels, offers an introduction to creating altered block letters, script letters, botanical borders, and illuminated initials with vines and flourishes.

ONLINE: Tues., Jan. 14–March 4, 5 p.m.; Lubna Zahid; CODE 1E0-0QW; Members $275; Nonmembers $310 By

Lubna Zahid

By Desarae Lee

By Desarae Lee

Painting Water in Landscapes and Seascapes

Learn simple techniques to create landscape and seascape paintings. Depict bodies of still and moving water, such as rivers, lakes, waterfalls, and oceans. Special emphasis is given to watercolor techniques such as wet-on-wet, wet-on-dry, and masking.

ONLINE: Tues., Jan. 14–March 4, 10:30 a.m.; Lubna Zahid; CODE 1E0-0QV; Members $275; Nonmembers $310

Simply Start Painting Watercolors

The limitless creative possibilities of watercolor can be a bit intimidating for beginning students. In this series, focus on the basics with methods that narrow parameters. Learn what supplies make all the difference and how to manipulate your brush to create flowing lines.

ONLINE: Wed., Jan. 15–29, 6 p.m.; Cindy Briggs; CODE 1E0-0RB; Members $190; Nonmembers $215

Abstract Watercolor for Beginners

Learn to embrace and celebrate the unpredictability, versatility, and beauty of watercolor. Class discussions cover supplies; color theory, palettes, and pigment control; and exercises and experiments to achieve different effects.

ONLINE: Wed., Jan. 15–Feb. 19, 12 p.m.; Heather Kerley; CODE 1E0-0RE; Members $225; Nonmembers $260

World Art History Certificate elective: Earn ½ credit Drawing Light

How the Masters Did It in Color

Using watercolor, learn the strategies Delacroix, Turner, Monet, and Cézanne employed to manipulate the viewer’s experience of light in their images. In-class exercises focus on making studies of masterworks to create similar luminous effects.

ONLINE: Wed., Jan. 15–Feb. 19, 10 a.m.; Nick Cruz Velleman; CODE 1E0-0RD; Members $225; Nonmembers $260

World Art History Certificate elective: Earn ½ credit Sketching Turner

Expressing Atmosphere and Skies in Watercolor

This course is an introduction to J.M.W. Turner’s vast achievements in watercolor, with particular attention to his manner of expressing light and atmosphere. In-class exercises revolve around making studies of his masterworks with an emphasis on creating cohesive sketches, not replicas.

ONLINE: Wed., Jan. 15–Feb. 12, 2:30 p.m.; Nick Cruz Velleman; CODE 1E0-0RC; Members $190; Nonmembers $225

Introduction to Watercolor

Beginning students explore watercolor techniques and learn new approaches to painting through demonstration, discussion, and experimentation.

ONLINE: Sun., Jan. 19–March 9, 10:15 a.m.; Josh Highter; CODE 1E0-0QC; Members $260; Nonmembers $295

Portrait Painting in Oil and Acrylic

Students learn how to paint expressive portraits as they improve their observational skills, ability to see angles and shapes, and understanding of color and value. The class emphasizes how to define a subject’s unique features by determining shapes of light and shadow. Students may work from a bust or statue or copy a painting or photograph.

ONLINE: Wed., Jan. 29–March 5, 7 p.m.; Eric Westbrook; CODE 1E0-0RJ; Members $225; Nonmembers $260

NEW CLASS

Watercolor Celebrations

Paint a Holiday Centerpiece

Craft your own stunning holiday centerpiece in watercolor. Using traditional elements such as pine cones, ornaments, berries, and poinsettias, bring your vision to life on paper in expressive, flowing colors.

SOLD OUT

ONLINE: Wed., Dec. 4 and Thurs., Dec. 5, 6 p.m.; Cindy Briggs; CODE 1E0-0PU; Members $135; Nonmembers $160

By Cindy Briggs

By Lubna Zahid

By Cindy Briggs

By Heather Kerley

By Nick Cruz Velleman

By Nick Cruz Velleman

By Josh Highter

By Eric Westbrook

NEW CLASSES

Paint 60 Insects

Nature’s Little Creatures in Watercolor

Learn how to see beauty in the natural world and render it in watercolor paintings, using various watercolor techniques to represent the metallic shell of a beetle, the soft, fuzzy wing of a moth, and the delightful colors of a butterfly.

SOLD OUT

ONLINE: Thurs., Jan. 16–March 6, 4 p.m.; Lubna Zahid; CODE 1E0-0RR; Members $270; Nonmembers $305

Iconic American Landmarks and Landscapes

Historic McPolin Farm

Paint the McPolin Farm in Park City, Utah, alongside the instructor using a provided tracing. The barn on the historic property dates to 1922. Demonstrations show how to save the whites, create colorful shadows, paint fabrics, and mix a variety of greens.

Quick-Sketch for a Day

Iconic American Landmarks and Landscapes

Study the beauty of iconic American landscapes and landmarks as you practice your watercolor skills for travel, study sketches, and compositions. Learn to simplify a scene and to compose and draw more organically and confidently. Inject captivating, mingling watercolors into your sketch in just minutes.

ONLINE: Sat., Feb. 8, 10 a.m.; Cindy Briggs; CODE 1E0-0SN; Members $160; Nonmembers $185

By Lori VanKirk Schue

ONLINE: Thurs., Jan. 16 and 23, 6 p.m.; Cindy Briggs; CODE 1E0-0RP; Members $160; Nonmembers $185

Painting Vintage Flora

Before photography was available, botanical illustration was the only way of visually recording plant life. This class walks you through the process of capturing the essence of beautiful florals through the wetin-wet method.

ONLINE: Mon., Feb. 24–March 10, 6:30 p.m.; Theresa Otteson; CODE 1E0-0QF; Members $145; Nonmembers $170

MIXED MEDIA

Collage and Mixed Media

Students are introduced to the materials, tools, and technologies used in collage and assemblage. They explore the use of text, images, texture, and natural and found objects as they create collage, mixed-media, or assemblage projects.

ONLINE: Wed., Jan. 15–March 5, 1:30 p.m.; Marcie Wolf-Hubbard; CODE 1E0-0RF; Members $250; Nonmembers $285

Collage and Mixed Media: Nature Themes

Learn to sketch animals and objects found in nature, then combine your drawings with painting and additional elements and textures to create whimsical or serious mixed-media art. Create your own story by experimenting with a range of materials and techniques.

ONLINE: Wed., Jan. 15–March 5, 6:30 p.m.; Marcie Wolf-Hubbard; CODE 1E00RG; Members $250; Nonmembers $285

The Opaque Watercolor Gouache is widely used by artists who want the ease of a water-soluble medium with the bonus of opacity. Either alone or married with other mediums, gouache plays along for exquisite results.

ONLINE: Thurs., March 6 and 13, 1 p.m.; Lori VanKirk Schue; CODE 1E00RZ; Members $105; Nonmembers $130

Image Transfers and Altered Photos

Discover a variety of methods for making and using image transfers and expanding your creative horizons with photo alteration. Both techniques offer new dimensions and interest to your artwork.

ONLINE: Tues., Feb. 18–March 11, 6:30 p.m.; Sharon Robinson; CODE 1E0-0QZ; Members $140; Nonmembers $165

By

By Marcie Wolf-Hubbard

By Marcie Wolf-Hubbard

Sharon Robinson

By Theresa Otteson

By Lubna Zahid

By Cindy Briggs

By Cindy Briggs Gouache

CLASSES

Handmade Cards for All Occasions

From Happy Birthday to Thinking of You

Delight all of the special people in your life with a handmade card from this whimsical class. Using a fun stamp set with varied sentiments, create your most-needed cards: happy birthday, thank you, and words of love.

ONLINE: Sat., Feb. 1, 10:30 a.m.; Karen Cadogan; CODE 1E0-0SM; Members $80; Nonmembers $95

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Basic Weaving on the Rigid Heddle Loom

By Karen Cadogan

The versatile, portable rigid heddle loom is a great entryway into weaving. Learn how to prepare (dress) the loom for weaving along with basic hand-control techniques including: flat tapestry; raised tapestry; open-lace work; pickup; plane weave; and several finishing techniques.

ONLINE: Tues., Jan. 14–Feb. 25, 6:30 p.m.; Tea Okropiridze; CODE 1E0-0QU; Members $190; Nonmembers $225

By Lauren Kingsland

NEW CLASSES

Craft a Quilted Coat

Choose to upcycle a vintage quilt or make your own quilted pieces, then follow a basic pattern to create your custom quilted coat. This intermediate class is best suited for students who have prior experience sewing or quilting.

ONLINE: Sat., Jan. 18–Feb. 15, 12:30 p.m.; Lauren Kingsland; CODE 1E0-0SG; Members $155; Nonmembers $180

Painted Embroidery Workshop

Create a simple but charming embroidered painting. First, paint fabric in the hoop with acrylic paint, then use a variety of stitches and beads to embellish your image.

ONLINE: Sat., Jan. 25, 11 a.m.; Heather Kerley; CODE 1E0-0SJ; Members $60; Nonmembers $75

By Heather Kerley

Poetry-Inspired Collage

As T.S. Eliot said, “genuine poetry can communicate before it is understood.” Transform words into a visual illustration combining imagery, color, and mark making as you manipulate the materials to draw out the emotion you feel.

ONLINE: Tues., Feb. 4–18, 10:30 a.m.; Kate Lewis; CODE 1E0-0QY; Members $160; Nonmembers $185

By Kate Lewis

Hand Quiltmaking for the Non-perfectionist

This class is for those who feel utterly untalented at sewing yet want to make a quilt. Journey from not knowing to bold experiments, finding your sense of quiltmaking confidence as you learn strategies for piecing, appliqué, quilting, and finishing.

ONLINE: Mon., Jan. 27–Feb. 10, 1 p.m.; Lauren Kingsland; CODE 1E0-0QD; Members $125; Nonmembers $150

By Heather Kerley

Slow Stitch Fabric Journal

Let your creativity flow as you slow stitch a fabric journal composed of your favorite embroidery stitches, embellishments, and fabric scraps. Build a repertoire of embroidery stitches combined with other textile-based elements to produce a finished, bound fabric book.

ONLINE: Thurs., Feb. 6–27, 12 p.m.; Heather Kerley; CODE 1E0-0RT; Members $135; Nonmembers $160

Embroidered Owl Workshop

This workshop introduces beginners to freestyle hand embroidery, in which stitches are applied freely, disregarding the weave of the ground cloth. Students put their own spin on a provided template through color choice and stitch application.

ONLINE: Sat., Feb. 22, 11 a.m.; Heather Kerley; CODE 1E0-0SP; Members $60; Nonmembers $75

By Heather Kerley

By Lauren Kingsland

NEW CLASSES

Exploring Traditions and Techniques of Embroidery

Learn to use a variety of approaches to the medium of embroidery while taking inspiration from the Smithsonian collection. Explore the history of embroidery back to the Middle Ages and together analyze the art form while practicing in a series of guided exercises.

ONLINE: Wed., Feb. 26–March 12, 12 p.m.; Heather Kerley; CODE 1E0-0RL; Members $115; Nonmembers $140

Embroidered Quilts: From 1865 Crazy to 2025 Modern

The use of embroidery on quilts between 1865 and 2025 waxed and waned alongside fashions, social changes, materials, and the roles of women in domestic life and the workplace. During class, practice stitching while diving into these topics.

ONLINE: Wed., March 5 and 12, 12 p.m.; Lauren Kingsland; CODE 1E00RM; Members $95; Nonmembers $120

OTHER MEDIA

Modern Evergreen Wreath

Just in time for the holidays, create a modern wreath design with fresh evergreens on a metal hoop. Using a method similar to floral arrangement, combine local textures, shapes, and colors in your design. Many styles of wreaths, and even garlands, are possible with the wiring techniques covered in class.

ONLINE: Wed., Dec. 4, 7:30 p.m.; Arrin Sutliff; CODE 1E0-0PT; Members $45; Nonmembers $60 By Arrin Sutliff

Gel Plate Journey Part I

Printmaking using a gel plate offers many options for combining materials, tools, and techniques to achieve an array of effects on both paper and fabric. Explore the possibilities for layering with stamps, stencils, inks, and acrylic paint markers.

ONLINE: Tues., Jan. 14–Feb. 4, 6:30 p.m.; Sharon Robinson; CODE 1E0-0QA; Members $140; Nonmembers $165 By Sharon Robinson

Gyotaku: The Japanese Art of Printing with Fish

Using direct printing and water-based printing inks, create realistic-looking schools of fish or a single artistic print simply by inking a whole fish and pressing it to paper. Learn how to paint realistic fish eyes to bring your print to life and cut masks to create realistic compositions.

ONLINE: Sat., Jan. 18, 10 a.m.; Sue Fierston; CODE 1E0-0SH; Members $80; Nonmembers $95

By Sue Fierston

Introduction to White-Line Woodblock Printing

By Sue Fierston

Wirework Intensive: Rings

White-line woodcuts are multicolor images printed from a single block of wood. Learn to create your own by cutting a nature print or simple line drawing into a wood block, creating the “white lines” when printed.

ONLINE: Sun., Jan. 19, 10 a.m.; Sue Fierston; CODE 1E0-0SZ; Members $80; Nonmembers $95

Learn to create three ring designs using wire-working, forming, and riveting. Designs can be embellished with beads and easy texturing techniques to create a unique look that suits the wearer’s style. Students leave the class with several finished pieces.

ONLINE: Thurs., Jan. 30–Feb. 13, 6:30 p.m.; Mïa Vollkommer; CODE 1E0-0RS; Members $195; Nonmembers $220 By Mïa Vollkommer

NEW CLASS

Jeweled-Glass-and-Bead Mosaic Mirror

This class guides you through the process of creating a jeweled-glassand-bead mosaic mirror. Lectures cover historical perspectives, material review, and snapshots of contemporary decorative mosaic art. All skill levels are welcome.

ONLINE: Tues., Jan. 28–Feb. 11, 6:30 p.m.; Bonnie Fitzgerald; CODE 1E00QX; Members $135; Nonmembers $160

Image courtesy of Zetamari.com

Division of Home and Community Life, Smithsonian’s National Museum of American History

By Lauren Kingsland

The Art of Floral Design

Explore the spectrum of floral design. Among the practical areas covered are sourcing (with a focus on sustainability), making the most of seasonal flowers, creating centerpieces, wiring techniques, and photographing your work. The class is designed for students of all levels.

ONLINE: Wed., Feb. 5–March 12, 7:30 p.m.; Arrin Sutliff; CODE 1E0-0RK; Members $160; Nonmembers $195

By Arrin Sutliff

Jewelry Workshop: Open Studio

Are you unsure of how to start your next jewelry project? This workshop helps build your confidence in your jewelry-making skills.

ONLINE: Sat., Feb. 8, 12 p.m.; Mïa Vollkommer; CODE 1E0-0TB; Members $75; Nonmembers $90

Bead Weaving: On and Off the Loom

Bead weaving offers an endless possibility of stitches, designs, and color combinations to explore. The class focuses on how to start and finish wearable pieces, create patterns, and choose bead colors and finishes.

ONLINE: Sat., Feb. 22–March 8, 12 p.m.; Mïa Vollkommer; CODE 1E00SQ; Members $195; Nonmembers $220

Everything Orchids

This workshop provides an overview of Orchidaceae, starting with how orchids evolved, how they grow in their native environments, and how you can raise them successfully. Fun facts and orchid-care tips are provided. Learn how to repot an orchid in a hands-on activity.

ONLINE: Sat., March 1, 2 p.m.; Barbara Schmidt; CODE 1E0-0SR; Members $30; Nonmembers $45

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PHOTOGRAPHY

The Joy of Photography

Designed for beginners who want to learn how to use their digital or mirrorless camera as a creative tool, this class gives students the opportunity to learn about technical aspects of photography so they can concentrate on composing beautiful images.

ONLINE: Tues., Jan. 14–Feb. 18, 6:30 p.m.; Marty Kaplan; CODE 1E0-0QT; Members $185; Nonmembers $220

Photography Next Steps: The Personal Project

Look at the work of historical and contemporary photographers and fellow students with the goal of creating an effective photographic series. Through discussion and writing, the concepts of editing and sequencing are explored in terms of a personal project.

By Patricia Howard

NEW CLASSES

Lenses, Filters, and Optics

ONLINE: Sat., Jan. 25–Feb. 15, 12 p.m.; Patricia Howard; CODE 1E0-0SK; Members $135; Nonmembers $160

It’s easy to be overwhelmed with all the choices that are available for lenses and filters. Learn about the various options—plus everything from focal length to lens mounts to teleconverters—so you can make a better-informed decision for your next purchase.

ONLINE: Thurs., Feb. 6, 6:30 p.m.; Joe Yablonsky; CODE 1E0-0RY; Members $55; Nonmembers $70

Reflections and Refraction

By Joe Yablonsky

Reflections and refraction are all around us. Get inspiration, tips, and recommendations to create photos including these components, which are seen in many styles of photography.

By Joe Yablonsky

ONLINE: Thurs., March 6 and 13, 6:30 p.m.; Joe Yablonsky; CODE 1E0-0SA; Members $90; Nonmembers $115

By Mïa Vollkommer

By Mïa Vollkommer

Smithsonian Associates expert-led Study Tours offer one-of-a-kind in-person experiences. They’re the perfect way to learn more about the places and topics that fascinate you, and you’re sure to discover plenty of new favorites along the way.

World Art History Certificate elective: Earn ½ credit

Walking Tour

Art + History Museum Tours

With Paul Glenshaw

Paul Glenshaw leads engaging tours of the National Gallery of Art and the Smithsonian’s National Portrait Gallery and American Art Museum focused on several of the great works featured in his popular Art + History series for Smithsonian Associates.

Participants view the masterpieces and learn the stories behind the creation of works including The Shaw 54th Regiment Memorial by Augustus Saint-Gaudens; Watson and the Shark by John Singleton Copley; Napoleon in His Study by Jacques-Louis David; The Railway by Édouard Manet; Among the Sierra Nevada by Albert Bierstadt; and several others.

TWO OPTIONS: Fri., Jan. 10 (CODE 1ND-A14); Fri., Jan. 17 (CODE 1ND-B14); 10 a.m.–3:30 p.m.; detailed tour information on website; Members $130; Nonmembers $180 (includes lunch)

2-Day

A Cultural Symphony

The New York Philharmonic, the Met, and the Guggenheim Immerse yourself in Manhattan’s cultural splendors during a winter weekend getaway filled with a blend of the city’s finest music and art—and a Saturday night on the town to enjoy as you’d like. Art historian Ursula Rehn Wolfman leads the visit, discussing the interplay of the two artistic mediums.

The weekend begins with an afternoon performance at Lincoln Center with the New York Philharmonic’s “A Tribute to Boulez,” marking the centennial year of former music director Pierre Boulez, who died in 2016. The concert delves into connections among works by composers ranging from Johann Sebastian Bach and Franz Schubert to Boulez. Afterward, a private presentation from a New York Philharmonic educator provides insight into the orchestra.

Shifting focus from music to art, Sunday begins at the Metropolitan Museum of Art with a guided look at the collection of musical instruments from around the world and related artworks featuring instruments. The exhibition reveals links between the musical traditions of different peoples, places, and time periods.

In the afternoon, the Solomon R. Guggenheim Museum offers a guided tour of the special exhibition “Harmony and Dissonance: Orphism in Paris, 1910–1930,” which features over 90 artworks in the museum’s iconic rotunda. The exhibition examines the vibrant abstract art of Orphism, the international movement’s development in Paris, and the impact that dance, music, and poetry had on it.

Participants stay at the Even Hotel New York–Midtown East in the heart of the Theater District. The location is perfect for visiting the TKTS booth for discount tickets to a show on Saturday evening, which is open.

An early three-course supper is included before you head back to Washington on Sunday. Sat., Jan. 25, 8 a.m.–Sun., Jan. 26, 10:30 p.m.; by bus; detailed tour information on website; CODE 1CN-ART; Members $605; Nonmembers $805

For more great 2025 overnight study tours, see p. 52

Lincoln Center for the Performing Arts

Red Eiffel Tower (La Tour Rouge), by Robert Delaunay, 1911–12, New York, Solomon R. Guggenheim Founding Collection

Tour

Interior of the West Building, National Gallery of Art

Overnight Tours 2025

More Great Destinations

from Smithsonian Associates

The

Philadelphia

Flower Show

Sun., Mar. 2–Mon., Mar. 3 (on sale, see p. 55)

The spectacular displays at the nation’s top floral event are even more beautiful without the crowds. A private viewing before opening hours is just one of the special features of this visit to the 2025 edition of the show, themed “Gardens of Tomorrow.”

Leader: Chelsea Mahaffey

Sat., Apr. 26–Thurs., May 1 (on sale, see p. 55)

From the desert gardens to the red rocks of Sedona, the northern mountains to the depths of the Grand Canyon, this 5-day adventure offers outdoor enthusiasts a program filled with activity and scenic beauty.

Leader: Wayne Ranney

Smithsonian Associates' Study Tours offer more than just a getaway: They combine one-of-a-kind experiences with opportunities to gain new insights into the topics that fascinate you. Whether you’re a fan of history, art, theater, nature, or architecture—or simply love exploring new places—these expert-led excursions will enrich your year with tempting travels. We’ve added many new adventures, and several of our most popular sold-out tours return to the schedule for 2025.

All tour dates, content, and on-sale dates are subject to change

Chincoteague and Assateague: The Beauty of Nature

Sun., Apr. 27–Mon., Apr. 28 (on sale Jan. 1)

Chincoteague and Assateague are home to more than just wild horses— the islands are rich with history and unique flora and fauna ready for exploration.

Leader: Liana Vitali

Delaware Bay: Shorebirds and Horseshoe Crabs

Mon., May 12–Tues., May 13 (on sale Jan. 1)

Under a full spring moon, witness the dual phenomenon of Atlantic horseshoe crabs gathering to breed along the shores of Delaware Bay and the appearance of migrating shorebirds that rely on the crabs’ eggs to fuel their journey to the breeding grounds in the Arctic.

Leader: Matt Felprin

May 2025 (on sale Jan. 1)

While Norfolk is celebrated as a city on the water, vibrant spring gardens and lush greenery are in full bloom at the Norfolk Botanical Garden and Hermitage Museum & Gardens.

Leader: Chelsea Mahaffey

Frank Lloyd Wright: Masterworks in the Midwest

Sun., May 18–Thurs., May 22 (on sale Jan. 1)

This tour for architecture lovers includes Chicago-area visits to Unity Temple and the Robie House, a gem in Wright’s signature Prairie style, and the Wisconsin sites of his estate, Taliesin, and the Jacobs House, the first of the innovative Usonian residences.

Leader: Bill Keene

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

NEW Outdoor Arizona

Norfolk Gardens

The Bronx in Bloom Sun., June 1–Mon., June 2 (on sale Feb. 1)

Spring is the perfect time to discover the beauty and the history of New York City’s northernmost borough, from the stunning gardens of Wave Hill along the Hudson to Edgar Allan Poe’s cottage.

Leader: Richard Selden

Presidential Virginia Sun., June 22–Mon., June 23 (on sale March 1)

Virginia’s presidential connections outnumber those of any other state. From Jefferson’s Monticello and Madison’s Montpelier to Theodore Roosevelt’s Pine Knot and beyond, this tour covers both public and private locations that trace this fascinating aspect of the state’s legacy.

Leader: Gregg Clemmer

Wonders by Wright: Buffalo and Beyond

Thurs., Aug. 21–Sun., Aug. 24 (on sale April 1)

In the early 20th century, Frank Lloyd Wright and his contemporaries turned Buffalo into a showcase for some of the most dazzling and innovative public and private architecture. A 4-day tour surveys this rich heritage.

Leader: Bill Keene

NEW

Explore Lancaster, Pennsylvania

Fall 2025 (on sale May 1)

Discover a rich tapestry of American history and culture on a 2-day trip to Pennsylvania Dutch country. Explore the vibrant Amish community and gain insights into their unique way of life through guided tours and authentic culinary experiences.

The Hamptons for Art Lovers Sat., Oct. 4–Wed., Oct. 8 (on sale May 1)

New York’s fabled Hamptons are more than an elite summer resort. The stark natural beauty of Long Island’s South Fork has long inspired painters. Traveling from Washington, D.C., spend time in Brooklyn, the Hamptons, New Haven, and the Long Island Sound area exploring art, artists, and the landscape that inspired them.

Leader: Richard Selden

Theodore Roosevelt’s North Dakota

NEW DATES: Sat., Oct. 11–Tues., Oct. 14 (on sale April 1)

Fly west and experience the wild beauty of the Dakota Territory that shaped young Theodore Roosevelt’s course as a conservationist and naturalist.

Leader: Melanie Choukas-Bradley

Scenic Shenandoah: Staunton, Shakespeare, and Steam Oct. 2025 (on sale June 1)

The beauty and culture of Virginia’s Shenandoah Valley unfold as you ride the Virginia Scenic Railway, enjoy a performance at the American Shakespeare Center’s Blackfriars Playhouse, and wander through historic Staunton.

Leader: Lynn O’Connell

Jewels of Queens

Sun., Nov. 9–Mon., Nov. 10 (on sale July 1)

Your visit to the largest of New York City’s outer boroughs includes the site of two World’s Fairs; the Museum of the Moving Image; the Noguchi Museum; the Louis Armstrong House Museum; a sampling of international cuisine; and a stay at the TWA Hotel, which celebrates the Jet Age glamour of the ’60s.

Leader: Richard Selden

NEW

Egypt at the Met and the Brooklyn Museum

Sun., Nov. 16–Mon., Nov. 17 (on sale July 1)

Discover the wonders of ancient Egypt at the Met and the Brooklyn Museum, where you'll encounter a stunning array of artifacts, from mummies to monumental statues, that bring the mysteries of the pharaohs to life.

Leader: Gary Rendsburg

PHOTO: THE PARRISH ART MUSEUM, WATER MILL, NEW YORK, LITTLEJOHN COLLECTION | THE BIG BAYBERRY BUSH BY WILLIAM MERRITT CHASE

World Art History Certificate elective: Earn ½ credit

Egyptian Art and Culture at the Walters Art Museum

Visit the world of ancient Egypt during a day at the Walters Art Museum in Baltimore with Egyptologist Jacquelyn Williamson. A guided tour explores the museum’s collection of statuary, reliefs, stelae (commemorative stone slabs), funerary objects, jewelry, and objects from daily life that date from prehistoric to Roman Egypt (5th millennium B.C.E. to the 4th century).

Among the most impressive pieces are two 3,000-pound statues of the lionheaded goddess Sekhmet; sarcophagi; an intact mummy still in its elaborate wrappings; images of private individuals and kings; and distinctive jewelry.

After a catered lunch of Egyptian street food from Koshary Corner, Williamson gives a lesson on the basic hieroglyphic offering formula, which appears on memorial statuary and is designed to provide the dead with essential goods in the afterlife. Participants then return to the collection and practice recognizing and translating hieroglyphics. Williamson also lectures en route to the museum.

Sat., Feb. 22, 9 a.m.–5:30 p.m.; by bus; detailed tour information on website; CODE 1CD-051; Members $158; Nonmembers $218

Please visit SmithsonianAssociates.org to view the FAQ on Health & Safety guidelines for in-person programs

Indoor Gardening: Houseplants Galore

The pandemic-spurred houseplant craze shows no sign of weakening. Neither does the demand for reliable information on how best to care for the plants that enhance our daily life. Staff members of the Interiors team of Smithsonian Gardens are ready to take on the topic. The pros help sift through the overwhelming amount of available houseplant care information to determine what is right for you and your plants by covering everything from plant selection to design, ongoing care, and the newest varieties on the scene.

The program also includes a tour of the Smithsonian Gardens exhibit “Human/Nature: Why People Are Drawn to Living Things” in the S. Dillon Ripley Center’s concourse. Get insights into our innate need to be surrounded by nature and learn why adding plants to your living space—and taking good care of them—can make you smile.

TWO OPTIONS: Tues., Feb. 25 (CODE 1NSA02); Thurs., Feb. 27 (CODE 1NS-B02); 10 a.m.–12 p.m.; detailed tour information on website; Members $50; Nonmembers $65

Walking Tour

Bus Tour

Tomb painting of a woman holding a sistrum

Smithsonian horticulturist Alexandra Thompson’s indoor garden

Images from the “Human/Nature: Why People Are Drawn to Living Things” exhibit (courtesy of Smithsonian Gardens)

Statue of Tef-ib, a funerary object

2-Day Tour

The Philadelphia Flower Show

Gardens of Tomorrow

There’s no better way to sweep away winter than with an overnight escape to the horticultural paradise that’s the Philadelphia Flower Show. With a theme of “Gardens of Tomorrow,” the 2025 edition is sure to provide a world of boundless inspiration. Horticulturist Chelsea Mahaffey leads the tour.

Start with a visit to nearby Winterthur, where a guided tram tour of the grounds and mansion give a taste of what used to be the du Pont family’s luxurious estate. After a boxed lunch, discover horticultural secrets on a docent-led garden walk. Dinner is at the festive Victor Café.

You begin your Monday visit to the flower show 2 hours before it opens to the public, then enjoy a full day to explore the world’s largest annual floral exhibition. Experience the beautiful creatures in the Butterflies Live! immersive habitat while learning how to attract them to your garden, plus lectures by Philadelphia Horticultural Society (PHS) educators.

Step into the Designer’s Studio and Gardener’s Studio, which feature top flower designers in competitions and lively gardening demos; explore the plants, flowers, and gifts at the Marketplace; and celebrate the beauty of container-grown plants in the PHS Horticourt.

Grab lunch at the show or across the street at Reading Terminal Market, a Philadelphia staple since 1893.

Sun., March 2, 8 a.m–Mon., March 3, 6 p.m.; by bus; detailed tour information on website; CODE 1CN-PFS; Members $648; Nonmembers $864

6-Day Tour

Outdoor Arizona

Geology, Architecture, and Natural Beauty

Meet in Arizona and embark on a springtime exploration of some of the Grand Canyon State’s best-known sites (as well as hidden gems) that highlight its rich ecology, geology, stunning landscapes, and architectural masterworks. Wayne Ranney, a geologic educator, author, lecturer, and trail and river guide, leads the outdoor adventure.

DAY 1: Participants arrive in Phoenix. The tour opens with a welcome orientation and dinner at the hotel.

DAY 2: Start your explorations in Phoenix with a visit to the Boyce Thompson Arboretum, set in a beautiful natural environment along Queen Creek Canyon in the Sonoran desert. Uncover the genius of Frank Lloyd Wright at Taliesin West as a guided tour covers the innovative designs and philosophies that define this architectural masterpiece set against a desert backdrop.

DAY 3: Travel to the Grand Canyon’s South Rim and set off on a 3-mile walk along the scenic Rim Trail with your study leader. Learn about the canyon’s formation and the unique ecosystems that thrive here and spend free time at the visitor’s center. Then, move on to Flagstaff, your home base for the next 3 nights.

DAY 4: Delve into geology and history in Sedona, where red-rock formations and vibrant landscapes inspire awe. Take a Jeep tour into the canyons; view a hilltop chapel inspired by Frank Lloyd Wright; hike along canyon-walled Oak Creek; travel scenic Route 89A; and enjoy a meal in the culinary mecca of Sedona.

DAY 5: Visit iconic Antelope Canyon, known for its breathtaking light beams and swirling sandstone formations. Stop at Horseshoe Bend, formed over thousands of years through erosion by the Colorado River, highlighting both natural beauty and geological processes at work.

DAY 6: After a visit to Flagstaff’s Museum of Northern Arizona, share your memorable tour experiences over a farewell meal at a local restaurant, followed by a transfer to the Phoenix airport for your flight home. Sat., April 26, 6 p.m.–Thurs., May 1, 4 p.m.; detailed tour information on website; CODE 1NN-ARZ; Members $2,491; Nonmembers $3,200 Travel information: Flights are not included; participants make independent flight arrangements to Phoenix.

Boyce Thompson Arboretum

Antelope Canyon

Horseshoe Bend

Smithsonian Associates Recognizes Our Generous Donors

Special thanks to the individuals, corporations, foundations, and organizations whose support makes the work of Smithsonian Associates possible. Through them, we’re able to continue to bring programs that offer opportunities for discovery, enrichment, and knowledge to audiences of all ages nationwide. We gratefully acknowledge the donors who made gifts between October 1, 2023 and September 30, 2024.

In the many messages that staff receive, members and donors make a point of sharing their Smithsonian Associates experiences and providing welcome feedback. Some of these comments are highlighted on the following pages.

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Donors Andy Black, Vince Murchison, and Keith Coyle meet former Supreme Court Associate Justice Stephen Breyer (second from left) backstage after a Smithsonian Associates program in which he discussed interpreting the Constitution with NPR's Nina Totenberg.

Recognizing Our Generous Donors

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Chef and restaurateur Bobby Flay in conversation with Joe Yonan, the Washington Post’s food and dining editor, at a recent program in Baird Auditorium.

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“Paul Glenshaw has great energy and is a fantastic storyteller. I will follow him anywhere in any museum.”

Lecturer Paul Glenshaw led tours of the National Gallery of Art and the Smithsonian’s National Portrait Gallery and American Art Museum focused on works in Associates’ popular Art + History series.

PHOTOGRAPHY: SMITHSONIAN STAFF/VOLUNTEER

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C u l ture + Ideas

Recognizing Our Generous Donors

“I love how Richard incorporates history, geography, and literary references and context into his messages about art and artists. He has fantastic talent with people and knowledge. ”

Participants in a Smithsonian Associates study tour led by arts journalist Richard Selden enjoyed two art-filled days in the Hamptons, then ferried across Long Island Sound for an afternoon in the village of Mystic, Connecticut.

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Ashley Elizabeth Miller

Mr. Thomas Miller

Ms. Chris Milliken

Mr. David John Mills

Roger Mingo and Amy Shapiro

Stephen Mladineo

Kim Montgomery and Matthew Sharp

Mrs. Philippa S. Moore

Mrs. Janet M. Morgan

Melissa and MacKenzie Moritz

LTC Dee Dodson Morris

James Morrison

Steve and Carol Mournighan

Mr. Christopher M. Mrstik

Mr. Paul Mullen

Mr. Frederick J. Murphy

Mr. Raymond Murphy

Emily Murry

Sakura Namioke

Mr. Giovanni Napolitano

Thomas and Edith Nardone

Vicki and John Nelson

Mr. Lowell Nelson

Vincent and Donna Neradka

Ms. Laura Nerenberg

Sherry Nevins

Ms. Andrea Newton

Ms. Alexa Nicolaides

Mr. David Nielsen

Mr. Randy Noranbrock

Ms. Cindy Oh

James O'Hagan

Dr. Janis M. Orlowski

Maria Ortiz

Glenn and Linda Ostrander

Julie Rose O'Sullivan

Henry Otto and Judy Whalley

Janet Ousley

Marsha Paller

Mr. Kevin W. Parker

Piper Parker

Mr. David Parsons

Mr. Paul Paulman

Ms. Erica Paulson

Janice T. Pauly

Mrs. Ann Pepper

Mr. Louis J. Perfetti

Ms. Julia Perlman

Nicole Petrosky

Dr. Roy C. Pettis

Richard Phelps

Lisa Philander

Dr. Michael Phillips

Angelina Piazza

Ms. Paulette Carnicelli Pidcock

Jeff Pixley and Jean Philibert

The group visited the former home and studio of painters Jackson Pollock and Lee Krasner in the Town of East Hampton, as well as other notable sites in the area.

PHOTOGRAPHY: SMITHSONIAN STAFF/VOLUNTEER

Ms. Nina Plaushin

Richard and Ann Posey

Ms. Amy Pressler

Nicholas Provost and Diane Stewart

Kate Psillos

Gregory Puhak

Natasha and Christian Racic

Dafna and Doug Rand

Jan Randall

Deiadre Rauch

Beatrice A. Reaud

Jennifer Records

Jeff Reese

Mr. Edward Rehfeld

The Reinker Family

Mr. James Remenick

Mrs. Christine C. Reynolds

Bill Rhodes

Ms. Margaret J. Rice

Ms. Elizabeth M. Richardson

Christina Ricks Canty

Ms. Alice Riedel

Mr. Thomas Roberts

Ms. Lisa Robin

Hugh Robinson and Marilyn Stone

Janessa Robinson

David Rockcliffe

Anayansi Rodriguez Carbo

Mr. Jose L. Rodriguez

Ms. Denise Rollins

Alicia Romero and Clint White

Michael Rooks

Nicole Rosenblum

Madelyn Ross and Spencer Griffith

Sara Rothman

Ms. Jane Royal

Peggy Rubin

Gregg A. Rubinstein and Andrea Blackburn

Lawrence Rudolph

Michele Russell-Einhorn

Rosanne Russo

Jane Ryan

Ms. Susan Michele Ryan

Vincent and Lynn Sabio

Ms. Christine Saliba

Mr. William Schilling

Ira and Mary Schoen

Robert and Dorothy Schoening

Catherine Schoenwetter and Daniel Gottovi

Robert and Barbara Schulte

Dr. Guillermo Schultz

Ms. Elizabeth Schuster

Douglas and Ann Scott

Ms. Marie Coridalia Scott

Sandra Seacat

Anthony and Christina Segal-Knowles

Richard Seldin

Ms. Lisa Senyk

Mrs. Dee Seward

Joyce Shade

Jugna Shah

E. K. Shahan

Ms. Lori Rae Shapiro

David and Peggy Shiffrin

Mr. Ian Shuman

Mary and Patrick Siffermann

Patricia Silverthorn

Ms. Kathryn Weil Simon

Mr. and Mrs. Jamison Sites

Mr. Rick Sniffin

Roger E. Soles and Carol Bursik

Mr. Ray Sidney Sousa

Dr. and Mrs. Richard F. Southby

Ms. Cullen Drescher Speckhart

Ms. C. Fairley Spillman

Ann and Tim Stahmer

Elizabeth Stanley

Shelley Stinelli

Mr. Michael J. Stirratt

Dr. Manfred Stommel

Alexandra Storm Iris Straus

Harriet Stulman

Mr. John Sukenik

Candice Summers

Yichen Sun

Ingrid Sunzenauer

Stacey Sutton

Mrs. Donna M. Swan

Edward Szrom and John Geiger

Ms. Mary Tait

Ms. Emily L. Tamlyn

Charlotte Taylor

Mr. Leslie C. Taylor

Al Tetrault and Deborah Smith

Michael and Jane Thompson

Leslie Thornton

Mrs. Ruth Torres

Steven and Prudence Traut

Jason Treat

Nicholas and Diane Trentacoste

Rick Trevino and Larz Pearson

Ms. Margaret Troyer

Ms. Silvia Trumbower

Jenny H. Truong

John and Mary Tuohy

Ellen S. Tuttle

Ms. Meredith Upchurch

Burak Uygur

Lyman G. Van Nostrand

Mr. Thomas Van Wazer

Ms. Lucinda Vavoudis

Victoria Vermes

Our programs…your time

Here’s a terrific bonus for program attendees: Recordings of many of our livestreamed offerings are available for a limited viewing time after the program has taken place.

Visit SmithsonianAssociates.org/encores for more information.

C u l ture + Ideas

Katherine Villano and Bart Zwaard

Gwynne Villota

Mr. Paul Vogelzang

David K. Voight and Galen Brooks

James Vollman and Lee Hobrla

Dr. William Von Holle

David and Tricia Vondle

Mr. Frederick Waite

Burden Hastings Walker

Justina K. Wang

Ed and Liz Ward

Tami and Mike Ward-Dahl

Col. Richard and Sandra Wargowsky

Wendy H. Waszmer

Chrissy and Richard Weaver

Arlene Weberg

Mrs. Diane Weinberger

Ms. Angela C. Weisskopf

Thomas E. Wellems and Marilyn I. Powell

Agnes Wells

Dr. Laurie Wenger

Ann Werner

Mr. Courtney Wheeler

Jonathan White

Mr. Paul Whitebread

Philip Wiesner

Everett Wilcox and Jan Pomerantz

Karan Williams

Ms. Mamie Jackson Williams

Marjorie Coismain Williams

Ms. April Williamson

Glenn Wilson

Dr. Scott and Marie-Claire Wilson

Mr. Scott Wilson

Ms. Irene Wirz

Ms. Maxanne Witkin

Charles Wolfe Jr. and Virginia Howard

S. Wonnum

Mr. Calvin Woodhouse Jr.

Tom and Nancy Woodley

Mrs. A. Woodyard

Dr. Karen Wooten

Mr. David Wright

Donald and Patricia Zelman

Kenneth Zemrowski

Qin Zhang

Brett Zongker and Brian Westley

Recognizing Our Generous Donors

C u l ture + Ideas

Legacy Society

Patrons who express their support for the future of the Smithsonian Associates in their estate plans by including bequests, charitable gift annuities, or other deferred gifts are invited to be a member of our Legacy Society. These dedicated individuals perpetuate the Smithsonian Associates’ unparalleled access to the Smithsonian's world of knowledge through innovative, engaging programming that promotes learning, enrichment, and creativity for people of all ages.

Ralph and Birdie Albers *

Kenneth and Lorraine Appleton

Andy Black and Laurie Trautner

Ms. Katherine Boyd

Linda Cullen

Genevra Davis *

Beverly Feeser *

Grace Ferrill *

Joseph Fischer

Becky J. Fredriksson

Sallie L. Holder

Shirley Loo

Linda Massaro

Lowell and Dorothy McDysan *

Eleanor McMillan *

Eugene Miller *

Judith Monte

Renee Nelson and Barbara Cronin

Jane Northern

Harry Rosenthal

Robert and Deanne Seward

Siewchin Yong Sommer

Beverly Weber

Angela Weisskopf

Jon and Sandy Willen

Douglas and Laura Wolford

* In memoriam

“I'm really impressed with the breadth of programming, such a great gamut of learning possibilities.”

Corporations, Foundations, Organizations, and Individuals

The following corporations, foundations, organizations, and individuals have made contributions to Smithsonian Associates during fiscal year 2024 through matching gifts, direct program support, gifts-in-kind, or unrestricted contributions at the Sponsor level and above.

American Battlefield Trust

American Women’s History Museum

David E. Austen

Robert W. Baird and Co. Inc.

Baker’s Daughter

Mark and Phyllis Breese

Charles and Ellen Brown

BUNN Gourmet

CAVA

Cindy Dill

Robert Fabia and Kathy Aram

George Mason University

Glenbrook Brewery

Mary J. Goodreau

Jane Guiliano

Laird's Applejack

Eugene M. Lang Foundation

Lohmann Family Charitable Fund

Ms. Charmaine Martin

Mount Vernon

National Museum of American History

Prince William County

Christine Roberts

San-J International

Saratoga, New York

Signature Theatre

Smithsonian Women’s Committee

Peter W. Sowa

The Ella Fitzgerald Charitable Fund

The Nora Roberts Family Foundation

Adele M. Thomas Charitable Foundation Inc.

Unionville Vineyards

Venchi

Priscilla Wolfensohn

Margaret Woodring Zingerman's

Smithsonian Associates appreciates the support of each individual, corporation, foundation, and organization listed in the Honor Roll of Donors. We strive to be as accurate as possible, but as in any such listing, it is possible for errors to occur.

If we listed your name incorrectly or inadvertently omitted your name from the Honor Roll, please bring it to the attention of the Office of Development immediately by emailing DonorServices@si.edu, so we may correct our records.

If you would like to make a gift to Smithsonian Associates or would like more information on ways to give, contact the Office of Development at 202-633-3440. You can also find additional information online at SmithsonianAssociates.org

Program Planner (New listings in red); (In-person programs•)

Courses, Performances, and Lectures—Multi-Session

Thurs., Dec. 5 and 12

Classical Sounds of Christmas 16

Sat., Dec. 7 and Sun., Dec. 8

Masterworks of Five Centuries •...............................................................12

Sat., Dec. 14, Sun., Dec. 15 and Sat., Jan. 25, Sun., Jan. 26

Axelrod String Quartet • 12

Sun., Dec. 15, Sat., Feb. 15, Sun., April 6, Sat., June 14

Smithsonian Jazz Masterworks Orchestra • 15

Thurs., Jan. 9–Feb. 13

The Glory of Russian Masterworks ...........................................................19

Wed., Jan. 15–March 12 Further Explorations in Music Theory

Tues., Jan. 28–Feb. 25

Masterworks of Chamber Music: Intimate Beauties 21

Mon., Feb. 3, 10, 24, and March 3

Writing the Family Story ..........................................................................22

Lectures and Seminars—Single Session

Feb. 9, 16, and 23 Botanical Gardens: A World Tour

Feb. 13 and 20

Fine Art of Yogic Awareness

Tours—Single and Multi-Session

Fri., Jan. 10 Art + History Museum Tour with Paul Glenshaw 51 Fri., Jan. 17 Art + History Museum Tour with Paul Glenshaw 51 Sat., Jan. 25 A Cultural Symphony: The New York Philharmonic, the Met, and the Guggenheim 51 Sat., Feb. 22 Egyptian Art and Culture at the Walters Art Museum 54

Feb. 25 Indoor Gardening: Houseplants Galore

Thurs., Feb. 27 Indoor Gardening: Houseplants Galore

Sun., March 2 The Philadelphia Flower Show

Studio Arts

In Person: Painting, Drawing, Mixed Media, Fiber Arts, Sculpture, Calligraphy, Other Media, Photography

Online: Painting, Drawing, Mixed Media, Fiber Arts, Sculpture, Calligraphy, Other Media, Photography

SMITHSONIAN ASSOCIATES GENERAL INFORMATION AND POLICIES

Please visit SmithsonianAssociates.org for more details

MEMBERSHIP Depending on your level of support, you will receive special benefits, including significant savings on most Smithsonian Associates program tickets and a monthly Smithsonian Associates program guide, and much more. Visit SmithsonianAssociates.org/join for more information. Become a member today!

REGISTRATION FOR PROGRAMS

Online.......................SmithsonianAssociates.org

Phone .........................202-633-3030, from 10 a.m. to 3 p.m. ET, Monday through Friday.

Phone registration orders are subject to a $3 handling fee.

CONTACT US

Email CustomerService@SmithsonianAssociates.org

Mail Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293

Phone 202-633-3030, from 10 a.m. to 3 p.m. ET, Monday through Friday.

ZOOM PROGRAM LINKS

Confirmed registrants receive an email from no-reply@zoom.us at least 24 hours prior to the program date that provides a link to join your session on Zoom.

PROCESSING FEES

All program registrations are subject to a 10% processing fee to defray administrative costs. Registrants will see this fee applied during the checkout process. Exclusions are transactions for Discovery Theater, Smithsonian Summer Camp, Studio Arts, and Study Tours.

CREDIT TO YOUR SM ITHSON IAN ASSOCIATES ACCOUNT

Credit for cancellations or exchanges are only available for ticket orders that cost more than $40. If in compliance with the specific guidelines below, credit is issued to your Smithsonian Associates account, not your credit card. Credits are non-transferable.

Important note: Cancelling your program in the Zoom personal link that you received does not initiate the Smithsonian Associates credit or refund process. Please contact Customer Service via email at least two weeks in advance to request a change to your registration

For all Smithsonian Associates online programs, study tours, and Studio Arts classes: If you wish to cancel or exchange tickets for any ticket order costing more than $40, please contact Customer Service via email at least two weeks before the program date to request a credit. Please note that there is a $10 cancellation fee, as well as a cost adjustment when there is a price difference if you are applying your credit to another program.

Courses: To receive credit to your Smithsonian Associates account for a course, (excluding Studio Arts classes), please contact Customer Service via email at least two weeks before the first session. Credit will also be issued within two weekdays after the first session, provided that Customer Service is contacted within that period. Credit will be prorated to reflect the cost of the first session. No credit will be given after the second session.

REFUNDS are only issued when a program is cancelled or if it sells out before we receive your order.

CHANGES I N PUBLISHE D SCHE DU LES Smithsonian Associates reserves the right to cancel, substitute speakers and session topics within a course, and reschedule any program, if needed. Occasionally, a time or date of a program must change after it has been announced or tickets have been reserved. Participants are notified by email. Check SmithsonianAssociates.org for latest updates.

MOVING? If you are receiving our print publications, please email or write us with your new information and allow 6 weeks for the change of address to take effect.

PHOTOGRAPHY AND VIDEO Smithsonian Associates reserves the right to take photographs or videos (or audio) during programs for the educational and promotional purposes of the Smithsonian Institution or authorized third parties. By attending a program, the participant agrees to allow their likeness to be used by Smithsonian Associates or Smithsonian-authorized third parties without compensation to the participant. Participants who prefer that their voice and/or image not be used must notify us in writing prior to the beginning of the program.

Smithsonian Institution Washington, D.C. 20560-0701

MEMBER NUMBER