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Helpful Information
Expand Your World: Join Smithsonian Associates
Your Membership Support Will Shape Our Future
Becoming a member of Smithsonian Associates makes you part of the largest museum-based educational program in the world. You’ll be among the first to know about the outstanding programs we bring you every month, and as an insider you’ll have unparalleled access to the Smithsonian’s world of knowledge—and enjoy exclusive benefits.
You might not be aware that unlike the Smithsonian’s museums, Smithsonian Associates is not federally funded. We rely on individual member contributions to help bridge the gap between program expenses and ticket revenues. And that support ensures that Smithsonian Associates can continue to grow and reach even more people—all across the country—with outstanding educational programs.
Please, consider expanding your world by becoming part of ours at:
SmithsonianAssociates.org/levels
Membership Levels
Associate ($50) Members-only ticket priority and ticket discounts, free members-only programs, Smithsonian Associates’ monthly program guide, and more.
Champion ($80) All the above and additional benefits: Up to four discounted tickets, priority consideration for waitlisted programs, and more.
Promoter ($100) All the above and additional benefits: The award-winning Smithsonian magazine delivered to you, member discount on limited-edition fine-art prints created for Smithsonian Associates’ Art Collectors Program, and more.
Advocate ($175) All the above and additional benefits: An advance digital copy of the monthly program guide, two complimentary program tickets, and more.
Contributor ($300) All the above and additional benefits: Advance registration for Smithsonian Summer Camp, recognition in the program guide’s annual donor list, and more.
Patron ($600) All the above and additional benefits: Four complimentary tickets to a headliner program, copy of the Smithsonian Annual Report, and more.
Sponsor ($1,000) All the above and additional benefits: Reserved seating at in-person programs, dedicated concierge phone line for inquiries and tickets, and more.
Partner ($2,500) All the above and additional benefits: Invitation for two to attend the prestigious annual Smithsonian Weekend, recognition in the annual report, and more.
Benefactor ($5,000) All the above and additional benefits: Recognition as a sponsor of a selected program, priority seating at all in-person programs, and more.
Bonus: Contributions at the Advocate level and higher include membership in Smithsonian Associates’ Circle of Support.
Unless noted, all programs are presented on Zoom; listed times are Eastern Time. Online registration is required.
Program Planner (New listings in red)
Courses, Performances, and Lectures—Multi-Session
Mon., Jan. 9, Feb. 6, and March 6
The Geology of Western National Parks ..............................................30 Tues., Jan. 10–Feb. 7
For the Love of Schubert ..........................................................................22 Tues., Jan. 10–31
The Women Who Made Art History .......................................................35 Tues., Jan. 10, Jan. 17, Jan. 24, Jan. 31, and Feb. 7
Write Into Art ...............................................................................................36 Thurs., Jan. 12 and Jan. 26
The Best of Ballet Music ...........................................................................21 Tues., Jan. 17–March 7
Introduction to Music Theory ..................................................................22 Mon., Jan. 23, Jan. 30, Feb. 6, and Feb. 13
Jamestown: The First 100 Years...............................................................4 Mon., Jan. 23–Feb. 13
Cinema and the Cities ...............................................................................23 Sun., Feb. 5, 12, and 19
Botanical Gardens: A World Tour......................................................32 Mon., Feb. 13, 27, and March 13
Lunchtime with a Curator ..................................................................40 Tues., Feb. 14–March 7
Evocative Concert Music ...................................................................25
Wed., Feb. 15, Feb. 22, March 1, March 8, March 15
UNESCO World Heritage Sites..................................................................8 Sat., Feb. 25, April 1, and April 29
Saturday series: The Axelrod String Quartet .....................................26 Sun., Feb. 26, April 2, and April 30
Sunday series: The Axelrod String Quartet ........................................26 Tues., Feb. 28–March 28
Understanding Contemporary Art ....................................................41 Wed., March 1–22
Exploring Ancient Anatolia........................................................................11 Thurs., March 2, March 30, May 4, and June 1
Spring in the South of France.................................................................12 Tues., March 7–28
What Does It Mean To Live a Good Life?.............................................28 Thurs., March 9, 16, and 23
Masterworks at the Barnes Foundation...............................................42 Tues., March 21–April 11
A Celebration of French Music ..............................................................29 Tues., March 21–April 11
The History of Western Architecture ...................................................43
Lectures and Seminars—Single Session
Thurs., Jan. 5 From Carson to Oprah ...................................................2 Fri., Jan. 6 Frederic Church's Olana .........................................35 Tues., Jan. 10 Tutankhamun ...............................................................2 Wed., Jan. 11 Casanova’s Venice.......................................................2 Ian Fleming ........................................................................3 Christ in Art................................................................37 Thurs., Jan. 12 “Ike”: D-Day to the Defeat of Germany.................3 Fri., Jan. 13 Spanish Art and Architecture................................37 Mid-century Modern ................................................37 Sat., Jan. 14 Reading and Understanding Ulysses ...................21 Tues., Jan. 17 Brave Hearted ..............................................................3 Wed., Jan. 18 A Garden Odyssey ....................................................30 How To Nourish Your Mental Health ....................31 Thurs., Jan. 19 Adam Smith’s America...................................................4 Fri., Jan. 20 Cold-Weather Wines from Hot Climates.............19 The Wife of Bath .......................................................22 Greatest Paintings in Florence .............................35 Sat., Jan. 21 Renaissance Rome .......................................................38 Mon., Jan. 23 The Yalta Conference .....................................................4 Tues., Jan. 24 Fashion and the 1920s New Woman....................23 How To Write a Fairy Tale .......................................23 Wed., Jan. 25 Richard the Lionheart and Saladin.........................5 Dostoevsky’s Crime and Punishment..................24 Thurs., Jan. 26 A Journey into the Brain .........................................31 Sat., Jan. 28 Inside Shakespeare...................................................24 Mon., Jan. 30 A Panda Story.............................................................31 Tues., Jan. 31 Allied Strategy and Operation Overlord................5 Galapagos Islands.....................................................32
Program Planner (New listings in red)
Wed., Feb. 1 Discovering Bordeaux ................................................6 Art Crimes ..................................................................38 Thurs., Feb. 2 Rick Steves .................................................................20 Sat., Feb. 4 Viennese Classics (SCMS) .....................................27 Tues., Feb. 7 The Second Middle Passage ....................................6 “The Chinese Question”.............................................7 Wed., Feb. 8 Stonehenge: An Epic Enigma...................................7 Spices 101: Ginger ....................................................20 Thurs., Feb. 9 Astrology in Renaissance Art....................................38 Marisol .........................................................................39 Fri., Feb. 10 War and Pieces: The Met Cloisters ....................39 Sat., Feb. 11 Jane Austen ....................................................................39 Mon., Feb. 13 Ancient Art Collections of Rome .............................40 Wed., Feb. 15 Gothic Kingdoms .........................................................8 Thurs., Feb. 16 Discovering Türkiye ....................................................6 Fri., Feb. 17 Wines of the Iberian Coast .........................................19 Sat., Feb. 18 Centennial Year of Race Records (SJMO) .........28 Tues., Feb. 21 The Grapes of Wrath................................................25 Wed., Feb. 22 An Anatomy of Addiction ............................................10 Winslow Homer ..........................................................41 Thurs., Feb. 23 I Do Solemnly Swear...................................................7 Frederick Douglass: Autobiographer....................10 Gene Kelly ...................................................................25 Edmonia Lewis ................................................................41 Sat., Feb. 25 Scotland and England ...............................................11 Mon., Feb. 27 Back from the Brink .................................................32 Tues., Feb. 28 1966: Black Power ....................................................10 Thurs., March 2 The Studio House ......................................................12 Sat., March 4 Sapporo-Style Ramen: A Regional Rage ...........20 Tues., March 7 The Oscars..................................................................28 Thurs., March 9 American Women: the Fight for Equality............12 Cuban History ...........................................................13 Sat., March 11 Ancient Egypt ............................................................43 Mon., March 13 Feminist Fairy Tales .................................................24 Tues., March 14 Slavery and Freedom ..............................................13 Edith Wilson ................................................................14 The Tale of Shuten Doji ...............................................42 Wed., March 15 African American and Irish Relations ..................13 Thurs., March 16 The Heart of John Brown ........................................14 How the Internet Changed the Media ................14 Fri., March 17 Exploring Wines from Island Regions......................19 Sat., March 18 Tudor London..............................................................15 A Celebration of Marin Marais (SCMS)...............27 Sun., March 19 A Celebration of Marin Marais (SCMS)...............27 Wed., March 22 Magna Carta: A Blueprint for Democracy ..........16 Aperitivo: Italy’s Magical Pre-dinner Hour ........21 Thurs., March 23 Alice Roosevelt Longworth .....................................16 Thomas Gainsborough.............................................43 Tues., March 28 Barbra Streisand: She’s All That ..........................29 Wed., March 29 Niccolò Machiavelli in Context ..............................16 Black Holes 101..........................................................33 Thurs., March 30 Assateague ................................................................33 J.M.W. Turner ............................................................42 Mon., April 3 Wonder Tales from Japan........................................17 Thurs., April 13 The Changing Face of Television...........................17 Sat., April 22 Cultural Heritage Sites of India .............................17
Tours-In Person—Single and Multi-Session
Sat., Jan. 21 An Artful Weekend in New York..................................57 Mon., March 6 The Philadelphia Flower Show 2023......................57 Fri., March 24 Montgomery Meigs .................................................60 Sun., March 26 All Eyes on Pittsburgh ...................................................60 Sun., May 21 Frank Lloyd Wright ..........................................................61
Studio Arts
Painting, Drawing, Mixed Media, Fiber Arts, Sculpture, Calligraphy, Other Media, Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44-56
NOTICE TO OUR PATRONS:
Smithsonian Associates offers our popular online programs, as well as a number of in-person programs. Because our patrons’ well-being remains Smithsonian Associates’ highest priority, all in-person programs will follow current CDC guidelines. For additional information, please contact us at 202-633-3030 from 10 a.m. to 3 p.m. ET, Monday to Friday
To address your concerns, we are providing the most current information on ticket purchasing and policies, membership and audience services, and communicating with our staff.
SMITHSONIAN ASSOCIATES POLICIES AND PROCEDURES
MEMBERSHIP Depending on your level of support, you will receive special benefits, including significant savings on most Smithsonian Associates program tickets and a monthly Smithsonian Associates program guide, and much more! Visit SmithsonianAssociates.org/join for more information. Join today!
TICKETS
Online.......................SmithsonianAssociates.org
CONTACT US
Email ........................CustomerService@SmithsonianAssociates.org Mail.............................Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293
REFUNDS are only issued when a program is canceled or if it sells out before we receive your order.
CREDIT TO YOUR SMITHSONIAN ASSOCIATES ACCOUNT
Credit for cancellations or exchanges are only available for ticket orders that cost more than $40. If in compliance with the specific guidelines below, credit is issued to your Smithsonian Associates account, not your credit card. Credits are non-transferable.
Important note: Cancelling your program in the Zoom personal link that you received will not entitle you to a Smithsonian Associates credit or refund, unless the cancellation took place at least two weeks prior to the program and you notified Customer Service via email about the cancellation.
All Smithsonian Associates online programs, study tours, and Studio Arts classes: If you wish to cancel or exchange tickets for any ticket order costing more than $40, please contact Customer Service via email at least two weeks before the program date to request a credit. Please note that there is a $10 cancellation fee, as well as a cost adjustment when there is a price difference if you are applying your credit to another program. Courses: To receive credit to your Smithsonian Associates account for a course, (excluding Studio Arts classes), please contact Customer Service via email at least two weeks before the first session. Credit will also be issued within two weekdays after the first session, provided that Customer Service is contacted within that period. Credit will be prorated to reflect the cost of the first session. No credit will be given after the second session.
CHANGES IN PUBLISHED SCHEDULES Smithsonian Associates reserves the right to cancel, substitute speakers and session topics within a course, and reschedule any program, if needed. Occasionally, a time or date of a program must change after it has been announced or tickets have been reserved. Participants are
notified by email. Check our website SmithsonianAssociates.org for latest updates.
MOVING? If you are receiving our print publications, please email or write us with your new information and allow 6 weeks for the change of address to take effect.
Smithsonian Institution Washington, D.C. 20560-0701
MEMBER NUMBER
PERIODICALS POSTAGE Paid at WASHINGTON, D.C. and additional mailing offices
If you have not yet downloaded Zoom go to www.zoom.us/download and download the latest version of the Zoom desktop application.
Because Internet speeds vary, try to use a hardwired internet connection (ethernet cord) to your computer. Limit the number of devices and close other applications in use while viewing, and avoid any high bandwidth activities.
You will receive two emails after registering for a program: The first is an immediate automatic confirmation of your purchase from CustomerService@SmithsonianAssociates.org and a second one from no-reply@zoom.us at least 24 hours prior to the program date with a link to your online program on Zoom.
Click the Zoom link sent to you via email (“Click Here to Join”). It will automatically open a web page asking you to launch the Zoom application. Click “Open Zoom Meetings.”
Once the meeting is open in Zoom, maximize the window by clicking “Enter Full Screen” in the top right corner. Also, make sure your speakers are on.
SMITHSONIAN ASSOCIATES ONLINE
