8 minute read
SOLD OUT
Lectures, demonstrations, and hands-on experimentation introduce the medium of oils. Working from museum masterpieces, still-life arrangements, or your own favorite photos, explore basic painting techniques, including color-mixing, scumbling, and glazing, to gain the technical background and experience you need to get started as a painter.
IN PERSON: Tues., July 11–Aug. 15, 6:30 p.m.; Shahin Talishkhan; details and supply list on website; Ripley Center; CODE 1V0-0VM; Members $215; Nonmembers $245
Impressionism in the Franciscan Monastery Gardens
Cézanne-Inspired En Plein Air Landscape Intensive
Henna tattoos reflect an ancient and beautiful practice of body art. Explore the form’s history as you learn to apply simple traditional Indian henna designs.
IN PERSON: Sat., June 24, 12:30 p.m.; Sharmila Karamchandani; details and supply list on website; Ripley Center; CODE 1V0-0UV; Members $65; Nonmembers $75
By Sandra Gobar
Capture the nuances of the natural light in the gardens of the Franciscan Monastery of the Holy Land in America with water-based oils, watercolors, or acrylic paints on canvas as Impressionist artists would.
IN PERSON: Sat., Aug. 12 and 19, 10 a.m.; Sandra Gobar; details and supply list on website; Franciscan Monastery gardens; CODE 1V0-0XE; Members $195; Nonmembers $215
Introduction to Photography
Figure Sculpture
Students examine the materials and processes for sculpting a portrait, torso, or full figure using a live model. They learn clay sculpture techniques focused on tool use, armatures, anatomy, and proportions and have the opportunity to explore their own individual styles.
By George Tkabladze
IN PERSON: Wed., July 12–Aug. 9, 6:30 p.m.; George Tkabladze; details and supply list on website; Ripley Center; CODE 1V0-0WB; Members $215; Nonmembers $245
PHOTOGRAPHY n
On-Location Photography
Learn to capture this vibrant capital city and sharpen your way of thinking about shooting outdoors in a course that focuses on deploying a minimal amount of equipment and a lot of fresh perspective. Emphasis is placed on what happens before the shutter release is pressed and on truly previsualizing the photograph.
IN PERSON: Sun., July 9–Aug. 13, 1:45 p.m.; Joe Yablonsky; details on website; Ripley Center; CODE 1V0-0WJ; Members $195; Nonmembers $225
By Joe Yablonsky
By Andargé Asfaw
Introduction to Studio Portraiture
In Person
Whether you want to work in digital or film, this course offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition. Critiques of assignments enhance the technical skills you learn.
IN PERSON: Tues., July 11–Aug. 15, 6:30 p.m.; Andargé Asfaw; details and supply list on website; Ripley Center; CODE 1V0-0WM; Members $185; Nonmembers $215
Produce a portfolio of student and model portraits in this class that focuses on basics such as posing a subject; using highlight and shadow; high key and low key lighting; using a flash meter; and understanding strobe lighting.
By Marty Kaplan
IN PERSON: Tues., July 11–Aug. 15, 6:30 p.m.; Marty Kaplan; details on website; Ripley Center; CODE 1V0-0WN; Members $185; Nonmembers $215
On-Location Photography with Neutral-Density Filters
Neutral-density filters help achieve very slow shutter-speed photos in bright sun and capture streaking light at night. Appropriate camera controls and filter techniques are covered, and students get to apply what they’ve learned.
IN PERSON: Wed., Aug. 16–30, 6:30 p.m.; Joe Yablonsky; details on website; Ripley Center; CODE 1V0-0XJ; Members $125; Nonmembers $145
Art Sci Ence Studio Arts Culture Hi Story Studio Arts
Unless noted, all programs are presented on Zoom; listed times are Eastern Time. Online registration is required.
Online
Online classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio. View portfolios of work by our instructors at SmithsonianAssociates.org/art instructors.
ART THEORY AND PRACTICE n n n n
World Art History Certificate elective: Earn ½ credit
Composition
This workshop examines fundamental concepts of composition and their practical application in studio-art practice, offering participants tools to enrich their work as well as to analyze and appreciate visual art in general.
Moroccan Café by Matisse, 1913
ONLINE: Mon., Aug. 7–28, 10:30 a.m.; Shahin Talishkhan; details and supply list on website; CODE 1V0-0XC; Members $155; Nonmembers $175
Visual Journaling: Creativity Workout
Sketchbook Habit: The Art of Everyday Life
By Renee Sandell
In an afternoon of artistic experimentation, explore five modes of visual thinking: working from memory, observation, imagination, narrative, and experimental approaches. Create visual journaling pieces and engage in mark-making and mapping exercises.
ONLINE: Sat., Sept. 9, 1 p.m.; Renee Sandell; details and supply list on website; CODE 1V0-0XN; Members $75; Nonmembers $85
DRAWING n n n n
Portrait Drawing
Students are introduced to the basic steps of how to create a convincing portrait using charcoal or graphite. Concepts such as the universal proportions of the face are explored, as are techniques to help observe and record features that make a particular subject unique.
Sold Out
ONLINE: Wed., July 5–Aug. 16, 7 p.m. (no class Aug. 2); Eric Westbrook; details and supply list on website; CODE 1V0-0VA; Members $205; Nonmembers $235
By Eric Westbrook
Focus on the essentials of starting a sketchbook habit. Practice “close looking” exercises as you fill your sketchbook with meditative contour drawings, watercolor sketches of the natural world, and quick but evocative images from travels. Some watercolor or drawing experience is recommended.
By Sue Fierston
ONLINE: Sun., July 9, Aug. 6, and Sept. 10, 10 a.m.; Sue Fierston; details and supply list on website; CODE 1V0-0VB; Members $185; Nonmembers $205
Beginning Drawing
This course, a valuable introduction for beginners, teaches the basic skills needed as a strong foundation for drawing. Working with a variety of materials and techniques, including charcoal and pencils, students explore the rendering of geometric forms, volume, and perspective, with an emphasis on personal gesture marks.
ONLINE: Mon., July 10–Aug. 28, 6:30 p.m.; Josh Highter; details and supply list on website; CODE 1V0-0VC; Members $255; Nonmembers $285
Anatomical Drawing
Learn the fundamentals of drawing the human body, starting with an exploration of the skeleton and planes of motion. Then review gesture drawing, musculature, body segments, and key anatomical features. Previous drawing experience is required.
ONLINE: Tues., Aug. 1–Sept. 5, 6:30 p.m.; Trisha Gupta; details and supply list on website; CODE 1V0-0XA; Members $215; Nonmembers $245
Drawing Heads, Hands, and Feet
This class focuses on the most challenging and expressive details of the human figure: heads, hands, and feet. Working from photographs, students use dry media to experiment with line, modeling, foreshortening, structure, expression, and varied rates of drawing.
ONLINE: Wed., Aug. 2–Sept. 6, 6:30 p.m.; Trisha Gupta; details and supply list on website; CODE 1V0-0XB; Members $215; Nonmembers $245
Complete Colored Pencils
Colored pencil, an often-overlooked dry medium, is coming into its own. Whether used in fine art or illustration, they can enliven work with rich, vibrant color and a dizzying range of effects. Learn basic to intermediate methods and strategies with colored pencils.
ONLINE: Thurs., Aug. 3–17, 1 p.m.; Lori VanKirk Schue; details and supply list on website; CODE 1V0-0VE; Members $135; Nonmembers $155
By Lori VanKirk Schue
Animal Portraits in Colored Pencil
Try your hand at animal portraiture, whether done in a realistic or slightly abstract style, while learning the proper use of the colored pencil medium. Instruction includes choosing a subject, reference photos, choice of paper and pencils, and, finally, framing a portrait to be proud of.
Introduction to Watercolor
By Lori VanKirk Schue
ONLINE: Thurs., Aug. 24 and 31, 1 p.m.; Lori VanKirk Schue; details and supply list on website; CODE 1V0-0VF; Members $85; Nonmembers $105
By Josh Highter
Beginning students as well as experienced painters explore new materials and techniques in watercolor painting. Working on still-lifes and landscapes from direct observation or photographs, they learn about basic watercolor techniques and new approaches to painting through demonstration, discussion, and experimentation.
ONLINE: Sun., July 9–Aug. 27, 10:15 a.m.; Josh Highter; details and supply list on website; CODE 1V0-0VJ; Members $245; Nonmembers $275
Watercolor Techniques and Textures
Learn several approaches to creating washes and contrasting textured areas using drybrush, splattering, and lifting. These techniques are particularly useful when painting scenery such as landscapes, tree trunks, rocks, grasses, and old barns. This class is designed for advanced beginner and intermediate watercolor students.
ONLINE: Tues., July 11–Sept. 5, 10:30 a.m. (no class July 25); Lubna Zahid; details and supply list on website; CODE 1V0-0VK; Members $265; Nonmembers $295
By Lubna Zahid
By Lubna Zahid
The Magic of Light and Shadow in Watercolor
The portrayal of light and shadow can be a challenge to painters of all levels. Through demonstrations and hands-on exercises, you gain confidence in creating these contrasting elements. You also learn how to create a strong focal point, unity, and balance in a painting.
ONLINE: Tues., July 11–Sept. 5, 5 p.m. (no class July 25); Lubna Zahid; details and supply list on website; CODE 1V0-0VL; Members $265; Nonmembers $295
World Art History Certificate elective: Earn ½ credit Techniques in Modernist Painting
By Shahin Talishkhan
Students are invited to experiment with a variety of Modernist painting styles such as Cubism, Suprematism, and Abstract Expressionism. Through a series of exercises, including still-life setups and model sessions, participants learn practical applications of the concepts and techniques of Modernism.
ONLINE: Thurs., July 13–Aug. 17, 6:30 p.m.; Shahin Talishkhan; details and supply list on website; CODE 1V0-0VN; Members $195; Nonmembers $225
New Classes
Bienvenu à la Maison: French Architectural Details in Watercolor
A sunlit balcony, a window box filled with flowers, and a welcoming doorway—there is no mistaking when these architectural details are part of a home in France. Working from personal reference photos or ones provided by the instructor, students learn to capture these unique details in flowing watercolor.
By Cindy Briggs
ONLINE: Thurs., July 13 and 20, 6:30 p.m.; Cindy Briggs; details and supply list on website; CODE 1V0-0VP; Members $95; Nonmembers $115
Watercolor Workshop: QuickSketch for a Day
Sur la Plage: Painting the Beach
The light, movement, and colors of the beach have long been an inspiration for artists. In this workshop, explore the techniques of masters of seaside painting as preparation for creating your own beach memory.
By Joaquín Sorolla
ONLINE: Thurs., July 20–Aug. 24, 6:30 p.m.; Adrienne Wyman; details and supply list on website; CODE 1V0-0WZ; Members $205; Nonmembers $235
Botanical Illustration: Watercolor Flowers
Learn watercolor techniques specific to botanical illustration, including dry brushing and creating small details, while working from sketches or photos of real flowers. Previous drawing experience is required.
ONLINE: Tues., July 25–Aug. 15, 6:30 p.m.; Natalia Wilkins-Tyler; details and supply list on website; CODE 1V0-0XD; Members $125; Nonmembers $145
By Natalia Wilkins-Tyler
Color Stories Journal
Spend the day learning to capture your travels with loose lines and painterly colors. Learn to simplify a scene and to compose and draw more organically and confidently. This go-with-the-flow technique is perfect for studies, travel journals, and finished fine art.
By Cindy Briggs
ONLINE: Sat., July 22, 9 a.m.; Cindy Briggs; details and supply list on website; CODE 1V0-0VQ; Members $105; Nonmembers $115
By Sushmita Mazumdar
Explore your relationship to individual colors and how they connect to facets of your life. Practice simple, playful acrylic painting techniques incorporating all the colors of the spectrum, plus black and white. Then, begin to record personal stories in a journal to use every day.
ONLINE: Tues., July 25–Aug. 22, 6 p.m.; Sushmita Mazumdar; details and supply list on website; CODE 1V0-0VR; Members $165; Nonmembers $195
Abstract Watercolor for Beginners
Learn to embrace and celebrate the unpredictability, versatility, and beauty of watercolor. Class discussions cover supplies; color theory, palettes and pigment control; and exercises and experiments to achieve different effects. The use of other media such as water-based pencil and pastels is also addressed.