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Figure Sculpture

Students examine the materials and processes for sculpting a portrait, torso, or full figure using a live model. They learn clay sculpture techniques focused on tool use, armatures, anatomy, and proportions and have the opportunity to explore their own individual styles.

Whether you want to work in digital or film, this course offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition. Critiques of assignments enhance the technical skills you learn.

By Andargé Asfaw

IN PERSON: Tues., April 18–June 6, 6:30 p.m.; Andargé Asfaw; details on website; Ripley Center; CODE 1V0-0SX; Members $225; Nonmembers $255

Introduction to Photography II

This course is ideal for students who are interested in expanding their understanding of photography fundamentals. Sessions focus on lighting, composition, shooting techniques, gear, and photo-editing software.

IN PERSON: Wed., April 19–June 7, 6:30 p.m.; Andargé Asfaw; details on website; CODE 1V0-0SZ; Members $225; Nonmembers $255

By Andargé Asfaw

On-Location Photography

By George Tkabladze

IN PERSON: Tues., April 18–June 6, 6:30 p.m.; George Tkabladze; details and supply list on website; Ripley Center; CODE 1V0-0SS; Members $285; Nonmembers $315

Clay Portrait

Develop basic sculpting skills in this introduction to the concepts and techniques of sculpting the human head. Create copies of a plaster cast portrait or sculpt from a live model. Hands-on practice helps students develop skills in using different techniques and tools and understanding proportion and problem-solving.

IN PERSON: Tues., April 18–June 6, 2 p.m.; George Tkabladze; details and supply list on website; Ripley Center; CODE 1V0-0SR; Members $285; Nonmembers $315

By George Tkabladze

Capture images of Washington, D.C., as you sharpen your way of thinking about shooting outdoors. Emphasis is placed on what happens before the shutter release is pressed and on truly previsualizing the photograph. Sessions include lectures, Metroaccessible field trips, loosely structured assignments, and critique sessions in which students develop outdoor-shooting strategies.

By Joe Yablonsky

IN PERSON: Sun., April 30–June 11 (no class May 28), 1:30 p.m.; Joe Yablonsky; details on website; Ripley Center; CODE 1V0-0TE; Members $195; Nonmembers $225

Unless noted, all programs are presented on Zoom; listed times are Eastern Time. Online registration is required.

Online classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio. View portfolios of work by our instructors at SmithsonianAssociates.org/art instructors.

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World Art History Certificate elective: Earn 1/2 credit

Composition

Composition is one of the most important elements of any artwork. Examine fundamental concepts of composition and their practical application in studio-art practice. Develop tools to enrich your own work as well to analyze and appreciate visual art in general. Create several collages based on artworks and themes discussed in class.

ONLINE Mon., May 1–22 ; Shahin Talishkhan; 10:30 a.m.; details and supply list on website; CODE 1V0-0RX; Members $155; Nonmembers $175

Curating a Life: Art as Memoir

NEW

Creating a Sustainable Arts Practice

Art can inspire us in so many ways, but is it possible to have an eco-friendly creative practice? Through instructor-led discussion and handson exercises, explore the possibilities for creating work that is sustainable in every sense of the word.

By Heidi Rugg

ONLINE: Thurs., March 9 and 16, 6:30 p.m.; Heidi Rugg; details and supply list on website; CODE 1V0-0RM; Members $75; Nonmembers $95

Visual Journaling: Creativity Workout

By Renee Sandell

This unique course is designed to engage your skills in decoding (reading) and encoding (creating) visual meaning. Explore selected works from the Smithsonian’s and other collections to find images that inspire hands-on exercises for building visual thinking skills: drawing, painting, and mixed-media; sketchbook journaling; and finally, creating a “memoir museum” of past experiences—and those yet to explore.

ONLINE: Mon., April 17–May 22, 1:30 p.m.; Renee Sandell; details and supply list on website; CODE 1V0-0RV; Members $225; Nonmembers $255

Visual Journaling: Creativity Intensive

Strengthen your creative journaling muscles in three intensive sessions focused on artistic experimentation. Engage in markmaking and mapping exercises; use a variety of artistic media and techniques; explore modes of visual thinking and working from memory; observation, imagination, narrative, and experimental approaches.

ONLINE: Sat., May 6, May 20, and June 3, 1 p.m.; Renee Sandell; details and supply list on website; CODE 1V0-0RW; Members $185; Nonmembers $205

By Renee Sandell

Gather your art materials for a morning of artistic experimentation designed to strengthen creative muscles and deepen skills in visual expression. Explore five modes of visual thinking: working from memory, observation, imagination, narrative, and experimental approaches.

By Renee Sandell

ONLINE: Sat., May 13, 1 p.m.; Renee Sandell; details and supply list on website; CODE 1V0-0TK; Members $75; Nonmembers $85

Creative Mind Mapping

Take your ideas from banal to beautiful by learning how to create mind maps worthy of framing. Choose from three different styles to illustrate your thoughts and goals.

By Mïa Vollkommer

ONLINE: Mon., May 15 and 22, 6:30 p.m.; Mïa Vollkommer; details and supply list on website; CODE 1K0-0TL; Members $75; Nonmembers $95

Online

Beginning Drawing

Introduction to Afghan Geometric Design

For centuries, religious and secular Islamic manuscripts have contained beautiful geometric decorations. Explore the history and construction of these traditional designs and create designs with graph paper and a compass.

By Sughra Hussainy

ONLINE: Sun., April 16–May 21, 1 p.m.; Sughra Hussainy; details and supply list on website; CODE 1V0-0RP; Members $195; Nonmembers $225

New Classes

Drawing with Silverpoint

This course, a valuable introduction for beginners, teaches the basic skills needed as a strong foundation for drawing. Working with a variety of materials and techniques, including charcoal and pencils, students explore the rendering of geometric forms, volume, and perspective, with an emphasis on personal gesture marks.

ONLINE: Sun, April 23–June 18 (no class May 28), 10:15 a.m.; Josh Highter; details and supply list on website; CODE 1V0-0RS; Members $255; Nonmembers $285

World Art History Certificate elective: Earn 1/2 credit

Drawing Light…and How the Masters Did It

By Lori VanKirk Schue

Silverpoint drawing uses a silver stylus on specially prepared paper to produce delicate lines. Initially silver-gray, the drawing tarnishes when exposed to air, resulting in a characteristic warm brown tone. Learn the history of silverpoint, the materials required, and the vocabulary. Prior drawing experience is strongly recommended.

ONLINE: Fri., May 5 and 12, 1 p.m.; Lori VanKirk Schue; details and supply list on website; CODE 1V00TJ; Member $95; Nonmembers $115

Introduction to Chalk Pastels

Chalk pastels can be used to create dynamic artworks in any genre: portrait, still life, abstract, or landscape. Techniques are demonstrated, and various types of chalk pastels, how to combine them with other media, their history, and proper storage are discussed. All levels are welcome.

By Lori VanKirk Schue

ONLINE: Mon., April 24–May 8, 1 p.m.; Lori VanKirk Schue; details and supply list on website; CODE 1V00TH; Members $135; Nonmembers $155

By Nick Cruz Velleman

Learn the strategies artists such as Rembrandt, Cézanne, and Van Gogh used to harness light in order to give their images dimension. Inclass exercises focus on using graphite, ink, and pastel to draw studies of masterworks.

ONLINE: Tues., April 25–May 23, 6:30 p.m., Nick Cruz Velleman; details and supply list on website; CODE 1V0-0RT; Members $185; Nonmembers $215

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Introduction to Watercolor

Beginning students as well as experienced painters explore new materials and techniques in watercolor painting. Working on stilllifes and landscapes from direct observation or photographs, they learn about basic watercolor techniques and new approaches to painting through demonstration, discussion, and experimentation.

By Josh Highter

ONLINE: Mon., April 17–June 12 (no class May 29), 6:30 p.m.; Josh Highter; details and supply list on website; CODE 1V0-0RZ; Members $245; Nonmembers $275

Quick-Sketch Watercolor Journaling

Virtually travel from coast to coast and to Europe in order to explore a variety of subjects using quick-sketch watercolor techniques. Capture a scene with graceful lines and paint with flowing watercolors as you learn to break down a scene into simple shapes.

ONLINE: Sat., April 22 and 29, 10 a.m.; Cindy Briggs; details and supply list on website; CODE 1V0-0TM; Members $155; Nonmembers $175

By Cindy Briggs

Hill Country Cottage in Watercolor

World Art History Certificate elective: Earn 1/2 credit

Drawing Light: How the Masters Did it in Color

Using watercolor and oil pastels, learn the strategies Delacroix, Turner, Monet, and Cézanne employed to harness light in their images. By looking deep into their work, participants investigate how these masters’ use of color manipulates the experience of light.

By Nick Cruz Velleman

ONLINE: Wed., May 24–June 21, 6:30 p.m.; Nick Cruz Velleman; details and supply list on website; CODE 1V0-0TQ; Members $165; Nonmembers $195

MIXED-MEDIA

Gyotaku: The Japanese Art of Printing with Fish

By Cindy Briggs

Learn to see and draw relationships in architecture exemplified by classic Hill Country cottages. Aided by an instructor-provided tracing and video link, describe the character of stonework with reflective light in the shadows, and give depth to the surrounding landscape. Previous watercolor experience is helpful but not required.

ONLINE: Wed., April 26 and Thurs., April 27, 6:30 p.m.; Cindy Briggs; details and supply list on website; CODE 1V0-0TN; Members $95; Nonmembers $115

Botanicals in Watercolor II

Build on your botanical painting skills as you create vibrant watercolors inspired by nature. Learn to focus on the texture and detail of botanical subjects including flowers, fruits, and vegetables. Step-by-step instructions in watercolor are given, along with practical demonstrations. Some basic watercolor experience is required.

ONLINE: Tues., April 18–June 6, 5 p.m.; Lubna Zahid; details and supply list on website; CODE 1V0-0SB; Members $265; Nonmembers $295

By Lubna Zahid

By Sue Fierston

Using direct printing and water-based printing inks, create realistic looking schools of fish or a single artistic print simply by inking a whole fish and pressing it to paper. Create several 12-by-18-inch gyotaku. Learn how to paint realistic fish-eyes to bring your print to life and cut masks to create realistic compositions.

ONLINE: Sat., April 22, 10 a.m.; Sue Fierston; details and supply list on website; CODE 1V0-0SK; Members $75; Nonmembers $85

Artful Mind, Tranquil Mind

Centering practices used by artists to prepare for making art can be helpful in everyday life. Through guided instruction designed to enhance your own artmaking, explore mark-making with lines, swirls, and puddles, and use paper to experiment with folding and tearing.

ONLINE: Mon., April 17–May 22, 12 p.m.; Sushmita Mazumdar; details and supply list on website; CODE 1V00SG; Members $95; Nonmembers $125

By Sushmita Mazumdar

Mixed-Media Art Warmups

Art warmups can be students’ starting point for a new artwork or an opportunity to explore new materials and techniques. Students work with positive and negative space, make quick sketches, go beyond the color wheel, and use mixed-media techniques to build layers and texture.

Adult Art Camp: Working in Two Dimensions

By Marcie Wolf-Hubbard

Newsprint Collage (Continued)

ONLINE: Fri., March 3–17, 1 p.m.; Marcie Wolf-Hubbard; details and supply list on website; CODE 1V0-0RL; Members $165; Nonmembers $185

By Susan Vitali

This course is a no-judgment zone to let you recapture your yearning to explore different media and let loose. Work with watercolor, pencil, pastel, collage, and printmaking, and learn the elements of art and principles of design. Easy projects with handouts and samples are provided.

ONLINE: Thurs., May 11–June 15, 6:30 p.m.; Susan Vitali; details and supply list on website; CODE 1V0-0UH; Members $185; Nonmembers $215

Creating with Pressed Botanicals

By Kate Lewis

Students who completed the Newsprint Collage Workshop now have the opportunity to further develop their collage practice. Experimenting with materials, students continue to explore and express their ideas about world affairs through collage. Instruction is tailored to the individual student in a class that fosters lively discussion and supportive feedback.

ONLINE: Tues., March 7–21, 10:30 a.m.; Kate Lewis; details and supply list on website; CODE 1V0-0QX; Members $175; Nonmembers $195

Collage and MixedMedia: Animals and Nature

By Marcie Wolf-Hubbard

With an emphasis on imagery from the natural world, learn to sketch animals and objects found in nature, then combine your drawings with painting and additional elements and textures to create whimsical or serious mixed-media art.

ONLINE: Wed., April 19–June 7, 1:30 p.m.; Marcie WolfHubbard; details and supply list on website; CODE 1V00SH; Members $245; Nonmembers $275

Use pressed botanicals, such as flower petals, grasses, and leaves, along with watercolors and colored pencils to make uniquely seasonal artworks. Learn how to select and press plant materials and create successful compositions with organic and rigid shapes in a no-stress environment. Designed around playfulness and working with “mistakes”, the lessons learned can be useful when creating future artworks in any chosen medium.

By Lori VanKirk Schue

ONLINE: Mon., June 5, 1 p.m.; Lori VanKirk Schue; details and supply list on website; CODE 1V0-0TV; Members $55; Nonmembers $65

Collage and Mixed-Media

Collage is a highly versatile and accessible art technique that results in the playful combination of different and sometimes unlikely materials. Get an introduction to the materials, tools, and technologies used in collage and assemblage. Find inspiration in artists who worked in collage including Joseph Cornell, Romare Bearden, and Gertrude Greene. Then, develop your own collage, mixed-media, or assemblage projects.

By Marcie Wolf-Hubbard

ONLINE: Wed., April 19–June 7, 6:30 p.m.; Marcie WolfHubbard; details and supply list on website; CODE 1V0-0SJ; Members $245; Nonmembers $275

Fabric Printing Using Natural Materials

Experiment with hand-printing on fabrics using colorful Akua waterbased printmaking ink and natural materials. Practice printmaking techniques on muslin and cotton or cotton-blend fabric.

ONLINE: Sat., April 29, 10 a.m.; Sue Fierston; details and supply list on website; Members $55; Nonmembers $65 Student work

Image Transfers and Altered Photos

Discover a variety of methods for making and using image transfers and expanding your creative horizons with photo alteration. Both techniques can offer new dimensions and interest to your artworks.

ONLINE: Mon., May 1–22, 6:30 p.m.; Sharon Robinson; details and supply list on website; CODE 1V0-0TT; Members $155; Nonmembers $175

By Sharon Robinson

Let’s Tell Our Tales: Personal Storybooks

Fiber Arts

Introduction to Bobbin Lace

Handmade bobbin lace has been around since the 16th century. All bobbin lace is made with two moves, with four bobbins at a time. Learn the basics of the craft, from winding the bobbins to making four small lace projects, in this introductory class.

By Karen Thompson

New Classes

ONLINE: Thurs., April 27–May 18, 12 p.m.; Karen Thompson; details and supply list on website; CODE 1V0-0TG; Members $205; Nonmembers $225

Weaving Plaid on the Rigid Heddle Loom

Learn to warp the ridged heddle loom for a plaid design and create a woven structure with a repeating sequence. Explore weaving and experiment with a variety of techniques while creating a scarf or table runner.

By Sushmita Mazumdar

Tell your story as you fill three handmade books with original art and writing. Each book presents an opportunity to work with different techniques and media, from papercutting and 3D structures to color pencils on pastel paper; Chinese ink and brush; and collage.

ONLINE: Fri., May 5–19, 12 p.m.; Sushmita Mazumdar; details and supply list on website; CODE 1V0-0TU; Members $95; Nonmembers $115

Advantages to providing your email to customer service:

• Receive a digital version of the member program guide so you can read it anywhere

• Receive important notices regarding your class along with other useful information

ONLINE: Tues., March 7–21, 6 p.m.; Tea Okropiridze; details and supply list on website; CODE 1V0-0RA; Members $105; Nonmembers $125

By Tea Okropiridze

Mind and Body Centering Through Art

By Lauren Kingsland

Feeling balanced contributes to our sense of well-being and promotes resilience in the face of life’s challenges. Centering art practices can be an effective tool in helping to restore this sense of equilibrium. Learn how to create calming geometric designs and how to use them for contemplation and relaxation practices.

ONLINE: Wed., March 1-22, 1:30 p.m.; Lauren Kingsland: details and supply list on website; CODE 1V0-0QZ; Members $85; Nonmembers $105

When Good Patterns Go Bad

Avoiding and Fixing Knitting Mistakes

Learn how to detect knitting errors sooner and how to fix them. From dropped stitches to difficult pattern instructions to twisted stitches and more, learn a protocol to follow when you’re stuck on a knitting project.

ONLINE: Sun., March 5, 1 p.m.; Ann Richards; details and supply list on website; CODE 1V0-0QD; Members $45; Nonmembers $55

Felted Jewelry

By Renate Maile–Moskowitz

ONLINE: Fri., March 10–24,

Explore the creative possibilities of combining wool with other decorative elements such as metal, beads, and stones to make distinctive necklaces,rings, pendants, earrings, and other jewelry.

1 p.m.; Renate Maile-Moskowitz; details and supply list on website; CODE 1V0-0SM; Members $145; Nonmembers $165

Color Theory for Embroidery Artists

Find your personal sense of color confidence while learning to apply color to embroidery. Learn color-theory vocabulary through exercises and embroidery hoop experiments. Extract palettes from found images and translate them into stitched creations.

ONLINE: Thurs., March 9–23, 12:30 p.m.; Heather Kerley; details and supply list on website; CODE 1V0-0RB; Members $75; Nonmembers $95

By Heather Kerley

NEW CLASSES

Wet Felting Workshops

Small Vessels with Felted Stoppers

Learn the basic techniques of wet felting over small-scale resists to create small vessels, topped with lids or stoppers. Also taught is color blending. This workshop is an ideal challenge for both beginning and experienced felters.

Online

By Renate Maile-Moscowitz

ONLINE: Sat., May 13 and 20, 1 p.m.; Renate Maile-Moscowitz; details and supply list on website; CODE 1V0-0UK; Members $115; Nonmembers $135

Resist and Unite

By Renate Maile-Moscowitz

The socio-political slogan “resist and unite” can also be used to describe two techniques of wet felting: using a resist to keep fibers from felting together and the uniting of fibers to create a form. Learn these methods to create a trivet or small wall hanging.

ONLINE: Sat., April 22 and 29, 1 p.m.; Renate MaileMoscowitz; details and supply list on website; CODE 1V00UJ; Members $115; Nonmembers $135

Tapestry Weaving

Learn basic tapestry weaving techniques and design. Then, create a miniature woven tapestry on a small frame loom. Techniques covered include warping the loom; color mixing and hatching; creating stripes and irregular shapes; and shading and contour.

ONLINE: Thurs., April 20–June 8, 10:30 a.m.; Tea Okropiridze; details and supply list on website; CODE 1V0-0SN; Members $225; Nonmembers $255

By Tea Okropiridze

Written in Fabric

Memory Messages Through Quilts

Preserve precious memories for future generations and express current feelings and emotions through memory quilts. Learn hand piecing, machine and hand appliqué, managing repurposed fabrics, freestyle embroidery, and creating text using needle and thread.

ONLINE: Wed., April 26–June 14, 1 p.m.; Lauren Kingsland and Heather Kerley; details and supply list on website; CODE 1V0-0SP; Members $245;

Nonmembers $275

By Lauren Kingsland

Circular Weaving

Circular weaving is a fun and versatile technique for new weavers as well as experienced fiber artists. Learn how to warp and weave on several sizes of circle looms as you create projects from coasters to cushions to home décor.

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New Class

Wirework Intensive: Creative Chains

Online

By Tea Okropiridze

ONLINE: Tues., June 6 and 20, 6 p.m.; Tea Okropiridze; details and supply list on website; CODE 1V0-0TX; Members $125; Nonmembers $145

Introduction to Pointed-Pen Calligraphy

Learn how to use the elegant Copperplate script and take your personal correspondence to a whole new level. Sessions focus on basic tools and mechanics; working with color; and using this hand in different sizes and in various applications. No prior calligraphy experience is needed.

ONLINE: Sat., April 22–June 17 (no class May 27), 1:30 p.m.; Sharmila Karamchandani; details and supply list on website; CODE 1V0-0SQ; Members $235; Nonmembers $265

A beautifully crafted chain can adorn a handmade pendant or be worn alone as a unique and expressive piece of jewelry. Learn to create three different chain designs using wire-working, forming, and texturing. Wire fusing is also demonstrated and instructions for a complementary clasp are included.

By Mïa Vollkommer

ONLINE: Sat., April 29–May 13, 12 p.m.; Mïa Vollkommer; details and supply list on website; CODE 1K0-0SU; Members $195; Nonmembers $215

Washington’s Marvelous Mosaics

The Washington, D.C., area contains a surprising number of works that together provide a picture of the styles and techniques of an art form that’s been practiced since ancient times. Take a virtual tour that highlights local mosaic treasures at notable public sites, contemporary spaces, and federal and private buildings.

ONLINE: Tues., May 2, 6:30 p.m.; Bonnie Fitzgerald; details on website; CODE 1V00TY; Members $20; Nonmembers $30

Summer Orchid Care

Just in time for summer, discover the pros and cons of moving your orchids outside in the hotter months. Learn about the extra care orchids need while they are outside and when they are ready to be brought back indoors.

ONLINE: Tues., May 23, 6:30 p.m.; Barb Schmidt; details and supply list on website; CODE 1V0-0UG; Members $35; Nonmembers $45

The Art of Floral Design

Explore the spectrum of floral design in this class that covers such practical areas as sourcing (with a focus on sustainability), making the most of seasonal flowers, creating centerpieces, wiring techniques, and photographing your work.

Taking Better Photos

By Arrin Sutliff

ONLINE: Wed., April 26–May 31, 7:30 p.m.; Arrin Sutliff; details and supply list on website; CODE 1V0-0ST; Members $155; Nonmembers $185

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Introduction to Lightroom

Learn to develop your photographic vision and take better photos more consistently. After fostering a more deliberate approach to composition, balance, lighting conditions, and ”keeping it simple,” students see improvement in their photographs of people, landscapes, gardens, architecture, and more.

By Joe Yablonsky

ONLINE: Wed., April 19–May 3, 6:30 p.m., Joe Yablonsky; details on website; CODE 1V0-0TA; Members $125; Nonmembers $145

Introduction to Photography

By Eliot Cohen

Adobe Lightroom is a useful program for organizing and editing either RAW or JPEG image files. The workshop offers users an overview of Lightroom, with a focus on working with the Library and Develop modules. Functions such as importing, exporting, deleting, and grouping files; sorting and ranking files for quality; and attaching keywords for easy retrieval are covered.

ONLINE: Sat., April 22 and Sun., April 23, 9:30 a.m.; Eliot Cohen; details on website; CODE 1V0-0TC; Members $275; Nonmembers $295

Understanding Your Digital Mirrorless or SLR Camera

Learn how digital SLRs or mirrorless cameras can help you achieve better picture quality and control. Sessions cover ISO, shutter speed, aperture, and depth of field; raw vs. jpeg files; and white balance and auto focus modes. Several photos can be uploaded before the second session, which features suggestions for possible improvement.

ONLINE: Wed., April 12–26, 1 p.m.; Eliot Cohen; details on website; CODE 1V0-0SV; Members $255; Nonmembers $275

By Eliot Cohen

By Andargé Asfaw

Whether you want to work in digital or film, this course offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition. Critiques of assignments enhance the technical skills you learn.

ONLINE: Wed., April 19–June 7, 10:30 a.m.; Andargé Asfaw; details on website; CODE 1V0-0SY; Members $225; Nonmembers $255

Aspect Ratios

Gain an understanding of aspect ratios (digital sensors and film). The class explores changing the aspect ratio in camera, aspect-ratio constraints in cropping and post-production, and use of the Photoshop image size and canvas size commands. Class discussion explores how aspect ratio affects print sizes and presentation methods (mat board, frames, etc.).

ONLINE: Thurs., April 20, 6:30 p.m.; Joe Yablonsky; details on website; CODE 1V0-0TB; Members $45; Nonmembers $55

Online

Introduction to iPhone Photography

iPhone cameras are continually improving and replacing point-and-shoot cameras with convenient and easier ways to capture, post-produce, and share images. Learn how to use a well-designed secondary camera app to further improve the basic iPhone camera.

By Peggy Feerick

ONLINE: Sat., May 13 and Sun., May 14, 10 a.m.; Peggy Feerick; details and supply list on website; CODE 1V0-0UA; Members $75; Nonmembers $95