CDs: Bob Baldwin - Euge Groove - Paul Jackson Jr.
SEP / OCT 2016
SmoothJazz Concerts: Lee Ritenour Tim Young Carol Duboc
Steve Harvey Awards Weekend Festivals Long Beach Jazz Hampton Jazz
Journey To The Heart
TM
MAGAZINE
BEST OF L.A. FOOD FEST
Steve Cole Turning It Up
KEIKO MATSUI
35
0727 08
46 Features
52 46 Keiko Matsui - Debuts #1 on Billboard Contemporary Jazz Chart Lifestyle 52 Steve Cole -18 Years and 08 L.A. Food Fest - “Top 7” Still Turning It Up
Festivals
35 Long Beach Jazz Festival
A New Vision with Kim Benoit
41 Richmond Jazz Festival In Photos
CONCERT SERIES
21
12 Steve Harvey Neighbor hood Awards 16 Herb Albert Gives $10M To LA Community College 18 No Fireworks for Dodgers Concerts
22 Tim Young and The
Questionaires - CD Release Party
27 Lee Ritenour - Meet &
Greet @Blue Note - New York
31 Carol Duboc - in Photos
@ Hollywood’s Catalina Jazz Bar
CD Releases 60 New CDS CD Reviews 61 -Bob Baldwin - The Brazilian American Sound Track 65 Frank McComb - Soulmate Another Love Story 69 Harold Lopez-Nussa El Viaje 72 Paul Jackson Jr. - Stories From Stompin Willie 74 Steve Cole - Turn It Up 77 The JT Project - Moments Of Change 78 Euge Groove - Still Euge 80 Arno Haas - Back To You 82 Oli Silk - Where I Left Off 84 Luis Alas - Shades Of My Soul 87 Ashleigh Smith - Sunkissed 89 Maxwell - blackSUMMERS night
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SmoothJazz Jazz Art Jackson— Publisher/CEO May / June 2015 Doris Gee- - Research Manager Mann—Graphic Artist Contributing Writers Avzal Ismail Keivu G. Knox Maria L. Lewis Althea Turner Eryn K. Bozeman Art Jackson Melissa Berry Andrew Reeves Mike Chimeri
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ONE WAY BACK Release Date: September 30, 2016 Release Date: September 23, 2016 website: paulbrownjazz.com website: marcantoine.com 06| SmoothJazz Magazine
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Lifestyle
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Review By: Art Jackson
” t s e F d o o F . A . L “ t a Top 7
LA Food Fest 2016 held on the grounds of Exposition Park in between the LA Coliseum and the USC Campus as the LA History Museum gave the backdrop. Students walked over, patrons from around the city took a leisure stroll visiting restaurants, caterers and food trucks sampling what they had to offer during the 2 hour Golden Hour open window to get samples. Here are the top food items that captured my palettes and eyes. 1. Amazeballs Acai Bowls, mixed with an assortment of fruit Acai berries, strawberries, bananas agave, pineapple and blueberries at the bottom mixed with granola served in a half coconut as its bowl what a perfect combination. A smaller version given during Golden Hour in a plastic cup came with coconut shavings. 2. Knuckle and Klaw 3. India Jones during the golden hour the Lobster Roll com- they offered a Cocktail Samosa very bine with mayo and yummy. So good that I had to try a item off their regular menu the Butter melted butter and with some special se- Chicken w/ Grilled Naan Curcret seasoning mix ry. The Shredded along with a good portion of meat no Tandoori Chicken in a Tomato wonder this booth had one of the long- Cream Curry was delicious. est lines. Let the music take you… SmoothJazz Magazine | 09
Lifestyle 4. All American Gumbo being from Louisiana I know not every Gumbo here in Los Angeles is authentic. This had the right about of seasoning, plenty of meat which is a prerequisite of Sausage, Shrimp, Chicken and Rice. And their Cajun Chicken Tenders was just that “tender” full of spice.
Joshua Redman
Other items that gets honorable mention: Knead and Co “Meatball Sandwich,” Roku “Hibache Shrimp,” Beacoup Crawfish 5 California Donuts now when we are talk- and Salt and Straw ing “sweets” no one compares to me, I Ice Cream. have a major SWEET TOOTH, and donuts top with strawberries had me at first sight. And the blueberry donut sample during Golden Hour was Sooo Good! Great packaging as well as a box gift of four donuts. Maybe I should ship some off to the east coast. 6. El Coraloense during the Golden Hour they gave samples of Shrimp and Halibut Tosada’s ceviche, I tried them both and both was great, lite with lime, tender moist meat with a nice blend of peppers and onions all that was missing was the sand and beach chair overlooking the ocean. 7. Fresh & Juicy with your choices of 100% Pineapple, Watermelon, and a combination of Lemon & Cucumber Juice “Simply Refreshing” on a hot L.A. summer day.
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Lifestyle Photos By: Kirk & Tyree McLemore
Shirley Strawberry
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Toni Braxton ToniBraxton
MAXWELL
Erika Badu
Review By: Art Jackson EMMY-winning television host and radio star Steve Harvey hosted an unparalleled night of entertainment and inspiration at the 2016 State Farm Neighborhood Awards show on July 23rd in Las Vegas, at the Mandalay Bay Resort and Casino. The winners of the State Farm Neighborhood Awards for the following 12 categories are: Best High School Coach, sponsored by Masterbuilt Kim Christian, Cheerleading, Gwynn Park High School (WHUR 96.3-FM Washington, DC)
Lavell with Carla Ferrell
Best Beauty Salon, sponsored by DHerbs
John T. Elliott’s Professional Hair Design & Day Spa (WWDM 101.3-FM Columbia, SC)
Nephew Tommy Let the music take you‌ SmoothJazz Magazine | 13
Lifestyle Best Nail Salon, sponsored by Wells Fargo Her Design Studio (WBTJ 106.5-FM Richmond, VA) Best Car Wash/Detail Shop Pro Wash (WHUR 96.3-FM Washington, DC) Best Church Choir St. Mark 4B Missionary Baptist Church Mass Choir (WWDM 101.3 Columbia, SC) Best Soul Food Place Dusties Southern Style Buffet (WVAZ 102.7FM Chicago, IL) Best Barbecue Place Kenny’s Ribs & Chicken (WVAZ 102.7-FM Chicago, IL) Best School Teacher, sponsored by Cracker Barrel Barbecue
Dr. Shandra Claiborne-Payton, Virginia State University (WBTJ 106.5-FM Richmond, VA) 14| SmoothJazz Magazine
Cousin Tommy and Lalah Hathaway Let the music take you…
EXHIBITS EXHIBITS
New NewYork—Miami York—Miami Coming ComingSoon Soon
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Lifestyle By: Art Jackson Currently cutting his first Christmas album in 48 years at Hollywood’s Capitol Studios with an orchestra the legendary jazz trumpeter just provided Christmas in August for Los Angeles City College where his Herb Alpert Foundation has just promised $10.1 million — which will be able to provide free tuition as well as private lessons to all its music majors for years to come as a result of the gift. It's the most anyone has ever given to a community college in Southern California for any purpose, and the second-highest amount ever handed over to any two- year school in the entire state. The level of funding — with an endowment set at about $400,000 a year in perpetuity — is designed to accommodate an expected 250 music majors getting a free education at the school. Billboard list of the top 200 album artists of all time is bigger than Taylor Swift — Alpert currently sits at No. 7 on the, and just behind Mariah Carey. Twenty-five of the albums that put him on that list are being reissued on CD in September, concurrent with the release of a brand-new album, Human Nature, which features a cover of the Michael Jackson hit of that name as its title track. 16| SmoothJazz Magazine
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Photos By: David Johnson
10/25/16
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Lifestyle - Sports Feature By: Art Jackson LA native and knuckle baller Steven Wright threw his first career shutout as the Red Sox beat the Dodgers, 9-0. Wright (13-5) allowed three hits, walked one and struck out nine for his fourth complete game of the season.
Steven Wright the mound on Sunday David Price.
Steve had the right stuff tonight looking like an Ace in his own right by As the pitching was keepretiring 15 in a row with ing the Dodgers off balan effective knuckleball ance, catcher Sandy Leon, and just to keep the was on the offense with a 2 Dodgers thinking a mix for 3 night which included of fastballs was very suca home run and four RBIs. cessful. Right fielder Mookie Betts Wright threw 13 fastwas 3 for 5 with a homer balls. Six were taken for and two RBIs. strikes. Three were put The Sox won for the fourth in play and converted into outs. Two were fouled time in their last six games. off and two were taken They are 5-4 on this curfor balls. rent road trip that had two The Sox took a 1-0 lead games left with the Dodgin the second inning. ers facing two left-handers when Sandy LeĂłn sent a as Boston's Ace starts on sacrifice fly to left field as 18| SmoothJazz Magazine
Photos By: Mann
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In the inning Mookie lifted his 23rd home run of the year to left field. Dodgers pitcher Kazmir was shaky for his five plus innings as he walked Hill. Then Sandy followed with a home run to left field as well for his fourth. In-fielder Travis Shaw homered to right field off Jesse Chavez in the eighth inning which put all hopes of any type of rally out of the minds of Dodgers fan as they began to pack up and leave the park. On what to seem to be an odd move The Dodgers intentionally walked Hill to load the bases for Leon. That was followed by hit over center fielder Joc Pederson head, but with his hustle just made it into a long single and runners waited to see if the ball would be caught. Later on in the inning Chase Utley booted a shot at him and two runs came in. Erykah Badu
Euge Groove
Chase Utley
/smoothjazzmag
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October 29th November 12th November 26th December 10th
Coming in the Fall, 4 new concerts Woven among the hotel's Mediterranean architecture and natural desert landscaping choose from the Executive, Deluxe, Presidential and Chairman Suites. The Westin offers stunning Pool views of either La Paloma “quiet pool” or Las Hadas “Adult Chill Pool” for guests age 18+ only. Las Brisas Pool, with new waterslide and adjacent Fun Zone, will be available for guests of all ages. In addition to these resort pools, Westin Villas offers the Paradise Pool with 160 ft. waterslide for guests of all ages.
...
The ladies of “Jazz In Pink” will kick-off the fall concert series on October 29th.
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CD Release Party and Performance
Concert Review Los Angeles - When is a release party more than just a release party? When it's for Tim Young and The Questionires' eponymous new album - "Tim Young and The Questionaires" (and yes, that is absolutely the correct spelling for Questionaires.) Included in this release party at The Blue Whale jazz club in Downtown Los Angeles, a "chill spot that draws serious jazz fans," was a live performance of the entire album with Young and the three other band members: Danny Frankel/Drums and Percussion; Jon Ossman/Acoustic and Electric Bass; and Peter Adams on Keyboards.
By: Melissa Berry
Luckily, there was just enough time before the performance to chat with Tim and a couple of the band members and ask just a couple of questions regarding some of the tracks. 1) Yes, "Lento for Levon" is dedicated to Levon Helm the great rock 'n roller and always lead vocalist with "The Band." In fact, Tim and his wife even named their son after Levon. "Lento for Levon" is a thoughtful and lovely tribute done through music, reminding us of how great Levon really was. 2) Yes, Peter Adams really is playing the kingly Hammond B3 organ on the album, which is wonderfully apparent on the very first track "Always on My Mind." Also, "Always on My Mind" has Jon Ossman creating a bass line for the tune that has never sounded so hypnotizing melancholic. Let the music take you‌ SmoothJazz Magazine | 23
Concerts 3) Yes, "Anouman" is the 1953 ultimate cool jazz ballad made famous by one of jazz's greatest guitarists - Django Reinhardt. It was a real treat to hear this played live with this unique interpretation. 4) Lastly, yes, there was a music chart resting on the floor for some Maurice Ravel just in case Tim needed it for later. Ravel? Yes, Ravel. This album includes several very famous pieces of classical music reinterpreted for a contemporary sound, and done so very successfully. There is the hauntingly beautiful "Adagio for Strings" by Samuel Barber, in this case, "Adagio for Six Strings" since it's being played on the guitar. Young's manipulation of the melody line in his playing in this piece brings to mind that eccentric electronic instrument the Theremin. This is an early electronic musical instrument controlled without physical contact, which senses the relative position of the player's hands and the vibrations. All this creates a very otherworldly, ephemeral sound, which is exactly what Young is able to do with his playing in this piece. It's absolutely mesmerizing. Finally, there is Ravel's "Concerto for the Gs". Again with a very thoughtful and respectful arrangement that honors a beautiful melody. 24| SmoothJazz Magazine
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The live performance was certainly enhanced by the camaraderie of the musicians, and the rapport with us in the audience. Young even charmed the audience into singing along on "Canticle" by Paul Winter, but only after telling us the childhood tale of how he brought the piece to the album. Young and The Questionaires filled the evening with an assortment of distinctive individual performances that firmed up my earlier take on the album, - "Tim Young and The Questionaires," produced by Tim Boyle, is an album of gentle intelligence which covers a variety of genres of music including strategically spaced original compositions, with the sum total resulting in an album that will always reveal something new every time it's listened to.
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New CD entitled This Journey Of Love
Featuring a musical tribute to Natalie Cole (A (A song for my friend) Release Date: August 08, 2016 and Horace Silver (A song for Silver)
for
www.azizamiller.com
BOOKINGS
Contact: azizadiva27@gmail.com
Concerts
By: Mike Chimeri Review and Photos By: Mike Chimeri Another month, another concert at the Blue Note in Greenwich Village. Friday night, I saw guitarist Lee Ritenour with special guest Dave Grusin. I was interested in seeing Lee Ritenour since I had never seen him – or Dave Grusin, for that matter – live. I arrived outside at 5:00. I was second in line this time, behind a jazz concert regular named Celeste. We had a great conversation and time flew by. Before we knew it, it was 6:00 and we went in. This was the first Blue Note show I’ve been to with a meet-and-greet. I brought a copy of Lee’s 1998 album, This is Love, the first album of his I ever bought. Rit’s House, The Very Best of Lee Ritenour, and Overtime would follow. Then, I gradually filled my collection with every other album in his discography. After A Twist of Rit Let the music take you… SmoothJazz Magazine | 27
came out last summer, I completed the collection to date with First Course, Gentle Thoughts, and The Captain’s Journey. The title track from that last album came up in my iPod’s shuffle during my run earlier in the day. During the Meet & Greet, I introduced myself, Lee signed the album, and he told me that his son Wes was on the cover. I never knew that was him. Lee’s son Wes – named after the late guitarist Wes Montgomery – on drums: I ran into Wes downstairs. I complimented his performance and showed him the CD. Then, we posed with it. Thank you to Lee, Wes, Dave, Giorgi, Tom, and the Blue Note staff for another great night at the legendary venue.
Dave Grus
in
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Sco
Concerts Here was the 8:00 set on Friday night: 1. The Village Originally heard on: Rhythm Sessions, 2012 2. Waltz for Carmen Originally heard on: Stolen Moments, 1990; A Twist of Rit, 2015 3. Punta del Soul Originally heard on: Migration (Dave Grusin), 1989; Rhythm Sessions, 2012 4. Stone Flower (Antonio Carlos Jobim cover) Originally heard on: A Twist of Jobim, 1997 5. Wes Bound Originally heard on: Wes Bound, 1993; Alive in L.A., 1997 6. Pearl Originally heard on: A Twist of Rit, 2015 7. (Dave Grusin song I didn’t recognize; unidentified by Lee) 8. A Little Bit of This and a Little Bit of That Originally heard on: First Course, 1976; Rio, 1979; A Twist of Rit, 2015 9 (Finale). Wild Rice Originally heard on: First Course, 1976; A Twist of Rit, 2015 Let the music take you‌ SmoothJazz Magazine | 29
Concerts in Photos My heart sang from the first note to the last; this masterful trio lead by Brian Bromberg’s new CD 'Full Circle' was fabulous! Brian is an extraordinary jazz bass player and music composer who shared the lime light in each song with Don Webber- Saxophone Player and Mitch Foreman- Keyboards / Accordionist who was later joined by an electrifying Horn Section toping the night with the jazz rendition of Michael Jackson's pop song 'Don't Stop Till You Get Enough.' The night was filled with a variety of unique sounds that were diverse, featuring the musical abilities of each artist. For example the song ‘Saturday Night In The Village’ had a contagious tune which reminds me of the great 70’s Jazz with its melodic acoustic sounds. "Havana Nights" was a light salsa jazz blend that got my hands clapping and my feet tapping, that it almost drove me to get up and dance. I am sure that other people felt the same.
Nikki Glaspie Let the music take you… SmoothJazz Magazine | 31
Review By: Andrew Reeves
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Concerts in Photos
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Concert Review Photos By: Lamar Webster
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Festival
The New Vision At...
Kimberly Benoit
Photos By: Tyree McLemore
David Sanborn, Randy Jacobs Dave Koz
Barbara Morrison
Michael Lington
Sax Pack: Jeff Kashiwa, Steve Cole, Kim Waters . 36| SmoothJazz Magazine
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“I decided to do more jazz this year, because that is where we started.” Kim Benoit
Kenny Lattimore
Stanley Jordan
By: Art Jackson
Al Williams
The vision 29 years ago of jazz drummer Al Williams who started with the Queen Mary Jazz Festival, with daughter Kimberly Benoit right by his side. The duo has now built The Long Beach Jazz Festival into one of the premiere events on any coast. In 2013 after taking over from her dad’s retirement from operation of the event Kimberly along with husband and other third generation family members are continuing the traditions and expanding the vision . Being more comfortable behind the scenes for all these years Smooth Jazz Magazine was able to sit down and do a video interview as Kim took time to accommodate us while the event was still in progress. (Watch the full video interview on our Youtube channel. www.youtube.com/smoothjazzmag ). SJM: I noticed that unlike other promoters you seem to have a lot of patron coming up to you and giving you hugs? Kimberly: Our patrons are so loyal, the majority come back year after year which is such a blessing for them to do that. Outside of my extended family I consider my patrons my family as well. When they come here its like one big family reunion. They see friends they haven't seen in years , they love the music, the atmosphere so for me its all about the experience. And I would like to thank my patrons for their continued support for 29 years; they are awesome, I love them and we are looking forward to another 29 years. Let the music take you‌ SmoothJazz Magazine | 37
Festival
Kimberly: I decided to do more jazz this year because that is where we started. For me its about a feeling, I can’t really explain how I select the artists. Its about looking at what's going on around me and trying to figure out what I think the jazz aficionados would like to hear. So I try to have something for everyone.
Jeffery Osborne
Paul Jackson Jr. 38| SmoothJazz Magazine
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Rick Braun
Norman Brown, Kirk Whalum,
Everette Harp
SJM: From our Saturday posts on social media we got a lot of people on the east coast saying that this was a real “Jazz Festival.” What is your selection process for coming up with your lineup?
Festival SJM: Speaking of having something for everyone. Is there a theme for this year’s festival? Kimberly: Yes, “A Healthy Taste of Jazz.” We have a “Health & Wellness Pavilion where there is a second stage where various healthcare professionals come and speak about health related topics and we have “Fuze Music” on that second stage, for artists that need a platform and get more recognized. I recall when we were one of the first festivals to have KEM perform and now he has blown up. So we are trying to bring a message of Nikki Crawford making healthier choices to the patrons while providing on Fuze Music Stage good talent an opportunity that they normally would not have. SJM: How has the business grown and what does it takes to make each year successful? Kimberly: When we first started there was less competition, now I start in October to survey the artists that I want to showcase to make sure they are available. I want to keep heightening the experience; for me its all about how you make a person feel from the time they walk in to the event until the time they leave. So year after year I try and find ways of sharpening the experience as I have accomplished a lot of what I set out to do, but there is more ahead of course as there are things I want to change and implement as I am on a journey to go into other markets and bringing in international artists. Let the music take you… SmoothJazz Magazine | 39
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Let the music take
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Festival
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Festival
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With Special Guests:
MAYSA*NAJEE and many more. Available Everywhere July 15, 2016 Let the music take you… SmoothJazz Magazine | 45
Feature
By: Art Jackson
"I hope sharing my music will increase the harmony on this earth."
A
By: Andrew Reeves consummate musician, composer and humanitarian is sought after the world over, not only for her gifts on the keys, but also for her ability to connect with people from all walks of life. Her music is a conduit for shedding light on everything from breast cancer awareness to poverty and hunger in developing countries. Through her music, she transcends cultural barriers and infuses thousands of fans with hope that the world, such as it is, can always be made better.
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CONGRATULATIONS!!! Keiko Matsui "Journey To The Heart" debuts at #1 on Billboard Contemporary Jazz Charts!! Matsui began writing music at an age when most kids are still trying to decide what they want to do with their life. While she never thought she would be performing on stages all over the world, this artist realized, even as a youth, that music was in her blood. "For me, writing music was very natural," says the Tokyo native. "It was like writing in a diary." And what began with scores she wrote for junior high school musical competitions has blossomed into an incredible career that has produced over two dozen albums, and afforded her the opportunity to collaborate with such award winning artists as Bob James, Kirk Whalum and Chuck Loeb. She has rubbed shoulders with dignitaries and heads of state across the globe, and yet the accolades and well deserved recognition does not distract her from what this artists believes is her ultimate purpose. "I hope sharing my music will increase the harmony on this earth," Matsui says. Whether touring overseas to increase awareness
Bob James
Kirk Whalum
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Feature
"Journey to the Heart is a gift to my fans."
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for childhood starvation in Africa, or contributing her time and talent to bone marrow transplant campaigns, Keiko continually demonstrates her desire to leave this world better than she found it. She continues the work of sharing her music through her latest a album, "Journey to the Heart", released August 5th on Shanachie Records. And much like her previous recordings, Keiko takes little credit for its profound and palpable impact on her fans. "I truly feel my music comes from above" says Keiko. From the infectious cheerful track "Carnival" to the sensual overtones in tracks like "Butterfly" this artist offers melodies from her soul and gifts them unselfishly to people struggling to make sense of the chaotic world in which they live. And while creating beautiful melodies such as the breathtakingly vivid "Blue Rose" is still very much a form of artistic expression for Keiko, she does not take her ever present commitment and dedication to her fans lightly. "I have a special bond with my audience," Keiko explains. This connection, in part, is what inspired her latest album. "I wanted to focus on the heart on this album," says Keiko. "Journey to the Heart is a gift to my fans." Keiko recognizes that each project she produces not only speaks to the countless individuals who love her music, but illustrates her continual evolution as an human being, and as an artist. "Another meaning of 'heart', is my heart, discovering my inner self." It is this self discovery, and the amazing music it produces that endears Keiko to so many, and ensures her place as one of the most versatile and revolutionary artists of her time. As humble and unassuming as she is, Keiko has also made a name for herself as a fashionista. She designs much of her own apparel for live appearances, and aligns her wardrobe to match the spirit of the locale where she performs. "For the theatre, especially in places like Eastern Europe, the audience dresses up, so I design apparel that is elegant and classy. When I do small intimate spaces, sometimes I do something funky," Keiko explains. Wherever she performs, and whoever the audience, the sense of style she brings to the stage is as much a part of her definLet the music take you‌ SmoothJazz Magazine | 49
Feature ing presence as an artist as the music flowing effortlessly from her fingertips. And any who have seen her perform live can attest to the grace and dignity she brings to the stage, always humble and forever grateful for the gift of music she has been given, and her ability to share it in a myriad of capacities with so many. There are surprisingly few individuals who recognize where the true source of there talent comes from, and even fewer musicians who are willing and eager to share this message as openly as Keiko Matsui. As an artist, she would be well within her right to rest on the laurels of her many accomplishments. But this is not the type of musician she chooses to be. With every melody she writes and every note she plays, Keiko demonstrates her overwhelming appreciation to the creator for the gift of music, and her ability to use her talent to bring peace and healing to her fans. She recognizes, like the inspiration behind the song "Two Harbors" from her latest album, that gifting her music to the world is a choice; one she makes unreservedly. "You cannot change environments, but you have the freedom to choose. Every moment you can make a choice. This song signifies the choice every person has," says Keiko. And by continually choosing to share her incredible gift with the world, Keiko Matsui will always remain, in the hearts of her fans, an inimitable icon.
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Feature
Tom and Najee
TURN IT UP
Conversation 52 | SmoothJazz Magazine
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As we caught up with Steve Cole just coming off the stage at the 29th Annual Long Beach Jazz Festival where The Sax Pack, just played in beautiful weather and with an enthusiastic crowd we sat down in his artist trailer and talk about The Sax Pack and his new solo CD “Turn It Up.”
vid Mann, and saying remember how we would be in the car back in the day listening to the radio and a jam come on and we would say Turn It Up! And I said I want to make a record where all the songs are “Turn It Up” songs. So that’s how the name of the record happen.
SJM: How long has the trio been together?
SJM: One of those Turn It Up songs for me was the Bobby Womack remake.
Steve: I have had the pleasure to play with my buddies Jeff Kashiwa and Kim Waters for 11 years. We have a lot of fun out there and I manage not to sweat through my suit until the end of the gig.
Interview excerpt... See full video on our YouTube channel.
SJM: I don’t know I think I saw some perspiration. Steve: I was working hard out there man! SJM: Well the crowd seemed to enjoy the show. Steve: The audience here is really great. Every time we play here they are so gracious, so appreciative and sometimes when I look out in the audience I see familiar faces so it’s like playing in front of old friends. SJM: Let’s talk about your new CD. How did you come up with the name? Steve: Well I was talking to my producer Da-
Steve: I always loved and performed many times back in my clubs days in Chicago those classic R&B songs and I felt I needed to do this one. So we came up with a really good arrangement and had a good time with “A Woman Gotta Have It.”
SJM: I like how I still felt the essence of the song but you also made it your own. Steve: Thanks, yeah it’s a slippery slope when you remake a classic song. You have to kind of honor the song but you have to also put your own personality or spin in it without taking it too far out. Or else people are going to say; hey man you kind of messed with it a little too much. So it’s a very deliberate process where you have to honor the composition, honor the artist but also put your own
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Feature interpretation; and I think we got it. It comes from the love of the music and the song, if you love the song you are going to find your way. If you are doing it just to do it, then you never know. SJM: Another song that caught my ear was “Reverence.” Steve: It was a very interesting story. When I got the green light from the record company I called David and said this will be song number eight. So a few weeks later I flew to New York to commence song writing. When I got there he played me this idea he had, a few bars of a song which really was the intro of the song. He said “the minute I got off the phone with you, I wrote this.” It was so beautiful and really a great compliment that he was inspired by me just from a brief conversation, so that was really cool. SJM: So it’s safe to say that David has a good feel of your sound? Steve: Oh yes, we been working
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together since 2,000 so 16 years and after you been working with someone for that long, he knows where I am at musically as to what kinds of moods I like, to what chord changes I like and we now have this unspoken language between us which is really cool and its takes a long time for that to develop. SJM: How have you grown musically? Steve: Wow over 18 years and now 8 CDs, I Joyce Mateo hope I have grown as I don't think as much. SJM: Don’t think too much? Steve: I mean I think but I don't think too much, you birth your first record and it's very natural it's very organic It just kind of happened since you been thinking about this and dreaming about this for all your life And then you put this music out that you have been working on for a really long time. Then your second record happen about 15 months later and all of sudden you have to come up with an-
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“I find that when you think too much is sounds like you think too much. You do it organically and emotionally then you put out a record that feels that way and it’s fun and vibrant and it has life.” another body work in a much more truncated time frame and you start thinking about stuff on how the first record did really great, but what about the first record that was good maybe I should do that on my second record. Right! And you get in this cycle of thinking too much maybe I should do a concept record, maybe I should do this, maybe I should do that, then after a while you kind of say to yourself an album is like a photo album it’s a chronicling of who you and what you are doing what you are inspired by and what moves you in a particular point in time so express that, don’t think too much just make good music, do your best but be authentic and inspiring and put that music out and then move on to the next one. I find that when you think too much is sounds like you think too much. You do it organically and emotionally then you put out a record that feels that way and it’s fun and vibrant and it has life, so that I think is the evolution to my first record which was wonderful naive to my eight record which I also think is wonderfully Let the music take you… SmoothJazz Magazine | 55
Feature naive because I try to unlearn everything that I thought I lean and just make good music and just have a good time. SJM: Speaking of having a good time. The Sax Pack on stage seems to have a good time. How does this comradery come together and how often are you guys together? (and right on que, Kim Water steps in the artist trailer…) Steve: Kim come here man, now see, I don't like him, I don't like him at all, he is too good looking, to talented, makes me feel very inadequate and basically we are faking it. It’s all very disingenuous; it’s not natural because we are all intimidated by him. Kim: Steve is one of the best Saxophone players on the planet he has a great sound, great tone and his records are phenomenal everything he does is, his record “Moonlight” a great record, and, he is multi-talented and when we play together it’s just a special gel and we get on the stage with Jeff something magical happens because we don’t rehearse it, we just get on the stage and play and I think that what’s make it happens. SJM: So how does a Sax Pack CD comes together, with no rehearsal and do you send each other tracks to play on? 56 | SmoothJazz Magazine
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Steve: Well we rehearse a little. Kim: Yes, Jeff sends us the charts. Steve: But we get together to write the music. We got together in Texas, the home of the Sax Pack and wrote new music together for our latest CD. SJM: When you finally do come together in the studio do you have all the songs prepared or are you creating on the spot? Kim: We all write our little own stuff, and when we get together it just gels and comes together, we write our notes and put it on a disc drive and take home and work on the various parts. Steve: This time around we got together at Kim’s studio. Each of us had some ideas that we brought together but man some of the songs just kind of started out as silence and ended up being music. Kim and I have been doing this for more than a decade, so it is kind effortless after a while. SJM: So this is like a marriage where you can finish the other person sentences? Steve: Ha ha ha! Kim: I don’t know Jeff might get sensitive. Steve: Yeah, he might get sensitive about that because we don’t know which one he Let the music take you… SmoothJazz Magazine | 57
Feature Kim: Yeah he is not here to talk about it. Steve: Yeah he is not here to defend himself. But I think after a while musically you do kind of finish each other's sentences SJM: Is it safe to say that when you go on tour your shows just happens for the most part without major time spent rehearsing? Steve: Yeah we are jazz musicians at its core and we been doing this for some time and some of the impromptu things as what we are going to say, we don’t rehearse sometimes we don’t rehearse some parts of the songs that we invent together like the ensemble stuff or solo’s it’s not all following a formula we leave a lot to interpretation and a lot to improvisation.
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Feature
by Danny Moloshok Let the music take you‌ SmoothJazz Magazine | 59
New CD Releases 2016
Michael Bublé "Nobody But Me" 10/21/16" BUY
Norah Jones "Day Breaks" 10/07/16 BUY
Chuck Loeb 'Unspoken" 09/30/16 BUY
Gerald Albright "G" 09/30/16 BUY
Robert Glasper Experiment "Art Science" 09/23/16 BUY
Ken Navarro "Bonfire" 09/16/16 BUY
Richard Elliot "Summer Madness" 09/09/16 BUY
Paul Taylor "Countdown" Gordon Goodwin's Little Phat Band An Elusive Man" 09/09/16 09/09/16 BUY BUY
CD Review
SJM: There’s a track on the CD titled “Mandela.” What is the theme behind that song? Tom: I tried to shape that song so that it was strong. I tried to shape that song in a way that was like a pillar, like a foundational pivot point; being that Mandela faReview By: Maria L. Lewis thered a nation and was an inspiration to all nations. The funny thing is I had that The sounds of Rio De Janeiro are in the asair the lead song on the record, and I put a couple of trial feels out there and it with Bob Baldwin’s latest CD titled wasn’t that well received in Europe. What I wanted was to have a chorus with a “The Brazilian-American Soundtrack.” whole of double childrendisc andofeverybody It is agroup 26 song Brazilian to sing “Mandela.” But that’s where it all came from. and American R&B Jazz rhythms SJM: Are you a world tour for the “Legacy” CD? grooves. Theplanning album has 2 movements; Movement I: RioMove- we definitely have some things going Tom: Yeah. As this Ipanema CD gains and momentum, ment II: New York. This CDEurope, is #22 to his back to Amsterdam in a couple of on. We’re going to Dubai, going credits, and is a continuation to Baldmonths. win’s 2004 album “Brazil Chill.” While SJM: Now to the fun questions. This is where your fans will hopefully gain some the double-disc affair features a numinsight into who Tom Browne is. Do you have children? ber of Baldwin-pinned tunes, the disc Tom: You ready this? 31,iconic 29 and voro”). . . . .15!Another <Lots ofinspiration laughter> was Andthe again, givesYep. recognition to afor few of the 31, 29 and . . .15! ALL BOYS! so bad. I wanted a daddy’s girl, Artists/Composers who wereI wanted of heavya little late girl Maurice White, creator and leader you know. for this project including An- of the iconic group Earth Wind and influence tonioWhat’s Carlosyour Jobim (“Corcovado”), Fire. SJM: favorite food? DoIvan you cook? Lins (“Anjo Mim”,food “TheisIsland”, and The soundtrack consists of an internaTom: I grill. De Favorite Thai food. “Love Dance”) and Djavan (“Eu Te De- tional ensemble of Brazilian and Latin SJM: Where’s your favorite spot to vacation? Tom: Southern Italy. My wife and I wanna go to Spain; we haven’t been there yet, so we’re going this year. SJM: How do you relax?
Tom: See what I’m doing right now? This is my chill. When I’m on the road playing gigs, I’m chilled. My work is when I go home and I chill when I’m on the road. Let the music take you… SmoothJazz Magazine | 61
Feature musicians Café da Silva (percussion), Torcuato Mariano (guitar), Raphael Pereira (percussion), and Armando Marcal (percussion). Also including Canadian trumpeter Gabriel Mark Hasselbach, saxophonists Marion Meadows and Freddy V., Ragan Whiteside on flute, and Bob playing piano, keyboards, bass, drums, percussion, and singing lead and background vocals. Here are a few of the disc’s highlights. The first song in Movement I is “Funky Rio.” This song lives up to the term “funky” with the native New Yorker singing lead and background vocals. This is followed by his first single release “Ipanema Fusion.” This song is where Brazilian and American styles unite to create a light-spirited tune full of rich musical colors with a heavy house beat and heavy Brazilian percussion by the aforementioned da Silva. “Caipirinha” is a nice concoction of smoothness with its Brazilian flavors, and Brazilian-style percussion- Mariano is featured on lead guitar. “Greatest Lover” featuring long-time writing partner Zoiea is very reminiscent of the aforementioned EWF with its horn compositions and laid back styling. 62 | SmoothJazz Magazine
“Anjo De Mim” truly encompasses Baldwin’s love for Brazilian music and his appreciation of the composer Lins with its Bossa Samba rhythms, while yet brilliantly adding his signature style into the mix. Movement II of the disc begins with the track “Home from Work.” It gives you a musical depiction of coming home from a busy day, with its after-work type driving rhythm arrangement, fast piano licks, and fat stabs; “The Sound of His Voice” (For Maurice White) features
Let the music take you…
CD Review Baldwin on lead and background vocals, showcasing that signature sound and vibe - an instant hit with EWF fans everywhere! “For You” featuring former Atlantic Starr founder Porter Carroll on vocals, has an irresistible groove that makes you want to go for a nice evening drive with the one you love; while the track “I Need the Air” (You Breathe) will gracefully transport you to musical bliss. The last song of the double-disc is “The Message” (A Maurice White Dedication) where Baldwin shares his words and heartfelt sentiments on the life and work of the legendary Maurice White.
IN MY MIND
Release Date
August 22, 2016
Bob Baldwin never fails to deliver music in a spirit of excellence. The album is a Musical of combining works from the past and bringing it into the present with timeless style. A job well-done Bob Baldwin!
www.amysinha.com Let the music take you… SmoothJazz Magazine | 63
CD Review Review By: Eryn K. Bozeman Music is emotion put into melody. There have been studies’ trying to explain why listening to music has such a profoundly rewarding experience, but so far no one really understands it completely. I’ve listened to Frank McComb as a fan, for many years, I’ve been to live concerts, I’ve experienced his casual living room shows, and I have to say his music has a goose bump, chill, and euphoric effect. He seems to sing from his soul to your soul. The challenge on this review will be to remove my fan opinion and listen to the music with an unbiased point of view. With that in mind, let this musical drive through “Soulmate Another Love Story” begin.
ed. The song is what Frank fondly calls a “shorty,” but despite its minuscule length, it delivers musical significance. “Shorties” are a morsel of music that are powerfully intense, and leave fans wanting more. As you continue riding and discovering this cd, you will get a taste of the earlier songs released on the “Soulmate” EP in 2014.
These songs were a sneak peek of this Ok music lovers, jump in my ride, as I completed project, and are now reslide my cd in the player, and instantly charged and reloaded. One superbly rewe will start our musical exploration. mixed song from the earlier EP is The cd starts off with Part 1 of a 3 part “Feelin’ Some Kinda Way,” a song origisong named “Mustard Seed.” Its strong nally sent to Frank from Avery Sunshine, piano influence and uncompromised when the two decided it was time to composition, was expected, and provid- collaborate. Let the music take you… SmoothJazz Magazine | 65
Now, on the present cd, Frank’s original version, alongside the genius of Avery’s vocals, and Grammy nominated Najee’s flute, make this song fresh and extraordinary. Next, I arrive at the song “There Are No Words,” featuring Deborah Bond & Shannon "Songbird" Gibbons. The depth and layers in this song are exceptional, you will find yourself riding and singing along in no time. Its creativity of vocals/tones, keys, sax, bass, drums, and trumpet, are all consuming. Undoubtedly, if you are a fan of Frank’s musicality as well as his vocals, this song will be a project favorite. “Labeled As Love” featuring Maysa Leak and Marqueal Jordan is the next in line. This song is classic/smooth/ R&B, Frank McComb, and then you add Maysa, what happens next is, this song melts like butter. I’m reminded of older collaborations from my childhood, when music was real and felt good. This song is magic and the authenticity of the statement, real music. Next stop is “Another Love Story,” released originally February 14, 2016.This piece is an innovative tune that uses song titles from Frank’s debut cd “Love Stories” (2000) as lyrics. The ingenuity needed to put these titles together in song form is mind boggling. Writing is challenging enough, and to be able to rearrange titles into lyrics and still have a song that is musical sound is astonishing. As in every adventure, I have come to a fork in the road, I am struggling with reviewing every song or letting the listeners take a private journey. Since I have a small amount of self control, I will force myself to only review a couple more. One song is “Muse.” The title speaks for itself. Frank has many female fans and EVERY one will personally believe this song is about them. Well, maybe, just 66 | SmoothJazz Magazine
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maybe, that is what the maestro had in mind. (smile). This song is uplifting musically, short in time, but not in quality. The violin work of Tessel Hersbach compliments the melody impeccably. The simplicity in motion will take your breath away. Lastly, I will express my cd favorite. As much as I love Mr. McCombs voice, “Like Chicken” is 7:54 minutes of musical magnetism. We have a select few people in music today that can articulate in music what this song is communicating. Nothing delivers equal to the Fender Rhodes, and Korg Kronos, played by the hands of Frank in this song. Its melody plays, moves, dances, sings, and brings me joy with little effort from my part. This song has something to say, and as fan, I’m listening.
As I close and I’m still listening, I’m reminded I didn’t review an array of additional songs, and yes I want to, because this cd is loaded with amazingly talented artists. However, I challenge you to purchase the music for yourself. Play all 17 tracks in your car as you ride to some fabulous place. Enjoy all the quality your ears can handle, then boast about how it makes you feel on your social media pages. Good music should be shared with the world. This is Frank's first studio cd in 6 years, and in my opinion, it does not disappoint. Take the time to not only enjoy the music, read the label and be blown away again. My hat is off to you Sir, this project is musical excellence from creation to completion.
With Special Guests:
MAYSA*NAJEE and many more. Available Everywhere July 15, 2016 Let the music take you… SmoothJazz Magazine | 67
CD Review
Review By: Avzal Ismail Rubalcaba we add the youthful Harold Lopez-Nussa, yet another musical force to emerge from the island.
When his latest offering “El Viaje” landed on my virtual desk to review, I knew I If there’s one thing that Cuba has given was in for a serious musical treat. the world, it is their music coupled with some of the greatest musical virtuosos Harold is in linear terms a relatively new to walk on the planet...I know, I’ve seen force to emerge from Cuba but his muthem, I’ve studied with them and I’ve sicianship belies his youthful years. Born played with them. No matter the cirinto a musical family, his pedigree cumstances, the Cubans have music and comes across in abundance and this alrhythm at the heart of their culture and bum is testament to that. today, like that great American cultural offering, Jazz, the sounds of Cuba can Being a musician myself with Latin and be heard across the globe, from Beijing world music being particularly close to to L.A. From London to Cape Town. my heart, this album did not disappoint. We have had Buena Vista Social Club, The Afro Cuban All Stars, Los Van Van and Irakere and in a land filled with master pianists such as Chucho Valdez, Omar Sosa, Alfredo Rodrigues and
The personnel on the album feature dad Ray on drums, younger brother Ray junior on drums and percussion, Alune Wade from Senegal on bass and vocals, Mayqeel Gonzalez on horns and Dresier
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Adel Gonalez on additional percussion. Sept 4-5/ Detroit Jazz Fest. /Detroit, MI As you can probably tell, percs play a Oct 4 / Gateway City Arts / Holyoke, MA major feature on this album. From the fairly relaxed opening track “Feria” to the playful closing track “Final”, this album did not disappoint. It is not often that you find an album where every track stands out as an individual musical statement, both in terms of writing as well as performance. His nod to Irakere with his take on their fabulous “Bacalhau con Pan”, his Afro 6/8 acknowledgement to “Africa”, the beautiful, soul wrenching title track with it’s mournful trumpet all tell a story and weave a fascinating musical journey.
Oct 5 / Muse of Fine Arts / Boston, MA Oct 6 - 7 / The Berrie Center (Ramapo College) / Mahwah, NJ Oct 8 / The John F. Kennedy Center for the Performing Arts (Terrace Club) / DC Oct 11 / Dizzy's Club Coca-Cola (Jazz at Lincoln Center) / New York, NY Oct 13 / The Side Door / Old Lyme, CT Oct 14 / BRIC Jazz Festival / Brooklyn, NY Oct 15 / Chris' Jazz Cafe / Philadelphia, PA Oct 18 / Dakota Jazz Club & Restaurant / Minneapolis, MN
Oct 19 / SPACE-Society for the PreservaLopez-Nussa’s own pianistic influences tion of Art & Culture Evanston / Evanston are many and one easily identifies the (Chicago), IL seamless merging of Cuban son, jazz, Oct 21-22 / The Dirty Dog Cafe / Detroit funk and classical influences in an offering of heady rhythms, playful nu- (Grosse Point), MI ances and hurricane like power. Oct 23 / Baur's Listening Lounge / DenFrom son montuno to guaguanco, from Songo to Guajira, it’s all here in a bril- ver, CO liant new musical offering. Oct 27 / Blue Whale / Los Angeles, CA This is definitely one of those albums that is going to be on my repeat button for an extended period. In the end it’s all about the groove, the pocket and the clave and all three are on ample offering here. Give it a listen, I’m sure you’ll be pleasantly surprised......4.5 stars! 70 | SmoothJazz Magazine
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CD Review Review By: Andrew Reeves The much anticipated eighth album from jazz icon Paul Jackson, Jr is finally here! "Stories from Stomping Willie" is the latest contribution from an artist whose career has spanned three decades and seen collaborations with such stars as Michael Jackson, Whitney Houston, George Benson, and Kirk Whalum. Jackson brings to bear his talents as arranger, composer and producer in an album that offers a bevy of music variety, showcasing the artist's uncanny ability to harness the power of his instrument. Jackson's career has garnered quite an impressive list of musical friends, many of which he calls upon to collaborate on the album. Among them are famed violinist Karen Briggs who brings a special brand of sassy flare to "Ocean Explorer", along with pianist Brian Culbertson accompanying Jackson on "B.F.A.M. (Brothers From Another Mother)". And a Paul Jackson, Jr album wouldn't be the same without members of the Rickey Minor Band who have performed with the artist on shows such as American Idol and the Tonight Show. "Stories from Stomping Willieâ&#x20AC;? is not just a tribute to the late guitarist George Duke who coined the nickname for Jackson, but also yet another example of the 72 | SmoothJazz Magazine
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versatility of an artist who has infused his music with elements of R&B and Pop, taking contemporary jazz to a whole new level. There's the high energy track "Hip Pockets" that, like so much of Jackson's music, exudes how dedicate Jackson is to the craft of making music that resonates with people. And, almost as if he were taking one last stab at Duke for the nickname he bestowed, Jackson records the funky track, "Dawilli Gonga" as a kind of comeback; one final ode to the artist whose career paved the way for Jackson. "Stories from Stomping Willie" is definitely worth a listen, not just for the musical innovation of an artist that will define a generation of jazz musicians, but because so much of who Jackson is as an artist is intermixed in every track. The music, undoubtedly, is all the better for it.
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CD Review CD Reviews Review By: Althea Turner He's back with his 8th solo CD release, and if you've followed Steve Cole during his AMAZING career, then you'll want to get your hands on a copy of his latest release, "Turn It Up."
STEVE COLE It's
classic Cole on "Turn It Up" and "She's Photos By: Raj Naik The One." His signature sax harmonies and upbeat melodies take over and has just the right snap Photos By: David Johnson and sauciness to have you craving more. "Reverence" slows it down a bit (or one may think). If you listen really carefully you'll hear every note from every instrument; from the acoustical guitar peeping through, to the soft beats and percussion. Then there's Steve coming in strong on sax. One of the things I like about Steve, he can make it sound as soft and sexy as you want (remember "Stay Awhile" from his 1998 debut CD) or he can go strong and blow you away. That takes talent, and talent he has! "Woman's Gotta Have It." Most of us remember this song from the one and only Bobby Womack. He released that song in 1972 and it was #1 on the R&B charts. Now fast forward to 2016 and Steve Cole. Thank goodness for artists like Steve. Artists who never forget good music and always keep it alive by enhancing an already groovy sound with
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10/25/16
their own interpretation. This track will your musical journey you'll discover it get a lot of play. Congratulations Steve. was a "Mirage." Job well done. play. "Laws Of Attraction" and "Life Is A Groove" caught me off guard at first. The intro on both fooled me into thinking "oh, this is groovy." Then, he gets a little sultry with the sax. Pleasantly pleased and teased all at once; You'll understand once you hear it. Trust me. By the way, both tracks are smooth -grooved, and that's classic Steve Cole. I remember Steve's first CD, "Stay Awhile." I played that thing morning, noon and night! I couldn't get enough. His music to me has always been hard driven, meaning he pours his heart and soul into his music, and this new project is no different. You can hear and feel the work he put in (maybe that's how he came up with the "WorkHouse" title track). It would make sense. I'll leave you with this, listen to this CD not by the order of numbered tracks, but shuffle it. If you find yourself lost in the music, don't worry, at the end of Let the music take youâ&#x20AC;Ś SmoothJazz Magazine | 75
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CD Review
Jacob Webb and Todd Schefflin From the hip, young jazz duo “The JT Project” comes another album that is positively on fire. “Moments of Change”, the group’s fifth recording includes a number of R&B and Pop infused tunes that are sure to get your feet moving. As with their previous work, “Moments of Change” is a refreshing change from the mainstream. The infectious chemistry between keyboardist Jacob Webb and sax man Todd Schefflin permeates every track. Like so much of the album, the first track “Overdrive” is a tune you can dance to. Schefflin takes the lead on this catchy, up-tempo tune that almost forces you to the dance floor.
Review By: Andrew Reeves key and somewhat melancholy tunes, such as the beautifully arranged “Daddy / Miss You” and “Love Passion Correspondence”, and then switches back to that groovey, feel-god vibe with “Don’t Blink.” The interlude “Missed Call” shakes things up, and conveys the passion these artists pour into the music they make. Ultimately, the magic in this album is its uncanny ability to evoke emotions that prompt listeners to reflect on their own journey. Any lover of jazz knows that the music has a way of bringing the raw stuff of life to the surface. The JT Project, in their own way, has produced an album that does just that. From the seductive “Holding on to Love” to the smooth track, “Talk About It”, there is so much about this record to enjoy; a definite must-add to your summer soundtrack.
“Overdrive” sets the tone for an album that is all about having fun and seizing the moment. Following it, is the seductive “Nw Style” and “Talk About It”, giving the album that sensual flare, which is a staple of so much of the group’s music. At times the album gives way to low Let the music take you… SmoothJazz Magazine | 77
CD Review
Review By: Keivu G. Knox
Steven "Eugene" Grove bka Euge Groove continues to amaze. His latest offering, "Still Euge," is a fitting title because after 16 years and 9 solo albums, Euge is still releasing great music that makes you stay close to that "repeat button!" Review By: Keivu Knox The title track, features Chuck Loeb and gives an awesome fusion of jazz, blues and swing. "Love, Passion and Joy" has a familiar feel to it and quickly became one of my favorites from the album. Euge has always had an ear for the bedroom and this album has "Another Perfect Moment" featuring Peter White to serve as a new addition to your romance soundtrack. "Coffee and a Kiss" is a nice mid-tempo cut that takes me to a Saturday morning listening to music and having a nice cup of joe. I was pleasantly surprised to hear two of my favorite vocalists on this album. Rahsaan Patterson is featured on "Much Love." His vocals compliment Euge very well, over another mid-tempo number. This is a cut that can easily cause toes to tap and dance floors to pack. Oleta Adams delivers her signature tone on "Flowers." It has that "power ballad" feel to it as Adams gives a reserved, yet powerful performance. I would consider the song "And I Thank You (Mom and Dad)" as the album's centerpiece. Its driven by 78 | SmoothJazz Magazine
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CD Review
Gospel undertones and a primary focus on Euge. The Gospel component on this track is not surprising considering part of Euge's inspiration for this album is found in Psalms 46:10 which states "He says, â&#x20AC;&#x153;Be still, and know that I am God." Album number 10 for Euge Groove is a masterpiece. It shows his ability to give listeners a taste of everything that has made him one of the most popular artists in Smooth Jazz. He is truly Still Euge and still in the Groove!
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CD Review
Review By: Keivu G. Knox
I'm always intrigued by reviewing an album by someone that I'm not familiar with. That way I am able to look at the album without comparing it to prior work. Although saxophonist Arno Haas is a new name to me, he has been touring and performing for almost 30 years. His newest album, Back To You, not only serves as a proper follow-up to 2013's Magic Hands, but a great starting point for newer fans like me! There's nothing wrong with having guests on your album, and Haas gets the cream of the crop with Al Jarreau's vocals on "Lucky Chance." Another great vocal performance comes from Evelyn Laplander on "When Love Is Real. However, the strength in this album is not the guests, but the sheer quality of the songs that compose it. If you're looking for a nice song to ride to. "Chick Flick" will capture your attention. "Mr. Valerie" features Randy Waldman on piano and will satisfy those that love a great melody. I played "Creepin' Shadows for my wife and she called it a perfect song to "have a drink, make a bath, relax and enjoy." I would agree
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“Arno Haas, with this album, was able to avoid the "sophomore jinx" with her 100%! Haas does a lot to keep you engaged with this album, especially the second which is full of great w/Al Jarreau grooves. "Check Yourself” gives other musicians a chance to showcase their talents. "Wake Up Smile" has a flow that will truly keep a smile on your face with a George Benson like guitar driving the melody. The albums closer. “Just Got To Do It,” is my favorite song on the album with a breezy melody captured by a great horn section featuring Haas, Chuck Findley and Jamie Hovorka on trumpet, and Reggie Young on trombone. Arno Haas, with this album, was able to avoid the "sophomore jinx" and has won me over as a fan. This project should make everyone's summer playlist. Let the music take you… SmoothJazz Magazine | 81
CD Review “OOH BABY!” Oli Silk’s newly released CD, “Where I Left Off” Review By: Althea Turner is wonderfully engineered and masterfully mixed. And can we talk about the featured artists? Let’s see, we have Althea Renee, Steve Cole, Phil Denny, Peter White, Rick Braun, Nick Colionne and the list goes on and on. This entire CD, all 57 minutes, is classic smooth jazz. It begins with “Ooh Baby.” This is a fun, upbeat song, and what really stands out is the “ooh baby.” You’ll get it once you hear it. Rick Braun on trumpet and Oli on the keys, this one is definitely one to put on repeat. But wait, it doesn’t stop there. He goes right into “Where I Left Off,” the title track. Oli showcases his skills as one of the top jazz pianists in the business. His fingers were, as they say, “tickling the ivory” for sure. “Take Me Away” is classic smooth jazz. The acoustics, the keys, the everything! I could name the featured artists, but I think you’ll know instantly once you hear. This song makes me miss the days of smooth jazz radio, remember when we had FM stations that played smooth jazz? Yeah, me too. Oli takes his time, slows it down a bit on “Seasons Change” and “Take Some Time Out.” When you marry acoustic guitar to piano and the union produces a sound so sweet, there’s nothing more to do than just sit back, close your eyes and let the music take over. Get your finger-snapping on with “Su Casa Mi Casa.” “Ooh Baby!” (I like saying that.) Listen, if you don’t feel the vibe on this one, you’re not doing something right. Seriously, what an amazing talent this man has. He plays every, single key! Check out the bass line too. Two thumbs way up on this one. For those of you who are familiar with Oli Silk, he doesn’t disappoint. For those of you not familiar with him, don’t be disappointed. You can catch up with the rest of us once you get this amazing CD; however, be warned. He’s addictive. “OOH BABY!”
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CD Review I've heard that trying new things, whether it be food, fashion, relationships, music or just about anything, can be uneasy at first. I believe we've all had that initial feeling of "what if." What if it taste bad? What if it doesn't fit? What if the color doesn't work for me? What if he/she isn't the right person for me? Luis Alas was my "what if." "Shades of my Soul' is a debut CD for Luis and contains three tracks of his original Review By: Althea Turner compositions. I guess you could say he's no stranger to music; he's played saxophone for Anita Baker and George Duke, has toured in over 30 countries and now has decided it's time to go solo. He is probably having his own personal "what if" moment. Not to worry Mr. Alas. From what I'm hearing on this introductory CD, you have defeated your "what if" and so have I. The titled track, "Shades Of My Soul," opens with a powerful bass line and leads into a smooth groove of "saxiness." I love a saxophonist who's not afraid to hit every note possible. "Bella's Melody" is oh so sweet. Nothing like two sounds coming together in the most beautiful way. His saxophone is telling a story on this track and the piano is cosigning to every word. I can't say what the story is; this is one you interpret individually. One thing for certain, you will definitely have a different interpretation each time 84 | SmoothJazz Magazine
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you hear this song. I believe it's called "reflections" when you can see a mirror image of something or some thing. Take a listen to this one and reflect. Beautiful song Mr. Alas, beautiful. The last track, "Tempes De Couche" had me at hello. I like blues. I like gospel. I like jazz. However, I LOVE when they can all be combined. Did I just say combine gospel and blues? Yeah, I did. Don't blame me. Blame Luis Alas for this outstanding composition. Maybe one day I can ask him about the meaning and title of this track. So I asked myself, what if this CD isn't for everyone? What if the music doesn't speak to everyone as it did to me? What if you, as a reader, don't listen when I say purchase this new music and add to your collection? See, there's those "what if" moments. My "what if" turned into "grateful" after a few listens. Don't let your "what if" moment take over. Get this CD and be grateful.
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Jon Batiste & Stay Human feat. Grace Kelly Let the music take youâ&#x20AC;Ś SmoothJazz Magazine | 11
CD Review Review By: Maria L. Lewis Get ready to go on a delightful musical journey with Ashleigh Smith’s debut album titled “Sunkissed.” She is an up and coming Dallas-based Artist, and is the winner of the 2014 Sarah Vaughan International Vocal Competition. She is a gifted song-writer, and has co-written five of the disc’s 10 compositions. Her first track “Best Friends” takes us to Brazil with Brazilian-style percussion, acoustic guitar, and horns. She has a strong vocal delivery and purity in sound that makes for an unforgettable listening experience. “Sarah Smile” is a fresh rendition to the song previously performed by Hall and Oates– with its syncopated rhythms, and solid vocals. “Love Is You” (previously sung by Chrisette Michelle) is the definition of musical bliss with its blending of multiple musical styles. It begins with a beautiful string arrangement, and has a nice neo-soul feel in the vocals. If you are a fan of Sade’s music, you will love this track titled “Blackbird” – with its smooth vocal runs, and hypnotizing background vocal arrangements. “Brokenhearted Girl” has an impressive and creative arrangement set to the nursery rhyme tune “Mary Had a Little Lamb” artisticly presented in a fun Jazzy musical style. The CD ends with an a capella version to the 1971 tune “Pure Imagination” – with Smith performing vocals in tight four part harmony. Let the music take you… SmoothJazz Magazine | 87
Ashleigh Smith has made it quite clear that there is more Music to come in the future from her, and with Musical work like “Sunkissed” we will be anxiously awaiting. Her new CD release is scheduled for August 19, 2016 via Concord Records.
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CD Review
I have to say being asked to do this review gave me mixed emotions beReview By: Eryn K. Bozeman ing a Maxwell fan. I’ve been to every concert tour, I have every cd, and part of me still wants Maxwell to reconsider the 2-day tour that was scheduled at one time. Yes, I had tickets, and yes I would buy them again. (smile) Maxwell is extremely talented and I’m honored to review a cd of one of my musical heroes. So here we go, let’s jam. I will start by saying, I’ve listened to this cd over and over again. I was one of the fans, who preordered the music, then shared it all over social media for friends to support the music too. Since this cd is already released, I’m just going to review a few of my favorites, and what they mean to me. The cd starts off with a song named “All The Ways Love Can Feel.” This tune starts very upbeat; Maxwell’s sensual voice smoothly glides along the tune and seems to melt in the melody. It feels like classic Maxwell and you will dance as you jam to this one. My mind can see this one being performed on stage. It’s a bit sexy and will embrace the crowd while performed live. It’s layered in sound and the horns are arranged perfectly on this tune. Next song I chose is “Lake By The Ocean.” I’ve been keeping this song on my regular playlist since its release on April 8th. It’s honestly one of my favorite songs. I’m kind of a nonconformist when it comes to music; however this tune is Maxwell in musical motion, and resonates with everyone. If you take a moment to listen and Let the music take you… SmoothJazz Magazine | 89
read the lyrics, you fall in love all over. I know we have all been singing it since April, but now take a look at the physical cd and sing it right. (smile) Complete poetic beauty. The next top song choice is, “Fingers Crossed.” This song takes me to Maxwell of the past. It has the feel of some of his older music, and purity. I love the way this song plays and moves. The line “Maybe someday probably baby, if you get the courage lady,” is the complexity and genius of creativity, I expect from him. The line resonates with me and my personality, and so I’m hooked. Now I will skip to “1990x.” Instantly I think sexy! It also teases you of the old Maxwell, but then without warning it winds and moves into today’s Maxwell, very grown and very sexy. The song is love intended and love delivered. Then there’s “Lost” a song that takes you straight to the blues. It brings you back to a time when everything was from the soul. When you listen, you enter a time when an artist sang and with every word you felt their raw emotion. Maxwell left it all on this track and like the title, you get lost in the rapture. There is something sexy, mysterious, and dark in this track that I found incredibly intriguing. A always I won’t throw my point of view up-
on the entire cd, but I will tell my favorite song. My choice is “Of All Kind,” this song radiates as soon as you hit play. It spills love from the music to the lyrics. I always feel like every cd Maxwell has, tells a story. 90 | SmoothJazz Magazine
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I haven’t found all the pieces to this story but I listen every day to understand what he wants to say. Nevertheless, I feel this song is what this cd is about, in this part of the trilogy. I think it translates into LOVE. He sings about the way love should be, and it makes you want someone to love you. This song floats on wings when it’s played. I know if Maxwell could reach out, he would tell me everything I wonder about in this song and cd, but I also find joy in letting my mind roam. As I close this cd review, I will say Maxwell is an R&B soul singer like no other. His music takes you on a journey through a layered man with depth in his soul. Most fans find that mysterious and sexy, but there’s also a man who sees the world through love. Feeling and seeing a world that way, is sometimes beautiful, yet also complicated. Maxwell is compassionate, his views flow from the heart and for fans this translates into his profoundly flawless music. With all that emotion said, “black Summers’ night” is a waterfall of Love and a crowning addition to my Maxwell’s library. I challenge you to listen for yourself and then let me know what you decide.
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