Jan/Feb 2016 Lalah Hathaway Issue

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2015 in PICTURES / New CD Releases 2016

SmoothJazz Jazz TM

MAGAZINE

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Celebrating


HAPPY

SmoothJazz MAGAZINE

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Lifestyle

FEATURE

07 Grammy

20 Namm 2016

Nominations

12 Frank Sinatra 100th Birthday Salute

Kanstul Instruments

25

39 Kirk Whalum

Get’s Honorary Doctorate

48 Year In Photos 2015 Remembering 99 Natalie Cole Dies at 65

25 Lalah Hathaway Talks Grammy Nominations Concert Review 33 Dave Koz and Friends Christmas Tour : NY & Detroit

39 Larry Carlton

@ B.B. Kings House of Blues NY

55 Kirk Whalum and Friends Gospel According To Jazz IV


CD Releases 90 New CDS CD Reviews 82 Lalah Hathaway - Live 85 Babyface - Return Of The Tender Lover

86 Denise Donatelli Find A Heart 88 Jonathan Butler - Free 92 Rob Tardik - Moments 93 Sessions Nicholas Cole - Night 95 Grace Kelly - Trying To Figure It Out

96 That Harry Connick Jr. Would Be Me 98 Adele - 25


SmoothJazz Jazz ArtMay Jackson— Publisher/CEO / June 2015 Doris Gee- - Research Manager Mann—Graphic Artist Contributing Writers Maria L. Lewis Chicago, IL Althea Turner D.C. Eryn K. Bozeman Franklin, TN Art Jackson Los Angeles Cheyene Moore Young Los Angeles Rosemarie Howard Los Angeles Lourdes Hernandez Miami Lisa Jay New York Contributing Photographers Eddie Jackson David Johnson Chuck Bigger Cecelia Wells Mann Maury Phillips Raj Naik Antione Debrill Enid Alvarez Ernest Gregory Lisa Jay Michelle King Ronald Hancox James V. Henderson Pat Cook

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Copyright @ 2015 by Smooth Jazz Magazine Inc. All Rights Reserved.



FEATURE history of jazz. SJM: And it just keeps coming. Barbara: And the beat goes on. SJM: Yes it does, during your career, you collaborated with so many, has anyone stuck in your mind and you may stop and say "I remember when he or she said that. "Barbara: Oh yeah, Cleanhead Vinson was my mentor, Eddie Cleanhead Vinson. taught me the proper wayprivilege to be a lady, to actoflike a lady. He to Smooth He Jazz Magazine has had the in 2015 covering theused following tell mein allBlues, the time go there and sit down myStraight wife, you’re that cute! Do artists Gospel, Smooth Jazz, Latinwith Jazz, Aheadnot Jazz and Smooth not them musicians! Heconcert gave me good fatherly advice. Then along R&Bmess with with either interviews, CD or reviews. Good Luck to ALL! came James Moody who gave me real good musical advice. He used to say you cannot sing like that, you have to lay down the melody before you scat. He cared about me as a singer. He used to say Barbara you could be a really good singer if you do it this way, he gave be constructive criticism. I have thick skin. I didn't take it personal. I did exactly what they said. SJM: Barbara, I know you have no legs, and wear prostheses; how do you handle that? Did you go through a depression? Barbara: Girl, no I never got depressed. I thought of the little girl who was 11 years old and she had cancer and she knew she was going to die and she went to the priest and said, "Father when I die and you put me in the casket will you put a fork in my right hand" and the priest said, "Why?" "Because when we go out to dinner mom always said save your fork for something good is going to happen and then we have dessert." That’s the way I think something good is going to happen. SJM: And look at you now! Barbara: I'm talking to you? Barbara: People would come up to me, and said if this could happen to you, it could happen to me. A lot of my friends started going to the doctor, and taking you… SmoothJazz Magazine care of themselves, now theyLet are exercising, taking their health serious. Letthe themusic musictake take you… SmoothJazz Magazine||07 11


GRAMMY Nominees Continued...

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GRAMMY Nominees Continued...

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GRAMMY Nominees Continued...

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AUTHOR DR. CAROLYN W. GAINES

Children and adults can learn about the history of Blues & Latin music , as 34 cartoons written in English and Spanish of such as Buddy Guy, Jennifer Lopez, B.B. King, Carlos Santana, Sheila E, Grady Gaines, Roy Gaines, Ray Charles, Etta James, Muddy Waters and others. writEng-

ten lish

in and

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Lifestyle Special Exhibit gallery from October 21, 2015 through February 15, 2016.

By: Rosemarie Howard

As the official exhibit of the 2015 Frank Sinatra Centennial, Sinatra: An American Icon traces 100 years of Sinatra legacy, from Hoboken, N.J., through superstardom, chronicling the meteoric rise of his music career, his Hollywood success, personal life, and humanitarian work.

Sinatra: An American Icon 100 Years of Legacy


“START SPREADING THE NEWS… @ THE GRAMMY MUSEUM®” Throughout his nine-decade career, Frank Sinatra perPhotos By: Maury Phillips/ formed on more than 1,400 recordings and was awarded WireImage.com 31 gold, nine platinum, three double platinum and one triple platinum album by the Recording Industry Association of America. He extends his record to 57 for the most top 40 albums on the Billboard 200 with this year’s new Ultimate Sinatra release. Sinatra has had Top 40 hits on the charts for eight decades, which is as long as the Billboard charts have existed. He received nine GRAMMY Awards over the course of his career, including three for the prestigious Album Of The Year, and an Oscar. Sinatra demonstrated a remarkable ability to appeal to every generation and continues to do so; his artistry still influences many of today’s music superstars. He also appeared in more than 60 films and produced eight motion pictures.

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Lifestyle Ol’ Blue Eyes Oct 21, will be a night to remember. At the Grammy Museum in Los Angeles, The Architects of Sound Award was presented to Frank Sinatra . On the Red Carpet were stars such as Frankie Valli, Tommy Lasorda as well as many others. This will be the first time an award was given to a performer who was not able to accept it personally. An enjoyable and engaging festivity, Mr. Sinatra would have celebrated his 100th birthday.

Tommy Lasorda

The Gala opened with a toast of Jack Daniels by both host, Max Weinberg and Steven Van Zandt. There was so much laughter about Ol’ Blue Eyes. Even though you might not have known him, you knew of this ICON, his music is still classic. Mr. Sinatra’s music played during intermission and also during the enjoyable delicious Italian dinner service. To help benefit programs and educational enhancement of music for students provided by the Grammy Museum, there was an auction off of Dodgers, Giants and Yankee’s baseball packages, a portrait of Mr. SiMax Weinberg and Stenatra and a Grammy awards package. After each aucven Van Zandt. tioned item, it was presented to the winner. 14 | SmoothJazz Magazine

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Lifestyle Accepting the award was daughter Tina Sinatra and granddaughters. Overwhelmed with excitement and very gracious, Ms. Sinatra spoke about her father’s love for music, for mankind and the education of the ARTS. She praised the Grammy Museum for keeping her dad’s vision alive. There were many highlights of the evening but one in particular was the emotional words expressed by Frankie Valli. Valli said, “He treated me like family. If I were sick, he made sure I had the right doctor, the right medicine.” They had a special bond. AJ Lambert Tina Sinatra and Amanda Erlinger

Frankie Valli L.A. Music Revolution Kids Summer Program performing “Fly Me to The Moon” and Mindi Abair gave a fun performance of “Too Darn Hot.” Also, this phenomenal saxophonist delivered a Sinatra Count Bassie tribute called “Only the Lonely” and ended with “Come Back To Me.” 16 | SmoothJazz Magazine

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Mindi Abair


Lifestyle Seth MacFarlane, the comic, the actor, the singer a dynamic entertainer gave the audience an amazing mini concert. Between his jokes with a touch of seriousness, all songs performed were enjoyable. He performed the song written by Billy May, “The One I Love (Belongs to somebody else),” “On the Road to Mandalay” written by Kipling, “Melody of Love” by Ray Anthony. MacFarlane spoke about the friendship between Nelson Riddle and Sinatra for they later recorded many hits together. The last song MacFarlane performed, he said it is the bartenders mercy song called, “One For the Road.”

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“Celebrating Frank Sinatra 100th birthday” Ending a wonderful evening was singer, Michael Bublé . Stating “I am honored to perform and only wishes I had the chance to meet Mr. Sinatra.” He sang several hit songs, including ”This Love of Mine” and “That’s Life.” The evening ended with laughter, smiles and everyone embracing the moment. What a wonderful Tribute.

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Feature By: Art Jackson

Musical Instruments made in the USA

@

As Kanstul Musical Instruments is heading into its 16 year participating at NAMM, the USA company based in Anaheim, CA gets the opportunity to showcase its products to dealers worldwide. Since 1981, has been known as the Ferrari of quality manufacturer of brass winds instruments says publicity director Jack R. Kanstul. “We build everything from a frugal horn, piccolo trumpet to tuba and all the other vast tooling needed for fabricating tubes, bells, lead pipes, and valve parts.” Taking into consideration when his dad Zig Kanstul began his apprenticeship in 1952 learning the trade, from Foster Reynolds while working at F. E. Olds a Fullerton, CA company formed in the early 1900’s, Zig’s craftsmanship took formed. You can say there is over 65 years of experience that goes into the Kanstul products these days as each of the 30 employees are trained in-house on The Art Of Instrument Making which has been handed down over the generations. Naturally over the years the business has changed, larger companies who manufacture in larger volumes and sell at lower prices are in every music store, and the art of making instruments is lost. 20| SmoothJazz Magazine Let the music take you…


“that was the most incredible horn in the world, it’s unbelievable!” Recognized for its sounds and tones, Kanstul’s premiere piece is its flugel horns. Everybody from studio musicians to legendary artists Doc Stevenson to Herb Alpert has played our instrument. When Arturo Sandoval first arrived in the states from Cuba he recorded the album “Flight To Freedom” with Chick Corea and the song “Body And Soul” which feature our Kanstul 1525 flugel horn. Over the years Arturo tells me, “that was the most incredible horn in the world, it’s unbelievable!” The NAMM Show (National Association of Music Merchants) January 21-24, 2016 is the world’s largest trade-only event for the music products industry. It is held every January in Anaheim, California, at the Anaheim Convention Center. The four day event not only showcases the exhibits from companies like Gibson Guitar, Infinity Systems, Korg, Roland, Steinway, Yamaha but the buzz fills the air when the artists who play their instruments like Stevie Wonder, Arturo Sandoval, Slash, Nathan East, Gene Simmons, George Clinton, stops by their booths…signing autographs or give mini shows .

Stevie Wonder

Slash

Nathan East

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Feature Over the years NAMM has help make the national awareness to the lack of music education in our schools a major topic, with their “The John Lennon Tour Bus” and “School Jams” activities during their event. It only seems appropriate that Congress has passed the “Every Student Succeeds Act” Including Music as Part of a Well-Rounded Education More school-aged children nationwide will have access to music and the arts, thanks to Congress’ inclusion of both subject areas as part of a well-rounded education in the s s e r g Con reauthorization of the Elementary and Secondary ry e v E “ e th d e ss a p has Education Act (ESEA). The Senate passed the bill ” ct A s d e e cc Student Su on Wednesday, December 9, 2015, with a vote of rt a P s a c si u M Including - 85 to 12 and now heads to the President’s desk. u d E d e d n u o -R ll of a We The new bill’s inclusion of “music” and “art” in the cation... definition of a “Well-Rounded Education” marks an unprecedented step forward for music education, as it connects to a variety of significant other provisions in “Every Student Succeeds Act.” On the other hand the collegiate market is booming, although Yamaha dominates in the market because of its size, we decided to form a strategic partnership with Tamu Drums, for the marching band as it is a huge market and with my dad inventing what is now called the “Marching Brass” which are basically musical instruments 22 | SmoothJazz Magazine

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Feature

www.kanstul.com/

specially designed to be played while moving and we make the best Marching Brass instruments in the world and it is being marketed by the name Tamu by Kanstul as Hoshino USA has become the marketing team to get our product into the hand potential customers.

back the great American Tuba. It’s been over 75 years since a company made them here in the states. While working on a new prototype for the “The Martin” trumpet. The Martin trumpets and saxophones were favorites of jazz musicians, so we are doing a remake of it. What makes us unique is that we make We attend festivals like the Internation- everything in house, all our valves, al Trombone Festival – June 4-7, 2014 – tubes everything; we can supply a full Rochester, NY this is where all the seri- brass band. We are proud that we are making the highest quality product in ous players are, as you have these the world. schools with their curriculum, and these students eventually turn it into a As a major manufacture Kanstul may profession and get hired in orchestras not be in every store due to dealerships and form bands. So we make a vested looking at their profit margins but for effort to showcase our products in those dealers looking for quality sound these markets around the world. products then Kanstul is about posiThe influx of the Chinese heavy produc- tioned itself we concentrate of the tion drives down the cost with its quality and what differentiates us from cheaper labor but we feel that our the rest is the sound and music is about niche is the quality; we make a product the sound. that is incredibly good. Ironically the Chinese appreciates quality, and we are exporting to mainland China which happens to be one of our major markets. Moving forward the company since 2005 has ventured and helped bring Let the music take you… SmoothJazz Magazine | 23


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e e n i Nom

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Feature

By: Althea Turner

...CONGRATULATIONS ON THE GRAMMY NOMINATION FOR Best Traditional R&B Performance "“Little Ghetto Boy" AND THE NAACP NOMINATION FOR OUTSTANDING FEMALE ARTIST… I am excited as I get ready to wish a HAPPY BIRTHDAY to LALAH, a couple of days early before December 16th, and talk to her about her new CD and GRAMMY nomination. What a thrill! SJM: What does the Grammy nomination mean to you? Lalah: It means a lot! It means that I’m recognized by my peers. It means another opportunity to sort of get on a world stage and say hey I’m here, would you like to listen to what I have to offer, and it’s a chance to increase my territory and really expose the brand. SJM: Exactly, and I know it means the world to you; coming off the heels of your Live CD project, which I personally could not wait for. So how did your live CD project come about? Why now? Lalah: It’s kind of one of those things like why not now. It was on its way; it was coming and I decided to do a Pledge Music campaign, and people started really helping to fund my dream a year before I really even started talking about what the dream really was. On that level, it was one of those things that seemed like a divine space for me to be in and people were really coming out and supporting me; and then we met our goal. It took a little while but we did it. SJM: So you had a lot of motivation behind the entire project from day 1. Lalah: I really did. It really started as a conversation I had with my friend Donald Lawrence, talking about making a best-of album and I didn’t really 26 | SmoothJazz Magazine Let the music take you…


feel like I had quite enough to make a best-of record. I know people do that with way less material and accolades I have, but I still felt kind of funny about doing it. Donald said, “You can make a best-of record any time you want.” And then I started thinking about, well maybe I can make this live record that I’ve been wanting to do. So I said let me do what I know is the right thing to do. SJM: How did it feel to perform on the same stage as your dad? During the performance, were you up there feeling all sorts of emotions? What were you feeling while you were performing “Ghetto Boy?”

live record. It was really something. It was such a thing, I can’t really put it into words for you; if that makes sense. Imagining that room since I was 9 or 10 years old. Imagining what the ladies might be wearing, what the gentlemen might be drinking. To create a visual. The dreams of listening to the people talking to my father. Imagining what that room felt like. And to be standing on that stage, on that night, there were many moments, believe me, I had to just breathe. It was really phenomenal for me, and I was excited my mother was there; my sister and her kids were there. So it was definitely a moment.

SJM: So, listening to your CD, which is Lalah: It’s really hard to tell you. in heavy rotation for me right It’s hard to put into words. Years now, how did you choose the and decades of imagining that songs? I know “Angel” was the stage and what it would be like to first single, but were you sitting play there one day; and I actually around thinking one day, “oh I played there once last year with definitely have to do this one” my friend Robert Glasper and I and “yeah, I think Angel is a thought oh WOW! I thought, I must.” I somehow picture you in have to come here and make a your house going around doing Let the music take you… SmoothJazz Magazine | 27


Feature your daily activities just humming the song and throwing in a little bit of Lalah and BOOM! And you saying “Oh, let me call Anita because . . . “ And did you call her? How did that that come about? Lalah: You know, BET called me to participate in the BET Honors for Anita Baker a few years ago, and they gave me that song to sing and it’s one of my favorite Anita Baker songs of all times. I identify with her so, so deep; because she is a contralto. And I thought, okay, everybody doesn’t sound like the rest of the girls. There are girls like me that sing low; just have the low, warmer voice. The color of her tone really spoke to me. Just dark, chocolatey and woodsy. And I really understood that tone, and so when they called me to do that, that was a no-brainer for me and that song went over so well we added that song to my show, and it has been in the show ever since. So that was a no-brainer for me. I know part of what I do is cover, and I knew that was one of them. SJM: And what a fantastic job you did on it. Lalah:

I did call her and had her listen to it before I let anybody else.

SJM: What was her reaction? Lalah: She told me it was good. That’s all I needed to hear. You know, a cover is like a love letter to the person that presented it to me that gave me the dream of even performing that song. SJM: I forgot another congratulation too. So, 25 years. You making me feel old. Lalah:

I’m making myself feel old.

SJM: Congratulations on 25 years and thank you so much for sharing your gift with us. Out of that 25-year career, what or who has been your biggest influence? 28 | SmoothJazz Magazine

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Lalah: It would be impossible to name. writer. That song came to me on When people can have a quick a flight, which was about a 48answer like that, I feel kind of minute flight from Los Angeles to sorry because I have to think Las Vegas. And it was extremely about it. I have really been exturbulent, as they are as you fly posed to so much music and so over those mountains. And I remany great people: Joe Sample, ally thought, Oh My God, I’m on I got to play with him; Marcus a flight that’s so turbulent, and I Miller, I’ve been on the bandwas frightened. Then I began to stand with him for the last 25 distract myself and wrote down years, Take 6, I’ve been playing all the things I would do if the with them; Meshell Ndegeocello, Lord would just let me make it Terri Carrington; Kendrick Lamar, through this flight. So that’s Snoop Dogg. I just can’t even rewhere that song came from. ally say. I have been so blessed SJM: So, let’s switch gears really quick. to have taken so many things What’s a typical day like for you? from so many people to make What do you do? me a more well-rounded musiOn a regular day? Just like cian and business person in this Lalah: today. I’m running out of my industry. It would be hard to house. Getting ready to go to my choose one. spin class. Letting my dog out. SJM: When you write something, for SJM: Regarding social media—I know instance, “Outrun The Sky.”-you have Instagram, Facebook “One day I’m gonna buy me a and Twitter accounts. Which one record store and just play music do you use the most? all day long.” Genius! What were you thinking? Lalah: I do all about equally. I also Lalah: I tell you. I was thinking exactly what I said. I’m kind of a literal

do Periscope. I do everything as I have always been in the social media aspect of life. I built a

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Feature Lalah: site back in 1998, and it had a message board called the Pink Room, and people use to come in there, and for me, it was such a great place. It was a great outlet for me to have people to play with, talk to and watch award shows with. I definitely do all of my own. I know there’s a lot of artists who have people do it for them, but it’s just super natural for me. So I don’t have a problem doing it. SJM: With this time of the year being Christmas, I have to ask you this. How do you feel when you hear that song? You know, THAT song. Does it bring back emotions? Of course, we’re talking about your father’s song, “This Christmas.” Lalah: Super, super proud. It’s weird. If I hear it 10-15 times in a day, only twice will it be an emotion. So many have covered it. My best friend is a teacher and she plays it for her students every year. And they all think it’s a Chris Brown song. It’s hilarious to me. But she schools them all and let them know…Chris Brown learned it from this man. I’ve gone the last few years and visited with her classroom and sang the song with them and I tell them how he wrote the song and how many people have covered it, including Chris Brown. SJM: Couple more questions and I’ll let you get outa here. Speed round: Favorite food? Lalah: I don’t have a favorite. Favorite is a hard word for me. It’s hard to imagine that I like one thing above all other things. My sister used to say “that’s why nothing in your house matches.” I do love my mom’s cooking. So anything I guess my mom makes. She fries fish, like fish you can only get on the East Coast. SJM: Favorite TV show? 30 | SmoothJazz Magazine

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Lalah: I don’t have a favorite TV thoughts. Then I’m gonna be show. I can tell you some of the stuff I back on the road promoting this watch right now. I watch everything. album. I’m generally on the road Like every channel from DirecTV, I own working or working on records. it. I have everything. I do watch “Love I’m excited about this record, but I and Hip Hop.” I have a very good friend really am looking forward to the on there this season. I do watch all the next record to see what that’s “Housewives;” well, not ALL the Housegonna be. I’m so excited about wives, really just the Atlanta Housemusic, just generally speaking. wives. I watch a lot of crap TV, but I do SJM: I am too, and again Lalah, you . . . balance it out with a lot of Discover TV I can’t even put into words. I put and, you know, a lot of that National your music on and I just really, seGeographic TV. So I do try to balance it riously get lost. I get lost in the out. lyrics, I get lost in the music, your SJM: Favorite place to vacation? voice, and everything. And I know I speak not only for myself Lalah: I have only been on one vabut I speak for all the fans as well. cation. I took my mom to Maui in July So, you keep doing what you do. for her birthday. I really enjoyed that. I You do it very well; you’re a beaulove Hawaii. I guess it’s Hawaii. That’s tiful person both inside and out. the only vacation I’ve really been on. Lalah: I really appreciate that. SJM: Finally, what’s next for you? I That’s the reason why we do it. know the Grammys are coming You know, it’s a up. So, what’s in the pipeline? transporter, and What are you doing? What’s up? it’s meant to take Lalah: Going to Japan for Christyou somewhere mas. I’ll be in Tokyo. I’m gonna and make you come back and take some really feel something, needed time and just breathe for you know. a moment and gather my Let the music take you… SmoothJazz Magazine | 31


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CONCERT REVIEW Photos By: Cecelia Wells

Dave Koz, Candy Dulfer and Jonathan Butler

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Dave Koz and Jonathan Butler

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CONCERT REVIEW Photos By: Lisa Jay

Candy Dulfer, Randy Jacobs, Nathaneil Kearney Jr., Bill Medley, Dave Koz and Brian Simpson.

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CONCERT REVIEW

Dave, Candy, Jonathan and Bill Randy Jacobs, Koz, Nathaneil Kearnney Jr.,

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CONCERT REVIEW An Evening With...

Photos By: Michelle King

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CONCERT REVIEW

4 - TIME GRAMMY WINNER 19 - TIME GRAMMY NOMINEE

Kirk Whalum Grammy award-winning jazz saxophonist artist and Texas Southern University - TSU alumnus Kirk Whalum can now add Dr. Whalum to his name. On December 12 for the Winter 2015 Commencement exercises Dr. Whalum received an Honorary Doctorate of Humane Letters, that was presented by President Rudley the highest honor the university can bestow to an individual. Dr. Whalum then took to the podium where he delivered the commencement speech offering challenge and encouragement to the graduates. Let the music take you‌ SmoothJazz Magazine | 39


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CONCERT REVIEW

Photos By: David Johnson

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Year In Photos 2015 By: MANN

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Year In Photos 2015 By: David Johnson

aug 2015

Steven Anthony Cook showcases all his expertise as a writer on his third CD production, “You Make Me Feel.” This talented artists plays all the instruments while delivering a crisp and smooth sounding CD. Let the music take you… SmoothJazz Magazine | 53


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aug 2015

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Available Now!By: David Johnson aug 2015

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Year In Photos 2015 By: Ronald Hancox

apr 2015

Remembering the 10th Anniversary of Hurricane Katrina in New Jersey.

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apr 2015

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Year In Photos 2015 By: James Vincent Henderson

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Year In Photos 2015 jun 2015

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Stevie Wonder

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Spotlight

By: Chuck Bigger

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Year In Photos 2015

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Year In Photos 2015 By: Chuck Bigger

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Year In Photos 2015 By: Ronald Hancox

apr 2015

BERKS JAZZ FESTIVAL 78| SmoothJazz Magazine

Let the music take you‌


Year In Photos 2015 By: Ronald Hancox

apr 2015

Let the music take you‌ SmoothJazz Magazine | 79


Year In Photos 2015

By: Enid Alvarez

80 | SmoothJazz Magazine

Let the music take you‌

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CD REVIEWS By: Althea Turner

The moment we've all been waiting for has arrived! Lalah Hathaway has blessed us with her very first live CD, and what a blessing it is. Fourteen tracks of her signature voice, smooth and sultry as ever. Even more special, she recorded it in the same place her father, the legendary Donny Hathaway, recorded his live CD, at the Troubadour Theater in Los Angeles.

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CD REVIEWS So, I guess it's only fitting that she performed "Little Ghetto Boy," as her father did.

anything (I'm partial to ALL her songs, live OR recorded), but she expertly puts the two songs into a medley that becomes a non-stop sing-a-long. Great job Her first single from this live CD, "Angel," is a remake from the audience! One can only imagine how she of Anita Baker's hit. The vocals she delivers with each does it so effortlessly. note speaks volumes of her respect to other artists, and her ability to put her own spin on an already Taken from her collaboration with the late Joe Samflawless song; well, it just gives us more to love. Re- ple, "When Your Life Was Low" features a brilmember Luther's "Forever For Always For liant performance by Lalah, with her signature riffs. It Love?" Sheer perfection. Speaking of "Forever For just amazes me how her voice has this "sweet spot" Always for Love," I didn't think she could sing it any that she finds and stays there, captivating. I just better. She did. wanted to breathe it all in and hold on to each note. Who remembers "Baby Don't Cry?" This was from her 1990 self-titled album "Lalah Hathaway." Although this song was released earlier in her career, which by the way spans 25 years, it's like hearing it for the first time. Shout out to the background vocals on this one too! And if that oldie but goodie isn't enough, she goes right into "I'm Coming Back," with an intro that only Lalah can do. You'll listen to this track on repeat, headphones on, and truly hear perfection. Each note is smooth as silk, and she shows us her range is just as phenomenal. Seriously, how does she do it? "Little Girl - Breathe" was a nice surprise song on the CD; not that I'm partial to those particular songs or

There's two bonus songs on the CD, "Mirror" and "Whatever." I find myself listening repeatedly, and each time, there's a different emotion--spirited, powerful, content. The CD is definitely one you'll want to add to your music collection. I must say this--I've often wondered why we never got a live CD from Lalah, but then I would always remember what a fantastic treat it was to actually go see her perform live. I wasn't there for this live performance; however, after listening, I feel as though I was. Was this long overdue? Was it worth the wait? Did she give 100% as always? Will I be this excited when she wins her next Grammy?

Let the music take you‌ SmoothJazz Magazine | 83


CD REVIEWS The answer to all is, without a doubt, YES! Lalah Hathaway, as usual, has given us the ultimate music experience, except this time she's given us something live--something we can listen to and feel her presence--something truly amazing-something special--something beautiful-something Lalah. I ask that you join me in saying to Lalah. Thank you for sharing your beautiful gift and thank you for being that someone special.

84 | SmoothJazz Magazine

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CD REVIEWS By: Cheyene Moore Young Now THAT’s what I’m talking about! Real R&B is back! Babyface wasn’t playing around on this one. He clearly had a message to send and it should be well received. Where do I start? From the first track “We've Got Love,” to “Walking on Air” (featuring El DeBarge), I was grooving, snapping my fingers, and tapping my feet. I jammed all the way home forgetting that I was stuck in bumper to bumper traffic. I had to put it on repeat and enjoyed them again. Then, I moved to the more sensual tracks with beautifully light lyrics. What a welcomed surprise. He put the spotlight on love and relationships like a true gentleman, tastefully and discretely for the sophisticated grown folks! “Our Love,” “Standing Ovation” and “Exceptional” romanced me back in time to memories of when music was all about your sweetheart. He appreciated every aspect of a relationship (and a woman) in this CD. Whether the relationship is good, fun bad or complicated, he covered it well. Each song left something to the imagination just like in the old days when the words meant something. Or, it made you want to get up and move, like when all we wanted to do was dance. This collection is something that you can absolutely enjoy anytime, anyplace. He took me back to real music, as if he was going thru his collection of favorite vintage vinyl’s and realized, somebody has to bring that real soulful R&B sound back, and it’s going to be him! This CD does it all….it’s smooth, bouncy and rhythmic. Cuddle, dance or step to it! The Return of the Tender Lover kicked the door open in my opinion, but I say… Babyface never left, because his music and style is unquestionably timeless! Let the music take you… SmoothJazz Magazine | 85


By: Rosemarie Nominated for Best Jazz Vocal Album, Howard Jazz vocalist Denise Donatelli’s new release, “Find a Heart” is smooth and easy listening. This album is full with musical selections encompassing a soulful presentation of jazz elegance. A voice of brilliance, this jazz stylist passionately familiarizes her audience with lyrics of sensitivity and intimacy. This CD includes a popular collection of songs by David Crosby, Beck, The Yellowjackets, Donald Fagan, and Journey. The opening song “Big Noise New York,” I found myself moving my head from side to side, snapping my fingers. The beat is feisty and very energizing. Denise Donatelli’s voice is mesmerizing. From sassy jazz to slow embraces, “Love and Paris Rain” is a song of softness silently romancing our consciousness, we fall in love over again. Donatelli’s voice is like poetry as she is accompanied by instrumentalist Brazilian guitarist Leonardo Amuedo, bass player Carlitos del Puerto, drummer Marvin Smith and saxophonist Bob Sheppard just to mention a few. Guest Trumpeter Chris Botti whose appearance on “Practical Arrangement” is dynamic while she collaborates with her creative musical partner, arranger, producer and pianist Geoffrey Keezer. This is a must have CD. A collector’s dream. Donatelli personifies perfection with each song. She gives one hundred and ten percent, you find yourself replaying 86 | SmoothJazz Magazine

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the CD over and over. The rhythm of the title track, “Find a Heart” demonstrates the brassy musical ingredient coupled with an up tempo melody. “Troubled Child,” “Midnight Sun,” “Day Dream” and “In This Moment” are tracks that are heartfelt and passionately intense. With the tracks “Eyes That Say I Love You” and “Spaced Out (En Babia)” her voice dances with the instruments. The beautiful song “In This Moment” could be the title track for the next Love Story movie, it’s just that gracious. She is the crème de la crème. A masters of contemporary jazz, this award nominated CD delights us defining exceptional. Flawless, her voice glides on ocean waters leaving you hypnotized quietly clinging onto every lyric. Yes, oh yes Denise Donatelli, Ms. Jazz greatness, I have already projected you are the Grammy award winner of 2016 for Best Jazz Vocal album, “Find a Heart.” Just Classic!

Let the music take you… SmoothJazz Magazine | 87


CD REVIEWS By: Maria L. Lewis Jonathan Butler is a veteran musician that has been a part of the music scene since the 1980’s. His latest album “Free” makes it his 23rd album released to his credits. The album starts off with a gem called, “You Are the One” performed in his native South African style with a tasty Jazz twist. Then followed by “Never Find Johnathan butler A Better Love” an inspiring tune with a nice retro Motown style that is guaranteed to wow Motown fans everywhere! The tunes “Where Would I Be Without You” and “I Am That I Am” are songs that will lead you into deep worship with its beautiful lyrical content, and heartfelt sentiments. “He is God” is done in a sizzly Latin style that will bring you to your feet; while “Sing Africa” is performed in his signature native style that will leave you feeling free and energized. The album closes with the song “New Day” a song rich in melody with acoustic guitar and strings – quite appealing to the listener. The album “Free” is teeming with praise and worship, inspiration, and positive vibrations. A job well-done Jonathan Butler! 88 | SmoothJazz Magazine

Photo: Raj Naik

Let the music take you…


MIAMI SMOOTH This is bound to be one of those names that will rise quickly on the charts and will seem to come out of nowhere, this native Miami, FL son of Cuban immigrants is anything but an overnight success. Over the last 20 years Luis Alas has performed with, opened up for, or shared the stage with names like George Duke, Savoy Brown and Al Jarreau to name a few, and now this saxophonist is debuting his solo project “Shades Of My Soul.” LA: “To me being a solo artist is so much more than just playing my instrument well. It’s about taking my audience on a trip, and ensuring I connect with them.” Under Titan Music Entertainment and Caroline Distribution Luis is quickly garnering the recognition he rightfully deserves. His first single “Bella’s Melody” on this album dedicated to a girl who lost her battle with childhood cancer (Bella of the Live Like Bella Foundation) is being received with rave reviews here in the US and abroad. What makes Luis stand out is his unique tone. Once you hear Luis you will realize that there is a style and timber in his playing that cannot be confused with anyone else. LA: “I have always sought to be my own musician. I never wanted to sound or play like anyone else. Early on I understood what made each of the great icons who they were, was that they were unique they sounded like no one else. As such, I have sought to ensure I sound like me, and be the very best me I can be.” When you see Luis perform be ready to see a show not just another performance. Luis is amazing, his band the “Project Band” are an amazing group of musicians with their own impressive pedigrees each of performing with some of the biggest names in Latin Music, Pop, Rock and Jazz; they are all masters in their own rite. As such what you get at one of Luis’ shows is a high energy performance that will leave you wanting more, so be sure to catch him and his band when they come to a city near to you! CONCERT TICKETS & INFORMATION

WWW.LUISALAS.COM WWW.FACEBOOK.COM/LUISAJAZZ WWW.TWITTER.COM/LUISAJAZZ

PERFORMANCES 11/20 12/19 12/28 12/31 01/02 01/15 01/23

Port Charlotte, FL Columbia, SC Denver, CO Cheyenne, WY Fort Collins, CO Miramar, FL Newnan, GA

RELEASING EARLY 2016


New CD Releases 2016

Dr Lonnie Smith “Evolution" 02/05/16

Sweet Honey In The Rock "Love In Evolution" 01/22/16

Regina Belle "Day Life Begins" 01/22/16

BUY

BUY

BUY

Joe Cocker "The Life Of A Man" 12/11/15 BUY

Robin Eubanks "More Than Meets The Ear" 12/04/15 BUY

Robby Ameen "Days In The Night" 11/27/15 BUY

John Coltrane "A Love Henry Robinett "I Have The Staples Singers "Faith Supreme: The Complete Known Mountains" 11/23/15 And Grace: A Family Journey Masters" 11/20/15 BUY BUY 1953-1976 11/13/15 BUY


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CD REVIEWS By: Eryn K. Bozeman Let me start off by saying I was totally unfamiliar with Rob Tardik, and that is why I wanted to review his cd. I felt I would be listening with new ears, so to speak. I played this cd numerous times in my car because that is how I like to experience music, long drives with great music. This cd definitely delivers on the great music part. Rob starts his cd with a spicy song called “Sip and Salsa,” two things I enjoy tremendously, and the song gives the same fun flavor and experience. A very Latin feel which immediately makes you want to grab a partner and mix it up on the dance floor. “Rite of Passage” and “Serendipity” have the smooth jazz appeal with saxophonist Will Donato enhancing every step of the way. While speaking of saxophone players, let us not forget “Eros” which features Walle Lawson. This smooth and sexy tune pulls in more of the Latin appeal, yet holds the jazz beauty perfectly. Now, let’s talk about “Moments in Time” this song exudes the warmth and happiness of the holiday season, not because it’s a holiday song, but it’s the feeling you get during this time of year. It is a feel good song reminding us to cherish our moments with family and friends, before they get away. Before I give away the entire cd, I must say “Stop!” will make you stop what you are doing and hit the floor dancing. This tune that has the perfect mixture of jazz and funk to have you moving in your seat, snapping your fingers, and bopping (for lack of a better word) your head. 92 | SmoothJazz Magazine

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After numerous plays of the “Moments” cd my personal favorite is “Hang Time” I was supposed to be reviewing the entire project, but I have to admit, I listened to this song dozens of times. It is a blast to drive to, and it sounds great on my car audio system. I enjoyed it well enough to do a little history on the tune. It is co-written by Steve Oliver, an outstanding guitarist in his own right, and co-producer of this project. This cd is a perfect addition to my jazz world and I truly love the Latin feel, it leaves me wanting a vacation on some Latin island, with dancing, Mojitos, and Margaritas.

By: Lisa Jay Twenty two year old smooth jazz keyboardist Nicholas Cole's new release, Night Sessions, is a collection of finely crafted music, bringing along with it something for everyone, all while conveying varied moods and emotions. Already having released two studio albums of his own, as well as producing and playing for notable artists, Nicholas is also one of the dynamic performers of the aptly named “Generation NeXt” troupe, along with Julian Vaughn, Lin Rountree and Lebron Dennis. His third album, Night Sessions is further proof that he is destined to be one of the great smooth jazz artists of the next generation. Presumably, Night Sessions earned its title from various evening and nightly recording sessions, but a clever duality exists when it’s used to soundtrack your own night. The album kicks things off just right, leading the listener into a world of funk! ! 'Mary Ann' lends to a hit-the-ground-running feel, setting an early quick pace. Imagine a Friday evening, just getting off work, and looking forward Let the music take you… SmoothJazz Magazine | 93


to spending an evening with your significant other, a night out with friends, or just relaxing at home. Mary Ann' is a fantastic transition into an evening of unwinding. Care-free, with a funky, upbeat tone, it is a great opener. The album hits full stride with 'Let's Take A Ride.’ It’s a track that captivates and is sure to be a favorite among many. Featuring beatboxing along with some very smooth piano licks, you simply can't help but bob your head along to the beat. It evokes Brian Culbertson, all the while maintaining Cole's own unique style. It's also a great example of his flair for production. The sound is crystal clear; the arrangement and instrumentation are just right, a style carried across the entire album. 'Other highlights include ‘So Good,’ which has an R&B feel that is simply smooth and silky to the final note. Anthony Saunders brings his vocal gift, serenading his love. This is music for getting cozy with someone, and the song shines. 'Hide And Seek' is a wonderful, Asian-inspired track that has an exotic, worldly sound. Its incorporation makes for a unique track which adds to the multifaceted layers of sound of the cd. 'My Love' features the impressive lead bass of Julian Vaughn, along with the remarkable talent of Marcus Anderson on EWI (Electronic Wind Instrument). Along with Cole, the guests make for a powerful trio which define the song as yet another gem among many. The final cut, ‘In The Dark’ is a very sensual, seductive song. From the sounds of funk that lead the charge, to the laid back paces and ultrasmooth foundations of songs found on the rest of Night Sessions, there is something here for every fan of smooth jazz. The varied moods and feelings add up to an experience that every album should bring. The album stays true to the core values of smooth jazz while putting Cole's own spin on things, which is a perfect reason to give the album a spin itself. Featuring various friends and fellow musicians in collaboration, while adhering to Cole's own vision, Night Sessions is an album well worthy of a place in any smooth jazz collection. 94 | SmoothJazz Magazine

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CD REVIEWS

Review By: Lourdes Hernandez Her up-coming CD release is due out on February 2016. This CD gives us her own style of Music. Where she plays what she loves. It gives us her improvisation, creatively and spontaneity. A Jazzy Blues in, “Blues For Harry” and ”He Shot A Man,” “By The Grave,” transcends you into the different dimensions of her style. “Ballad for MC” takes you on a musical journey. “Trying to Figure It Out” is a very smooth Blues number. Love it! She takes us to that familiar place in, “Smile” and “Over the Rainbow.” Nice rendition of both with her own originality. “Hey’s Connection,” reminds me of a sweet lullaby. “In Magic,’ she adds some pop giving it an interesting change. “The Other One,” gives us that urban trance-like groove. “Amazing Grace” is one of my all-time favs. She gives us her awesomeness spin on this inspirational track. “Lemons Make Lemonade” adds an easy laid back groove to the track. I am definitely a fan and would recommend the CD “Trying To Figure It Out.” Let the music take you… SmoothJazz Magazine | 95


This is not the Harry Connick, Jr., I have listened to for years and WOW, is my first emotion. So doing my research after listening, I find out that this is the first cd of Connick’s career where he worked with two outside producers. (Eg White and Butch Walker). The outcome is a rhythmic rollercoaster of fun. It starts with an upbeat track called “I like It When You Smile,” that gets you going. It feels like a big dance number for a Broadway play. The mood of the song moves and feels so good. “Right Where It Hurts,” has that upbeat sense as well, with a different style of delivery that still keeps you moving, but with a slight gospel touch. This cd contains many tracks with that slow soulful feel, like “Every Time I Fall In Love,”

96| SmoothJazz Magazine

By: Eryn K. Bozeman

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with his piano hands blessing the beautifully, By:track Joe Frazier and “You Have No Idea” pulling the New Orleans band quality.

Label: : Concord Records

“Do You Really Need Her” is easy listening with him pouring out his soul, and you feel his pain with every word. Do not worry, Harry always has something up his sleeve, and that is “Songwriter.” It starts slow with a style all its own, then gets a pop feel for its finish. It has a finger snapping spirit about it that had me ready to write my first, okay second song. My favorite track on this project is “I Do Like We Do.” It sings praises to how he feels about his relationship with his wife, and it makes you want to sing this to your lover, or wish for the best in your nuptials. It’s passionate, while at the same time sweet and sincere. I’m not a big country fan and this song has a slight country feel that Harry Connick, Jr., makes magnificently, his own. The musicality in this cd really pulls from his big band history and works delightfully. All the songs have such depth of music. Nothing compares to music that is rounded out well with ALL pieces of a band. I enjoyed that very much. My best description of this cd is Harry Connick Jr., was feeling some kind of way, and I hope he feels this way more and more. I want him to feel this way with some of his jazzy style infused for his next project. His talent is proven endlessly and without borders on this latest masterpiece. Let the music take you… SmoothJazz Magazine | 97


CD REVIEWS By: Maria L. Lewis Adele brought a strong delivery with her longawaited latest CD titled “25.” Starting with the Platinum single “Hello” with its intense storyline, and dramatic feel. Following up with “Send My Love To Your New Lover,” a song that is rich in acoustic guitar, and an addictive upbeat tempo. “When We Were Young” is a love song reminiscent of a time of innocence; songs “Water Under the Bridge” and “Love in the Dark” is laced with heartfelt lyrics about love in a complicated relationship. Adele took us back in time with “Million Years Ago” with its retro feel, also with the solo acoustic guitar. “All I Ask” is a song that Adele effortlessly and naturally sings in high and low ranges, coupled with solo piano. Bruno Mars is a co-writer for this track. Ending with the song “Sweetest Devotion” a triumphant testimony about the power of love. Adele’s CD “25” tells a riveting story about love, relationships, and life’s ups and downs. The CD was not a big production, but rather acoustic and piano-led throughout. Adele’s album “25” is a must have in your music collection. Erykah Badu

Euge Groove 98 | SmoothJazz Magazine

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REMEMBERING...

February 6, 1950 December 31, 2015

Cole died Thursday evening at Cedars-Sinai Medical Center in Los Angeles due to complications from ongoing health issues at 65. Natalie debut recording in 1975 "Inseparable." Which won two Grammy awards in 1976 — for Best New Artist and Best Female R&B Vocal Performance for "This Will Be (An Everlasting Love)." Over her career 9 Grammy’s in total. In her 2000 autobiography, "Angel on My Shoulder," Cole shared how she had battled heroin, crack cocaine and alcohol addiction for many years. She spent six months in rehab in 1983. She also announced in 2008 that she had been diagnosed with hepatitis C, a liver disease spread through contact with infected blood, she blamed her past intravenous drug use. Cole released her best-selling album with 1991's “Unforgettable... with Love.“ Other notable top songs included “Mr. Melody,” "I've Got Love on My Mind," "Our Love," “This Will Be,” “Sophisticated Lady,” “Pink Cadillac,” “Inseparable.” Cole was the first female artist to have two platinum albums in one year. In early 1979, the singer was awarded a star on the Hollywood Walk of Fame. Let the music take you… SmoothJazz Magazine | 99



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