SEP / OCT 2016
SmoothJazz
TM TM
MAGAZINE MAGAZINE
JAZZ PINK
Weekend
32 44 Features
07 08 29
52 16 44 String Fellows - New CDs Paul Brown & Marc Antione Lifestyle 37 Incognito - Interview Crosses the Pond 08 Holiday Make-Up Ideas Palm Springs Luxury Tours - Festival 11 The Westin Mission Hills 49 Dave Koz - Christmas 54 Give the Gift of Music Tour Dates Select from 30 titles 53 Peter White—Christmas Concerts Tour Dates 86 Rehoboth Jazz Festival 16 Jazz In Pink Over 40 Artists Jams 20
Groove at The Westin
20 Brian Culbertson 21 Funk Tour - Coast to Coast 29 Classic Jack Jones In Las Vegas 32 Aziza Miller Shines in New York
CD Releases 63 New CDS CD Reviews 65 Summer Richard Elliot Madness 69 Robert Glasper Experiment Art Science 72 Norah Jones - Day Breaks 74 Brian Culbertson - Funk! 77 Ken Navarro - Bonfire 79 This Aziza Miller Journey of Love 81 U-Nam - Surface Level 83 Peter White - Groovin’
More Artist Releases on our Website.
SmoothJazz Jazz Art Jackson— Publisher/CEO May / June 2015 Doris Gee- - Research Manager Mann—Graphic Artist Contributing Writers Avzal Ismail Keivu G. Knox Maria L. Lewis Eryn K. Bozeman Patrice Ray Maria Ponce John H. Turner Andrew Reeves Nydia Hancox Tonya Edwards Ahlia Love
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Lifestyle - Beauty By: Maria Cecilia Ponce
Introducing
Maria Ponce ye Bye Summer and Hello Holidays. As we move towards the Holidays, we intend to wear something cool. Holidays are right around the corner, so get ready to wear something fun. Keep it simple and flawless. As the temperature drops, here are some ideas for those cool fall days and nights to help protect skin and keep them flawless and healthy. Let's start with Jouv'e "dark spot corrector and brightening cream." This product will correct spots, un even pigmentation, brightens skins, hydrates and give you that beautiful face complexion. This can be worn every day underneath your favorite moisturizer. (See Maria picture above.) Next is the "instant tightening and restoring serum." This product can be apply before your make up. It visibly lifts, minimize pores, tightens skin. Use it around your 08| SmoothJazz Magazine Let the music take you‌
Aging Serum
eyes, crows feet, laugh lines, forehead and any other areas where there are unwanted lines. Jouv'e is an anti-aging product with no Preservatives, Sulfates, Fragrance, PEG Compounds, Formaldehyde, BHA/BHT, Colors and Dyes, Amines, Petrolatum or Talc. Beautiful lips for perfect Holiday wear, it doesn't matter if it's day wear or night, anyone can rock a burgundy lips! Tarte creamy matte lip paint that will last all day. I honestly think that a beautiful burgundy lip color would be perfect for Holidays. Not everyone can wear Red but I sure believe that every skin tone out there can definitely wear burgundy shade. Tarte creamy matte lip is super pigmented, light weight, moussey liquid lip that allows you to wear it all day. Of course they are very stylish and they come in different shades. Isn't that amazing?? This dramatic, high definition, sophisticated, concentrated, velvety texture and matte finish will have you smiling all day! So get your lip paint and Rock it!!! Tarte is a great make up brand, cruelty free. It offers healthy, natural ingredients and high performance pigments. All of Tarte products are formulated without parabens, mineral oil, gluten, phthalates, and synthetic fragrances. It is also created for a longer wear, waterproof, sweat-proof and SPF. Tarte products are available inside Sephora and Ulta Beauty stores.
Before
Visit my Jouv'e website to contact me for your free consultation on these products.
After
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EXHIBITS EXHIBITS
New NewYork—Miami York—Miami Coming ComingSoon Soon
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Lifestyle -Travel Review By: Art Jackson
Its that time of year where the temperature drops and the leaves begin to change, but if you are like me and would prefer Spring year round then Palm Springs is the place for now for Spring.
Beautiful does not do it justice as to the weather here from October thru April. At the very moment I stepped out of my car, feeling the welcome breeze I knew this weekend was going to be special. With its lush green manicure lawn upon entering the luxurious Westin Mission Hills Golf Resort & Spa you begin to get a sense of relaxation immediately. With its decorative lobby for the season and the Iguana display was the perfect reflection of the dessert community and with the brief checkin I was ready to see what else this property had to offer. With my high expectation of this 4 Star, Starwood property, I was not disappointed once I opened the door to my spacious room and seeing my lovely view of the professional 18 hole golf course as I walked over to my private patio balcony. After getting all settled in, I decided to walk the grounds to go back to the main lobby and meet with the property Marketing Manager Laura Little, as I started on the paved path an employee in a golf cart stopped to ask if I needed a ride. After he pointed out where the lobby was, I decide to continue walking as I wanted to have more time to view the immaculate golf course and obLet the music take you‌ SmoothJazz Magazine | 11
With over 500 rooms and two golf courses one designed by Gary Player. There are a number of banquet rooms to host anything from a business meeting to a wedding which was taking place on this weekend. The resort is kid and pet friendly as there are three swimming pools, a spa, gym and 7 tennis courts with a full tennis shop as I got to chat with the Director of Tennis Kevin Connolly. As we continued the tour, I couldn't help but noticed that everything was in a nice walking distance and that the grounds had numerous animal life from Ducks, Geese and even Swans as they enjoyed the various water-falls and man made lakes on the golf course while moving around freely. A Turtle and Rabbit habitat and a couple of Koi fish ponds will keep the kids amused. For kids of all ages, video games, air hockey, a pool table or even the business center you have it all in the Oasis Den.
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Lifestyle - Travel A favorite pass-time for me while on vacation is eating so, after a few hours after the tour with Laura, I felt it was time to dine at Pinzimini’s the featured restaurant here and as I walked in I was greeted by the special of the day sign “Surf & Turf,“ which was perfect, a Flat Iron steak and Shrimp. I decided to substitute the Rib Eye instead. I selected the Fried Calamari for a appetizer and ordered Cocktail Sauce on the side. The main entrée came with Mashed Potato’s, String Beans and Carrots.
After a relaxing Saturday of watching golfers from my balcony and college football, life couldn't get any better. Or could it? As lunch time approached on Sunday, it was time to break away from the morning NFL games and try Seasons Grill which is located at the sister property at the Westin Mission Hills Villa so with only a brief walk I was greeted by a couple of fowl feather friends as they seem to know what I was in for as they hovered around for a chance to dine as well.
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Lifestyle - Travel With our friendly server Artie letting us know that the chef Victor Romero was preparing something special I waited with anticipation while sipping on tropical drinks and enjoying the view of the pool from the patio. A beautiful dish Gamba Shrimp (Garlic) a very delicious treat for the eyes and taste buds. I will most definitely order this on my return visit. Lunch was served as the Sesame Seared Salmon with Spinach was light and seasoned perfectly, while the Hawaiian Burger was a delight as the Pineapple made it a sweet refreshing delight. As I wondered again can the day get any better and it just did, while I began the walk back there was a unique rainbow over the golf course and while marveling over its unique shape an employee stopped and asked if I needed a ride, so I took Mitch up on his offer. These last few hours made for an memorable Sunday before the drive back to Los Angeles. Thanks to Laura, Kevin, Artie, Victor, Mitch and all the other friendly staff that I came across to make this one of the best weekends in the dessert, I give it 5 Stars.
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Violinist, composer, educator
Show: Cornelia Street Cafe Manhattan, NY
www.mariamanousaki.com
Concert By: Art Jackson
Review By: Tonya Edwards What Knox a power-house of an performance on the grounds of the Westin Mission Hills Golf & Spa Resort in Palm Springs. Each artists are standouts in their own right but together you get a perfect infusion of artistry at its finest. Gail Jhonson, and the ladies doing their part for breast Cancer awareness help raised monies for the Desert Cancer Foundation with silent auction for a diamond bracelet worth over $1,000 as part M/C and Promoter Michael Paulo made the announcement of the winner.. Gail showcased her talents on a medley of Herbie Hancock tunes “Cantaloupe Island , “Come Running To Me, “Watermelon Man” and “Rockit.” With several standing ovations throughout the show you couldn’t but marvel at the virtuoso Karen Briggs as did the Minnie Riperton classic “Loving You” was the first of many standing O’s for the evening. Speaking of firsts, this was Selina Albright first performance with the all ladies band and I am sure it will not be the her last. Celebrating her birthday in Palm Springs she gave each person in the audience a present to remember as her vocal gift was amazing. As Michael Paulo stated, she is no longer to be referred to as Gerald Albright’s daughter but in16| SmoothJazz Magazine Let the music take you…
Concert Tomoka Normura-Jarvis may not be a household name yet, but get ready world. This talented saxophonist/flautist solo on “Ready To Walk Away” was breathtaking. Tomoka other intro’s and musical parts gave a glimpse of what her future solo CD is going to be. Guitarist Linda Taylor may be most well known from her work on ABC's “Whose Line Is It Anyway?” hosted by Drew Carey, but she has performed with countless of artist around the world like Terri Lyne Carrington, Sheila E., Christopher Cross just to name a few. Her playful guitar strokes on “Little Sunflower” which open up with Curtis Mayfield’s “Pusher Man” and her playful musical banter with Karen made it fun and a delight. Bassist and Musical Director Robin Bramlett felt that it was her time to shine as she took front and center as the other ladies was having too much fun, so he got the crowd behind her as she began clap to help with rhythm and she began to Photos By:toDavid Johnson stroke, pluck, and beat that bass into a joyful submission. Let’s not forget to give the drummer some, as Danielle Thompson did not disappoint with her solo’s. But one of the most amusing moments of the show was when Gail asked for one “American Boy” to come on stage and dance. After a little nudging one brave guy came up and danced to the Kane West hit. Holding his own, the brave soul dance and interacted with Karen with some moments of doing the Bump and then dancing with Selina as they stepped in unison to the delight of Let the music take you… SmoothJazz Magazine | 17
Concert of everyone. The ladies performed a two set show, with other notable songs included Grover Washington Jr., “Soulful Stut” and “Gangster Paradise.” The concert series is constructed each day of the show just outside of Fireside Lounge. Patron will have the pleasure to have drinks and eat on the patio, as they enjoy the show while others will be seated in the VIP and general seating sections as there is ample room, great sound that you are so close you can almost touch the artists in this intimate and romantic setting.
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Concert
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Concert By: Art Jackson Let the Funk party begin, as Brian and he boys takes the funk coast to coast. Currently in the Top 10 on the Billboard Jazz Album and Single Charts we decided to give our readers a pictorial glimpse of this high octane 38 city road show coast to coast from the wine country of (Temecula, CA) to Connecticut and the city that never sleeps New York, but the kick off started near the bright lights of Hollywood, CA., Burbank to be exact as Brian held a private performance for selected media and special fans as he and the guys fine tuned the show before it hit the road. Hosted by Gary & Kelly of KSBR radio morning show in Mission Viejo, CA it was a night of laughter and dancing. With last minute hair touch up, wardrobe inspection, it was time for the festivities to begin to kick –off the upcoming 64 show dates featuring the new CD "Funk!" The Band: Chance Howard - Synth Bass & Vocals, Marqueal Jordan - Sax & Vocals, Eddie Miller - Keyboards & Vocals, Tyrone Chase - Guitar, Patches Stewart - Trumpet, Chris Miskel - Drums and Mike Harrington - Bass. Tonight we heard some Kool & The Gang “Hollywood,” classis Earth, Wind & Fire, Prince as Brian paid homage to two of his idols who has transition this year and the top charting single “Been Around the World.” Let the music take you… SmoothJazz Magazine | 21
Concerts
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Photos By: Darnell Wade
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Photos By: Paul D. Tortora
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Concerts Photos By: Lisa Jay
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Concerts Review By: Patrice Ray
Among his peers he is touted has having the best voice over the last 60 years. That’s right better than Tony Bennett, Robert Goulet and even Mr. Ol Blues eyes himself, whom Jack pays homage to with his first tribute CD “Seriously Frank.” On this night at the beautiful Smith Center in Las Vegas fan were treated with over an hour and a half of classic tunes of Sinatra as well as Jack’s hits "Wives and Lovers", "The Race Is On", "Lollipops and Roses" "The Impossible Dream", "Call Me Irresponsible", "Lady" and his classic “The Love Boat” theme as applause was constant throughout the evening. Taking a walk down memory lane was an understatement, as Jack told stories about icons that I grew up seeing on black and white TV and who music my parents adored. Speaking of black and white fan brought album covers from the 60’s for his signature. Jack stroll over to a table and and graba one of those albums and showed it to the rest of us as he smile Let the music take you… SmoothJazz Magazine | 29
smile with great pride. Also in the audience was legendary comedian Rich Little, which Jack began to do the only impersonation of Ed Sullivan and told the story of how Ed blew a punch line that he and Jack was suppose to do. Also there was the incomparable Pia Zadora whom I vividly remembered from being a guest star on various sitcoms and variety show in the 70s. But the night belong to Jack as he had sang various songs from his Seriously Frank CD “The Best Is yet to Come “, “I Guess I'll Hang My Tears out to Dry “, “All or Nothing at All” as the audience was captivated on every song. In this day of sound boards and synthesize music, it was a pleasure in hearing Jack live with his trio of Christian Jacob (Piano), Chris Colangelo (Bass) and Kendall Kaye (Drums). Joining Jack as guest near the end of the set was legendary Paul Lowden (B3 Organ) and Joe Lano (Guitar). On November 18th, in Santa Barbara, CA at the Lobero Theatre, you will have the opportunity to see this live show for yourself.
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Sco
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Concert Photos By: Robert Neal
Review By: Andrew Reeves When Pianist and Vocalist. Aziza Miller performed for a packed house at the Iridium Jazz Club in NYC Thursday, October 6th, the energy in the intimate venue was palpable. She took the stage decked in all white, greeting fans from as far away as Japan, Argentina and points scattered across the northeast with the same finesse and grace indicative of so much of the artist’s music. Aziza began the set with “A Brand New Song” the first cut from her latest album, “This Journey Of Love,” the crowd erupting in applause as if they were welcoming a long lost friend. On stage with her were John James on background vocals, Richard Harrison on drums, guitarist Bill White, Robert E. Daniels on bass and percussionist Gary Fritz, completing a band that knows Aziza’s music as intimately as she does. Her flare and charisma on the keys took center stage, and passion and love 32 | SmoothJazz Magazine
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flavored every note.
Photos By:Review A-TrainBy: Tracks Productions Andrew Reeves
After pausing briefly to thank fans who she considers her extended family through music, she slipped back into the melodies with the catchy, funk-flavored tune “I Don’t Say Much. With John James’ whimsically playful banter, the crowd couldn’t help but chime in on the “Uh huh…. Yeah… Okay… Whateva” refrain as laughter and applause filled the room. Miller’s uncanny ability to reach her audience, despite the often unapproachable aura of a stage, makes her one of the most genuine, down to earth artists of her era. Next up was La Costa, the melody she wrote for Natalie Cole. “It took me about thirty minutes to write the melody and forty-five minutes for Natalie do the lyrics and before I knew it we were in the studio recording the song,” Miller said. And in true Aziza fashion, she improvised, transforming the original arrangement into a samba that had the audience on their feet, abandoning their food and drink to share in the magnetic energy Aziza exudes so naturally from the stage. While Miller is a consummate musician and performer in her own right, she did not hesitate to bring the mood down a notch and reflect on the artists that have paved the way for her. Among them is Natalie Cole, who she honored with the soul stirring “A Song For My Friend,” while images of special moments between the two singers were displayed on screens throughout the venue. And to the amazement of many, the artist revealed a true surprise as Natalie Cole’s son, Let the music take you… SmoothJazz Magazine | 33
Concert away from the piano, stretch her legs, and give the audience a taste of her skills as a spoken word artist.
Natalie Cole’s son Robert Yancy Robert Yancy, who flew in from L.A. especially for the occasion, took the stage and accompanied Miller on drums. Aziza took her time with this one, lingering over the notes and the lyrics and at times, gazing upward as if singing to the late, legendary vocalist herself. And when the song reached its climax Miller paused again and called to mind the women who touched stage long before her; the likes of Nina Simone, Ella Fitzgerald and others. An accomplished musician though she is, Aziza recognized the struggles of women in music and expressed her gratitude with the song “Great Ladies of Jazz.” It was a tune not only laden with elements steeped in a heritage of gospel music from which many of them found their beginning, but also a chance for Miller to step 34 | SmoothJazz Magazine
As much as her forefathers and mothers are an inspiration and source of strength for her, so are the young, gifted artists of the present, some of which Aziza has had a singular hand in nurturing. Among them are two students she mentored during her time as a music teacher in Brooklyn, and whom Miller credits for much of her inspiration and drive to begin writing lyrics. Steven Alston and Crystal Boyd joined Miller on stage as the artist gave a shout out to her past, deeply rooted in the heart of Brooklyn. “I learned how to teach in Brooklyn. I became a better person in Brooklyn,” said Miller, deferring the limelight to the duo who accompanied her on the song “Hear The Voices Of The People,” a tune that shed a visceral light on the over-
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Concert overwhelming culture of gun violence and police brutality. The cheerfully contagious vibe with which the show began is exactly how Aziza chose to finish it, concluding the night with the title track from her most recent album. This time, John James got the crowd fired up as they joined in on the chorus. And after Aziza linked arms with her band and soaked in the adoration and applause from her fans, she dipped from the stage, only to reappear moments later to perform “The Subway,” an encore song every New Yorker in the house new something about. And what a fitting way to end a night filled with laughs, a few tears, and a whole lot of good music. “Sometimes family is in the friendships,” Aziza said to the audience. “And you are all my family.” Aziza Miller and fan Robert Neal.
The band: L-R Bill White- guitar, John James - vocals, Aziza Miller- piano & vocals, Rich Harrison - drums, Robert E. Daniels -bass and Gary Fritz- percussion. Let the music take you… SmoothJazz Magazine | 35
New CD entitled This Journey Of Love
Featuring a musical tribute to Natalie Cole (A (A song for my friend) Release Date: August 08, 2016 and Horace Silver (A song for Silver)
for
www.azizamiller.com
BOOKINGS
Contact: azizadiva27@gmail.com
Feature LIVE With...
INCOGNITO By: Ahlia Love November 3, 2016 was another milestone for my personal history book. Incognito performed at the Keswick Theater in Glenside, Pennsylvania. This is an historically designated property where I used to go see the latest movies with my parents during my elementary school years. To return to this Movie Theater turned Entertainment venue not only brought back fond memories but became the source of new experiences that will last a lifetime.
Photos by: Ahlia Love
After finding our seats I ran into several friends, colleagues and a good mix of Philadelphia’s entertainment elite. The house lights faded and the musicians entered the stage to the warm welcome of a very energetic crowd. Band leader, Jean-Paul Maunick better known as Bluey addressed the crowd and began to share his story. This was perfect for me considering that he has answered some of my interview questions between his song monologues. Strange; It was almost as if Bluey peeked at the questions on my Ipad before the show. SJM: Bluey, According to info on your website, at the tender age of 10 you moved from the tiny island Mauritus, (just east of Madagascar) to the UK.. Who were some your early influences who fueled your passion for music? Bluey: When I first came to London I started hearing the music of groups like Let the music take you‌ SmoothJazz Magazine | 37
“What can I say about Maysa, she changed our lives.“ Earth Wind and Fire, Stevie Wonder, Tower of Power, Jimi Hendrix and more… SJM: How and where did you discover the super sultry vocalist Maysa Leak? Bluey: There was another voice who gave us a definition. A voice that defined the band and gave us a purpose. For me as a songwriter, she became my muse. I suddenly went from writing a little bit of reggae for Maxi Priest, a little bit of soul for some UK bands to being an international songwriter because of that one voice taking my songs into the world. From Baltimore, Maryland we have Maysa. What can I say about Maysa she changed our lives. Maysa giggled when I auditioned her on the phone from London because I said do you know any songs by Stevie Wonder? I said “What are you giggling for? She said “I just finished working with him. We just did an album called “Jungle Fever.” Whew, I hit the jackpot. Even if you've just been in a room with Stevie I want to know you. Even if you sat in the same chair, I want to know you. So having worked with Stevie I knew I was getting somebody great but what was most important was that since I didn't know who I was auditioning I asked my friend, please suggest someone who's not a Diva. I don't want a Diva. I don't want the headache. I don't want the superiority complex. What I need is someone who could join a band like this. Someone who was open to people, experiencing, sharing and being on the same level as everyone else. And I got her. Maysa, she's an incredible singer. SJM: You've been in this business of music for close to four decades, Congratulations. Having worked with some of the best to ever record Such as Stevie Wonder, George Benson, George Duke, Phillip Bailey, Al Jarreau and many more…is there someone that you would see as the artist that you would still be excited to record with. Bluey: D’Angelo. (Bluey, said much more about why he’d like to work with D’Angelo but the ladies in the audience were so loud and enthusiastic about his response that we weren’t able to clearly hear the full statement.) The band performed for about another 30 minutes and concluded with all of the 38| SmoothJazz Magazine
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band members on stage leading the audience in singing Bob Marley’s “One Love.” The audience headed toward the lobby filled up with great music and good vibes. Soon after Bluey along with Maysa and other band mates made their way out to the lobby to greet their fans. My guest and I took a few pictures with friends and some of the band members while we waited to begin our interview. We watched the crew breakdown all of the equipment on stage. We watched venue staff exit the building. By the way, I have to thank the entire Keswick theater staff for such a great experience. Everyone we encountered was warm, professional and just downright groovy. After waiting for close to an hour after the show, Mr. Jean Paul “Bluey” Maunick joined us in the seats close to the foot of the stage for our live interview. We were about to start the interview when Bluey’s driver announced that he could only give us 15 minutes for the interview before he had to leave. I asked Bluey where he had to go and offered to take him and his manager to their hotel. Fortunately, they accepted my offer and we were able to have a great discussion. It had been a very long day for all of us and since I could see that Bluey was a bit tired I cut the number of questions in half. As soon as I began asking questions and he seemed to get a second wind. The remainder of this article contains the actual questions that I did get to ask Bluey after the show. SJM: For starters how did you get the nickname Bluey? Bluey: It was at Boarding School. The guy who was actually in the reception area on my first day of school thought that he would pronounce my full name which is Jean-Paul Édouard Maunick and he could not pronounce it properly. He called me Gene Paul Mannick. I didn't want to go through school being called Gene. So I said please call me by my correct name and he couldn't get it right. I was 11 years old and after the third time he just said “Aww Bluey, bed 3” and he sent me to my bed and I never thought anything of it. But then all of the kids from school on that first Let the music take you… SmoothJazz Magazine | 39
Feature
day were calling me Bluey, Bluey, Bluey, Bluey. By the end of that first year even the teachers wrote in my school report Jean-Paul (Bluey) Maunick which kind of made my Mom wonder what the hell was going on. SJM: You have the longest list of past group members that I've seen in my entire life. The list looks like the international Who’s Who of the music industry. Other than obvious talent or skill is there a specific quality that you look for in an artist before inviting them to become a part of your legendary unit? Bluey: I look for people who I know are going to communicate and be able to travel and be on the road. I look for that quality in people that they must be able to be a team member. I'm not just looking for one shining person. I've met a lot of people who have awesome talent but I know that they wouldn't be able to function on the road with us because they carry too much ego or they carry too much baggage around with them. So it's important to find people who can work with each other. Every member of the band is important to me and they are an equal to me. I am not the Boss of them. We are the Boss of ourselves. We must be able to take care of ourselves so we can take care of each other. SJM: If you had not achieved this level of success in the music industry what do you think you would have chosen as an alternate career path? Bluey: Writing books for children. Something to do with children's’ education. I'm good with kids. I've always been good with kids. My neighbor would often comes over when I'm home for a few days. He'll turn up with his kids and just say “Ah Bluey do you mind looking after my kids for a couple of hours I'm gonna’ go somewhere.” And I'm fine with that. When he comes back the kids are calm. On airplanes people pass me their children because I can calm them down. I can relate to children. I've always been able to do that. SJM: Since the introduction of digital music sales, YouTube and social media in general how do you feel about the overall state of mainstream music today? 40| SmoothJazz Magazine
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Bluey: I can't really speak for everybody else. I can see the state of music for people around me that are trying to gravitate towards a career in it. I can see it from my own band…I have my own record label…I have various bands that I've produced. I have made a niche for myself and I can maintain in this industry because I understand the pros and the cons of the digital world and I've lived in the analog world when we used to be able to make money. Nowadays the very thing that will make you some money like online sales will actually take away your money because the returns are small and also too many people can get it for free. Not everybody is going to do the right thing. You know it's just the way of the world. The one thing that I will say is that the only people who are really going to hurt by the Internet or the new ways of selling records are going to be people who don't have the skill to communicate music live. Those who can do it live can only progress and shine and learn from each performance. Each time they can communicate with an audience they will get better at it. Those that can't do it live, like those that have been stars in their bedrooms make a fortune some times on records but don't necessarily have longevity or a career. SJM: There's a very powerful quote on your website “What good is fame if it can't be of help to those in need?” I've always believed that music is the most powerful tool in the universe and in my opinion that makes members of the music industry some of the most powerful humans on the planet. For many years you've supported recovery efforts for some of the natural disasters such as the Asian Tsunami, the earthquake in Nepal and the humanitarian crisis in Darfur. Bluey, do you think it's possible to galvanize like-minded members of the entertainment community to create an ongoing fund to help support these situations as opposed to starting from scratch every time a situation occurs? Bluey: I think it's good to start from scratch because once you make a business of it of anything then you are employing people to do it and people sometimes lose the purity of doing something because they're already running a show. I've tried to be involved with people who are running it as a business and when you work to help people in need you do it from the heart but it also has to be spontaneous. You're lookLet the music take you… SmoothJazz Magazine | 41
Feature ing for creativity but also that follow through. People need this. They need to receive it quickly because they're in that situation. The problem with organizations is that there's bureaucracy in organization and there's too many people and there's rent to pay on the building, there is suddenly phone bills to be paid. I don't even think about that. If I loose money, I lose money. If it's something I decided to do than I'll do it. The plan is to act quickly and make the money and I've too often done hits where I've seen people who are holding the cash say “Oh I'm sorry I had a to pay the mortgage with it. I will pay it back, I promise, I feel ashamed and I'm sorry that I did this. I can't believe I did this. I've seen families where somebody in their family dies. The parents die and the children begin to eat each other over money. It (fund raising for charities) happens in that same way. We're like a family but then somebody's holding the money. That’s when the people often go astray. For now on I only do things knowing where it's going and I can follow it through to the end. When there an organization involved I can't follow it through to the end. There's too many people saying don't worry I'll take care of it and I don't trust that. Everything that I do from now on from my own records to touring, I must be able to see the end product and I must make sure that everybody's taken care of along the way. The whole plan is to really self manage even when you're doing charity work. Very often artists do it and they trust what's going on around them and they're being let down. For them the time it takes to see something through is so time consuming. Because I'm so involved in everything I do I need to see it right through to the end. Amazing, as soon as Bluey said the word “End” there was a message on my camera display letting me know that this disc capacity had reached the “End”. I thanked Mr. Maunick for a great show and interview. Along with two remaining staff members we were the only people still in the building. We loaded his gear into my car and drove off into the sunset. What a phenomenal experience. 42| SmoothJazz Magazine
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CK A B Y A W ONE
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In the past twelve years, the guitarist stepped forward as an artist in his own right, consistently cranking out hits. “One Way Back,” a self-produced ten-track album, his eight solo collection in which he followed his heart back to his blues roots. “There was only one way back to my roots and that was to go down every road and embrace each one of them in order to find my way back to where I began,” said Brown, a two-time Grammy winner who wrote nine new tunes for the disc that was preceded by a reimagined take on Joe Sample’s party starter “Put It Where You Want It,” currently bulleted at No. 8 on the Billboard singles chart. Bubbling under Brown’s clean and cool electric jazz guitar expressions throughout “One Way Back” are blues-powered keyboard and Hammond B3 organ blasts courtesy of the similarly-named Brother Paul Brown (no relation) and stacks of muscular horn section workouts from saxophonist Greg Vail and trumpeter-horn arranger Lee Thornberg. Brown invited label mate saxman Darren Rahn to guest on “Sexy Thang.” Guitar fans will rejoice that four cuts – “Piccadilly Circus,” “River Walk,” “Take Flight” and “Rear View Mirror”- spot Let the music take you… SmoothJazz Magazine | 45
Feature light Brown trading stringed barbs with contemporary jazz guitar sensations Chris Standring, Marc Antoine, Peter White and Chuck Loeb respectively. Standring, Antoine and White stand apart using the voice of nylon guitars while Fourplay’s Loeb emotes deftly on jazz guitar. The session boasts a roof-raising gospel-jazz vocal from Don Bryant on the celebratory juke joint original “Well Alright.” Brown himself takes to the mic to croon the intimate “Heaven,” a poignant, heart-on-the-sleeve country-blues album closer spotlighting the artist’s character-rich voice. “’One Way Back’ is a journey thru my musical and life experiences. This album is a pure sense of expression and everything I’ve got to give,” said Brown before adding, “I’m a much better guitarist, producer and writer now than ever before.”
Best Contemporary Instrumental Album
Joyce Mateo 2003 “Just Chillin.”
Speaking of being a better guitarist, Paul enlisted four other household name guitarist to join him; Chris Standring, Marc Antoine, Peter White and Chuck Loeb. “Put It Where You Want It” “Sexy Thang” (featuring Darren Rahn) “Hush” “Piccadilly Circus” (featuring Chris Standring) “River Walk” (featuring Marc Antoine) “Well Alright” (featuring Don Bryant) “Take Flight” (featuring Peter White) “One Way Back” “Rear View Mirror” (featuring Chuck Loeb) “Heaven” 48 | SmoothJazz Magazine Let the music take you…
grammy winner:
super producer: Over 60 Billboards #1 singles.
Laguna 13th refirst on Ave Recreleased ber 23th
Beach his lease and Woodward ords which on Septem2016. I
Marc’s signature classical acoustic and nylon-string guitar melodies, quixotic gypsy jazz forays, brassy funk grooves and sultry Latin, Brazilian and Cuban rhythms, can be heard throughout this 9 track wonderment. Currently the title track is #2 on the Billboard Smooth Jazz Song chart. Having written 8 of the songs, he called upon some of his accomplished friends to collaborate with him, something he couldn’t do easily when he lived abroad for twelve years in Madrid, Spain. Philippe Saisse (keyboards), Rick Braun (trumpet), Greg Vail (saxes), Armand Sabal-Lecco (bass), Tim Welvaars (harmonica) and two-time Grammy winner Paul Brown (electric guitar), Drummer Gorden Campbell, upright bassist Roberto Vally, keyboardist Marco Basci, and percussionists Gumbi Ortiz and Richie Gajate Garcia. 46| SmoothJazz Magazine
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born in Paris
lives in Laguna Beach, CA.
picked up the guitar at 11.
big break was performing in Basia’s band.
session guitarist in L.A. for Sting, Celine Dion, Rod Stewart, Cher and more.
In 1995, Radio & Records elected him Best New Artist of The Year.
a Latin Grammy for best instrumental song in 2005
he is the first artist -in-residence at the new Stax Academy in Mem-
Feature Enduring major heart surgery in 2012 to repair an incapacitating atrial fibrillation problem only to be followed by hand surgery two years later to relieve the crippling pain and permanent nerve damage he endured while playing the guitar that locked the fingers on his left hand in odd positions. In Marc’s on words, “hitting rock bottom in 2014.” Now after building his own studio, we are blessed to have him back and touring again with his buddy Paul Brown where they just finished heading in San Diego at “Jazz Diego.” Other noteworthy tracks to get you started in a funky groove is track #1 “Why Not,” and a breezy melody “Minority” on track#5, “Romantico” track #6 speaks for itself as the guitar and piano plays off of one another, but the song gives the vibe of sitting at a café in Madrid. Track #8 “New Morning” a jazzy tune that will have you humming these musical bars in your head over and over. Track #9 “Twice Upon A Time“ serenades you while you marvel at the majesty of Marc’s handy work. Marc will be in Tuscan, AZ with Rick Braun for New Year’s Eve Show. Let the music take you… SmoothJazz Magazine | 47
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Tour NOVEMBER 25 Friday Sarasota, FL Van Wezel Performing Arts Hall TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 2 Friday Atlanta, GA Cobb Energy Performing Arts Centre TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR
NOVEMBER 26 Saturday Miami, FL Knight Concert Hall at the Adrienne Arsht Center TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 3 Saturday Washington, DC National Theatre TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 4 Sunday Collingswood, NJ NOVEMBER 27 Sunday Naples, FL Scottish Rite Auditorium Hayes Hall TICKETS TICKETS VIP PACKAGE 7:00 PM DAVE KOZ CHRISTMAS TOUR 7:00 PM DAVE KOZ CHRISTMAS TOUR NOVEMBER 29 Tuesday Clearwater, FL DECEMBER 6 Tuesday New York, NY 7:00 PM DAVE KOZ CHRISTMAS TOUR Town Hall TICKETS VIP PACKAGE Ruth Eckerd Hall TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR DECEMBER 7 Wednesday Warren, MI NOVEMBER 30 Wed. Ft. Pierce, FL 7:00 PM DAVE KOZ CHRISTMAS TOUR Andiamo's Celebrity Show Room Sunrise Theatre TICKETS VIP PACKAGE TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR DECEMBER 1 Thursday Jacksonville, FL DECEMBER 8 Thursday Carmel, IN The Florida Theatre 7:30 PM DAVE KOZ CHRISTMAS TOUR TICKETS VIP PACKAGE The Palladium TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR 50| SmoothJazz Magazine
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DECEMBER 9 Friday Columbus, OH Palace Theatre TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 16&17 Friday Cerritos, CA Cerritos Center for the Performing Arts TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 10 Saturday Cleveland, OH Playhouse Square TICKETS VIP PACKAGE DECEMBER 18 Sunday San Diego, CA 8:00 PM DAVE KOZ CHRISTMAS TOUR 7:00 PM DAVE KOZ CHRISTMAS TOUR Balboa Theatre TICKETS VIP PACKAGE DECEMBER 11 Sunday Chicago, IL Chicago Theatre TICKETS VIP PACKAGE 8:00 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 13 Tuesday El Paso, TX Plaza Theatre Performing Arts Center On Sale Nov. 11 7:00 PM DAVE KOZ CHRISTMAS TOUR DECEMBER 14 Wednesday Mesa, AZ Ikeda Theater TICKETS VIP PACKAGE 7:30 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 15 Thursday Tucson, AZ Fox Tucson Theater TICKETS VIP PACKAGE 7:30 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 20 Tuesday Rohnert Park, CA Weill Hall at the Green Music CenterTICKETS VIP PACKAGE 7:30 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 21 Wednesday Modesto, CA Gallo Center for the Arts TICKETS VIP PACKAGE 7:30 PM DAVE KOZ CHRISTMAS TOUR
DECEMBER 22 Thursday San Jose, CA City National Civic 8:00 PM DAVE KOZ CHRISTMAS TOUR
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Lifestyle - Gift Ideas
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New CD Releases 2016
Sting "57th & 9th" 11/11/16 BUY
Jeanette Harris "Chocolate Vibez" 10/16/16 BUY
Kurt Elling "The Beautiful Day" 10/28/16 BUY
Alejandro Escovedo "Burn Something Beautiful" 0/28/16 BUY
Dr. John "The Musical Mojo Orrin Evans "Knowing Is Of Dr. John: Celebrating Half The Battle" 10/07/16 Mac And His Music" BUY 10/14/16" BUY
Delfeayo Marsalis - Uptown Jazz The Cookers "The Call Orchestra “Making American Great of the Wild and PeaceAgain” 09/16/16 BUY ful Heart" 09/09/16 BUY
Bob Mintzer "All L.A. Band" 09/02/16 BUY
CD Review Review By: Eryn K. Bozeman Former Tower of Power Tenor saxophonist Richard Elliot has been a staple of the smooth jazz / funk scene for a number of years now and his latest album is an all out celebration of the genre. According to him, when he began preparations for “Summer Madness” in earnest as his follow up to his critically acclaimed 2014 album “Lip Service” he knew exactly what he wanted to do.
down that path, leaning more on the funk side.” Elliot involved the regular members of his band on the recording, unlike many artists who tend to book session musicians and that tightly knit cohesion is pretty obvious when listening to this funky gem of an offering. "Summer Madness," set for release on September 9, 2016 via Heads Up, a division of Concord Music Group, is a new kind of Richard Elliot recording. For one thing, the cast includes two other horn men augmenting Elliot’s signature sax work: trumpeter/trombonist Rick Braun, who also produced the album and, on several tracks, baritone saxophonist Curt Waylee.
First and foremost, it had to be funky. “When I was growing up in the ’70s and first learning to play the saxophone,” he says, “I was mostly attracted to instruMost importantly though, the music mentally based R&B and to jazz that had was created from scratch as Elliot and R&B roots. This record definitely goes
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handpicked musicians formulated and honed their ideas in the studio, with Braun’s uber-capable guidance. For Elliot, recruiting the additional players and having the entire band— plus a well-respected veteran producer help him shape the music— was integral to the project’s success.
is one of those albums that simply takes hold the moment you press play and never lets go. Along the way it touches down on a variety of moods and styles, from Latin- and Africaninspired funk to soul jazz, even flirting with fusion on the hard-driving, appropriately titled “Ludicrous Speed.”
With seven new originals and three classic interpretations this is Some soulful ballads pay without doubt one of tribute to heroes of Elthe most electrifying liot’s going back to his and gratifying recordearliest days of musical ings of Richard Elliot’s discovery: “Europa,” the three-plus-decade sobeautiful Santana classic lo career. From the openand the title track “Summer ing salvo, a superMadness,” a mid-’70s hit for funkified take on Spyro funk titans Kool & the Gang Gyra’s “Cachaca,” through are among those sparkling the closing “Mr. Nate’s tracks on the album. Wild Ride,” spotlighting bassist Nathaniel Phillips, Among the original composiwho wrote the track along tions, “Harry the Hipster,” acwith Elliot and Braun, Summer Madness cording to Elliot himself, “is reminiscent 66 | SmoothJazz Magazine
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of songs that had cool, recurring melodies and a funky pulse—the idea was not to wrap yourself up in how much complexity you could put into the song, but how much feeling and groove can you put into the song?” Another highlight, the band-written “West Coast Jam,” is Elliot’s nod to yet another influence, the late leader of funk trailblazers Zapp, Roger Troutman, while “Breakin’ It Down,” which arrives early on Summer Madness, is designed, he says, to bridge the genres of funk and contemporary jazz, with which Elliot has long been associated.
IN MY MIND
Release Date
August 22, 2016
It should come as no surprise to Elliot’s long-time fans that he would, at some point in his career, choose to celebrate funk in such a dedicated, decisive way. It was, after all, with the legendary Tower of Power that many first heard the saxophone virtuosity of Richard Elliot. A very enjoyable album where you can party the night away with this one! 5 stars!
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CD Review Recent fans of Robert Glasper look to his albums to hear the collaborations between his band and some of music’s most popular voices. His Black Radio series, along with work on the Miles Davis project has put him in top demand,
Review By: Keivu Knox
and skills that is as refreshing as a cold glass of lemonade. The album starts off with “This is Not Fear,” but just when you think you have an idea that this is a traditional jazz
even though his career has spanned composition, The Experiment flips the close to 15 years in the industry. To that track and turns it into a nice slice of jazz end, Glasper chose to go in a totally meets hip-hop. From there, we get into different direction on his latest offering. “Thinkin’ Bout You,” which actually feaThe focus on ArtScience is the core four tures Glasper on lead vocals over a fumembers of The Robert Glasper Experi- turistic progressive drum track. “Day To ment; saxophonist Casey Benjamin, Day” is a tune written by Benjamin and bassist Derrick Hodge, drummer Mark features himself on lead vocals. It’s a Colenburg, and Glasper on piano and track that bares a melodic similarity to keys. The product of this inward focus is Stevie Wonder’s “You’ve Got It Bad Girl,” a musical mix of sounds Let the music take you… SmoothJazz Magazine | 69
but it effectively stands on its own with its sheer funkiness. Of the album’s twelve tracks, only two of them are not written by the group. While they are covers, they are interpreted so uniquely that thy fit well in the scheme of the project. Their take on Herbie Hancock’s “Tell Me a Bedtime Story” is layered with supreme musicianship and improvisation. Things go a step further on the second cover which is also the album’s closer. They mold and shape the beauty of The Human’s League #1 hit “Human,” and create a musical gumbo. The change of pace with the tempo makes the listener pay attention to every note. We are also treated to a second and cooler version of the afore-mentioned “Fear.” I can appreciate Glasper’s desire to focus on the “core four” on this project. It gives us the opportunity to appreciate the skill set of the Experiment, and not be sidetracked by the “guest stars.” ArtScience, as its name suggests, is an album that was constructed in the lab, under a calculated experiment to see the results of a change of pace approach, and their result is simply a great piece of art!
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CD Review
By: John Turner
Review By: Andrew Reeves The much anticipated eighth album from jazz icon Paul Jackson, Jr is finally here! "Stories from Stomping Willie" is the latest contribution from an artist whose caJust listenedthree to Nora Jones'and newseen CD “Day reer has spanned decades collaboraBreaks.” I say butJackson, outstanding! tions with suchWhat stars can as Michael Whitney HouNora has delivered any and all expectatston, George Benson, andon Kirk Whalum. Jackson brings heras many fans would expect to bearions his that talents arranger, composer andfrom producer this multi awardofwinning vocalist. in an album thattalented offers a bevy music variety, showthe sultry sounding opening “Burn,” casingFrom the artist's uncanny ability to harness the the power story telling of “Tragedy”...Fast pace rhythm of his instrument. of “Flipside,” the nostalgic groove of “It's A Jackson's career has garnered quite an impressive list Wonderful Time For Love,” to the mellow fiof musical friends, many of which he calls upon to colnally of “Fleurette Africaine (African Flower),” laborate on the album. Among them are famed violinas some of her best work yet. Ms. Jones gets ist Karen Briggs who brings a special brand of sassy help from an all-star cast of musicians, such flare to "Ocean Explorer", along with pianist Brian Culas Hall of Famer Wayne Shorter on sax, brilbertson accompanying Jackson on "B.F.A.M. (Brothers liant organist Dr. Lonnie Smith and superstar From Another Mother)". And a Paul Jackson, Jr album Brian Blade on drums. The 12-song set prewouldn't be the same without members of the Rickey sents 9 new originals alongside covers of Minor Band who have performed with the artist on songs by Horace Silver, Duke Ellington and shows such as American Idol and the Tonight Show. Neil Young. "Stories from Stomping Willie” is not just a tribute to Sit back relax and allow Nora Jones to fulfill the late guitarist George Duke who coined the nickyour musical dreams. Day Breaks is one you name are for Jackson, but also yet collection. another example of the sure to want in your versatility of an artist who has infused his music with 72 | SmoothJazz Magazine Let the music take you…
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CD Review CD Reviews Review By: Eryn K. Bozeman Brian Culbertson “FUNK!” the name of the cd says it all. I have to say that Brian Culbertson has done it again. I am never disappointed when I make a choice to play his music and this cd is another work of music perfection. I’ve been jamming this cd Photos By: David Johnson most of the day as I drive my fair city working. I am sure most people wonder why I seem extra happy as I ride, but music takes me away. This cd has the true feel of the P-FUNK era. I could hear DJ’s all over the world mixing this up with a ton of old Bootsy or George Clinton jams. That alone made me smile. The cd kicks off with “Get Ready,” to begin your journey. It says “you are ready for this for this funk,” and I don’t know if I was. The cd blew me away. This cd is loaded with stand out’s and I will try to name only a few. I enjoyed the one’s everyone will run with like “Play That Funky Music” and “Got To Give It Up,” but I also liked songs way more than what is typical. “The Call” with Maqueal Jordan singing lead, is what I will fondly call a shaker. You will be trying to shake what you got, during that song. I bet this tune will 74 | SmoothJazz Magazine
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a show stealer while on tour. It has such a great show feel. The audience can dance and participate all the way through this song. I can see the keyboard solo’s and horns, it has to be outstanding. Now let me back track just a bit and say I am not ignoring the excellence of “Play That Funky Music,” or “Got To Give It Up.” Both tracks are excellently remastered into the Brian Culbertson feel. My hat is off to him and the star studded band on their musicality and styling, it is truly showcased in the songs “Been Around The World,” and “Let’s Take A Ride.” They feel good from beginning to end, you will find yourself bouncing and not wanting the tunes to finish. I guarantee you will be laughing, dancing, snapping your fingers, and clapping your hands all the way through this cd. Brian threw in little cd mini songs, like “Sunshine” and “Damn I’m Hungry,” that will make you giggle, and feel like you are hanging out with family as you enjoy the music. Now for the song I loved best of all, “Mile Sauce.” This song is FUNK through and through, from the horns to the lyrics. When they throw the line in “So funky you can smell it,” I was done. The song Let the music take you… SmoothJazz Magazine | 75
is funny and great music. Last but in no way least, I will speak on “Spend A Little Time,” it’s the sexy slow jam of the cd and I do mean sexy. The song spins and plays all around, then the piano keys and the vocals take you off on a sweet trip to music paradise. It’s a sweet wrap before the last mini song plays, thanking you for listening to the cd. I will tell you that this cd takes you everywhere from P-FUNK to FUNK city. This entire body of work feels like music should feel, FUN!!! I feel like the band enjoyed the entire experience, and laid it down for us to enjoy while we listen. I am more than sure the tour for this cd will be crazy fun, but first buy and listen to the cd to prepare you for Brian’s FUNKY ride.
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CD Review
Review By: Avzal Ismail
If you appreciate artists such as Earl of great music that left me uplifted and Klugh, Peter White and Lee Ritenour, relaxed at the same time. then Ken Navarro will be right up your Ken’s brilliant acoustic and electric guialley. tar work is featured throughout the alWith a new album scheduled for release bum, but his equal virtuosity on all the in September 2016, “Bonfire” is the other instruments is what left me shakquintessential smooth jazz album and ing my head in amazement. definitely one for the Christmas stocking The fact that Ken has worked with if you are that way musically inclined. artists as diverse as Dave Koz, Alex AcuThe album features the radio hit “One na, Doc Severinsen, Eric Gale, Vicky Carr Summer Day” and showcases Ken and a host of others speaks volumes writing for and performing on all instru- and his musical experience and chutzments on the album which in itself is a pah shines on this album. jaw dropping feat which includes him playing bass, drums, piano, strings, horns, percussion and more. Something very few musicians on the planet can actually do. Talk about genius!
From a compositional perspective there is enough variety on this album to keep everyone happy. From choral type counterpoint classical work on “Glen Echo” to straight ahead grooves on the beautiThis is a 13 song absolute tour de force ful “Soft Stuff”, this album certainly has Let the music take you… SmoothJazz Magazine | 77
Review By: Keivu G. Knox
CD Review
something for everyone. My particular favorite among others is “Hammocks and Swings” which really leaves you with a genuinely lilting feeling. A cross, shuffle funk downbeat with some smooth horn lines supported by organs, and a phaser driven Rhodes laying down a platform for some superb guitar work. A nice touch was bringing in a muted trumpet in the mix. Still, every song has appeal and the album has enough variety to satisfy even the most dyed in the wool listener. The production is superb with a well balanced mix that has all the right elements to keep the listener wanting more and this is yet another addition to a string of albums that establish Ken as a leading figure in today’s global Contemporary Jazz scene. For the past 25 years, Ken has performed all across the USA and internationally and this album is testament to the reason why he is indeed such a popular artist, performer, composer and producer who has worked with some of the biggest names in the industry. This is a definite must have for those long distance trips with just you, the open road and the music from Ken Navarro’s latest album “Bonfire” streaming through the speakers. Go on, turn up the volume and enjoy. 4.5 Stars
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CD Review
By: Andrew Reeves
Pianist, Composer, Singer. Aziza Miller continues to blaze trails with her latest album “This Journey of Love.” The native New Yorker offers a bouquet of six tracks that showcase her incredible talent not only on the keyboard, but also as an arranger, pianist and spoken word artist. The EP starts off with the sexy “A Brand New Song,” Aziza showing off her skill on the keys, combining a traditional up-tempo jazzy vibe with a background vocal arrangement that makes you want to get up and dance to the music. Next up is the title track, a superb example of why Aziza is a master at her craft. She weaves piano, guitar, percussion and vocals into an ensemble with overtones that give the track a kind of fun-loving Latin flavor. The artist slows things down with a track dedicated to her long-time friend, the late Natalie Cole, who Miller worked with as musical director at the beginning of her career. “A Song For My Friend” truly brings out the artist’s skill as a singer. Aziza delivers each note with a clarity and control that evokes the vocals of the legendary recording artist. And who better to pay homage to Cole than one who knew her music so intimately. Aziza breaks out the funk with the next track, “I Don’t Say Much” and puts her piano solo front and center as a kind of call and response to the vocals. You might find yourself swinging to the Let the music take you… SmoothJazz Magazine | 79
CD Review “A Song For Silver” another tribute, this time to the inimitable pianist and composer Horace Silver, is a sensual favorite that brings back the old school jazz feel that Horace made so famous back in the day. And in the final track “Say Yes”, Aziza brings back her feel-good vocals in a catchy tune that brings a fitting, finishing touch to an entire album that serves as a metaphor for the highs and lows of love. Aziza Miller has truly earned her place among the great musicians whose talent transcends the confining label of any one genre. “This Journey of Love” is as much an enduring testament to that fact as any.
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CD Review Review By: Keivu Knox Fresh off the success from his last album, C’est Le Funk, guitarist U-Nam hits us with another great dose of jazz meets funk. “Surface Level” is a project full of grooves that not only takes you back to great musical groups and bands of the70s/80s, but it leaves you wanting more. While I was familiar with U-Nam through his involvement with other artists, this album serves as my formal introduction to him as a main performer. After listening to Surface Level, I can see why he is in such high demand. Things get off to a fast start with the album’s opener and lead single, “Going For Miles. While it gives a proper tribute to the Change classic “Glow of Love,” it stands on its own due in large part to U-Nam’s guitar work driving the changing melody. “Plus De Funk,” is another track that will grab your attention. Not only does it feature live horns, but live strings as well. The Fender Rhodes work of Valeriy Stepanov also stands out on this track that echoes The Jacksons in their late 70’s heyday. There are a few other tributes to the greats that should not be overlooked. There’s the mid-tempo cover of All Night Long by the Mary Jane Girls, or Mary J Blige, depending on your preference. The instrumental take on Manhattan Transfer’s “Spice of Life,” written by the late great Rod Temperton, works well with the horn section and Ramon Yslas on percussion. Let the music take you… SmoothJazz Magazine | 81
U-Nam’s tribute to the funk band Dayton is found on his cover of the hit “The Sound of Music.” This may be, pound for pound, the best track on this album, from the vocals of Kim Chandler and Tim Owens, to the talk box from U-Nam, to the surprise appearance of Bob Baldwin on piano.
is not a cover album! Tracks such as “Cool Blue, “Groove Paradise” and “West Indeed” help to give balance to the project and allows the listener to stay focused on how great of a musician, and arranger U-Nam is. I will definitely dive into his previous works, because it is clear to me that after hearing Surface Level, I have only scratched the While the tributes and covers help to breathe new life into them, this project surface of U-Nam’s genius.
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CD Review Peter White’s musical journey can be likened to a refined wine. His eclecticism and longevity has allowed him to continue to bring us great music for over four decades. His latest “Groovin’” is set for release on OcReview By: Maria L. Lewis tober 28, 2016 via Heads Up, a division of Concord Music Group, and is White’s third collection of guitar- centric interpretations of compositions from the 1950’s to the 80’s. The album begins with “Groovin” a hit song originally performed by the Rascals, and appropriately named due to its “groovin” feel. White adds his stamp to it by incorporating a muted trumpet solo, and a thumping bass arrangement. “How long” a rendition to the original 70’s hit song written by Ace holds true to the light rock style, and adds light vocals for the chorus. The Marvin Gaye classic “I Heard It Through the Grapevine” begins with a reverberated electric guitar solo, and moog synthesizer for the bass line; then acoustic guitar enters into the mix, along with background vocals, and horns. The 70’s hit “Never Knew Love Like This Before” originally performed by Stephanie Mills, ushers in nostalgia with its disco feel, and staccato-style keyboard arrangement. The background vocals are guaranteed to have Let the music take you… SmoothJazz Magazine | 83
you singing along with this classic tune! The Gamble and Huff song “When Will I See You Again” is tastefully decorated with a complex keyboard arrangement, acoustic guitar, and vocals; it also has an island feel with its percussion enhancements, and lead acoustic guitar line. “Let’s see what happens” has been White’s modus operandi since he first picked up a guitar. Several songs on “Groovin” originated in the 1970’s and 80’s. Peter White is not only nostalgic with this album, but also gutsy and high-spirited with the selections he chose to write arrangements to. We can expect this veteran Artist to keep “Jazzin’ On” for years and decades to come!
Andra Day “Cheers To
Gary Clark Jr “The Story
DVSN “Sept 5th”
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Festival Photos By : Ron Hancox
BWB
Nydia
By Nydia Hancox
"Jazz Meets James" featured the Duke of Swagger Nick Colionne’s incredible tribute to the Godfather of Soul with other great artists improvis-
Nick Colionne
Will Donato held an exhilarating show on the deck of the Rusty Rudder where the crowd danced in the sun overlooking the ocean.
Matt Marshak
Artists celebrating cd releases included Matt Marshak “New York” and Jeannette Harris “Chocolate Vibez.”
Will Donato
Jeanette Harris
Rick Braun
The 27th annual Rehoboth Beach Jazz Festival was held October 13th through October 16th. This 4 day musical extravaganza kicked off with a sold out performance from International artist Patti Austin, who was selected as this year’s Rehoboth Beach Jazz Festival Artist of the Year. Artists performing this year included: Gerald Albright, Alex Bugnon, BWB: Rick Braun, Kirk Whalum and Norman Brown, Brian Simpson, Najee, Jeff Lorber Fusion, Kim Waters, Steve Cole, Jackiem Joyner, Gerald Veasley, Three-time Grammy Award-winning pianist Ramsey Lewis, John Pizzarelli, Jaye Rowe, Jeffery Osborne, Eric Darius and the list goes on!
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Festival
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JAN/FEB 2016
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